Search results for ""Author Art, Culture"

When the First Crusade ended with the conquest of Jerusalem in 1099, jubilant crusaders returned home to Europe bringing with them stories, sacred relics, and other memorabilia, including banners, jewelry, and weapons. In the ensuing decades, the memory of the crusaders' bravery and pious sacrifice was invoked widely among the noble families of western Christendom. Popes preaching future crusades would count on these very same families for financing, leadership, and for the willing warriors who would lay down their lives on the battlefield. Despite the great risks and financial hardships associated with crusading, descendants of those who suffered and died on crusade would continue to take the cross, in some cases over several generations. Indeed, as Nicholas L. Paul reveals in To Follow in Their Footsteps, crusading was very much a family affair.Scholars of the crusades have long pointed to the importance of dynastic tradition and ties of kinship in the crusading movement but have failed to address more fundamental questions about the operation of these social processes. What is a "family tradition"? How are such traditions constructed and maintained, and by whom? How did crusading families confront the loss of their kin in distant lands? Making creative use of Latin dynastic narratives as well as vernacular literature, personal possessions and art objects, and architecture from across western Europe, Paul shows how traditions of crusading were established and reinforced in the collective memories of noble families throughout the twelfth and thirteenth centuries. Even rulers who never fulfilled crusading vows found their political lives dominated and, in some ways, directed by the memory of their crusading ancestors. Filled with unique insights and careful analysis, To Follow in Their Footsteps reveals the lasting impact of the crusades, beyond the expeditions themselves, on the formation of dynastic identity and the culture of the medieval European nobility.

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Selected Tales contains some of the most timeless and enchanting folk and fairy tales collected by the Brothers Grimm, translated with an introduction by David Luke in Penguin Classics.These folktales collected by Jacob and Wilhelm Grimm are among the most memorable stories in European culture - conjuring up a world of spells and bewitchment, outwitted villains and cruel stepmothers, animal bridegrooms and enchanted princesses. Tales such as 'Hansel and Gretel', 'Little Red Cape' and 'The Robber Bridegroom' depict the dangers lurking in dark forests, and others, including 'Briar-Rose' and 'Snow White' show young beauties punished by unforgiving sorceresses. Other tales include 'Thickasathumb', which portrays a childless young couple whose wish for a baby is granted in an unexpected way, while 'The Frog King' tells of a rash promise made by a haughty princess to share her bed with a frog, and a fortune is won in 'The Blue Lamp', when a soldier gains a kingdom with the help of a magic lamp.David Luke's vibrant translation is accompanied by an introduction discussing the key themes of the tales and the literary background of the Brothers Grimm. This edition also includes new further reading and a chronology, with notes and a glossary.Jacob (1785-1863) and Wilhelm (1786-1859) are nowadays simply known as 'the brothers Grimm'. Both brothers were state-appointed librarians in Kassel, and later members of the Academy of Arts and Sciences in Berlin, where Frederick William IV of Prussia had invited them to settle. Two of Germany's greatest scholars, Jacob is regarded as the founder of the scientific study of the German language, and with his brother Wilhelm initiated the Deutsches Wörterbuch, a dictionary of all words in modern High German since 1450.If you enjoyed the Selected Tales of the Brothers Grimm, you might like Hans Christian Andersen's Fairy Tales, also available in Penguin Classics.

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** Soon to be a Netflix film starring Millie Bobbie Brown and Chris Pratt ** Stranger Things meets On the Road in this hypnotic, lavishly illustrated novel. In late 1997, a runaway teenager and her small yellow toy robot travel west through a strange American landscape where the ruins of gigantic battle drones litter the countryside, along with the discarded trash of a high-tech consumerist society addicted to a virtual-reality system. As they approach the edge of the continent, the world outside the car window seems to unravel at an ever faster pace, as if somewhere beyond the horizon, the hollow core of civilization has finally caved in. Told in achingly melancholy, spare prose and featuring almost a hundred gorgeous, full-colour illustrations, The Electric State is a novel like no other. Rights in The Electric State have already sold in thirteen territories and Deadline reports that the film rights were snapped up by the Russo Brothers’ production company (Captain America: The Winter Soldier and Captain America: Civil War) with Andy Muschietti (Mama, It) attached to direct. “A jaw-dropping science fiction artbook . . . This quiet, sad adventure is an excellent and visually stunning addition to any graphic novel, art, or science fiction collection.” ― Publishers Weekly (starred) “A haunting illustrated novel. . . . Readers of bleak, emotionally rich dystopian science fiction will be fascinated with the way Stålenhag doles out details—all the way to the open-ended, heartbreaking conclusion.” ― Booklist (starred) “An awe-inspiring vision of a species committing suicide, perhaps to be reborn as something new. [. . .] The Electric State is a striking and strangely compelling work of science fiction gothic. Providing a series of snapshots of an alternate Earth of yesteryear, it tells the story of how that world ended.” ― New York Journal of Books "One part art-book, one part picture-book—the mundanity of everyday relationships play out alongside science fiction imagery that is as beautiful as it is unsettling." ― Waypoint "[Simon Stålenhag's] stories crawl into my brain and mess with my memory of history, time, and place. His art (photorealistic, washed out, laced in neon or icicles, nostalgic and futuristic both at the same time) gets into my eyes and stays there. [. . .] If you're anything like me, you'll take those images to bed with you for a long time and dream of Stålenhag's America — lost to sand, to drought, to war, to loneliness, and stalked always by the low, distant rumble of something terrible rising out of the earth and coming for you." ― NPR Books "[The] mix of science fiction and real world pop-culture nostalgia is instantly compelling, but there are layers to The Electric State that take the story beyond surface value. [. . .] In a way, it is an extremely American story, bringing together themes like the intersection of war and technology; fire-and-brimstone religion and its effect on LGBT youth; families separated by great physical distance while still being a part of the same country." ― Los Angeles Times

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The four talks collected here transcribe lectures delivered to an audience of children between the ages of ten and fourteen, under the auspices of the “little dialogues” series at the Montreuil’s center for the dramatic arts. Modeled on Walter Benjamin’s “Aufklärung für Kinder” radio talks, this series aims to awaken its young audience to pressing philosophical concerns. Each talk in God, Justice, Love, Beauty explores what is at stake in these topics as essential moments in human experience. (Indeed, the book argues that they are constitutive of human experience.) Following each, Nancy’s audience is given a chance to engage with him in a process of philosophical questioning; the texts of these touching and probing exchanges are included in the volume. Despite the fact that these lectures were delivered to an audience of children, the intellectual level they achieve—while remaining easily comprehensible—is astounding. No attempt is made to simplify Nancy’s positions or to resolve the complexities that arise in the course of the talks or the question periods that follow. The work of opening performed here is fully in keeping with the strategy of Nancy’s philosophy as a whole. Thus, for readers unfamiliar with his work, God, Justice, Love, Beauty will function as an excellent introduction to Nancy’s larger corpus. As varied as the individual talks are, they share the motif of incalculability or the immeasurable. Broadly speaking, one could say that the various ways in which Nancy approaches this motif exemplify his deconstructive approach to think of human existence. As well, those treatments exemplify his conviction that the task of thinking is to develop original ways of communicating the incalculable. God, Justice, Love, Beauty is thus a skillful reminder that philosophy is important to all of us. The book is also a model of intellectual generosity and openness. Seamlessly moving from Schwarzenegger to Plato, from Kant, Roland Barthes, and Caravaggio to Caillou, Harry Potter, and the pages of Gala magazine, Nancy’s wide-ranging references bear witness to his commitment to think of “culture” in its broadest sense.

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Interiors designed by Michael Del Piero are full of delightful contradictions. She designs minimalist rooms rich with historical character, meticulously edited gallery-like spaces that still have the comforting warmth of home, and breezy abodes with crisp architectural details that feel tailored rather than severe. But the fact that her projects, sprinkled across the United States, come off as reassuringly familiar yet entirely fresh, as they blend elements of American and European style, is a direct result of her background. The designer was born and raised in Chicago. She worked for decades as a business coach, advising executives at Fortune 500 companies on how to further their goals, inspire their people and energise their operations. At the same time, she dove head-first into design, almost without realising it. Thrilled by the hunt for distinctive antiques, unusual objects and compelling art, she loved few things more than combing auction houses and flea markets for unexpected finds. Enjoying herself too much to go back to corporate consulting, Del Piero took on the mantle of antiques dealer, and began making regular buying trips to Europe and hosting biannual sales, composing a different interior design scheme in a different house each time. Every sale was more successful than the last, but it didn’t take long for some of her customers to see the larger picture: the objects Del Piero brought back were beautiful, but it was the way she used them to create cohesive, compelling interiors that was the real attraction. One of those customers eventually asked Del Piero to design her home. She spent the next year designing every aspect of the client’s Chicago house while learning how to manage a construction site. When it was finished, the home was published and widely lauded, and Del Piero’s interior design firm was off and running. She formally established her studio in 2007. Since then, the designer’s work has been rooted in her early travels and experiences, and reflects her natural curiosity and embrace of decorative arts from different cultures and periods. As her studio has grown, the scale of her projects has grown as well, creating more opportunities to expand her creative vision. Today, she embraces an increasingly holistic approach to design as her projects move beyond interior design to architecture. She is conceiving new-construction houses built from the ground up, including an oceanfront house in Florida and a multibuilding compound on the site of an old hunting lodge in Westchester, New York, as well as interiors for a sleek new modernist house in Amagansett, a stately Upper East Side apartment in Manhattan and the overhaul of a historic greystone on Chicago’s Gold Coast. Some projects appear more polished than others, but all feature overlapping elements that might seem incongruous in less skilled hands: refinement mixed with rusticity, artful composition without pretension and exacting details that nevertheless contribute to an inviting sense of calm.

