Search results for ""Author Leonard"

Woodland Imagery in Northern Art reconnects us with the woodland scenery that abounds in Western painting, from Albrecht Dürer’s intense studies of verdant trees, to the works of many other Northern European artists who captured 'the truth of vegetation' in their work. These incidents of remarkable scenery in the visual arts have received little attention in the history of art, until now. Prosperetti brings together a set of essays which are devoted to the poetics of the woodlands in the work of the great masters, including Claude Lorrain, Jan van Eyck, Jacob van Ruisdael, Peter Paul Rubens, Rembrandt and Leonardo da Vinci, amongst others. Through an examination of aesthetics and eco-poetics, this book draws attention to the idea of lyrical naturalism as a conceptual bridge that unites the power of poetry with the allurement of the natural world. Engagingly written and beautifully illustrated throughout, Woodland Imagery in Northern Art strives to stimulate the return of the woodlands to the places where they belong — in people’s minds and close to home.

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Fifty-two readings on living in intentional Christian community to spark group discussion.Gold Medal Winner, 2017 Illumination Book Awards, Christian LivingSilver Medal Winner, 2017 Benjamin Franklin Award in Religion, Independent Book Publishers AssociationWhy, in an age of connectivity, are our lives more isolated and fragmented than ever? And what can be done about it? The answer lies in the hands of God’s people. Increasingly, today’s Christians want to be the church, to follow Christ together in daily life. From every corner of society, they are daring to step away from the status quo and respond to Christ’s call to share their lives more fully with one another and with others. As they take the plunge, they are discovering the rich, meaningful life that Jesus has in mind for all people, and pointing the church back to its original calling: to be a gathered, united community that demonstrates the transforming love of God.Of course, such a life together with others isn’t easy. The selections in this volume are, by and large, written by practitioners—people who have pioneered life in intentional community and have discovered in the nitty-gritty of daily life what it takes to establish, nurture, and sustain a Christian community over the long haul.Whether you have just begun thinking about communal living, are already embarking on sharing life with others, or have been part of a community for many years, the pieces in this collection will encourage, challenge, and strengthen you. The book’s fifty-two chapters can be read one a week to ignite meaningful group discussion.Contributors include: John F. Alexander, Eberhard Arnold, J. Heinrich Arnold, Johann Christoph Arnold, Alden Bass, Benedict of Nursia, Christoph Friedrich Blumhardt, Leonardo Boff, Dietrich Bonhoeffer, Joan Chittister, Stephen B. Clark, Andy Crouch, Dorothy Day, Anthony de Mello, Elizabeth Dede, Catherine de Hueck Doherty, Fyodor Dostoyevsky, Jenny Duckworth, Friedrich Foerster, Richard J. Foster, Jodi Garbison, Arthur G. Gish, Helmut Gollwitzer, Adele J Gonzalez, Stanley Hauerwas, Joseph H. Hellerman, Roy Hession, David Janzen, Rufus Jones, Emmanuel Katongole, Arthur Katz, Søren Kierkegaard, C. Norman Kraus, C.S. Lewis, Gerhard Lohfink, Ed Loring, Chiara Lubich, George MacDonald, Thomas Merton, Hal Miller, José P. Miranda, Jürgen Moltmann, Charles E. Moore, Henri J. M. Nouwen, Elizabeth O’Connor, John M. Perkins, Eugene H.Peterson, Christine D. Pohl, Chris Rice, Basilea Schlink, Howard A. Snyder, Mother Teresa, Thomas à Kempis, Elton Trueblood, and Jonathan Wilson-Hartgrove.

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Book 4 in the Romantic Times Sapphire award-winning Elfhome series. Even though they attend a school of gifted students in New York City, child geniuses Louise Mayer and her twin sister Jillian have always felt alone in the world, isolated by their brilliance. Shortly before their ninth birthday, they make an amazing discovery. They’re not alone. Their real mother was astronaut Esme Shenske and their father was the famous inventor, Leonardo Dufae. They have an older sister, Alexander, living on the planet of Elfhome, and four siblings still in cryogenic storage at the fertility center. There’s only one problem: the frozen embryos are scheduled to be destroyed within six months. The race is on to save their baby brother and sisters! As a war breaks out on Elfhome and riots start in New York City, the twins use science and magic to plow over everything standing in their way. But when they come face-to-face with an ancient evil force, they’re soon in over their heads in danger!

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Our love of gorillas has long been reflected in literature and filmsTarzan, King Kong, The Jungle Book, Gorillas in the Mistand their popularity continues to grow. Gorillas are among the most recognizable of the large charismatic mammals, but climate change and poaching has brought them to the brink of extinction. Greg Cummings was the executive director of the Dian Fossey Gorilla Fund for seventeen years. He shares his fascinating experiences as a wildlife Robin Hoodraising money from the rich and famous and redistributing it to endangered gorillas and their habitats. He met and enlisted the help of celebrities such as Sigourney Weaver, Arthur C. Clark, Douglas Adams, and Leonardo DiCaprio. This thirty-year worldwide journey moves from boardrooms in Manhattan and London to mountain treks in Rwanda and the Congo. Gorilla Tactics is sure to enchant readers with Greg's unique experiences, while sharing insight into the work it takes to save a species from extinction.

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In the second half of the twentieth century, the Italian historical novel provided an unrivalled number of best sellers and publishing 'phenomena'. The success of the genre is closely related to a more general interest in revisiting the past in the light of a changed understanding of the nature, or philosophy, of history. This study aims to explore the particularly marked increase in the production and popularity of the historical novel in the period between the mid-1960s and the early 1990s, with reference to current debates on the nature of history. It presents a theoretical framework which establishes the centrality of philosophy of history to the development of the genre. The employment of this framework opens out the discussion of literary change to the consideration of historiographical developments and wider critical debate. The theoretical insights gained inform the close textual analysis provided in the chapters dealing with novels written by five of Italy's foremost contemporary writers: Leonardo Sciascia, Vincenzo Consolo, Sebastiano Vassalli, Umberto Eco, and Luigi Malerba.

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The city of Florence has long been admired as the home of the brilliant artistic and literary achievement of the early Renaissance. But most histories of Florence go no further than the first decades of the sixteenth century. They thus give the impression that Florentine culture died suddenly along with the generation of Leonardo, Machiavelli, and Andrea del Sarto. Eric Cochrane shows that the Florentines maintained their creativity long after they had lost their position as the cultural leaders of Europe. When their political philosophy and historiography ran dry, they turned to the practical problems of civil administration. When their artists finally yielded to outside influence, they turned to music and the natural sciences. Even during the darkest days of the great economic depression of the late seventeenth and early eighteenth centuries, they succeeded in preserving-almost alone in Europe - the blessings of external peace and domestic tranquility.

