Search results for ""author leonard"

W.H. Auden famously wrote: “Poetry makes nothing happen.” Journalism is a different matter. In a brilliant study that is, in part, a memoir of his 40 years as an essayist and critic at TIME magazine, Lance Morrow returns to the Age of Typewriters and to the 20th century’s extraordinary cast of characters—statesmen and dictators, saints and heroes, liars and monsters, and the reporters, editors, and publishers who interpreted their deeds. He shows how journalism has touched the history of the last 100 years, has shaped it, distorted it, and often proved decisive in its outcomes.Lord Beaverbrook called journalism “the black art.” Morrow considers the case of Walter Duranty, the New York Times’ Moscow correspondent who published a Pulitzer Prize-winning series praising Stalin just at the moment when Stalin imposed mass starvation upon the people of Ukraine and the North Caucasus in order to enforce the collectivization of Soviet agriculture. Millions died.John Hersey’s Hiroshima, on the other hand, has been all but sanctified—called the 20th century’s greatest piece of journalism. Was it? Morrow examines the complex moral politics of Hersey’s reporting, which the New Yorker first published in 1946.The Noise of Typewriters is, among other things, an intensely personal study of an age that has all but vanished. Morrow is the son of two journalists who got their start covering Roosevelt and Truman. When Morrow and Carl Bernstein were young, they worked together as dictation typists at the Washington Star (a newspaper now extinct). Bernstein had dedicated Chasing History, his memoir of those days, to Morrow. It was Morrow’s friend and editor Walter Isaacson—biographer of Leonardo Da Vinci, Albert Einstein, and Steve Jobs—who taught Morrow how to use a computer when the machines were first introduced at TIME.Here are striking profiles of Henry Luce, TIME’s founder, and of Dorothy Thompson, Claud Cockburn, Edgar Snow, Joseph and Stewart Alsop, Joan Didion, Norman Mailer, Otto Friedrich, Michael Herr, and other notable figures in a golden age of print journalism that ended with the coming of television, computers, and social media. The Noise of Typewriters is the vivid portrait of an era.

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Working Space affords a rare opportunity to view painting from the inside out, through the eyes of one of the world’s most prominent abstract painters. Frank Stella describes his perception of other artists’ work, as well as his own, in this handsomely illustrated volume.Stella uses the crisis of representational art in sixteenth-century Italy to illuminate the crisis of abstraction in our time. The artists who followed Leonardo, Michelangelo, Raphael, and Titian searched for new directions to advance their work from beneath the shadow of these great painters. Caravaggio pointed the way. So today, Stella believes, the successors to Picasso, Kandinsky, and Pollock must seek a pictorial space as potent as the one Caravaggio developed at the beginning of the seventeenth century. Stella sees Caravaggio as the pivot on whom painting turns, his consummate illusionism prompting the advance of a more flexible, more “real” space that allows painting to move and breathe, to suggest extension and unrestricted motion. Following Caravaggio, Rubens’ broad vision of fullness and active volume gave painting a momentum that helped propel it into the nineteenth century, where it came to rest in the genius of Géricault and Manet, themselves the precursors of modern painting.Unfortunately, both contemporary abstract art and figurative painting have become trapped by ambiguous pictorial space and by a misguided emphasis on materiality (pigment for pigment’s sake). Pictorial qualities have given way to illustrational techniques. Abstract art has become verbal, defensive, and critical, caught up in theology masquerading as theory. Stella asserts that painting must understand its past, make use of the lucid realism of seventeenth-century Italy, and absorb a Mediterranean physicality to reinforce the lean spirituality of northern abstraction pioneered by Mondrian and Malevich. Working Space will provoke discussion and argument, not least because Stella offers nontraditional evaluations of the works of giants such as Raphael, Titian, Michelangelo, Picasso, and Pollock, as well as lesser-known figures including Annibale Carracci, Paulus Potter, and Morris Louis. The artist’s powers of discernment and the profusion of his ideas and opinions will dazzle and engage professionals, amateurs, and students of art.

