Search results for ""author joyce"

'Magnificent.' Irish Times'Much to savour.' The Times'An event in Irish culture.' TLSThe collected letters of John McGahern, 'one of the greatest writers of our era' (Hilary Mantel) and 'the most important Irish novelist since Samuel Beckett.' (Guardian)John McGahern is consistently hailed as one of the finest Irish writers since James Joyce and Samuel Beckett.This volume collects some of the witty, profound and unfailingly brilliant letters that he exchanged with family, friends and literary luminaries - such as Seamus Heaney, Colm Tóibín and Paul Muldoon - over the course of a well-travelled life.It is one of the major contributions to the study of Irish and British literature of the past thirty years, acting not just as a crucial insight into the life and works of a much-revered writer - but also a history of post-war Irish literature and its close ties to British and American literary life.'McGahern brings us that tonic gift of the best fiction, the sense of truth - the sense of transparency that permits us to see imaginary lives more clearly than we see our own.' John Updike

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This essential companion offers invaluable insights and solid, practical guidance to those keen to write for TV and radio. PART 1 explores the nature of the media. It looks at the history of writing drama and comedy for radio and TV through a consideration of its key elements and some of the most successful dramas and comedies of past and present. PART 2 includes reflections and tips from award-winning writers of film, television and radio from the UK, the US and Scandinavia: Sam Bain, Peter Bowker, Elly Brewer, Laura Eason, Ellen Fairey, Nick Fisher, Phil Ford, Jeppe Gjervig Gram, Katie Hims, Rachel Joyce, Marcy Kahan, Rebecca Lenkiewicz, Jan McVerry, Jonathan Myerson, Hattie Naylor, Richard Nelson, Andrew Nickolds, Georgia Pritchett, Mike Walker and Stephen Wyatt. PART 3 offers practical advice on technical aspects of writing for TV and radio including character development, structure and dialogue. It also gives guidance on how to deal with branches of the broadcasting industry, from agents and actors to producers and script editors.

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Seven distinguished historians explain how a national political culture developed in America. A political culture is both the collectivity of a community's values and a mode of behavior—an end as well as a process of obtaining that end which is always changing. J.G.A. Pocock examines how Americans wrote their own history rather than relying on others. Jack Greene shows how British institutions and the common law were modified by unique colonial American experiences. Richard Vernier suggests that the economic crises of the mid-1780s resulted in the triumph of a national fiscal policy enunciated by Alexander Hamilton. Andrew Robertson demonstrates how election rituals transformed the American political culture of deference into an expanded, abstract world of electoral opinion knit together by newspapers. Joyce Appleby examines the importance of literacy to the exchange of ideas that created a national political culture. She also highlights the importance of volunteer associations to effect social and economic reform in America (including the abolition of slavery). Lawrence Goldman's case study of the National Reform Association, a nineteenth-century group of radical workers, describes how the reform movement's advocacy of cheap land led to the passage of the Homestead Act in 1862. Rebecca Starr uses South Carolina to illustrate how the South developed its own political culture by the end of the eighteenth century that persisted well beyond the Civil War.

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Everyday life in the far outposts of empire can be static, empty of the excitement of progress. A pervading sense of banality and boredom are, therefore, common elements of the daily experience for people living on the colonial periphery. Saikat Majumdar suggests that this impoverished affective experience of colonial modernity significantly shapes the innovative aesthetics of modernist fiction. Prose of the World explores the global life of this narrative aesthetic, from late-colonial modernism to the present day, focusing on a writer each from Ireland, New Zealand, South Africa, and India. Ranging from James Joyce's deflated epiphanies to Amit Chaudhuri's disavowal of the grand spectacle of postcolonial national allegories, Majumdar foregrounds the banal as a key instinct of modern and contemporary fiction-one that nevertheless remains submerged because of its antithetical relation to literature's intuitive function to engage or excite. Majumdar asks us to rethink the assumption that banality merely indicates an aesthetic failure. If narrative is traditionally enabled by the tremor, velocity, and excitement of the event, the historical and affective lack implied by the banal produces a narrative force that is radically new precisely because it suspends the conventional impulses of narration.

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Building on his enormously successful series of Philosophers in 90 Minutes, Paul Strathern now applies his witty and incisive prose to brief biographical studies of the world's great writers. He brings their lives and ideas to life in entertaining and accessible fashion. Far from being a novelty, each book is a highly refined appraisal of the writer and his work, authoritative and clearly presented. Applause for Paul Strathern's Philosophers in 90 Minutes series: "Each of these little books is witty and dramatic and creates a sense of time, place, and character....I cannot think of a better way to introduce oneself and one's friends to Western civilization."—Katherine A. Powers, Boston Globe "Well-written, clear and informed, they have a breezy wit about them....I find them hard to stop reading."—Richard Bernstein, New York Times "Witty, illuminating, and blessedly concise."—Jim Holt, Wall Street Journal In preparation: Jane Austen, Borges, Cervantes, Chekhov, Conrad, Dante, Dickens, Faulkner, Hardy, Hemingway, Hugo, Henry James, Joyce, Mann, Tolstoy, Twain, Virginia Woolf.

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The Unappeasable Host: Studies in Irish Identities explores some of the tensions created when Anglo-Irish writers - Protestant in religion, of non-Irish ancestryreflected upon their preferred subject matter, Ireland and their unhyphenated Catholic contemporaries. These tensions involve the writers' sense of anxiety about their own membership in the Irish community, and at the same time their anxiety about losing their distinctive identity. Anglo-Irish writers founded modern Irish literature in English, identifying themselves with their native country and its people. Yet they often felt themselves surrounded and watched by an 'Unappeasable Host', a population that resented them. Robert Tracy discusses Irish writers who in England were considered Irish, in Ireland English - including Maria Edgeworth and Lady Morgan, the Banim brothers, Roger O'Connor, Sheridan Le Fanu, W. B. Yeats, J. M. Synge, Elizabeth Bowen - together with James Joyce, who, although neither of English ancestry nor Protestant, similarly focuses on individuals separated or excluded from the Irish life around them.

