Search results for ""Àmsterdam""

The former editor-in-chief of Details and Star adventures into the fascinating "brave new world" of cannabis, tracing its history and possible future as he investigates the social, medical, legal, and cultural ramifications of this surprisingly versatile plant. Pot. Weed. Grass. Mary Jane. We all think we know what cannabis is and what we use it for. But do we? Our collective understanding of this surprising plant has been muddled by politics and morality; what we think we know isn't the real story. A war on cannabis has been waged in the United States since the early years of the twentieth century, yet in the past decade, society has undergone a massive shift in perspective that has allowed us to reconsider our beliefs. In Brave New Weed, Joe Dolce travels the globe to "tear down the cannabis closet" and de-mystify this new frontier, seeking answers to the questions we didn't know we should ask. Dolce heads to a host of places, including Amsterdam, Israel, California, and Colorado, where he skillfully unfolds the odd, shocking, and wildly funny history of this complex plant. From the outlandish stories of murder trials where defendants claimed "insanity due to marijuana consumption" to the groundbreaking success stories about the plant's impressive medicinal benefits, Dolce paints a fresh and much-needed portrait of cannabis, our changing attitudes toward it, and the brave new direction science and cultural acceptance are leading us. Enlightening, entertaining, and thought-provoking, Brave New Weed is a compelling read that will surprise and educate proponents on both sides of the cannabis debate.

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'Lees' strikingly descriptive writing transports you directly to the streets of Jakarta... this will make you want to book a flight right now' IndependentTaut and suspenseful, The Bone Ritual is the first in a crime series set in contemporary JakartaInspektur Ruud Pujasumarta has seen some gang-perpetrated horror crimes in his time, but the slum murder of a middle-aged woman he is called to is both horrifying and baffling. Mari Agnes Liem has not only been choked to death while tied to her bed, but the murderer has amputated her left hand and left a mah jong tile in her throat. And he has taken the hand with him.The only bright spot on Ruud's horizon is the imminent arrival of Imke Sneijder from Amsterdam, whom he hasn't seen for fifteen years, when they were both twelve-year-old neighbours before her family moved back to Holland.As Ruud and his department investigate Mari's murder, it isn't long before they have more than one corpse on their hands . . . and a serial killer to catch. And Ruud begins to realise that the current murderous spree may be linked to events which occured fifteen years ago, at about the time Imke left Indonesia . . .'Julian Lees' lush use of language conjures up the extravagant and the seedy sides of life in modern Jakarta and transports the reader to its steamy slums and palaces, ratcheting up the tension through myriad false trails, keeping the reader enthralled right up until the denouement' Crime Fiction Fix

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The explosive spread of democracy has radically transformed the international political landscape and captured the attention of academics, policy makers, and activists alike. With interest in democratization still growing, Nathan J. Brown and other leading political scientists assess the current state of the field, reflecting on the causes and diffusion of democracy over the past two decades. The volume focuses on three issues very much at the heart of discussions about democracy today: dictatorship, development, and diffusion. The essays first explore the surprising but necessary relationship between democracy and authoritarianism; they next analyze the introduction of democracy in developing countries; last, they examine how international factors affect the democratization process. In exploring these key issues, the contributors ask themselves three questions: What causes a democracy to emerge and succeed? Does democracy make things better? Can democracy be successfully promoted? In contemplating these questions, The Dynamics of Democratization offers a frank and critical assessment of the field for students and scholars of comparative politics and the political economy of development. Contributors: Gregg A. Brazinsky, George Washington University; Nathan J. Brown, George Washington University; Kathleen Bruhn, University of California at Santa Barbara; Valerie J. Bunce, Cornell University; Jose Antonio Cheibub, University of Illinois at Urbana-Champaign; Bruce J. Dickson, George Washington University; M. Steven Fish, University of California at Berkeley; John Gerring, Boston University; Henry E. Hale, George Washington University; Susan D. Hyde, Yale University; Craig M. Kauffman, George Washington University; Staffan I. Lindberg, University of Florida; Sara Meerow, University of Amsterdam; James Raymond Vreeland, Georgetown University; Sharon L. Wolchik, George Washington University

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The explosive spread of democracy has radically transformed the international political landscape and captured the attention of academics, policy makers, and activists alike. With interest in democratization still growing, Nathan J. Brown and other leading political scientists assess the current state of the field, reflecting on the causes and diffusion of democracy over the past two decades. The volume focuses on three issues very much at the heart of discussions about democracy today: dictatorship, development, and diffusion. The essays first explore the surprising but necessary relationship between democracy and authoritarianism; they next analyze the introduction of democracy in developing countries; last, they examine how international factors affect the democratization process. In exploring these key issues, the contributors ask themselves three questions: What causes a democracy to emerge and succeed? Does democracy make things better? Can democracy be successfully promoted? In contemplating these questions, The Dynamics of Democratization offers a frank and critical assessment of the field for students and scholars of comparative politics and the political economy of development. Contributors: Gregg A. Brazinsky, George Washington University; Nathan J. Brown, George Washington University; Kathleen Bruhn, University of California at Santa Barbara; Valerie J. Bunce, Cornell University; Jose Antonio Cheibub, University of Illinois at Urbana-Champaign; Bruce J. Dickson, George Washington University; M. Steven Fish, University of California at Berkeley; John Gerring, Boston University; Henry E. Hale, George Washington University; Susan D. Hyde, Yale University; Craig M. Kauffman, George Washington University; Staffan I. Lindberg, University of Florida; Sara Meerow, University of Amsterdam; James Raymond Vreeland, Georgetown University; Sharon L. Wolchik, George Washington University

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Urban policy makers are increasingly striving to strengthen the economic competitiveness of their cities. Currently, they do that mainly in the field of the creative knowledge economy - arts, media, entertainment, creative business services, architecture, publishing, design; and ICT, R&D, finance, and law. This book is about the policies that help to realise such objectives: policies driven by classic location theory, cluster policies, ‘creative class’ policies aimed at attracting talent, as well as policies that connect to pathways, place and personal networks. The experiences and policy strategies of 13 city-regions across Europe have been investigated: Amsterdam, Barcelona, Birmingham, Budapest, Dublin, Helsinki, Leipzig, Milan, Munich, Poznan, Riga, Sofia and Toulouse. All have different histories and roles: capital cities and secondary cities; cities with different economies and industries; port-based cities and land-locked cities. And all 13 have different cultural, political and welfare state traditions. Through this wide set of contexts, Place-making and Policies for Competitive Citiescontributes to the debate about the development of creative knowledge cities, their economic growth and competitiveness and advocates the development of context-sensitive tailored approaches. Chapter authors from the 13 European cities rigorously evaluate, reformulate and test assumptions behind old and new policies. This solidly-grounded and policy-focused study on the urban policy of place-making highlights practices for different contexts in managing knowledge-intensive cities and, by drawing on the varied experiences from across Europe, it establishes the state-of-the-art for both academic and policy debates in a fast-moving field.

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For thousands of years, people of all cultures have made and used clocks, from the city sundials of ancient Rome to the medieval water clocks of imperial China, hourglasses fomenting revolution in the Middle Ages, the Stock Exchange clock of Amsterdam in 1611, Enlightenment observatories in India, and the high-precision clocks circling the Earth on a fleet of GPS satellites that have been launched since 1978. Clocks have helped us navigate the world and build empires, and have even taken us to the brink of destruction. Elites have used them to wield power, make money, govern citizens, and control lives—and sometimes the people have used them to fight back. Through the stories of twelve clocks, About Time brings pivotal moments from the past vividly to life. Historian and lifelong clock enthusiast David Rooney takes us from the unveiling of al-Jazari’s castle clock in 1206, in present-day Turkey; to the Cape of Good Hope observatory at the southern tip of Africa, where nineteenth-century British government astronomers moved the gears of empire with a time ball and a gun; to the burial of a plutonium clock now sealed beneath a public park in Osaka, where it will keep time for 5,000 years. Rooney shows, through these artifacts, how time has been imagined, politicized, and weaponized over the centuries—and how it might bring peace. Ultimately, he writes, the technical history of horology is only the start of the story. A history of clocks is a history of civilization.

