Search results for ""indiana university press""

This anthology presents the best papers delivered at three conferences sponsored by the Scholarship of Teaching and Learning program at Indiana University Bloomington. The SOTL program is a systematic research and research-based program aimed at deepening and broadening the foundation of teaching practice and generating new forms of knowledge through new forms of research—forms that often focus on IU's own pedagogical practices.

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This lively volume explores the theme of friendship in the lives and works of Ralph Waldo Emerson and Henry David Thoreau. Written from diverse perspectives, the essays offer close readings of selected texts and draw on letters and journals to offer a comprehensive view of how Emerson's and Thoreau's friendships took root and bolstered their individual political, social, and ethical projects. This collection explores how Emerson and Thoreau, in their own ways, conceived of friendship as the creation of shared meaning in light of personal differences, tragedy and loss, and changing life circumstances. Emerson and Thoreau presents important reflections on the role of friendship in the lives of individuals and in global culture.

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In her follow-up to Making Music and Enriching Lives: A Guide for All Music Teachers, Bonnie Blanchard offers students a set of tools for their musical lives that will help them stay engaged, even during the challenging times in their musical development. Blanchard discusses issues such as finding an instructor, selecting the right instrument, and choosing a college or conservatory. The book includes lessons on music theory and history as well as a guide to finding additional materials in print and online. Blanchard's strategies for making practice productive and preparing for auditions are useful tips students can return to again and again.

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Christopher Ben Simpson is Assistant Professor of Philosophy and Interdisciplinary Studies at Lincoln Christian University. He is author of Caputo: A Very Critical Introduction.

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A remarkable partnership between the Indiana University School of Medicine and the Moi University School of Medicine in Kenya has built one of the most comprehensive and successful programs in the world to control HIV/AIDS. Calling upon the resources of the Americans, the ingenuity of the Kenyans, and their shared determination to care for patients who had been given up for dead, the program has been nominated for a Nobel Peace Prize and described as a miracle by the U.S. ambassador to Kenya. Doctors from Kenya and the United States—employing methods once considered unfeasible, such as successfully administered antiretroviral regimes—have created a model program for saving lives and empowering the sick and impoverished. Against formidable odds, these partners demonstrate how medicine and caring can overturn preconceived notions about Africa and help wipe out the world's most devastating pandemic.

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Looking closely at relations between Muslims and their host countries, Abdulkader H. Sinno and an international group of scholars examine questions of political representation, identity politics, civil liberties, immigration, and security issues. While many have problematized Muslims in the West, this volume takes a unique stance by viewing Muslims as a normative, and even positive, influence in Western politics. Squarely political and transatlantic in scope, the essays in this collected work focus on Islam and Muslim citizens in Europe and the Americas since 9/11, the European bombings, and the recent riots in France. Main topics include Muslim political participation and activism, perceptions about Islam and politics, Western attitudes about Muslim visibility in the political arena, radicalization of Muslims in an age of apparent shrinking of civil liberties, and personal security in politically uneasy times.

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Ask Me Now explores the relationship between the language of music and the music of language with 20 conversations on jazz and literature. Writer, editor, and saxophonist Sascha Feinstein gathers a variety of artists, poets, musicians, fiction writers, essayists, playwrights, and record producers for discussions on the elusive but engaging relationships between jazz and literature.Featured artists include central figures of the Black Arts Movement such as Amiri Baraka, Jayne Cortez, Haki R. Madhubuti, and Sonia Sanchez as well as distinguished music critics Gary Giddins, Dan Morgenstern, and Eugene B. Redmond. Winners of the Pulitzer Prize for poetry Yusef Komunyakaa and Philip Levine, outstanding jazz musicians Bill Crow and Fred Hersch, and several writers who cross literary genres: Hayden Carruth, Cornelius Eady, David Jauss, William Matthews, Lee Meitzen Grue, John Sinclair, and Al Young all contribute their thoughts to the book.

