Search results for ""Author Art, Culture"

Theodor W. Adorno's multifaceted work has exerted a profound impact on far-ranging discourses and critical practices in late modernity. His analysis of the fate of art following its alleged end, of ethical imperatives "after Auschwitz," of the negative dialectic of myth and freedom from superstition, of the manipulation of consciousness by the unequal siblings of fascism and the culture industry, and of the narrowly-conceived concept of reason that has given rise to an unprecedented exploitation of nature and needless human suffering, all speak to central concerns of our time. The essays collected here analyze the full range of implications emanating from Adorno's demand that the task of critical thinking be to imagine a mode of being in the world that occurs in and through a language that has liberated itself from the spell of an alleged historical and political inevitability, what he once tellingly called a "language without soil." Adorno' s finely chiseled sentences perform a ceaseless gesture of thoughtful vigilance, a vigilance understood not in the sense of moralizing or ethical normativity but of a rigorous attention to the presuppositions of thinking itself. The volume's fresh readings conspire to yield a refractory and unorthodox Adorno, a suggestive and at times infuriating thinker of the first order, whose intellectual gestures sponsor politically conscious modes of theoretical speculation in a late modernity that may still have a future because its language and aspirations are without soil. Also included is an annotated translation of a seminal interview Adorno gave in 1969 concerning the relationship of Critical Theory to political activism. In it, the dialectical interplay between thought and action forcefully emerges.

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Ronald Reagan's "The Notes" is a fascinating window into the mind of the fortieth U.S. President and the writers and thinkers to whom he turned for advice, inspiration, humor, and hope. Collected by the Ronald Reagan Foundation, the book includes both Reagan's own writing and his favorite quotations, proverbs, and excerpts from speeches, poetry, and literature. The breadth of these notes sheds light on a man who was deeply engaged with the arts, culture, and politics, from his time as one of the nation's most popular actors to later years as one of its most beloved presidents. Known as the Great Communicator, Reagan sought wisdom from a wide-ranging set of political figures, philosophers, novelists, and poets, including Abraham Lincoln, Daniel Webster, John F. Kennedy, and Thomas Jefferson, as well as Mohandas Gandhi, Aleksandr Solzhenitsyn, Mark Twain, and Thomas Wolfe. While the number one "New York Times" bestselling "Reagan Diaries" detailed daily life inside the Oval Office, "The Notes" encapsulates a lifetime of reflections on work, marriage, and family in classic one-liners such as Flattery is what makes husbands out of bachelors and Money may not buy friends, but it will help you to stay in contact with your children. Reagan's own writing - his jokes, aphorisms, and insights into politics and life - is often surprising and reveals a view of the president that has rarely before been seen. Historic, illuminating, and deeply captivating, "The Notes" is a remarkable collection of the thoughts of one of a beloved American President.

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This fun and photo-filled biography celebrates the life, films, and fans of the director responsible for such indie cult classics as Clerks, Mallrats, Chasing Amy, and Jay and Silent Bob Strike Back. Movie-industry veteran David Gati has compiled and edited a humorous and insightful look at Smith’s nearly 30-year filmmaking journey. Through Smith’s own funny, honest, and uncensored stories—taken from podcasts, Q&As, and documentaries—readers get to know him as a person, the struggles he’s been through, and the people he’s worked with, as well as his process for writing, directing, casting, shooting, editing, and showing his films to the public. The book is arranged chronologically with each chapter exploring how an aspect of Kevin’s life is reflected in one of his 14 films. Not to be overlooked is Smith’s outsized fan base, who relate to the director’s down-to-earth persona and his geeky, sometimes juvenile, often-nostalgic regular-person characters. Gati uses their fan art to add a visual facet to the book’s colorful narrative gems. Rounding out this scrapbook presentation are on-set stills, candid personal photos, and memorabilia. The result is an exploration of how films affect and reflect the popular culture of their time, with a light-hearted analysis of the phenomenon of fandom. This unusual biography is a must-have collectible dedicated to a member of the ’90s independent filmmakers—which includes Quentin Tarantino, Allison Anders, Robert Rodriguez, Hal Hartley, and Spike Lee—whose relevance and popularity will only continue to grow.

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Conrad in Italy provides international students and researchers with a variety of critical approaches. Richard Ambrosini surveys Conrad's reception within the Italian academy. Franco Marenco's essay on "Heart of Darkness" outlines Conrad's centrality in English Modernism. Alessandro Serpieri deals with Conrad's impressionistic treatment of space in The Secret Agent and other texts. Giuseppe Sertoli focuses on Conrad's debt to the Comtesse de Boigne's Memoires and to James's Portrait of a Lady in the writing of Suspense. Fausto Ciompi investigates the isotopy of dream in Lord Jim and other early novels. Elio Di Piazza reads the The Mirror of the Sea as an inquiry into British and Russian empires. Maria Teresa Chialant's study of "Amy Foster" and "Tomorrow" accounts for the interest of Italian critics in Conrad's minor works. Francesco Marroni unfolds the moral structure of "The Secret Sharer". Nicoletta Vallorani tackles the theme of the double in "The Secret Sharer" from the perspective of the art of photography. Luisa Villa illuminates the complex structure of Chance in the light of Conrad's re-elaboration of the Victorian multi-plot novel. Mario Domenichelli proposes a reading of Conrad's cooperation with Ford. The Inheritors is the subject of Mario Curreli's essay on Conrad's debt to H.G. Wells, Zangwill, and Drumont, while it places the issue of fourth-dimension in the context of European colonialisms. Marialuisa Bignami's survey of Conrad's influence on Primo Levi and Marilena Saracino's intertextual analysis of "Heart of Darkness" and Luigi Guarneri's Tenebre sul Congo are two exercises in dialogic reading which confirm Conrad's well-established reception in Italian culture.

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From the former U.S. Poet Laureate, Pulitzer Prize and National Book Award-winner, an illuminating dissection of poetic form for students, enthusiasts, and newcomers alikeA Little Book on Form brilliantly synthesizes Hass’s formidable gifts as both a poet and essayist. In it he takes up the central tension between poetry as genre and the poetics of the imagination. A wealth of vocabulary exists with which to talk about poetry in traditional formal terms. But the more intuitive, creative parts of a poet’s work and processes are more elusive: if the most interesting aspect of form is the shaping power of the essential, expressive gestures inside it, how do we come to a language in which to speak about form as the search for the radiant shapes— the wholeness or brokenness—we experience inside powerful works of art? In suggestive, informal “notes,” Haas thinks through the idea of a poem from its barest building blocks—the one line haiku, the brief epigram or prayer—to the complex villanelle and sonnet, and beyond them, to the grand forms of elegy and ode through which poets across human cultures have investigated the shapes of grieving and desiring. His approach singularly employs postmodern perspectives on shape, thought, feeling, content, and movement, calling on Catullus and Allen Ginsberg, Kobayashi Issa and Czesław Miłosz. Begunb as a project for students of poetry, A Little Book on Form is anything but—Hass investigates the ancient roots of the poetic impulse, taking a wide-ranging look at the most intense experience of human thought and feeling in language.

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Novel Membrane Emulsification Comprehensive resource presenting state-of-the-art of membrane emulsification technology, from principle to practice, with focus on biomedical applications Novel Membrane Emulsification: Principles, Preparation, Processes, and Bioapplications provides comprehensive coverage of membrane emulsification technology by summarizing the principle, preparation, and bioapplications through utilizing uniform particle size, introducing recent development in preparation and applications in the controlled release and delivery of protein/peptide, anticancer drugs and vaccines, and in the bioseparation media and cell culture carriers, and discussing direct, rapid, and rotary membrane emulsification equipments. Novel Membrane Emulsification includes information on: Preparation of hydrophobic microspheres from O/W emulsion, hydrophilic microspheres from W/O emulsion, and microcapsules/composite microspheres from double emulsions, covering preparation from monomer and preformed polymer systems Preparation of small particles by rapid membrane emulsification process Applications of uniform particles in sustained release of protein/peptide drugs, covering strategies to improve encapsulation efficiency and maintain bioactivity of drugs Applications of uniform particles in anticancer drug and vaccine delivery including personalized therapeutic vaccine Applications of uniform particles in protein separation, covering uniform agarose microsphere for protein separation and super-porous microsphere for vaccine separation Novel Membrane Emulsification is an essential resource for scientists and researchers in multiple fields, particularly chemistry, chemical engineering, and materials science, to advance this technique and produce novel materials with controlled characteristics. The text is also a valuable learning resource for biomedical science and bioengineering researchers and students.