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'Never before had the world seen four such giants co-existing. Sometimes friends, more often enemies, always rivals, these four men together held Europe in the hollow of their hands.' Four great princes - Henry VIII of England, Francis I of France, Charles V of Spain and Suleiman the Magnificent - were born within a single decade. Each looms large in his country's history and, in this book, John Julius Norwich broadens the scope and shows how, against the rich background of the Renaissance and destruction of the Reformation, their wary obsession with one another laid the foundations for modern Europe. Individually, each man could hardly have been more different ­- from the scandals of Henry's six wives to Charles's monasticism - but, together, they dominated the world stage. From the Field of the Cloth of Gold, a pageant of jousting, feasting and general carousing so lavish that it nearly bankrupted both France and England, to Suleiman's celebratory pyramid of 2,000 human heads (including those of seven Hungarian bishops) after the battle of Mohács; from Anne Boleyn's six-fingered hand (a potential sign of witchcraft) that had the pious nervously crossing themselves to the real story of the Maltese falcon, Four Princes is history at its vivid, entertaining best. With a cast list that extends from Leonardo da Vinci to Barbarossa, and from Joanna the Mad to le roi grand-nez, John Julius Norwich offers the perfect guide to the most colourful century the world has ever known and brings the past to unforgettable life.

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A comprehensive look at four of the most famous problems in mathematicsTales of Impossibility recounts the intriguing story of the renowned problems of antiquity, four of the most famous and studied questions in the history of mathematics. First posed by the ancient Greeks, these compass and straightedge problems—squaring the circle, trisecting an angle, doubling the cube, and inscribing regular polygons in a circle—have served as ever-present muses for mathematicians for more than two millennia. David Richeson follows the trail of these problems to show that ultimately their proofs—which demonstrated the impossibility of solving them using only a compass and straightedge—depended on and resulted in the growth of mathematics.Richeson investigates how celebrated luminaries, including Euclid, Archimedes, Viète, Descartes, Newton, and Gauss, labored to understand these problems and how many major mathematical discoveries were related to their explorations. Although the problems were based in geometry, their resolutions were not, and had to wait until the nineteenth century, when mathematicians had developed the theory of real and complex numbers, analytic geometry, algebra, and calculus. Pierre Wantzel, a little-known mathematician, and Ferdinand von Lindemann, through his work on pi, finally determined the problems were impossible to solve. Along the way, Richeson provides entertaining anecdotes connected to the problems, such as how the Indiana state legislature passed a bill setting an incorrect value for pi and how Leonardo da Vinci made elegant contributions in his own study of these problems.Taking readers from the classical period to the present, Tales of Impossibility chronicles how four unsolvable problems have captivated mathematical thinking for centuries.

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A comprehensive look at four of the most famous problems in mathematicsTales of Impossibility recounts the intriguing story of the renowned problems of antiquity, four of the most famous and studied questions in the history of mathematics. First posed by the ancient Greeks, these compass and straightedge problems—squaring the circle, trisecting an angle, doubling the cube, and inscribing regular polygons in a circle—have served as ever-present muses for mathematicians for more than two millennia. David Richeson follows the trail of these problems to show that ultimately their proofs—which demonstrated the impossibility of solving them using only a compass and straightedge—depended on and resulted in the growth of mathematics.Richeson investigates how celebrated luminaries, including Euclid, Archimedes, Viète, Descartes, Newton, and Gauss, labored to understand these problems and how many major mathematical discoveries were related to their explorations. Although the problems were based in geometry, their resolutions were not, and had to wait until the nineteenth century, when mathematicians had developed the theory of real and complex numbers, analytic geometry, algebra, and calculus. Pierre Wantzel, a little-known mathematician, and Ferdinand von Lindemann, through his work on pi, finally determined the problems were impossible to solve. Along the way, Richeson provides entertaining anecdotes connected to the problems, such as how the Indiana state legislature passed a bill setting an incorrect value for pi and how Leonardo da Vinci made elegant contributions in his own study of these problems.Taking readers from the classical period to the present, Tales of Impossibility chronicles how four unsolvable problems have captivated mathematical thinking for centuries.