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The spiritual revival that is sweeping the Soviet Union today had its genesis in the religious renaissance of the early 20th century. In both cases, it was lay intellectuals, disenchanted with simplistic positivism and materialism, who adapted Russian orthodoxy to modern life. Their ideas reverberated, not only in religion and philosophy, but in art, literature, painting, theater and film. Banned by the Soviet government in 1922, the writings of the religious renaissance were rediscovered in the Brezhnev era by a new generation of Soviet intellectuals disillusioned with Marxism. Circulating from hand to hand in illegal typewritten editions (samizdat), they exerted an evergrowing influence on Soviet society, from the very top down to ordinary people. Under the new policy of glasnost, the government itself is currently reprinting their works. The selections included in this volume reflect the profundity and breadth of their thought and are presented in English for the first time. The recognition of the universal need and significance of spiritual values and ideals united this otherwise heterogeneous group and bears witness to the diversity of their approach to the basic issues of the human condition. The centrality of these lay intellectuals’ concerns transcends the specifics of the historical situation in early 20th century Russia and makes their writings relevant to the universal human condition. In order of appearance, the selections are: VLADIMIR SOLOVYOV, The Enemy from the East, The Russian National Ideal; NIKOLAI GROT, On the True Tasks of Philosophy; SERGEI DIAGHILEV, Complex Questions; VASILLY V. ROZANOV, On Sweetest Jesus and the Bitter Fruits of the World; NIKOLAI BERDIAEV, Socialism as Religion; SERGEI BULGAKOV, An Urgent Task; VIACHISLAV IVANOV, Crisis of Individualism, GEORGII CHULKOV, On Mystical Anarchism; DMITRI S. MEREZHKOVSKY, Revolution and Religion, The Jewish Question As a Russian Question; GEORGII FLOROVSKY, In the World of Quests and Wanderings; PAVEL NOVGORODTSEV, The Essence of the Russian Orthodox Consciousness; PETR STRUVE, The Intelligentsia and the National Face; ANDREI BELY, Revolution and Culture; ALEKSANDR BLOK, Catiline; EVGENY TRUBETSKOI, The Bolshevist Utopia and the Religious Movement.

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From Tibetan Buddhists at Jokang to Muslims at Mecca for the hajj, pilgrims across faiths and cultures travel thousands of miles - often by foot - to reach holy sites. Such journeys are considered proof of ultimate devotion, the most important act of an individual's life. The intense mystical and physical aspects of pilgrimages have recently sparked a modern revival, leading travelers in search of spiritual growth and physical challenge to embark on these sacred adventures. Pilgrimage to the End of the World takes the reader, via Conrad Rudolph's able eyes and feet, to the holy site of Santiago de Compostela, believed to be the burial place of the apostle James. Discovered around AD 812, it became one of the most important pilgrimage destinations for Westerners (after Rome and Jerusalem) and has recently received an influx of renewed attention since being named a UNESCO World Heritage Site. Today it is the second most popular Catholic pilgrimage center, having been visited by Francis of Assisi and Pope John Paul II, among others. Rudolph made this passage himself, traveling the two and a half months and one thousand miles along the ancient pilgrimage route from Le Puy, in south-central France, to Santiago, Spain. Offering his perspective as a medieval art historian as well as a veteran traveler, Rudolph melds the ancient and the contemporary, the spiritual and the physical, in a chronicle of his travels to this captivating place. From anecdotes to travel tips for "the wise pilgrim" (routes to take, physical training required, what to eat, where to stay, what to bring, and even recommendations of other publications), this book is at once travel guide, literary work, historical study, and memoir. Sincerely and engagingly written, it will appeal to travelers, religious scholars, and historians - and will have you wanting to embark for Spain as you close it.

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For many years, kisses were the only sexual acts to be seen in mainstream American movies. Then, in the 1960s and 1970s, American cinema “grew up” in response to the sexual revolution, and movie audiences came to expect more knowledge about what happened between the sheets. In Screening Sex, the renowned film scholar Linda Williams investigates how sex acts have been represented on screen for more than a century and, just as important, how we have watched and experienced those representations. Whether examining the arch artistry of Last Tango in Paris, the on-screen orgasms of Jane Fonda, or the anal sex of two cowboys in Brokeback Mountain, Williams illuminates the forms of pleasure and vicarious knowledge derived from screening sex.Combining stories of her own coming of age as a moviegoer with film history, cultural history, and readings of significant films, Williams presents a fascinating history of the on-screen kiss, a look at the shift from adolescent kisses to more grown-up displays of sex, and a comparison of the “tasteful” Hollywood sexual interlude with sexuality as represented in sexploitation, Blaxploitation, and avant-garde films. She considers Last Tango in Paris and Deep Throat, two 1972 films unapologetically all about sex; In the Realm of the Senses, the only work of 1970s international cinema that combined hard-core sex with erotic art; and the sexual provocations of the mainstream movies Blue Velvet and Brokeback Mountain. She describes art films since the 1990s, in which the sex is aggressive, loveless, or alienated. Finally, Williams reflects on the experience of screening sex on small screens at home rather than on large screens in public. By understanding screening sex as both revelation and concealment, Williams has written the definitive study of sex at the movies.Linda Williams is Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her books include Porn Studies, also published by Duke University Press; Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J. Simpson; Viewing Positions: Ways of Seeing Film; and Hard Core: Power, Pleasure, and the “Frenzy of the Visible.”A John Hope Franklin Center BookNovember424 pages129 illustrations6x9 trim sizeISBN 0-8223-0-8223-4285-5paper, $24.95ISBN 0-8223-0-8223-4263-4library cloth edition, $89.95ISBN 978-0-8223-4285-4paper, $24.95ISBN 978-0-8223-4263-2library cloth edition, $89.95

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A SUNDAY TIMES MUSIC BOOK OF THE YEAR 2023#2 UNCUT BOOK OF THE YEAR 2023A RESIDENT BOOK OF THE YEAR 2023In 1979, 2 Tone exploded into the national consciousness as records by The Specials, The Selecter, Madness, The Beat, and The Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was black and white: a multi-racial force of British and Caribbean island musicians singing about social issues, racism, class and gender struggles. It spoke of injustices in society and took fight against right wing extremism.The music of 2 Tone was exuberant: white youth learning to dance to the infectious rhythm of ska and reggae; and crossed with a punk attitude to create an original hybrid. The idea of 2 Tone was born in Coventry, masterminded by a middle-class art student raised in the church. Jerry Dammers had a vision of an English Motown. Borrowing £700, the label's first record featured 'Gangsters' by The Specials' backed by an instrumental track by the, as yet, unformed, Selecter. Within two months the single was at number six in the national charts. Dammers signed Madness, The Beat and The Bodysnatchers as a glut of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, soon infighting amongst the bands and the pressures of running a label caused 2 Tone to bow to an inevitable weight of expectation and recrimination. Still under the auspices of Jerry Dammers, 2 Tone entered in a new phase. Perhaps not as commercially successful as its 1979-1981 incarnation the label nevertheless continued to thrive for a further four years releasing a string of fresh signings and a stunning end-piece finale in '(Free) Nelson Mandela'. Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment, shaped British culture.

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Amazons--fierce warrior women dwelling on the fringes of the known world--were the mythic archenemies of the ancient Greeks. Heracles and Achilles displayed their valor in duels with Amazon queens, and the Athenians reveled in their victory over a powerful Amazon army. In historical times, Cyrus of Persia, Alexander the Great, and the Roman general Pompey tangled with Amazons. But just who were these bold barbarian archers on horseback who gloried in fighting, hunting, and sexual freedom? Were Amazons real? In this deeply researched, wide-ranging, and lavishly illustrated book, National Book Award finalist Adrienne Mayor presents the Amazons as they have never been seen before. This is the first comprehensive account of warrior women in myth and history across the ancient world, from the Mediterranean Sea to the Great Wall of China. Mayor tells how amazing new archaeological discoveries of battle-scarred female skeletons buried with their weapons prove that women warriors were not merely figments of the Greek imagination. Combining classical myth and art, nomad traditions, and scientific archaeology, she reveals intimate, surprising details and original insights about the lives and legends of the women known as Amazons. Provocatively arguing that a timeless search for a balance between the sexes explains the allure of the Amazons, Mayor reminds us that there were as many Amazon love stories as there were war stories. The Greeks were not the only people enchanted by Amazons--Mayor shows that warlike women of nomadic cultures inspired exciting tales in ancient Egypt, Persia, India, Central Asia, and China. Driven by a detective's curiosity, Mayor unearths long-buried evidence and sifts fact from fiction to show how flesh-and-blood women of the Eurasian steppes were mythologized as Amazons, the equals of men. The result is likely to become a classic.

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This Thing of Darkness, Joan Neuberger's engrossing production history of Sergei Eisenstein's Ivan the Terrible, is a major contribution to the study of Eisenstein and thus informs the history and theory of cinema and the study of Soviet culture and politics. Neuberger's ability to mine, interpret, and connect Eisenstein's voluminous, intriguingly digressive writings makes this book exceptional.— Karla Oeler, Stanford University Sergei Eisenstein's unfinished masterpiece, Ivan the Terrible, was no ordinary movie. Commissioned by Joseph Stalin in 1941 to justify state terror in the sixteenth century and in the twentieth, the film's politics, style, and epic scope aroused controversy even before it was released. In This Thing of Darkness, Joan Neuberger offers a sweeping account of the conception, making, and reception of Ivan the Terrible that weaves together Eisenstein's expansive thinking and experimental practice with a groundbreaking new view of artistic production under Stalin. Drawing on Eisenstein's unpublished production notebooks, diaries, and manuscripts, Neuberger's riveting narrative chronicles Eisenstein's personal, creative, and political challenges and reveals the ways cinematic invention, artistic theory, political critique, and historical and psychological analysis went hand in hand in this famously complex film. Neuberger's bold arguments and daring insights into every aspect of Eisenstein's work during this period, together with her ability to lucidly connect his wide-ranging late theory with his work on Ivan, show the director exploiting the institutions of Soviet artistic production not only to expose the cruelties of Stalin and his circle but to challenge the fundamental principles of Soviet ideology itself. Ivan the Terrible, she argues, shows us one of the world's greatest filmmakers and one of the 20th century's greatest artists observing the world around him and experimenting with every element of film art to explore the psychology of political ambition, uncover the history of recurring cycles of violence and lay bare the tragedy of absolute power.