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Text in English & German. Cosmetically-enhanced beauty is something that has existed for decades. Over the course of the last century, however, a cosmetics industry has arisen that is worth millions. Its products claim to optimise visual appearance, to bestow inner and outer health and to delay aging, under a veneer of medical credibility and reliable results. Cosmetics deals in alleged 'deep-acting' substances, which are supposed to detoxify and to purify the body from within. However, the whole arsenal of cosmetic ingredients is founded more on persuasion than conviction. Cosmetics is always a matter of mimicking an ideal. To this extent, cosmetic discourse deals in what might be described as an iconography of hunger -- it requires and is predicated upon a feeling of lack. At the same time, it promises to remedy that lack. The referential frame for cosmetics is constituted by cultural history and iconology, by semiotics and sociology, by psychology and rhetoric. Like fashion, it has called into being a linguistic system of considerable depth and complexity; one that draws its subtexts from futurology and history, from medicine and alchemy, from nostalgia and from heritage preservation. Cosmetics are supposed to make one more attractive and more seductive -- to make one positively irresistible, in fact. Cosmetics hold out the prospect of sexiness to women and men alike. All that one has to do is to acquire the right creams and lotions, the right palette of powders and rouges, of lipsticks and mascara, and one has a form of beauty that can be bought! The persuasive power of cosmetics is as dominant as it is irresistible. All of us could resist it if we wished to. And yet we don't wish to. This book exposes the rhetorical system behind the promises of cosmetics in terms of the histories of cultures and of mentalities, analysing the verbal/visual messages of selected examples. The internationally known architecture and design historian Volker Fischer was deputy director of the Deutsches Architekturmuseum in Frankfurt am Main for over ten years. Since 1995 he has built up a new design department in the Museum for Applied Arts in Frankfurt; in addition to his museum work he teaches history of architecture and design at the Hochschule für Gestaltung in Offenbach. Volker Fischer is already represented in Edition Axel Menges by books on Stefan Wewerka, Richard Meier, the Commerzbank in Frankfurt by Norman Foster, Hall 3 of Messe Frankfurt am Main by Nicholas Grimshaw, and the design activities of Lufthansa.

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The ideal travel companion, full of insider advice on what to see and do, plus detailed itineraries and comprehensive maps for exploring Sydney.Marvel at the iconic silhouette of the Sydney Opera House, take surfing lessons on Bondi Beach or sip coffee in one of the many bustling cafes lining Darling Harbour: everything you need to know is clearly laid out within colour-coded chapters. Discover the best of Sydney with this indispensable travel guide.Inside DK Eyewitness Travel Guide Sydney:- Over 20 colour maps help you navigate with ease- Simple layout makes it easy to find the information you need- Comprehensive tours and itineraries of Sydney, designed for every interest and budget- Illustrations and area plans show in detail the Sydney Harbour Bridge, the Art Gallery of New South Wales, the Powerhouse Museum and more- Colour photographs of major sights, incredible architecture, fascinating museums, historic streets, stunning parks and more- Detailed chapters, with area maps, cover the Rocks and Circular Quay, City Centre, Darling Harbour and Surry Hills, Botanic Garden and the Domain, Kings Cross and Darlinghurst, and Paddington- Historical and cultural context gives you a richer travel experience: learn about the city's history, architecture, museums and galleries, parks and reserves, and the festivals that take place throughout the year- Experience Sydney with features on the city's cosmopolitan culture, its sports and its beaches - Essential travel tips: our expert choices of where to stay, eat, shop and sightsee, plus transport, visa and health information DK Eyewitness Travel Guide Sydney is a detailed, easy-to-use guide designed to help you get the most from your visit to Sydney.DK Eyewitness: winner of the Top Guidebook Series in the Wanderlust Reader Travel Awards 2017. "No other guide whets your appetite quite like this one" - The IndependentPlanning to explore beyond Sydney? Try our DK Eyewitness Travel Guide Australia.About DK Eyewitness Travel: DK's highly visual Eyewitness guides show you what others only tell you, with easy-to-read maps, tips, and tours to inform and enrich your holiday. DK is the world's leading illustrated reference publisher, producing beautifully designed books for adults and children in over 120 countries.

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The Oxford Companion to English Literature has long been established as the leading reference resource for students, teachers, scholars, and general readers of English literature. It provides unrivalled coverage of all aspects of English literature - from writers, their works, and the historical and cultural context in which they wrote, to critics, literary theory, and allusions. For the seventh edition, the Companion has been thoroughly revised and updated to meet the needs and concerns of today's students and general readers. Over 1,000 new entries have been added, ranging from new writers - Chimamanda Ngozi Adichie, Patrick Marber, David Mitchell, Arundhati Roy - to increased coverage of writers and literary movements from around the world. Coverage of American literature has been substantially increased, with new entries on writers such as Cormac McCarthy and Amy Tan and on movements and publications. Contextual and historical coverage has also been expanded, with new entries on European history and culture, post-colonial literature, as well as writers and literary movements from around the world that have influenced English literature. The Companion has always been a quick and dependable source of reference for students, and the new edition confirms its pre-eminent role as the go-to resource of first choice. All entries have been reviewed, and details of new works, biographies, and criticism have been brought right up to date. So also has coverage of the themes, approaches and concepts encountered by students today, from terms to articles on literary theory and theorists. There is increased coverage of writers from around the world, as well as from Ireland, Scotland, and Wales, and of contextual topics, including film and television, music, and art. Cross-referencing has been thoroughly updated, with stronger linking from writers to thematic and conceptual entries. Meanwhile coverage of popular genres such as children's literature, science fiction, biography, reportage, crime fiction, fantasy or travel literature has been increased substantially, with new entries on writers from Philip Pullman to Anne Frank and from Anais Nin to Douglas Adams. The seventh edition of this classic Companion - now under the editorship of Dinah Birch, assisted by a team of 28 distinguished associate editors, and over 150 contributors - ensures that it retains its status as the most authoritative, informative, and accessible guide to literature available.

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Professional practice courses often suffer from a boring reputation, but there’s nothing dull about this updated, cornerstone edition of Professional Practice 101, which renders accessible the art and science of contemporary architectural practice. With its unique focus on links between design thinking and practice, this third edition brings an inspiring and fresh perspective to the myriad issues involved in successful architectural practice. The process of providing architectural services in today’s constantly evolving practice environment must be just as creative, intellectually rigorous, and compelling as wrestling with design problems.In this new edition, packed with invaluable advice from leading experts, Andrew Pressman bridges the knowledge and experience gap between school and practice covering topics such as: Ethics, social responsibilities, and obligations to the environment Design firm types, culture, and leadership Financial, project, and time management Service and project delivery; leveraging emerging technologies Entrepreneurial business models and business development Legal issues, including AIA contract document analysis Collaboration and negotiating with clients and stakeholders Practice-based research Students and early-career professionals will discover the fundamentals they need to launch their careers as well as more sophisticated strategies that will allow them to thrive as their roles evolve and they assume increasing responsibilities.This engaging, comprehensive primer debunks the myth that recent architecture graduates have little or no guidance to prepare them for business. Professional Practice 101 is a learning tool that will readily deliver the knowledge and background for success in current architectural practice.

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This mini pocket Helsinki travel guidebook is perfect for travellers seeking basic information about Helsinki. It covers key places, main attractions and a short hotel and restaurant recommendations list. This book is printed on paper from responsible sources, verified to meet FSC's strict environmental and social standards.This Helsinki travel book covers: Rautatientori, Market and Senate Squares, Mannerheimintie, Töölönlahti Bay and the Olympic Stadium, The "Design District", Ullanlinna and Kaivopuisto, Kallio and Around, Suomenlinna Fortress, Helsinki's Islands, Greater Helsinki.In this Helsinki guidebook, you will find: - Curated recommendations of places - main attractions, child-friendly family activities, chilled-out breaks in popular tourist areas - Things not to miss in Helsinki - Suomenlinna Fortress, Senate Square, Esplanadi, Temppeliaukio, Market Square and Hall, National Museum of Finland, Kiasma gallery, Uspenski Orthodox Cathedral, Kamppi Chapel of Silence, Ateneum Art Museum - Perfect Day - itinerary suggestions for those on a short break- Short Helsinki introduction - geographical location, cultural legacy, history with interesting key dates - What to do in Helsinki - recommendations for entertainment, shopping, sports, children's activities, events and nightlife- Food and drink - recommendations for local products and places to eat- Overview maps - handy maps on the inside cover flaps showing Helsinki and around- Practical information - how to get there and around, opening times, health and medical care, and tourist information- Striking pictures - inspirational colour photography throughout- Free download of the eBook - available after purchase of the printed guidebook Helsinki - Fully updated post-COVID-19This guide is easy to use and quick to scan through when you need help on the go. It's the perfect companion both ahead of your trip and on the ground. It gives you the flavour of Helsinki without overwhelming you with too much information.

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'A masterpiece' Sunday Times'Magisterial... thrilling' Guardian'Terrifically enjoyable' Daily TelegraphThe beautifully illustrated, long-awaited final volume of John Richardson's magisterial Life of Picasso, drawing on original research from interviews and never-before-seen material in the Picasso family archives. The Minotaur Years opens in 1933 with a visit by the Hungarian-French photographer Brassaï to Picasso's château in Normandy, Boisgeloup, where he would take his iconic photographs of the celebrated plaster busts of Picasso's lover Marie-Thérèse Walter. Picasso was contributing to André Breton's Minotaur magazine and spending time with the likes of Man Ray, Salvador Dalí, Lee Miller, and the poet Paul Éluard, in Paris and the south of France. It was during this time that Picasso began writing surrealist poetry and became obsessed with the image of himself as the mythic Minotaur. Richardson shows us the artist being as prolific as ever, painting Walter, as well as the surrealist photographer Dora Maar, who became a muse, collaborator and lover. The bombing of Guernica in April 1937 would inspire Picasso's vast masterwork of the same name, which he painted in just a few weeks for the Spanish Pavilion at the Paris World's Fair. When the Nazis occupied Paris in 1940, Picasso chose to remain in the city despite the threat that his art would be confiscated. In 1943, Picasso met Françoise Gilot who would replace Maar and inspire a brilliant new sequence of paintings. As always, Richardson tells Picasso's story through his work, analysing how it shows what the artist was feeling and thinking. His fascinating and illuminating narrative immerses us in one of the most exciting moments in twentieth-century cultural history, and brings to a close the definitive and critically acclaimed biography of one of the world's most celebrated artists.