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It is common wisdom that language is culturally embedded. Cultural change is often accompanied by a change in idiom, in language or in ideas about language. No period serves as a better example of the formative influence of language on culture than the Renaissance. With the advent of humanism new modes of speaking and writing arose. But not only did classical Latin become the paradigm of clear and elegant writing, it also gave rise to new ideas about language and the teaching of it. Some scholars have argued that the cultural paradigm shift from scholasticism to humanism was causally determined by the rediscovery, study and emulation of the classical language, for learning a new language opens up new possibilities for exploring and describing one's perceptions, thoughts and beliefs. However, the vernacular traditions too rose to prominence and vied with Latin for cultural prestige.This volume, number XXIV in the series "Groningen Studies in Cultural Change", offers the papers presented at a workshop on language and cultural change held in Groningen in February 2004. Ten specialists explore the multifarious ways in which language contributed to the shaping of Renaissance culture. They discuss themes such as the relationship between medieval and classical Latin, between Latin and the vernacular, between humanist and scholastic conceptions of language and grammar, translation from Latin into the vernacular, Jewish ideas about different kinds of Hebrew, and shifting ideas on the power and limits of language in the articulation of truth and divine wisdom. There are essays on major thinkers such as Nicholas of Cusa and Leonardo Bruni, but also on less well-known figures and texts. The volume as a whole hopes to contribute to a deeper understanding of the highly complex interplay between language and culture in the transition period between the fourteenth and sixteenth centuries.

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Almost nine million people from all over the world flock to the Louvre in Paris every year to see its incomparable art collection. Yet few, if any, are aware of the remarkable history of that location and of the buildings themselves, and how they chronicle the history of Paris itself-a fascinating story that historian James Gardner elegantly tells for the first time.Before the Louvre was a museum, it was a palace, and before that a fortress. But much earlier still, it was a place called le Louvre for reasons unknown. People had inhabited that spot for more than 6,000 years before King Philippe Auguste of France constructed a fortress there in 1191 to protect against English soldiers stationed in Normandy. Two centuries later, Charles V converted the fortress to one of his numerous royal palaces. After Louis XIV moved the royal residence to Versailles in 1682, the Louvre inherited the royal art collection, which then included the Mona Lisa, given to Francis by Leonardo da Vinci; just over a century later, during the French Revolution, the National Assembly established the Louvre as a museum to display the nation's treasures. Subsequent leaders of France, from Napoleon to Napoleon III to Francois Mitterand, put their stamp on the museum, expanding it into the extraordinary institution it has become.With expert detail and keen admiration, James Gardner links the Louvre's past to its glorious present, and vibrantly portrays how it has been a witness to French history - through the Napoleonic era, the Commune, two World Wars, to this day - and home to a legendary collection whose diverse origins and back stories create a spectacular narrative that rivals the building's legendary stature.

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The Scientific Revolution of the seventeenth century has often been called a decisive turning point in human history. It represents, for good or ill, the birth of modern science and modern ways of viewing the world. In What Galileo Saw, Lawrence Lipking offers a new perspective on how to understand what happened then, arguing that artistic imagination and creativity as much as rational thought played a critical role in creating new visions of science and in shaping stories about eye-opening discoveries in cosmology, natural history, engineering, and the life sciences.When Galileo saw the face of the Moon and the moons of Jupiter, Lipking writes, he had to picture a cosmos that could account for them. Kepler thought his geometry could open a window into the mind of God. Francis Bacon's natural history envisioned an order of things that would replace the illusions of language with solid evidence and transform notions of life and death. Descartes designed a hypothetical "Book of Nature" to explain how everything in the universe was constructed. Thomas Browne reconceived the boundaries of truth and error. Robert Hooke, like Leonardo, was both researcher and artist; his schemes illuminate the microscopic and the macrocosmic. And when Isaac Newton imagined nature as a coherent and comprehensive mathematical system, he redefined the goals of science and the meaning of genius.What Galileo Saw bridges the divide between science and art; it brings together Galileo and Milton, Bacon and Shakespeare. Lipking enters the minds and the workshops where the Scientific Revolution was fashioned, drawing on art, literature, and the history of science to reimagine how perceptions about the world and human life could change so drastically, and change forever.