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A breathtaking historical novel of revenge, persecution and loss, The City of Tears by Kate Mosse follows on from her Sunday Times number one bestseller, The Burning Chambers.May 1572: for ten violent years the Wars of Religion have raged across France. Neighbours have become enemies, countless lives have been lost, and the country has been torn apart over matters of religion, citizenship and sovereignty. But now a precarious peace is in the balance and a royal wedding has been negotiated. It is a marriage that could see France reunited at last.An invitation has arrived for Minou Joubert and her family to attend this historic wedding in Paris in August. But what Minou does not know is that the Joubert family’s oldest enemy, Vidal, will also be there. Nor that, within days of the marriage, on the eve of the Feast Day of St Bartholomew, her family will be scattered to the four winds and one of her beloved children will have disappeared without trace . . .Sweeping from Paris and Chartres to the City of Tears itself – the great refugee city of Amsterdam – this is a story of one family’s fight to stay together and survive against the devastating tides of history . . .‘A gorgeously written, utterly absorbing epic . . . I absolutely loved it’ – Lucy Foley, author of The Hunting Party‘A novel with vast scope and ambition, brilliantly achieved . . . I was utterly immersed in this spell-binding story’ – Rosamund Lupton, author of Three Hours‘This is historical fiction to devour. Nobody does it like Kate Mosse’ – Anthony Horowitz on The Burning Chambers

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Brings together diverse scholarship on theatre and conversional practices in early modern Europe and Latin America Makes a compelling argument for the importance of theatrical practices and theatrical thinking in how conversion itself changed for early moderns Discusses a wide range of theatrical practices that include, but are not limited to, established canonical authors Provides new readings of classic plays by Middleton, Lope de Vega, and others Provides a series of case studies of theatre and conversional practice centered around specific cities This volume asks, how did theatrical practice shape the multiplying forms of conversion that emerged in early modern Europe? Each chapter focuses on a specific city or selection of cities, beginning with Venice, then moving to London, Mexico City, Tlaxcalla, Seville, Madrid, Amsterdam, Z rich, Berne, and Lucerne (among others). Collectively, these studies establish a picture of early modernity as an age teeming with both excitement and anxiety over conversional activity. In addition to considering the commercial theater that produced professional dramatists such as Lope de Vega and Thomas Middleton, the volume surveys a wide variety of kinds of theatre that brought theatricality into formative relationship with conversional practice. Examples range from civic pageantry in Piazza San Marco, to mechanical statues in Amsterdam's pleasure labyrinths, to the dramatic dialogues performed by students of rhetoric in colonial Mexico. As a whole, the volume addresses issues of conversion as it pertains to early modern theatre, literature, theology, philosophy, economics, urban culture, globalism, colonialism, trade, and cross-cultural exchange.

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Recent events—the Citizens United Supreme Court decision, the Occupy Wall Street movement, and efforts to increase the minimum wage, among others—have driven a tremendous surge of interest in the political power of business. Capital Gains collects some of the most innovative new work in the field. The chapters explore the influence of business on American politics in the twentieth century at the federal, state, and municipal levels. From corporate spending on city governments in the 1920s to business support for public universities in the postwar period, and from business opposition to the Vietnam War to the corporate embrace of civil rights, the contributors reveal an often surprising portrait of the nation's economic elite. Contrary to popular mythology, business leaders have not always been libertarian or rigidly devoted to market fundamentalism. Before, during, and after the New Deal, important parts of the business world sought instead to try to shape what the state could accomplish and to make sure that government grew in ways that were favorable to them. Appealing to historians working in the fields of business history, political history, and the history of capitalism, these essays highlight the causes, character, and consequences of business activism and underscore the centrality of business to any full understanding of the politics of the twentieth century—and today. Contributors: Daniel Amsterdam, Brent Cebul, Jennifer Delton, Tami Friedman, Eric Hintz, Richard R. John, Pamela Walker Laird, Kim Phillips-Fein, Laura Phillips Sawyer, Elizabeth Tandy Shermer, Eric Smith, Jason Scott Smith, Mark R. Wilson.

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Eddo Hartmann’s new photographic project focuses on one of the first ‘sacrifice zones’ created by governments in the late modern era for the secret production, testing and maintenance of nuclear and chemical weapons of all kinds. The residents of these locations unknowingly became guinea pigs in the experiment. Today, these areas have become examples of ecocide: the irreversible destruction of nature on a large scale. A remote area of Kazakhstan was once home to the Soviet Union’s main nuclear testing facilities. It became known as ‘The Polygon’. On this site more than 450 nuclear tests took place from 1949 to 1989, without regard for their effect on the local population and the environment. The full impact of the radiation only became apparent after the test site closed in the early 1990s. Today, this corner of the Kazakh steppe is a place of desolation and decay. The landscape is dotted with strange lakes formed by nuclear explosions and the remains of giant concrete structures. It seems uninhabitable, and yet people live there, demonstrating incredible resilience. Eddo Hartmann (b. 1973) studied photographic design at the Royal Academy of Art (KABK) in The Hague. He mainly focuses on long-running documentary projects and is the author of Setting the Stage – North Korea, published by Hannibal Books. He currently also works as a lecturer in photography and visual grammar at KABK in The Hague. Publication to coincide with the exhibition of the same name at Huis Marseille in Amsterdam from 28 October 2023 to 25 February 2024.

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In this short book, based upon his Spinoza Lectures at the University of Amsterdam, Robert B. Brandom offers a pragmatist approach to representation and reality, drawing on Richard Rorty and Hegel. During the last decade of his life, Rorty emphasized the anti-authoritarian credentials of his pragmatism. He came to see pragmatism as the fighting faith of a second phase of the Enlightenment. The first stage, as Rorty construed it, concerned our emancipation from nonhuman authority in practical matters: issues of what we ought to do and how things ought to be. The envisaged second stage addresses rather our emancipation from nonhuman authority in theoretical matters. Brandom shows how pragmatism moves beyond the traditional model of reality as authoritative over our cognitive representations of it in language and thought, to a new conception of how discursive practices help us cope with the vicissitudes of life. Hegel anticipates the challenge to the very idea of objective reality as providing norms for thought which Rorty believed required us to enact a second phase of the Enlightenment. Unlike Rorty, Hegel presents a detailed, constructive, anti-authoritarian, non-fetishistic, social pragmatist account of the representational dimension of conceptual content. At its heart is an account of the social dimension of discursive normativity in terms of reciprocal recognition, and an account of the historical dimension of discursive normativity in terms of a distinctive new conception of reason: the recollective rationality that turns a past into a tradition. His idealism thereby offers a concrete pragmatist alternative to Rorty's global semantic and epistemological anti-representationalism.

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The book as the subject of a distinct historical discipline dates from the landmark publication of L'Apparition du livre by Lucien Febvre and Henri-Jean Martin in 1958. In this further contribution to his pathbreaking work with Febvre, eminent French historian Henri-Jean Martin explores the role of the book and book industry in early modern France. Martin begins with a sweeping look at the revolutionary role played by the new technology of printing in Europe of the Renaissance and Reformation. Shifting the focus to France, he then examines the political implications of publishing in the reign of Francis I, including such topics as the founding of royal and university libraries, the role of church-state relations, Richelieu's cultural program, and censorship. In revealing case studies of Rouen and Grenoble, Martin pinpoints precisely which books were sold and to which social groups, and explains why the initially successful printers of Rouen were eventually forced out of business by the Parisian courts. Martin also casts a discerning eye on early graphic design-from the first illustrated "coffee table" books purchased by the newly rich to the invention of the paragraph to facilitate reading. And he shows how attempts by the French government to suppress and control publication were eventually thwarted by free market forces from Amsterdam and Neufchatel. This is a book that will be of interest to those who study the history of the book, intellectual history of early modern Europe, and the relation between politics and ideas.

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In the spring of 1575, Holland's Northern Quarter--the waterlogged peninsula stretching from Amsterdam to the North Sea--was threatened with imminent invasion by the Spanish army. Since the outbreak of the Dutch Revolt a few years earlier, the Spanish had repeatedly failed to expel the rebels under William of Orange from this remote region, and now there were rumors that the war-weary population harbored traitors conspiring to help the Spanish invade. In response, rebel leaders arrested a number of vagrants and peasants, put them on the rack, and brutally tortured them until they confessed and named their principals--a witch-hunt that eventually led to a young Catholic lawyer named Jan Jeroenszoon. Treason in the Northern Quarter tells how Jan Jeroenszoon, through great personal courage and faith in the rule of law, managed to survive gruesome torture and vindicate himself by successfully arguing at trial that the authorities remained subject to the law even in times of war. Henk van Nierop uses Jan Jeroenszoon's exceptional story to give the first account of the Dutch Revolt from the point of view of its ordinary victims--town burghers, fugitive Catholic clergy, peasants, and vagabonds. For them the Dutch Revolt was not a heroic struggle for national liberation but an ordinary dirty war, something to be survived, not won. An enthralling account of an unsuspected story with surprising modern resonance, Treason in the Northern Quarter presents a new image of the Dutch Revolt, one that will fascinate anyone interested in the nature of revolution and civil war or the fate of law during wartime.

