Search results for ""Author Leonard"

For 250 years the State Hermitage has been one of Europe's most palatial museums. The Hermitage collections were developed beginning in 1764 by Catherine the Great, Empress of Russia, and now encompass more than three million works of art and artifacts displayed within a spectacular architectural ensemble, the heart of which is the famed Winter Palace. Now, on this important anniversary, this stunning volume captures the masterpieces that make this world-famous institution a cultural destination and a global treasure. 250 Masterpieces explores this sumptuous collection in the manner of a private tour showcasing works by Italian Renaissance artists including Leonardo da Vinci, Michelangelo, and Titian; Spanish artists such as Velazquez, Ribera, and Murillo; Flemish Baroque artists from van Dyck, Rubens, Rembrandt, and Jan Brueghel the Elder; Impressionist and post-Impressionist works from Renoir, Monet, Van Gogh, Gauguin, Cezanne, and Degas; and modern painting by Matisse, Picasso, Malevich, and Kandinsky. Priceless antiquities, feats of mechanical engineering, such as the famous Peacock Clock, and works of sculpture and decorative arts will also be shown both in situ and as works in focus. With lavish reproductions accompanied by texts from the museum's leading curators, this amazing volume is sure to become an instant classic, cherished by art lovers around the world.

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Muchos son los que desconocen el hecho de que existe, siempre ha existido, oculta a ojos de los no iniciados, una ciencia más antigua y precisa que la ciencia moderna. Dicho conocimiento se remontaría en la historia más allá? de civilizaciones como la egipcia o la sumeria y habría pasado de maestros a alumnos dentro de grupos de individuos escogidos, adeptos e iniciados, durante el transcurso de las eras. Sin embargo, aunque esta ciencia oculta y la ciencia convencional han sido cuidadosamente separadas, los grandes científicos de todos los tiempos las han conciliado en secreto. Pitágoras, Leonardo da Vinci, Newton, Leibniz, Edison, Tesla o Einstein son algunos de los nombres destacados de la historia de la ciencia occidental, que han formado parte directa de las enseñanzas secretas o han fundamentado sus ideas en los anales de la 'escuela invisible'. Existen evidencias absolutamente innegables de civilizaciones tecnológicamente avanzadas que nos precedieron y que reconocieron que el l

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Michael Ann Holly asserts that historical interpretation of the pictorial arts is always the intellectual product of a dynamic exchange between past and present. Recent theory emphasizes the subjectivity of the historian and the ways in which any interpretation betrays the presence of an interpreter. In Past Looking, she challenges that view, arguing that historical objects of representational art are actively engaged in prefiguring the kinds of histories that can be written about them. Holly directs her attention to early modern works of visual art and their rhetorical roles in legislating the kind of tales told bout them by a few classic cultural commentaries of the nineteenth and twentieth centuries: Burckhardt's synchronic vision of the Italian Renaissance, Wölfflin's exemplification of the Baroque, Schapiro's and Freud's dispute over the meanings of Leonardo's art, and Panofsky's exegesis of the disguised symbolism of Northern Renaissance painting.

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Michael Ann Holly asserts that historical interpretation of the pictorial arts is always the intellectual product of a dynamic exchange between past and present. Recent theory emphasizes the subjectivity of the historian and the ways in which any interpretation betrays the presence of an interpreter. In Past Looking, she challenges that view, arguing that historical objects of representational art are actively engaged in prefiguring the kinds of histories that can be written about them. Holly directs her attention to early modern works of visual art and their rhetorical roles in legislating the kind of tales told bout them by a few classic cultural commentaries of the nineteenth and twentieth centuries: Burckhardt's synchronic vision of the Italian Renaissance, Wölfflin's exemplification of the Baroque, Schapiro's and Freud's dispute over the meanings of Leonardo's art, and Panofsky's exegesis of the disguised symbolism of Northern Renaissance painting.

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It’s Christmas Eve, and Nathaniel Banks is in despair. But when he begs for help from above, heaven help him, they send Anna Frost. Anna Frost has lost everything she holds dear, her job and her sword. She started the day as a lieutenant in Heaven’s army, but by the end of it, she finds herself stuck on Earth as a Guardian, in a freezing cold Central Park. Anna Frost is having the worst Christmas Eve ever! Fortunately, Anna is an angel with an F-Plan, and under the watchful gaze of her fellow Guardians, the flirtatious Leonardo and food-loving Holly, this feisty foot-soldier focuses all her efforts on fixing Nathaniel Banks so she can get her feathers back ASAP. But unfortunately for Anna, forgotten footsteps, foul play and forbidden fruit soon put her foolproof plan in jeopardy, and this featherless fighter must learn to move Heaven and Earth if her F-Plan is to succeed.

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Riffs and Relations: African-American Artists and the European Modernist Tradition presents works by African-American artists of the twentieth and twenty-first centuries together with works by the early-twentieth-century European artists with whom they engaged. Black artists have investigated, interrogated, invaded, entangled, annihilated, or immersed themselves in the aesthetics, symbolism, and ethos of European art for more than a century. The powerful push and pull of this relationship constitutes a distinct tradition for many African-American artists who source the master narratives of art history to critique, embrace, or claim their own space. This groundbreaking catalog--accompanying a major exhibition at the Phillips Collection in Washington, D.C.--connects the work of artists such as Romare Bearden with Pablo Picasso; Renee Cox and Robert Colescott with Edouard Manet; Norman Lewis with Paul Klee; and Leonardo Drew with Piet Mondrian. The volume explores how blackness has often been conceived from the standpoint of these international connections and presents the divergent and complex works born of these important dialogues.

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Here, for the first time, Christopher Kul-Want brings together twenty-five texts on art written by twenty philosophers. Covering the Enlightenment to postmodernism, these essays draw on Continental philosophy and aesthetics, the Marxist intellectual tradition, and psychoanalytic theory, and each is accompanied by an overview and interpretation. The volume features Martin Heidegger on Van Gogh's shoes and the meaning of the Greek temple; Georges Bataille on Salvador Dali's The Lugubrious Game; Theodor W. Adorno on capitalism and collage; Walter Benjamin and Roland Barthes on the uncanny nature of photography; Sigmund Freud on Leonardo Da Vinci and his interpreters; Jacques Lacan and Julia Kristeva on the paintings of Holbein; Freud's postmodern critic, Gilles Deleuze on the visceral paintings of Francis Bacon; and Giorgio Agamben on the twin traditions of the Duchampian ready-made and Pop Art. Kul-Want elucidates these texts with essays on aesthetics, from Hegel and Nietzsche to Badiou and Ranciere, demonstrating how philosophy adopted a new orientation toward aesthetic experience and subjectivity in the wake of Kant's powerful legacy.