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WINNER OF SPECIAL BOOK AWARD OF CHINA 2021 In 1318, the Irish Franciscan friar and explorer James of Ireland accompanied Friar Odoric of Pordenone to the Far East, thus becoming the first Irish person in China. Since then, encounters between the Irish and the people of China have proliferated: just as Ireland gained from the plant hunters of the late Qing dynasty, so China learned eagerly from the tactics of Irish cultural nationalism early in the twentieth century. Such fruitful exchanges were made possible by parallels in their historical development, as each grew – in only a few generations – from traditional agricultural societies into modern, globalized republics. Whether it is China’s ecstatic welcome of Riverdance, Kerrygold butter and the prose of James Joyce, or Ireland’s reinvention of itself through its culture and newly multicultural society, these essays demonstrate, often in surprising ways, just how each nation has helped transform the other. With a welcome message from the President of Ireland, Michael D. Higgins, this collection of essays also celebrates four decades of Sino-Irish diplomatic relations.

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This new general introduction emphasises the importance of the short story to an understanding of modern fiction. In twenty succinct chapters, the study paints a complete portrait of the short story - its history, culture, aesthetics and economics. European innovators such as Chekhov, Flaubert and Kafka are compared to Irish, New Zealand and British practitioners such as Joyce, Mansfield and Carter as well as writers in the American tradition, from Hawthorne and Poe to Barthelme and Carver. Fresh attention is paid to experimental, postcolonial and popular fiction alongside developments in Anglo-American, Hispanic and European literature. Critical approaches to the short story are debated and reassessed, while discussion of the short story is related to contemporary critical theory. In what promises to be essential reading for students and academics, the study sets out to prove that the short story remains vital to the emerging culture of the twenty-first century. Key Features *A contemporary and theoretically informed survey *Comprehensive coverage of the short story from its folktale origins to the present day *Twenty clear topic-based chapters covering British, American and world fiction *Further reading in each chapter together with an extensive, up-to-date bibliography of primary and secondary works

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Perfect for fans of Louise Hare and Elizabeth Gilbert, On the Rooftop is a stunning story of ambition and sisterhood, dancing to the rhythm of Jazz Era San Francisco 'AN UTTERLY ORIGINAL AND BRILLIANT STORY' REESE WITHERSPOON Longlisted for the 2023 Joyce Carol Oates Prize Vivian's three daughters have been singing in harmony since before they could speak. Together they are The Salvations, the hottest jazz band in San Francisco. But Vivian wants more for her girls, and she won't stop until they've got their big break. When The Salvations receive a once-in-a-lifetime offer from a renowned talent manager, Vivian knows this is exactly what she's been praying for. But somewhere between the grind of endless rehearsals on the rooftop and the glamour of weekly gigs at the Champagne Supper Club, Ruth, Esther and Chloe grow up and start to imagine a life beyond their mother's reach. Dancing to the rhythm of Jazz Era San Fransisco, On the Rooftop is a stunning story of ambition, success, and three sisters determined to define their own future. 'It will get inside your heart, break it wide open and stay there for a long time.' Good Housekeeping

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From Ellen Datlow (“the venerable queen of horror anthologies” (New York Times) comes a new entry in the series that has brought you stories from Stephen King and Neil Gaiman comes thrilling stories, the best horror stories available. For more than four decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the thirteenth volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman, Stephen King, Stephen Graham Jones, Joyce Carol Oates, Laird Barron, Mira Grant, and many others. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness as articulated by today’s most challenging and exciting writers.

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One quiet afternoon in 2037, Joyce Denzell hears a thud in her family’s home library and finds a book lying in the middle of the room, seemingly waiting for her—a book whose copyright page says it was published in the year 2200. Over the next twenty-four hours, each of the Denzell family members discovers and reads from this mystical history book from the future, nudged along by their cat, Plato.As the various family members take turns reading, they gradually uncover the story of Gabe, Mia, and Ruth—a saga of adventure, endurance, romance, mystery, and hope that touches them all deeply. Along the way, the Denzells all begin to believe that this book that has seemingly fallen out of time and space and into their midst might actually be from the future—and that it might have something vitally important to teach them.Engaging, playful, and thought-provoking, Hope is a seven-generation-spanning vision of the future as it could be—based on scientific projections, as well as historical and legal precedence—that will leave readers grappling with questions of destiny, responsibility, and the possibility for hope in a future world.

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The city that was home to James Joyce, Maeve Binchy, Oscar Wilde, George Bernard Shaw, William Butler Yeats and scores of other brilliant men and women, is as rich, intellectually heady and welcoming a place to visit today as it ever was. The trick is how to make the most of your precious vacation time while in Dublin -- not an easy task. This book will help. It was created for independent travelers and boasts a practical, colourful format with useful, clear maps and expertly designed tours. The guide highlights the must-see places and offers knowledgeable opinion on where to stay, eat and shop. - Includes special interest tours: Dublin's Heroes; Dublin with Kids; Georgian Dublin; Vikings & Medieval Dublin, Trinity College and the Book of Kells - Details great neighbourhood walking tours - Opinionated reviews of the best nightlife, shopping and dining the city has to offer. - Helpful tips and all you need to know to make the most of your trip in the Savvy Traveler chapter. - Exact pricing so there's never any guessing - Maps to accompany every tour as well as a fold-out regional map in plastic case.

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“A painful truth of family life: the most tender emotions can change in an instant. You think your parents love you but is it you they love, or the child who is theirs?” --Joyce Carol Oates, My Life as a RatWhich should prevail: loyalty to family or loyalty to the truth? Is telling the truth ever a mistake and is lying for one’s family ever justified? Can one do the right thing, but bitterly regret it? My Life as a Rat follows Violet Rue Kerrigan, a young woman who looks back upon her life in exile from her family following her testimony, at age twelve, concerning what she knew to be the racist murder of an African-American boy by her older brothers. In a succession of vividly recalled episodes Violet contemplates the circumstances of her life as the initially beloved youngest child of seven Kerrigan children who inadvertently “informs” on her brothers, setting into motion their arrests and convictions and her own long estrangement. Arresting and poignant, My Life as a Rat traces a life of banishment from a family—banishment from parents, siblings, and the Church—that forces Violet to discover her own identity, to break the powerful spell of family, and to emerge from her long exile as a “rat” into a transformed life.