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In 1922, Léon Bonnat bequeathed to the Louvre a wonderful album of almost forty drawings by one of the most famous painters of the Florentine Renaissance: Baccio della Porta, known as Fra Bartolommeo (1469-1517). The collection traces the career of the artist, who trained in Florence around 1485 with Cosimo Rosselli, but above all in the shadow of the most brilliant workshop of the period, that of Andrea del Verrocchio. Sensitive to the prodigious innovations coming out of this extraordinary environment, which had produced such geniuses as Botticelli, Ghirlandaio and Leonardo da Vinci in the previous decade, Baccio, as he was then known, studied above all with Lorenzo di Credi, to whom Verrocchio had entrusted the running of the workshop when he left Florence for Venice. Baccio also closely followed all the great Florentine painters of the last decade of the fifteenth century, in particular the works of foreigners who had been in Florence for several years, especially Pietro Perugin

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Winner of the Aventis Science Book Prize. 'A scientific detective story, a brilliant cross between Edgar Allan Poe and Gray's anatomy' J G Ballard, New Stateman Books of the Year'Fascinating' New Scientist'Wonderful' Nature- What is the connection between Paul McCartney, Leonardo Da Vinci and Babe Ruth?- Why are parrots and peacocks left-footed?- Do left-handers behave differently from right-handers?- Why are most people right-handed?- Why are all muppets left-handed?- Why is the heart on the left-hand side of the body?- Why is each side of the human brain so different?RIGHT HAND, LEFT HAND uses sources as diverse as the paintings of Rembrandt and the sculpture of Michelangelo, the behaviour of Canadian cichlid fish and the story of early cartography. Modern cognitive science, the history of the Wimbledon tennis championship and the biographies of great musicians are also used to explain the vast repertoire of 'left-right' symbolism that permeates our everyday lives.

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This book's unique approach to the teaching of mathematics lies in its use of history to provide a framework for understanding algebra and related fields. With Algebra in Context, students will soon discover why mathematics is such a crucial part not only of civilization but also of everyday life. Even those who have avoided mathematics for years will find the historical stories both inviting and gripping. The book's lessons begin with the creation and spread of number systems, from the mathematical development of early civilizations in Babylonia, Greece, China, Rome, Egypt, and Central America to the advancement of mathematics over time and the roles of famous figures such as Descartes and Leonardo of Pisa (Fibonacci). Before long, it becomes clear that the simple origins of algebra evolved into modern problem solving. Along the way, the language of mathematics becomes familiar, and students are gradually introduced to more challenging problems. Paced perfectly, Amy Shell-Gellasch and J. B. Thoo's chapters ease students from topic to topic until they reach the twenty-first century. By the end of Algebra in Context, students using this textbook will be comfortable with most algebra concepts, including: different number bases; algebraic notation; methods of arithmetic calculation; real numbers; complex numbers; divisors; prime factorization; variation; factoring; solving linear equations; false position; solving quadratic equations; solving cubic equations; nth roots; set theory; one-to-one correspondence; infinite sets; figurate numbers; logarithms; exponential growth; and interest calculations.

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Text in English & German. Francesco di Giorgio Martini's fortress complexes, created at the end of the Quattrocento, continue to look experimental and highly speculative half a millennium later by their semiotic character. They represent an extreme of European architectural history, occupying a position where architecture and sculpture cannot be sharply distinguished any longer. The alien-looking creations represented in this book have their origins in a particular historic situation: the emergence of firearms in the 14th century and their spread in the 15th century had shifted the balance of warfare in favour of the attacking side, against which the defensive structure had not yet found a remedy. Enter Francesco di Giorgio Martini (1439 to 1502) at this point, a native of Siena and one of the Quattrocento's highly versatile artists. He worked mainly in Federico da Montefeltro's Urbino, and left behind a body of work that included painting -- the three famous prospects of ideal cities in Berlin, Baltimore and Urbino are attributed to him -- sculpture -- primarily his imposing reliefs -- and architecture -- here he was definitely the outstanding figure between Alberti and Bramante. His achievements as an engineer are equally impressive, and his elaborate designs for machines strongly influenced those of Leonardo da Vinci. He was a true Renaissance uomo universale, though, despite of his voluminous and influential theoretical work, less in the sense of a humanist homme de lettres than as an all-round artist. Francesco's sacred and secular structures are classicist and austere in nature, yet his fortress structures look as if, moving beyond all functional concerns, he is exploiting the newness of the task, the lack of any tried and tested technical solutions and the removal of all typological boundaries to give his architectonic fantasies free rein, resulting in an apotheosis of the new, the unfamiliar and the alien. This book is an attempt to understand the strangely grandiose semiotic character of these structures. In doing so, it poses the question of what strategies can be used when seeking a shape for buildings for which there is no precedent.

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Meet Odo and all his friends at Forest Camp in this exciting picture book adventure, based on the animated TV series, now showing on Milkshake!Odo is a little owl who loves going to Forest Camp to play with all his friends. Today he has been reading his comic book and decides he wants to be a superhero too – he's SUPER OWL! He tries helping the chickens, and Leonardo the peacock, and even the toucans, but nobody needs his help. Then he hears the sound of someone in trouble – can Odo be a real superhero and rescue his best friend Doodle?Based on the preschool animated series shown on Milkshake, Odo: Super Owl! is a charming picture book which captures all the warmth and humour of the TV episodes, with themes of building self-confidence and empathy in a unique beautifully-crafted forest setting. It includes a special spread at the back with reading tips for grown-ups and ideas for discussion with your child.Join Odo and his friends for more adventures at Forest Camp in The Egg, Show and Tell and Odo's Sleepover.

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Doran West can travel through the ages. But so can his enemies... Welcome to the one-street village of Linntean in the Scottish Highlands. It's great for tourists, less so for local teenager Doran West. He and his best friend Zander crave a change of scenery, some excitement. What they have in mind is a weekend away to the nearest city. Fate has a little more in store. An accident while fleeing school bullies leads Doran to an extraordinary discovery: he can travel in time. What's more, he isn't alone. There are others who share his gifts, hiding in plain sight and tied to a shadowy organisation called the Eternalisium. With Zander in tow, he embarks on a terrifying odyssey through the ages, risking death on the gallows and battlefield, contending with ruthless enemies from the future and learning more than he'd like about his own adult self. Mind-bending, thrilling and funny, The Rebel of Time bounces from Robert the Bruce's Bannockburn to Leonardo Da Vinci's Tuscany, with stops in Hollywood and the First World War trenches, in a spellbinding adventure from a masterful new storyteller.

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Since 1900, the connections between art and technology with nature have become increasingly inextricable. Through a selection of innovative readings by international scholars, this book presents the first investigation of the intersections between art, technology and nature in post-medieval times. Transdisciplinary in approach, this volume’s 14 essays explore art, technology and nature’s shifting constellations that are discernible at the micro level and as part of a larger chronological pattern. Included are subjects ranging from Renaissance wooden dolls, science in the Italian art academies, and artisanal epistemologies in the followers of Leonardo, to Surrealism and its precursors in Mannerist grotesques and the Wunderkammer, eighteenth-century plant printing, the climate and its artistic presentations from Constable to Olafur Eliasson, and the hermeneutics of bioart. In their comprehensive introduction, editors Camilla Skovbjerg Paldam and Jacob Wamberg trace the Kantian heritage of radically separating art and technology, and inserting both at a distance to nature, suggesting this was a transient chapter in history. Thus, they argue, the present renegotiation between art, technology and nature is reminiscent of the ancient and medieval periods, in which art and technology were categorized as aspects of a common area of cultivated products and their methods (the Latin ars, the Greek techne), an area moreover supposed to imitate the creative forces of nature.