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Some evangelical churches appear to be uninterested in their historical roots, and so can be liturgically and doctrinally unstable. Perceiving this disconnection between their Protestant faith and ancient Christianity, a number of evangelicals have abandoned Protestantism for traditions that seem to be clearly rooted in the early church. Ken Stewart argues that the evangelical tradition’s track record of interaction with Christian antiquity is far healthier than is often assumed. He surveys five centuries of Protestant engagement with the ancient church, showing that Christians belonging to the evangelical churches of the Reformation consistently see their faith as connected to early Christianity. Stewart explores areas of positive engagement, including the Lord’s Supper and biblical interpretation, as well as areas that raise concerns, such as monasticism. In Search of Ancient Roots shows that Christian antiquity is the heritage of all orthodox Christians, and that evangelicals have the resources in their history to claim their place at the ecumenical table. ‘A must-read for every person struggling with the question, "What does evangelicalism have to do with history?"’ Leonardo De Chirico, Director of Reformanda Initiative

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Inside this mega-jam-packed book are fact-tastic engineering timelines, drawing tips, information and experiments! From biographies of key engineers to learning about chemical, civil, mechanical, electrical and biomedical engineering. Engineering is no less than the power to change the world! Inside this mega-jam-packed book find out about the lives of people who have done just this, and get stuck into all sorts of experiments to get your own brain matter moving! As well as experiments, this book has fact-tastic engineering timelines, drawing tips, and information! It also includes biographies of key engineers like Leonardo da Vinci, Isambard Kingdom Brunel, Hedy Lamarr and Elon Musk. Discover within the many branches of engineering a whole world of clever inventions – from the mechanical tools that allowed early civilisations to irrigate their land, and the steam engines that powered the industrial revolution, to modern-day computers, and biomedical inventions that revolutionising how we deal with disease. Find out about the world of engineering from the building of the pyramids to spacecrafts and on to the largest crisis of our times – how to solve global warming. Watch out for other books in the ‘Cool’ series: Cool Nature, Cool Science Tricks, Cool Architecture, Cool Art and more!

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An exceptional introduction to European paintings from the Middle Ages to the early 20th century through one of the greatest collections in the world. This richly illustrated and beautifully designed book offers an ideal introduction to European painting from the 13th to the early 20th century. The National Gallery, London, houses one of the finest collections of Western European art in the world. Its extraordinary range includes exceptional paintings from medieval Europe through the early Renaissance and on to Post-Impressionism, including masterpieces by Leonardo, Hans Holbein, Titian, Velázquez, Rembrandt, Turner, Monet, and Van Gogh. This volume showcases more than 250 of the Gallery’s most treasured pictures, providing an opportunity to make connections across this uniquely representative collection. Paintings are accompanied by numerous details, as well as brief and illuminating texts, providing an informative and visually rich survey of hundreds of years of European painting.Published by National Gallery Company/Distributed by Yale University Press

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Meet the S.T.E.A.M. pioneer - Frank Lloyd Wright - and discover his fascinating life story and inspirations.Frank Lloyd Wright tells the story of this key scientific figure - covering his whole life's journey, some of the iconic buildings he designed and built - including the Prairie style houses and the Guggenheim museum - his architecture school and his amazing legacy to architecture today.Masterminds introduces some of the world's great scientists, inventors and artists, retelling their lives and explaining why their work is important. Clear photographic designs bring a real-life quality to these biographies and major S.T.E.A.M. discoveries.Provides an understanding of scientific discoveries and presents inspirational lives from a variety of diverse backgrounds.Includes a timeline of the person's life and shows the ongoing legacy that we can see around us today.Perfect for readers aged 7 and up.Titles in this series:Rachel Carson George Washington CarverMarie Curie Rosalind Franklin Jane Goodall Stephen HawkingKatherine JohnsonNikola Tesla Leonardo da Vinci Frank Lloyd Wright

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In a previously-unavailable series of talks to the general public, Rudolf Steiner builds systematically, lecture by lecture, on the fundamentals of spiritual science - from the nature of spiritual knowledge and its relationship to conventional science, the path of personal development and the task of metaphysical research, to specific questions on the mystery of death, the meaning of fairy-tales, the significance of morality and the roles of individual figures in human evolution, such as Leonardo da Vinci, Raphael and Jacob Boehme. At the time of these presentations, Steiner had already worked in Berlin for many years, and thus, '...could reckon with a regularly returning audience to whom what mattered was to enter ever more deeply into the areas of knowledge that were newly opening up to them' (Marie Steiner). As a consequence - and through 'a series of inter-connecting lectures whose themes are entwined with one another' - he was able to communicate a coherent and challenging spiritual perception of reality, based on his personal research. Presented here with notes, an index and an introduction by Simon Blaxland-de Lange, the 14 lectures include: 'How is Spiritual Science Refuted?'; 'On What Foundation is Spiritual Science Based'; 'The Tasks of Spiritual Research for both Present and Future'; 'Errors of Spiritual Research'; 'Results of Spiritual Research for Vital Questions and the Riddle of Death'; The World-Conception of a Cultural Researcher of the Present, Herman Grimm' and 'The Legacy of the Nineteenth Century'.

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Book 4 in the Romantic Times Sapphire-award winning Elfhome series. Even though they attend a school of gifted students in New York City, child geniuses Louise Mayer and her twin sister Jillian have always felt alone in the world, isolated by their brilliance. Shortly before their ninth birthday, they make an amazing discovery. They’re not alone. Their real mother was astronaut Esme Shenske and their father was the famous inventor, Leonardo Dufae. They have an older sister, Alexander, living on the planet of Elfhome, and four siblings still in cryogenic storage at the fertility center. There’s only one problem: the frozen embryos are scheduled to be destroyed within six months. The race is on to save their baby brother and sisters. As a war breaks out on Elfhome and riots start in New York City, the twins use science and magic to plow over everything standing in their way. But when they come face-to-face with an ancient evil force, they’re soon in over their heads in danger.

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Woodland Imagery in Northern Art reconnects us with the woodland scenery that abounds in Western painting, from Albrecht Dürer’s intense studies of verdant trees, to the works of many other Northern European artists who captured 'the truth of vegetation' in their work. These incidents of remarkable scenery in the visual arts have received little attention in the history of art, until now. Prosperetti brings together a set of essays which are devoted to the poetics of the woodlands in the work of the great masters, including Claude Lorrain, Jan van Eyck, Jacob van Ruisdael, Peter Paul Rubens, Rembrandt and Leonardo da Vinci, amongst others. Through an examination of aesthetics and eco-poetics, this book draws attention to the idea of lyrical naturalism as a conceptual bridge that unites the power of poetry with the allurement of the natural world. Engagingly written and beautifully illustrated throughout, Woodland Imagery in Northern Art strives to stimulate the return of the woodlands to the places where they belong — in people’s minds and close to home.