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Written by a renowned literary critic and legal historian, Practice Extended illuminates the intricacies of legal language and thought and the law's relationship to society, literature, and culture. Robert A. Ferguson details how judicial opinions are written, how legal thought and philosophy inform ideas, and how best to appreciate a courtroom novel. With chapters touching on a wide range of subjects, including immigration, eloquence, the U.S. Constitution, and the Supreme Court case over James Joyce's Ulysses, Practice Extended provides an ambitious argument for the importance of language in law and a much-needed analysis of the often vexed relationship between law and literature. Ferguson challenges the notion of law as a hermetic enterprise only accessible to experts. He reveals the discipline's relationships to history, religion, philosophy, psychology, anthropology, and the visual arts, offering a rich account of how the law has shaped and has been shaped by communal thought. He also recognizes the critical role of literature and other outside views in showcasing the social problems that law takes up. Practice Extended reflects Ferguson's crucial role as a pioneer in developing the field of law and literature. His writing reminds us of the need for a critical approach to the law that draws on the insights of literature to better understand political and legal history and the documents, laws, and arguments that shape our present. At the same time, this volume also showcases the ways in which the law has been integrated into works of literature, from Billy Budd to contemporary courtroom thrillers.

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The Northmen’s Fury tells the Viking story, from the first pinprick raids of the eighth century to the great armies that left their Scandinavian homelands to conquer larger parts of France, Britain and Ireland. It recounts the epic voyages that took them across the Atlantic to the icy fjords of Greenland and to North America over four centuries before Columbus and east to the great rivers of Russia and the riches of the Byzantine empire.One summer’s day in 793, death arrived from the sea. The raiders who sacked the island monastery of Lindisfarne were the first Vikings, sea-borne attackers who brought two centuries of terror to northern Europe. Before long the sight of their dragon-prowed longships and the very name of Viking gave rise to fear and dread, so much so that monks were reputed to pray each night for delivery from ‘the Northmen’s Fury’. Yet for all their reputation as bloodthirsty warriors, the Vikings possessed a sophisticated culture that produced art of great beauty, literature of abiding power and kingdoms of surprising endurance. The Northmen’s Fury describes how and why a region at the edge of Europe came to dominate and to terrorise much of the rest of the continent for nearly three centuries and how, in the end, the coming of Christianity and the growing power of kings tempered the Viking ferocity and stemmed the tide of raids. It relates the astonishing achievement of the Vikings in forging far-flung empires whose sinews were the sea and whose arteries were not roads but maritime trading routes. The blood of the Vikings runs in millions of veins in Europe and the Americas and the tale of their conquests, explorations and achievements continues to inspire people around the world.

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The first book to present great landmarked interiors of New York in all their intricate detail, Interior Landmarks is a visual celebration of space that captures the rich heritage of the city. Since 1965, the New York City Landmarks Law has preserved for generations to come a remarkable number of significant spaces in New York City's cultural, social, economic, political, and architectural history. Not only do the exterior facades of these buildings fall within the law's purview, but many of their stunning interiors as well. Newly updated with current information, this book tells the stories of forty-six interior landmarks from the widely celebrated - Radio City Music Hall, the Great Hall of the Metropolitan Museum of Art, Grand Central Station - to others that are virtually unknown. A catalogue of all 120 interior landmarks, with names of their architects and locations, is also included. Readers will learn about their original construction and style, their exceptional design features, materials, and architectural details, as well as the challenges to preserving them - whether they were unanimously accepted or hotly contested in legal battles - and the preservationists, philanthropists, politicians, and designers who made it possible. The book also includes updated details on the restorations or re-imaginings that took place. Combining strong visuals and thorough research, this valuable reference work will fascinate all readers with an interest in the city's history. This paperback edition is updated with current information, including the 2017 addition of The New York Public Library's historic Rose Main Reading Room to the list of protected landmarks.

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“All that I do is go out and look at films and choose the ones I want to play—films that stimulate, and give some insight into our lives. I hope that people will come, but if they don’t, that’s okay too.”Daniel Talbot changed the way the Upper West Side—and art-house audiences around the world—went to the movies. In Love with Movies is his memoir of a rich life as the impresario of the legendary Manhattan theaters he owned and operated and as a highly influential film distributor.Talbot and his wife, Toby, opened the New Yorker Theater in 1960, cultivating a loyal audience of film buffs and cinephiles. He went on to run several theaters including Lincoln Plaza Cinemas as well as the distribution company New Yorker Films, shaping the sensibilities of generations of moviegoers. The Talbots introduced American audiences to cutting-edge foreign and independent filmmaking, including the French New Wave and New German Cinema.In this lively, personal history of a bygone age of film exhibition, Talbot relates how he discovered and selected films including future classics such as Before the Revolution, Shoah, My Dinner with Andre, and The Marriage of Maria Braun. He reminisces about leading world directors such as Sembène, Godard, Fassbinder, Wenders, Varda, and Kiarostami as well as industry colleagues with whom he made deals on a slip of paper or a handshake.In Love with Movies is an intimate portrait of a tastemaker who was willing to take risks. It not only lays out the nuts and bolts of running a theater but also tells the story of a young cinephile who turned his passion into a vibrant cultural community.

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Before France became France its territories included Occitania, roughly the present-day province of Languedoc. The city of Narbonne was a center of Occitanian commerce and culture during the eleventh and twelfth centuries. For most of the second half of the twelfth century, that city and its environs were ruled by a remarkable woman, Ermengard, who negotiated her city's way through a maze of everchanging dynastic alliances. Fredric L. Cheyette's masterful and beautifully illustrated book is a biography of an extraordinary warrior woman and of a unique, vulnerable, doomed society. Throughout her long reign, viscountess Ermengard roamed Occitania receiving oaths of fidelity, negotiating treaties, settling disputes among the lords of her lands, and camping with her armies before the walls of besieged cities. She was born into a world of politics and warfare, but from the Mediterranean to the North Sea her name echoed in songs that treated the arts of love. The land between the Rhone and the Pyrenees was a delicately balanced world in which honor, dispute, and the fragile communities of loyalty and family held a "stateless" society together. In Cheyette's prose there rises before us a world we had not imagined, in which women were powerful lords, moving back and forth across what we now call Spain, France, and Italy to play the harsh political games essential to the preservation of their realms. But the region was also fertile ground for religious practices deemed heretical by the Church. The attempt to eradicate them would spawn the Albigensian Crusade, which destroyed the cosmopolitan world of Ermengard and the troubadours—the world that lives again in this book.

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A glimpse into the markets, crafts, and signage of early modern Japan Kanban are the traditional signs Japanese merchants displayed on the street to advertise their presence, represent the products and services to be found inside their shops, and lend a sense of individuality to the shops themselves. Created from wood, bamboo, iron, paper, fabric, gold leaf, and lacquer, these unique objects evoke the frenetic market scenes of nineteenth- and twentieth-century Japan, where merchants created a multifaceted world of symbol and meaning designed to engage the viewer and entice the customer. Kanban provides a tantalizing look at this distinctive fusion of art and commerce. This beautifully illustrated book traces the history of shop signs in Japan, examines how they were created, and explores some of the businesses and trades they advertised. Some kanban are elongated panels of lacquered wood painted with elegant calligraphy and striking images, while others are ornately carved representative sculptures of munificent deities or carp climbing waterfalls. There are oversized functional Buddhist prayer beads, and everyday objects such as tobacco pipes, shoes, combs, and writing brushes. The book also includes archival photographs of market life in "old Japan," woodblock prints of bustling marketplaces, and images of the goods advertised with these intricate and beguiling objects. Providing a look into a unique, handmade world, Kanban offers new insights into Japan's commercial and artistic roots, the evolution of trade, the links between commerce and entertainment, and the emergence of mass consumer culture. Exhibition schedule: Mingei International Museum, San Diego April 15-October 15, 2017

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Can data science truly serve the public interest? Data-driven analysis shapes many interpersonal, consumer, and cultural experiences yet scientific solutions to social problems routinely stumble. All too often, predictions remain solely a technocratic instrument that sets financial interests against service to humanity. Amidst a growing movement to use science for positive change, Anne L. Washington offers a solution-oriented approach to the ethical challenges of data science. Ethical Data Science empowers those striving to create predictive data technologies that benefit more people. As one of the first books on public interest technology, it provides a starting point for anyone who wants human values to counterbalance the institutional incentives that drive computational prediction. It argues that data science prediction embeds administrative preferences that often ignore the disenfranchised. The book introduces the prediction supply chain to highlight moral questions alongside the interlocking legal and commercial interests influencing data science. Structured around a typical data science workflow, the book systematically outlines the potential for more nuanced approaches to transforming data into meaningful patterns. Drawing on arts and humanities methods, it encourages readers to think critically about the full human potential of data science step-by-step. Situating data science within multiple layers of effort exposes dependencies while also pinpointing opportunities for research ethics and policy interventions. This approachable process lays the foundation for broader conversations with a wide range of audiences. Practitioners, academics, students, policy makers, and legislators can all learn how to identify social dynamics in data trends, reflect on ethical questions, and deliberate over solutions. The book proves the limits of predictive technology controlled by the few and calls for more inclusive data science.