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Originally published in 1989. In this companion volume to the acclaimed Pure Lives, Reed Whittemore probes the often-complex motives behind the relationships of modern biographers to their subjects. Whittemore's description of biography's uneven path toward comprehensive character study begins with Thomas Carlyle, whose biography of Frederick the Great broke with tradition by tracing the roots of its subject's character to childhood trauma. (A strict disciplinarian, Frederick's father once considered having his rebellious teenage son executed.) Whittemore examines the work of Leslie Stephen, the Dictionary of National Biography's first editor, who admired Carlyle but disliked his style—and was convinced that Carlyle disliked him. And in a chapter on Sigmund Freud, Whittemore traces the revolution in writing biography that began with Freud's speculations on the nature and origin of Leonardo da Vinci's homosexuality. Few have escaped Freud's influence. While Leon Edel argues that biographers should not psychoanalyze their subjects, his biography of Henry James does precisely that. Richard Ellman tempers his impulse for Freudian probing of Joyce, Yeats, and Oscar Wilde with the explication of their often difficult works. Kenneth Lynn's recent biography of Hemingway takes the opposite approach. "The Hemingway industry," Whittemore explains, "is like Marilyn Monroe's in having much of the sensational in it, including suicide, so that the problems of having to deal with Hemingway as a writer, good or bad, can always be put on the back burner for a few chapters while Hemingway the braggart and liar performs." Thomas Parton and Benjamin Franklin, Virginia Woolf and Elizabeth Barrett Browning, Erik Erikson and Martin Luther, biographers and their subjects continue to engage our attention. Whole Lives offers an informative—and refreshingly informal—look at one of the most enduringly popular genres.

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One of the last surviving members of the futurist generation, Bruno Munari's Design as Art is an illustrated journey into the artistic possibilities of modern design translated by Patrick Creagh published as part of the 'Penguin on Design' series in Penguin Modern Classics.'The designer of today re-establishes the long-lost contact between art and the public, between living people and art as a living thing'Bruno Munari was among the most inspirational designers of all time, described by Picasso as 'the new Leonardo'. Munari insisted that design be beautiful, functional and accessible, and this enlightening and highly entertaining book sets out his ideas about visual, graphic and industrial design and the role it plays in the objects we use everyday. Lamps, road signs, typography, posters, children's books, advertising, cars and chairs - these are just some of the subjects to which he turns his illuminating gaze. How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever.Bruno Munari (1907-1998), born in Milan, was the enfant terrible of Italian art and design for most of the twentieth century, contributing to many fields of both visual (paint, sculpture, film, industrial design, graphics) and non-visual arts (literature, poetry). He was twice awarded the Compasso d'Oro design prize for excellence in his field.If you enjoyed Design as Art, you might like John Berger's Ways of Seeing, also available in Penguin Modern Classics.'One of the most influential designers of the twentieth century ... Munari has encouraged people to go beyond formal conventions and stereotypes by showing them how to widen their perceptual awareness'International Herald Tribune

