Search results for ""the university of chicago press""

I address you across more than three thousand years, you who live at the conjunction of the Fish and the Water-carrier, speaks Daedalus, an artisan, inventor, and designer born into an utterly alien family of heroes who value acts of war above all else, a world where his fellow Greeks seem driven only to destroy-an existence he feels compelled to escape. In this fictional autobiography of the father of Icarus, "Apollo's creature," a brilliant but flawed man, writer and sculptor Michael Ayrton harnesses the tales of the past to mold a myth for our times. We learn of Daedalus's increasingly ambitious artifacts and inventions; his fascination with Minoan culture, commerce, and religion, and his efforts to adapt to them; how he comes to design the maze of the horned Minotaur; and how, when he decides that he must flee yet again, he builds two sets of wax wings-wings that will be instruments of his descent into the underworld, a place of both purgatory and rebirth. A compelling mix of history, fable, lore, and meditations on the enigma of art, The Maze Maker will ensnare classicists, artists, and all lovers of story in its convolutions of life and legend. "I never understood the pattern of my life," writes Daedalus, "so that I have blundered through it in a maze."

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"The Rhetoric of Morality and Philosophy", one of the most groundbreaking works of twentieth-century Platonic studies, is now back in print for a new generation of students and scholars to discover. In this volume, distinguished classicist Seth Benardete interprets and pairs two important Platonic dialogs, the Gorgias and the Phaedrus, illuminating Socrates' notion of rhetoric and Plato's conception of morality and eros in the human soul. Following his discussion of the Gorgias as a dialog about the rhetoric of morality, Benardete turns to the Phaedrus as a discourse about genuine rhetoric, namely the science of eros, or true philosophy. This novel interpretation addresses numerous issues in Plato studies: the relation between the structure of the Gorgias and the image of soul/city in the Republic, the relation between the structure of Phaedrus and the concept of eros, and Socrates' notion of ignorance, among others.

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Is there a resemblance between the contemporary anorexic teenager counting every calorie in her single-minded pursuit of thinness, and an ascetic medieval saint examining her every desire? Rudolph M. Bell suggests that the answer is yes. "Everyone interested in anorexia nervosa ...should skim this book or study it. It will make you realize how dependent upon culture the definition of disease is. I will never look at an anorexic patient in the same way again."--Howard Spiro, M.D., Gastroenterology "[This] book is a first-class social history and is well-documented both in its historical and scientific portions."--Vern L. Bullough, American Historical Review

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In Childerley, a small village two hours from London, stockbrokers and stock-keepers live side by side in thatched cottages, converted barns and modern homes. Why do these villagers find country living so compelling? Why, despite our urban lives, do so many of us strive for a home in the country, closer to nature? Michael Bell suggests that we are looking for a natural conscience: an unshakeable source of identity and moral value that is free from social interests - comfort and solace and a grounding of self in a world of conflict and change. During his interviews with over 100 of Childerley's 475 residents - both working-class and professional - Bell heard time and again of their desire to be "country people" and of their anxiety over their class identities. Even though they often knowingly participate in class discrimination themselves - and see their neighbours doing the same - most Childerleyans feel a deep moral ambivalence over class. Bell argues they find in class and its conflicts the restraints and workings of social interests and feel that by living "close to nature" they have an alternative: the identity of a "country person," a "villager that the natural conscience gives." Yet there are clear parallels between the ways in which the villagers conceive of nature and of social life, and Bell traces these parallels across Childerleyans' perspectives on class, gender and politics. Where conventional theories would suggest that what the villagers see as nature is a reflection of how they see society, and that the natural conscience must be a product of social interests, Bell argues that ideological processes are more complex. Childerleyans' understandings of society and of the natural conscience shape each other, says Bell, through a largely intuitive process he calls resonance. This book should be of interest to anyone who has ever lived in the countryside or considered doing so. It should also be of particular interest to scholars of British studies and the sociology of knowledge and culture, and to those who work on problems of environment, community, class and rural life.

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"Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all. So begins Hans Belting's iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier volume "The End of the History of Art?". "Known for his striking and original theories about the nature of art", according to the "Economist", Belting here examines how art is made, viewed and interpreted today. Arguing that contemporary art has burst out of the frame that art history had built for it, Belting calls for an entirely new approach to thinking and writing about art. He moves effortlessly between contemporary issues - the rise of global and minority art and its consequences for Western art history, installation and video art, and the troubled institution of the art museum - and questions central to art history's definition of itself, such as the distinction between high and low culture, art criticism versus art history, and the invention of modernism in art history. 48 black and white images illustrate the text, perfectly reflecting the state of contemporary art. With "Art History After Modernism", Belting retains his place as one of the most original thinkers working in the visual arts today.

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Feared by conservatives and embraced by liberals when he entered the White House, Barack Obama has since been battered by criticism from both sides. In "Out of Many, One", Ruth O'Brien explains why. We are accustomed to seeing politicians supporting either a minimalist state characterized by unfettered capitalism and individual rights or a relatively strong welfare state and regulatory capitalism. Obama, O'Brien argues, represents the values of a lesser-known third tradition in American political thought that defies the usual left-right categorization. Bearing traces of Baruch Spinoza, John Dewey, and Saul Alinsky, Obama's progressivism embraces the ideas of mutual reliance and collective responsibility and adopts an interconnected view of the individual and the state. So, while Obama might emphasize difference, he rejects identity politics, which can create permanent minorities and diminish individual agency. Analyzing Obama's major legislative victories - financial regulation, health care, and the stimulus package - O'Brien shows how they reflect a stakeholder society that neither regulates in the manner of the New Deal nor deregulates. Instead, Obama focuses on negotiated rule making and allows executive branch agencies to fill in the details when dealing with a deadlocked Congress. Similarly, his commitment to difference and his resistance to universal mandates underlies his reluctance to advocate for human rights as much as many on the Democratic left had hoped. By establishing Obama within the context of a much longer and broader political tradition, this book sheds critical light on both the political and philosophical underpinnings of his presidency and a fundamental shift in American political thought.