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*A THE TIMES BOOK OF THE YEAR 2020*'Brilliant and gripping, here is the full true Renaissance in a history of compelling originality and freshness' Simon Sebag MontefioreThe Italian Renaissance shaped Western culture - but it was far stranger and darker than many of us realise. We know the Mona Lisa for her smile, but not that she was married to a slave-trader. We revere Leonardo da Vinci for his art, but few now appreciate his ingenious designs for weaponry. We visit Florence to see Michelangelo's David, but hear nothing of the massacre that forced the republic's surrender. In fact, many of the Renaissance's most celebrated artists and thinkers emerged not during the celebrated 'rebirth' of the fifteenth century but amidst the death and destruction of the sixteenth century.The Beauty and the Terror is an enrapturing narrative which includes the forgotten women writers, Jewish merchants, mercenaries, prostitutes, farmers and citizens who lived the Renaissance every day. Brimming with life, it takes us closer than ever before to the reality of this astonishing era, and its meaning for today.'Terrifying and fascinating' Sunday Times'Enlightening...exactly the alternative history you might wish for' Daily Telegraph

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As an epigraph from The Souls of Black Folk by W. E. B. Du Bois reminds us at the start of this novel, "Throughout history, the powers of single black men flash here and there like falling stars, and die sometimes before the world has rightly gauged their brightness." Protagonist Theo Boykin is a genius, an artist, an inventor, a Leonardo DaVinci–type, whose talents are sought after by local blacks and whites alike, but even this is not enough to save him. He falls victim to "the tragedy of ignorance and the damage caused by fear," in the words of poet Rita Dove—the first African American to serve as U.S. Poet Laureate and a member of the jury that conferred on The Cailiffs of Baghdad, Georgia the 2011 Anisfield-Wolf Award for books that "make a significant contribution to our understanding of racism and our appreciation for the diversity of human cultures." You won't forget Theo Boykin, nor will you forget his friends the Cailiffs, especially Gladys, who tells this story with love and bewilderment, and the teacher, Miss Spivey, who changes all their lives.

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A vivid picture of the human heart and its place in culture and medicine Published upon the opening of the Wellcome Collection, the Wellcome Trust's new public venue in London, this book examines the history of our understanding of the human heart. Encompassing material from Henry Wellcome's own collections in the Wellcome Library and images and artifacts from private and public archives across the world, the book provides a richly illustrated account of changes in our perception of what the heart does and what it means.The book first explores the symbolic significance of the heart in ancient Egypt, China, India, and Greece; its role in Aztec ceremony; and its place in the medieval world. It then considers the centrality of the heart in Christianity and other religions and the literary and artistic views of the heart as the seat of the soul and emotions.The growth of anatomical knowledge of the heart and its treatment through developing technology is fundamental to the volume. Fifteenth-century drawings by Leonardo da Vinci reveal his extraordinary early insight into the heart’s mechanisms, and twentieth-century medical breakthroughs prompt questions about ownership of the heart and the source of life itself. With testimony from surgeons and patients, the book highlights developments in cardiac surgery and considers future alternatives involving gene therapy, stem cell options, and micro-surgery.Published with The Wellcome Trust

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The Stalker’s Tale follows three storylines (two set in fashionable, contemporary London, a third in 1930’s bohemian Fitzrovia & 1940’s post-occupation Paris), representing three lives, simultaneously estranged, yet entwined in a decades long tale of Stalking. Successful modern day portrait painter, Bianca Johnson, is forced to warily defend herself against relentless stalker, wealthy entrepreneur, Hesketh James (since married, with a disabled nine year old son), with whom she had a brief affair twenty-five years earlier. Bianca is determined, meanwhile, to boldly claim the freedom to live an unorthodox, secretive life with her frequently absent Italian film director husband, Leonardo Vescarro, while at the same time conducting a clandestine affair with her very first love, the London publisher, Stephen Marchant, to whom she was once engaged to be married. The novel’s numerous complex dramas are set against her fraught, sorrowful relationship with her estranged mother, the beautiful, turbulent Anya, whose wartime affair with the Parisian aristocrat, Charles de Courcelles, had led to the breakdown of her marriage to Bianca’s father, the water-colourist painter, William Johnson, who made his reputation in the 1930’s, followed by his war years in the Middle East. These three storylines plait together evenly throughout the novel, creating suspense, as Hesketh’s increasingly desperate and erratic behaviour finally culminates in an incoherent explosion of violence.

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The National Gallery in London houses one of the richest collections of Western European paintings in the world, ranging from the 13th to the 20th century. In this beautiful book, one hundred of the greatest works from the collection, each by a different artist, are presented in chronological order, and accompanied by a lively, informative text and full-page color reproductions. From the earliest—a remnant of an Italian altarpiece dating from around 1265—to the most recent—Paul Cézanne’s great Bathers, of about 1894–1905—each painting has been carefully chosen for the unique significance it holds; whether representing a particular artist, place or time, or simply for its beauty and the pleasure it provides to the viewer. The painters featured here include some of the most famous names in European art—Duccio, Giotto, Dürer, Holbein, van Eyck, Botticelli, Leonardo, Michelangelo, Raphael, Titian, Rubens, Rembrandt, El Greco, Velázquez, Zurbarán, Goya, Caravaggio, Claude, Poussin, Hogarth, Gainsborough, Reynolds, Constable, Turner, Courbet, Manet, Monet, Renoir, Degas, Rousseau, and Van Gogh—and some of the most iconic paintings in the world—The Wilton Diptych, The Arnolfini Portrait, The Ambassadors, and Sunflowers. These selected highlights introduce some of the most inspiring paintings ever made. The reader can dip in to explore individual paintings, or read from cover to cover for a full survey.Published by the National Gallery Company/Distributed by Yale University Press

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THE BESTSELLING BOOK THAT INSPIRED THE AWARD-WINNING MOVIE Winner of 3 OSCARS including BEST DIRECTOR and BEST ACTOR Winner of 5 BAFTAS including Best Actor, Best Director and Best Film Winner of the 2016 Golden Globes for Best Motion Picture – Drama, Best Actor – Drama, and Best Director The novel that inspired the epic new movie starring Leonardo DiCaprio and Tom Hardy. Hugh Glass isn’t afraid to die. He’s done it once already. Rocky Mountains, 1823 The trappers of the Rocky Mountain Fur Company live a brutal frontier life. Hugh Glass is one of the most respected men in the company, an experienced frontiersman and an expert tracker.But when a scouting mission puts Glass face-to-face with a grizzly bear, he is viciously mauled and not expected to survive. Two men from the company are ordered to remain with him until his inevitable death. But, fearing an imminent attack, they abandon Glass, stripping him of his prized rifle and hatchet. As Glass watches the men flee, he is driven to survive by one all-consuming desire: revenge. With shocking grit and determination, he sets out on a three-thousand-mile journey across the harsh American frontier, to seek revenge on the men who betrayed him. The Revenant is a remarkable tale of obsession and the lengths that one man will go to for retribution.