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A pianist falls grandly, helplessly in love in this elegant new novella from the twice-Booker Prize winnerThe Pole tells the story of Witold Walczykiewicz, a vigorous, white-haired pianist, who becomes infatuated with Beatriz, a stylish patron of the arts, after she helps organize his Barcelona concert.Although Beatriz, who is married, is initially unimpressed by Wittold, she soon finds herself pursued and ineluctably swept into his world. As he sends her letters, extends countless invitations to travel, and even visits her husband's summer home in Mallorca, their unlikely relationship blossoms, though only on her terms.As the power struggle between them intensifies -- Is it Beatriz who limits their passion by controlling her emotions? Or is it Witold, trying to force into life his dream of love? Evocative of Joyce's 'The Dead,' The Pole is a haunting work, evoking the 'inexhaustible palette of sensations, from blind love to compassion' (El País) typical of Coetzee's finest novels.Published together with five exceptional stories, this new work from one of our greatest writers is a must for all literary connoisseurs.

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Winner of the Jackie Kirk AwardWinner of the AESA Critics’ Choice Award“Blazes new trails in the study of the lives of girls, challenging all of us who care about justice and gender equity not only to create just and inclusive educational institutions but to be unapologetically feminist in doing so. Seamlessly merging research with the stories and voices of girls and those who educate them, this book reminds us that we should do better and inspires the belief that we can. It is the blueprint we’ve been waiting for.”—Brittney C. Cooper, author of Eloquent Rage“Nuamah makes a compelling and convincing case for the development of the type of school that can not only teach girls but also transform them…An essential read for all educators, policymakers, and parents invested in a better future.”—Joyce Banda, former President of the Republic of MalawiThis bold and necessary book points out a simple and overlooked truth: most schools never had girls in mind to begin with. That is why the world needs what Sally Nuamah calls “feminist schools,” deliberately designed to provide girls with achievement-oriented identities. And she shows how these schools would help all students, regardless of their gender.Educated women raise healthier families, build stronger communities, and generate economic opportunities for themselves and their children. Yet millions of disadvantaged girls never make it to school—and too many others drop out or fail. Upending decades of advice and billions of dollars in aid, Nuamah argues that this happens because so many challenges girls confront—from sexual abuse to unequal access to materials and opportunities—go unaddressed. But it isn’t enough just to go to school. What you learn there has to prepare you for the world where you’ll put that knowledge to work.A compelling and inspiring scholar who has founded a nonprofit to test her ideas, Nuamah reveals that developing resilience is not a gender-neutral undertaking. Preaching grit doesn’t help girls; it actively harms them. Drawing on her deep immersion in classrooms in the United States, Ghana, and South Africa, Nuamah calls for a new approach: creating feminist schools that will actively teach girls how and when to challenge society’s norms, and allow them to carve out their own paths to success.

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Capital punishment for murder was suspended in Great Britain in 1965, an Act finally made permanent in 1969, but remained as the punishment for treason until as recently as 1998, demonstrating how seriously we take the crime of betraying your country. But even with the threat of the noose hanging over them, many still chose the path of treachery during the cataclysmic events of last century. British Traitors examines the lives and motivations of a number of the perpetrators of this most heinous of crimes, following the footsteps of Fascist traitors such as William Joyce (Lord Haw-Haw) and John Amery to the gallows, investigating what drove men such as Wilfred Macartney and John Herbert King to betray their country during the war to end all wars and delving into the mysterious web of espionage and subterfuge surrounding the Cambridge Spy Ring that spied for the Soviet Union from the nineteen-thirties until the early nineteen-fifties. People commit treason for many reasons - some seek adventure, some seek reward, some are motivated by political philosophy, while others are sucked into it by their own foolishness. British Traitors provides a fascinating look at the lives and impulses of those who chose to betray their country.

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From Ellen Datlow—“the venerable queen of horror anthologies” per the New York Times—comes a new entry in the series that has brought you thrilling stories from Stephen King and Neil Gaiman, the best horror stories available. For more than four decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the fourteenth volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman, Stephen King, Stephen Graham Jones, Joyce Carol Oates, Laird Barron, Mira Grant, and many others. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness as articulated by today’s most challenging and exciting writers.

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When the avant-gardist John Cage died, he was already the subject of many interviews, memoirs and discussions of his contribution to music, music theory and performance practice. This text includes a revisionist treatment of the way Cage himself has composed and been "composed" in America. A disciple of Duchamp and Schoenberg, Satie and Joyce, Cage created compositions that undercut some of these artists' central principles and then attributed his own compositional theories to their "tradition." Following the text of Cage's "Overpopulation and Art," delivered at Stanford shortly before his death, ten critics respond to the complexity and contradiction exhibited in his work. In keeping with Cage's own interdisciplinarity, the critics approach the work from a variety of disciplines: philosophy (Daniel Herwitz, Gerald L. Bruns), biography and cultural history (Thomas S. Hines), game and chaos theory (N. Katherine Hayles), music culture (Jann Pasler), opera history (Herbert Lindenberger), literary and art criticism (Marjorie Perloff), cultural poetics (Gordana P. Crnkovic, Charles Junkerman), and poetic practice (Joan Retallack).

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Building on the success and importance of three previous volumes, Relational Psychoanalysis continues to expand and develop the relational turn. Under the keen editorship of Lewis Aron and Adrienne Harris, and comprised of the contributions of many of the leading voices in the relational world, Volume 5 carries on the legacy of this rich and diversified psychoanalytic approach by taking a fresh look at the progress in therapeutic process. Included here are chapters on transference and countertransference, engagement, dissociation and self-states, analytic impasses, privacy and disclosure, enactments, improvisation, development, and more. Thoughtful, capacious, and integrative, this new volume places the leading edge of relational thought close at hand, and pushes the boundaries of the relational turn that much closer to the horizon.Contributors: Lewis Aron, Anthony Bass, Beatrice Beebe, Philip Bromberg, Steven Cooper, Jody Messler Davies, Darlene Ehrenberg, Dianne Elise, Glen Gabbard, Adrienne Harris, Irwin Hoffman, Steven Knoblauch, Thomas Ogden, Spyros Orfanos, Stuart Pizer, Philip Ringstrom, Jill Salberg, Stephen Seligman, Joyce Slochower, Donnel Stern, Paul Wachtel.