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Even in the midst of an economic boom, most Americans would agree that civic institutions are hard pressed and that they are growing ever more cynical and disconnected from one another. In response to this bleak assessment, advocates of "civil society" argue that rejuvenating neighborhoods, churches and community associations will lead to a more moral, civic-minded polity. Christopher Beem argues that while the movement's goals are laudable, simply restoring local institutions will not solve the problem; a civil society also needs politics and government to provide a sense of shared values and ideas. Tracing the concept back to Tocqueville and Hegel, Beem shows that both thinkers faced similar problems and both rejected civil society as the sole solution. He then shows how, in the case of the Civil Rights movement, both political groups and the federal government were necessary to effect a new consensus on race. Taking up the arguments of Robert Putnam, Michael Sandel and others, this book calls for a more developed sense of what the state is for and what American politics ought to be about.

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Almost three decades after Leo Strauss's death, Nasser Behnegar offers the first sustained exposition of what Strauss was best known for: his radical critique of contemporary social science - particularly of political science. Behnegar argues that Strauss was not averse to the scientific study of politics, but he did reject the idea that it could be built upon political science's cursory distinction between facts and values. Max Weber was, for Strauss, the most profound exponent of values relativism in social science, and Behnegar's explication artfully illuminates Strauss's critique of Weber's belief in the ultimate insolubility of all value conflicts. As Behnegar shows, values - the ethical component lacking in contemporary social science - are essential to Strauss's project of constructing a genuinely scientific study of politics.

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"Human Capital" is Becker's study of how investment in an individual's education and training is similar to business investments in equipment. Becker looks at the effects of investment in education on earnings and employment, and shows how his theory measures the incentive for such investment, as well as the costs and returns from college and high school education. Another part of the study explores the relation between age and earnings. This edition includes four new chapters, covering recent ideas about human capital, fertility and economic growth, the division of labour, economic considerations within the family, and inequality in earnings.

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On December 5, 2004, the still-developing blogosphere took one of its biggest steps toward mainstream credibility, as Nobel Prize - winning economist Gary S. Becker and renowned jurist and legal scholar Richard A. Posner announced the formation of the Becker-Posner Blog. In no time, the blog had established a wide readership and reputation as a reliable source of lively, thought-provoking commentary on current events, its pithy and profound weekly essays highlighting the value of economic reasoning when applied to unexpected topics. "Uncommon Sense" gathers the most important and innovative entries from the blog, arranged by topic, along with updates and even reconsiderations when subsequent events have shed new light on a question. Whether it's Posner making the economic case for the legalization of gay marriage, Becker arguing in favor of the sale of human organs for transplant, or even the pair of scholars vigorously disagreeing about the utility of collective punishment, the writing is always clear, the interplay energetic, and the resulting discussion deeply informed and intellectually substantial. To have a single thinker of the stature of a Becker or Posner addressing questions of this nature would make for fascinating reading; to have both, writing and responding to each other, is an exceptionally rare treat. With "Uncommon Sense", they invite the adventurous reader to join them on a whirlwind intellectual journey. All they ask is that you leave your preconceptions behind.

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From Queen Latifah to Count Basie, Madonna to Monk, "Hole in our soul: the loss of beauty and meaning in American popular music" traces popular music back to its roots in jazz, blues, country, and gospel through the rise in rock'n'roll and the emergence of heavy metal, punk, and rap. Yet despite the vigour and balance of these musical origins, Martha Bayles argues, something has gone seriously wrong, both with the sound of popular music and the sensibility it expresses. Bayles defended the tough, affirmative spirit of Afro-American music against the strain of artistic modernism she calls"perverse". She describes how perverse modernism was grafted onto popular music in the late 1960s, and argues that the result has been a cult of brutality and obscenity that is profoundly anti-musical. Unlike other recent critics of popular music, Bayles does not blame the problem on commerce. She argues that culture shapes the market and not the other way around. Finding censorship of popular music "both a practical and a constitutional impossibility", Bayles insists that "an informed shift in public tastes may be our only hope of reversing the current malignant moods".

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When "Agendas and Instability in American Politics" appeared fifteen years ago, offering a profoundly original account of how policy issues rise and fall on the national agenda, the "Journal of Politics" predicted that it would 'become a landmark study of public policy making and American politics'. That prediction proved true, and in this long-awaited second edition, Frank R. Baumgartner and Bryan D. Jones refine their influential argument and expand it to illuminate the workings of democracies beyond the United States. The authors retain all the substance of their contention that short-term, single-issue analysis cast public policy too narrowly as the result of cozy and dependable arrangements among politicians, interest groups, and the media. Baumgartner and Jones provide a different interpretation by taking the long view of several issues - including nuclear energy, urban affairs, smoking, and auto safety - to demonstrate that bursts of rapid, unpredictable policy change punctuate the patterns of stability more frequently associated with government. Featuring a new introduction and two additional chapters, this updated edition ensures that their findings will remain a touchstone of policy studies for many years to come.