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Debra Walker King is Associate Professor of English at the University of Florida, Gainesville. Author of Deep Talk: Reading African American Literary Names, her articles and reviews have appeared in Names: the Journal of the American Name Society; Philosophy and Rhetoric; and African American Review. She also contributed essays to the Oxford Companion to African American Literature and Recovered Writers/Recovered Texts, edited by Dolan Hubbard.

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"If you want to catch up on some of the best articles written about globalisation since the topic became fashionable several years ago, this reader is the place to start." —The Economist A blue ribbon collection of major articles and position papers on the concept of globalization. By bringing together a number of major thinkers and different perspectives, this book provides a broad introduction to the topic and lays the groundwork for an interdisciplinary collaborative dialogue. Contributors include Kofi Annan, Benjamin Barber, Francis Fukuyama, Samuel Huntington, Robert Kaplan, Paul Kennedy, Walter Lacqueur, Bill McKibben, Lester Thurow, and Jeffrey Sachs.

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Fair Oaks, the Seven Days, Antietam, Fredericksburg, Gettysburg, Cold Harbor, Petersburg—the list of significant battles fought by the Second Corps, Army of the Potomac, is a long and distinguished one. This absorbing history of the Second Corps follows the unit's creation and rise to prominence, the battles that earned it a reputation for hard fighting, and the legacy its veterans sought to maintain in the years after the Civil War. More than an account of battles, Defeating Lee gets to the heart of what motivated these men, why they fought so hard, and how they sustained a spirited defense of cause and country long after the guns had fallen silent.

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This generously illustrated narrative follows the evolution of dozens of separate railroads in the Meridian, Mississippi, area from the destruction of the town's rail facilities in the 1850s through the current era of large-scale consolidation. Presently, there are only seven mega-size rail systems in the United States, three of which serve Meridian, making it an important junction on one of the nation's four major transcontinental routes. The recent creation of a nationally prominent high-speed freight line between Meridian and Shreveport, the "Meridian Speedway," has allowed the Union Pacific, Kansas City Southern, and Norfolk Southern railroads to offer the shortest rail route across the continent for Asia-US-Europe transportation.

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Arne R. Flaten is Associate Professor of Art History at Coastal Carolina University. He is co-founder and co-director of Ashes2Art: Digital Reconstructions of Ancient Monuments and of the Digital Jazz Manuscripts Archive. He is editor (with Charles Rosenberg) of a special issue of The Medal.

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Russian composer Sofia Gubaidulina (1931– ) has achieved international acclaim for her unique musical oeuvre which draws on Eastern and Western musical traditions and reflects a deep-rooted belief in the mystical and religious qualities of music. Kurtz's biography of Gubaidulina is the first in any language. Based on her papers and extensive interviews with Gubaidulina, her colleagues, and family, the book places her life and the evolution of her work within the broader cultural and political context of the post-Stalin Soviet Union. For the English edition, the text has been revised and updated and a chronology of Gubaidulina's life and a complete list of her works have been added.

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The third volume to appear in the magnum opus of A. Peter Brown takes as its topic the European symphony ca. 1800–ca. 1930 and is divided into two parts. The first part focuses on the symphonies of Germany and the Nordic countries and discusses in great detail the symphonies of Weber, Spohr, Mendelssohn, Schumann, Lindblad, Berwald, Svendsen, Gade, Nielsen, Sibelius, Berlioz, Liszt, Raff, and Strauss. Volume 3B will examine the symphonies of Great Britain, Russia, and France during the same period. Brown's series synthesizes an enormous amount of scholarly literature in a wide range of languages. It presents current overviews of the status of research, discusses important former or remaining problems of attribution, illuminates the style of specific works and their contexts, and samples early writings on their reception.

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Few philosophers have devoted more than passing attention to similarities between the thought of Søren Kierkegaard, a Danish Christian, and Emmanuel Levinas, a French Jew. Here, one of philosophy of religion's most distinctive voices offers a sustained comparison. Focusing on questions surrounding otherness, transcendence, postmodernity, and the nature of religious thought, Merold Westphal draws readers into a dialogue between the two thinkers. Westphal's masterful command of both philosophies shows that each can learn from the other. Levinas and Kierkegaard in Dialogue is an insightful and accessible contribution to philosophical considerations of ethics and religion.