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SOON TO BE A MAJOR MOTION PICTURE STARRING BENICIO DEL TORO, PRODUCED BY LEONARDO DICAPRIO.Cuba, 1961.A failed invasion at The Bay of Pigs results in Fidel Castro tightening his hold over Cuba. José Miguel Battle Sr., a former cop and member of the counter-revolutionary group intent on overthrowing him, is captured.Miami, 1962.José Miguel Battle Sr. travels to the USA, chased from the island by revolution, and is renamed The Godfather. A 2,500 strong Cuban-American criminal alliance is established.Known on both sides of the law as 'The Corporation', its powerful members were fellow outcasts and enemies of Castro. A hero to many Cuban-Americans, The Godfather created a unit of trusted men who fought alongside him to reclaim their nation from the Marxist dictator.Gaining money, power and inluence by running gambling rackets, money- laundering, drug tra?cking and murder, The Corporation never gave up the dream of killing Castro and reclaiming their homeland. This explosive biography reveals how an entire generation of political exiles, refugees, racketeers, corrupt cops, hitmen (and their wives and girlfriends) became caught up in this violent desire, and built a criminal empire surviving over 40 years.An epic tale of gangsters, drugs and violence, learn how The Corporation grew into one of the USA's most sordid and deadly organisations.

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SOON TO BE A MAJOR MOTION PICTURE STARRING BENICIO DEL TORO, PRODUCED BY LEONARDO DICAPRIOCuba, 1961.A failed invasion at The Bay of Pigs results in Fidel Castro tightening his hold over Cuba. José Miguel Battle Sr., a former cop and member of the counter-revolutionary group intent on overthrowing him, is captured.Miami, 1962.José Miguel Battle Sr. travels to the USA, chased from the island by revolution, and is renamed The Godfather. A 2,500 strong Cuban-American criminal alliance is established.Known on both sides of the law as 'The Corporation', its powerful members were fellow outcasts and enemies of Castro. A hero to many Cuban-Americans, The Godfather created a unit of trusted men who fought alongside him to reclaim their nation from the Marxist dictator.Gaining money, power and inluence by running gambling rackets, money- laundering, drug trafficking and murder, The Corporation never gave up the dream of killing Castro and reclaiming their homeland. This explosive biography reveals how an entire generation of political exiles, refugees, racketeers, corrupt cops, hitmen (and their wives and girlfriends) became caught up in this violent desire, and built a criminal empire surviving over 40 years.An epic tale of gangsters, drugs and violence, learn how The Corporation grew into one of the USA's most sordid and deadly organisations.

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La novella negra i policíaca a Catalunya no va tenir una tradició pròpia ?amb permís de Rafael Tasis i Manuel de Pedrolo? fins ben entrada la dècada dels setanta. Precisament, un dels artífexs va ser Jaume Fuster i Guillemó (1945-1998), que va inaugurar un camí que ja no tindria aturador per a la literatura que ell va anomenar de lladres i serenos. El llibre que teniu entre mans pretén mostrar bona part de la recepció del gènere durant aquells anys, a més d?oferir una anàlisi de l?obra policíaca de l?escriptor: novelles, traduccions, guions, tasques editorials, articles teòrics, opinions i documentació inèdita són una bona mostra del seu grau d?implicació.Un assaig sobre un escriptor sense límits, treballador incansable, innovador infatigable i jugador compulsiu que ens va dur a la modernitat del gènere a casa nostra tal com ho van fer d?altres escriptors com Jean-Patrick Manchette, Leonardo Sciascia o Manuel Vázquez Montalbán en les seves respectives llengües.

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In Black Gathering Sarah Jane Cervenak engages with Black artists and writers who create alternative spaces for Black people to gather free from interruption or regulation. Drawing together Black feminist theory, critical theories of ecology and ecoaesthetics, and Black aesthetics, Cervenak shows how novelists, poets, and visual artists such as Gayl Jones, Toni Morrison, Clementine Hunter, Samiya Bashir, and Leonardo Drew advance an ecological imagination that unsettles Western philosophical ideas of the earth as given to humans. In their aestheticization and conceptualization of gathering, these artists investigate the relationships among art, the environment, home, and forms of Black togetherness. Cervenak argues that by offering a formal and conceptual praxis of gathering, Black artists imagine liberation and alternative ways of being in the world that exist beyond those Enlightenment philosophies that presume Black people and earth as given to enclosure and ownership.

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The Book of Hermetica is the definitive collection of the most pivotal texts of hermetic wisdom. It includes the three most critical books in the cannon - Corpus Hermeticum, The Emerald Tablet, and The Kybalion. Corpus Hermeticum and The Emerald Tablet are both attributed to Hermes Trismegistus and were written between 100-300 BCE. These works form the foundation of hermetic wisdom, expounding on philosophy, religion, magic, and alchemy. The Kybalion was written much later, in the 20th century, and explores the seven basic hermetic principles. Faithfully reproduced in The Book of Hermetica, these esoteric writings have inspired great minds throughout the ages - everyone from Newton and Milton to Leonardo da Vinci and Jung - and modern readers will find their pages equally fascinating. The Book of Hermetica is the perfect introduction to the mysteries of hermeticism and essential reading for anyone interested in understanding western mystical thought through the ages.

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Matilda loves science and inventing. Her heroes are Marie Curie, Leonardo da Vinci and Thomas Edison, and one day she wants to be a famous inventor herself. So when she doesn’t win the school science fair, she’s devastated – especially as the judges didn’t believe she'd come up with her entry on her own. Because she's a girl.When Matilda shares her woes with her Grandma Joss, she's astonished to learn her grandma was once a scientist herself – an astrophysicist, who discovered her very own planet. Trouble is, Grandma Joss was also overlooked – her boss, Professor Smocks, stole her discovery for himself. And he's about to be presented with a Nobel Prize.Matilda concocts a plan. They'll crash the award ceremony and tell everyone the truth! So begins a race against time - and against Matilda's strict mum and dad! - on a journey through Paris, Hamburg and Stockholm, and on which they encounter a famous film star, a circus, and a wanted diamond thief...