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In a masterly translation by Norman Shapiro, this selection of poems from Les Fleurs du mal demonstrates the magnificent range of Baudelaire's gift, from the exquisite quatrains to the formal challenges of his famous sonnets. The poems are presented in both French and English, complemented by the work of illustrator David Schorr. As much a pleasure to look at as it is to read, this volume invites newcomers and devotees alike to experience Baudelaire's genius anew."A fine, formal translation of the best poems of France's founder of the symbolist movement."—St. Louis Post-Dispatch"It's rare to find a rewarding translation of a masterwork, particularly a collection of groundbreaking poetry. . . . Through Shapiro's skillful wordsmithing, the reader can fully appreciate Baudelaire's control of the soul and the word which is the ancient and indefatigable ambition of all great poets. . . . Shapiro's interpretations set the standard for future English translations."—Virginia Quarterly Review

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The first volume to address the study of evolutionary transitions in plants, "Major Evolutionary Transitions in Flowering Plant Reproduction" brings together compelling work from the three areas of significant innovation in plant biology: evolution and adaptation in flowers and pollination, mating patterns and gender strategies, and asexual reproduction and polyploidy. Spencer C. H. Barrett assembles here a distinguished group of authors who address evolutionary transitions using comparative and phylogenetic approaches, the tools of genomics, population genetics, and theoretical modeling, and through studies in development and field experiments in ecology. With special focus on evolutionary transitions and shifts in reproductive characters - key elements of biological diversification and research in evolutionary biology - "Major Evolutionary Transitions in Flowering Plant Reproduction" is the most up-to-date treatment of a fast-moving area of evolutionary biology and ecology.

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Most scholars link the origin of politics to the formation of human societies, but in this innovative work, Tilo Schabert takes it even further back: to our very births. Drawing on mythical, philosophical, religious, and political thought from around the globe-including America, Europe, the Middle East, and China-The Second Birth proposes a transhistorical and transcultural theory of politics rooted in political cosmology. With impressive erudition, Schabert explores the physical fundamentals of political life, unveiling a profound new insight: our bodies actually teach us politics. Schabert traces different figurations of power inherent to our singular existence, things such as numbers, time, thought, and desire, showing how they render our lives political ones-and, thus, how politics exists in us individually, long before it plays a role in the establishment of societies and institutions. Through these figurations of power, Schabert argues, we learn how to institute our own government within the political forces that already surround us-to create our own world within the one into which we have been born. In a stunning vision of human agency, this book ultimately sketches a political cosmos in which we are all builders, in which we can be at once political and free.

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"Demands of the Day" asks about the logical standards and forms that should guide ethical and experimental anthropology in the twenty-first century. Anthropologists Paul Rabinow and Anthony Stavrianakis do so by taking up Max Weber's notion of the "demands of the day." Just as the demand of the day for anthropology decades ago consisted of thinking about fieldwork, today, they argue, the demand is to examine what happens after, how the experiences of fieldwork are gathered, curated, narrated, and ultimately made available for an anthropological practice that moves beyond mere ethnographic description. Rabinow and Stavrianakis draw on experiences from an innovative set of anthropological experiments that investigated how and whether the human and biological sciences could be brought into a mutually enriching relationship. Conceptualizing the anthropological and philosophic ramifications of these inquiries, they offer a bold challenge to contemporary anthropology to undertake a more rigorous examination of its own practices, blind spots, and capacities, in order to meet the demands of our day.

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Tropical deforestation. The collapse of fisheries. Unprecedented levels of species extinction. Faced with the plethora of gloom-and-doom headlines about the natural world, we might think that environmental disaster is inevitable. But is there any good news about the environment? Yes, there is, answers Andrew Balmford in "Wild Hope", and he offers several powerful stories of successful conservation to prove it. This tragedy is still avoidable, and there are many reasons for hope if we find inspiration in stories of effective environmental recovery. "Wild Hope" is organized geographically, with each chapter taking readers to extraordinary places to meet conservation's heroes and foot soldiers - and to discover the new ideas they are generating about how to make conservation work on our hungry and crowded planet. The journey starts in the floodplains of Assam, where dedicated rangers and exceptionally tolerant villagers have together helped bring Indian rhinos back from the brink of extinction. In the pine forests of the Carolinas, we learn why plantation owners came to resent rare woodpeckers - and what persuaded them to change their minds. In South Africa, Balmford investigates how invading alien plants have been drinking the country dry, and how the Southern Hemisphere's biggest conservation program is now simultaneously restoring the rivers, saving species, and creating tens of thousands of jobs. The conservation problems Balmford encounters are as diverse as the people and their actions, but together they offer common themes and specific lessons on how to win the battle of conservation - and the one essential ingredient, Balmford shows, is most definitely hope. "Wild Hope" is a clear-eyed view of the difficulties and challenges of conservation, offering innovative solutions and powerful stories. A global tour of people and programs working for the planet, "Wild Hope" is an emboldening green journey.