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With an easy-to-follow approach and unmatched learning support, Jarvis's Physical Examination and Health Assessment, 9th Edition is the most widely used, authoritative, complete, and easily implemented learning solution for health assessment in nursing. This hub of a tightly integrated learning package continues to center on Carolyn Jarvis's clear, logical, and holistic approach to physical examination and health assessment across the patient lifespan. It's packed with vivid illustrations, step-by-step guidance, and evidence-based content to provide a complete approach to health assessment and physical examination. With an enhanced focus on today's need-to-know information, the 9th edition integrates concepts from the Quality and Safety Education for Nurses (QSEN) initiative, concepts of interprofessional collaboration, enhanced transgender considerations, and integrated content and electronic resources for success on the Next Generation NCLEX®. Clear, conversational, step-by-step, evidence-based approach covers physical examination and health assessment of patients throughout the lifespan. Consistent format from chapter to chapter features sections on structure and function, subjective data, objective data, documentation and critical thinking, abnormal findings, and health promotion and patient teaching to help you learn to assess systematically. Inclusion of LGBTQ issues and Cultural Assessment chapter equip you with the skills to practice with greater sensitivity and inclusivity. Engaging online learning resources include assessment video clips; review questions for the NCLEX®; case studies for the NGN; audio clips of heart, lung, and abdominal sounds; assessment checklists; and much more. Promoting a Healthy Lifestyle boxes present opportunities for patient teaching and health promotion while performing the health assessment. Developmental Competence sections highlight content specific to infants, children, adolescents, pregnant women, and older adults. Culture and Genetics sections include information on biocultural and transcultural variations in an increasingly diverse patient population. Standalone Vital Signs chapter and focused nutrition content emphasize the national epidemic of obesity. Integration of interprofessional collaboration emphasizes how to ensure patient safety during the physical exam and how to collaborate with other health professionals to promote optimal health. Enhanced content on the electronic health record, charting, and narrative recording exemplifies how to document assessment findings using state-of-the-art systems with time-tested thoroughness. UPDATED! Photos identify common skin conditions in both light skin and dark skin, increasing inclusivity and representation for better health outcomes. UPDATED! Expanded transgender considerations promote culturally competent care of this underserved patient population. NEW! Fully integrated print and electronic coverage of the National Council of State Boards of Nursing (NCSBN) Clinical Judgment Measurement Model (NCJMM) helps equip you for the Next Generation NCLEX® (NGN). UPDATED! An unsurpassed collection of more than 1,100 full-color illustrations vividly showcases anatomy and physiology, examination techniques, and abnormal findings. UPDATED! Increased focus on social determinants of health (SODH) addresses the disparities that can affect health outcomes, enabling a whole-health approach.

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Master the role and responsibilities of today's nursing assistant! Mosby's Essentials for Nursing Assistants, 7th Edition provides concise, easy-to-understand guidelines for the skills performed by nursing assistants. Step-by-step procedures are included for more than 75 key procedures, and patient scenarios help you apply your knowledge and develop critical thinking skills. A primary focus is the importance of treating residents with respect while providing safe, competent, and efficient care. And with OBRA-mandated coverage of the concepts and skills you need to master, you will prepare for success on state certification exams! Clear, easy-to-read style is supplemented with hundreds of full-color photographs and illustrations. More than 75 step-by-step procedures are divided into pre-procedure, procedure, and post-procedure sections for easier learning. Focus on PRIDE boxes emphasize personal and professional responsibility, rights and respect, independence and social interaction, delegation and teamwork, and ethics and laws, helping you promote dignity and pride in the person being cared for, his or her family, and yourself. Focus on Practice: Problem Solving present patient scenarios to enhance critical thinking skills, and allow you to apply concepts to practice. Promoting Safety and Comfort boxes detail measures and cautions for providing safe, effective patient care. Focus on Older Persons boxes provide guidance on the special needs of older persons, including those with Alzheimer's disease and other dementias. Focus on Communication boxes provide guidelines for communicating clearly with residents, visitors, and the nursing team. Caring About Culture boxes help in providing care that is sensitive to the beliefs and customs of diverse cultures. Delegation Guidelines identify the nursing assistant's specific responsibilities in accepting commonly delegated tasks. Focus on Surveys feature highlights the nursing assistant's role during state inspections. NATCEP (Nurse Aide Training and Competency Evaluation Program) icons shown in the title bar of procedures indicate the skills covered most often on certification exams. Review questions in each chapter cover what you have learned, and are useful in studying for a test or for the competency evaluation. Key terms and abbreviations are included at the beginning of each chapter, with a comprehensive glossary at the back of the book. NEW! Streamlined chapter organization includes shorter, more focused chapters. NEW! Enhanced art program includes updated photos and illustrations.

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In August 1858, William James Stillman, a painter and founding editor of the acclaimed but short-lived art journal The Crayon, organized a camping expedition for some of America's preeminent intellectuals to Follensby Pond in the Adirondacks. Dubbed the "Philosophers’ Camp," the trip included the Swiss American scientist and Harvard College professor Jean Louis Rodolphe Agassiz, the Republican lawyer and future U.S. attorney general Ebenezer Rockwood Hoar, the Cambridge poet James Russell Lowell, and the transcendental philosopher Ralph Waldo Emerson, who would later pen a poem about the experience. News that these cultured men were living like "Sacs and Sioux" in the wilderness appeared in newspapers across the nation and helped fuel a widespread interest in exploring the Adirondacks.In this book, James Schlett recounts the story of the Philosophers’ Camp, from the lives and careers of—and friendships and frictions among—the participants to the extensive preparations for the expedition and the several-day encampment to its lasting legacy. Schlett’s account is a sweeping tale that provides vistas of the dramatically changing landscapes of the United States in the second half of the nineteenth century. As he relates, the scholars later formed an Adirondack Club that set out to establish a permanent encampment at nearby Ampersand Pond. Their plans, however, were dashed amid the outbreak of the Civil War and the advancement of civilization into a wilderness that Stillman described as "a not too greatly changed Eden." But the Adirondacks were indeed changing.When Stillman returned to the site of the Philosophers’ Camp in 1884, he found the woods around Follensby had been disfigured by tourists. Development, industrialization, and commercialization had transformed the Adirondack wilderness as they would nearly every other aspect of the American landscape. Such devastation would later inspire conservationists to establish Adirondack Park in 1892. At the close of the book, Schlett looks at the preservation of Follensby Pond, now protected by the Nature Conservancy, and the camp site’s potential integration into the Adirondack Forest Preserve.

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Extends the study of China's "soft power" into theatre studies and looks more widely at syncretic traditions evolving in other long-term historic exchanges between Asia and Africa. China is the main focus of this volume, and articles consider the way it is using "soft power" in its extensive engagement with South Africa, and, through its support for theatre festivals, with Lusophone countries in Africa. China's involvement with the construction of theatres, opera houses and cultural facilities as part of its foreign aid programmes in such countries as Algeria, Cameroon, Mauritius, Ghana and Senegal, provides the background to the playscript from this volume, Blickakte (Acts of Viewing) by Daniel Schauf, Philipp Scholtysik & Jonas Alsleben, that explores Chinese impact in Somalia. Issues also emerge around what China is "importing" culturally fromAfrica. In 2012, Soyinka's The Lion & the Jewel was produced there, and a season of Fugard's work was enjoyed in Beijing during 2014. During 2016 Brett Bailey's Macbeth Opera will be performed in Macao. In recent years courses in African theatre have been started in Beijing by Biodun Jeyifo, and also taught by Femi Osofisan whose well-known Esu and the Vagabond Minstrels and Once Upon Four Robbers have been translatedinto Mandarin, along with Soyinka's The Lion & the Jewel. The volume also includes contributions on exchanges between other Asian countries and Africa such as articles on the production of African plays in Bangladesh and onthe persistence of African performance traditions among African migrants in India. Attention is paid to the syncretic theatre traditions that have evolved wherever African and Asian populations have been in close and extended contact, as in Mauritius and Durban. Unusual exchanges and globalized theatre surfaces in the course of the volume. For example, while the Guangdong Provincial Puppet Art Theatre Group performed at the 41st Grahamstown Festival (2015), Chinese puppeteers are being trained to manipulate the War Horse for a Beijing production. Volume Editors: JAMES GIBBS & FEMI OSOFISAN FEMI OSOFISAN Thalia Laureate of the International Association of TheatreCritics 2016 Series Editors: Martin Banham, Emeritus Professor of Drama & Theatre Studies, University of Leeds; James Gibbs, Senior Visiting Research Fellow, University of the West of England; Femi Osofisan, Professor ofDrama, University of Ibadan; Jane Plastow, Professor of African Theatre, University of Leeds; Yvette Hutchison, Associate Professor, Department of Theatre & Performance Studies, University of Warwick.