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Steve Adelman’s humorous and engaging memoir reflects on his years as the director and owner of some of the world’s most popular nightclubs, including the Roxy, Limelight, Tunnel, and Palladium in the heyday of clubs in New York City during the 1980s and 1990s, followed by Avalon (Boston, Hollywood, NYC, and Singapore locations), and the New Daisy Theatre in Memphis. Nocturnal Admissions is a timely, unconventional look at one of pop culture’s most outwardly glamorous, yet misunderstood industries, bringing the reader backstage into the world of nightlife at its highest level. Wearing the multiple hats of ringmaster, entrepreneur, guidance counselor, multimillion-dollar dealmaker, and music soothsayer, Adelman chronicles an improbable journey from small town to big city, filled with a cast of characters he could never have imagined: People named Hedda Lettuce, Jenetalia, Maxi Min, and Jiggy, who collide with and around the likes of Jack Nicholson, Bruce Willis, Sir Richard Branson, Leonardo DiCaprio, RuPaul, Rudy Giuliani, and Snoop Dogg, among many, many others. Navigating city crackdowns, crazed partners, and cultural differences, Adelman relates how he watched his Nana out-dance an ex-NFL lineman, was chastised by Bob Dylan, launched the EDM cultural movement, helped created the “mash-up” with Perry Farrell, butted heads with Jerry Falwell, rang in the New Year with Matt Damon’s mother, leveraged porn star Jenna Jameson, relied on advice from felons, almost pancaked Prince, and built the world’s most lavish nightclub. Nocturnal Admissions is a hilarious, adrenaline-filled ride through the peak decades of the world's most famous nightclubs and nightlife scenes.

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A lo largo de 18 capítulos 20 autores de ocho nacionalidades diferentes abordan la relación existente entre el cine y la política. Se trata, por consiguiente, de una visión heterogénea de esta relación, además de recoger colaboraciones inéditas de diferentes profesionales de la ciencia política conocidos únicamente por su trabajo en la disciplina. Autores europeos conocidos como Manuel Alcántara Sáez, Leonardo Morlino, Dieter Nohlen, Gianfranco Pasquino y Enrique San Miguel se ven acompañados por autores americanos como Rolando Ames, Maxwell Cameron, Martín d?Alessandro, Paula Muñoz, Simón Pachano, Mario Serrafero, Martín Tanaka y Jesús Tovar, entre otros.Un director, una película o un tema son los hilos argumentales que ligan la relación entre el cine y la política desde una perspectiva muy personal que termina produciendo un resultado original sobre la presencia de la política en lo que ha sido por excelencia el arte de masas durante el siglo XX. Los capítulos se agrupan en tres

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'A classic example of detective-book murder . . . Leon whips up a brilliant narrative storm' Sunday TimesWhen Commissario Brunetti receives a visit from one of his wife's students with a strange and vague interest in investigating the possibility of a pardon for a crime committed by her grandfather many years ago, he thinks little of it, despite being intrigued by the girl's intelligence and moral conscience. But when the girl is found stabbed to death, Claudia Leonardo is no longer Paola's student, but instead becomes Brunetti's case.Claudia seems to have no discernible living family, but lived with an elderly Austrian woman. When she in turn is found dead, the case begins to unlock long buried secrets of collaboration during the war, secrets few in Italy are happy to explore . . .'Wholly engrossing' Evening Standard

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First published in 1998, Q & A: Queer in Asian America, edited by David L. Eng and Alice Y. Hom, became a canonical work in Asian American studies and queer studies. This new edition of Q & A is neither a sequel nor an update, but an entirely new work borne out of the progressive political and cultural advances of the queer experiences of Asian North American communities. The artists, activists, community organizers, creative writers, poets, scholars, and visual artists that contribute to this exciting new volume make visible the complicated intertwining of sexuality with race, class, gender, and ethnicity. Sections address activism, radicalism, and social justice; transformations in the meaning of Asian-ness and queerness in various mass media issues of queerness in relation to settler colonialism and diaspora; and issues of bodies, health, disability, gender transitions, death, healing, and resilience.The visual art, autobiographical writings, poetry, scholarly essays, meditations, and analyses of histories and popular culture in the new Q & Agesture to enduring everyday racial-gender-sexual experiences of mis-recognition, micro-aggressions, loss, and trauma when racialized Asian bodies are questioned, pathologized, marginalized, or violated. This anthology seeks to expand the idea of Asian and American in LGBTQ studies.Contributors: Marsha Aizumi, Kimberly Alidio, Paul Michael (Mike) Leonardo Atienza, Long T. Bui, John Paul (JP) Catungal, Ching-In Chen, Jih-Fei Cheng, Kim Compoc, Sony Coráñez Bolton, D’Lo, Patti Duncan, Chris A. Eng, May Farrales, Joyce Gabiola, C. Winter Han, Douglas S. Ishii, traci kato-kiriyama, Jennifer Lynn Kelly, Mimi Khúc, Anthony Yooshin Kim, Việt Lê, Danni Lin, Glenn D. Magpantay, Leslie Mah, Casey Mecija, Maiana Minahal, Sung Won Park, Thea Quiray Tagle, Emily Raymundo, Vanita Reddy, Eric Estuar Reyes, Margaret Rhee, Thomas Xavier Sarmiento, Pahole Sookkasikon, Amy Sueyoshi, Karen Tongson, Kim Tran, Kay Ulanday Barrett, Reid Uratani, Eric C. Wat, Sasha Wijeyeratne, Syd Yang, Xine Yao, and the editors

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Join Katie as she steps into some of the most famous paintings in the world for an exciting art adventure! When the Mona Lisa's smile goes missing, it's up to Katie to help find it again. On the way, they meet a princess, a dragon, a winged lion and an angel. But can Katie make the Mona Lisa smile again?'A wonderful way to engage children with art. A brilliant combination of education and storytelling' - Parents in Touch (Katie's Picture Show)This first introduction to Italian Renaissance art features five great masterpieces: Mona Lisa by Leonardo Da Vinci, St George and the Dragon by Raphael, Primavera by Sandro Botticelli, The Lion of St Mark by Vittore Carpaccio and An Angel in Red with a Lute by Giovanni Ambrogio de Predis.Classic picture book character, Katie, has been delighting children for over 25 years. Why not collect all 13 titles in the series?Katie's Picture ShowKatie and the ImpressionistsKatie and the SunflowersKatie and the British ArtistsKatie and the Waterlily PondKatie and the Starry NightKatie and the Spanish PrincessKatie and the BathersKatie in LondonKatie's London ChristmasKatie in ScotlandKatie and the Dinosaurs