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The definitive history of Jews in New York and how they transformed the city Jewish New York reveals the multifaceted world of one of the city’s most important ethnic and religious groups. Jewish immigrants changed New York. They built its clothing industry and constructed huge swaths of apartment buildings. New York Jews helped to make the city the center of the nation’s publishing industry and shaped popular culture in music, theater, and the arts. With a strong sense of social justice, a dedication to civil rights and civil liberties, and a belief in the duty of government to provide social welfare for all its citizens, New York Jews influenced the city, state, and nation with a new wave of social activism. In turn, New York transformed Judaism and stimulated religious pluralism, Jewish denominationalism, and contemporary feminism. The city’s neighborhoods hosted unbelievably diverse types of Jews, from Communists to Hasidim. Jewish New York not only describes Jews’ many positive influences on New York, but also exposes their struggles with poverty and anti-Semitism. These injustices reinforced an exemplary commitment to remaking New York into a model multiethnic, multiracial, and multireligious world city. Based on the acclaimed multi-volume set City of Promises: A History of the Jews of New York winner of the National Jewish Book Council 2012 Everett Family Foundation Jewish Book of the Year Award, Jewish New York spans three centuries, tracing the earliest arrival of Jews in New Amsterdam to the recent immigration of Jews from the former Soviet Union.

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During the last decade there have been increasing societal concerns over sustainable developments focusing on the conservation of the environment, the welfare and safety of the individual and at the same time the optimal allocation of available natural and financial resources. As a consequence the methods of risk and reliability analysis are becoming increasingly important as decision support tools in various fields of engineering. In this book, the risk and reliability research community looks beyond the horizon. The technology we deploy to fix today’s problems is based on research that started more than two decades ago. What we are doing today should make a difference for tomorrow. Developing innovative new knowledge and applications helps engineers to better play the important role they have for society in establishing the basis for decision making.Safety, Reliability and Risk Analysis: Beyond the Horizon contains the papers presented at the 22nd European Safety and Reliability (ESREL 2013) annual conference in Amsterdam, The Netherlands. The abstracts book (785 pages) + full paper CD-ROM (3426 pages) cover a wide range of topics for which risk analysis forms an indispensable field of knowledge to ensure sufficient safety: Uncertainty Analysis, Accident and Incident Modeling, Human Factors and Human Reliability, System Reliability, Structural Reliability, Safety in Civil Engineering, Quantitative Risk Assessment, Prognostics and System Health Management, Occupational Safety, Mathematical Methods in Reliability and Safety, and Maintenance Modeling and Applications. Applications in different industrial areas are shown: Natural Hazards, Land Transportation, Aeronautics Aerospace, Chemical and Process Industry, Critical Infrastructures, Manufacturing, Security, Nuclear Industry, Energy, Maritime Transportation, and Information Technology.

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In the spring of 1575, Holland's Northern Quarter--the waterlogged peninsula stretching from Amsterdam to the North Sea--was threatened with imminent invasion by the Spanish army. Since the outbreak of the Dutch Revolt a few years earlier, the Spanish had repeatedly failed to expel the rebels under William of Orange from this remote region, and now there were rumors that the war-weary population harbored traitors conspiring to help the Spanish invade. In response, rebel leaders arrested a number of vagrants and peasants, put them on the rack, and brutally tortured them until they confessed and named their principals--a witch-hunt that eventually led to a young Catholic lawyer named Jan Jeroenszoon. Treason in the Northern Quarter tells how Jan Jeroenszoon, through great personal courage and faith in the rule of law, managed to survive gruesome torture and vindicate himself by successfully arguing at trial that the authorities remained subject to the law even in times of war. Henk van Nierop uses Jan Jeroenszoon's exceptional story to give the first account of the Dutch Revolt from the point of view of its ordinary victims--town burghers, fugitive Catholic clergy, peasants, and vagabonds. For them the Dutch Revolt was not a heroic struggle for national liberation but an ordinary dirty war, something to be survived, not won. An enthralling account of an unsuspected story with surprising modern resonance, Treason in the Northern Quarter presents a new image of the Dutch Revolt, one that will fascinate anyone interested in the nature of revolution and civil war or the fate of law during wartime.

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Nineteenth-century Europe saw an unprecedented rise in the number of synagogues. Building a Public Judaism considers what their architecture and the circumstances surrounding their construction reveal about the social progress of modern European Jews. Looking at synagogues in four important centers of Jewish life—London, Amsterdam, Paris, and Berlin—Saskia Coenen Snyder argues that the process of claiming a Jewish space in European cities was a marker of acculturation but not of full acceptance. Whether modest or spectacular, these new edifices most often revealed the limits of European Jewish integration.Debates over building initiatives provide Coenen Snyder with a vehicle for gauging how Jews approached questions of self-representation in predominantly Christian societies and how public manifestations of their identity were received. Synagogues fused the fundamentals of religion with the prevailing cultural codes in particular locales and served as aesthetic barometers for European Jewry’s degree of modernization. Coenen Snyder finds that the dialogues surrounding synagogue construction varied significantly according to city. While the larger story is one of increasing self-agency in the public life of European Jews, it also highlights this agency’s limitations, precisely in those places where Jews were thought to be most acculturated, namely in France and Germany.Building a Public Judaism grants the peculiarities of place greater authority than they have been given in shaping the European Jewish experience. At the same time, its place-specific description of tensions over religious tolerance continues to echo in debates about the public presence of religious minorities in contemporary Europe.

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**Skipping Stones Honor Award Winner**The true story of a prince from Bali, whose fascinating life was shaped by uncommon events and exotic places.Born in 1919, Prince Made Djelantik witnessed pivotal moments of history: the twilight of a feudal age, the Second World War in Nazi-occupied Holland, Indonesia's long battle for independence from four hundred years of Dutch colonial rule, and finally, the great changes provoked on his island by unbridled development.Driven by an early passion for medicine, the prince set sail for Europe on the eve of WWII to study at the University of Amsterdam. His calling then took him to far-flung corners of the planet, where he encountered everything from a pirate ambush in the South China Sea and a night attack by a famished army of rats, to a deadly volcanic eruption and his arrest by Saddam Hussein's secret police. When he returned to Bali in the mid-1970s, his public identity as a doctor took precedence over his royal lineage and he was known simply as "Dr. Djelantik" on the island. The doctor implemented the successful campaign which finally eradicated malaria from Bali and established the island's first hospital. Author Idanna Pucci's evocative narrative of this unusual life is told in short story form, making The World Odyssey of a Balinese Prince an easy read for anyone who finds themselves dreaming of distant places. More than 40 of Dr. Djelantik's own watercolors—done when he was in his 80s—help to illustrate his adventures in vivid detail.