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Written by expert travel-writers with more than 40 titles to their name, Bradt's Gascony & the Pyrenees is the only current English-language guide to the entirety of this fascinating, relatively under-visited and consequently affordable region of southwest France. Offering advice on where to stay and eat with what to do and see, this new guide provides everything you need for an enjoyable, fulfilling visit. In Gascony, everyone can find their own adventure. Surfers can ride Atlantic waves at Hossegor and Mimizan. Sun-seekers can loll on the Landes' beaches, then stretch their legs by climbing Europe's tallest sand dune, the Dune du Pilat. Hikers can trek high into the Pyrenees to gawp at majestic cirques, while those less energetic can go on a donkey-backl. Families can bike along numerous backways, while cycling buffs cheer on the professionals during the Pyrenees stage of the Tour de France. Activity enthusiasts aside, the region will delight anyone who craves a slower-paced holiday in beautiful natural landscapes. Culture buffs can linger in the coastal art havens of Collioure, Port- Vendres and Céret, or discover Palaeolithic cave art at Niaux and Le Mas-d'Azil. Pilgrims can follow the path to Lourdes. Fans of the bizarre can visit Salvador Dali's 'centre of the universe' (Perpignan train station) or La Pourcailhade, the pig festival of Tri-sur-Baïse. Urbanites can enjoy the splendours of Perpignan, Bayonne, Biarritz and Auch, or take it down a notch at medieval Catalan villages. For quirky retail therapy, shopaholics can browse the espadrilles for which Mauléon is famed or the berets synonymous with Oloron-Sainte-Marie. Gourmets will delight in the quality of local cuisine, from cèpe mushrooms and poulet au pot to a flock of duck-based dishes. Cocooned within quiet, natural settings, yoga practitioners can calm mind and body with various wellness therapies. And whatever floats your boat, everyone can relax in some of the hundreds of personally recommended places to stay - from charming inns and spas to restored medieval stables, and even the astronomers' dormitories at the Pic du Midi. All conveyed through the intimate expert insights that characterise Bradt's Gascony & the Pyrenees.

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In celebration of Louisiana State University's sesquicentennial, Treasures of LSU trumpets the numerous and diverse riches found throughout the Baton Rouge campus and beyond. The 101 distinguished artworks, architectural gems, research collections, and scientific and cultural artifacts highlighted here represent only a small fraction of the material resources that surround and engage LSU faculty, staff, and students on a daily basis. As LSU chancellor emeritus Paul W. Murrill declares in his foreword, ""All reflect expressions of superb quality. All encourage, in one way or another, the human spirit to soar.""Some of these treasures act as artistic backdrops to everyday campus life. In Unity Ascending, the striking Frank Hayden sculpture, greets all who enter the LSU Student Union. Vibrant Depression-era murals decorate the corridors of Allen Hall. Other treasures reside in out-of-the-way places. The Department of Geology and Geophysics houses the Henry V. Howe Type Collection of shelled microorganisms -- tiny, beautifully varied fossils that frequently aid geologists in determining the ages of rocks and features of ancient environments. The LSU Museum of Natural Science, in Foster Hall, holds one of the largest and most prestigious research collections of bird specimens in the world.An LSU cadet uniform and a hand-spun Acadian quilt from the LSU Textile & Costume Museum; an enchanting silky-camellia specimen from the collections of the LSU Herbarium, founded in 1869; pottery by Walter Anderson and portraits by William Hogarth and Joshua Reynolds from the LSU Museum of Art -- all showcase the immense variety of LSU's assets. Other featured treasures include a historic dogtrot house at the LSU Rural Life Museum, John James Audubon's double elephant folio Birds of America from the E. A. McIlhenny Natural History Collection at Hill Memorial Library, and cherished campus landmarks like the Indian Mounds, the French House, and Mike the Tiger's habitat.Full-page color photographs set off the treasures to stunning effect. Interpretive essays by LSU faculty, staff, and students explain the origins, history, and sometimes myths surrounding each item. Published by LSU Press during its seventy-fifth year of operation, Treasures of LSU is itself a treasure that inspires pleasure and amazement in discovering the wealth and diversity of LSU's resources and affirms the university's numerous cultural contributions to the world community.

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The First Ethiopians explores the images of Africa and Africans that evolved in ancient Egypt, in classical Greece and imperial Rome, in the early Mediterranean world, and in the early domains of Christianity. Inspired by curiosity regarding the origins of racism in southern Africa, Malvern van Wyk Smith consulted a wide range of sources: from rock art to classical travel writing; from the pre-dynastic African beginnings of Egyptian and Nubian civilisations to Greek and Roman perceptions of Africa; from Khoisan cultural expressions to early Christian conceptions of Africa and its people as 'demonic'; from Aristotelian climatology to medieval cartography; and, from the geo-linguistic history of Africa to the most recent revelations regarding the genome profile of the continent's peoples. The research led to a startling proposition: western racism has its roots in Africa itself, notably in late New-Kingdom Egypt as its ruling elites sought to distance Egyptian civilisation from its African origins. Kushite Nubians, founders of Napata and Meroe who, in the eighth century BC, furnished the Black rulers of the twenty-fifth Dynasty in Egypt, adopted and adapted such dynastic discriminations in order to differentiate their own 'superior' Meroitic civilisation from the world of 'other Ethiopians'. In due course, Archaic Greeks, who began to arrive in the Nile Delta in the seventh century BC, internalised these distinctions in terms of Homer's identification of 'two Ethiopias', an eastern and a western, to create a racialised (and racist) discourse of 'worthy' and 'savage Ethiopians'. Such conceptions would inspire virtually all subsequent Roman and early medieval thinking about Africa and Africans, and become foundational in European thought. The book is richly illustrated and concludes with a survey of the special place that Aksumite Ethiopia - later Abyssinia - has held in both European and African conceptual worlds as the site of 'worthy Ethiopia', as well as in the wider context of discourses of ethnicity and race.

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The second edition of Lonely Planet’s The Best Things in Life are Free is the ultimate guide for travellers who want to find the best value for their next trip. From parks, museums and exercise classes that are free, to insider ideas on food and drink experiences offered at great value. Continent by continent, our on-the-ground experts provide planning tips plus plenty of recommendations to pinpoint bargains.Presented in a beautiful hardback format that features details such as debossing and foil on the cover, this is the perfect book for any traveller on a budget that’s wanting to get the best bang for their buck.Featuring money-saving tips for 130 cities and regions across 85 countriesEach continent has its own chapter that features a toolkit with an introduction to its top budget destinations as well as transport and accommodation information. Themed experiences include Arts & Culture; Festivals & Events; Food & Drink; Outdoors & Adventure; Wellness; and Wildlife Encounters.Africa Recommendations for 17 countries including: Egypt, Mauritius, Morocco, South Africa, Tanzania Special feature: - Africa’s Best Affordable Wildlife Encounters Asia Recommendations for 18 countries including: China, India, Japan, Malaysia, Singapore, Thailand Special features: - Terrific Temples at Tiny Prices- Asia’s Best Cheap Gourmet Grub- Asia’s Best Discount Wildlife Encounters- Best Wet & Wild Activities- Asia’s Best Low-Cost Treks Europe Recommendations for 22 countries including: France, Iceland, Italy, Norway, Portugal, Spain Special features:- Europe’s Best Places to Escape a Crowd- Europe’s Best Free Museums & Galleries- Food-Market Magic- Europe’s Best Wild Swimming- Europe’s Best Tours By Public Transport- Europe’s Best Free Walking Tours North & Central America Recommendations for 10 countries including: USA, Belize, Canada, Costa Rica, Nicaragua Special features:- Top 10 All-American Adventures- Best Street Food- Best National Park Wonders - Free Sports Experiences South America Recommendations for 10 countries including: Argentina, Brazil, Chile, Peru, Uruguay Special features:- Ruins That Won’t Wreck Your Budget- Wine Tasting on a Budget- How to Party at Carnival in Rio- South America’s Wildest Experiences Oceania Recommendations for 8 countries including: Australia, Fiji, French Polynesia, New Zealand, Tahiti Special features:- Top Cultural Encounters- Best Free Walks- Best Aquatic Adventures About Lonely Planet: Lonely Planet is a leading travel media company, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and phrasebooks for 120 languages, and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, videos, 14 languages, armchair and lifestyle books, ebooks, and more, enabling you to explore every day.