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Canonized in 1297 as Saint Louis, King Louis IX of France (1214-1270) was the central figure of Christendom in the thirteenth century. He ruled when France was at the height of power; he commanded the largest army in Europe and controlled the wealthiest kingdom. Renowned for his patronage of the arts, Louis was equally famous for his choice to imitate the suffering Christ as a humbly attired, bearded penitent. Armed with the considerable resources of the nouvel historien, Jacques Le Goff mines existing materials about Saint Louis to forge a new historical biography of the king. Part of his ambitious project is to reconstruct the mental universe of the thirteenth century: Le Goff describes the scholastic and intellectual background of Louis’s reign and, most importantly, he discusses methodology and the interpretation of written sources—their composition, provenance, and reliability. Le Goff divides his unconventional biography into three parts. In the first, he gives us the contours of Louis’s life from birth to death in the usual context of family dynamics and genealogy, courtly and regional politics, and shifts in economic, social, and cultural life. In sifting through the historical accounts of the king’s life, Le Goff determines that it is Louis IX’s profound sense of moral and religious purpose—his desire to become the ideal Christian ruler—that colors his every action from boyhood on; it is also, for Le Goff, what renders contemporary accounts problematic and what necessitates further scrutiny. That dissection of sources occupies the second part. Le Goff’s intention is to pare away the layers of homily and anecdote produced by the king’s early biographers to discover the true St. Louis. Questioning whether St. Louis was merely the invention of his eulogists, Le Goff penetrates beyond the literary and hagiographical evidence to the human behind the legend. He brilliantly analyzes Louis’s progression toward his unique self-creation and its subsequent mythologizing. In the third part, Le Goff highlights the contradictions within Louis and his historical image that previous chroniclers have elided and overlooked. In the end, he leaves us with the saint, rather than the king, with all the paradoxes embedded within that dual role. A prolific medievalist of international renown, Jacques Le Goff (1924- ) is the former director of studies at the L'École des Hautes Études en Sciences Sociales, Paris. Among his honors is the Dr. A. H. Heineken Prize for History, bestowed in 2004 by the Royal Netherlands Academy of Arts and Sciences to Le Goff for “fundamentally changing our view of the Middle Ages.” He was also among the recipients of the 2007 Dan David Prize in recognition of contributions to his discipline. of Louis’ life from birth to death in the usual context of family dynamics and genealogy, courtly and regional politics, and shifts in economic, social, and cultural life. In sifting through the historical accounts of the king’s life, Le Goff determines that it is Louis IX’s profound sense of moral and religious purpose—his desire to become the ideal Christian ruler—that colors his every action from boyhood on; it is also, for Le Goff, what renders contemporary accounts problematic and what necessitates further scrutiny. That dissection of sources occupies the second part. Le Goff’s intention is to pare away the layers of homily and anecdote produced by the king’s early biographers to discover the true Saint Louis. Questioning whether Saint Louis was merely the invention of his eulogists, Le Goff penetrates beyond the literary and hagiographical evidence to the human behind the legend. He brilliantly analyzes Louis’ progress toward his unique self-creation and its subsequent mythologizing. In the third part, Le Goff highlights the contradictions within Louis and his historical image that previous chroniclers have elided or overlooked. In the end, he leaves us with the saint, rather than the king, with all the paradoxes embedded in that role.

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Guy Robinson and Doris Carson have assembled a wonderfully comprehensive and timely book that both reveals and joins together the many and varied elements of diverse contemporary agriculture and food production systems. The book stands as a valuable scan of the diverse forces and processes of change in agriculture and also makes visible, through its various and well-chosen case analyses, the abiding and sometimes colliding roles of structure , agency, power and place in shaping farm and food futures.'- John Smithers, University of Guelph, Canada'An excellent, timely and innovative contribution to the wide-ranging debates on the globalisation of agriculture. The book brings together a wide array of authors who approach agricultural globalisation issues from various angles spanning both the social and natural sciences, including key contributions on agriculture/environment issues, food security challenges, policy regimes, transnational corporations, and challenges of an increasingly globalised agriculture.'- Geoff A. Wilson, Plymouth University, UKAgriculture is becoming increasingly influenced by globalisation. The result is a more interconnected world where new forms of trade and cultural exchange can thrive on an international level. This novel Handbook provides insights to the ways in which globalization is affecting the whole agri-food system, from farms to the consumer.The expert contributors cover themes including the physical basis of agriculture, the influence of trade policies, the nature of globalised agriculture, and resistance to globalisation in the form of attempts to foster sustainability and multifunctional agricultural systems. They present a state-of-the-art summary of current debates and provide a starting point for subsequent research into solutions aimed at addressing food insecurity, global hunger and uneven development.Drawing upon studies from around the world, the Handbook will appeal to a broad and varied readership, across academics, students, and policy-makers interested in economics, trade, geography, sociology and political science.Contributors: K. Anderson, D.K. Bardsley, P. Basu, A. Blay-Palmer, S. Bringezu, L. Bryant, D. Burch, D.A. Carson, A. Dorward, J. Entwistle, S.J. Fielke, D. Fuchs, T. Gomiero, W. Grant, P. Hoppe, B. Ilbery, A. Kalfagianni, J. Klepek, I. Knezevic, G. Lawrence, T. Li, Y. Liu, H. Long, D. Maye, J. Morrison, S. Nicholson, M. O'Brien, A. Omer, C.R. Parfitt, K.E. Rickson, R.E. Rickson, D.F. Robinson, G.M. Robinson, N. Russell, B.A. Scholten, H. Schütz, S.R. Sippel, R. Taylor, B. Winders

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The updated Green Guide French Riviera presents top attractions, the most interesting towns, shopping hot spots, and great places to eat and stay for a variety of budgets. Multiple walking and driving tours reveal the historic charm and scenic landscapes of this region, while opportunities for hiking, scuba diving, sailing and fishing abound. People-watching in cosmopolitan Cannes and Nice are a must. Whether you plan in advance or decide on site, Michelin's celebrated star-rating system ensures you enjoy the best of the French Riviera. Attractions are reviewed and rated using Michelin's celebrated star-rating system, such as the 1-star Alpine mountaineering destination of St-Martin-Vésubie and a boat tour of the 3-star islands off Hyères harbor. Walk-throughs of major museums, galleries, churches and attractions; includes illustrations and floor plans. Comprehensive, illustrated sections on the region today, its art, history and culture, all written by experts in their fields. Sidebars touch on various topics ranging from the two-week long Nice Carnival with its floral parades to the world-famous Cannes film festival. Follow one of the many driving tours to discover coastal and Alpine landscapes, or take a walk back in time and explore winding streets of centuries-old villages. Discover more with Michelin's walking and driving tours with comprehensive directions and maps. Detailed visitor information given for every attraction, opening hours, entry fees, tour times, phone, website. Michelin area and city maps. Includes recommendations for great places to eat/stay for all budgets. Michelin Green Guides feature comprehensive, concise travel information for advance trip planning as well as for spontaneous decisions during the visit Perfect for travellers seeking enriching experiences and in-depth information on their destination. * Star-rated activities and detailed visitor information * Unique driving & walking tours * Colourful, easy-to-read maps throughout * Lively introductions to the area, its people & culture * Restaurant & hotel tips * Family friendly advice * Walk-through of major museums, galleries, churches and attractions Companion publications: MICHELIN Guide France for a selection of the best restaurants and hotels in the region. Michelin Provence-Alps-French Riviera Road and Tourist Map no. 527 (scale 1:200,000) and/or Michelin ZOOM French Riviera, Esterel Map no. 115 (scale 1:100,000) for navigating and planning

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Essays exploring childhood and youth in Scotland before the nineteenth century. Children and youth have tended to be under-reported in the historical scholarship. This collection of essays recasts the historical narrative by populating premodern Scottish communities from the thirteenth to the late eighteenthcenturies with their lively experiences and voices. By examining medieval and early modern Scottish communities through the lens of age, the collection counters traditional assumptions that young people are peripheral to our understanding of the political, economic, and social contexts of the premodern era. The topics addressed fall into three main sections: the experience of being a child/adolescent; representations of the young; and the constructionof the next generation. The individual essays examine the experience of the young at all levels of society, including princes and princesses, aristocratic and gentry youth, urban young people, rural children, and those who came to Scotland as slaves; they draw on evidence from art, personal correspondence, material culture, song, legal and government records, work and marriage contracts, and literature. Janay Nugent is an Associate Professor ofHistory and a founding member of the Institute for Child and Youth Studies at the University of Lethbridge, Alberta, Canada; Elizabeth Ewan is University Research Chair and Professor of History and Scottish Studies at the Centrefor Scottish Studies, University of Guelph, Ontario, Canada. Contributors: Katie Barclay, Stuart Campbell, Mairi Cowan, Sarah Dunnigan, Elizabeth Ewan, Anne Frater, Dolly MacKinnon, Cynthia J. Neville, Janay Nugent, Heather Parker, Jamie Reid Baxter, Cathryn R. Spence, Laura E. Walkling, Nel Whiting.

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#1 best-selling guide to Beijing* Lonely Planet Beijing is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Scale the Great Wall, sip a cocktail in an historic alleyway, or go ice skating with the locals in Houhai; all with your trusted travel companion. Get to the heart of Beijing and begin your journey now! Inside Lonely Planet Beijing Travel Guide: Full-colour maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sight-seeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, hutong, architecture, religion, literature, visual arts, music, cinema, Peking Opera, festivals, cuisine, shopping Free, convenient pull-out Beijing map (included in print version), plus 30 colour maps Covers Chaoyang, the Forbidden City, Xicheng, Dongcheng, Sanlitun, Beihai Park, Wudaokou, Haidian, Dashilar, the Temple of Heaven and more The Perfect Choice: Lonely Planet Beijing , our most comprehensive guide to Beijing, is perfect for both exploring top sights and taking roads less travelled. Looking for just the highlights of Beijing? Check out Pocket Beijing, a handy-sized guide focused on the can't-miss sights for a quick trip. Looking for more extensive coverage? Check out Lonely Planet China guide for a comprehensive look at all the country has to offer. About Lonely Planet: Since 1973, Lonely Planet has become the world's leading travel media company with guidebooks to every destination, an award-winning website, mobile and digital travel products, and a dedicated traveller community. Lonely Planet covers must-see spots but also enables curious travellers to get off beaten paths to understand more of the culture of the places in which they find themselves. The world awaits! Lonely Planet guides have won the TripAdvisor Traveler's Choice Award in 2012, 2013, 2014, 2015, and 2016. 'Lonely Planet. It's on everyone's bookshelves, it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media 'Lonely Planet guides are, quite simply, like no other.' - New York Times *Best-selling guide to Beijing. Source: Nielsen BookScan. Australia, UK and USA

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Michael Muller has carved a career out of impressive encounters. Famed for his portraits of the world’s most elite actors, musicians, and sports stars, he has in the last decade built up one of the most spectacular portfolios of underwater shark photography. Muller’s quest is to document sharks with an unprecedented proximity and precision, bringing the Hollywood portrait session to the ocean predator. In ocean depths around the world, he approaches the sharks with a patented seven-bulb, 1200-watt plexi-encased strobe lighting rig, developed with NASA engineering, and no cage. This collection of Muller’s images, including the first-known photograph of a great white breaching at night, is a catalog of adrenalin and awe. Arranged geographically, it follows Muller’s ocean adventures from black tip and sand tiger sharks in South Africa to great hammerheads in the Bahamas, with thrilling narratives from each trip documenting the challenges and near-misses along the way. To compliment Muller’s work for advocacy organizations such as WildAid and EarthEcho, the images are contextualized with essays from Philippe Cousteau, Jr. and marine biologist Alison Kock, who discuss exploration and conservation of our oceanic kingdom. Culture writer Arty Nelson adds an overview of Muller’s work, while a technical section explains the precise equipment behind these spectacular shots. Together, these insightful texts and awesome images offer a record of breathtaking photographic feats, a tribute to the beauty and might of the shark, and a rallying cry for its fragile future.This book is also available in a signed Collector’s Edition and two Art Editions, each including a signed and numbered print.