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This collection looks beyond the literary, religious, and philosophical aspects of Chaucer’s texts to a new mode of interdisciplinary scholarship: one that celebrates the richness of Chaucer’s visual poetics. The twelve illustrated essays make connections between Chaucer’s texts and various forms of visual data, both medieval and modern.Basing their approach on contemporary understandings of interplay between text and image, the contributors examine a wealth of visual material, from medieval art and iconographical signs to interpretations of Chaucer rendered by contemporary artists. The result uncovers interdisciplinary potential that deepens and informs our understanding of Chaucer’s poetry in an age in which digitization makes available a wealth of facsimiles and other visual resources.A learned assessment of imagery and Chaucer’s work that opens exciting new paths of scholarship, Chaucer: Visual Approaches will be welcomed by scholars of literature, art history, and medieval and early modern studies.The contributors are Jessica Brantley, Joyce Coleman, Carolyn P. Collette, Alexandra Cook, Susanna Fein, Maidie Hilmo, Laura Kendrick, Ashby Kinch, David Raybin, Martha Rust, Sarah Stanbury, and Kathryn R. Vulić.

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'Brilliant. Searching and profound' E.H. Carr, Times Literary Supplement'When reading Isaiah Berlin we breathe an altogether different air' New York Review of Books'Beautifully written' W. H. Auden, New Yorker'Ingenious. Exactly what good critical writing should be' Max Beloff, GuardianThe fox knows many things, but the hedgehog knows one big thing.For Isaiah Berlin, there is a fundamental distinction in mankind: those who are fascinated by the infinite variety of things - foxes - and those who relate everything to a central all-embracing system - hedgehogs. It can be applied to the greatest creative minds: Dante, Ibsen and Proust are hedgehogs, while Shakespeare, Aristotle and Joyce are foxes.Yet when Berlin reaches the case of Tolstoy, he finds a fox by nature, but a hedgehog by conviction; a duality which holds the key to understanding Tolstoy's work, illuminating a paradox of his philosophy of history and showing why he was frequently misunderstood by his contemporaries and critics.With a foreword by Michael IgnatieffA W&N Essential

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Drawing on a rich heritage of Irish, English, Ulster Scots, Shelta, Hindustani, Swahili and many other linguistic resources, Hiberno-English has retained both its inventiveness and its vigour in a country which now plays host to some 167 languages, suggesting that Ireland will continue to make new words for old in the spirit of its own highly distinctive idiom. From the reviews of previous editions ‘This is worth its weight in gold-dust, for at last we have a proper, and often improper, dictionary of Irish slang.’ Hugh Leonard, Sunday Independent ‘Joyce would have loved it.’ John Boland, The Times (London) ‘The book can take its place on the shelf beside the great Eric Partridge himself and there is no greater tribute.’ Sean McMahon, Irish Independent ‘Slanguage is an exceptionally well researched work of reference.’ John Slevin, RTÉ Guide ‘Much of the book is a joy to read.’ Brian Griffin, International Journal of Lexicography ‘This is quite simply an outstandingly brilliant piece of Sherlock-Holmesing, characterised by both authenticity and wit.’ Aubrey Malone, Books Ireland

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Dr. Zanardi approaches the development of psychoanalytic theories of women on two fronts: the psychoanalytic and the political. The first part includes papers by Ruth Mack Brunswick, Melanie Klein, Janine Chasseguet-Smirgel, D. W. Winnicott, Joyce Macdougal, Edith Jacobsen, Annie Reich, and Judith Kestenberg, among others, illustrating the psychoanalytic development concerning female sexuality from the 1940s on. the different views - Freudian, Kleinian, Horneyan, object relation, and Lacanian - are presented, showing both American and European views to underline their theoretical differences. Controversial issues - phallocentrism, penis envy, homosexuality, masochism, wish for a child - are brought into focus and analyzed from different theoretical and clinical points of view. The second part draws attention to the influence of the Women's Liberation Movement on psychoanalytic theory. The papers included show attempts to integrate psychoanalysis into the ideological political discourse. It includes the work of leading feminists and psychoanalysts in the United States and Europe, including Carol Gilligan, Dorothy Dinnerstein, Jean Baker Miller, Juliet Mitchell, Luce Irigaray, and Julia Kristeva.

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From the dawn of history to the decline of the Celtic Tiger - how Ireland has been shaped over the centuries. Ireland has been shaped by many things over the centuries: geography, war, the fight for liberty. A Brief History of Ireland is the perfect introduction to this exceptional place, its people and its culture. Ireland has been home to successive groups of settlers - Celts, Vikings, Normans, Anglo-Scots, Huguenots. It has imported huge ideas, none bigger than Christianity which it then re-exported to Europe after the fall of the Roman Empire. In the Tudor era it became the first colony of the developing English Empire. Its fraught and sometimes brutal relationship with England has dominated its modern history. Killeen argues that religion was decisive in all this: Ireland remained substantially Catholic, setting it at odds with the larger island culturally, religiously and politically. But its own culture and identity have stayed strong, most obviously in literature with a magnificent tradition of writing from the Book of Kells to the modern masters: Joyce, Yeats, Beckett and Heaney.

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More than three thousand years ago a sculptor working in the royal city of Amarna carved a limestone bust of an Egyptian queen. The queen was Nefertiti, consort of the 'heretic pharaoh' Akhenaten. Plastered and painted, Nefertiti's bust depicted an extraordinarily beautiful woman. However, Akhenaten's reign was drawing to an end, and the royal family was soon to be written out of Egypt's official history. Not long after its creation the stone Nefertiti was locked in a storeroom and forgotten. In 1912 the bust was re-discovered and transported to Germany. Initially hidden from the public view, the beautiful queen was eventually displayed in Berlin Museum. Instantly, she became an ancient world celebrity. Egypt has yielded more than its fair share of artistic masterpieces, but no other sculpture has so successfully bridged the gap between the ancient and modern worlds. The timeless beauty of the Nefertiti bust both attracts us and sparks our imagination, but in so doing it obscures our view of the past, shifting attention not only from the other members of the Amarna court, but also from other, equally valid, representations of Nefertiti herself. In this book Joyce Tyldesley explores the creation of a cultural icon, from its ancient origins to its modern context: its discovery, its display, and its dual role as a political pawn and artistic inspiration.