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"Warhol/Electric Chair/'63": The red spreads like Christmas wrapping - the green, a field in a Caucasian rug. It's almost beautiful without the metal plates for the head (though the plug on the floor is visible). Before decorator colors & Hockney, Calvin Klein in the summery Hamptons, before there were - switches to break the flow my mother used to say never touch a radio when you're in the bathtub, never fly a kite near transmission lines. But still, it's furniture still, it's a typical American way to go - it's Sing Sing, the silhouette of Ethel Rosenberg. In the rheostatic air, the absent man heard "She Loves You", the British invasion and the flat line arrived at once. Outside Negroes were eaten by dogs. Johnson was sworn in. Cuba turned red in the green sea. In his first book of poems since his highly acclaimed "June-tree", Peter Balakian continues to define himself as one of the most distinctive voices of his generation. Exploring history, self, and imagination, as well as his ongoing concerns with catastrophe and trauma, many of Balakian's new poems wrestle with the aftermath and reverberations of 9/11. Whether reliving the building of the World Trade Towers in the inventive forty-three-section poem that anchors the book, walking the ruins of the Bosnian National Library in Sarajevo, meditating on Andy Warhol's silk screens, or considering the confluence of music, language, and memory, Balakian continues his meditations on history, as well as on the harshness and beauty of contemporary life, that his readers have enjoyed over the years. In sensual, layered, and sometimes elliptical language, Balakian in "Ziggurat" explores absence, war, love, and art in a new age of American uncertainty.

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The eighteenth century saw the creation of a number of remarkable mechanical androids: at least ten prominent automata were built between 1735 and 1810 by clockmakers, court mechanics, and other artisans from France, Switzerland, Austria, and the German lands. Designed to perform sophisticated activities such as writing, drawing, or music making, these "Enlightenment automata" have attracted continuous critical attention from the time they were made to the present, often as harbingers of the modern industrial age, an era during which human bodies and souls supposedly became mechanized. In Androids in the Enlightenment, Adelheid Voskuhl investigates two such automata - both depicting piano-playing women. Voskuhl argues, contrary to much of the subsequent scholarly conversation, that these automata were unique masterpieces that illustrated the sentimental culture of a civil society rather than expressions of anxiety about the mechanization of humans by industrial technology. She demonstrates that only in a later age of industrial factory production did mechanical androids instill the fear that modern selves and societies had become indistinguishable from machines.

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This work explores the economic lives of gays and lesbians in the United States. It debunks common stereotypical ideas about gay privilege, income and consumer behaviour. By studying the ends and means of gay life from an economic perspective, the author disproves the assumption that gay men and lesbians are more affluent than heterosexuals, that they inspire discrimination when coming out of the closet, that they consume more conspicuously, and that they lead a more hedonistic lifestyle. Badgett analyzes crucial issues that affect the livelihood of gay men and lesbians: discrimination in the workplace, denial of healthcare benefits to domestic partners and children, lack of access to legal institutions, such as marriage, the corporate wooing of gay consumer dollars and the use of gay economic clout to inspire social and political change.

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The World Bank and other multilateral development banks (MDBs) carry out their mission to alleviate poverty and promote economic growth based on the advice of professional economists. But as Sarah Babb argues in "Behind the Development Banks", these organizations have also been indelibly shaped by Washington politics - particularly by the legislative branch and its power of the purse. Tracing American influence on MDBs over three decades, this volume assesses increased congressional activism and the perpetual 'selling' of banks to Congress by the executive branch. Babb contends that congressional reluctance to fund the MDBs has enhanced the influence of the United States on them by making credible America's threat to abandon the banks if its policy preferences are not followed. At a time when the United States' role in world affairs is being closely scrutinized, "Behind the Development Banks" will be necessary reading for anyone interested in how American politics helps determine the fate of developing countries.

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The Arrernte people of Central Australia first encountered Europeans in the 1860s as groups of explorers, pastoralists, missionaries, and laborers invaded their land. During that time the Arrernte were the subject of intense curiosity, and the earliest accounts of their lives, beliefs, and traditions were a seminal influence on European notions of the primitive. The first study to address the Arrernte's contemporary situation, "Arrernte Present, Arrernte Past" also documents the immense sociocultural changes they have experienced over the past hundred years.Employing ethnographic and archival research, Diane Austin-Broos traces the history of the Arrernte as they have transitioned from a society of hunter-gatherers to members of the Hermannsburg Mission community to their present, marginalized position in the modern Australian economy. While she concludes that these wrenching structural shifts led to the violence that now marks Arrernte communities, she also brings to light the powerful acts of imagination that have sustained a continuing sense of Arrernte identity.

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This is the story of New York's west side no longer stars the Sharks and the Jets. Instead it's a story of urban transformation, cultural shifts, and an expanding contemporary art scene. The Chelsea Gallery District has become New York's most dominant neighborhood for contemporary art, and the streets of the west side are filled with gallery owners, art collectors, and tourists. Developments like the High Line, historical preservation projects like the Gansevoort Market, the Chelsea galleries, and plans for megaprojects like the Hudson Yards Development have redefined what is now being called the "Far West Side" of Manhattan. David Halle and Elisabeth Tiso offer a deep analysis of the transforming district in New York's New Edge, and the result is a new understanding of how we perceive and interpret culture and the city in New York's gallery district. From individual interviews with gallery owners to the behind-the-scenes politics of preservation initiatives and megaprojects, the book provides an in-depth account of the developments, obstacles, successes, and failures of the area and the factors that have contributed to them.

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As the globalization of financial markets continues, we urgently need to understand the crises that have plagued these markets and the policies best suited to preventing such crises in the future. In this book, a prominent group of economists and policymakers blend conceptual analysis and policy discussion in seven well-integrated papers, analyzing the nature of capital flows, alternative exchange-rate regimes, and the roles of international financial institutions. After a guided tour by the editor and an historical exploration, some of the world's leading theorists and policy analysts examine the benefits and pitfalls of capital movements and controls. In the second portion, papers examine the recent experiences of Argentina and Mexico, with Charles Calomiris - whose proposals for a new world financial architecture have elicited wide attention - contributing a response. The volume concludes with a roundtable discussion of the report of the International Financial Institutions Advisory Commission, in which the chair of the commission, Allan H. Meltzer, both comments on the report and responds to questions about it. The material presented here should become a standard reference for analysts, policymakers and the interested general public.