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Although it has long been acknowledged that the early Irish literary corpus preserves both pre-Christian and Christian elements, the challenges involved in the understanding of these different strata have not been subjected to critical examination. This volume draws attention to the importance of reconsidering the relationship between religion and mythology, as well as the concept of ‘Celtic religion’ itself. When scholars are attempting to construct the so-called ‘Celtic’ belief system, what counts as ‘religion’? Or, when labelling something as ‘religion’ as opposed to ‘mythology’, what do these entities entail? This volume is the first interdisciplinary collection of articles which critically reevaluates the methodological challenges of the study of ‘Celtic religion’; the authors are eminent scholars in the field of Celtic Studies representing the disciplines of theology, literary studies, history, law and archaeology, and the book represents a significant contribution to the present scholarly debate concerning the pre-Christian elements in early medieval source materials. Contents 1 Introduction: ‘Celtic Religion’: Is this a Valid Concept?, Alexandra Bergholm and Katja Ritari 2 Celtic Spells and Counterspells, Jacqueline Borsje (available Open Access at the University of Amsterdam Digital Academic Repository) 3 The Gods of Ireland in the Later Middle Ages, John Carey 4 Staging the Otherworld in Medieval Irish Literature, Joseph Falaky Nagy 5 The Biblical Dimension of Early Medieval Latin Texts, Thomas O’Loughlin 6 Ancient Irish Law Revisited: Rereading the Laws of Status and Franchise, Robin Chapman Stacey 7 A Dirty Window on the Iron Age? Recent Developments in the Archaeology of Pre-Roman Celtic Religion, Jane Webster

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Alma Nel leaves her home on the edge of the Kalahari to retrieve the body of her gay son in Amsterdam. Driven by guilt and grief, she resolves to reconstruct Staal's life and the events leading up to his death, undertaking a bizarre quest in a strange and surreal world. Guided by a coke-dealing Rastafarian, Alma opens a psychedelic can of worms, meeting many of Staal's friends and acquaintances - scissor queens, leather men, rent boys, daredevils. But not everyone is sympathetic towards Alma, and some of Staal's friends would prefer to keep their secret histories hidden in the darkrooms of the night. As her quest progresses, Alma discovers that a mysterious stranger is several steps ahead of her, trying to put together the pieces of the puzzle. The mysterious stranger turns out to be Staal's friend Remco de Heer, the accident-prone leading man from Six Fang Marks and a Tetanus Shot. Rem seeks Staal's help after fleeing from his brother's attic at the end of Six Fang Marks and a Tetanus Shot. Now Rem descends into the underworld again to find Staal's rent-boy lover Janusz, who was with him the night he died. Rem is driven by the need to know whether his malignant accident-proneness played any part in Staal's death. The Big Stick is poignant, comical, suspenseful and (strangely) sexy. Two telling compliments from Dutch reviewers give us a snapshot of their reactions: "Characters I'd love to meet in the flesh" and "How can a straight author write so accurately about the gay scene?"

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Max Beckmann (1884–1950), the outstanding Expressionist painter, is regarded as one of the most important artists of the twentieth century. His works, jostling with figures and full of colour, are packed with highly symbolic messages. They are critical of the times in which he lived and bear witness to Beckmann’s struggle with existential questions and his constant search for truth. Max Beckmann is one of the most fascinating painters of the modern age, who more than almost any other reflected the social upheavals of his time, not only in his numerous works but also and not least through his extensive correspondence and diaries. He was an observer, a gentleman, a loner and a reflective witness of his age. Perpetually searching for truth, he was a self-critical witness of the times in which he lived. It is especially in his expressive self-portraits that we believe we can get closer to Beckmann’s multi-faceted nature and hence become better able to understand the wide range of metaphors in his multi-faceted oeuvre. This volume by one of the most illustrious Beckmann specialists, Dr. Christiane Zeiller, traces his artistic career and the principal stations of his life, from the years in Berlin and Frankfurt via his exile in Amsterdam und America. The unique Max Beckmann Archives, with its wide-ranging legacy, are currently housed in the Bayerische Staatsgemaldesammlungen in Munich. Material which has not previously been published will be shown in the publication, including private photos and objects from amongst the artist’s personal possessions.

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Sacco paved the way for Palestine with his powerful triptych on modern war and its innocent victims, originally published in his comic Yahoo and collected here: 'When Good Bombs Happen to Bad People' chronicles the effect of aerial warfare on civilians, from Germany and Japan in World War II to Libya in 1986; 'More Women, More Children, More Quickly' is written from a victim's perspective, as Sacco illustrates his mother's harrowing experiences during Italian and German WWII raids on Malta; and 'How I Loved the War', Defeatist's centrepiece, is Sacco's impassioned but sardonic reflection on the Gulf War, and the surrounding propaganda and media circus. Published during the reign of Bush I, it has since acquired an even sharper relevance.Defeatist also features Sacco's first (relatively) long-form piece, 'In the Company of Long Hair', a hilarious roadie's-eye view of an American punk band's eventful European tour from Amsterdam to Madrid, as well as 'Cartoon Genius', 'Voyage to the End of the Library', 'A Disgusting Experience', and 'On My Day Off', a cycle of funny and rueful autobiographic comics that display Sacco's graphic verve to its fullest extent.Defeatist is rounded off with a large section of Sacco's earliest, pointedly satirical strips (none of which has been collected in book form before) and new introductions and notes by the author.A combination of youthful indiscretions and mature masterworks, Notes from a Defeatist spotlights the work of a brilliant young artist as he defines the capabilities and potential of his chosen medium.

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"Bregje Hofstede is an extraordinary writer."—Rutger Bregmans, author of Utopia for Realists and Humankind: A Hopeful HistoryJenny Odell’s How to Do Nothing meets Matthew Walker’s Why We Sleep in this fascinating deep-dive into the science and history of sleep.In Search of Sleep is both a self-help manual for insomniacs, and a sweeping critique of the hustle culture that blinds us to the real reasons we lie awake at night: from politics to pandemics to poverty.Amsterdam-based writer Bregje Hofstede struggled with insomnia for 10 years, but advice from doctors and books always felt lacking in perspective. Wasn’t insomnia more than just an individual struggle? Might it also be a rational reaction to our increasingly turbulent world?Unlike the vast majority of books about sleep, In Search of Sleep examines insomnia as both a physical and psychological condition and an early warning sign that something is off in society. As Hofstede points out, studies show that insomnia increased during the pandemic and that people with less money sleep the worst. She also shows that sleeplessness is tied inextricably to loneliness, while meaningful relationships can provide the security we need to slumber.Interweaving neuroscience, cultural anthropology, history, and interviews with experts, In Search of Sleep invites us to see insomniacs as oracles, not oddballs, and offers a unique way forward for the sleep-deprived and the dreamless. If we are aware of both the small and large forces that keep us awake, then we can begin to take political action, reimagine the role of sleep in our own lives, and rid ourselves of insomnia for good.

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“Ballet inspires me. Human beings have the capacity to express themselves through many art forms, but when it comes to dance – and especially classical modern ballet – I am always amazed by that unbelievably elevated form of expression. It’s so precise and so incredibly skilled; I admire that enormously.” — Photographer and filmmaker Erwin Olaf “The fact that the photographer is looking through the camera lens means they have a different perspective from looking directly at the figure. That is voyeuristic. The camera can do something that the audience member can’t: zooming in for a close-up.” — Choreographer Hans van Manen The grand master of Dutch dance, Hans van Manen, celebrates his 90th birthday this year. That has given rise to international celebrations by leading ballet companies with the Hans van Manen festival from 8 to 29 June 2022, the exclusive publication Dance in Close-Up and the exhibition of the same name in Galerie Ron Mandos in Amsterdam from 19 June to 17 July 2022. From the 1970s to the 1990s, Hans van Manen was not only one of the world’s leading choreographers, but also an internationally acclaimed photographer. It was during this period that the then very young photographer Erwin Olaf met the famed artist, who immediately took him under his wing and introduced him to the world of the visual arts and studio photography. This book celebrates their 40 years of friendship, with a photo series in which Van Manen directs moments from his choreographic career, recorded with the utmost precision by Erwin Olaf. With text contributions from the authors Nina Siegal and Michael James Gardner.

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Around 1505 Goossen Van der Weyden, Rogier's grandson, painted a monumental altarpiece depicting the various phases of Saint Dymphna's insane life. This Irish princess, who fled her incestuous father in the sixth century, was beheaded in the Kempen village of Geel. On account of her tragic end and uncompromising chastity, the princess was venerated from that moment on as the patron saint of the mentally ill. From the late Middle Ages, pilgrims flocked to Geel in large numbers to catch a glimpse of Saint Dymphna. They paid homage to the local celebrity in the hope that she would alleviate their mental problems. To this day, Geel is known for its unique treatment of the mentally ill, who are cared for at home by locals. Goossen Van der Weyden's altarpiece came into being at the height of Dymphna's popularity. The masterpiece was intended for the church of Tongerlo Abbey. Today this work is characterised by a remarkable iconography and an eventful history: a panel was lost and the triptych was even sawn into pieces. It ultimately came into the hands of a team of specialists from Belgium and abroad who subjected the altarpiece to a meticulous conservation over a period of three years, a colossal undertaking during which new techniques were used. This gave the conservators unprecedented insight into the mind, and workshop, of an early 16th century painter. This richly illustrated book is the result of years of research and contains essays by Till-Holger Borchert (Musea Brugge), Stephan Kemperdick (Gemäldegalerie, Staatliche Museen, Berlin), Katharina Van Cauteren (The Phoebus Foundation, Antwerp), Lucinda Timmermans (Rijksmuseum, Amsterdam), Patrick Allegaert (Dr. Guislain Museum, Ghent) and many others.