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~ The Irish contemporary classic in a beautiful new edition ~ 'Weren't you never out for an easy dip?' he asked . . . 'I don't mean the baths, I mean with a pal. For a lark like.' Out at the Forty Foot, that great jut of Dublin rock where gentlemen bathe in the scandalous nude, two boys meet day after day. There they make a pact: that Doyler will teach Jim to swim, and in a year, they will swim the bay to the distant beacon of the Muglins rock, to raise the Green and claim it for themselves. As a turbulent year drives inexorably towards the Easter Rising of 1916 and Ireland sets forth on a path to uncertain glory, a tender, secret love story unfolds. Written with verve and mastery in a modern Irish tradition descended from James Joyce and Flann O'Brien, At Swim, Two Boys is a shimmering novel of unforgettable ambition, intensity and humanity. 'One of the greatest Irish novels ever written' David Marcus 'The music of Jamie O'Neill's prose creates a new Irish symphony' Peter Ackroyd 'Heartachingly beautiful' Independent on Sunday 'A vivid picture of human freedom' Sunday Times

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WINNER OF THE WILBUR SMITH ADVENTURE WRITING PRIZE | BEST PUBLISHED NOVELWOMAN & HOME BEST BOOKS OF THE YEAR and A NEW YORK TIMES BESTSELLER'The perfect escape novel for our troubled times.' PATRICK GALEIt is 1950. In a devastating moment of clarity, Margery Benson abandons her dead-end job and advertises for an assistant to accompany her on an expedition. She is going to travel to the other side of the world to search for a beetle that may or may not exist. Enid Pretty, in her unlikely pink travel suit, is not the companion Margery had in mind. And yet together they will be drawn into an adventure that will exceed every expectation. They will risk everything, break all the rules, and at the top of a red mountain, discover their best selves. This is a story that is less about what can be found than the belief it might be found; it is an intoxicating adventure story but it is also about what it means to be a woman and a tender exploration of a friendship that defies all boundaries.'A girl's own adventure...This is Rachel Joyce's best book yet ...Exciting, moving and full of unexpected turns.' THE TIMES 'Brilliant and elegant and wise...powerful and moving...I can't recommend it enough.' JOANNA CANNON 'A beautiful portrayal of female friendship in all its frailties, contradictions and strengths.' RAYNOR WINNWOMAN & HOME BEST BOOKS OF THE YEAR 2020; DAILY MAIL BEST BOOKS OF THE YEAR 2020; BOOKMARK BOOK OF THE YEAR 2020; GOOD HOUSEKEEPING BEST BOOKS OF THE YEAR 2020

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Presents essays by leading short-story writers on their favorite American short stories and why they like them. It will send readers to the library or bookstore to read - or re-read - the stories selected. On the assumption that John Updike was correct when he asserted, in a 1978 letter to Joyce Carol Oates, that "Nobody can read like a writer," Why I Like This Story presents brief essays by forty-eight leading American writers on their favorite American short stories, explaining why they like them. The essays, which are personal, not scholarly, not only tell us much about the story selected, they also tell us a good deal about the author of the essay, about what elements of fiction he or she values. Among the writers whose stories are discussed are such American masters as James, Melville, Hemingway, O'Connor, Fitzgerald, Porter, Carver, Wright, Updike, Bellow, Salinger,Malamud, and Welty; but the book also includes pieces on stories by canonical but lesser-known practitioners such as Andre Dubus, Ellen Glasgow, Kay Boyle, Delmore Schwartz, George Garrett, Elizabeth Tallent, William Goyen, Jerome Weidman, Peter Matthiessen, Grace Paley, William H. Gass, and Jamaica Kincaid, and relative newcomers such as Lorrie Moore, Kirstin Valdez Quade, Phil Klay, Viet Thanh Nguyen, and Edward P. Jones. Why I Like This Story will send readers to the library or bookstore to read or re-read the stories selected. Among the contributors to the book are Julia Alvarez, Andrea Barrett, Richard Bausch, Ann Beattie, Andre Dubus, George Garrett, William H. Gass, Julia Glass, Doris Grumbach, Jane Hamilton, Jill McCorkle, Alice McDermott, Clarence Major, Howard Norman, Annie Proulx, Joan Silber, Elizabeth Spencer, and Mako Yoshikawa. Editor Jackson R. Bryer is Professor Emeritus of English at the University of Maryland.

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Istanbul, through the mind of its most celebrated writer. ** PRE-ORDER NIGHTS OF PLAGUE, THE NEW NOVEL FROM ORHAN PAMUK **Winner of the Nobel Prize for Literature'A declaration of love.' Sunday Times'A fascinating read for anyone who has even the slightest acquaintance with this fabled bridge between east and west.' The Economist'An irresistibly seductive book' Jan Morris, GuardianIn a surprising and original blend of personal memoir and cultural history, Turkey's most celebrated novelist, Orhan Pamuk, explores his home of more than fifty years.What begins as a portrait of the artist as a young man becomes a shimmering evocation, by turns intimate and panoramic, of one of the world's greatest cities. Beginning in the family apartment building where he was born, and still lives, Pamuk uses his family secrets to show how they were typical of their time and place. He then guides us through Istanbul's monuments and lost paradises, dilapidated Ottoman villas, back streets and waterways, and introduces us to the city's writers, artists and murderers.Like Joyce's Dublin and Borges' Buenos Aires, Pamuk's Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.

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Concebida por Hermann Broch (1886-1951) en las cinco semanas que estuvo encarcelado en Alt-Ausse, tras ser detenido por la Gestapo, " La muerte de Virgilio " (1945) es sin lugar a dudas una de las obras fundamentales de la narrativa del siglo XX, pudiendo equiparase su influencia a la de las grandes obras de Kafka o Joyce. En la novela, situada en la época del emperador romano Augusto, el poeta Virgilio, en las horas anteriores a su muerte, cae en un duermevela en el que se funden el pasado y el presente, el sueño y la vigilia, lo tangible y la alucinación. Dilatada al máximo su capacidad de percepción por su progresivo desprendimiento de la realidad, lleva a cabo un minucioso análisis de su entorno físico y mental que se corresponde en la forma con una exploración profunda de las posibilidades del lenguaje.

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Thomas Hardy notes the thrush’s ‘full-hearted evensong of joy illimited’, Gilbert White observes how swallows sweep through the air but swifts ‘dash round in circles’ and Rachel Carson watches sanderlings at the ocean’s edge, scurrying ‘across the beach like little ghosts’. From early times, we have been entranced by the bird life around us. This anthology brings together poetry and prose in celebration of birds, records their behaviour, flight, song and migration, the changes across the seasons and in different habitats – in woodland and pasture, on river, shoreline and at sea – and our own interaction with them. From India to America, from China to Rwanda, writers marvel at birds – the building of a long-tailed tit’s nest, the soaring eagle, the extraordinary feats of migration and the pleasures to be found in our own gardens. Including extracts by Geoffrey Chaucer, Dorothy Wordsworth, Richard Jefferies, Charles Darwin, James Joyce, John Keats, Charlotte Brontë, Emily Dickinson, Anton Chekhov, Kathleen Jamie, Jonathan Franzen and Barbara Kingsolver among many others, this rich anthology will be welcomed by bird-lovers, country ramblers and anyone who has taken comfort or joy in a bird in flight.