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Few would deny that getting ahead is a legitimate goal of learning, but the phrase implies a cruel hierarchy: a student does not simply get ahead, but gets ahead of others. In "These Kids", Kysa Nygreen turns a critical eye on this paradox. Offering the voices and viewpoints of students at a "last chance" high school in California, she tells the story of students who have, in fact, been left behind. Detailing a youth-led participatory action research project that she coordinated, Nygreen uncovers deep barriers to educational success that are embedded within educational discourse itself. Struggling students internalize descriptions of themselves as "at risk," "low achieving," or "troubled" - and by adopting the very language of educators, they also adopt its constraints and presumption of failure. Showing how current educational discourse does not, ultimately, provide an adequate vision of change for students at the bottom of the educational hierarchy, she levies a powerful argument that social justice in education is impossible today precisely because of how we talk about it.

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Since its founding in 1964, the United Republic of Tanzania has used music, dance, and other cultural productions as ways of imagining and legitimizing the new nation. Focusing on the politics surrounding Swahili musical performance, Kelly Askew demonstrates the crucial role of popular culture in Tanzania's colonial and postcolonial history. As Askew shows, the genres of ngoma (traditional dance), dansi (urban jazz), and taarab (sung Swahili poetry) have played prominent parts in official articulations of "Tanzanian National Culture" over the years. Drawing on over a decade of research, including extensive experience as a taarab and dansi performer, Askew explores the intimate relations among musical practice, political ideology, and economic change. She reveals the processes and agents involved in the creation of Tanzania's national culture, from government elites to local musicians, poets, wedding participants, and traffic police. Throughout, Askew focuses on performance itself - musical and otherwise - as key to understanding both state formation and interpersonal power dynamics.

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Since its founding in 1964, the United Republic of Tanzania has used music, dance, and other cultural productions as ways of imagining and legitimizing the new nation. Focusing on the politics surrounding Swahili musical performance, Kelly Askew demonstrates the crucial role of popular culture in Tanzania's colonial and postcolonial history. As Askew shows, the genres of ngoma (traditional dance), dansi (urban jazz), and taarab (sung Swahili poetry) have played prominent parts in official articulations of "Tanzanian National Culture" over the years. Drawing on over a decade of research, including extensive experience as a taarab and dansi performer, Askew explores the intimate relations among musical practice, political ideology, and economic change. She reveals the processes and agents involved in the creation of Tanzania's national culture, from government elites to local musicians, poets, wedding participants, and traffic police. Throughout, Askew focuses on performance itself - musical and otherwise - as key to understanding both state formation and interpersonal power dynamics.

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The Man who thought he was Napoleon is built around a bizarre historical event and an off-hand challenge. The event? In December 1840, nearly twenty years after his death, the remains of Napoleon were returned to Paris for burial - and the next day, the director of a Paris hospital for the insane admitted fourteen men who claimed to be Napoleon. The challenge, meanwhile, is the claim by great French psychiatrist Jean-Etienne Dominique Esquirol (1772-1840) that he could recount the history of France through asylum registries. From those two components, Laure Murat embarks on an exploration of the surprising relationship between history and madness. She uncovers countless stories of patients whose delusions seem to be rooted in the historical or political traumas of their time, like the watchmaker who believed he lived with a new head, his original having been removed at the guillotine. In the troubled wake of the Revolution, meanwhile, French physicians diagnosed a number of mental illnesses tied to current events, from "revolutionary neuroses" and "democratic disease" to the "ambitious monomania" of the Restoration. How, Murat asks, do history and psychiatry, the nation and the individual psyche, interface? A fascinating history of psychiatry - but of a wholly new sort - The Man Who Thought He Was Napoleon offers the first sustained analysis of the intertwined discourses of madness, psychiatry, history, and political theory.

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When Nigeria hosted the Second World Black and African Festival of Art and Culture (FESTAC) in 1977, it celebrated a global vision of black nationhood and citizenshipanimated by the exuberance of its recent oil boom. Andrew Apter's The Pan-African Nation tells the full story of this cultural extravaganza, from Nigeria's spectacular rebirth as a rapidly developing petro-state to its dramatic demise when the boom went bust. According to Apter, FESTAC expanded the horizons of blackness in Nigeria to mirror the global circuits of its economy. By showcasing masks, dances, images, and souvenirs from its many diverse ethnic groups, Nigeria forged a new national culture. In the grandeur of this oil-fed confidence, the nation subsumed all black and African cultures within its empire of cultural signs and erased its colonial legacies from collective memory. As the oil economy collapsed, however, cultural signs became unstable, contributing to rampant violence and dissimulation. The Pan-African Nation unpacks FESTAC as a historically situated mirror of production in Nigeria. More broadly, it points towards a critique of the political economy of the sign in postcolonial Africa.