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REVISED 2023 Streetwise Munich Map is a laminated city center map of Munich, Germany - Accordian fold pocket size travel map with integrated metro map including S-Bahn & U-Bahn lines & stations. Coverage includes: Main Munich Map 1:14,000 Munich Area Map 1:73,000 Munich Metro Map Dimensions: 4" x 8.5" folded, 8.5" x 28" unfolded Munich, regional capital of Bavaria in south central Germany, is the second most popular destination in Germany after Berlin. The city is a center for culture and arts, with a staggering assortment of museums. It's also a fun loving, convivial, good old fashion party town known for the annual Oktoberfest. Munich is a city of contrasts. The Marienplatz is the heart of Munich and the site of its most important historic buildings. The square is dominated by the Neo-gothic Town Hall featuring its famous Glockenspiel. The Alte Pinakothek houses ones of Europe s most important art collections. In contrast is the Hofbrauhouse where beer has been swilled at this world famous tavern site since it became a royal brewery in 1605. In Englischer Garten you'll find Haus der Kunst, a popular place for art exhibits. It's located adjacent to one of the best river surfing spots in Munich (there are several): the Eisenbach River. You can stand on the bridge and watch as surfers carve turns on the icy water. The water is shallow and the water is fast, so this may not be the best place to try the sport for the first time, but it's definitely worth watching as surfers line up for a chance to test their skills on this permanent 3 foot wave. And then there is Theresienwiese, the park on the west side of town where the vast beerhall tents are pitched for Octoberfest. The main STREETWISE® map of Munich covers the central city in detail and contains all important sites, architecture, metro stations and parks. Also provided is an inset map which features Munich s metro system and fare structure. This Munich map will enable you to navigate your way to Nymhenburg Palace or Olympic Park, both of which are outside the center city. A Munich Area map, which guides you in, out, and around Munich, is helpful in finding the Munich International Airport and other out of town sites. Our pocket size map of Munich is laminated for durability and accordion folding for effortless use. To enhance your visit to Munich, check out the Michelin Green Guide Germany which details sites and attractions using the famed Michelin star-rating system so you can prioritize your trip based on your time and interest. For a selection of the best restaurants and hotels, buy the red MICHELIN Guide Main Cities of Europe. To plan your trip to and from Munich, use Michelin Germany Map No. 718.

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Sky-high, ornate, and the pinnacle of glamour, both restrictive and liberating, art object and deeply ordinary, shoes tell the story of shifting attitudes toward desire, power, and wealth throughout history. Lace up for a journey through the most enviable shoe closet from the permanent collection at The Museum at the Fashion Institute of Technology—and four centuries of fashion’s hardest working accessory.Featuring designs from the likes of Louis Vuitton, Salvatore Ferragamo, Chanel, Gucci, Saint Laurent, Roger Vivier, Christian Louboutin, and more, Shoes A–Z. The Collection of The Museum at FIT celebrates fashion’s most revolutionary and coveted labels with more than 400 styles selected from the Museum’s pristinely preserved collection. Texts from Daphne Guinness, Valerie Steele, Colleen Hill, and The Museum’s expert team of curators explore the unique legacy of each of the featured designers and the lasting cultural impact of the shoe. Also featured are custom portraits of the designers by illustrator Robert Nippoldt. Exclusive access to original sketches, advertisements, and photographs from the designers’ private archives further illuminate the genius behind the functional, sculptural delights we cannot live without. Also available as Collector’s Edition of 1,000 numbered copies, including three prints by Manolo Blahník created exclusively for this edition with a hallmark stamp. The 6/8 color drawings are printed on 100% cotton paper, by famed Italian company Fabriano, and are housed in a luxury portfolio with gold foil embossing and with a ribbon closure.

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American artist Barkley L. Hendricks (1945 2017) revolutionized contemporary portraiture with his vivid depictions of Black subjects beginning in the late 1960s. This book contextualizes Hendricks s portraits at different stages of the country s history and places him in the pantheon of innovative twentieth-century artists. Hendricks developed his signature style at a time of significant social and cultural change in the United States, especially with regard to Black artists, and amid a perceived bifurcation between abstraction and representation. He produced portraits from the late 1960s through the early 1980s. Following a hiatus during which he made landscapes, basketball paintings, works on paper, and photographs, he resumed his portraiture practice from 2002 until his death in 2017. Hendricks s portrait paintings, often derived from photographs of friends and family, hired models, or figures he encountered on the street, were inspired by the artist s research, international travels, and visits to museums like The Frick Collection, where he studied centuries-old European paintings by artists such as Rembrandt, Van Dyck, Bronzino, and others. This publication presents some of the most inventive and striking examples from Hendricks s first period of portrait painting, including 'limited-palette' canvases featuring Black figures dressed in white against white backgrounds a self-portrait, and boldly colorful works that spotlight their subjects spectacular styles and poses. An assessment of this great artist acknowledges his significant contributions to the canon of American art and portraiture in general.

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The pace of modern life is undoubtedly speeding up, yet this acceleration does not seem to have made us any happier or more content. If acceleration is the problem, then the solution, argues Hartmut Rosa in this major new work, lies in “resonance.” The quality of a human life cannot be measured simply in terms of resources, options, and moments of happiness; instead, we must consider our relationship to, or resonance with, the world. Applying his theory of resonance to many domains of human activity, Rosa describes the full spectrum of ways in which we establish our relationship to the world, from the act of breathing to the adoption of culturally distinct worldviews. He then turns to the realms of concrete experience and action – family and politics, work and sports, religion and art – in which we as late modern subjects seek out resonance. This task is proving ever more difficult as modernity’s logic of escalation is both cause and consequence of a distorted relationship to the world, at individual and collective levels. As Rosa shows, all the great crises of modern society – the environmental crisis, the crisis of democracy, the psychological crisis – can also be understood and analyzed in terms of resonance and our broken relationship to the world around us. Building on his now classic work on acceleration, Rosa’s new book is a major new contribution to the theory of modernity, showing how our problematic relation to the world is at the crux of some of the most pressing issues we face today. This bold renewal of critical theory for our times will be of great interest to students and scholars across the social sciences and humanities.

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This book examines how 'filmic' ways of experiencing and representing the world affected different eras, art forms, and media. In a world where change has become the only constant, how does the perpetually new relate to the old? How does cinema, itself once a new medium, relate both to previous or outmoded media and to what we now refer to as New Media? This collection sets out to examine these questions by focusing on the relations of cinema to other media, cultural productions and diverse forms of entertainment, demarcating their sometimes parallel and sometimes more closely conjoined histories. Cinematicity in Media History makes visible the complex ways in which media anticipate, interfere with and draw on one other, demonstrating how cinematicity makes itself felt in practices of seeing, reading, writing and thinking both before and after the 'birth' of cinema. The examination of the interrelations between cinema, literature, photography and other modes of representation, not only to each other but amid a host of other minor and major media - the magic lantern, the zoetrope, the flick book, the iPhone and the computer - provides crucial insights into the development of media and their overlapping technologies and aesthetics. Cinematicity in Media History is therefore an essential resource for students and scholars in Film and Media Studies. Demonstrates the breadth and influences of cinematic ways of perceiving the world; covers a range of cinematic texts and genres in comparative contexts; examines key developments in pre cinema and cinema history and provides new scholarship on cinematic perception across different media.

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Emilio Sereni's classic work is now available in an English language edition. History of the Italian Agricultural Landscape is a synthesis of the agricultural history of Italy in its economic, social, and ecological context, from antiquity to the mid-twentieth century. From his perspective in the Italian tradition of cultural Marxism, Sereni guides the reader through the millennial changes that have affected the agriculture and ecology of the regions of Italy, as well as through the successes and failures of farmers and technicians in antiquity, the middle ages, the Renaissance, and the Industrial Revolution. In this sweeping historical survey, he describes attempts by successive generations to adapt Italy's natural environment for the purposes of agriculture and to respond to its changing ecological problems. History of the Italian Agricultural Landscape first appeared in 1961. At the time of its publication it was a pathbreaking work, parallel in its importance for Italy to Marc Bloc's masterwork of 1931, The Original Characteristics of French Rural History. Sereni invented the concept of the historical "agricultural landscape": an interdisciplinary characterization of rural life involving economic and social history, linguistics, archeology, art history, and ecological studies. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Acting Together, Volume ll, continues from where the first volume ends documenting exemplary peacebuilding performances in regions marked by social exclusion structural violence and dislocation. Acting Together: Performance and the Creative Transformation of Conflict is a two-volume work describing peacebuilding performances in regions beset by violence and internal conflicts. Volume I, Resistance and Reconciliation in Regions of Violence, emphasizes the role theatre and ritual play both in the midst and in the aftermath of direct violence, while Volume II: Building Just and Inclusive Communities, focuses on the transformative power of performance in regions fractured by "subtler" forms of structural violence and social exclusion. Volume I: Resistance and Reconciliation in Regions of Violence focuses on the role theatre and ritual play both in the midst and in the aftermath of violence. The performances highlighted in this volume nourish and restore capacities for expression, communication, and transformative action, and creatively support communities in grappling with conflicting moral imperatives surrounding questions of justice, memory, resistance, and identity. The individual chapters, written by scholars, conflict resolution practitioners, and artists who work directly with the communities involved, offer vivid firsthand accounts and analyses of traditional and nontraditional performances in Serbia, Uganda, Sri Lanka, Palestine, Israel, Argentina, Peru, India, Cambodia, Australia, and the United States. Complemented by a website of related materials, a documentary film, Acting Together on the World Stage, that features clips and interviews with the curators and artists, and a toolkit, or "Tools for Continuing the Conversation," that is included with the documentary as a second disc, this book will inform and inspire socially engaged artists, cultural workers, peacebuilding scholars and practitioners, human rights activists, students of peace and justice studies, and whoever wishes to better understand conflict and the power of art to bring about social change. The Acting Together project is born of a collaboration between Theatre Without Borders and the Program in Peacebuilding and the Arts at the International Center for Ethics, Justice, and Public Life at Brandeis University. The two volumes are edited by Cynthia E. Cohen, director of the aforementioned program and a leading figure in creative approaches to coexistence and reconciliation; Roberto Gutierrez Varea, an award-winning director and associate professor at the University of San Francisco; and Polly O. Walker, director of Partners in Peace, an NGO based in Brisbane, Australia.