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Now the subject of a major new film from director Baz Luhrmann (Romeo+Juliet, Moulin Rouge!), starring Leonardo DiCaprio and Carey Mulligan, The Great Gatsby is F. Scott Fitzgerald's brilliant fable of the hedonistic excess and tragic reality of 1920s America. This Penguin Classics edition is edited with an introduction and notes by Tony Tanner.Young, handsome and fabulously rich, Jay Gatsby is the bright star of the Jazz Age, but as writer Nick Carraway is drawn into the decadent orbit of his Long Island mansion, where the party never seems to end, he finds himself faced by the mystery of Gatsby's origins and desires. Beneath the shimmering surface of his life, Gatsby is hiding a secret: a silent longing that can never be fulfilled. And soon, this destructive obsession will force his world to unravel.In The Great Gatsby, Fitzgerald brilliantly captures both the disillusionment of post-war America and the moral failure of a society obsessed with wealth and status. But he does more than render the essence of a particular time and place, for - in chronicling Gatsby's tragic pursuit of his dream - Fitzgerald re-creates the universal conflict between illusion and reality.Like Jay Gatsby, F. Scott Fitzgerald (1896–1940) has acquired a mythical status in American literary history, and his masterwork The Great Gatsby is considered by many to be the 'great American novel'. In 1920 he married Zelda Sayre, dubbed 'the first American Flapper', and their traumatic marriage and Zelda's gradual descent into insanity became the leading influence on his writing. As well as many short stories, Fitzgerald wrote five novels This Side of Paradise, The Great Gatsby, The Beautiful and the Damned, Tender is the Night and, incomplete at the time of his death, The Last Tycoon. After his death The New York Times said of him that 'in fact and in the literary sense he created a "generation" '.'A classic, perhaps the supreme American novel' John Carey, Sunday Times Books of the Century

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Hope to conceive a boy? Tie a tourniquet around your husband's left testicle. Pregnant and fear a weak or malformed baby? Frequent hearty laughter should reduce the risk. And if you're a teenager of good repute, avoid dancing at all costs and stay away from wine, cosmetics, and flashy dress. What may seem quirky to today's readers certainly wasn't to its original audience - Renaissance Italians. They read advice manuals prodigiously, seeking guidance from the latest books by best-selling alchemists and snake-oil peddlers like Mrs. Isabella Cortese and Dr. Leonardo Fioravanti with an avidity not bestowed even on a Dante or a Machiavelli. This work shows 16th-century Italy from an alternative perspective: through manuals which were staples in the households of middlebrow Italians just trying to lead a better life. Rudolph M. Bell uncovers a culture much like our own in which people sought advice for everything from reining in a wayward spouse to running an efficient household. Italians who faced such timeless challenges turned to these books, which were written specifically for families of moderate means, complete with indexes, tables of contents, and marginal summaries making them easy to consult as problems arose.

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Hope to conceive a boy? Tie a tourniquet around your husband's left testicle. Pregnant and fear a weak or malformed baby? Frequent hearty laughter should reduce the risk. And if you're a teenager of good repute, avoid dancing at all costs and stay away from wine, cosmetics, and flashy dress. What may seem quirky to today's readers certainly wasn't to its original audience - Renaissance Italians. They read advice manuals prodigiously, seeking guidance from the latest books by best-selling alchemists and snake-oil peddlers like Mrs. Isabella Cortese and Dr. Leonardo Fioravanti with an avidity not bestowed even on a Dante or a Machiavelli. This work shows 16th-century Italy from an alternative perspective: through manuals which were staples in the households of middlebrow Italians just trying to lead a better life. Rudolph M. Bell uncovers a culture much like our own in which people sought advice for everything from reining in a wayward spouse to running an efficient household. Italians who faced such timeless challenges turned to these books, which were written specifically for families of moderate means, complete with indexes, tables of contents, and marginal summaries making them easy to consult as problems arose.

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“A surprisingly fresh take on the classic children's ABCs book.” A “Best Book of 2019.” —Vanity FairA fun way to inspire children’s imagination and creativity!” —Serena Williams“Art connects us all on the deepest level and this book will inspire young minds.” —Ken Griffin, founder & CEO of Citadel, trustee of the Art Institute of Chicago, and trustee of the Whitney Museum of American Art Learn the alphabet through fine art!Spark your child’s creativity and curiosity with this delightfully curated alphabet book featuring some of the world’s most iconic paintings.In this collection, your child will discover artwork by Leonardo da Vinci, Vincent van Gogh, Mary Cassatt, and many others. Help them locate the earring in Vermeer's Girl with the Pearl Earring, teach them different colors while examining Monet's Water Lilies, and count the pieces of fruit in Cezanne's The Basket of Apples.With a fun rhyming scheme and large, colorful text, ABCs of Art will inspire your budding art lovers as they learn the alphabet and new words by finding objects in paintings. Then, as your child grows, you can read the playful poems aloud together and answer the interactive questions that accompany each painting.

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A must, an "exaggerated" Ferrari, a remarkably impressive car still today, more than 30 years on from its launch. The Ferrari F40 caused a sensation when it first saw the light of day in 1987 thanks to its uncompromising lines and a formidable mechanical specification, most of which left in plain sight and promising unrivalled performance. The car emanated immense appeal from every side. The last of the Prancing Horse's GT cars "approved" by Enzo Ferrari is the protagonist of this book by Gaetano Derosa, a book that starts from a long way out, analysing the "forebears" of the F40: from the 250 LM of 1963 to the 308 "Millechiodi" of 1978, to the 288 GTO of 1984 and the GTO Evoluzione of 1986. The technical and stylistic evolution of the F40 is also recounted by the figures responsible for this thoroughbred Ferrari: from Leonardo Fioravanti, in his dual role as designer and at the time vice-chairman of the Maranello firm to Nicola Materazzi who defined the monstrous eight-cylinder engine that powered the car and through to Piero Ferrari himself one of the great supporters of the F40 Le Mans project. It is no coincidence that the book concludes with an exhaustive chapter dedicated to the F40 in racing, from the GT and single-marque championships to the return to the Le Mans 24 Hours.

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Un emocionante recorrido por la historia del mundo a través de los ojos de un niño que, guiado por seis grandes personajes históricos, asiste fascinado al nacimiento y progreso de la civilización desde sus inicios hasta nuestros días.En este libro, Fernando García de Cortázar propone un emocionante recorrido por la historia del mundo a través de los ojos de un niño, guiado por seis grandes personajes históricos: Heródoto, Ibn Jaldún, Leonardo da Vinci, Montesquieu, Joseph Conrad y Stefan Zweig. De la mano de estos inigualables maestros, el niño asiste fascinado al nacimiento y progreso de la civilización, aventura que él vive con la emoción de una buena película. La ilustración corre a cargo de Jvlivs ( Mi primer Quijote , Pequeña historia de España ), que con su inconfundible estilo gráfico aporta a la obra una mirada sonriente y llena de ternura.