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An Atlas of Es Devlin, the first monograph on artist Es Devlin’s genre-defying practice, is an experiential publication encompassing art, activism, theatre, poetry, music, dance, opera and sculpture. Devlin’s protean work is rooted in a life-long practice of reading and drawing. From sketches in the margins of texts, be they poetry, drama, song lyrics, opera libretti, climate reports or endangered species lists, emerge the technically advanced, collectively imagined universes for which she is globally renowned. Fragile miniature paintings, paper cuts and small mechanical cardboard models form the seeds of some of the most iconic, large-scale, multi-disciplinary cultural manifestations in recent times, from public sculptures and installations at Tate Modern, Serpentine, V&A, Barbican, Imperial War Museum and the Lincoln Center, to kinetic stage designs at the Royal Opera House, the Royal Ballet, the Metropolitan Opera, La Scala and the National Theatre, as well as Olympic Ceremonies, Super-Bowl half-time shows, and monumental illuminated stage sculptures for Beyonce, The Weeknd, U2, Rosalìa, Dr Dre and Kendrick Lamar. Devlin’s work is at once deeply personal and inherently collective. Over the past decade her art practice has engaged with biodiversity, linguistic diversity and collective AI-generated poetry. She views the audience as a temporary society and encourages profound cognitive shifts by inviting public participation in communal choral works. Published in association with a retrospective exhibition opening at Cooper Hewitt, Smithsonian Design Museum in New York in November 2023, An Atlas of Es Devlin is a unique, sculptural volume of over 900 pages, including foldouts, cut-outs, and a range of paper types, mirror and translucencies, with over 700 colour images documenting over 120 projects spanning over 30 years, and a 50,000 word text featuring the artist’s personal commentaries on each art work as well as interviews with her collaborators including Hans Ulrich Obrist, Bono, Benedict Cumberbatch, Pharrell Williams, Carlo Rovelli, Brian Eno, Sam Mendes, Alice Rawsthorn and Abel ‘The Weeknd’ Tesfaye. Each book is boxed and includes a die-cut print from an edition of 5000. ‘Es is like superstring theory, at least eleven dimensions.’ Hans Ulrich Obrist ‘Es knows how to bend the mind around corners of our experience.’ Benedict Cumberbatch ‘Es takes our inchoate aspirations and sculpts them into a stage.’ Bono ‘I wish we’d had Es as a psychologist on some of our projects.’ Brian Eno ‘Es’s mind is both forensic and associative. She is able to x-ray a play and then she starts to dream.’ Lyndsey Turner ‘Es is a turning point for anyone she interacts with.’ Pharrell Williams ‘Es creates moments in which we suddenly become aware of life and existing, and time.’ Carlo Rovelli ‘With Es, there’s no “No”. She creates a whole universe.’ Abel ‘The Weeknd’ Tesfaye

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In celebration of Louisiana State University's sesquicentennial, Treasures of LSU trumpets the numerous and diverse riches found throughout the Baton Rouge campus and beyond. The 101 distinguished artworks, architectural gems, research collections, and scientific and cultural artifacts highlighted here represent only a small fraction of the material resources that surround and engage LSU faculty, staff, and students on a daily basis. As LSU chancellor emeritus Paul W. Murrill declares in his foreword, ""All reflect expressions of superb quality. All encourage, in one way or another, the human spirit to soar.""Some of these treasures act as artistic backdrops to everyday campus life. In Unity Ascending, the striking Frank Hayden sculpture, greets all who enter the LSU Student Union. Vibrant Depression-era murals decorate the corridors of Allen Hall. Other treasures reside in out-of-the-way places. The Department of Geology and Geophysics houses the Henry V. Howe Type Collection of shelled microorganisms -- tiny, beautifully varied fossils that frequently aid geologists in determining the ages of rocks and features of ancient environments. The LSU Museum of Natural Science, in Foster Hall, holds one of the largest and most prestigious research collections of bird specimens in the world.An LSU cadet uniform and a hand-spun Acadian quilt from the LSU Textile & Costume Museum; an enchanting silky-camellia specimen from the collections of the LSU Herbarium, founded in 1869; pottery by Walter Anderson and portraits by William Hogarth and Joshua Reynolds from the LSU Museum of Art -- all showcase the immense variety of LSU's assets. Other featured treasures include a historic dogtrot house at the LSU Rural Life Museum, John James Audubon's double elephant folio Birds of America from the E. A. McIlhenny Natural History Collection at Hill Memorial Library, and cherished campus landmarks like the Indian Mounds, the French House, and Mike the Tiger's habitat.Full-page color photographs set off the treasures to stunning effect. Interpretive essays by LSU faculty, staff, and students explain the origins, history, and sometimes myths surrounding each item. Published by LSU Press during its seventy-fifth year of operation, Treasures of LSU is itself a treasure that inspires pleasure and amazement in discovering the wealth and diversity of LSU's resources and affirms the university's numerous cultural contributions to the world community.

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The first book to present great landmarked interiors of New York in all their intricate detail, Interior Landmarks is a visual celebration of space that captures the rich heritage of the city. Since 1965, the New York City Landmarks Law has preserved for generations to come a remarkable number of significant spaces in New York City's cultural, social, economic, political, and architectural history. Not only do the exterior facades of these buildings fall within the law's purview, but many of their stunning interiors as well. Newly updated with current information, this book tells the stories of forty-six interior landmarks from the widely celebrated - Radio City Music Hall, the Great Hall of the Metropolitan Museum of Art, Grand Central Station - to others that are virtually unknown. A catalogue of all 120 interior landmarks, with names of their architects and locations, is also included. Readers will learn about their original construction and style, their exceptional design features, materials, and architectural details, as well as the challenges to preserving them - whether they were unanimously accepted or hotly contested in legal battles - and the preservationists, philanthropists, politicians, and designers who made it possible. The book also includes updated details on the restorations or re-imaginings that took place. Combining strong visuals and thorough research, this valuable reference work will fascinate all readers with an interest in the city's history. This paperback edition is updated with current information, including the 2017 addition of The New York Public Library's historic Rose Main Reading Room to the list of protected landmarks.

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“All that I do is go out and look at films and choose the ones I want to play—films that stimulate, and give some insight into our lives. I hope that people will come, but if they don’t, that’s okay too.”Daniel Talbot changed the way the Upper West Side—and art-house audiences around the world—went to the movies. In Love with Movies is his memoir of a rich life as the impresario of the legendary Manhattan theaters he owned and operated and as a highly influential film distributor.Talbot and his wife, Toby, opened the New Yorker Theater in 1960, cultivating a loyal audience of film buffs and cinephiles. He went on to run several theaters including Lincoln Plaza Cinemas as well as the distribution company New Yorker Films, shaping the sensibilities of generations of moviegoers. The Talbots introduced American audiences to cutting-edge foreign and independent filmmaking, including the French New Wave and New German Cinema.In this lively, personal history of a bygone age of film exhibition, Talbot relates how he discovered and selected films including future classics such as Before the Revolution, Shoah, My Dinner with Andre, and The Marriage of Maria Braun. He reminisces about leading world directors such as Sembène, Godard, Fassbinder, Wenders, Varda, and Kiarostami as well as industry colleagues with whom he made deals on a slip of paper or a handshake.In Love with Movies is an intimate portrait of a tastemaker who was willing to take risks. It not only lays out the nuts and bolts of running a theater but also tells the story of a young cinephile who turned his passion into a vibrant cultural community.

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The three essays in Image, written by leading philosophers of religion, explore the modern power of the visual at the intersection of the human and the technological. Modern life is steeped in images, image-making, and attempts to control the world through vision. Mastery of images has been advanced by technologies that expand and reshape vision and enable us to create, store, transmit, and display images. The three essays in Image, written by leading philosophers of religion Mark C. Taylor, Mary-Jane Rubenstein, and Thomas A. Carlson, explore the power of the visual at the intersection of the human and the technological. Building on Heidegger’s notion that modern humanity aims to master the world by picturing or representing the real, they investigate the contemporary culture of the image in its philosophical, religious, economic, political, imperial, and military dimensions, challenging the abstraction, anonymity, and dangerous disconnection of contemporary images. Taylor traces a history of capitalism, focusing on its lack of humility, particularly in the face of mortality, and he considers art as a possible way to reconnect us to the earth. Through a genealogy of iconic views from space, Rubenstein exposes the delusions of conquest associated with extraterrestrial travel. Starting with the pressing issues of surveillance capitalism and facial recognition technology, Carlson extends Heidegger’s analysis through a meditation on the telematic elimination of the individual brought about by totalizing technologies. Together, these essays call for a consideration of how we can act responsibly toward the past in a way that preserves the earth for future generations. Attending to the fragility of material things and to our own mortality, they propose new practices of imagination grounded in love and humility.