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Haitian Vodou breaks away from European and American heuristic models for understanding a religio-philosophical system such as Vodou in order to form new approaches with an African ethos. The contributors to this volume, all Haitians, examine the potentially radical and transformative possibilities of the religious and philosophical ideologies of Vodou and locate its foundations more clearly within an African heritage. Essays examine Vodou’s roles in organizing rural resistance; forming political values for the transformation of Haiti; teaching social norms, values, and standards; influencing Haitian culture through art and music; merging science with philosophy, both theoretically and in the healing arts; and forming the Haitian "manbo," or priest.

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"An engaging introduction to the tortuous plight faced by exiled conversos in Amsterdam and their methods of response. Choicet; In this skillful and well-argued book Miriam Bodian explores the communal history of the Portuguese Jews . . . who settled in Amsterdam in the seventeenth century." —Sixteenth Century JournaDrawing on family and communal records, diaries, memoirs, and literary works, among other sources, Miriam Bodian tells the moving story of how Portuguese "new Christian" immigrants in 17th-century Amsterdam fashioned a close and cohesive community that recreated a Jewish religious identity while retaining its Iberian heritage.

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The Fortunes of WangrinAmadou Hampaté Bâ [note special accents on the "e" in Hampate and "a" Ba not correctly reproduced here—see ms.]Translated by Aina Pavolini Taylor with an Introduction by F. Abiola IreleWinner of the Grand Prix Litteraire de l'Afrique Noire "I think this is perhaps the best African novel on colonialism and it draws very richly on various modes of oral literature." —Ralph Austen, University of Chicago"It is a wonderful introduction to colonial rule as experienced by Africans, and in particular, to the rule of African middlemen." —Martin A. Klein, University of Toronto"The Fortunes of Wangrin is not only a wonderful novel by one of Africa's most renowned intellectuals, it is also literally filled with information about French colonization and its impact on traditional African societies, African resistance and collaboration to colonization, the impact of French education in Africa, and a host of other subjects of interest." —Francois Manchuelle, New York UniversityWangrin is a rogue and an operator, hustling both the colonial French and his own people. He is funny, outrageous, corrupt, traditional, and memorable. Bâ's book bridges the chasm between oral and written literature. The stories about Wangrin are drawn from oral sources, but in the hands of this gifted writer these materials become transformed through the power of artistic imagination and license.The Fortunes of Wangrin is a classic in Franchophone African literature.Amadou Hampaté Bâ was a distinguished Malian poet and scholar of African oral tradition and precolonial history.Aina Pavolini Taylor is an independent translator with wide experience of Africa, now living and working in Italy.F. Abiola Irele is a professor in the Department of Black Studies at Ohio State University.

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"These are pages that one reads with almost physical pain. . .all the way to its stoic conclusion." —Primo Levi"The testimony of a profoundly serious man. . . . In its every turn and crease, it bears the marks of the true." —Irving Howe, New Republic"This remarkable memoir. . .is the autobiography of an extraordinarily acute conscience. With the ear of a poet and the eye of a novelist, Amery vividly communicates the wonder of a philosopher—a wonder here aroused by the 'dark riddle' of the Nazi regime and its systematic sadism." —Jim Miller, Newsweek"Whoever has succumbed to torture can no longer feel at home in the world. The shame of destruction cannot be erased. Trust in the world, which already collapsed in part at the first blow, but in the end, under torture, fully, will not be regained. That one's fellow man was experienced as the antiman remains in the tortured person as accumulated horror. It blocks the view into a world in which the principle of hope rules. One who was martyred is a defenseless prisoner of fear. It is fear that henceforth reigns over him." —Jean AmeryAt the Mind's Limits is the story of one man's incredible struggle to understand the reality of horror. In five autobiographical essays, Amery describes his survival—mental, moral, and physical—through the enormity of the Holocaust. Above all, this masterful record of introspection tells of a young Viennese intellectual's fervent vision of human nature and the betrayal of that vision.