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A lyrical and meticulously researched mapping of the ways in which diverse societies have shaped female same-sex sexuality across time and geograhy From the ancient poet Sappho to tombois in contemporary Indonesia, women throughout history and around the globe have desired, loved, and had sex with other women. In beautiful prose, Sapphistries tells their stories, capturing the multitude of ways that diverse societies have shaped female same-sex sexuality across time and place. Leila J. Rupp reveals how, from the time of the very earliest societies, the possibility of love between women has been known, even when it is feared, ignored, or denied. We hear women in the sex-segregated spaces of convents and harems whispering words of love. We see women beginning to find each other on the streets of London and Amsterdam, in the aristocratic circles of Paris, in the factories of Shanghai. We find women’s desire and love for women meeting the light of day as Japanese schoolgirls fall in love, and lesbian bars and clubs spread from 1920s Berlin to 1950s Buffalo. And we encounter a world of difference in the twenty-first century, as transnational concepts and lesbian identities meet local understandings of how two women might love each other. Giving voice to words from the mouths and pens of women, and from men’s prohibitions, reports, literature, art, imaginings, pornography, and court cases, Rupp also creatively employs fiction to imagine possibilities when there is no historical evidence. Sapphistries combines lyrical narrative with meticulous historical research, providing an eminently readable and uniquely sweeping story of desire, love, and sex between women around the globe from the beginning of time to the present.

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A major new history of how the Enlightenment transformed people’s everyday livesThe Secular Enlightenment is a panoramic account of the radical ways that life began to change for ordinary people in the age of Locke, Voltaire, and Rousseau. In this landmark book, familiar Enlightenment figures share places with voices that have remained largely unheard until now, from freethinkers and freemasons to French materialists, anticlerical Catholics, pantheists, pornographers, readers, and travelers.Margaret Jacob, one of our most esteemed historians of the Enlightenment, reveals how this newly secular outlook was not a wholesale rejection of Christianity but rather a new mental space in which to encounter the world on its own terms. She takes readers from London and Amsterdam to Berlin, Vienna, Turin, and Naples, drawing on rare archival materials to show how ideas central to the emergence of secular democracy touched all facets of daily life. Human frailties once attributed to sin were now viewed through the lens of the newly conceived social sciences. People entered churches not to pray but to admire the architecture, and spent their Sunday mornings reading a newspaper or even a risqué book. The secular-minded pursued their own temporal and commercial well-being without concern for the life hereafter, regarding their successes as the rewards for their actions, their failures as the result of blind economic forces.A majestic work of intellectual and cultural history, The Secular Enlightenment demonstrates how secular values and pursuits took hold of eighteenth-century Europe, spilled into the American colonies, and left their lasting imprint on the Western world for generations to come.

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In this stunning memoir, beloved internationally acclaimed earth advocate chronicles her journey to reconnect with the earth, offering a model for how we all can nurture the wild around and inside ourselves.In 1991, twenty-four-year-old Lynx Vilden crawled out of a sweat lodge covered in mud, her face streaked with tears, and whispered a promise to the earth: “I will love you and cherish you, I will learn how to live and share what you teach me.” That promise became Vilden’s life purpose: to return to the ways of our oldest ancestors, to a simpler life, and to listen deeply to Earth and what she has to say. Over the next thirty years, Vilden’s mission would lead her far from the city streets and punk bands of London and Amsterdam where she was raised, on a long and winding journey spanning continents and seasons, and filled with indigenous wisdom, Stone Age hunting skills, and important lessons from nature.In this illuminating memoir, Vilden shares the joys that await all of us when we reconnect with the earth, when we recognize what has been lost, and understand what we gain by meaningfully returning to our roots and become rewilded. Return is a glimpse into her extraordinary world—from stories about mentoring Silicon Valley millennials at her Stone Age immersion in rural Washington State to adventures traveling among Sami reindeer herders in Arctic Sweden to detailing the intricacies of just how to pursue and survive a wild lifestyle inspired by Stone Age humans.This extraordinary debut ultimately invigorates our hunger to renew our bonds with the earth and awaken our wildest, most primal selves.

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'. . . a novel brilliantly evoking the isolation of a woman with an unbearable weight on her conscience' Sunday TimesWhere do your loyalties lie? With the truth or with your colleagues?Drinking outside a canal-side bar on a perfect summer's evening, Lotte is witness to the fatal stabbing of Piotr Mazur, a Polish security guard working in one of the city's department stores. As Lotte starts to investigate Mazur's death, all the facts point to him being a small-time drug dealer, and his murder is treated as a minor complication in another team's larger narcotics case. Yet Lotte remains unconvinced; having viewed the man's ordered, unchaotic flat and spoken to his colleagues, she can't help but believe he was being set up.And in the bar, moments before Piotr was killed, Lotte saw a woman pass him a photo of a child. Shebecomes convinced that his death wasn't a revenge-killing over drugs at all, and has to now think carefully about what to do for the best, especially as key evidence in Mazur's murder comes from someone she knows she cannot trust. Praise for Anja de Jager'An absorbing read with the smack of reality' Daily Mail'The book succeeds as a portrait of both a city and, in its heroine, a delightfully dysfunctional personality'Sunday Express'Impressive . . . De Jager is as good on dodgy family relations as she is on police procedure'The Times'Detective Lotte Meerman is damaged by her past and tortured by the dreadful mistake she's made at work . . . Amsterdam is the other star here, beautiful and deadly' Cath Staincliffe

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Nach der Publikation einer Sammlung weltlicher Frauenlieder des Spatmittelalters (Deutsche Frauenlieder des 15. und 16. Jahrhunderts, Amsterdam: Editions Rodopi, 1999) legt Albrecht Classen nun eine uberraschend grosse Anzahl religioser Lieder vor, die von Frauen verfasst worden sind, womit endgultig der Beweis erbracht sein durfte, dass die Literaturgeschichte der Reformationszeit keineswegs nur von Werken mannlicher Autoren bestimmt war. Die Edition gliedert sich in zwei grosse Teile, von denen sich der erste mit religiosen Liederbuchern beschaftigt, die von Nonnen der sogenannten 'Heidekloster' (auf)geschrieben worden sind. Der zweite Teil bietet originelle Lieder von Frauen, die in einer breiten Palette von Kirchenliederbuchern oder privaten Gebets- und Gesangbuchern enthalten sind. Classen widmet Elisabeth Crucigerin ein gesondertes Kapitel, weil ihr Kirchenlied 'Herr Christ, der einig Gotts Sohn Vaters in Ewigkeit' das erste in Deutschland war, das von einer Frau verfasst und in ein protestantisches Kirchenliederbuch aufgenommen wurde. Bemerkenswerterweise gelingt es Classen daruber hinaus, die meisten der anderen Lieder historisch identifizierbaren Frauen zuzuschreiben, die jetzt in den Kanon spatmittelalterlicher deutscher Literatur aufgenommen werden mussen. Die Edition bietet ausserdem erschopfend Auskunft uber einige der Kloster, in denen die Liederbucher kompiliert wurden. Diese Edition durfte der Frauenforschung innerhalb der deutschen Literatur-, Musik-, und Religionsgeschichte neue Inspiration verleihen, weil die hier gesammelten Texte den klaren Beweis liefern, dass Frauen auf ihrem eigenen Gebiet und mit ihren eigenen Mitteln unabhangig von der mannlichen Vormundschaft schopferisch tatig werden konnten. Aufgrund der hier gesammelten Texte gilt es nun, das Netz unserer Spurensuche erheblich auszuweiten, denn offensichtlich gab es eine viel grossere Gruppe von Frauen im deutschen Spatmittelalter, die kunstlerisch und literarisch tatig war, als bisher vermutet worden ist.