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This book and its accompanying CD are a remarkable record of San music, ancient and modern, as performed by the!Xun community at Schmidtsdrift in the Northern Cape, a group of people who have found their way from southern Angola via northern Namibia to South Africa within the last few decades. Their art has already been documented and showcased in the work My Eland's Heart by Marlene Winberg. Kulimatji Nge now presents another aspect of their culture - the San people's extraordinary, and mostly unknown, music. The book (with CD) focuses on three types of music associated with three particular personalities within the community: Pensa Limunga, a storyteller and hunter; Likua Kambembe, a musician and community leader; and Meneputo Mununga, a shaman and traditional doctor. These elders still remember the traditional ways of life, the stories and songs that formed part of everyday living in southern Angola and northern Namibia. The CD includes recordings of their songs and story narratives spoken in the ancient!Xun language. These oral histories speak about many things: the meaning and making of fire; how they shoot and track the eland and its spiritual potency; how knowledge is passed on through songs and dances. There are songs about deserts and dry worlds and the meaning of water; songs about animals such as the spring hare, hippopotamus, horse and lion; stories about the moon; legends about!Xangu, the water snake; accounts of shamanic healing rites such as the trance dance; information about traditional foods and medicine; lullabies and laments

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An interdisciplinary exploration of how writers have conveyed sound through text.Edited by Christopher Cannon and Steven Justice, The Sound of Writing explores the devices and techniques that writers have used to represent sound and how they have changed over time. Contributors consider how writing has channeled sounds as varied as the human voice and the buzzing of bees using not only alphabets but also the resources of the visual and musical arts. Cannon and Justice have assembled a constellation of classicists, medievalists, modernists, literary historians, and musicologists to trace the sound of writing from the beginning of the Western record to poetry written in the last century. This rich series of essays considers the writings of Sappho, Simonides, Aldhem, Marcabru, Dante Alighieri, William Langland, Charles Butler, Tennyson, Gertrude Stein, and T. S. Eliot as well as poems and songs in Ancient Greek, Old and Middle English, Italian, Old French, Occitan, and modern English. The book will interest anyone curious about the way sound has been preserved in the past and the kinds of ingenuity that can recover the process of that preservation.Essays focus on questions of language and expression, and each contributor sets out a distinct method for understanding the relationship between sound and writing. Cannon and Justice open the volume with a survey of the various ways sound has been understood as the object of our senses. Each ensuing chapter presents a case study for a sonic phenomenology at a specific time in history. With approaches from a wide variety of disciplines, The Sound of Writing analyzes writing systems and the aural dimensions of literary cultures to reconstruct historical soundscapes in vivid ways.

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Bursting with beautiful photography, this alternative bucket list takes some of the world's best-known sights, experiences and destinations - everything from over-visited national parks to crowded museums - and reveals more than 100 fascinating alternatives. Planning a trip to Rome's Colosseum? Why not try the ancient amphitheatre in Nîmes instead. A visit to the Grand Canyon is on everyone's bucket list - but how about adding Namibia's spectacular Fish River Canyon to yours? And while Japan's cherry blossoms are hard to beat, the seasonal display of hydrangeas in the Azores is just as beautiful.Featuring expert advice and practical tips, Go Here Instead will open your eyes to a wealth of new, and more sustainable, travel ideas. We've organized the book by types of trip, so whether you're a wannabe art critic, an outdoor adventurer or you're into your history, this epic bucket list has an alternative adventure for you. So, why not give Machu Picchu a break and travel beyond the crowds. Go Here Instead: The Alternative Travel List is your ticket to the trip of a lifetime. Inside Go Here Instead: The Alternative Travel List you will find:- 100 entries each focusing on an alternative to a well-known destination/sight/experience - Stunning photography throughout with colour-coded maps and chapters- Stylized locator maps pinpointing the alternative sights, experiences and destinations.- A beautifully designed gift book that showcases inspiring alternatives to the world's most popular sights, experiences and destinations- Covers: Architectural and Historical Sights, Festivals and Parties, Great Journeys, Architectural Marvels, Natural Wonders, Art and Culture and Cities About DK Eyewitness: At DK Eyewitness, we believe in the power of discovery. We make it easy for you to explore your dream destinations. DK Eyewitness travel guides have been helping travellers to make the most of their breaks since 1993. DK Eyewitness travel guides have been helping travellers to make the most of their breaks since 1993. Filled with expert advice, striking photography and detailed illustrations, our highly visual DK Eyewitness guides will get you closer to your next adventure. We publish guides to more than 200 destinations, from pocket-sized city guides to comprehensive country guides. Named Top Guidebook Series at the 2020 Wanderlust Reader Travel Awards, we know that wherever you go next, your DK Eyewitness travel guides are the perfect companion.

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Sky-high, ornate, and the pinnacle of glamour, both restrictive and liberating, art object and deeply ordinary, shoes tell the story of shifting attitudes toward desire, power, and wealth throughout history. Lace up for a journey through the most enviable shoe closet from the permanent collection at The Museum at the Fashion Institute of Technology—and four centuries of fashion’s hardest working accessory.Featuring designs from the likes of Louis Vuitton, Salvatore Ferragamo, Chanel, Gucci, Saint Laurent, Roger Vivier, Christian Louboutin, and more, Shoes A–Z. The Collection of The Museum at FIT celebrates fashion’s most revolutionary and coveted labels with more than 400 styles selected from the Museum’s pristinely preserved collection. Texts from Daphne Guinness, Valerie Steele, Colleen Hill, and The Museum’s expert team of curators explore the unique legacy of each of the featured designers and the lasting cultural impact of the shoe. Also featured are custom portraits of the designers by illustrator Robert Nippoldt. Exclusive access to original sketches, advertisements, and photographs from the designers’ private archives further illuminate the genius behind the functional, sculptural delights we cannot live without. Also available as Collector’s Edition of 1,000 numbered copies, including three prints by Manolo Blahník created exclusively for this edition with a hallmark stamp. The 6/8 color drawings are printed on 100% cotton paper, by famed Italian company Fabriano, and are housed in a luxury portfolio with gold foil embossing and with a ribbon closure.

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American artist Barkley L. Hendricks (1945 2017) revolutionized contemporary portraiture with his vivid depictions of Black subjects beginning in the late 1960s. This book contextualizes Hendricks s portraits at different stages of the country s history and places him in the pantheon of innovative twentieth-century artists. Hendricks developed his signature style at a time of significant social and cultural change in the United States, especially with regard to Black artists, and amid a perceived bifurcation between abstraction and representation. He produced portraits from the late 1960s through the early 1980s. Following a hiatus during which he made landscapes, basketball paintings, works on paper, and photographs, he resumed his portraiture practice from 2002 until his death in 2017. Hendricks s portrait paintings, often derived from photographs of friends and family, hired models, or figures he encountered on the street, were inspired by the artist s research, international travels, and visits to museums like The Frick Collection, where he studied centuries-old European paintings by artists such as Rembrandt, Van Dyck, Bronzino, and others. This publication presents some of the most inventive and striking examples from Hendricks s first period of portrait painting, including 'limited-palette' canvases featuring Black figures dressed in white against white backgrounds a self-portrait, and boldly colorful works that spotlight their subjects spectacular styles and poses. An assessment of this great artist acknowledges his significant contributions to the canon of American art and portraiture in general.

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The pace of modern life is undoubtedly speeding up, yet this acceleration does not seem to have made us any happier or more content. If acceleration is the problem, then the solution, argues Hartmut Rosa in this major new work, lies in “resonance.” The quality of a human life cannot be measured simply in terms of resources, options, and moments of happiness; instead, we must consider our relationship to, or resonance with, the world. Applying his theory of resonance to many domains of human activity, Rosa describes the full spectrum of ways in which we establish our relationship to the world, from the act of breathing to the adoption of culturally distinct worldviews. He then turns to the realms of concrete experience and action – family and politics, work and sports, religion and art – in which we as late modern subjects seek out resonance. This task is proving ever more difficult as modernity’s logic of escalation is both cause and consequence of a distorted relationship to the world, at individual and collective levels. As Rosa shows, all the great crises of modern society – the environmental crisis, the crisis of democracy, the psychological crisis – can also be understood and analyzed in terms of resonance and our broken relationship to the world around us. Building on his now classic work on acceleration, Rosa’s new book is a major new contribution to the theory of modernity, showing how our problematic relation to the world is at the crux of some of the most pressing issues we face today. This bold renewal of critical theory for our times will be of great interest to students and scholars across the social sciences and humanities.

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Ranging from the imperial palaces of ancient China and the bakeries of fourteenth-century Genoa and Naples all the way to the restaurant kitchens of today, Pasta tells a story that will forever change the way you look at your next plate of vermicelli. Pasta has become a ubiquitous food, present in regional diets around the world and available in a host of shapes, sizes, textures, and tastes. Yet, although it has become a mass-produced commodity, it remains uniquely adaptable to innumerable recipes and individual creativity. Pasta: The Story of a Universal Food shows that this enormously popular food has resulted from of a lengthy process of cultural construction and widely diverse knowledge, skills, and techniques. Many myths are intertwined with the history of pasta, particularly the idea that Marco Polo brought pasta back from China and introduced it to Europe. That story, concocted in the early twentieth century by the trade magazine Macaroni Journal, is just one of many fictions umasked here. The true homelands of pasta have been China and Italy. Each gave rise to different but complementary culinary traditions that have spread throughout the world. From China has come pasta made with soft wheat flour, often served in broth with fresh vegetables, finely sliced meat, or chunks of fish or shellfish. Pastasciutta, the Italian style of pasta, is generally made with durum wheat semolina and presented in thick, tomato-based sauces. The history of these traditions, told here in fascinating detail, is interwoven with the legacies of expanding and contracting empires, the growth of mercantilist guilds and mass industrialization, and the rise of food as an art form. Whether you are interested in the origins of lasagna, the strange genesis of the Chinese pasta bing or the mystique of the most magnificent pasta of all, the timballo, this is the book for you. So dig in!