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Praise for Volume 1:" . . . a first-rate edition, which supersedes all other portable Peirces. . . . all the Peirce most people will ever need." —Louis Menand, The New York Review of BooksVolume 2 of this convenient two-volume chronological reader's edition provides the first comprehensive anthology of the brilliant American thinker Charles Sanders Peirce's mature philosophy. A central focus of Volume 2 is Peirce's evolving theory of signs and its appplication to his pragmatism.

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Parmenides, a lecture course delivered by Martin Heidegger at the University of Freiburg in 1942-1943, presents a highly original interpretation of ancient Greek philosophy. A major contribution to Heidegger's provocative dialogue with the pre-Socratics, the book attacks some of the most firmly established conceptions of Greek thinking and of the Greek world. The central theme is the question of truth and the primordial understanding of truth to be found in Parmenides' "didactic poem." Heidegger highlights the contrast between Greek and Roman thought and the reflection of that contrast in language. He analyzes the decline in the primordial understanding of truth—and, just as importantly, of untruth—that began in later Greek philosophy and that continues, by virtue of the Latinization of the West, down to the present day. Beyond an interpretation of Greek philosophy, Parmenides (volume 54 of Heidegger's Collected Works) offers a strident critique of the contemporary world, delivered during a time that Heidegger described as "out of joint."

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An analysis of the physics and physiology involved in playing the cello. For performers, teachers, and mature students.

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"This study of Dionysus . . . is also a new theogony of Early Greece." —Publishers Weekly"An original analysis . . . of the spiritual significance of the Greek myth and cult of Dionysus." —Theology Digest

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" . . . lively and intellectually stimulating . . . " —Speculum"Wunderli . . . has lucidly reconstructed a controversial conflict in 15th-century south-central Germany. . . . this engaging narrative takes off from Hans Behem—the peasant who claimed to see the Virgin and gained followers until crushed by the established church—to explore larger forces at work in Germany on the eve of the Reformation. . . Wunderli also attempts to sort out the violent conflict that ensued and Hans's subsequent trial. His scrupulousness and sensitivity make for a small but valuable book." —Publishers Weekly"Fascinating and well written, this is highly recommended for academic and larger public libraries." —Library Journal"Richard Wunderli . . . deftly tells the story in Peasant Fires, finding in it a foreshadowing of peasant uprisings in the 16th century." —New York Times Book Review" . . . a stimulating read . . . an engaging synthesis." —Central European HistoryIn 1476, an illiterate German street musician had a vision of the Virgin Mary and began to preach a radical social message that attracted thousands of followers—and antagonized the church. The drummer was burned at the stake. This swiftly moving narrative of his rise and fall paints a vivid portrait of 15th-century German society as it raises important questions about the craft of history."A gem of a book. . . . It has a plot, good guys and bad buys, it opens up a 'strange' world, and it is exceptionally well written." —Thomas W. Robisheaux

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Mutual aid or zakat giving is a sacred practice in Islam. In Palestinian neighborhoods of the West Bank, where the Islamic tradition shapes public life, a simple gift of money or food to a person in need can invoke the presence of God. In Divine Money, Emanuel Schaeublin shows how zakat institutions and direct zakat donations provide critical support to households in financial distress.Based on ethnographic fieldwork in the ancient city of Nablus, Divine Money analyzes how zakat institutions work in the social and political context of contemporary Palestine and explores how embedding care in Islamic scripture helps community members negotiate the social tensions that arise around differences in financial security. In the absence of a reliable public safety net, many interpret acts of zakat giving as an expression of God's generosity and evidence of His infinite ability to provide. Such invocations of the divine in charitable interactions provide both community support and a means to live a good and ethical Muslim life, even during times of political repression and economic stagnation.

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The Year's Work in Showgirls Studies is a fan culture volume that deconstructs how and why Showgirls, a 1995 drama with a female lead bent on becoming a famous performer in Las Vegas, became a much-contested cult film despite being a critical failure when it released. The collection orchestrates a conversation between scholarly essay work and archival documentation offering a magnificent representation of the array of responses generated by the film, its makers, its promoters, and its audience. A multifaceted approach to the film, its popularity, and its social relevance results in a new text for understanding normative social hierarchies of sexuality, race, and gender. The Year's Work in Showgirls Studies engages with the figurative and actual place of sex work and feminized affective labor in our society.