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¡El campeonato de béisbol está en pleno apogeo en el Zoológico de todos los Días. Pero Bruno la jirafa, el lanzador estrella, no se está concentrando en el juego. Se siente muy mal por algo que ha hecho. Necesita arreglar la situación; volver a tener una buena relación con un amigo, y hallar la paz que tenemos cuando hacemos lo que es correcto ante los ojos de Dios. Pero, ¿podrá hacerlo a tiempo para poder ganar el juego? El entrenador lo rodea con un brazo, y le dice: «Cuando tomamos buenas decisiones que le agradan a Dios, nos sentimos tranquilos y en paz por dentro. ¿Te sientes en paz después de lo que has hecho?»De esa manera, Joyce Meyer, la famosa escritora, maestra y evangelista de la televisión y la radio, presenta a un nivel comprensible para la mente y el corazón de los niños el principio del valor que tienen la amistad y la restauración de las relaciones dañadas, tanto a los ojos del ser humano, como a los ojos de Dios.

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One of the secrets to Bruce Springsteen’s enduring popularity over the past fifty years is the way fans feel a deep personal connection to his work. Yet even as the connection often stays grounded in details from his New Jersey upbringing, Springsteen’s music references a rich array of personalities from John Steinbeck to Amadou Diallo and beyond, inspiring fans to seek out and connect with a whole world’s worth of art, literature, and life stories. In this unique blend of memoir and musical analysis, John Massaro reflects on his experiences as a lifelong fan of The Boss and one of the first professors to design a college course on Springsteen’s work. Focusing on five of the Jersey rocker’s main themes—love, masculinity, sports, politics, and the power of music—he shows how they are represented in Springsteen’s lyrics and shares stories from his own life that powerfully resonate with those lyrics. Meanwhile, paying tribute to Springsteen’s inclusive vision, he draws connections among figures as seemingly disparate as James Joyce, Ta-Nehisi Coates, Thomas Aquinas, Bobby Darin, and Lin-Manuel Miranda. Shades of Springsteen offers a deeply personal take on the musical and cultural legacies of an American icon.

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Modernist writers, critics, and artists sparked a fresh and distinctive interpretation of Shakespeare's plays which has proved remarkably tenacious, as Richard Halpern explains in this lively and provocative book. The preoccupations of such high modernists as T. S. Eliot, Wyndham Lewis, and James Joyce set the tone for the critical reception of Shakespeare in the twentieth century. Halpern contends their habits of thought continue to dominate postmodern schools of criticism that claim to have broken with the modernist legacy. Halpern addresses such topics as imperialism and modernism's cult of the primitive, the rise of mass culture, modernist anti-semitism, and the aesthetic of the machine. His discussion considers figures as diverse as Orson Welles and Arnold Schwarzenegger, and Shakespeare critics including Northrop Frye, Cleanth Brooks, Stephen Greenblatt, and Stanley Cavell. Shakespeare's works have been subjected to a continuing process of historical reinterpretation in which every new era has imposed its own cultural and ideological presuppositions on the plays. The most enduring contribution of modernism, Halpern suggests, has been the juxtaposition of an awareness of historical distance and a mapping of Shakespeare's plays onto the present. Using modernist themes and approaches, he constructs new readings of four Shakespeare plays.

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“It gives me a secret pleasure to observe the fair character our family has in the place by Jews & Christians,“Abigail Levy Franks wrote to her son from New York City in 1733. Abigail was part of a tiny community of Jews living in the new world. In the centuries that followed, as that community swelled to several millions, women came to occupy diverse and changing roles. American Jewish Women’s History, an anthology covering colonial times to the present, illuminates that historical diversity. It shows women shaping Judaism and their American Jewish communities as they engaged in volunteer activities and political crusades, battled stereotypes, and constructed relationships with their Christian neighbors. It ranges from Rebecca Gratz’s development of the Jewish Sunday School in Philadelphia in 1838 to protest the rising prices of kosher meat at the turn of the century, to the shaping of southern Jewish women's cultural identity through food. There is currently no other reader conveying the breadth of the historical experiences of American Jewish women available. The reader is divided into four sections complete with detailed introductions. The contributors include: Joyce Antler, Joan Jacobs Brumberg, Alice Kessler-Harris, Paula E. Hyman, Riv-Ellen Prell, and Jonathan D. Sarna.

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“It gives me a secret pleasure to observe the fair character our family has in the place by Jews & Christians,“Abigail Levy Franks wrote to her son from New York City in 1733. Abigail was part of a tiny community of Jews living in the new world. In the centuries that followed, as that community swelled to several millions, women came to occupy diverse and changing roles. American Jewish Women’s History, an anthology covering colonial times to the present, illuminates that historical diversity. It shows women shaping Judaism and their American Jewish communities as they engaged in volunteer activities and political crusades, battled stereotypes, and constructed relationships with their Christian neighbors. It ranges from Rebecca Gratz’s development of the Jewish Sunday School in Philadelphia in 1838 to protest the rising prices of kosher meat at the turn of the century, to the shaping of southern Jewish women's cultural identity through food. There is currently no other reader conveying the breadth of the historical experiences of American Jewish women available. The reader is divided into four sections complete with detailed introductions. The contributors include: Joyce Antler, Joan Jacobs Brumberg, Alice Kessler-Harris, Paula E. Hyman, Riv-Ellen Prell, and Jonathan D. Sarna.