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A place comes into existence through the depth of relationships that underwrite a physical location with layers of sedimented names. In Place Matters scholars and artists conduct varied forms of place-based inquiry to demonstrate why place matters. Lavishly illustrated, the volume brings into conversation photographic projects and essays that revitalize the study of landscape.Contributors engage the study of place through an approach that Jonathan Bordo and Blake Fitzpatrick call critical topography: the way that we understand critical thought to range over a place, or how thought and symbolic forms invent place through text and image as if initiated by an X marking the spot. Critical topography’s tasks are to mediate and to diminish the gap between representation and referent, to be both in the world and about the world; to ask what place is this, what are its names, where am I, how and with what responsibilities may I be here? Chapters map the deep cultural, environmental, and political histories of singular places, interrogating the charged relation between history, place, and power and identifying the territorial imperatives of place making in such sites as Colonus, Mont Sainte-Victoire, Chomolungma/Everest, Hiroshima, Fort Qu’Appelle, Donetsk airport, and the island of Lesbos. With contributions from the renowned artists Hamish Fulton and Edward Burtynsky, the Swedish poet Jesper Svenbro, and others, the collection examines profound shifts in place-based thinking as it relates to the history of art, the anthropocene and nuclear ruin, borders and global migration, residential schools, the pandemic, and sites of refuge.In his prologue W.J.T. Mitchell writes: “Places, like feasts, are moveable. They can be erased and forgotten, lost in space, or maintained and rebuilt. Both their appearance and disappearance, their making and unmaking, are the work of critical topography.” Global in scope, Canadian in spirit, and grounded in singular sites, Place Matters presents critical topography as an approach to analyze, interpret, and reflect on place.

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This book examines how 'filmic' ways of experiencing and representing the world affected different eras, art forms, and media. In a world where change has become the only constant, how does the perpetually new relate to the old? How does cinema, itself once a new medium, relate both to previous or outmoded media and to what we now refer to as New Media? This collection sets out to examine these questions by focusing on the relations of cinema to other media, cultural productions and diverse forms of entertainment, demarcating their sometimes parallel and sometimes more closely conjoined histories. Cinematicity in Media History makes visible the complex ways in which media anticipate, interfere with and draw on one other, demonstrating how cinematicity makes itself felt in practices of seeing, reading, writing and thinking both before and after the 'birth' of cinema. The examination of the interrelations between cinema, literature, photography and other modes of representation, not only to each other but amid a host of other minor and major media - the magic lantern, the zoetrope, the flick book, the iPhone and the computer - provides crucial insights into the development of media and their overlapping technologies and aesthetics. Cinematicity in Media History is therefore an essential resource for students and scholars in Film and Media Studies. Demonstrates the breadth and influences of cinematic ways of perceiving the world; covers a range of cinematic texts and genres in comparative contexts; examines key developments in pre cinema and cinema history and provides new scholarship on cinematic perception across different media.

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Emilio Sereni's classic work is now available in an English language edition. History of the Italian Agricultural Landscape is a synthesis of the agricultural history of Italy in its economic, social, and ecological context, from antiquity to the mid-twentieth century. From his perspective in the Italian tradition of cultural Marxism, Sereni guides the reader through the millennial changes that have affected the agriculture and ecology of the regions of Italy, as well as through the successes and failures of farmers and technicians in antiquity, the middle ages, the Renaissance, and the Industrial Revolution. In this sweeping historical survey, he describes attempts by successive generations to adapt Italy's natural environment for the purposes of agriculture and to respond to its changing ecological problems. History of the Italian Agricultural Landscape first appeared in 1961. At the time of its publication it was a pathbreaking work, parallel in its importance for Italy to Marc Bloc's masterwork of 1931, The Original Characteristics of French Rural History. Sereni invented the concept of the historical "agricultural landscape": an interdisciplinary characterization of rural life involving economic and social history, linguistics, archeology, art history, and ecological studies. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The first comprehensive work on globalization within the context of sustainable development initiatives in Africa. Few studies of globalization have analyzed its impact on African societies from the viewpoint of sustainable development. This volume answers that need. The essays here contribute to the store of knowledge about globalization in sub-Saharan Africa by documenting the affect of this global force on the continent's growth -- economic, political, and cultural. This interdisciplinary collection provides comprehensive analyses at the international, national, andlocal levels of the theoretical issues revolving around the complex process of globalization, while offering detailed examinations of new models of economic development that can be implemented in sub-Saharan Africa to enhance economic growth, self-sufficiency, and sustainable development. These models are accessible to politicians, public policy analysts, scholars, students, international organizations, nongovernmental actors, and members of the public atlarge. Finally, the essays here provide insightful case studies of African countries that already demonstrate creative, indigenous-based models of entrepreneurship and discuss efforts to achieve sustainable development and economic independence at the grassroots level. Contributors represent the disciplines of law, history, political science, economics, sociology, anthropology, business and management, African studies and art history, criminal justice, and education. Bessie House-Soremekun is the Public Scholar in African American Studies, Civic Engagement, and Entrepreneurship, Professor of Political Science and Professor of Africana Studies at Indiana University-Purdue University, Indianapolis. Toyin Falola is the Jacob and Frances Sanger Mossiker Chair in the Humanities and University Distinguished Teaching Professor at the University of Texas at Austin.

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Go on a musical journey around the world in this children’s introduction.Discover the power of music and be inspired by cultures from all over the world with this extensive children’s guide. This book is the perfect introduction for young readers to the world of music and celebrates music from every continent!Children aged 9+ can find out how instruments are made and played, and learn about the fascinating lives and achievements of great composers and musicians, from Bach to Bowie, Bjork and Beyoncé. All the essential information about music is covered, including the major movements, composers, instruments and techniques.This music book for children offers: - Chapters which cover a huge range of musical styles, from the very first instruments to the modern day.- Explanations of how music touches our lives, from festivals and religion, to TV and film, pop music and stardom.- Profiles of influential musicians from Bach to Elvis.- A focus on key instruments such as piano and violin, showing their component parts and the famous musicians who play them.Children’s Book of Music is full of facts and photos highlighting musical styles from across the globe, from the very earliest music through to classical and blues, via reggae, Afropop, hip-hop and dance – making it the perfect gift for budding musicians.More in the seriesThe Children’s Book of series inspires young learners to dive into their favorite topic and immerse themselves in the ins and outs, from fun facts to experts in the field. If you liked Children’s Book of Music, then why not try the guide for budding artists, Children’s Book of Art?

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Acting Together, Volume ll, continues from where the first volume ends documenting exemplary peacebuilding performances in regions marked by social exclusion structural violence and dislocation. Acting Together: Performance and the Creative Transformation of Conflict is a two-volume work describing peacebuilding performances in regions beset by violence and internal conflicts. Volume I, Resistance and Reconciliation in Regions of Violence, emphasizes the role theatre and ritual play both in the midst and in the aftermath of direct violence, while Volume II: Building Just and Inclusive Communities, focuses on the transformative power of performance in regions fractured by "subtler" forms of structural violence and social exclusion. Volume I: Resistance and Reconciliation in Regions of Violence focuses on the role theatre and ritual play both in the midst and in the aftermath of violence. The performances highlighted in this volume nourish and restore capacities for expression, communication, and transformative action, and creatively support communities in grappling with conflicting moral imperatives surrounding questions of justice, memory, resistance, and identity. The individual chapters, written by scholars, conflict resolution practitioners, and artists who work directly with the communities involved, offer vivid firsthand accounts and analyses of traditional and nontraditional performances in Serbia, Uganda, Sri Lanka, Palestine, Israel, Argentina, Peru, India, Cambodia, Australia, and the United States. Complemented by a website of related materials, a documentary film, Acting Together on the World Stage, that features clips and interviews with the curators and artists, and a toolkit, or "Tools for Continuing the Conversation," that is included with the documentary as a second disc, this book will inform and inspire socially engaged artists, cultural workers, peacebuilding scholars and practitioners, human rights activists, students of peace and justice studies, and whoever wishes to better understand conflict and the power of art to bring about social change. The Acting Together project is born of a collaboration between Theatre Without Borders and the Program in Peacebuilding and the Arts at the International Center for Ethics, Justice, and Public Life at Brandeis University. The two volumes are edited by Cynthia E. Cohen, director of the aforementioned program and a leading figure in creative approaches to coexistence and reconciliation; Roberto Gutierrez Varea, an award-winning director and associate professor at the University of San Francisco; and Polly O. Walker, director of Partners in Peace, an NGO based in Brisbane, Australia.

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Joy is closer than you think because God is better than you may believe!We live in a culture that either tries to connect feelings of joy to empty and broken pleasures, or else it makes us feel guilty for feeling joyful at all. But both extremes are corruptions of the call to gladness that God gave us.With infectious humor, delight, and unfaltering wisdom, Candace Payne (aka "Chewbacca Mom") reveals biblical insights that lead to unshakable joy and freedom in every circumstance. Dispel the myths that joy is frivolous, laughter immature, and happiness unbiblical or undeserved; and open your heart to receive the freedom and joy that God created you to live in.John 15:11 says, "I have told you this so that my joy may be in you and that your joy may be complete."In this six-session video Bible study, learn what it is to live a life expressed by the joy of knowing how much you are loved by God!The Defiant Joy Bible study challenges groups to get honest and real in their discussion time and to explore the truth in what Scripture says about happiness. It also includes a personal "Joy Lab" that makes homework a new daily practice in the art of encountering the abundance God intends for each of us when we know joy.Sessions include: Laugh It Up, Live It Out Know Hope, Know Joy Joy Is a Fighter Joy Is Not Arrogant, But She Is Confident Joy Embraces Sorrow You’re Full of It This pack contains one study guide and one DVD.