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This beautiful art encyclopedia charts the evolution of the greatest cultural achievements in painting, sculpture, and photography.The greatest art exhibition at your fingertips! Packed with fascinating facts, clear explanations, and stunning photography, this awe-inspiring art encyclopedia for kids aged 9-12 years takes you on a magical tour through time exploring every artistic style and movement in stunning detail. From Leonardo da Vinci's iconic Mona Lisa to Vincent van Gogh's spectacular The Starry Night, this art history book celebrates the lives of groundbreaking artists and their most famous art masterpieces. Get to grips with world-famous sculptures, such as the ancient Chinese Terracotta Army and Henry Moore's beautiful bronze casts. Then find out about photography, from the development of the camera to pioneering photographers such as Johannes Vermeer and Julia Margaret Cameron. Designed for both parents and children to enjoy together, this bestselling book on art history is guaranteed to encourage a love of art through the generations.Celebrate your child's creativity as they explore:- “Artist profiles" explore the lives & major works of key painters, sculptors, photographers, musicians, & dancers.- Our "Closer look" pages delve deeper into a work of art, highlighting technique, detail, and symbols.- Stunning double-page spreads feature important works of art in full color.- Striking visual artworks and photographs are all clearly explained and annotated.- Easily accessible & age-appropriate text covers key curriculum topics - Number 1 Best Seller in Children’s Books on Art History From ancient cave paintings to modern-day street art, this gorgeously illustrated art book for children traces the development of painting, sculpture, and photography through the ages. It's the ultimate introduction to the world of art for kids! A must-have volume for children curious about the arts, as well as parents, carers and educators seeking an accessible and visually-engaging encyclopedia for children all about art history.

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Among the immortals-Leonardo, Rembrandt, Picasso-Michelangelo stands alone as a master of painting, sculpture, and architecture. He was not only the greatest artist in an age of giants, but a man who reinvented the practice of art itself. Throughout his long career he clashed with patrons by insisting that he had no master but his own demanding muse and promoting the novel idea that it was the artist, rather than the lord who paid for it, who was creative force behind the work. Miles Unger narrates the astonishing life of this driven and difficult man through six of his greatest masterpieces. Each work expanded the expressive range of the medium, from the Pietà Michelangelo carved as a brash young man, to the apocalyptic Last Judgment, the work of an old man tested by personal trials. Throughout the course of his career he explored the full range of human possibility. In the gargantuan David he depicts Man in the glory of his youth, while in the tombs he carved for the Medici he offers a sustained meditation on death and the afterlife. In the Sistine Chapel ceiling he tells the epic story of Creation, from the perfection of God's initial procreative act to the corruption introduced by His imperfect children. In the final decades of his life, his hands too unsteady to wield the brush and chisel, he exercised his mind by raising the soaring vaults and dome of St. Peter's in a final tribute to his God. A work of deep artistic understanding, Miles Unger's Michelangelobrings to life the irascible, egotistical, and undeniably brilliant man whose artistry continues to amaze and inspire us after 500 years.

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Ten: poets of the new generation presents the work of ten exciting British poets from diverse backgrounds. It is the third anthology from The Complete Works poetry mentoring scheme, a national programme supporting exceptional black and Asian poets founded by the writer Bernardine Evaristo in 2007. Already making a big impact on the British poetry scene, poets from the series have included Sarah Howe, the 2016 winner of both the T.S. Eliot Prize and the Sunday Times Young Writer of the Year Award; Mona Arshi, winner of the Forward Prize for Best First Collection 2016; and Warsan Shire, who collaborated with Beyonce on her visual album, Lemonade in 2016, which featured many of Shire's poems. This latest anthology in the Ten series will not disappoint readers hoping to discover more exceptional talent. It includes poets with even more diverse backgrounds ranging from Somalia and Nigeria through to Jamaica and the multiculturalism of Macau, and features the first poet from Latin America. These are poets who interrogate race and explode any ideas of a page/stage divide. Fierce, unexpected, sometimes beautiful and always passionate, here are ten poets to savour and enjoy. The poets included are: Raymond Antrobus, Natacha Bryan, Leonardo Boix, Victoria Adukwei Bulley, Will Harris, Ian Humphreys, Jennifer Lee Tsai, Momtaza Mehri, Yomi Sode and Degna Stone. The Complete Works III is directed by Dr Nathalie Teitler, with thanks to Arts Council England for their generous funding. Copublication with The Complete Works III.