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Even within anthropology, a discipline that strives to overcome misrepresentations of peoples and cultures, colonialist depictions of the so-called Dark Continent run deep. The grand narratives, tribal tropes, distorted images, and "natural" histories that forged the foundations of discourse about Africa remain firmly entrenched. In "Beyond Words", Andrew Apter explores how anthropology can come to terms with the "colonial library" and begin to develop an ethnographic practice that transcends the politics of Africa's imperial past. The way out of the colonial library, Apter argues, is by listening to critical discourses in Africa that reframe the social and political contexts in which they are embedded. Apter develops a model of critical agency, focusing on a variety of language genres in Africa situated in rituals that transform socio-political relations by self-consciously deploying the power of language itself. To break the cycle of Western illusions in discursive constructions of Africa, he shows, we must listen to African voices in ways that are culturally and locally informed. In doing so, Apter brings forth what promises to be a powerful and influential theory in contemporary anthropology.

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It's not what you say, but how you say it. Solving problems with words is the essence of politics, and finding the right words for the moment can make or break a politician's career. Yet very little has been said in political science about the elusive element of tone. In "Political Tone", Roderick P. Hart, Jay P. Childers, and Colene J. Lind analyze a range of texts - from speeches and debates to advertising and print and broadcast campaign coverage - using a sophisticated computer program, DICTION, that parses their content for semantic features like realism, commonality, and certainty, as well as references to religion, party, or patriotic terms. Beginning with a look at how societal forces like diversity and modernity manifest themselves as political tones in the contexts of particular leaders and events, the authors proceed to consider how individual leaders have used tone to convey their messages: How did Bill Clinton's clever dexterity help him recover from the Monica Lewinsky scandal? How did Barack Obama draw on his experience as a talented community activist to overcome his inexperience as a national leader? And how does Sarah Palin's wandering tone indicate that she trusts her listeners and is open to their ideas? By focusing not on the substance of political arguments but on how they were phrased, "Political Tone" provides powerful and unexpected insights into American politics.

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“Applebee's central point, the need to teach 'knowledge in context,' is absolutely crucial for the hopes of any reformed curriculum. His experience and knowledge give his voice an authority that makes many of the current proposals on both the left and right seem shallow by comparison.”—Gerald Graff, University of Chicago

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The notion that maternal care and love will determine a child's emotional well-being and future personality has become ubiquitous. In countless stories and movies we find that the problems of the protagonists - anything from the fear of romantic commitment to serial killing - stem from their troubled relationships with their mothers during childhood. How did we come to hold these views about the determinant power of mother love over an individual's emotional development? And what does this vision of mother love entail for children and mothers? In "The Nature and Nurture of Love", Marga Vicedo examines scientific views about children's emotional needs and mother love from World War II until the 1970s, paying particular attention to John Bowlby's ethological theory of attachment behavior. Vicedo tracks the development of Bowlby's work as well as the interdisciplinary research that he used to support his theory, including Konrad Lorenz's studies of imprinting in geese, Harry Harlow's experiments with monkeys, and Mary Ainsworth's observations of children and mothers in Uganda and the United States. Vicedo's historical analysis reveals that, despite criticism, attachment theory was paramount in turning mother love into a biological need. This shift introduced a new justification for the prescriptive role of biology in human affairs and had profound - and negative - consequences for mothers and for the valuation of mother love.

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"Rhetoric is the counterpart of logic," claimed Aristotle. "Rhetoric is the first part of logic rightly understood," Martin Heidegger concurred. "Rhetoric is the universal form of human communication," opined Hans-Georg Gadamer. But in "Deep Rhetoric", James Crosswhite offers a groundbreaking new conception of rhetoric, one that builds a definitive case for an understanding of the discipline as a philosophical enterprise beyond basic argumentation and is fully conversant with the advances of the New Rhetoric of Chaim Perelman and Lucie Olbrechts-Tyteca. Chapter by chapter, "Deep Rhetoric" develops an understanding of rhetoric not only in its philosophical dimension but also as a means of guiding and conducting conflicts, achieving justice, and understanding the human condition. Along the way, Crosswhite restores the traditional dignity and importance of the discipline and illuminates the twentieth-century resurgence of rhetoric among philosophers, as well as the role that rhetoric can play in future discussions of ontology, epistemology, and ethics. At a time when the fields of philosophy and rhetoric have diverged, Crosswhite returns them to their common moorings and shows us an invigorating new way forward.

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With "Aristotle's Teaching in the "Politics"", Thomas L. Pangle offers a masterly new interpretation of this classic philosophical work. It is widely believed that the Politics originated as a written record of a series of lectures given by Aristotle, and scholars have relied on that fact to explain seeming inconsistencies and instances of discontinuity throughout the text. Breaking from this tradition, Pangle makes the work's origin his starting point, reconceiving the Politics as the pedagogical tool of a master teacher. With the Politics, Pangle argues, Aristotle seeks to lead his students down a deliberately difficult path of critical thinking about civic republican life. He adopts a Socratic approach, encouraging his students - and readers - to become active participants in a dialogue. Seen from this perspective, features of the work that have perplexed previous commentators become perfectly comprehensible as artful devices of a didactic approach. Ultimately, Pangle's close and careful analysis shows that to understand the Politics, one must first appreciate how Aristotle's rhetorical strategy is inextricably entwined with the subject of his work.