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For some time in the distant past, hand-lettering used to be a highly-regarded skill to master and was ubiquitous via publications and public signages. Although society relies heavily on keyboards and screens for communication today, a growing number of creative practitioners have been busy reviving the seemingly-lost art in recent years, in a bid to return the sincerity and warmth of the human touch to our predominantly digital lives. Brimming with character, hand-lettering serves as the bridge between old-school calligraphy and modern typography to bring nuance back into an age of uniformity. Rereleased in conjunction with Victionary’s 20th anniversary, the 2021 boxset edition of ‘Handstyle Lettering’ comes with a beginner-friendly calligraphy pen-and-nib set crafted by renowned British companies Manuscript and D. Leonardt & Co. which––coupled with new projects, interviews, and an expanded step-by-step guide––serves to help aspiring creatives kickstart their hand-lettering journey.

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Since 1900, the connections between art and technology with nature have become increasingly inextricable. Through a selection of innovative readings by international scholars, this book presents the first investigation of the intersections between art, technology and nature in post-medieval times. Transdisciplinary in approach, this volume’s 14 essays explore art, technology and nature’s shifting constellations that are discernible at the micro level and as part of a larger chronological pattern. Included are subjects ranging from Renaissance wooden dolls, science in the Italian art academies, and artisanal epistemologies in the followers of Leonardo, to Surrealism and its precursors in Mannerist grotesques and the Wunderkammer, eighteenth-century plant printing, the climate and its artistic presentations from Constable to Olafur Eliasson, and the hermeneutics of bioart. In their comprehensive introduction, editors Camilla Skovbjerg Paldam and Jacob Wamberg trace the Kantian heritage of radically separating art and technology, and inserting both at a distance to nature, suggesting this was a transient chapter in history. Thus, they argue, the present renegotiation between art, technology and nature is reminiscent of the ancient and medieval periods, in which art and technology were categorized as aspects of a common area of cultivated products and their methods (the Latin ars, the Greek techne), an area moreover supposed to imitate the creative forces of nature.

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Between the birth of Dante in 1265 and the death of Galileo in 1642 something happened which completely revolutionized Western civilization. Painting, sculpture and architecture would all visibly change in a striking fashion. Likewise, the thought and self-conception of humanity would take on a completely different aspect. Sciences would be born - or emerge in an entirely new guise.In this sweeping 400-year history, Paul Strathern reveals how, and why, these new ideas which formed the Renaissance began, and flourished, in the city of Florence. Just as central and northern Germany gave birth to the Reformation, Britain was a driver of the Industrial Revolution and Silicon Valley shaped the digital age, so too, Strathern argues, did Florence play a similarly unique and transformative role in the Renaissance.While vividly bringing to life the city and a vast cast of characters - including Dante, Botticelli, Machiavelli, Leonardo da Vinci, Michelangelo and Galileo - Strathern shows how these great Florentines forever altered Europe and the Western world.

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A classic study of the art of painting and its relationship to reality In this book, Étienne Gilson puts forward a bold interpretation of the kind of reality depicted in paintings and its relation to the natural order. Drawing on insights from the writings of great painters—from Leonardo, Reynolds, and Constable to Mondrian and Klee—Gilson shows how painting is foreign to the order of language and knowledge. Painting, he argues, seeks to add new beings to nature, not to represent those that already exist. For this reason, we must distinguish it from another art, that of picturing, which seeks to produce images of actual or possible beings. Though pictures play an important part in human life, they do not belong in the art of painting. Through this distinction, Gilson sheds new light on the evolution of modern painting. A magisterial work of scholarship by an acclaimed historian of philosophy, Painting and Reality features paintings from both classical and modern schools, and includes extended selections from the writings of Reynolds, Delacroix, Gris, Gill, and Ozenfant.

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“A wordless picture book celebrates the power of art and imagination.” —Kirkus Reviews (starred review) “Young artists will love this book, as will all children who know the joy of exploring their own imaginations.” —School Library Journal (starred review) “A strongly developed and executed account of a childhood fantasy, urging all young artists to dream and to draw.” —Publishers Weekly (starred review) “A true celebration of where our imaginations can take us.” —Booklist (starred review) “A marvelous wordless adventure in which a bedbound artist takes readers on safari via his imagination.” —Shelf Awareness (starred review) Based on his own childhood, beloved and award-winning artist Raúl Colón’s wordless book is about the limitless nature of creativity and imagination.A boy alone in his room. Pencils. Sketchbook in hand. What would it be like to go on safari? Imagine. Draw… A boy named Leonardo begins to imagine and then to draw a world afar—first a rhinoceros, and then he meets some monkeys, and he always has a friendly elephant at his side. Soon he finds himself in the jungle and carried away by the sheer power of his imagination, seeing the world through his own eyes and making friends along the way.

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Featuring the beauties of Michelangelo and Leonardo da Vinci, combined with the dark and hidden side of the Renaissance, by an acclaimed historian and expert in the period.Renowned as an age of artistic rebirth, the Renaissance is cloaked with an aura of beauty and brilliance. But behind the Mona Lisa’s smile lurked a seamy, vicious world of power politics, perversity and corruption that has more in common with the present day than anyone dares to admit. Enter a world of corrupt bankers, greedy politicians, sex-crazed priests, rampant disease, and lives of extravagance and excess. Enter the world of the ugly Renaissance. Uncovering the hidden realities beneath the surface of the period’s best-known artworks, historian Alexander Lee takes the reader on a breathtaking and unexpected journey through the Italian past and shows that, far from being the product of high-minded ideals, the sublime monuments of the Renaissance were created by flawed and tormented artists who lived in an ever-expanding world of bigotry and hatred. The only question is: will you ever see the Renaissance in quite the same way again?