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The first comprehensive work on globalization within the context of sustainable development initiatives in Africa. Few studies of globalization have analyzed its impact on African societies from the viewpoint of sustainable development. This volume answers that need. The essays here contribute to the store of knowledge about globalization in sub-Saharan Africa by documenting the affect of this global force on the continent's growth -- economic, political, and cultural. This interdisciplinary collection provides comprehensive analyses at the international, national, andlocal levels of the theoretical issues revolving around the complex process of globalization, while offering detailed examinations of new models of economic development that can be implemented in sub-Saharan Africa to enhance economic growth, self-sufficiency, and sustainable development. These models are accessible to politicians, public policy analysts, scholars, students, international organizations, nongovernmental actors, and members of the public atlarge. Finally, the essays here provide insightful case studies of African countries that already demonstrate creative, indigenous-based models of entrepreneurship and discuss efforts to achieve sustainable development and economic independence at the grassroots level. Contributors represent the disciplines of law, history, political science, economics, sociology, anthropology, business and management, African studies and art history, criminal justice, and education. Bessie House-Soremekun is the Public Scholar in African American Studies, Civic Engagement, and Entrepreneurship, Professor of Political Science and Professor of Africana Studies at Indiana University-Purdue University, Indianapolis. Toyin Falola is the Jacob and Frances Sanger Mossiker Chair in the Humanities and University Distinguished Teaching Professor at the University of Texas at Austin.

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Lonely Planet: The world's leading travel guide publisher Lonely Planet's Venice & the Veneto is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Absorb the architecture at Basilica di San Marco, cruise the Grand Canal on a gondola, and trace the development of Venetian art at the Gallerie dell'Accademia - all with your trusted travel companion. Get to the heart of Venice and the Veneto and begin your journey now! Inside Lonely Planet's Venice & the Veneto: NEW pull-out, passport-size 'Just Landed' card with wi-fi, ATM and transport info - all you need for a smooth journey from airport to hotel Colour maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sightseeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, people, music, art, architecture, cuisine, politics Over 30 maps Covers San Marco, Dorsoduro, San Polo & Santa Croce, Cannaregio, Castello, Giudecca, Lido, Murano, Burano, and more The Perfect Choice: Lonely Planet's Venice & the Veneto is our most comprehensive guide to Venice and the Veneto, and is perfect for discovering both popular and off-the-beaten-path experiences. About Lonely Planet: Lonely Planet is a leading travel media company and the world's number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, video, 14 languages, nine international magazines, armchair and lifestyle books, ebooks, and more. 'Lonely Planet guides are, quite simply, like no other.' - New York Times 'Lonely Planet. It's on everyone's bookshelves, it's in every traveler's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia)

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Copeland Forbes is one of the most consequential figures in the history of modern Jamaican music. Through his roles as personal and tour manager for some of the most iconic personalities in music, Forbes has been a witness to and a participant in some of the most intriguing dramas in the annals of modern popular music. Forbes is a much sought after speaking at music symposia and seminars across the world where his name is often a prime attraction and his vast knowledge a source of enlightenment and entertainment. Forbes has copped numerous awards for his outstanding contribution to the music industry including the Order of Distinction from the Government of Jamaica in 2017. In Reggae My Life Is, Forbes provides riveting accounts of incidents and colorful portraits of personalities that have helped to shape our society and our culture. It is a matter of easy concession that Forbes has led an exciting life. He has seen so many places and has made so many things happen during the 60 years he was entrusted with handling the affairs of some of the most celebrated figures ever to grace our planet. Among some of the fascinating figures making appearances in Forbes’ retrospective Bob Marley, Peter Tosh, Dennis Brown, Jimmy Cliff, Bunny Wailer. Rita Marley, Frankie Crocker, Danny Sims, Marcia Griffiths, Gregory Issacs, Chris Blackwell, Mick Jagger, Mark Zuckerberg, Richard Branson, Don Taylor, Sly and Robbie, Grace Jones and Don King. Forbes, with his prodigious recall, is able to situate some of the more seminal moments in the history of Jamaican music with clarity and humor. His knowledge of venues, dates and personalities is encyclopedic. Yet Forbes’ intention is not to provide fodder for the gossip mill. His aim is, instead, to clarify and contextualize in order to provide important lessons for those who seek to learn from art and life.

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Personally compiled and curated by Yoko Ono, Imagine John Yoko is the definitive inside story – told in revelatory detail – of the making of the legendary album and all that surrounded it: the locations, the creative team, the artworks and the films, in the words of John & Yoko and the people who were there. Features 80% exclusive, hitherto-unpublished archive photos and footage sequences of all the key players in situ, together with lyric sheets, Yoko’s art installations, and exclusive new insights and personal testimonies from Yoko and over forty of the musicians, engineers, staff, celebrities, artists and photographers who were there – including Julian Lennon, Klaus Voormann, Alan White, Jim Keltner, David Bailey, Dick Cavett and Sir Michael Parkinson. ‘A lot has been written about the creation of the song, the album and the film of Imagine, mainly by people who weren’t there, so I’m very pleased and grateful that now, for the first time, so many of the participants have kindly given their time to “gimme some truth” in their own words and pictures’ Yoko Ono Lennon, 2018 In 1971, John Lennon & Yoko Ono conceived and recorded the critically acclaimed album Imagine at their Georgian country home, Tittenhurst Park, in Berkshire, England, in the state-of-the-art studio they built in the grounds, and at the Record Plant in New York. The lyrics of the title track were inspired by Yoko Ono’s ‘event scores’ in her 1964 book Grapefruit, and she was officially co-credited as writer in June 2017. Imagine John Yoko tells the story of John & Yoko’s life, work and relationship during this intensely creative period. It transports readers to home and working environments showcasing Yoko’s closely guarded archive of photos and artefacts, using artfully compiled narrative film stills, and featuring digitally rendered maps, floorplans and panoramas that recreate the interiors in evocative detail. John & Yoko introduce each chapter and song; Yoko also provides invaluable additional commentary and a preface. All the minutiae is examined: the locations, the key players, the music and lyrics, the production techniques and the artworks – including the creative process behind the double exposure polaroids used on the album cover. With a message as universal and pertinent today as it was when the album was created, this landmark publication is a fitting tribute to John & Yoko and their place in cultural history.

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Horace has long been revered as the supreme lyric poet of the Augustan Age. In his perceptive introduction to this translation of Horace's Odes and Satires, Sidney Alexander engagingly spells out how the poet expresses values and traditions that remain unchanged in the deepest strata of Italian character two thousand years later. Horace shares with Italians of today a distinctive delight in the senses, a fundamental irony, a passion for seizing the moment, and a view of religion as aesthetic experience rather than mystical exaltation--in many ways, as Alexander puts it, Horace is the quintessential Italian. The voice we hear in this graceful and carefully annotated translation is thus one that emerges with clarity and dignity from the heart of an unchanging Latin culture. Alexander is an accomplished poet, novelist, biographer, and translator who has lived in Italy for more than thirty years. Translating a poet of such variety and vitality as Horace calls on all his literary abilities. Horace (Quintus Horatius Flaccus, 65-8 bce), was born the son of a freed slave in southern rural Italy and rose to become one of the most celebrated poets in Rome and a confidante of the most powerful figures of the age, including Augustus Caesar. His poetry ranges over politics, the arts, religion, nature, philosophy, and love, reflecting both his intimacy with the high affairs of the Roman Empire and his love of a simple life in the Italian countryside. Alexander translates the diverse poems of the youthful Satires and the more mature Odes with freshness, accuracy, and charm, avoiding affectations of archaism or modernism. He responds to the challenge of rendering the complexities of Latin verse in English with literary sensitivity and a fine ear for the subtleties of poetic rhythm in both languages. This is a major translation of one of the greatest of classical poets by an acknowledged master of his craft.

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The culmination of 25 years of research, Alex Bennett's groundbreaking English translation of Miyamoto Musashi's The Book of Five Rings reveals the true meaning of the original work. Plus, definitive translations of five more known works of Musashi! This piece of writing by famed samurai Musashi (1584-1645) is the single-most influential work on samurai swordsmanship, offering insights into samurai history, the Zen Buddhist state of "no-mind" that enables warriors to triumph and the philosophical meaning of Bushido—"the way of the warrior."Until now, English translations of The Book of Five Rings have been based on inaccurate copies of Musashi's long-lost original manuscript. Bennett's translation is the first to be based on a careful reconstruction of the original text by Japan's foremost Musashi scholar. By identifying discrepancies among the existing copies, adding missing texts and correcting over 150 incorrect characters, this source is the closest representation of Musashi's original work possible. Utilizing this new source, Bennett captures the subtle nuance of the classic Japanese text, resulting in the most accurate English translation of The Book of Five Rings availableEnjoy complete, richly annotated translations of Musashi's most-known works: The Book of Five Rings Mirror on the Way of Combat Notes on Combat Strategy Combat Strategy in 35 Articles The Five-Direction Sword Pathways The Path Walked Alone The texts are richly annotated by Bennett, who includes an extensive introduction on Musashi's life and legacy. This paperback edition also includes a new introduction by Kendo Kyoshi 7th Dan Graham Sayer, who talks about the influence Musashi's writings have had on him as a person and martial artist.The Complete Musashi: The Book of Five Rings and Other Works will be widely read by those interested in Japanese culture, Samurai history and martial arts—setting a new standard against which all other translations will be measured.