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Gold-Medal Winner of the Foreword Book of the Year Award Deadly, high-stakes art fraud case—Enter at your own risk! After graduating from Harvard Law with his closest friend, John McKedrick, Michael Knight practices with the U.S. Attorney’s office and with a prestigious trial firm in Boston. Then Michael and his mentor, the legendary trial attorney Lex Devlin, form Devlin & Knight to do criminal defense work, while John becomes sole associate of a notorious mob lawyer. Michael never lost hope that John McKedrick would escape to “cleaner pastures”—until John is murdered in a car bombing bearing the signature of his questionable clientele. How could two friends who were so close have taken such wildly divergent paths? In the wake of McKedrick’s murder, three men who took their own deviating paths will meet for the first time in forty years. Matt Ryan, a priest; Dominic Santangelo, a Mafia don; and Lex Devlin put the past aside to focus on a present concern—Dominic’s son has been charged with John McKedrick’s murder. At Lex’s urging, Michael Knight reluctantly agrees to represent the alleged bomber. In building a defense, Michael is drawn into a high-stakes art fraud that leads him from the seediest parts of Boston to the sophisticated Amsterdam inner sanctum of international crime.Perfect for fans of Dennis Lehane and John Grisham While all of the novels in the Knight and Devlin Thriller Series stand on their own and can be read in any order, the publication sequence is:Neon Dragon Frame-Up Black Diamond Deadly Diamonds Fatal Odds High Stakes

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The surprising history of the Gowanus Canal and its role in the building of Brooklyn For more than 150 years, Brooklyn’s Gowanus Canal has been called a cesspool, an industrial dumping ground, and a blemish on the face of the populous borough—as well as one of the most important waterways in the history of New York harbor. Yet its true origins, man-made character, and importance to the city have been largely forgotten. Now, New York writer and guide Joseph Alexiou explores how the Gowanus creek—a naturally-occurring tidal estuary that served as a conduit for transport and industry during the colonial era—came to play an outsized role in the story of America’s greatest city. From the earliest Dutch settlers of New Amsterdam, to nearby Revolutionary War skirmishes, or the opulence of the Gilded Age mansions that sprung up in its wake, historical changes to the Canal and the neighborhood that surround it have functioned as a microcosm of the story of Brooklyn’s rapid nineteenth-century growth. Highlighting the biographies of nineteenth-century real estate moguls like Daniel Richards and Edwin C. Litchfield, Alexiou recalls the forgotten movers and shakers that laid the foundation of modern-day Brooklyn. As he details, the pollution, crime, and industry associated with the Gowanus stretch back far earlier than the twentieth century, and helped define the culture and unique character of this celebrated borough. The story of the Gowanus, like Brooklyn itself, is a tale of ambition and neglect, bursts of creative energy, and an inimitable character that has captured the imaginations of city-lovers around the world.

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A lyrical and meticulously researched mapping of the ways in which diverse societies have shaped female same-sex sexuality across time and geograhy From the ancient poet Sappho to tombois in contemporary Indonesia, women throughout history and around the globe have desired, loved, and had sex with other women. In beautiful prose, Sapphistries tells their stories, capturing the multitude of ways that diverse societies have shaped female same-sex sexuality across time and place. Leila J. Rupp reveals how, from the time of the very earliest societies, the possibility of love between women has been known, even when it is feared, ignored, or denied. We hear women in the sex-segregated spaces of convents and harems whispering words of love. We see women beginning to find each other on the streets of London and Amsterdam, in the aristocratic circles of Paris, in the factories of Shanghai. We find women’s desire and love for women meeting the light of day as Japanese schoolgirls fall in love, and lesbian bars and clubs spread from 1920s Berlin to 1950s Buffalo. And we encounter a world of difference in the twenty-first century, as transnational concepts and lesbian identities meet local understandings of how two women might love each other. Giving voice to words from the mouths and pens of women, and from men’s prohibitions, reports, literature, art, imaginings, pornography, and court cases, Rupp also creatively employs fiction to imagine possibilities when there is no historical evidence. Sapphistries combines lyrical narrative with meticulous historical research, providing an eminently readable and uniquely sweeping story of desire, love, and sex between women around the globe from the beginning of time to the present.

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Allen Jones RA’s 52-page book On the Road: Parking Markings takes the reader on a graphic visual journey… by road.“Since roads were first bisected by a white line, a pictorial language has evolved that, in classic parlance, is the first or Primitive phase in ever-developing visual vocabulary,” says Jones. “Parking markings were introduced during my final years as a student. Produced with stencils, these marks are enlivened by human error and chance.“Because of increasing traffic during the 1960s a change was needed. Yellow represented a new and Classical phase, telling us what we should NOT do,” the artist continues. “Familiarity breeds contempt and by the 1990s the problem required desperate measures. Red, the colour of danger, anger and hell marked a third, Baroque phase in the developing language of road marking.“During the 1950s we were asked politely – in white. During the 1960s we were told – in yellow. During the 1990s we were shouted at – in red. Now the air – is blue.”Jones was elected a Royal Academician in 1986. He is one of Britain’s most distinguished artists from the pioneering Pop Movement, whose paintings and sculptures are held in many important international collections, including: Tate Gallery and the Victoria & Albert Museum in London, the Museum of Modern Art in New York, the Hirshhorn Museum and Sculpture Garden in Washington DC, the Museum of 20th-Century Art in Vienna, the Wallraf-Richartz Museum in Cologne, the Moderna Museet in Stockholm and the Stedelijk Museum in Amsterdam.On the Road: Parking Markings is one of a collection of four artist’s books by Allen Jones that Black Dog Press is releasing in September 2022.

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What is assembled here might look like a modern 'Cabinet of Curiosities', an assemblage of the exotic and curious from the four quarters of the world. There is an intention behind it, however, that goes beyond presenting a wide variety of curiosities. We are today linked up to all those four quarters, and while a huge amount of information is available to us, unlike to those who awaited the ships in the ports of Amsterdam, Genoa, Lisbon, London, Marseille, Seville or Venice, the horizon of what interests us seems to have shrunk. The art market is an interesting barometer of this shrinkage. The point is, therefore, that we can connect with the whole world on a much more profound level than can be gained from package touring, through the possession of, and study of even the most modest objects of different cultures. The purpose of collecting, as Moliere might have put it, should not be limited to becoming rich through the investment in one's purchases, but to become enriched through the possession of what one has acquired. Highlights include: the silver libation cup of Mongke Khan, grandson of Genghis and ruler of an empire that stretched from modern Bucharest to Peking, and Karachi to Novgorod; the apple from the Garden of Eden - a silver pomander belonging to the Stuart Kings, with bite marks, opening to reveal a silver skull; a Scythian (6-7th centuries BC) jade pendant of the endangered Saiga antelope, as nely carved as anything by Faberge; a bronze Bacchus head from a tripod table belonging to the Emperor Augustus; a limestone bear carved in 3rd millenium BC Bactria.

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In this captivating new memoir, award-winning writer Jessica B. Harris recalls her youth “surrounded by some of the most famous creative minds of the seventies and eighties…James Baldwin, Maya Angelou, Toni Morrison, Nina Simone” (New York magazine)—in a vibrant, lost era of New York City.In the Technicolor glow of the early seventies, Jessica B. Harris debated, celebrated, and danced her way from the jazz clubs of the Manhattan’s West Side to the restaurants of Greenwich Village, living out her buoyant youth alongside the great minds of the day—luminaries like Maya Angelou, James Baldwin, and Toni Morrison. My Soul Looks Back is her tribute to that fascinating social circle and their shared commitment to activism, intellectual engagement, and each other. With “simmering warmth” (The New York Times), Harris paints evocative portraits of her illustrious friends: Baldwin as he read aloud an early draft of If Beale Street Could Talk, Angelou cooking in her California kitchen, and Morrison relaxing at Baldwin’s house in Provence. Harris describes her role as theater critic for the New York Amsterdam News and editor at then-burgeoning Essence magazine; star-studded parties in the South of France; drinks at Mikell’s, a hip West Side club; and the simple joy these extraordinary people took in each other’s company. At the center is Harris’s relationship with Sam Floyd, a fellow professor at Queens College, who introduced her to Baldwin. More than a memoir of friendship and first love, My Soul Looks Back is a carefully crafted, intimately understood homage to a bygone era and the people that made it so remarkable.