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Steve Adelman’s humorous and engaging memoir reflects on his years as the director and owner of some of the world’s most popular nightclubs, including the Roxy, Limelight, Tunnel, and Palladium in the heyday of clubs in New York City during the 1980s and 1990s, followed by Avalon (Boston, Hollywood, NYC, and Singapore locations), and the New Daisy Theatre in Memphis. Nocturnal Admissions is a timely, unconventional look at one of pop culture’s most outwardly glamorous, yet misunderstood industries, bringing the reader backstage into the world of nightlife at its highest level. Wearing the multiple hats of ringmaster, entrepreneur, guidance counselor, multimillion-dollar dealmaker, and music soothsayer, Adelman chronicles an improbable journey from small town to big city, filled with a cast of characters he could never have imagined: People named Hedda Lettuce, Jenetalia, Maxi Min, and Jiggy, who collide with and around the likes of Jack Nicholson, Bruce Willis, Sir Richard Branson, Leonardo DiCaprio, RuPaul, Rudy Giuliani, and Snoop Dogg, among many, many others. Navigating city crackdowns, crazed partners, and cultural differences, Adelman relates how he watched his Nana out-dance an ex-NFL lineman, was chastised by Bob Dylan, launched the EDM cultural movement, helped created the “mash-up” with Perry Farrell, butted heads with Jerry Falwell, rang in the New Year with Matt Damon’s mother, leveraged porn star Jenna Jameson, relied on advice from felons, almost pancaked Prince, and built the world’s most lavish nightclub. Nocturnal Admissions is a hilarious, adrenaline-filled ride through the peak decades of the world's most famous nightclubs and nightlife scenes.

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In 2001 Renee Cox's "Yo Mama's Last Supper" was exhibited at the Brooklyn Museum. Cox's photographic recreation of Leonardo da Vinci's painting features an almost all black cast and the artist, nude, standing in for Jesus. The intense controversy that erupted testifies to the enduring power of images of black bodies to unsettle and disturb viewers. Over the course of the twentieth century, as black visibility rose across a variety of media, scholars in art history and media studies began to analyze how audiences view black subjects, while performance and theater studies scholars examined black self-presentation. "Troubling Vision" bridges the gap between these divergent approaches, arguing that grasping the cultural meaning of blackness relies on understanding both performance and vision. Taking into account this fixation on black visibility, Nicole R. Fleetwood explores how blackness is always a troubling presence in the field of vision and the black body is persistently seen as a problem. Fleetwood examines a wide range of materials from visual and media art, documentary photography, theater and performance, fashion advertising, and celebrity culture. Based on her trenchant analysis of this work, Fleetwood investigates the various ways black cultural producers disrupt dominant notions of black identity and the black body.

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A distinct symbol of the desert and the Middle East, the camel was once unkindly described as half snake, half folding bedstead. But in the eyes of many the camel is a creature of great beauty. This is most evident in the Arab world, where the camel has played a central role in the historical development of Arabic society. Beauty pageants are still held for camels in some Arabic countries, and an elaborate vocabulary and extensive literature have been devoted to them. In "Camel", Robert Irwin explores why the camel has fascinated so many cultures, including those in places where camels are not indigenous. He traces the history of the camel from its origins millions of years ago to the present day, discussing such matters of contemporary concern as the plight of camel herders in the Sudan's war-torn Darfur region, the alarming increase in the population of feral camels in Australia, and the endangered status of the wild Bactrian in Mongolia and China. Throughout history, the camel has been appreciated worldwide for its practicality, resilience and legendary abilities of survival. As a result it has been featured in the works of Leonardo da Vinci, Poussin, Tiepolo, Flaubert, Kipling and Rose Macaulay, among others. From East to West, Irwin's "Camel" is the first survey of its kind to examine the animal's role in society and history throughout the world. Not just for camel aficionados, this highly illustrated book is sure to entertain and inform anyone interested in this fascinating and exotic animal.

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The Storm at Sea: Political Aesthetics in the Time of Shakespeare counters a tradition of cultural analysis that judges considerations of aesthetic autonomy in the early modern context to be either anachronistic or an index of political disengagement. Pye argues that for a post-theocratic era in which the mise-en-forme of the social domain itself was for the first time at stake, the problem of the aesthetic lay at the very core of the political; it is precisely through its engagement with the question of aesthetic autonomy that early modern works most profoundly explore their relation to matters of law, state, sovereignty, and political subjectivity. Pye establishes the significance of a “creationist” political aesthetic—at once a discrete historical category and a phenomenon that troubles our familiar forms of historical accounting—and suggests that the fate of such an aesthetic is intimately bound up with the emergence of modern conceptions of the political sphere. The Storm at Sea moves historically from Leonardo da Vinci to Thomas Hobbes; it focuses on Shakespeare and English drama, with chapters on Hamlet, Othello, A Winter’s Tale, and The Tempest, as well as sustained readings of As You Like It, King Lear, Thomas Kyd’s Spanish Tragedy, and Christopher Marlowe’s Doctor Faustus. Engaging political thinkers such as Carl Schmitt, Giorgio Agamben, Claude Lefort, and Roberto Esposito, The Storm at Sea will be of interest to political theorists as well as to students of literary and visual theory.

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Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1990 to the present. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come.Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams.

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Many graffiti artists carry sketchbooks, called black books, and they ask crew members and others whose work they admire to inscribe their books with lettering or drawings. A few years ago, the Getty Research Institute invited artists, including Angst, Axis, Big Sleeps, Chaz, Cre8, Defer, EyeOne, Fishe, Heaven, Hyde, Look, ManOne, and Prime, to consider the idea of a citywide graffiti black book. During visits to the Getty Center, the artists viewed rare books related to calligraphy and letterforms, including works by Albrecht Durer and Leonardo da Vinci. The artists instantly recognized the connections to their own practices and were particularly drawn to a liber amicorum (book of friends), a form of autograph book popular in the seventeenth century. Passed from hand to hand, it was filled with signatures, poetry, and coats of arms, like a black book from another era. Inspired by this meeting of minds across centuries, these artists became both creators and curators, crafting their own pages and inviting others to contribute. Eventually 150 Los Angeles artists decorated 143 individual pages. These were bound together into an exquisite artists' book that became known as the Getty Graffiti Black Book. This publication reproduces each page from the original artists' book and recounts the story of an unprecedented collaboration across the diverse artistic landscape of Los Angeles.

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Most modern historians perpetuate the myth that Giuliano de' Medici (1479–1516), son of Lorenzo the Magnificent, was nothing more than an inconsequential, womanizing hedonist with little inclination or ability for politics. In the first sustained biography of this misrepresented figure, Josephine Jungic re-evaluates Giuliano’s life and shows that his infamous reputation was exaggerated by Medici partisans who feared his popularity and respect for republican self-rule. Rejecting the autocratic rule imposed by his nephew, Lorenzo (Duke of Urbino), and brother, Giovanni (Pope Leo X), Giuliano advocated restraint and retention of republican traditions, believing his family should be “first among equals” and not more. As a result, the family and those closest to them wrote him out of the political scene, and historians – relying too heavily upon the accounts of supporters of Cardinal Giovanni and the Medici regime – followed suit. Interpreting works of art, books, and letters as testimony, Jungic constructs a new narrative to demonstrate that Giuliano was loved and admired by some of the most talented and famous men of his day, including Cesare Borgia, Michelangelo Buonarroti, Niccolò Machiavelli, Leonardo da Vinci, and Raphael. More than a political biography, this volume offers a refreshing look at a man who was a significant patron and ally of intellectuals, artists, and religious reformers, revealing Giuliano to be at the heart of the period’s most significant cultural accomplishments.