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What makes a work of art a masterpiece? Discover the answers in the fascinating stories of how these artworks came to be and the circumstances of their long-lasting impact on the world. Beginning with Botticelli’s The Birth of Venus, we travel through time and a range of styles and stories – including theft, scandal, artistic reputation, politics and power – to Warhol’s Campbell’s Soup Cans, challenging the idea of what a masterpiece can be, and arriving in the twenty-first century with Amy Sherald’s portrait of Michelle Obama, a modern-day masterpiece still to be tested by time. Each artwork has a tale that reveals making a masterpiece often involves much more than just a demonstration of artistic skill: their path to fame is only fully disclosed by looking beyond what the eye can see. Rather than trying to describe the elements of greatness, Making a Masterpiece takes account of the circumstances outside the frame that contribute to the perception of greatness and reveals that the journey from the easel to popular acclaim can be as compelling as the masterpiece itself.Featuring:Birth of Venus, Sandro BotticelliMona Lisa, Leonardo da VinciJudith Beheading Holofernes, Artemisia GentileschiGirl with a Pearl Earring, Johannes VermeerUnder the Wave off Kanagawa, Katsushika HokusaiFifteen Sunflowers, Vincent van GoghPortrait of Adele Bloch-Bauer I (Woman in Gold, Gustav KlimtAmerican Gothic, Grant WoodGuernica, Pablo PicassoSelf-Portrait with Thorn Necklace and Hummingbird, Frida KahloCampbell’s Soup Cans, Andy WarholMichelle LaVaughn Robinson Obama, Amy Sherald Discover the stories of how, why and what makes a masterpiece in this compelling and comprehensive title.

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Leonardo da Vinci once mused that "we know more about the movement of celestial bodies than about the soil underfoot," an observation that is as apt today as it was five hundred years ago. The biological world under our toes is often unexplored and unappreciated, yet it teems with life. In one square meter of earth, there live trillions of bacteria, millions of nematodes, hundreds of thousands of mites, thousands of insects and worms, and hundreds of snails and slugs. But because of their location and size, many of these creatures are as unfamiliar and bizarre to us as anything found at the bottom of the ocean. Lavishly illustrated with nearly three hundred color illustrations and masterfully rendered black-and-white drawings throughout, "Life in the Soil" invites naturalists and gardeners alike to dig in and discover the diverse community of creatures living in the dirt below us. Biologist and acclaimed natural history artist James B. Nardi begins with an introduction to soil ecosystems, revealing the unseen labors of underground organisms maintaining the rich fertility of the earth as they recycle nutrients between the living and mineral worlds. He then introduces readers to a dazzling array of creatures: wolf spiders with glowing red eyes, snails with 120 rows of teeth, and 10,000-year-old fungi, among others. Organized by taxon, "Life in the Soil" covers everything from slime molds and roundworms to woodlice and dung beetles, as well as vertebrates from salamanders to shrews. The book ultimately explores the crucial role of soil ecosystems in conserving the worlds above and below ground. A unique and illustrative introduction to the many unheralded creatures that inhabit our soils and shape our environment above-ground, "Life in the Soil" will inform and enrich the naturalist in all of us.