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1922 was a year of great turbulence and upheaval. Its events reverberated throughout the rest of the twentieth century and still affect us today, 100 years later. Empires fell. The Ottoman Empire collapsed after more than six centuries. The British Empire had reached its greatest extent but its heyday was over. The Irish Free State was declared and demands for independence in India grew. New nations and new politics came into existence. The Soviet Union was officially created and Mussolini's Italy became the first Fascist state. In the USA, Prohibition was at its height. The Hollywood film industry, although rocked by a series of scandals, continued to grow. A new mass medium - radio - was making its presence felt and, in Britain, the BBC was founded. In literature it was the year of peak modernism. Both T. S. Eliot's The Waste Land and James Joyce's Ulysses were first published in full. In society, already changed by the trauma of war and pandemic, the morals of the past seemed increasingly outmoded; new ways of behaving were making their appearance. The Roaring Twenties had begun to roar and the Jazz Age had arrived. In a sequence of vividly written sketches, Nick Rennison conjures up all the drama and diversity of an extraordinary year.

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Though often defined as having opposite aims, means, and effects, modernism and modern propaganda developed at the same time and influenced each other in surprising ways. The professional propagandist emerged as one kind of information specialist, the modernist writer as another. Britain was particularly important to this double history. By secretly hiring well-known writers and intellectuals to write for the government and by exploiting their control of new global information systems, the British in World War I invented a new template for the manipulation of information that remains with us to this day. Making a persuasive case for the importance of understanding modernism in the context of the history of modern propaganda, Modernism, Media, and Propaganda also helps explain the origins of today's highly propagandized world. Modernism, Media, and Propaganda integrates new archival research with fresh interpretations of British fiction and film to provide a comprehensive cultural history of the relationship between modernism and propaganda in Britain during the first half of the twentieth century. From works by Joseph Conrad to propaganda films by Alfred Hitchcock and Orson Welles, Mark Wollaeger traces the transition from literary to cinematic propaganda while offering compelling close readings of major fiction by Virginia Woolf, Ford Madox Ford, and James Joyce.

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What might become of anthropology if it were to suspend its sometime claims to be a social science? What if it were to turn instead to exploring its affinities with art and literature as a mode of engaged creative practice carried forward in a world heterogeneously composed of humans and other than humans? Stuart McLean claims that anthropology stands to learn most from art and literature not as “evidence” to support explanations based on an appeal to social context or history but as modes of engagement with the materiality of expressive media—including language—that always retain the capacity to disrupt or exceed the human projects enacted through them. At once comparative in scope and ethnographically informed, Fictionalizing Anthropology draws on an eclectic range of sources, including ancient Mesopotamian myth, Norse saga literature, Hesiod, Lucretius, Joyce, Artaud, and Lispector, as well as film, multimedia, and performance art, along with the concept of “fabulation” (the making of fictions capable of intervening in and transforming reality) developed in the writings of Bergson and Deleuze. Sharing with proponents of anthropology’s recent “ontological turn,” McLean insists that experiments with language and form are a performative means of exploring alternative possibilities of collective existence, new ways of being human and other than human, and that such experiments must therefore be indispensable to anthropology’s engagement with the contemporary world.

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We are a century removed from Queen Victoria's death, yet the culture that bears her name is alive and well across the globe. Not only is Victorian culture the subject of lively critical debate, but it draws widespread interest from popular audiences and consumers. Functions of Victorian Culture at the Present Time addresses the theme of the Victorians' continuing legacy and its effect on our own culture and perception of the world. The contributors' diverse topics include the persistent influence of Jack the Ripper on police procedures, the enormous success of the magazine Victoria and the lifestyle it promotes, and film, television, and theatrical adaptations of Victorian texts. Also addressed are appropriations of Oscar Wilde to market gay identity in contemporary advertising, and appeals to the Victorian empire in constructing the 'New Britain' for the era of globalization. Functions of Victorian Culture at the Present Time encourages a critique of how these artifacts contribute to contemporary culture and confronts the challenges of disseminating the older culture in the new millennium. The contributors include Simon Joyce, Ronald R. Thomas, Miriam Bailin, Ellen Bayuk Rosenman, Jesse Matz, Sharon Aronofsky Weltman, Kathleen Lonsdale, Christine L. Krueger, Florence Boos, David Barndollar, Susan Schorn, and Sue Lonoff.

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*A COMPANION TO THE BOOK BLESSED IN THE MESS*Life is often messy. We hear people say, "My life is a mess," or "This situation is a mess." What they mean is that life has become difficult, painful or confusing. But God never promised us a trouble-free life. In fact, His Word tells us to expect the opposite. In John 16:33, Jesus says, "In this world you will have trouble. But take heart! I have overcome the world" (NIV).In Blessed in the Mess Study Guide, beloved Bible teacher Joyce Meyer shows us how to be blessed in the midst of life's most challenging circumstances. The Bible is filled with instructions on how to handle ourselves when difficulty comes our way, and this companion study guide shares that wisdom through poignant and practical teaching that equips us to remain stable and hopeful in every situation. No matter what problems we may face, there is a way to remain joyful and patient as God works on them. If you have not handled the messy issues or challenges in your life well in the past, then with God's help, you can begin to manage them better, starting now.We should never waste our pain. Through the wisdom distilled in this study guide, we can learn how to gain something from our messes, use those insights to avoid trouble in the future, and share our experiences to help other people find blessings in the midst of their messes.

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Considerado el secreto mejor guardado de la literatura sureña de Estados Unidos, William Goyen es un autor sorprendentemente poco conocido cuya obra, sin embargo, ha sido objeto de admiración de autores como Albert Camus, Joyce Carol Oates o Truman Capote, quien lo apadrinó en sus inicios literarios. Los cuentos de William Goyen, publicados aquí íntegramente en español por primera vez, nos llevan hasta el Texas rural de su infancia, en el que hombres, mujeres y niños condenados por la presencia obsesiva del recuerdo vagan por calles y paisajes en los que se confunden los vivos con los muertos. Un tono mítico y un ritmo hipnótico mecen al lector en su trayecto por estas páginas dulces y turbadoras; un canto que sondea los misterios del alma y descubre el poder de curación que esconden las palabras.