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An acid-sharp novella of longing and language, in which the past comes up hard against the present, from Jonathan Gibbs, acclaimed author of Randall, or The Painted Grape (Galley Beggar, 2014):‘It was not the only painting in the room, but it was the one that drew the eye. It was a Golden Age interior, the like of which you might see a dozen times in the Rijksmuseum, Jenny guessed, and once or twice in any gallery in Europe or America with a half-decent collection. Simple, domestic: a woman and a man in a room, the striking yellow and black tiled floor spread in expanding diamonds towards the viewer. There were paintings on the walls of the room in the painting, and a mirror on the left wall, tilted, that reflected the tiles, in a masterful flourish of perspective…’When Jenny Thursley, a 40-year old linguistics lecturer, returns to Europe for a conference in Amsterdam, she finds herself pitched back into the presence of a life she had fled: a once-inspirational mentor now dying, a former lover again within reach, the flickerings of new desire. Over little more than twenty-four hours Jenny must write a keynote conferene speech, face up to her own mortality, and to the consequences of the bad choices she has made – while finding the nerve to make new choices that might be no better. Witty, sexy and provocative, The Large Door is a meditation on life and living, and on ages – golden and otherwise – that recalls the sparkling mid-century work of writers such as Muriel Spark and Brigid Brophy.

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GEOTECHNICAL ASPECTS OF UNDERGROUND CONSTRUCTION IN SOFT GROUND comprises a collection of 112 contributions presented at the Tenth International Symposium on Geotechnical Aspects of Underground Construction in Soft Ground, held in Cambridge, United Kingdom, 27-29th June 2022. This 2nd edition also includes four general reports on the symposium themes which give an overview of the papers submitted to the symposium, covered in four technical sessions.The symposium is the latest in a series which began in New Delhi in 1994, and was followed by symposia in London (1996), Tokyo (1999), Toulouse (2002), Amsterdam (2005), Shanghai (2008), Rome (2011), Seoul (2014) and Sao Paulo (2017). This symposium was organised by the Geotechnical Research Group at the University of Cambridge, under the auspices of the Technical Committee TC204 of the International Society for Soil Mechanics and Geotechnical Engineering (ISSMGE).Geotechnical Aspects of Underground Construction in Soft Ground includes contributions from more than 25 countries on the research, design and construction of underground works in soft ground. The contributions cover the following themes: Field case studies Sensing technologies and monitoring for underground construction in soft ground Physical and numerical modelling of tunnels and deep excavations in soft ground Seismic response of underground infrastructure in soft ground Design and application of ground improvement for underground construction Ground movements, interaction with existing structures and mitigation measures Similar to previous editions, GEOTECHNICAL ASPECTS OF UNDERGROUND CONSTRUCTION IN SOFT GROUND represents a valuable source of reference on the current practice of analysis, design, and construction of tunnels and deep excavations in soft ground. The book is particularly aimed at academics and professionals interested in geotechnical and underground engineering.

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The 2009 quadricentennial celebrations commemorating the discovery of the Hudson River by Henry Hudson will also spotlight one of our deepest and most enduring national legacies—the Dutch presence that has shaped not just the Hudson Valley but four centuries of American life. This lavishly illustrated book, a companion to the exhibition opening in June 2009 at the Hudson River Museum, takes needed stock of the remarkable past created by the settlers of New Netherlands. Although the Dutch controlled the Hudson Valley only until ceding it to the British in 1664, the Dutch established the towns and cities that today define the region—from New Amsterdam upriver to Fort Orange, today’s Albany. The Dutch heritage lives on, not only in historic estates or Dutch-named places like the Bronx or Yonkers but also in commerce, law, politics, religion, art, and culture. In thirteen original essays, this book traverses those four centuries to enrich and expand our understanding of America’s origins. The essays, written by a superb team of distinguished scholars, are grouped into five chronological frames—1609, 1709, 1809, 1909, and 2009—each marking a key point in the history of the Dutch in the valley. The topics range widely, from patterns of settlement and the Dutch encounter with slavery and Native America to Dutch influences in everything from architecture and religion to material culture, language, and literature. Based on fresh research, this book is at once a fascinating introduction to a remarkable past and a much-needed new look at the Dutch role in the region, in the story of America’s origins, and in creating the habits, styles, and practices identified as quintessentially New York’s.

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How the classic mirror test served as a portal for scientists to explore questions of self-awarenessSince the late eighteenth century, scientists have placed subjects—humans, infants, animals, and robots—in front of mirrors in order to look for signs of self-recognition. Mirrors served as the possible means for answering the question: What makes us human? In The Mirror and the Mind, Katja Guenther traces the history of the mirror self-recognition test, exploring how researchers from a range of disciplines—psychoanalysis, psychiatry, developmental and animal psychology, cybernetics, anthropology, and neuroscience—came to read the peculiar behaviors elicited by mirrors. Investigating the ways mirrors could lead to both identification and misidentification, Guenther looks at how such experiments ultimately failed to determine human specificity.The mirror test was thrust into the limelight when Charles Darwin challenged the idea that language sets humans apart. Thereafter the mirror, previously a recurrent if marginal scientific tool, became dominant in attempts to demarcate humans from other animals. But because researchers could not rely on language to determine what their nonspeaking subjects were experiencing, they had to come up with significant innovations, including notation strategies, testing protocols, and the linking of scientific theories across disciplines. From the robotic tortoises of Grey Walter and the mark test of Beulah Amsterdam and Gordon Gallup, to anorexia research and mirror neurons, the mirror test offers a window into the emergence of such fields as biology, psychology, psychiatry, animal studies, cognitive science, and neuroscience.The Mirror and the Mind offers an intriguing history of experiments in self-awareness and the advancements of the human sciences across more than a century.

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Whether you're shopping on the high street, strolling lively street markets, or admiring renowned modern art, experience London like a local: on foot. Inside you'll find:Six customisable walks through the city's hippest neighbourhoods, including Shoreditch, Chelsea, Marylebone, and more, with colour-coded stops and turn-by-turn directionsFoldout maps of each route and a removable full-city map, in a handy, portable guide"Top Ten" lists for restaurants, nightlife, markets, and Sunday activitiesThe top sights and unique local experiences: Find funky vintage treasures in Shoreditch or treat yourself at an upscale department store like Harrods. Make your way to the Tate Modern and other world-famous art galleries, take in London's history at Westminster Abbey, and watch the changing of the guards at Buckingham Palace. Take a leisurely stroll through Regent's Park, enjoy afternoon tea at a stylish hotel, or grab a pint and some fish and chips before heading to the theatre. Sip craft cocktails in an old train station, discover the hippest new gastropub, or watch the sun set over the city from a chic rooftop barPublic transportation options, including the underground, public buses, and taxisPractical tips for first-time visitors, including where you'll need to make a reservation, public holidays, and getting to and from the airportWith creative routes, public transit options, and a full-city map, you can explore London at your own pace, without missing a beat.Check out our guides to more of the world's best cities, so you can hit the ground running! Also available: Moon Barcelona Walks, Moon Berlin Walks, Moon New York Walks, Moon Amsterdam Walks, Moon Paris Walks, and Moon Rome Walks.

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'Another meticulously researched and stunningly written novel by a much-loved and highly accomplished author. I adored it!' - Santa Montefiore'The Ghost Ship is utterly absorbing. I couldn’t put it down' - Louise MinchinPiracy. Romance. Revenge. Across the seas of the seventeenth century, two seafarers are forced to fight for their love and their lives. The sequel to The City of Tears, The Ghost Ship is the third novel in The Joubert Family Chronicles from bestselling author Kate Mosse.The Barbary Coast, 1621. A mysterious vessel floats silently on the water. It is known only as the Ghost Ship. For months, its captain - Louise Reydon-Joubert - and her courageous crew has hunted pirates to liberate those enslaved during the course of their merciless raids.But now the Ghost Ship is under attack – its hull splintered, its sails tattered and burnt, and the crew at risk of capture. But the bravest among them are not who they seem. Louise is fleeing a miscarriage of justice; her lover, Gilles Barenton, is at risk of being exposed - she is forced to masquerade as her brother. The stakes could not be higher: if arrested, they will be hanged for their crimes. Can they survive the journey and escape their fate?A sweeping and epic queer love story, ranging from France in 1610 to Amsterdam and the Canary Islands in the 1620s, The Ghost Ship is a thrilling novel of adventure and buccaneering, love and revenge, stolen fortunes and hidden secrets on the High Seas. Most of all, it is a tale of defiant women in a man's world.