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Dukes's gripping historical novel tells the tale of a desperate Albanian woman who will do whatever it takes to keep her independence and seize control of her future...even if it means swearing to remain a virgin for her entire life. When eighteen-year-old Eleanora's father is shot dead on the cobblestone streets of 1910 Albania, Eleanora must abandon her dream of studying art in Italy as she struggles to survive in a remote mountain village with her stepmother Meria. Nearing starvation, Meria secretly sells Eleanora into marriage with the cruel heir of a powerful clan. Intent on keeping her freedom, Eleanora takes an oath to remain a virgin for the rest of her life-a tradition that gives her the right to live as a man: she is now head of her household and can work for a living as well as carry a gun. Eleanora can also participate in the vengeful blood feuds that consume the mountain tribes, but she may not be killed-unless she forsakes her vow, which she has no intention of ever doing. But when an injured stranger stumbles into her life, Eleanora nurses him back to health, saving his life-yet risking her own as she falls in love with him..." It's hard to believe that the culture Dukes describes was ever real, but the amount of research she put into this book definitely shines through. The story remains fascinating throughout; readers will definitely find it difficult to put this novel down."-San Francisco Book Review

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Theodor W. Adorno's multifaceted work has exerted a profound impact on far-ranging discourses and critical practices in late modernity. His analysis of the fate of art following its alleged end, of ethical imperatives "after Auschwitz," of the negative dialectic of myth and freedom from superstition, of the manipulation of consciousness by the unequal siblings of fascism and the culture industry, and of the narrowly-conceived concept of reason that has given rise to an unprecedented exploitation of nature and needless human suffering, all speak to central concerns of our time. The essays collected here analyze the full range of implications emanating from Adorno's demand that the task of critical thinking be to imagine a mode of being in the world that occurs in and through a language that has liberated itself from the spell of an alleged historical and political inevitability, what he once tellingly called a "language without soil." Adorno' s finely chiseled sentences perform a ceaseless gesture of thoughtful vigilance, a vigilance understood not in the sense of moralizing or ethical normativity but of a rigorous attention to the presuppositions of thinking itself. The volume's fresh readings conspire to yield a refractory and unorthodox Adorno, a suggestive and at times infuriating thinker of the first order, whose intellectual gestures sponsor politically conscious modes of theoretical speculation in a late modernity that may still have a future because its language and aspirations are without soil. Also included is an annotated translation of a seminal interview Adorno gave in 1969 concerning the relationship of Critical Theory to political activism. In it, the dialectical interplay between thought and action forcefully emerges.

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Ronald Reagan's "The Notes" is a fascinating window into the mind of the fortieth U.S. President and the writers and thinkers to whom he turned for advice, inspiration, humor, and hope. Collected by the Ronald Reagan Foundation, the book includes both Reagan's own writing and his favorite quotations, proverbs, and excerpts from speeches, poetry, and literature. The breadth of these notes sheds light on a man who was deeply engaged with the arts, culture, and politics, from his time as one of the nation's most popular actors to later years as one of its most beloved presidents. Known as the Great Communicator, Reagan sought wisdom from a wide-ranging set of political figures, philosophers, novelists, and poets, including Abraham Lincoln, Daniel Webster, John F. Kennedy, and Thomas Jefferson, as well as Mohandas Gandhi, Aleksandr Solzhenitsyn, Mark Twain, and Thomas Wolfe. While the number one "New York Times" bestselling "Reagan Diaries" detailed daily life inside the Oval Office, "The Notes" encapsulates a lifetime of reflections on work, marriage, and family in classic one-liners such as Flattery is what makes husbands out of bachelors and Money may not buy friends, but it will help you to stay in contact with your children. Reagan's own writing - his jokes, aphorisms, and insights into politics and life - is often surprising and reveals a view of the president that has rarely before been seen. Historic, illuminating, and deeply captivating, "The Notes" is a remarkable collection of the thoughts of one of a beloved American President.

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This fun and photo-filled biography celebrates the life, films, and fans of the director responsible for such indie cult classics as Clerks, Mallrats, Chasing Amy, and Jay and Silent Bob Strike Back. Movie-industry veteran David Gati has compiled and edited a humorous and insightful look at Smith’s nearly 30-year filmmaking journey. Through Smith’s own funny, honest, and uncensored stories—taken from podcasts, Q&As, and documentaries—readers get to know him as a person, the struggles he’s been through, and the people he’s worked with, as well as his process for writing, directing, casting, shooting, editing, and showing his films to the public. The book is arranged chronologically with each chapter exploring how an aspect of Kevin’s life is reflected in one of his 14 films. Not to be overlooked is Smith’s outsized fan base, who relate to the director’s down-to-earth persona and his geeky, sometimes juvenile, often-nostalgic regular-person characters. Gati uses their fan art to add a visual facet to the book’s colorful narrative gems. Rounding out this scrapbook presentation are on-set stills, candid personal photos, and memorabilia. The result is an exploration of how films affect and reflect the popular culture of their time, with a light-hearted analysis of the phenomenon of fandom. This unusual biography is a must-have collectible dedicated to a member of the ’90s independent filmmakers—which includes Quentin Tarantino, Allison Anders, Robert Rodriguez, Hal Hartley, and Spike Lee—whose relevance and popularity will only continue to grow.

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Conrad in Italy provides international students and researchers with a variety of critical approaches. Richard Ambrosini surveys Conrad's reception within the Italian academy. Franco Marenco's essay on "Heart of Darkness" outlines Conrad's centrality in English Modernism. Alessandro Serpieri deals with Conrad's impressionistic treatment of space in The Secret Agent and other texts. Giuseppe Sertoli focuses on Conrad's debt to the Comtesse de Boigne's Memoires and to James's Portrait of a Lady in the writing of Suspense. Fausto Ciompi investigates the isotopy of dream in Lord Jim and other early novels. Elio Di Piazza reads the The Mirror of the Sea as an inquiry into British and Russian empires. Maria Teresa Chialant's study of "Amy Foster" and "Tomorrow" accounts for the interest of Italian critics in Conrad's minor works. Francesco Marroni unfolds the moral structure of "The Secret Sharer". Nicoletta Vallorani tackles the theme of the double in "The Secret Sharer" from the perspective of the art of photography. Luisa Villa illuminates the complex structure of Chance in the light of Conrad's re-elaboration of the Victorian multi-plot novel. Mario Domenichelli proposes a reading of Conrad's cooperation with Ford. The Inheritors is the subject of Mario Curreli's essay on Conrad's debt to H.G. Wells, Zangwill, and Drumont, while it places the issue of fourth-dimension in the context of European colonialisms. Marialuisa Bignami's survey of Conrad's influence on Primo Levi and Marilena Saracino's intertextual analysis of "Heart of Darkness" and Luigi Guarneri's Tenebre sul Congo are two exercises in dialogic reading which confirm Conrad's well-established reception in Italian culture.

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From the former U.S. Poet Laureate, Pulitzer Prize and National Book Award-winner, an illuminating dissection of poetic form for students, enthusiasts, and newcomers alikeA Little Book on Form brilliantly synthesizes Hass’s formidable gifts as both a poet and essayist. In it he takes up the central tension between poetry as genre and the poetics of the imagination. A wealth of vocabulary exists with which to talk about poetry in traditional formal terms. But the more intuitive, creative parts of a poet’s work and processes are more elusive: if the most interesting aspect of form is the shaping power of the essential, expressive gestures inside it, how do we come to a language in which to speak about form as the search for the radiant shapes— the wholeness or brokenness—we experience inside powerful works of art? In suggestive, informal “notes,” Haas thinks through the idea of a poem from its barest building blocks—the one line haiku, the brief epigram or prayer—to the complex villanelle and sonnet, and beyond them, to the grand forms of elegy and ode through which poets across human cultures have investigated the shapes of grieving and desiring. His approach singularly employs postmodern perspectives on shape, thought, feeling, content, and movement, calling on Catullus and Allen Ginsberg, Kobayashi Issa and Czesław Miłosz. Begunb as a project for students of poetry, A Little Book on Form is anything but—Hass investigates the ancient roots of the poetic impulse, taking a wide-ranging look at the most intense experience of human thought and feeling in language.

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Novel Membrane Emulsification Comprehensive resource presenting state-of-the-art of membrane emulsification technology, from principle to practice, with focus on biomedical applications Novel Membrane Emulsification: Principles, Preparation, Processes, and Bioapplications provides comprehensive coverage of membrane emulsification technology by summarizing the principle, preparation, and bioapplications through utilizing uniform particle size, introducing recent development in preparation and applications in the controlled release and delivery of protein/peptide, anticancer drugs and vaccines, and in the bioseparation media and cell culture carriers, and discussing direct, rapid, and rotary membrane emulsification equipments. Novel Membrane Emulsification includes information on: Preparation of hydrophobic microspheres from O/W emulsion, hydrophilic microspheres from W/O emulsion, and microcapsules/composite microspheres from double emulsions, covering preparation from monomer and preformed polymer systems Preparation of small particles by rapid membrane emulsification process Applications of uniform particles in sustained release of protein/peptide drugs, covering strategies to improve encapsulation efficiency and maintain bioactivity of drugs Applications of uniform particles in anticancer drug and vaccine delivery including personalized therapeutic vaccine Applications of uniform particles in protein separation, covering uniform agarose microsphere for protein separation and super-porous microsphere for vaccine separation Novel Membrane Emulsification is an essential resource for scientists and researchers in multiple fields, particularly chemistry, chemical engineering, and materials science, to advance this technique and produce novel materials with controlled characteristics. The text is also a valuable learning resource for biomedical science and bioengineering researchers and students.

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Professional practice courses often suffer from a boring reputation, but there’s nothing dull about this updated, cornerstone edition of Professional Practice 101, which renders accessible the art and science of contemporary architectural practice. With its unique focus on links between design thinking and practice, this third edition brings an inspiring and fresh perspective to the myriad issues involved in successful architectural practice. The process of providing architectural services in today’s constantly evolving practice environment must be just as creative, intellectually rigorous, and compelling as wrestling with design problems.In this new edition, packed with invaluable advice from leading experts, Andrew Pressman bridges the knowledge and experience gap between school and practice covering topics such as: Ethics, social responsibilities, and obligations to the environment Design firm types, culture, and leadership Financial, project, and time management Service and project delivery; leveraging emerging technologies Entrepreneurial business models and business development Legal issues, including AIA contract document analysis Collaboration and negotiating with clients and stakeholders Practice-based research Students and early-career professionals will discover the fundamentals they need to launch their careers as well as more sophisticated strategies that will allow them to thrive as their roles evolve and they assume increasing responsibilities.This engaging, comprehensive primer debunks the myth that recent architecture graduates have little or no guidance to prepare them for business. Professional Practice 101 is a learning tool that will readily deliver the knowledge and background for success in current architectural practice.

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