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A comprehensive and sumptuous survey that celebrates the beauty and appeal of flowers throughout art, history, and culture Take a journey across continents and cultures to discover the endless ways artists and image-makers have employed floral motifs throughout history. With 316 color illustrations showcasing the diversity of blooms from all over the world, Flower spans a wide range of styles and media - from art, botanical illustrations, and sculptures to floral arrangements, film stills, and textiles - and follows a visually stunning sequence with works, regardless of period, thoughtfully paired to allow interesting and revealing juxtapositions between them. Flower follows in the footsteps of Plant, Exploring the Botanical World, which Martha Stewart Living described as "breathtaking." Featuring large-scale images and accessible texts Flower offers a comprehensive introduction to the subject and includes both much-loved works together with examples that may prove more surprising discoveries, even for specialists. Selected by an international panel of art historians, museum curators, botanists, florists, horticulturalists, and more, works by a diverse range of both lesser-known and iconic artists and image-makers are featured, including: Nobuyoshi Araki, Cecil Beaton, Georg Ehret, David Hockney, Horst P. Horst, Nick Knight, Yayoi Kusama, Leonardo da Vinci, Robert Mapplethorpe, Henri Matisse, Claude Monet, Cedric Morris, William Morris, Georgia O'Keeffe, Irving Penn, David Hockney, Pierre-Joseph Redouté, Rachel Ruysch, Constance Spry, and Flora Starkey. Advisory panel: Lugene B. Bruno, Dr James Compton, Shane Connolly, Anne-Pierre d'Albis-Ganem, Celia Fisher, Susan M. Fraser, Victoria Gaiger, Elizabeth Hammer, Daisy Helman, Catherine Hess, Pascale Heurtel, Dr Lisa Hostetler, Lyndsey Ingram, Professor Dr Hans Walter Lack, Dr Fred G. Meijer, Colleen Morris, Polly Nicholson, Lynn Parker, Anna Pavord, Gill Saunders, Lindsey Taylor, Anatole Tchikine and Betsy Wieseman Additional texts: Giovanni Aloi, Louise Bell, Lugene Bruno, Shane Connolly, Clare Coulson, Louisa Elderton, Celia Fisher, Diane Fortenberry, Victoria Gaiger, Daisy Helman, Pascale Heurtel, Lyndsey Ingram, Hans Walter Lack, Fred G. Meijer, Alison Morris, Colleen Morris, Polly Nicholson, Michele Robecchi, Rebecca Roke, Gill Saunders, James Smith, Lindsey Taylor, David Trigg and Martin Walters

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Were the first scientists hermetic philosophers? What do these occult origins of modern science tell us about the universe today? The Forbidden Universe reveals the secret brotherhood that defined the world, and perhaps discovered the mind of God.All the pioneers of science, from Copernicus to Newton via Galileo, were inspired by Hermeticism. Men such as Copernicus, Galileo, Newton, Leibniz, Bacon, Kepler, Tycho Brahe - even Shakespeare - owed much of their achievements to basically occult beliefs - the hermetica. In this fascinating study, Lynn Picknett and Clive Prince go in search of the Hermetic origins of modern science and prove that not everything is as it seems and that over the past 400 years there has been a secret agenda behind our search for truth. From the age of Leonardo da Vinci, the influence of hermetic thinking upon the greatest minds in history has been hidden, a secret held by a forbidden brotherhood in search of the mind of God. Yet this search does not end in history but can be found in the present day - in the contemporary debates of leading evolutionists and thinkers. The significance of this hidden school can hardly be over-emphasised. Not only did it provide a spiritual and philosophical background to the rise of modern science, but its worldview is also relevant to those hungry for all sorts of knowledge even in the twenty-first century. And it may even show the way to reconciling the apparently irreconcilable divide between the scientific and the spiritual. Picknett and Prince go in search of this true foundation of modern rational thought and reveal a story that overturns 400 years of received wisdom.

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Text in English & German. Francesco di Giorgio Martini's fortress complexes, created at the end of the Quattrocento, continue to look experimental and highly speculative half a millennium later by their semiotic character. They represent an extreme of European architectural history, occupying a position where architecture and sculpture cannot be sharply distinguished any longer. The alien-looking creations represented in this book have their origins in a particular historic situation: the emergence of firearms in the 14th century and their spread in the 15th century had shifted the balance of warfare in favour of the attacking side, against which the defensive structure had not yet found a remedy. Enter Francesco di Giorgio Martini (1439 to 1502) at this point, a native of Siena and one of the Quattrocento's highly versatile artists. He worked mainly in Federico da Montefeltro's Urbino, and left behind a body of work that included painting -- the three famous prospects of ideal cities in Berlin, Baltimore and Urbino are attributed to him -- sculpture -- primarily his imposing reliefs -- and architecture -- here he was definitely the outstanding figure between Alberti and Bramante. His achievements as an engineer are equally impressive, and his elaborate designs for machines strongly influenced those of Leonardo da Vinci. He was a true Renaissance uomo universale, though, despite of his voluminous and influential theoretical work, less in the sense of a humanist homme de lettres than as an all-round artist. Francesco's sacred and secular structures are classicist and austere in nature, yet his fortress structures look as if, moving beyond all functional concerns, he is exploiting the newness of the task, the lack of any tried and tested technical solutions and the removal of all typological boundaries to give his architectonic fantasies free rein, resulting in an apotheosis of the new, the unfamiliar and the alien. This book is an attempt to understand the strangely grandiose semiotic character of these structures. In doing so, it poses the question of what strategies can be used when seeking a shape for buildings for which there is no precedent.

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First published in 1998, Q & A: Queer in Asian America, edited by David L. Eng and Alice Y. Hom, became a canonical work in Asian American studies and queer studies. This new edition of Q & A is neither a sequel nor an update, but an entirely new work borne out of the progressive political and cultural advances of the queer experiences of Asian North American communities. The artists, activists, community organizers, creative writers, poets, scholars, and visual artists that contribute to this exciting new volume make visible the complicated intertwining of sexuality with race, class, gender, and ethnicity. Sections address activism, radicalism, and social justice; transformations in the meaning of Asian-ness and queerness in various mass media issues of queerness in relation to settler colonialism and diaspora; and issues of bodies, health, disability, gender transitions, death, healing, and resilience.The visual art, autobiographical writings, poetry, scholarly essays, meditations, and analyses of histories and popular culture in the new Q & Agesture to enduring everyday racial-gender-sexual experiences of mis-recognition, micro-aggressions, loss, and trauma when racialized Asian bodies are questioned, pathologized, marginalized, or violated. This anthology seeks to expand the idea of Asian and American in LGBTQ studies.Contributors: Marsha Aizumi, Kimberly Alidio, Paul Michael (Mike) Leonardo Atienza, Long T. Bui, John Paul (JP) Catungal, Ching-In Chen, Jih-Fei Cheng, Kim Compoc, Sony Coráñez Bolton, D’Lo, Patti Duncan, Chris A. Eng, May Farrales, Joyce Gabiola, C. Winter Han, Douglas S. Ishii, traci kato-kiriyama, Jennifer Lynn Kelly, Mimi Khúc, Anthony Yooshin Kim, Việt Lê, Danni Lin, Glenn D. Magpantay, Leslie Mah, Casey Mecija, Maiana Minahal, Sung Won Park, Thea Quiray Tagle, Emily Raymundo, Vanita Reddy, Eric Estuar Reyes, Margaret Rhee, Thomas Xavier Sarmiento, Pahole Sookkasikon, Amy Sueyoshi, Karen Tongson, Kim Tran, Kay Ulanday Barrett, Reid Uratani, Eric C. Wat, Sasha Wijeyeratne, Syd Yang, Xine Yao, and the editors