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Near the end of the century, a new and terrifying disease arrives suddenly from a distant continent. Infecting people through sex, it storms from country to country, defying all drugs and medical knowledge. The deadly disease provokes widespread fear and recrimination; medical authorities call the epidemic "the just rewards of unbridled lust"; a religious leader warns that "God has raised up new diseases against debauchery." The time was the 1490s; the place, Europe; the disease, syphilis; and the religious leader was none other than John Calvin. Throughout history, Western society has often viewed sickness as a punishment for sin. It has failed to prevent and cure diseases—especially diseases tied to sex—that were seen as the retribution of a wrathful God. The Wages of Sin, the remarkable history of these diseases, shows how society's views of particular afflictions often heightened the suffering of the sick and substituted condemnation for care. Peter Allen moves from the medieval diseases of lovesickness and leprosy through syphilis and bubonic plague, described by one writer as "a broom in the hands of the Almighty, with which He sweepeth the most nasty and uncomely corners of the universe." More recently, medical and social responses to masturbation in the eighteenth and nineteenth centuries and AIDS in the twentieth round out Allen's timely and erudite study of the intersection of private morality and public health. The Wages of Sin tells the fascinating story of how ancient views on sex and sin have shaped, and continue to shape, religious life, medical practice, and private habits.

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From the beginning of the colonial period to the recent conflicts in the Middle East, encounters with the Muslim world have helped Americans define national identity and purpose. Focusing on America's encounter with the Barbary states of North Africa from 1776 to 1815, Robert Allison traces the perceptions and mis-perceptions of Islam in the American mind as the new nation constructed its ideology and system of government."A powerful ending that explains how the experience with the Barbary states compelled many Americans to look inward . . . with increasing doubts about the institution of slavery." —David W. Lesch, Middle East Journal"Allison's incisive and informative account of the fledgling republic's encounter with the Muslim world is a revelation with a special pertinence to today's international scene." —Richard W. Bulliet, Journal of Interdisciplinary History"This book should be widely read. . . . Allison's study provides a context for understanding more recent developments, such as America's tendency to demonize figures like Iran's Khumaini, Libya's Qaddafi, and Iraq's Saddam." —Richard M. Eaton, Eighteenth Century Studies

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This book is the record of a struggle between two temperaments, two consciousnesses and almost two epochs." That's how Edmund Gosse opened "Father and Son", the classic 1907 book about his relationship with his father. Seth Lerer's "Prospero's Son" is, as fits our latter days, altogether more complicated, layered, and multivalent, but at its heart is that same problem: the fraught relationship between fathers and sons. At the same time, Lerer's memoir is about the power of books and theater, the excitement of stories in a young man's life, and the transformative magic of words and performance. A flamboyantly performative father, a teacher and lifelong actor, comes to terms with his life as a gay man. A bookish boy becomes a professor of literature and an acclaimed expert on the very children's books that set him on his path in the first place. And when that boy grows up, he learns how hard it is to be a father and how much books can, and cannot, instruct him. Throughout these intertwined accounts of changing selves, Lerer returns again and again to stories - the ways they teach us about discovery, deliverance, forgetting, and remembering. "A child is a man in small letter," wrote Bishop John Earle in the seventeenth century. "His father hath writ him as his own little story." With "Prospero's Son", Seth Lerer acknowledges the author of his story while simultaneously reminding us that we all confront the blank page of life on our own, as authors of our lives.

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This ground-breaking study reveals an unorganized and previously unacknowledged religion at the heart of American culture. Nature, Albanese argues, has provided a compelling religious center throughout American history.

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In today's academe, the fields of science and literature are considered unconnected, one relying on raw data and fact, the other focusing on fiction. During the period between the Renaissance and the Enlightenment, however, the two fields were not so distinct. Just as the natural philosophers of the era were discovering in and adopting from literature new strategies and techniques for their discourse, so too were poets and storytellers finding inspiration in natural philosophy, particularly in astronomy. A work that speaks to the history of science and literary studies, "Fictions of the Cosmos" explores the evolving relationship that ensued between fiction and astronomical authority. By examining writings of Kepler, Godwin, Hooke, Cyrano, Cavendish, Fontenelle, and others, Frederique Ait-Touati shows that it was through the telling of stories - such as accounts of celestial journeys - that the Copernican hypothesis, for example, found an ontological weight that its geometric models did not provide. Ait-Touati draws from both cosmological treatises and fictions of travel and knowledge, as well as personal correspondences, drawings, and instruments, to emphasize the multiple borrowings between scientific and literary discourses. This volume sheds new light on the practices of scientific invention, experimentation, and hypothesis formation by situating them according to their fictional or factual tendencies.

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In 1978, as the protests against the Shah of Iran reached their zenith, philosopher Michel Foucault was working as a special correspondent for Corriere della Sera and Le Monde. During his little-known stint as a journalist, Foucault traveled to Iran, met with leaders like Ayatollah Khomeini, and wrote a series of articles on the revolution. Foucault and the Iranian Revolution is the first book-length analysis of these essays on Iran, the majority of which have never before appeared in English. Accompanying the analysis are annotated translations of the Iran writings in their entirety and the at times blistering responses from such contemporaneous critics as Middle East scholar Maxime Rodinson as well as comments on the revolution by feminist philosopher Simone de Beauvoir. In this important and controversial account, Janet Afary and Kevin B. Anderson illuminate Foucault's support of the Islamist movement. They also show how Foucault's experiences in Iran contributed to a turning point in his thought, influencing his ideas on the Enlightenment, homosexuality, and his search for political spirituality. Foucault and the Iranian Revolution informs current discussion on the divisions that have reemerged among Western intellectuals over the response to radical Islamism after September 11. Foucault's provocative writings are thus essential for understanding the history and the future of the West's relationship with Iran and, more generally, to political Islam. In their examination of these journalistic pieces, Afary and Anderson offer a surprising glimpse into the mind of a celebrated thinker.