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Experiencing Dance: From Student to Dance Artist, Second Edition, takes off where its previous edition—a best-selling high school text for students enrolled in dance classes—left off. Geared to students in dance II, III, and IV classes, this text places teachers in the role of facilitator and opens up a world of creativity and analytical thinking as students explore the art of dance. Through Experiencing Dance, students will be able to do the following: • Encounter dance through creating, performing, responding to, analyzing, connecting with, and understanding dance through its 45-plus lessons. • Experience dance as performers, choreographers, and audience members. • Learn about dance in historical and cultural contexts, in community settings, and as career options. • Go through a complete and flexible high school curriculum that can be presented in one or more years of instruction. • Meet state and national standards in dance education and learn from a pedagogically sound scope and sequence that allow them to address 21st-century learning goals. • Use Spotlight and Did You Know? special elements that will enhance the learning experience and connect studio learning to the real world of dance. Experiencing Dance will help students engage in movement experiences as they learn and apply dance concepts through written, oral, and media assignments. These assignments help them gain a perspective of dance as an art form and provide the content for students to develop interactive dance portfolios. The text contains 15 chapters in five units. Each chapter offers at least three lessons, each containing the following material: • Move It! introduces students, through a movement experience, to a lesson concept. • Vocabulary provides definitions of key terms. • Curtain Up offers background information to help students understand lesson topics and concepts. • Take the Stage presents dance-related assignments for students to produce and share. • Take a Bow engages students in response, evaluation, and revision activities to process their work and concepts presented in the chapter. Each lesson includes Spotlight and Did You Know? special elements that help students extend their learning and deepen their understanding of historical and cultural facts and prominent dancers, dance companies, and professionals in careers related to dance. Each chapter includes a chapter review quiz. Quizzes incorporate true-or-false, short-answer, and matching answer questions. Finally, each chapter ends with a capstone assignment. Students will delve into major topics such as these: • Identifying your movement potential as a dancer • Understanding dance science and its application through studying basic anatomy and injury prevention in relation to dance training • Developing proper warm-ups and cool-downs and integrating fitness principles and nutrition information into healthy dancing practices • Expressing through various dance styles and forms the roles of the dancer, the historical and cultural heritage of the dance, andd the dance’s connections to community and society • Developing and performing dance studies and choreography in a variety of styles and forms and then producing the dance using production elements for a variety of settings • Preparing for a future as a dancer, choreographer, or a career that is otherwise connected to dance • Advocating for dance in your community and beyond The text is bolstered by web resources for both students and teachers. These resources enhance the students’ learning experience while enabling teachers to prepare for, conduct, and manage their classes. The student web resource contains these features: • Journaling prompts • Extended learning activities • Web search suggestions for further research • Worksheets and assignments to either print out or complete online (via editable Word files) • Interactive chapter review quizzes (these are completed online and students get immediate feedback) • Video clips • Vocabulary terms with and without definitions to aid in self-quizzing and review The teacher web resource contains everything that is on the student web resource, plus the following: • A printable full-color poster for the classroom • PowerPoint presentations for each chapter • Answer keys for worksheets and quizzes • A full electronic version of the student textbook In addition, Experiencing Dance is available in both print and interactive iBook versions. The iBook version has embedded chapter-opening and instructional video clips as well as interactive quizzes (in which students immediately receive feedback on their answers). This updated text, with its solid instruction and comprehensive lessons, new resources, and extended learning experiences, will help students at levels II, III, and IV increase their understanding of, expertise in, and enjoyment of dance.

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In this vivid tale of adultery and intrigue, witchcraft and murder, Glenn Watkins explores the fascinating life of the Renaissance composer Carlo Gesualdo—a life suffused with scandal and bordering on the fantastical. An isolated prince, Gesualdo had a personal life that was no less eccentric and bewildering than the music he composed; his biography has often clouded our perception of his oeuvre, which music scholars have periodically dismissed as a late Renaissance deformation of little consequence. Today, however, Gesualdo’s music, once deemed so strange as to be unperformable, stands as one of the most vibrant legacies of the late Italian Renaissance with an undeniable impact on a host of twentieth-century musicians and artists. The incendiary details of Gesualdo’s life recede, and his grip on our musical imagination comes to the fore. Watkins challenges our preconceptions of what has become a nearly mythic persona, weaving together the cumulative experience of some of the most vibrant artists of the past century from Stravinsky and Schoenberg to Abbado and Herzog. Beyond questions of mere influence, however, The Gesualdo Hex offers a profound meditation on cultural memory and historical awareness: how composers attempt to shape the legacy they will bequeath to the world, and how music and history inevitably take on a new guise as they are revisited by subsequent generations and reinterpreted in light of contemporary experience. In examining Gesualdo’s life, music, myth, and memory intertwine with one another to reveal an uncanny affinity with our own time. With his elegant and engaging prose, Watkins asks us to grapple with our understanding not only of art and the artists who create it but also of history itself.

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Are innovation and creativity helped or hindered by our intellectual property laws? In the two hundred plus years since the Constitution enshrined protections for those who create and innovate, we're still debating the merits of IP laws and whether or not they actually work as intended. Artists, scientists, businesses, and the lawyers who serve them, as well as the Americans who benefit from their creations all still wonder: what facilitates innovation and creativity in our digital age? And what role, if any, do our intellectual property laws play in the growth of innovation and creativity in the United States? Incentivizing the "progress of science and the useful arts" has been the goal of intellectual property law since our constitutional beginnings. The Eureka Myth cuts through the current debates and goes straight to the source: the artists and innovators themselves. Silbey makes sense of the intersections between intellectual property law and creative and innovative activity by centering on the stories told by artists, scientists, their employers, lawyers and managers, describing how and why they create and innovate and whether or how IP law plays a role in their activities. Their employers, business partners, managers, and lawyers also describe their role in facilitating the creative and innovative work. Silbey's connections and distinctions made between the stories and statutes serve to inform present and future innovative and creative communities. Breaking new ground in its examination of the U.S. economy and cultural identity, The Eureka Myth draws out new and surprising conclusions about the sometimes misinterpreted relationships between creativity and intellectual property protections.

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Ireland's Great Hunger Museum at Quinnipiac University publishes Famine Folios, a unique resource for students, scholars and researchers, as well as general readers, covering many aspects of the Famine in Ireland from 1845 - 1852 - the worst demographic catastrophe of nineteenth-century Europe. The essays are interdisciplinary in nature, and make available new research in Famine studies by internationally established scholars in history, art history, cultural theory, philosophy, media history, political economy, literature and music. This publications initiative is devised to augment the Museum experience, and is part of the Museum's commitment to making its collection accessible to audiences of all ages and levels of educational interest. The booklets are produced to the highest level, beautifully illustrated with works from the Museum and related collections. It ensures that audiences have access to the latest scholarship as it pertains to both the historical and contemporary dimensions of the collection.The absence of photographs of the Irish Famine has been attributed to the shortcomings of a medium then it its infancy, but it may also be due to certain limitations in the visible itself. Susan Sontag argued that images can evoke sentimental responses but cannot address wider political questions of obligation and justice. Luke Gibbons revisits representations of the Famine, particularly those in Ireland's Great Hunger Museum to argue that images can not only give visual pleasure but demand ethical interventions on the part of spectators. This fusing of sympathy and affective response with the right of redress is conveyed by a 'judicious obscurity,' a determination not to show all, which places an obligation on the spectator to complete what is beyond representation, or what is left to the imagination.

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An argument that humanists have the tools—and the responsibility—to mobilize political power to tackle climate changeAs climate catastrophes intensify, why do literary and cultural studies scholars so often remain committed to the separation of aesthetic study from the nitty-gritty of political change? In this thought-provoking book, Caroline Levine makes the case for an alternative view, arguing that humanists have the tools to mobilize political power—and the responsibility to use those tools to avert the worst impacts of global warming. Building on the theory developed in her award-winning book, Forms, Levine shows how formalist methods can be used in the fight for climate justice.Countering scholars in the environmental humanities who embrace only “modest gestures of care”—and who seem to have moved directly to “mourning” our inevitable environmental losses—Levine argues that large-scale, practical environmental activism should be integral to humanists’ work. She identifies three major infrastructural forms crucial to sustaining collective life: routines, pathways, and enclosures. Crisscrossing between art works and public works—from urban transportation to television series and from food security programs to rhyming couplets—she considers which forms might support stability and predictability in the face of growing precarity. Finally, bridging the gap between academic and practical work, Levine offers a series of questions and exercises intended to guide readers into political action. The Activist Humanist provides an essential handbook for prospective activist-scholars.