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Para los griegos, el concepto de patria estaba ligado a "la tierra donce crecen el trigo, la viña y el olivo", y esa idea es importante en esta obra. El cultivo de la vid y de su producto, el vino, está íntimamente ligado al desarrollo de la sociedad occidental y de su cultura. Mauricio Wiesenthal experto en temas vinícolas al tiempo que insigne humanista y novelista de éxito recoge aquí toda la cultura del vino (desde los bendictinos a los poetas árabes, desde los trovadores a los ritos masónicos o las viñas que cultivó Leonardo Da Vinci en el Piamonte), así como toda la ciencia a él vinculada, las técnicas de cultivo, los secretos de la tonelería, las características principales de las regiones vinícolas de todo el mundo o las grandes y pequeñas bodegas que elaboran los mejores caldos. Todo ello en una obra ilustrada, con 6.500 entradas, 2.500 voces de léxico vinícola y más de 5.000 artículos de información enciclopédica y actualizada.Wiesenthal consigue entusiasmar incluso a los lectores más abstemios.

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Si bien el presente estudio no pretende -en palabras de su autor- ser una biografía crítica completa de Piero della Francesca, sino una guía para la valoración de su obra, pocos estudios iluminan de forma tan esclarecedora la peculiar, profunda e incluso enigmática obra del pintor de Borgo San Sepolcro. Gran conocedor no sólo de arte, sino de la civilización occidental y, especialmente, de la cultura del Renacimiento y del marco social e histórico de esta época, como se aprecia en su importante ensayo sobre Leonardo da Vinci y los sugerentes estudios sobre Donatello, Uccello, Alberti, Mantegna y Botticelli que forman el volumen titulado El arte del humanismo, Kenneth Clark (1903-1983), antiguo director de la National Gallery de Londres, nos brinda en este volumen, acompañada de un completo repertorio iconográfico que nos permite abordarla en sus más pequeños detalles, una reveladora visión de un pintor que tuvo una conciencia fuera de lo común del modo en que debían hacerse coincidir l

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With this text, Emilio Bejel looks at Cuba's markedly homoerotic culture through writings about homosexuality, placing them in the social and political contexts that led up to the Cuban revolution. By reading against the grain of a wide variety of novels, short stories, autobiographies, newspaper articles, and films, Bejel maps out an argument about the way in which different attitudes toward power and nationalism struggle for an authoritative stance on homosexual issues. Through close readings of writers such as Jose Marti, Alfonso Hernandez-Cata, Carlos Montenegro, Jose Lezama Lima, Leonardo Padura Fuentes, and Reinaldo Arenas, the text shows that the category of homosexuality is always lurking, ghost-like, in the shadows of nationalist discourse. The book stakes out Cuba's sexual battlefield, and aims to challenge the homophobia of both Castro's revolutionaries and Cuban exiles in the States.

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The newest volume in Black Dog's best-selling, award-winning Child's Introduction series explores the fascinating world of art and artists and includes do-it-yourself art projects throughout.In the tradition of Black Dog's best-selling Child's Introduction books, which include The Story of the Orchestra and A Child's Introduction to the Night Sky, A Child's Introduction to Art introduces kids ages 9 through 12 to the art world's most famous painters, styles, and periods, all brought to life through full-color photographs of 40 masterpieces, as well as charming original illustrations.The book highlights 40 painters and sculptors, including Leonardo da Vinci, Claude Monet, Diego Velasquez, Vincent van Gogh, Salvador Dali, Mary Cassatt, and Andy Warhol, providing information on their life, inspirations, influences, technique, and a full-color photo of one of their signature works of art. It also includes an overview of various styles and periods (Renaissance, Impressionism, Cubism, etc.), instruction on how to view and appreciate art, and information on the color wheel and other tools artists employ.Fun art projects throughout, such as Can You Find It?, Q-tip pointillism, making a stained-glass window with tissue paper, and Spatter Paint like Pollock, allow kids to learn about painting techniques and explore their own artistic abilities. Also includes five masterpiece paintings to color.Meredith Hamilton's witty illustrations add another dimension to the excellent text and photographs.

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Gain insight into your gifts and challenges with this simple and empowering divinatory system. Chaldean numerology paints a clear picture of you and your personal blueprint - your essence, talents, desires, lessons, and ideal direction for this lifetime. This introductory guide presents highly effective techniques for decoding the energetic vibrations and information held in names, birthdates, addresses, phone numbers, and much more. Master numerologist Heather Alicia Lagan has simplified Chaldean numerology, making it both accessible and practical. She offers detailed sample readings of three celebrities - Apolo Anton Ohno (an American speed skater - no I hadn't heard of him either!), Leonardo DiCaprio, and Drew Barrymore - to help readers understand, share, and benefit from this treasury of ancient knowledge. Chaldean numerology, the original form of numerology upon which all later systems were based, offers guidance, inspirational and enlightening messages, and a framework for setting or achieving goals.

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Filled with colorful characters and history, Double Entry takes us from the ancient origins of accounting in Mesopotamia to the frontiers of modern finance. At the heart of the story is double-entry bookkeeping: the first system that allowed merchants to actually measure the worth of their businesses. Luca Pacioli—monk, mathematician, alchemist, and friend of Leonardo da Vinci—incorporated Arabic mathematics to formulate a system that could work across all trades and nations. As Jane Gleeson-White reveals, double-entry accounting was nothing short of revolutionary: it fueled the Renaissance, enabled capitalism to flourish, and created the global economy. John Maynard Keynes would use it to calculate GDP, the measure of a nation’s wealth. Yet double-entry accounting has had its failures. With the costs of sudden corporate collapses such as Enron and Lehman Brothers, and its disregard of environmental and human costs, the time may have come to re-create it for the future.