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Originally published in 1997, The Pianist's Bookshelf, was, according to the Library Journal, "a unique and valuable tool." Now rewritten for a modern audience, this second edition expands into the 21st century. A completely revised update, The Pianist's Bookshelf, Second Edition, comes to the rescue of pianists overwhelmed by the abundance of books, videos, and other works about the piano. In this clear, easy-to-use reference book, Maurice Hinson and Wesley Roberts survey hundreds of sources and provide concise, practical annotations for each item, thus saving the reader hours of precious research time. In addition to the main listings of entries, such as "Chamber Music" and "Piano Duet," the book has several indexes of authors, composers, and performers.A handy reference from the masters of piano bibliography, The Pianist's Bookshelf, Second Edition, will be an invaluable resource to students, teachers, and musicians.

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A new collection of essays highlighting the wide range of Buber's thought, career, and activism. Best known for I and Thou, which laid out his distinction between dialogic and monologic relations, Martin Buber (1878–1965) was also an anthologist, translator, and author of some seven hundred books and papers. Martin Buber: Creaturely Life and Social Form, edited by Sarah Scott, is a collection of nine essays that explore his thought and career.Martin Buber: Creaturely Life and Social Form shakes up the legend of Buber by decentering the importance of the I-Thou dialogue in order to highlight Buber as a thinker preoccupied by the image of relationship as a guide to spiritual, social, and political change. The result is a different Buber than has hitherto been portrayed, one that is characterized primarily by aesthetics and politics rather than by epistemology or theology. Martin Buber: Creaturely Life and Social Form will serve as a guide to the entirety of Buber's thinking, career, and activism, placing his work in context and showing both the evolution of his thought and the extent to which he remained driven by a persistent set of concerns.

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Between 1895 and 1920, the United States saw a sharp increase in commercial sound recording, the first mass medium of home entertainment. As companies sought to discover what kinds of records would appeal to consumers, they turned to performance forms already familiar to contemporary audiences—sales pitches, oratory, sermons, and stories. In A Most Valuable Medium, Richard Bauman explores the practical problems that producers and performers confronted when adapting familiar oral genres to this innovative medium of sound recording. He also examines how audiences responded to these modified and commoditized presentations. Featuring audio examples throughout and offering a novel look at the early history of sound recording, A Most Valuable Medium reveals how this new technology effected monumental change in the ways we receive information.

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The euphoria that has accompanied the birth and expansion of the internet as a "liberation technology" is increasingly eclipsed by an explosion of vitriolic language on a global scale.Digital Hate: The Global Conjuncture of Extreme Speech provides the first distinctly global and interdisciplinary perspective on hateful language online. Moving beyond Euro-American allegations of "fake news," contributors draw attention to local idioms and practices and explore the profound implications for how community is imagined, enacted, and brutally enforced around the world. With a cross-cultural framework nuanced by ethnography and field-based research, the volume investigates a wide range of cases—from anti-immigrant memes targeted at Bolivians in Chile to trolls serving the ruling AK Party in Turkey—to ask how the potential of extreme speech to talk back to authorities has come under attack by diverse forms of digital hate cultures.Offering a much-needed global perspective on the "dark side" of the internet, Digital Hate is a timely and critical look at the raging debates around online media's failed promises.

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The diary as a genre is found in all literate societies, and these autobiographical accounts are written by persons of all ranks and positions. The Diary offers an exploration of the form in its social, historical, and cultural-literary contexts with its own distinctive features, poetics, and rhetoric. The contributors to this volume examine theories and interpretations relating to writing and studying diaries; the formation of diary canons in the United Kingdom, France, United States, and Brazil; and the ways in which handwritten diaries are transformed through processes of publication and digitization. The authors also explore different diary formats, including the travel diary, the private diary, conflict diaries written during periods of crisis, and the diaries of the digital era, such as blogs. The Diary offers a comprehensive overview of the genre, synthesizing decades of interdisciplinary study to enrich our understanding of, research about, and engagement with the diary as literary form and historical documentation.