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For decades, advocates of congressional reforms have repeatedly attempted to clean up the House committee system, which has been called inefficient, outmoded, unaccountable, and even corrupt. Yet these efforts result in little if any change, as members of Congress who are generally satisfied with existing institutions repeatedly obstruct what could fairly be called innocuous reforms. What lies behind the House's resistance to change? Challenging recent explanations of this phenomenon, Scott Adler contends that legislators resist rearranging committee powers and jurisdictions for the same reason they cling to the current House structure - the ambition for reelection. The system's structure works to the members' advantage, helping them obtain funding (and favor) in their districts. Using extensive evidence from three major reform periods - the 1940s, 1970s, and 1990s - Adler shows that the reelection motive is still the most important underlying factor in determining the outcome of committee reforms, and he explains why committee reform in the House has never succeeded and probably never will.

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"Buffalo Bill in Bologna" reveals that the globalization of American mass culture that seems unstoppable today began as early as the mid-nineteenth century. In fact, by the end of World War I, the United States already boasted an advanced network of culture industries that served to promote American values. Robert W. Rydell and Rob Kroes narrate how the circuses, amusement parks, vaudeville, mail-order catalogs, dime novels, and movies that developed after the Civil War - tools central to hastening the reconstruction of the country - actually doubled as agents of American cultural diplomacy abroad. As symbols of America's version of the "good life," cultural products became a primary means for people around the world, especially in Europe, to reimagine both America and themselves in the context of America's growing global sphere of influence. Paying special attention to the role of the World's Fairs, the exporting of Buffalo Bill's "Wild West" show to Europe, the release of "The Birth of a Nation", and Woodrow Wilson's creation of the Committee on Public Information, Rydell and Kroes offer an absorbing tour through America's cultural expansion at the turn of the century. "Buffalo Bill in Bologna" is thus a tour de force that recasts what has been popularly understood about this period of American and global history.

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"[Lectures in Lie Groups] fulfills its aim admirably and should be a useful reference for any mathematician who would like to learn the basic results for compact Lie groups. . . . The book is a well written basic text [and Adams] has done a service to the mathematical community."—Irving Kaplansky

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Barack Obama has called him "one of my favorite philosophers." John McCain wrote that he is "a paragon of clarity about the costs of a good war." Andrew Sullivan has said, "We need Niebuhr now more than ever." For a theologian who died in 1971, Reinhold Niebuhr is maintaining a remarkably high profile in the twenty-first century. In "Why Niebuhr Now?" acclaimed historian John Patrick Diggins tackles the complicated question of why, at a time of great uncertainty about America's proper role in the world, leading politicians and thinkers are turning to Niebuhr for answers. Diggins begins by clearly and carefully working through Niebuhr's theology, which focuses less on God's presence than his absence - and the ways that absence abets the all-too-human sin of pride. He then shows how that theology informed Niebuhr's worldview, leading him to be at the same time a strong opponent of fascism and communism and a leading advocate for humility and caution in foreign policy. Turning to the present, Diggins highlights what he argues is a misuse of Niebuhr's legacy on both the right and the left: while neoconservatives distort Niebuhr's arguments to support their call for an endless war on terror in the name of stopping evil, many liberal interventionists conveniently ignore Niebuhr's fundamental doubts about power. Ultimately, Niebuhr's greatest lesson is that, while it is our duty to struggle for good, we must be wary of hubris and acknowledge the limits of our understanding. The final work from a distinguished writer who spent his entire career reflecting on America's history and promise, "Why Niebuhr Now?" is a compact and perceptive book that will be the starting point for all future discussions of Niebuhr.

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In the shadow of the Holocaust, the Soviet Union's quiet yet brutal campaign against Polish citizens is often overlooked. Wesley Adamczyk's gripping memoir, "When God Looked the Other Way", gives voice to the hundreds of thousands of victims of Soviet barbarism. Adamczyk was a young Polish boy when he was deported with his mother and siblings from their comfortable home in Luck to Soviet Siberia in May of 1940. His father, a Polish Army officer, was taken prisoner by the Red Army and eventually became one of the victims of the Katyn massacre. The family's separation and deportation marked the beginning of a ten-year odyssey in which Adamczyk endured nearly intolerable living conditions, meager food rations, and life-threatening epidemics, first in the Soviet Union and then in Iran, where his mother succumbed to exhaustion after mounting a harrowing escape from the Soviets. A memoir of a childhood spent in unspeakable circumstances, "When God Looked the Other Way" not only illuminates one of the darkest periods of European history but also traces the loss of innocence and the fight against despair that took root in one young boy. Unflinching and poignant, "When God Looked the Other Way" stands as a testament to the trials of a family during wartime and an intimate chronicle of an atrocity yet to receive its historical due.

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The subject of murder has always held a particular fascination for us. But since at least the nineteenth century, we have seen the murderer as different from the ordinary citizen - a special individual who, like an artist or a genius, exists apart from the moral majority, a sovereign self who obeys only the destructive urge, sometimes even commanding cult followings. In contemporary culture, we continue to believe that there is something different and exceptional about killers, but is the murderer such a distinctive type? Are they degenerate beasts or supermen as they have been depicted on the page and the screen? Or are murderers something else entirely? In "The Subject of Murder", Lisa Downing explores the ways in which the figure of the murderer has been made to signify a specific kind of social subject in Western modernity. Drawing on the work of Foucault in her studies of the lives and crimes of killers in Europe and the United States, Downing interrogates the meanings of media and texts produced about and by murderers. Upending the usual treatment of murderers as isolated figures or exceptional individuals, Downing argues that they are ordinary people, reflections of our society at the intersections of gender, agency, desire, and violence.

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