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There are three standard methods to visually represent a building: the plan, elevation, and section. The section drawing is a vertical slice of a building, depicting the relationships between interior and exterior as well as any level changes. While the section can serve as merely a functional drawing for construction, it can also be an exciting, revelatory drawing that can artfully depict a building, landscape, or object. Throughout history, many individuals have used the cross section as a tool to create, explore, or investigate. Visual Discoveries: A Collection of Sections is an image-forward book that is devoted to showcasing notable section drawings throughout history and demonstrating that the section drawing, while having roots in architecture, has spread to many other professions and disciplines. These professions include medicine, transportation, product design, geology, and landscape architecture. Some of the greatest thinkers and inventors in history like Leonardo da Vinci, Charles Darwin, and Robert Fulton, have created remarkable section drawings for their investigations, research, and work.

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The next generation of AI is here—use it to lead your business forward.If you read nothing else on artificial intelligence and machine learning, read these 10 articles. We've combed through hundreds of Harvard Business Review articles and selected the most important ones to help you understand the future direction of AI, bring your AI initiatives to scale, and use AI to transform your organization.This book will inspire you to: Create a new AI strategy Learn to work with intelligent robots Get more from your marketing AI Be ready for ethical and regulatory challenges Understand how generative AI is game changing Stop tinkering with AI and go all in This collection of articles includes "Competing in the Age of AI," by Marco Iansiti and Karim R. Lakhani; "How to Win with Machine Learning," by Ajay Agrawal, Joshua Gans, and Avi Goldfarb; "Developing a Digital Mindset," by Tsedal Neeley and Paul Leonardi; "Learning to Work with Intelligent Machines," by Matt Beane; "Getting AI to Scale," by Tim Fountaine, Brian McCarthy, and Tamim Saleh; "Why You Aren't Getting More from Your Marketing AI," by Eva Ascarza, Michael Ross, and Bruce G. S. Hardie; "The Pitfalls of Pricing Algorithms," by Marco Bertini and Oded Koenigsberg; "A Smarter Strategy for Using Robots," by Ben Armstrong and Julie Shah; "Why You Need an AI Ethics Committee," by Reid Blackman; "Robots Need Us More Than We Need Them," by H. James Wilson and Paul R. Daugherty; "Stop Tinkering with AI," by Thomas H. Davenport and Nitin Mittal; and "ChatGPT Is a Tipping Point for AI," by Ethan Mollick.HBR's 10 Must Reads paperback series is the definitive collection of books for new and experienced leaders alike. Leaders looking for the inspiration that big ideas provide, both to accelerate their own growth and that of their companies, should look no further. HBR's 10 Must Reads series focuses on the core topics that every ambitious manager needs to know: leadership, strategy, change, managing people, and managing yourself. Harvard Business Review has sorted through hundreds of articles and selected only the most essential reading on each topic. Each title includes timeless advice that will be relevant regardless of an ever‐changing business environment.

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Aprender de los grandes maestros compensa cualquier esfuerzo y es un lujo que ahora está al alcance de todos: El teorema de Pitágoras, la resolución de ecuaciones y sistemas, la determinación del área del círculo y del volumen de la pirámide, el cálculo diferencial e integral, la asignación de probabilidades a los sucesos aleatorios... son algunos de los enigmas matemáticos que han mantenido ocupados durante siglos a científicos de primera fila y que configuran una parcela fundamental de la cultura científica. En este manual se pueden leer muchos de los textos originales escritos por grandes maestros que han contribuido a levantar el bello y complejo edificio matemático: Euclides de Alejandría y el teorema de Pitágoras; Savasorda y la resolución de ecuaciones de 2 grado; Leonardo de Pisa ?Fibonacci? y las ternas pitagóricas; Simon Stevin y el trazado de elipses; Descartes y la geometría analítica; Fermat y la cuadratura de parábolas e hipérbolas y las progresiones; Pascal y el triángul

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Do you ever wonder where some of today’s most brilliant inventions come from? In this book, you will learn about the most exciting ones, and maybe you can come up with one too! Our world is filled with the most wonderful tools and machines. This is, of course, thanks to clever inventors! The first television was concocted with simple tea boxes and biscuit tins. The first airplane was the product of bicycle makers. The first submarine had oars. And Leonardo da Vinci described his many inventions in mirrored writing. Why? You’ll discover these things and more in this informative book.A fascinating book filled with fun facts about great inventions and their brilliant inventors. For bright minds ages 5 years and up.

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A celebration of evolving taste, told through the stories behind 250 objects sold by the world's leading auction houseFounded in London in 1766, Christie's is one of the most important auction houses in the world. During its history, Christie's has sold masterpieces by artists such as Picasso, Leonardo da Vinci, Rembrandt, and Vincent van Gogh, often at record-breaking prices; and, away from the world of art, the personal possessions of such well-known figures as Napoleon Bonaparte, Marilyn Monroe, Yves Saint Laurent, and Princess Diana.From furniture to works of fine and decorative art, vintage cars to clothing and jewellery, the items sold at its auctions hold a mirror to our history and reflect our culture at large. Going Once vividly brings to life the shifts in aesthetic trends, fashion, and design over the centuries, showcasing 250 of the most outstanding objects in its storied history - including some of the very first pieces sold at the auction house.

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Lavishly Illustrated, Comprehensive, Detailed, andReader-Friendly--This is the Ultimate Robot Book! From newlydiscovered designs of Leonardo da Vinci to the pioneeringnineteenth-century work of Nikola Tesla, and on to burgeoninganthropomorphic robots, "anthrobots," that are dextrous,communicative, and autonomous, Robot Evolution covers the lengthand ever-widening breadth of this new robotics field. Acknowledgedrobotics expert Mark Rosheim offers at once a fascinating look atmore than 2,000 years of robot history, as well as a technicalguide to their development, design, and component parts. This bookexplores the evolution and increasing complexity of robot designsand points out the advantages and disadvantages of various designapproaches for robot arms, hands, wrists, and legs. By analyzingthe kinematics of robot components in comparison to human limbs,Robot Evolution also introduces a powerful new design tool tomeasure and evaluate past, present, and new designs. This bookfeatures: * Robot survey from ancient Greece to the nineteenth century * Analysis of modern robots from 1950 to the present * Comparative anatomy of human and robot joints * Chapter-by-chapter analysis of robot arms, wrists, hands, andlegs * Evolution of sensors and artificial intelligence * Development of mechanical men from man-amplifiers to amazinganthropomorphic robots--anthrobots!