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A Fun and Engaging Box Set of Four Beautiful Children’s Picture Books from Sabrina Hahn Spark your child’s creativity and curiosity with these delightfully curated books featuring some of the world’s most iconic paintings. In ABCs of Art, your child will discover artwork by Leonardo da Vinci, Vincent van Gogh, Mary Cassatt, and many others as they learn the alphabet, from A to Z. Help them locate the earring in Vermeer's Girl with the Pearl Earring, teach them different colors while examining Monet's Water Lilies, and count the pieces of fruit in Cezanne's The Basket of Apples. In 123s of Art, your child will engage with artwork by Gustav Klimt, Claude Monet, Maria Sibylla Merian, and many others as they learn to count from 1 to 20. Help them count the flower petals in Gauguin’s Still Life with Teapot and Fruit, teach them different colors while examining Redon's Butterflies, and discuss the shapes used in Sarah Ann Wilson’s Album Quilt. In Animals in Art, your child will identify the animals featured in paintings such as Odilon Redon's Butterflies, Henriette Ronner-Knip's The Cat at Play, and Franz Marc's Blue Horse I.. They will learn about animal noises, habitats, and behaviors via the poetry and interactive questions included. In Bedtime with Art, your child's creativity will be nurtured as they get ready for bed with paints such as Claude Monet's Stacks of Wheat, George Stubbs's Sleeping Leopard, and Henri Rousseau's The Sleeping Gypsy. With a calming rhyming scheme and peaceful colors, this book will inspire your budding art lovers' imagination and dreams as they get ready to drift to sleep. With a fun rhyming scheme and large, colorful text, Sabrina Hahn's collection will inspire your budding art lovers as they learn about the alphabet, numbers, animals, seasons, and new words through interactive questions and playful poems.

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When it comes to metal rolling, understanding and controlling frictional phenomena is essential to improving product and developing a more effective approach to friction reduction. Providing a historical perspective that goes as far back as the days of Leonardo da Vinci and continues up until the present day, Friction and the Hot Rolling of Steel chronicles the fundamental causes of friction. This book includes well-documented, on-site observations in various commercial plants, presents and examines practical problems, and provides a critical analysis of literary data related to the subject.It explains the base mechanisms of friction, and offers insight and instruction on improving the control and understanding of friction in hot strip mills and other industrial plants. The text presents mathematical models of friction in control and general engineering in a way that enables engineers to test and refine them in their plants. Engineers have the ability to use them to control friction and minimize its negative effects, particularly as it relates to energy waste and product defects.Organized into four sections, this book outlines the evolutional concepts of friction, and covers the general phenomena relevant to the rolling of metals. This includes the impact of roughness and velocity, basics of liquid and solid lubrication, mathematical modelling, and the properties of materials that affect friction in steel rolling, such as metals, oxides, and carbides. It connects the theoretical concepts, laboratory-scale observations, and phenomena in other areas of science and engineering to the large-scale industrial process of hot rolling. It also addresses roll properties, oxidation, wear and chemical composition of rolls and their impact on friction, the evolution of friction over schedules and roll campaigns, and mathematical modelling of friction in hot rolling. Friction and the Hot Rolling of Steel contains a large body of technical information that includes various chemical and physical properties of relevant materials, mathematical models, and plant and laboratory observations. It also provides an extensive reference list of sources that address specific problems and interests in more detail. Presents practical problems that help academics and industrial researchers to identify promising new research areas in tribology and metal processing Offers an insight into the principles of the effective research that combines both academic excellence and industrial relevance Illustrates with observations and easy-to-understand analogies, enhancing the understanding and control of the mechanisms that influence friction in industrial plants This text services technical, research, and academic personnel working in steel processing, railway engineering, rolling of other metals, solid lubrication, the automotive industry, and more.