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This book is ideal for beginners, improvers and those serious about growing tasty, healthy organic fruit and vegetables. It will empower readers to grow food for a family, and help work out how to get the best results. Many books give sowing and growing instructions for a multitude of crops, but few give space to the techniques and tips that make gardening easier and that help anyone to grow healthy, sustainable food. Some of the techniques are developed from Joyce’s own trials and observations; others are classic techniques that are still useful now. With a bit more detail, and a step-by-step project, a technique becomes much easier to follow and understand. There’s something here for everyone: whether you grow in a small back yard and want to know how to raise salad in buckets, or if you have a large allotment where you want to improve pollination, or make your own liquid feeds. The book makes several promises to its readers. Firstly, by following its advice you will grow great fruit and vegetables. Next, the knowledge you gain will save you time as well as money. Third, you'll enjoy the gardening journey and the discoveries made along the way. Fourth, you'll find greener and cleaner ways of doing things, and you'll improve your skills, methods and habits. Find out how to rotate your vegetables so they stay healthy and well-fed, to preserve choice crops for the freshest taste, to improve the soil organically and sustainably, and to produce home made fertiliser from the leaves of your comfrey crop.

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One of the secrets to Bruce Springsteen’s enduring popularity over the past fifty years is the way fans feel a deep personal connection to his work. Yet even as the connection often stays grounded in details from his New Jersey upbringing, Springsteen’s music references a rich array of personalities from John Steinbeck to Amadou Diallo and beyond, inspiring fans to seek out and connect with a whole world’s worth of art, literature, and life stories. In this unique blend of memoir and musical analysis, John Massaro reflects on his experiences as a lifelong fan of The Boss and one of the first professors to design a college course on Springsteen’s work. Focusing on five of the Jersey rocker’s main themes—love, masculinity, sports, politics, and the power of music—he shows how they are represented in Springsteen’s lyrics and shares stories from his own life that powerfully resonate with those lyrics. Meanwhile, paying tribute to Springsteen’s inclusive vision, he draws connections among figures as seemingly disparate as James Joyce, Ta-Nehisi Coates, Thomas Aquinas, Bobby Darin, and Lin-Manuel Miranda. Shades of Springsteen offers a deeply personal take on the musical and cultural legacies of an American icon.

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Kate Stewart and her UNIT team investigate and confront alien attacks on the planet Earth in this new five disc boxset. Contains four stories: 6.1 Game Theory by Matt Fitton, 6.2 Telepresence by Guy Adams, 6.3 Code Silver by Guy Adams, 6.4 Master of Worlds by Matt Fitton. Launching with 2015's Extinction, UNIT – The New Series was the first Big Finish range to use characters from the BBC mega-hit 21st century relaunching of Doctor Who! A thrilling full-cast audio with cinematic sound design and music starring Jemma Redgrave and Ingrid Oliver who reprise the popular characters of Kate Stewart and Petronella Osgood as seen on TV, in stories such as the globally cinema-screened Doctor Who - Day of the Doctor. This set has some fan favourites – from Sir Derek Jacobi reprising his chilling take on The Master from the TV version of Doctor Who, to a long-awaited confrontation with iconic monster the Cybermen! CAST: Jemma Redgrave (Kate Stewart),Ingrid Oliver (Osgood), James Joyce (Captain Josh Carter), Ramon Tikaram (Colonel Shindi), Warren Brown (Sam Bishop), Derek Jacobi (The War Master) and Nicholas Briggs (The Cybermen).

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The Spirit of Modern Republicanism sets forth a radical reinterpretation of the foundations on which the American regime was constructed. Thomas L. Pangle argues that the Founders had a dramatically new vision of civic virtue, religious faith, and intellectual life, rooted in an unprecedented commitment to private and economic liberties. It is in the thought of John Locke that Pangle finds the fullest elaboration of the principles supporting the Founders' moral vision. "A work of extraordinary ambition, written with great intensity. . . . [Pangle offers] a trenchant analysis of Locke's writings, designed to demonstrate their remarkable originality and to clarify by doing so as much as the objective predicament as the conscious intentions of the Founding Fathers themselves."—John Dunn, Times Higher Education Supplement "A forcefully argued study of the Founding Fathers' debt to Locke. . . . What distinguishes Pangle's study from the dozens of books which have challenged or elaborated upon the republican revision is the sharpness with which he exposes the errors of the revisionists while at the same time leaving something of substantive value for the reader to consider."—Joyce Appleby, Canadian Journal of History "Breathtaking in its daring and novelty. . . . Pangle's book is tense and tenacious, a stunning meditation on America's political culture."—John Patrick Diggins, Transactions of the C. S. Peirce Society

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Vulnerability. We see it everywhere. In once permanent institutions. In runaway pandemics. In democracy itself. And most frighteningly, in ecosystems with no sustainable future. Against these large-scale hazards of climate change, what can literature teach us? This is the question Wai Chee Dimock asks in Weak Planet, proposing a way forward, inspired by works that survive through kinship with strangers and with the nonhuman world. Drawing on Native American studies, disability studies, and environmental humanities, Dimock shows how hope can be found not in heroic statements but in incremental and unspectacular teamwork. Reversing the usual focus on hegemonic institutions, she highlights instead incomplete gestures given an afterlife with the help of others. She looks at Louise Erdrich’s and Sherman Alexie’s user-amended captivity narratives; nontragic sequels to Moby-Dick by C. L. R. James, Frank Stella, and Amitav Ghosh; induced forms of Irishness in Henry James, Colm Tóibín, W. B. Yeats, and Gish Jen; and the experimentations afforded by a blurry Islam in works by Henri Matisse, James Joyce, Ezra Pound, and Langston Hughes. Celebrating literature’s durability as an assisted outcome, Weak Planet gives us new ways to think about our collective future.

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Vulnerability. We see it everywhere. In once permanent institutions. In runaway pandemics. In democracy itself. And most frighteningly, in ecosystems with no sustainable future. Against these large-scale hazards of climate change, what can literature teach us? This is the question Wai Chee Dimock asks in Weak Planet, proposing a way forward, inspired by works that survive through kinship with strangers and with the nonhuman world. Drawing on Native American studies, disability studies, and environmental humanities, Dimock shows how hope can be found not in heroic statements but in incremental and unspectacular teamwork. Reversing the usual focus on hegemonic institutions, she highlights instead incomplete gestures given an afterlife with the help of others. She looks at Louise Erdrich’s and Sherman Alexie’s user-amended captivity narratives; nontragic sequels to Moby-Dick by C. L. R. James, Frank Stella, and Amitav Ghosh; induced forms of Irishness in Henry James, Colm Tóibín, W. B. Yeats, and Gish Jen; and the experimentations afforded by a blurry Islam in works by Henri Matisse, James Joyce, Ezra Pound, and Langston Hughes. Celebrating literature’s durability as an assisted outcome, Weak Planet gives us new ways to think about our collective future.

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