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A UNIQUE INSIGHT INTO THE WORLD'S most mysterious manuscript. Since its creation in the first half of the 15th century, the Voynich Manuscript has fascinated and obsessed students of the esoteric, of magic and of alchemy, yet to date no one has managed to crack its code. It truly is one of a kind: the only book in existence that has been written in its particular language and alphabet - a language that no one can read. This magnificent edition presents stunning full-colour reproductions of every page of the Voynich Manuscript, along with helpful diagrams that show exactly how the folios are bound into this complex codex. Two introductory essays invite readers to interpret for themselves the clues found in the manuscript's strange and beautiful illustrations of plants, star constellations, enigmatic bathing women and cosmological diagrams. Dr Rafal T Prinke and Dr Rene Zandbergen also draw on the manuscript collections of eastern Europe, not normally accessible to English-speaking scholars, to offer the fullest explanation so far of the Voynich's incredible journey through history, while Dr Stephen Skinner explores the parallels to the Voynich Manuscript in the cryptography of Leonardo da Vinci and the Enochian angel language of John Dee.

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This volume, the fifth in the Handbook of Middle American Indians, presents a summary of work accomplished since the Spanish conquest in the contemporary description and historical reconstruction of the indigenous languages and language families of Mexico and Central America. The essays include the following: “Inventory of Descriptive Materials” by William Bright; “Inventory of Classificatory Materials” by Maria Teresa Fernández de Miranda, “Lexicostatistic Classification” by Morris Swadesh, “Systemic Comparison and Reconstruction” by Robert Longacre, and “Environmental Correlational Studies” by Sarah C. Gudschinsky. Sketches of Classical Nahuatl by Stanley Newman, Classical Yucatec Maya by Norman A. McQuown, and Classical Quiché by Munro S. Edmonson provide working tools for tackling the voluminous early postconquest texts in these languages of late preconquest empires (Aztec, Maya, Quiché). Further sketches of Sierra Popoluca by Benjamin F. Elson, of Isthmus Zapotec by Velma B. Pickett, of Huautla de Jiménez Mazatec by Eunice V. Pike, of Jiliapan Pame by Leonardo Manrique C., and of Huamelultec Chontal by Viola Waterhouse—together with those of Nahuatl, Maya, and Quiché—provide not only descriptive outlines of as many different linguistic structures but also linguistic representatives of seven structurally different families of Middle American languages. Miguel Léon-Portilla presents an outline of the relations between language and the culture of which it is a part and provides examples of some of these relations as revealed by contemporary research in indigenous Middle America. The volume editor, Norman A. McQuown (1914–2005), was Professor of Anthropology at The University of Chicago. He formerly taught at Hunter College and served with the Mexican Department of Indian Affairs. He carried out fieldwork with Totonac, Huastec, Tzeltal-Tzotzil, Mame, and other tribes. The Handbook of Middle American Indians was assembled and edited at the Middle American Research Institute of Tulane University with the assistance of grants from the National Science Foundation and under the sponsorship of the National Research Council Committee on Latin American Anthropology.

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This delightful and engaging introduction to the history of art for children comes in a beautiful oversized format and features intricate illustrations with hidden details. Children love to pore over detailed illustrations, especially when they contain hidden elements for them to find. This endlessly entertaining book opens up entire historic periods to young readers in double page spreads that are teeming with life and meticulously drawn to teach them about artistic traditions. Each spread represents a moment in history, capturing how art wasintegrated into daily life and illustrating contemporary styles,tools, and mediums. Children will learn about cave paintingsand what humans used for light and why they painted so manyanimals and hunting scenes. They’ll find themselves in AncientGreece, where deities watch over a busy marketplace in frontof the Parthenon. A cross-section of a medieval monastery,Leonardo’s workshop, and a collection of 19th-ce

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Paper is one of the simplest and most essential pieces of human technology. For the past two millennia, the ability to produce it in ever more efficient ways has supported the proliferation of literacy, media, religion, education, commerce and art. It has created civilisations, fostering the fomenting of revolutions and the stabilising of regimes. History’s greatest press run produced 6.5 billion copies of Máo zhu xí yu lu, Quotations from Chairman Mao Tse-tung (Zedong) and Leonardo da Vinci left behind only 15 paintings but 4,000 works on paper. Now, on the cusp of "going paperless"—and amid speculation about the effects of a digitally dependent society—we’ve come to a world-historic juncture to examine what paper means to civilisation. Through tracing paper’s evolution, Mark Kurlansky challenges common assumptions about technology’s influence, affirming that paper is here to stay. Paper will be the history that guides us forward in the twenty-first century.

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In 2001 Renee Cox's "Yo Mama's Last Supper" was exhibited at the Brooklyn Museum. Cox's photographic recreation of Leonardo da Vinci's painting features an almost all black cast and the artist, nude, standing in for Jesus. The intense controversy that erupted testifies to the enduring power of images of black bodies to unsettle and disturb viewers. Over the course of the twentieth century, as black visibility rose across a variety of media, scholars in art history and media studies began to analyze how audiences view black subjects, while performance and theater studies scholars examined black self-presentation. "Troubling Vision" bridges the gap between these divergent approaches, arguing that grasping the cultural meaning of blackness relies on understanding both performance and vision. Taking into account this fixation on black visibility, Nicole R. Fleetwood explores how blackness is always a troubling presence in the field of vision and the black body is persistently seen as a problem. Fleetwood examines a wide range of materials from visual and media art, documentary photography, theater and performance, fashion advertising, and celebrity culture. Based on her trenchant analysis of this work, Fleetwood investigates the various ways black cultural producers disrupt dominant notions of black identity and the black body.

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As the face of law enforcement in America for almost fifty years, J. Edgar Hoover was feared and admired, reviled, and revered. But behind closed doors, he held secrets that would have destroyed his image, his career, and his life. Starring Leonardo DiCaprio in the title role, "J. Edgar" also stars Academy Award[registered] nominee Naomi Watts ("21 Grams") as Helen Gandy, Hoover's longtime secretary; Armie Hammer ("The Social Network") as Hoover's protege Clyde Tolson; and Oscar[registered] winner Judi Dench ("Shakespeare in Love") as Hoover's over-protective mother, Anne Marie Hoover. The main cast also includes Josh Lucas ("Life as We Know It") as the legendary aviator Charles Lindbergh, whose son's kidnapping changes the public profile of the FBI, as well as Damon Herriman ("TV's Justified") and Ken Howard ("Grey Gardens"). "J. Edgar" is produced by Eastwood, Oscar[registered] winner Brian Grazer ("A Beautiful Mind", "Frost/Nixon") and Oscar[registered] nominee Robert Lorenz ("Letters from Iwo Jima", "Mystic River").

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