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Well, she's bitingly funny, but everybody knows that. -Roger Ebert on Kelly Oxford. The beautiful - and hilarious - Kelly Oxford has been one of the most hysterical voices on the Internet since it was still a series of tubes. In 1997, she began sharing stories of her life as a young wife and mother on a Geocities page, then on an anonymous blog, then on a MySpace account; eventually she found her metier in the widely followed Tumblr blog "Eject" and in her raucous, often filthy, always hilarious Twitter feed, which has garnered more than 300,000 followers (adding 1,500 more each week), with frequent retweets from heavy-hitting fans such as Roger Ebert, Jessica Alba, Tony Hawk, Diablo Cody, Kevin Nealon, Susan Orlean, Ann Curry, Adam McKay, Mindy Kaling, and Jonathan Ames. There is no mistaking Kelly's voice: Something people in McDonalds have? Fries. Something people in McDonalds don't have? Ankles. Chicken fried steak is the true American story: A place where even a chicken can be a steak. When my dog smells someone's crotch I say, 'Sorry, she's one of those cancer-smelling dogs.' Had my son's hearing tested because he's always yelling. Turns out he's just an asshole. 'She's a total psycho.' 'Completely.' 'But I mean, I still like her.' 'Me too, she's sweet.' -two girls beside me, and everywhere, right now. Straight-talking and riotously funny, Kelly Oxford has garnered an incredible following through her trademark blend of biting wit, self-deprecation, and a knack for seeing the hilarity in the everyday. Now, Kelly has written a side-splitting book of essays that shine her blindingly sardonic light on life as she sees it. From childhood to motherhood, from the zany to the tearjerking, Kelly covers it all: from My Soldier Face: Or how I awkwardly broke into modeling by ignoring adults who thought I was weird; I Peed my Pants and Threw up on a Chinese Man: Tales of a gas station accident and getting drunk for the first time, in ten minutes flat; To Aid and Abet: Interning in a video store and how to handle a man in a wheelchair jerking off in the porno section; Finding Leo: Or how to stalk pre-Titanic Leonardo DiCaprio in L.A. on less than $200, but still end up driving a Mercedes; and An Open Letter to the Nurse Who Gave Me an Enema Bottle and Told Me to Do It Myself While I Was High on Morphine. Is Kelly the next David Sedaris? The next Chelsea Handler? The next Sloane Crosley? No - they were the last Kelly Oxford.

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From brainy biologists and clever chemists, to magnificent mathematicians and phenomenal physicists. Discover 100 remarkable scientists who shaped our world.Containing a universe of knowledge, this amazing kids' educational book tells the story of the extraordinary people who revolutionised our understanding of the world. A stunning way for children to meet science's most important people.Read through information-packed mini-biographies of 100 brilliant scientists and innovators who have shaped our society and how we see the world around us. A perfect "everything you want to know in one place" about the history of science for children aged 8-12.Readers learn about discoveries that laid the groundwork for some of the most impressive innovations in history. Biologists, chemists, physicists, doctors, coders and astronauts are all featured including Hippocrates, Da Vinci, Alan Turing, Stephen Hawking, Neil deGrasse Tyson, and more. An attractive and engaging kids book that may inspire the next Einstein or Curie! Made for those always curious children and those who need encouragement to aspire to greatness and see the marvels of science. Put children inside the minds of scientific heroes through clever speech bubbles alongside portraits with first-person fun facts about their lives. It's a cool way to personalise these incredible people and engage children while giving them a solid base in science. Did you know that Marie Curie's notebooks are still radioactive? They're too dangerous to touch and even glow! And Louis Pasteur, who furthered the development of vaccinations and more, liked to paint in his spare time? Who knew!Learn About The Minds Who Shaped The World!Dive into the world of theories and experiments, reactions and equations, as we meet the figures who have helped us understand our universe and our place in it. Find out why Copernicus shook the world, what elements Marie Curie discovered, and how Franklin, Crick and Watson unlocked the secrets of our DNA. It's divided into Pioneers, Biologists, Chemists, Physicists, and Innovators, whose innovations have changed the world and continue to change it now. Discover amazing facts about the world and the people behind some of humanity's most impressive advancements. Some of the amazing trailblazers you'll meet:- Alan Turing- Marie Curie- Barbara McClintock- Leonardo da Vinci- And so many more! This fabulous title is one of five children's books in the 100 In History series. Add 100 Women Who Made History, 100 People Who Made History, 100 Events That Made History, and 100 Inventions That Made History to your bookshelf and learn more about the significant people, events and inventions that shaped the world we live in today.

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