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What happens when something happens? In Thinking the Event, senior continental philosophy scholar François Raffoul undertakes a philosophical inquiry into what constitutes an event as event, its very eventfulness: not what happens or why it happens, but that it happens, and what "happening" means. If, as Leibniz posited, it is true that nothing happens without a reason, does this principle of reason have a reason? For Raffoul, the event always breaks the demands of rational thought. Bringing together philosophical insights from Heidegger, Derrida, Nancy, and Marion, Raffoul shows how the event, in its disruptive unpredictability, always exceeds causality, subjectivity, and reason. It is that "pure event," each time happening outside or without reason, which remains to be thought, and which is the focus of this work. In the final movement of the book, Raffoul takes on questions about the inappropriability of the event and the implications this carries for ethical and political considerations when thinking the event. In the wake of the exhaustion of traditional metaphysics, the notion of the event comes to the fore in an unprecedented way, with key implications for philosophy, ontology, ethics, and theories of selfhood.

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John D. Caputo stretches his project as a radical theologian to new limits in this groundbreaking book. Mapping out his summative theological position, he identifies with Martin Luther to take on notions of the hidden god, the theology of the cross, confessional theology, and natural theology. Caputo also confronts the dark side of the cross with its correlation to lynching and racial and sexual discrimination. Caputo is clear that he is not writing as any kind of orthodox Lutheran but is instead engaging with a radical view of theology, cosmology, and poetics of the cross. Readers will recognize Caputo's signature themes—hermeneutics, deconstruction, weakness, and the call—as well as his unique voice as he writes about moral life and our strivings for joy against contemporary society and politics.

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Folklorist Elaine J. Lawless has devoted her career to ethnographic research with underserved groups in the American Midwest, including charismatic Pentecostals, clergywomen, victims of domestic violence, and displaced African Americans. She has consistently focused her research on women's speech in these contexts and has developed a new approach to ethnographic research which she calls "reciprocal ethnography," while growing a detailed corpus of work on women's narrative style and expressive speech. Reciprocal ethnography is a feminist and collaborative ethnographic approach that Lawless developed as a challenge to the reflexive turn in anthropological fieldwork and research in the 1970s, which was often male-centric, ignoring the contributions by and study of women's culture. Collected here for the first time are Lawless's key articles on the topics of reciprocal ethnography and women's narrative which influenced not only folklore, but also the allied fields of anthropology, sociology, performance studies, and women's and gender studies. Lawless's methods and research continue to be critically relevant in today's global struggle for gender equality.

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Jennifer Craig-Norton sets out to challenge celebratory narratives of the Kindertransport that have dominated popular memory as well as literature on the subject. According to these accounts, the Kindertransport was a straightforward act of rescue and salvation, with little room for a deeper, more complex analysis. This volume reveals that in fact many children experienced difficulties with settlement: they were treated inconsistently by refugee agencies, their parents had complicated reasons for giving them up, and their caregivers had a variety of motives for taking them in. Against the grain of many other narratives, Craig-Norton emphasizes the use of newly discovered archival sources, which include the correspondence of refugee agencies, carers, Kinder and their parents and juxtaposes this material with testimonial accounts to show readers a more nuanced and complete picture of the Kindertransport. In an era in which the family separation of refugees has commanded considerable attention, this book is a timely exploration of the effects of family separation as it was experienced by child refugees in the age of fascism.

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Handbook for Folklore and Ethnomusicology Fieldwork offers a comprehensive review of the ethnographic process for developing a project, implementing the plan, and completing and preserving the data collected. Throughout, readers will find a detailed methodology for conducting different types of fieldwork such as digital ethnography or episodic research, tips and tricks for key elements like budgeting and funding, and practical advice and examples gleaned from the authors own fieldwork experiences. This handbook also helps fieldworkers fully grasp and understand the ways in which power, gender, ethnicity, and other identity categories are ever present in fieldwork and guides students to think through these dynamics at each stage of research. Written accessibly for lay researchers working in different mediums and on projects of varying size, this step-by-step manual will prepare the reader for the excitement, challenges, and rewards of ethnographic research.