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***LONGLISTED FOR THE HISTORICAL WRITERS' ASSOCIATION DEBUT CROWN 2022******'Excellent writing, intricate plotting and masterful senses of place and time make Harvey's books compulsive reads.' - Historia******'Superb storytelling. [...] Readers everywhere are in for a treat!' - Tracy Chevalier******'Multi-layered, compelling and intriguing, The Silver Wolf draws us into the murky underbelly of Europe's Thirty Years' War.' - Minette Walters******'[A] marvellous [...] intelligently written romp through history' - NB Magazine******With a huge cast of characters and great storytelling, this is epic, action-packed historical fiction.' - Choice***The extraordinarily rich, dark, panoramic tale of an orphaned boy's quest for truth and then for vengeance as war rages across 17th-century Europe.Amidst the chaos of the Thirty Years' War, Jack Fiskardo embarks upon a quest that will carry him inexorably from France to Amsterdam and then onto the battlefields of Germany. As he grows to manhood will he be able to unravel the mystery of his father's death? Or will his father's killers find him first?The Silver Wolf is a tale of secrets and treachery and the relentlessness of fate - but it is also a story of courage and compassion, of love and loyalty and ultimately of salvation too.Book One of Fiskardo's War marks the start of a series of unforgettable, epic historical fiction for readers of Ken Follett and Kate Mosse.'Harvey handles a huge cast of characters and a mountain of research with enviable confidence, and gives us a gift of a hero. I am completely invested in Jack Fiskardo now, and will eagerly follow him through many more battles and beds, murders and mayhem, to reach his nemesis.' - Tracy Chevalier'A powerfully impressive debut.' - Minette Walters

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Her image appeared in periodicals and advertisements roughly twenty times daily; she rivaled FDR and Edward VIII as the most photographed person in the world. Her portrait brightened the homes of countless admirers: from a black laborer’s cabin in South Carolina and young Andy Warhol’s house in Pittsburgh to FBI Director J. Edgar Hoover’s recreation room in Washington, DC, and gangster “Bumpy” Johnson’s Harlem apartment. A few years later her smile cheered the secret bedchamber of Anne Frank in Amsterdam as young Anne hid from the Nazis. For four consecutive years Shirley Temple was the world’s box-office champion, a record never equaled. By early 1935 her mail was reported as four thousand letters a week, and hers was the second-most popular girl’s name in the country. What distinguished Shirley Temple from every other Hollywood star of the period—and everyone since—was how brilliantly she shone. Amid the deprivation and despair of the Great Depression, Shirley Temple radiated optimism and plucky good cheer that lifted the spirits of millions and shaped their collective character for generations to come. Distinguished cultural historian John F. Kasson shows how the most famous, adored, imitated, and commodified child in the world astonished movie goers, created a new international culture of celebrity, and revolutionized the role of children as consumers. Tap-dancing across racial boundaries with Bill “Bojangles” Robinson, foiling villains, and mending the hearts and troubles of the deserving, Shirley Temple personified the hopes and dreams of Americans. To do so, she worked virtually every day of her childhood, transforming her own family as well as the lives of her fans.

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In a series of short studies enlivened with colour illustrations, Henk van Oort takes the reader on a spiritual journey through a variety of topics relating to everyday experience. With chapters as diverse as ‘The Human Will’, ‘Quantum Physics’ and ‘Good and Evil’, the book’s common theme is the dynamic nature of human consciousness. This unique spiritual ‘travel guide’ opens up surprising new vistas to the ever-changing reality in which we live, helping us understand who we really are as human beings. The author demonstrates how our knowledge of the world is in a constant process of evolution. Tying together the disparate elements of the book is the inexhaustible spiritual source from which we receive inspiration and energy for life. Van Oort shows that our familiar material world finds its origins in the world of spirit. With a focus on Rudolf Steiner’s insights supplemented with the work of many other thinkers, Your Spiritual Journey reveals new pathways to our life’s earthly adventure. HENK VAN OORT, born in 1943, trained as a primary teacher before taking a Masters degree in English at the Amsterdam University. He has taught for more than 40 years in primary and secondary education, including class teaching in a Steiner school, teaching English and running educational courses and seminars for teachers and parents. His interest in literature and poetry led to appearances at storytelling and poetry seminars, and his introductory courses to anthroposophy continue to be highly successful. Based in Bergen N.H. in the Netherlands, Henk van Oort is married and the father of three grown-up children. He is the author of Anthroposophy, A Concise Introduction, A-Z Anthroposophy, The Inner Rainbow and Challenging Children.

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The first comprehensive and authoritative history of work and labour in Africa; a key text for all working on African Studies and Labour History worldwide. Co-published with the International Labour Organization on the centenary of its founding in 1919, the General Labour History of Africa is a landmark in the study of labour history. It brings, for the first time, an African perspective within a global context to the study of labour and labour relations. The volume analyses key developments in the 20th century, such as the emergence of free wage labour; the transformation in labour relations; the role of capital and employers; labour agency and movements; the growing diversity of formal and informal or precarious labour; the meaning of work; and the impact of gender and age on the workplace. The contributors - eminent historians, anthropologists and social scientists from Africa, Europe and the United States - examine African labour in the context of labour and social issues worldwide: mobility and colonial and postcolonial migration, forced labour, security, the growth of entrepreneurial labour, the informal sector and self-employment, and the impact of trade unionism, welfare and state relations. The book discusses key sectors such as mining, agriculture, industry, transport, domestic work, and sport, tourism and entertainment, as well as the international dimension and the history and impact of the International Labour Organization itself. This authoritative and comprehensive work will be an invaluableresource for historians of labour, social relations and African history. In association with the ILO Regional Office for Africa Stefano Bellucci is senior researcher at the International Institute of SocialHistory, Amsterdam, and lecturer in African History and Economy at Leiden University, the Netherlands; Andreas Eckert is Director of the International Research Centre for Work and the Human Life Cycle in Global History and professor of African history at Humboldt University, Berlin, Germany.

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The first comprehensive and authoritative history of work and labour in Africa; a key text for all working on African Studies and Labour History worldwide. Co-published with the International Labour Organization on the centenary of its founding in 1919, the General Labour History of Africa is a landmark in the study of labour history. It brings, for the first time, an African perspective within a global context to the study of labour and labour relations. The volume analyses key developments in the 20th century, such as the emergence of free wage labour; the transformation in labour relations; the role of capital and employers; labour agency and movements; the growing diversity of formal and informal or precarious labour; the meaning of work; and the impact of gender and age on the workplace. The contributors - eminent historians, anthropologists and social scientists from Africa, Europe and the United States - examine African labour in the context of labour and social issues worldwide: mobility and colonial and postcolonial migration, child and forced labour, security, the growth of entrepreneurial labour, the informal sector and self-employment, and the impact of trade unionism, welfare and state relations. The book discusses key sectors such as mining, agriculture, industry, transport, domestic work, and sport, tourism and entertainment, as well as the international dimension and the history and impact of the International Labour Organization itself. This authoritative and comprehensive work will be aninvaluable resource for historians of labour, social relations and African history. In association with the ILO Regional Office for Africa Stefano Bellucci is senior researcher at the International Instituteof Social History, Amsterdam, and lecturer in African History and Economy at Leiden University, the Netherlands; Andreas Eckert is Director of the International Research Centre for Work and the Human Life Cycle in Global History and professor of African history at Humboldt University, Berlin, Germany.

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Aristotle believed semen to be the purest of all bodily secretions, a vehicle for the spirit or psyche that gives form to substance. For Proust’s narrator in Swann’s Way, waking to find he has experienced a nocturnal emission, it is the product of “some misplacing of my thigh.” The heavy metal band Metallica used it to adorn an album cover. Beyond its biological function, semen has been applied with surprising frequency to metaphorical and narratological purposes. In Images of Bliss, Murat Aydemir undertakes an original and extensive analysis of images of male orgasm and semen. In a series of detailed case studies—Aristotle’s On the Generation of Animals; Andres Serrano’s use of bodily fluids in his art; paintings by Holbein and Leonardo; Proust’s In Search of Lost Time; hard-core pornography (both straight and gay); and key texts from the poststructuralist canon, including Lacan on the phallus, Bataille on expenditure, Barthes on bliss, and Derrida on dissemination—Aydemir traces the complex and often contradictory possibilities for imagination, description, and cognition that both the idea and the reality of semen make available. In particular, he foregrounds the significance of male ejaculation for masculine subjectivity. More often than not, Aydemir argues, the event or object of ejaculation emerges as the instance through which identity, meaning, and gender are not so much affirmed as they are relentlessly and productively questioned, complicated, and displaced. Combining close readings of diverse works with subtle theoretical elaboration and a keen eye for the cultural ideals and anxieties attached to sexuality, Images of Bliss offers a convincing and long overdue critical exploration of ejaculation in Western culture. Murat Aydemir is assistant professor of comparative literature at the University of Amsterdam.

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