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Robots exist for so many different reasons. Many robots replace humans, whether it’s because a situation is dangerous or just tedious. There are rover robots to explore space and drone robots that play a part in our military today, but then there are also vacuum robots available for the average household’s chores. In Japan, there is a robot teacher that can mimic a wide range of human emotions—including anger at uncooperative students—thanks to eighteen small motors hidden beneath the latex skin covering her face. The Japanese government hopes to use robots to fill jobs left vacant by an anticipated labor shortage due to an aging population. In the United States, robots even help with surgery, allowing for incisions to be cut much smaller than they would be otherwise—meaning fewer complications and faster recovery times.This fascinating book in the Fact Atlas series explores the history of robots, from the very first robot designed by Leonardo da Vinci to predictions of the roles robots will play in our future. Kids will learn about how robots are often modeled after real life-forms, such as bees, sharks, and, of course, humans. Robots also takes into account the robots in pop culture—robots we have imagined could be a part of our future. Readers can decide for themselves whether or not they think robots should be developed to their fullest potential or kept in check by safety limitations.

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The visual arts enrich our lives in many ways: bringing innovative ideas and the pleasures of beauty and emotion, but they can also confound. How To Understand Art sets out to enhance the viewer’s experience by breaking down the elements of art and sculpture to provide a firm basis for simple enjoyment as well as further investigation. With 100 visual examples drawn from across the globe, the stress is on how to assess art objectively – a key skill for any art student, museum visitor or cultural enthusiast. Janetta Rebold Benton guides the reader to re-evaluate their experiences of looking at art by learning to move beyond ‘I don’t know much about art, but I know what I like,’ and shift towards an understanding of ‘why I like it’. Materials and techniques are discussed – drawing, painting, printing, photography, sculpture and decorative art – making it possible to assess what can (and cannot) be done in certain media. The book also features a section devoted to six key artists who have had a particularly notable and innovative influence on the history of art: Leonardo da Vinci, Rembrandt van Rijn, Vincent van Gogh, Frida Kahlo, Pablo Picasso and Andy Warhol. Perfectly aimed at students and the general reader, this indispensable guide to the subject is well-placed to encourage questions and discussion, especially in the light of current debates surrounding class, ethnicity, gender and race.With 111 illustrations in colour

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A lo largo de 18 capítulos 20 autores de ocho nacionalidades diferentes abordan la relación existente entre el cine y la política. Se trata, por consiguiente, de una visión heterogénea de esta relación, además de recoger colaboraciones inéditas de diferentes profesionales de la ciencia política conocidos únicamente por su trabajo en la disciplina. Autores europeos conocidos como Manuel Alcántara Sáez, Leonardo Morlino, Dieter Nohlen, Gianfranco Pasquino y Enrique San Miguel se ven acompañados por autores americanos como Rolando Ames, Maxwell Cameron, Martín d?Alessandro, Paula Muñoz, Simón Pachano, Mario Serrafero, Martín Tanaka y Jesús Tovar, entre otros.Un director, una película o un tema son los hilos argumentales que ligan la relación entre el cine y la política desde una perspectiva muy personal que termina produciendo un resultado original sobre la presencia de la política en lo que ha sido por excelencia el arte de masas durante el siglo XX. Los capítulos se agrupan en tres

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A comprehensive and sumptuous survey that celebrates the beauty and appeal of flowers throughout art, history, and culture Take a journey across continents and cultures to discover the endless ways artists and image-makers have employed floral motifs throughout history. With 316 color illustrations showcasing the diversity of blooms from all over the world, Flower spans a wide range of styles and media - from art, botanical illustrations, and sculptures to floral arrangements, film stills, and textiles - and follows a visually stunning sequence with works, regardless of period, thoughtfully paired to allow interesting and revealing juxtapositions between them. Flower follows in the footsteps of Plant, Exploring the Botanical World, which Martha Stewart Living described as "breathtaking." Featuring large-scale images and accessible texts Flower offers a comprehensive introduction to the subject and includes both much-loved works together with examples that may prove more surprising discoveries, even for specialists. Selected by an international panel of art historians, museum curators, botanists, florists, horticulturalists, and more, works by a diverse range of both lesser-known and iconic artists and image-makers are featured, including: Nobuyoshi Araki, Cecil Beaton, Georg Ehret, David Hockney, Horst P. Horst, Nick Knight, Yayoi Kusama, Leonardo da Vinci, Robert Mapplethorpe, Henri Matisse, Claude Monet, Cedric Morris, William Morris, Georgia O'Keeffe, Irving Penn, David Hockney, Pierre-Joseph Redouté, Rachel Ruysch, Constance Spry, and Flora Starkey. Advisory panel: Lugene B. Bruno, Dr James Compton, Shane Connolly, Anne-Pierre d'Albis-Ganem, Celia Fisher, Susan M. Fraser, Victoria Gaiger, Elizabeth Hammer, Daisy Helman, Catherine Hess, Pascale Heurtel, Dr Lisa Hostetler, Lyndsey Ingram, Professor Dr Hans Walter Lack, Dr Fred G. Meijer, Colleen Morris, Polly Nicholson, Lynn Parker, Anna Pavord, Gill Saunders, Lindsey Taylor, Anatole Tchikine and Betsy Wieseman Additional texts: Giovanni Aloi, Louise Bell, Lugene Bruno, Shane Connolly, Clare Coulson, Louisa Elderton, Celia Fisher, Diane Fortenberry, Victoria Gaiger, Daisy Helman, Pascale Heurtel, Lyndsey Ingram, Hans Walter Lack, Fred G. Meijer, Alison Morris, Colleen Morris, Polly Nicholson, Michele Robecchi, Rebecca Roke, Gill Saunders, James Smith, Lindsey Taylor, David Trigg and Martin Walters