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Discover one hundred of the greatest folk artists practicing in the United States in Folk Masters: A Portrait of America. Over the past 25 years, photographer Tom Pich has traveled the country to the homes and studios of recipients of the National Endowment for the Arts' National Heritage Fellowship, the highest honor given to folk and traditional artists in the US. His portraits give us a glimpse into their art, their process, and their culture. While each image tells a story on its own, Barry Bergey, former Director of Folk and Traditional Arts at the National Endowment for the Arts, provides further insight into the lives of each featured artist as well as the remarkable stories behind each photograph. Folk Masters honors again the extraordinary women and men who simultaneously take the traditional arts to new heights while ensuring their continuation from generation to generation.

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The German lied, or art song, is considered one of the most intimate of all musical genres—often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance.

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What impact does 40 years of war, violence, and military intervention have on a country and its people? As the "global war on terror" now stretches into the 21st century with no clear end in sight, Identity and Politics in Modern Afghanistan collects the work of interdisciplinary scholars, aid workers, and citizens to assess the impact of this prolonged conflict on Afghanistan. Nearly all of the people in Afghan society have been affected by persistent violent conflict. Identity and Politics in Modern Afghanistan focuses on social and political dynamics, issues of gender, and the shifting relationships between tribal, sectarian, and regional communities. Contributors consider topics ranging from masculinity among the Afghan Pashtun to services offered for the disabled, and from Taliban extremism to the role of TV in the Afghan culture wars. Prioritizing the perspective and experiences of the people of Afghanistan, new insights are shared into the lives of those who are hoping to build a secure future on the rubble of a violent past.

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Following the story of one middle class family as they work, eat, love, and grow, Everyday Life in Global Morocco provides a moving and engaging exploration of how world issues impact lives. Rachel Newcomb shows how larger issues like gentrification, changing diets, and nontraditional approaches to marriage and fertility are changing what the everyday looks and feels like in Morocco. Newcomb's close engagement with the Benjelloun family presents a broad range of responses to the multifaceted effects of globalization. The lived experience of the modern family is placed in contrast with the traditional expectation of how this family should operate. This juxtaposition encourages new ways of thinking about how modern the notion of globalization really is.

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Ivan Dixon's 1973 film, The Spook Who Sat by the Door, captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee's novel by the same name, the film is a searing portrayal of an American Black underclass brought to the brink of revolution. This series of critical essays situates the film in its social, political, and cinematic contexts and presents a wealth of related materials, including an extensive interview with Sam Greenlee, the original United Artists' press kit, numerous stills from the film, and the original screenplay. This fascinating examination of a revolutionary work foregrounds issues of race, class, and social inequality that continue to incite protests and drive political debate.

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This book traces the development of Azerbaijani art music from its origins in the Eastern, modal, improvisational tradition known as mugham through its fusion with Western classical, jazz, and world art music. Aida Huseynova places the fascinating and little-known history of music in Azerbaijan against the vivid backdrop of cultural life under Soviet influence, which paradoxically both encouraged and repressed the evolution of national musics and post-Soviet independence. Inspired by their neighbors to the East and West, Azerbaijani musicians enjoyed a period of remarkable creativity, composing and performing the first opera and the first ballet in the Muslim East, establishing the region's first Opera and Ballet Theater and Conservatory of Music, and discovering ways to merge the modal lyricism of mugham with the rhythmic dynamics of jazz. Drawing on previously unstudied archives, letters, and documents as well as her experience as an Azerbaijani musician and educator, Huseynova shows how Azerbaijani musical development was not a product of Soviet cultural policies but rather grew from and reflected deep and complex cultural processes.

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This is the story of a visionary leader, Lynton Keith Caldwell, who in the early 1960s introduced the study of the environment and environmental policy at a time when such areas of expertise did not exist. Caldwell was a principal architect of the National Environmental Policy Act of 1969 and is recognized as the "inventor" of the Act's important environmental impact statement provisions, now emulated around the world. For the next three decades, Caldwell played a leading role in establishing ethics-based environmental policy and administration as major areas of inquiry in the United States and around the world. Through his tireless global travels, writing, and lectures, and his work with the US Senate, the IUCN, UN, and UNESCO, Caldwell became recognized for his contributions to environmental ethics and the development of strong environmental planning and policy. This engrossing biography is based on interviews the author conducted with Caldwell and on unrestricted access to his memorabilia, photos, and records.