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A rich history of underwater filmmaking and how it has profoundly influenced the aesthetics of movies and public perception of the oceansIn The Underwater Eye, Margaret Cohen tells the fascinating story of how the development of modern diving equipment and movie camera technology has allowed documentary and narrative filmmakers to take human vision into the depths, creating new imagery of the seas and the underwater realm, and expanding the scope of popular imagination. Innovating on the most challenging film set on earth, filmmakers have tapped the emotional power of the underwater environment to forge new visions of horror, tragedy, adventure, beauty, and surrealism, entertaining the public and shaping its perception of ocean reality.Examining works by filmmakers ranging from J. E. Williamson, inventor of the first undersea film technology in 1914, to Wes Anderson, who filmed the underwater scenes of his 2004 The Life Aquatic with Steve Zissou entirely in a pool, The Underwater Eye traces how the radically alien qualities of underwater optics have shaped liquid fantasies for more than a century. Richly illustrated, the book explores documentaries by Jacques Cousteau, Louis Malle, and Hans Hass, art films by Man Ray and Jean Vigo, and popular movies and television shows such as 20,000 Leagues Under the Sea, Creature from the Black Lagoon, Sea Hunt, the Bond films, Jaws, The Abyss, and Titanic. In exploring the cultural impact of underwater filmmaking, the book also asks compelling questions about the role film plays in engaging the public with the remote ocean, a frontline of climate change.

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'4 stars. Attlee, who knows and loves Italy and the Italians, takes the reader through the country's scented gardens with her sharp descriptions, pertinent stories and quotes and intriguing recipes. I was there with her' Anna del Conte, Sunday TelegraphA delightful book about Italy's unexpected history, told through its citrus fruitsThe story of citrus runs through the history of Italy like a golden thread, and by combining travel writing with history, recipes, horticulture and art, Helena Attlee takes the reader on a unique and rich journey through Italy's cultural, moral, culinary and political past.'Fascinating . . . A distinguished garden writer, Attlee fell under the spell of citrus over ten years ago and the book, like the eleventh labour of Hercules to steal the golden fruit of the Hesperides, is the result. She writes with great lucidity, charm and gentle humour, and wears her considerable learning lightly . . . Helena Attlee's elegant, absorbing prose and sure-footed ability to combine the academic with the anecdotal, make The Land Where Lemons Grow a welcome addition to the library of citrologists and Italophiles alike' The Times Literary Supplement 'A paradise of citrus is how I always think of Italy too: a place where ice-cold limoncello is sipped from tiny glasses on piazzas, and everything from ricotta cake to osso bucco is enlivened with zest. What a joy, therefore, to read Helena Attlee's The Land Where Lemons Grow, which tells the story of Italy through its citrus fruit' Bee Wilson, Telegraph

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'A moving and absorbing account' Adam Buxton'Scorching ... a brave book' Helen Brown, Telegraph'A wise and vivid memoir of a disintegrating marriage and a study of the role of the spouse in the life of a literary giant' Fiona Sturges, i Paper18TH JANUARY 1990Paul left today at 8am.We had been married just over 22 years. The previous evening we had gone out to eat at a local restaurant, where we drank champagne and reminisced. In a short story which he wrote about that final evening of a marriage, the central characters talk wittily and poignantly about the explorer Sir Richard Burton and the sad, misunderstood wife who burnt his books.The reality was different.'This memoir is based on the diary I kept during 1990, the year that my first marriage came to an end.' After 22 years, spent across four continents, with two children - Louis and Marcel - in 1990 Anne and Paul Theroux decided to separate. For that year, Anne - later a professional relationship therapist herself - kept a diary, noting not only her day-to-day experiences as a busy freelance journalist and broadcaster, but the contrasts in her feelings between despairing grief and hope for a new future.With reflections on truth and fiction, literature and art, and the nature of marriage, alongside commentary on notable political and cultural events, and interviews with prominent writers of the time, including Kingsley Amis and Barbara Cartland, The Year of the End offers a unique insight into the unravelling of a relationship and the attempt to rebuild a life.

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In the last ten years, television has reinvented itself in numerous ways. The demise of the U.S. three-network system, the rise of multi-channel cable and global satellite delivery, changes in regulation policies and ownership rules, technological innovations in screen design, and the development of digital systems like TiVo have combined to transform the practice we call watching tv. If tv refers to the technologies, program forms, government policies, and practices of looking associated with the medium in its classic public service and three-network age, it appears that we are now entering a new phase of television. Exploring these changes, the essays in this collection consider the future of television in the United States and Europe and the scholarship and activism focused on it.With historical, critical, and speculative essays by some of the leading television and media scholars, Television after TV examines both commercial and public service traditions and evaluates their dual (and some say merging) fates in our global, digital culture of convergence. The essays explore a broad range of topics, including contemporary programming and advertising strategies, the use of television and the Internet among diasporic and minority populations, the innovations of new technologies like TiVo, the rise of program forms from reality tv to lifestyle programs, television’s changing role in public places and at home, the Internet’s use as a means of social activism, and television’s role in education and the arts. In dialogue with previous media theorists and historians, the contributors collectively rethink the goals of media scholarship, pointing toward new ways of accounting for television’s past, present, and future.Contributors. William Boddy, Charlotte Brunsdon, John T. Caldwell, Michael Curtin, Julie D’Acci, Anna Everett, Jostein Gripsrud, John Hartley, Anna McCarthy, David Morley, Jan Olsson, Priscilla Peña Ovalle, Lisa Parks, Jeffrey Sconce, Lynn Spigel, William Uricchio

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An essential work on teams—now updated with new research and tools and a new preface—X-Teams shows how an externally focused team model is the key to fueling innovation and your organization's success.You build a team around top-notch talent. The team members work well together; they're committed to the mission and are highly motivated to perform. Yet the results are disappointing. You're not seeing creativity and flexibility. You're not getting breakthrough ideas."Good" teams build camaraderie, confidence in their abilities, and a solid process for working together. But these internal dynamics—while positive in themselves—can create a wall between the team and the outside world. And that wall can prevent the team from adapting to change and delivering value to the organization.In this updated, streamlined edition, with a new preface and practical tools, Deborah Ancona and Henrik Bresman describe an externally focused team model—the x-team—that is even more relevant today than when it was first introduced. With their distinctively flexible membership and leadership structure, x-teams continuously reach outward to fuel the innovation process.With new examples and research from organizations such as Microsoft, Takeda, and the Museum of Modern Art, Ancona and Bresman show you how to build x-teams that: Keep pace with shifts in markets, technologies, cultures, and your competition Innovate by moving quickly from generating ideas to executing and diffusing them throughout your organization Employ "distributed leadership" to unlock crucial information, expertise, and new ways of working together—wherever these qualities reside, whether within or outside your company In an increasingly complex and ever-changing world, where adaptability and creativity are paramount to an enterprise's success—and even its survival—X-Teams is your handbook for winning.

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Arvey Foundation Book Award, Association for Latin American Art, 2019Quito, Ecuador, was one of colonial South America’s most important artistic centers. Yet the literature on painting in colonial Quito largely ignores the first century of activity, reducing it to a “handful of names,” writes Susan Verdi Webster. In this major new work based on extensive and largely unpublished archival documentation, Webster identifies and traces the lives of more than fifty painters who plied their trade in the city between 1550 and 1650, revealing their mastery of languages and literacies and the circumstances in which they worked in early colonial Quito.Overturning many traditional assumptions about early Quiteño artists, Webster establishes that these artists—most of whom were Andean—functioned as visual intermediaries and multifaceted cultural translators who harnessed a wealth of specialized knowledge to shape graphic, pictorial worlds for colonial audiences. Operating in an urban mediascape of layered languages and empires—a colonial Spanish realm of alphabetic script and mimetic imagery and a colonial Andean world of discursive graphic, material, and chromatic forms—Quiteño painters dominated both the pen and the brush. Webster demonstrates that the Quiteño artists enjoyed fluency in several areas, ranging from alphabetic literacy and sophisticated scribal conventions to specialized knowledge of pictorial languages: the materials, technologies, and chemistry of painting, in addition to perspective, proportion, and iconography. This mastery enabled artists to deploy languages and literacies—alphabetic, pictorial, graphic, chromatic, and material—to obtain power and status in early colonial Quito.

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Two simple yet tremendously powerful ideas that shaped virtually every aspect of civilizationThis book is a breathtaking examination of the two greatest ideas in human history. The first is the idea that the human mind can grasp the universe. The second is the idea that the human mind can grasp itself. Acclaimed philosopher Linda Zagzebski shows how the first unleashed a cultural awakening that swept across the world in the first millennium BCE, giving birth to philosophy, mathematics, science, and virtually all the major world religions. It dominated until the Renaissance, when the discovery of subjectivity profoundly transformed the arts and sciences. This second great idea governed our perception of reality up until the dawn of the twenty-first century.Zagzebski explores how the interplay of the two ideas led to conflicts that have left us ambivalent about the relationship between the mind and the universe, and have given rise to a host of moral and political rifts over the deepest questions human beings face. Should we organize civil society around the ideal of living in harmony with the world or that of individual autonomy? Zagzebski explains how the two greatest ideas continue to divide us today over issues such as abortion, the environment, free speech, and racial and gender identity.This panoramic book reveals what is missing in our conception of ourselves and the world, and imagines a not-too-distant future when a third great idea, the idea that human minds can grasp each other, will help us gain an idea of the whole of reality.

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