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First published in 1998, Q & A: Queer in Asian America, edited by David L. Eng and Alice Y. Hom, became a canonical work in Asian American studies and queer studies. This new edition of Q & A is neither a sequel nor an update, but an entirely new work borne out of the progressive political and cultural advances of the queer experiences of Asian North American communities. The artists, activists, community organizers, creative writers, poets, scholars, and visual artists that contribute to this exciting new volume make visible the complicated intertwining of sexuality with race, class, gender, and ethnicity. Sections address activism, radicalism, and social justice; transformations in the meaning of Asian-ness and queerness in various mass media issues of queerness in relation to settler colonialism and diaspora; and issues of bodies, health, disability, gender transitions, death, healing, and resilience.The visual art, autobiographical writings, poetry, scholarly essays, meditations, and analyses of histories and popular culture in the new Q & Agesture to enduring everyday racial-gender-sexual experiences of mis-recognition, micro-aggressions, loss, and trauma when racialized Asian bodies are questioned, pathologized, marginalized, or violated. This anthology seeks to expand the idea of Asian and American in LGBTQ studies.Contributors: Marsha Aizumi, Kimberly Alidio, Paul Michael (Mike) Leonardo Atienza, Long T. Bui, John Paul (JP) Catungal, Ching-In Chen, Jih-Fei Cheng, Kim Compoc, Sony Coráñez Bolton, D’Lo, Patti Duncan, Chris A. Eng, May Farrales, Joyce Gabiola, C. Winter Han, Douglas S. Ishii, traci kato-kiriyama, Jennifer Lynn Kelly, Mimi Khúc, Anthony Yooshin Kim, Việt Lê, Danni Lin, Glenn D. Magpantay, Leslie Mah, Casey Mecija, Maiana Minahal, Sung Won Park, Thea Quiray Tagle, Emily Raymundo, Vanita Reddy, Eric Estuar Reyes, Margaret Rhee, Thomas Xavier Sarmiento, Pahole Sookkasikon, Amy Sueyoshi, Karen Tongson, Kim Tran, Kay Ulanday Barrett, Reid Uratani, Eric C. Wat, Sasha Wijeyeratne, Syd Yang, Xine Yao, and the editors

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“A wordless picture book celebrates the power of art and imagination.” —Kirkus Reviews (starred review) “Young artists will love this book, as will all children who know the joy of exploring their own imaginations.” —School Library Journal (starred review) “A strongly developed and executed account of a childhood fantasy, urging all young artists to dream and to draw.” —Publishers Weekly (starred review) “A true celebration of where our imaginations can take us.” —Booklist (starred review) “A marvelous wordless adventure in which a bedbound artist takes readers on safari via his imagination.” —Shelf Awareness (starred review) Based on his own childhood, beloved and award-winning artist Raúl Colón’s wordless book is about the limitless nature of creativity and imagination.A boy alone in his room. Pencils. Sketchbook in hand. What would it be like to go on safari? Imagine. Draw… A boy named Leonardo begins to imagine and then to draw a world afar—first a rhinoceros, and then he meets some monkeys, and he always has a friendly elephant at his side. Soon he finds himself in the jungle and carried away by the sheer power of his imagination, seeing the world through his own eyes and making friends along the way.

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Featuring the beauties of Michelangelo and Leonardo da Vinci, combined with the dark and hidden side of the Renaissance, by an acclaimed historian and expert in the period.Renowned as an age of artistic rebirth, the Renaissance is cloaked with an aura of beauty and brilliance. But behind the Mona Lisa’s smile lurked a seamy, vicious world of power politics, perversity and corruption that has more in common with the present day than anyone dares to admit. Enter a world of corrupt bankers, greedy politicians, sex-crazed priests, rampant disease, and lives of extravagance and excess. Enter the world of the ugly Renaissance. Uncovering the hidden realities beneath the surface of the period’s best-known artworks, historian Alexander Lee takes the reader on a breathtaking and unexpected journey through the Italian past and shows that, far from being the product of high-minded ideals, the sublime monuments of the Renaissance were created by flawed and tormented artists who lived in an ever-expanding world of bigotry and hatred. The only question is: will you ever see the Renaissance in quite the same way again?

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A lavishly illustrated compendium of the art and history of animal anatomy from antiquity to todayFor more than two thousand years, comparative anatomy—the study of anatomical variation among different animal species—has been used to make arguments in natural philosophy, reinforce religious dogma, and remind us of our own mortality. This stunningly illustrated compendium traces the intertwined intellectual and artistic histories of comparative anatomy from antiquity to today.Stripped Bare brings together some of the most arresting images ever produced, from the earliest studies of animal form to the technicolor art of computer-generated anatomies. David Bainbridge draws on representative illustrations from different eras to discuss the philosophical, scientific, and artistic milieus from which they emerged. He vividly describes the unique aesthetics of each phase of anatomical endeavor, providing new insights into the exquisite anatomical drawings of Leonardo and Albrecht Dürer in the era before printing, Jean Héroard’s cutting and cataloging of the horse during the age of Louis XIII, the exotic pictorial menageries of the Comte de Buffon in the eighteenth century, anatomical illustrations from Charles Darwin’s voyages, the lavish symmetries of Ernst Haeckel’s prints, and much, much more.Featuring a wealth of breathtaking color illustrations throughout, Stripped Bare is a panoramic tour of the intricacies of vertebrate life as well as an expansive history of the peculiar and beautiful ways humans have attempted to study and understand the natural world.

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The first book on aviation history of its kind, covering everything that flies in one spectacular comic album about our conquest of the skies. Sky High! introduces you to a whole ensemble of scientists, inventors and builders: those from the distant past, such as Leonardo da Vinci and the Montgolfier brothers; those closer to our time, such as the Wright brothers or Otto Lilienthal; and current innovators, who have new, amazing ideas. You will take a look at how brilliant inventions and iconic machines were created, and learn about the breakthrough moments in the development of aviation. You will also meet brave aviators, daring aerial circus performers and test pilots. You will see how a jet engine works, how aircraft carrier staff work and how it feels to travel in an airship. You will see the cockpit of a fighter jet and the Jumbo Jet's cargo hold up close, and you will also see if it is possible to build an airplane in... a garage. In an accessible and funny form, you will learn the answers to the most important questions: how do planes not fall from the sky? How does a radar or parachute work? Are wings or rotors better? The fascinating history of aviation is a story of countless ups and downs, which proves that even the wildest dream can become a reality. It's time to fasten your seatbelts. Get ready for take-off!

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Sculptor, architect, painter, playwright, and scenographer, Gian Lorenzo Bernini (1598-1680) was the last of the great universal artistic geniuses of early modern Italy, placed by both contemporaries and posterity in the same exalted company as Leonardo, Raphael, and Michelangelo. And his artistic vision remains palpably present today, through the countless statues, fountains, and buildings that transformed Rome into the baroque theater that continues to enthrall tourists today. It is perhaps not surprising that this artist who defined the baroque should have a personal life that itself was, well, baroque. As Franco Mormando's dazzling biography reveals, Bernini was a man driven by many passions, possessed of an explosive temper and a hearty sex drive, and he lived a life as dramatic as any of his creations. Drawing on archival sources, letters, diaries, and - with a suitable skepticism - a hagiographic account written by Bernini's son (who portrays his father as a paragon of virtue and piety), Mormando leads us through Bernini's many feuds and love affairs, scandals and sins. He sets Bernini's raucous life against a vivid backdrop of baroque Rome, bustling and wealthy, and peopled by churchmen and bureaucrats, popes and politicians, schemes and secrets. The result is a seductively readable biography, stuffed with stories and teeming with life - as wild and unforgettable as Bernini's art. No one who has been bewitched by the baroque should miss it.

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