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Over the past decade, the popularity of cocktails has returned with gusto. Amateur and professional mixologists alike have set about recovering not just the craft of the cocktail, but also its history, philosophy, and culture. The Shaken and the Stirred features essays written by distillers, bartenders and amateur mixologists, as well as scholars, all examining the so-called 'Cocktail Revival' and cocktail culture. Why has the cocktail returned with such force? Why has the cocktail always acted as a cultural indicator of class, race, sexuality and politics in both the real and the fictional world? Why has the cocktail revival produced a host of professional organizations, blogs, and conferences devoted to examining and reviving both the drinks and habits of these earlier cultures?

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Focusing on a single Malian textile identified variously as bogolanfini, bogolan, or mudcloth, Victoria L. Rovine traces the dramatic technical and stylistic innovations that have transformed the cloth from its village origins into a symbol of new internationalism. Rovine shows how the biography of this uniquely African textile reveals much about contemporary culture in urban Africa and about the global markets in which African art circulates. Bogolan has become a symbol of national and ethnic identities, an element of contemporary, urban fashion, and a lucrative product in tourist art markets. At the heart of this beautifully illustrated book are the artists, changing notions of tradition, nationalism, and the value of cloth making and marketing on a worldwide scale.

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"Heretofore scholars have not been willing—perhaps, even been unable for many reasons both academic and personal—to identify much of the Harlem Renaissance work as same-sex oriented. . . . An important book." —Jim Elledge This groundbreaking study explores the Harlem Renaissance as a literary phenomenon fundamentally shaped by same-sex-interested men. Christa Schwarz focuses on Countée Cullen, Langston Hughes, Claude McKay, and Richard Bruce Nugent and explores these writers' sexually dissident or gay literary voices. The portrayals of men-loving men in these writers' works vary significantly. Schwarz locates in the poetry of Cullen, Hughes, and McKay the employment of contemporary gay code words, deriving from the Greek discourse of homosexuality and from Walt Whitman. By contrast, Nugent—the only "out" gay Harlem Renaissance artist—portrayed men-loving men without reference to racial concepts or Whitmanesque codes. Schwarz argues for contemporary readings attuned to the complex relation between race, gender, and sexual orientation in Harlem Renaissance writing.

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"Johnson and Petrie have produced an admirable book. Anyone who wants to make sense of Tarkovsky's films—a very difficult task in any case—must read it." —The Russian Review"This book is a model of contextual and textual analysis. . . . the Tarkovsky myth is stripped of many of its shibboleths and the thematic structure and coherence of his work is revealed in a fresh and stimulating manner." —Europe-Asia Studies"[This book,] with its wealth of new research and critical insight, has set the standard and should certainly inspire other writers to keep on trying to collectively explore the possible meanings of Tarkovsky's film world." —Canadian Journal of Film Studies"For Tarkovsky lovers as well as haters, this is an essential book. It might make even the haters reconsider." —CineasteThis definitive study, set in the context of Russian cultural history, throws new light on one of the greatest—and most misunderstood—filmmakers of the past three decades. The text is enhanced by more than 60 frame enlargements from the films.

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Over the past decade, the popularity of cocktails has returned with gusto. Amateur and professional mixologists alike have set about recovering not just the craft of the cocktail, but also its history, philosophy, and culture. The Shaken and the Stirred features essays written by distillers, bartenders and amateur mixologists, as well as scholars, all examining the so-called 'Cocktail Revival' and cocktail culture. Why has the cocktail returned with such force? Why has the cocktail always acted as a cultural indicator of class, race, sexuality and politics in both the real and the fictional world? Why has the cocktail revival produced a host of professional organizations, blogs, and conferences devoted to examining and reviving both the drinks and habits of these earlier cultures?

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