Search results for ""author davida"

In 1524, a man named David Reubeni appeared in Venice, claiming to be the ambassador of a powerful Jewish kingdom deep in the heart of Arabia. In this era of fierce rivalry between great powers, voyages of fantastic discovery, and brutal conquest of new lands, people throughout the Mediterranean saw the signs of an impending apocalypse and envisioned a coming war that would end with a decisive Christian or Islamic victory. With his army of hardy desert warriors from lost Israelite tribes, Reubeni pledged to deliver the Jews to the Holy Land by force and restore their pride and autonomy. He would spend a decade shuttling between European rulers in Italy, Portugal, Spain, and France, seeking weaponry in exchange for the support of his hitherto unknown but mighty Jewish kingdom. Many, however, believed him to favor the relatively tolerant Ottomans over the persecutorial Christian regimes. Reubeni was hailed as a messiah by many wealthy Jews and Iberia's oppressed conversos, but his grand ambitions were halted in Regensburg when the Holy Roman Emperor, Charles V, turned him over to the Inquisition and, in 1538, he was likely burned at the stake. Diary of a Black Jewish Messiah is the first English translation of Reubeni's Hebrew-language diary, detailing his travels and personal travails. Written in a Hebrew drawn from everyday speech, entirely unlike other literary works of the period, Reubeni's diary reveals both the dramatic desperation of Renaissance Jewish communities and the struggles of the diplomat, trickster, and dreamer who wanted to save them.

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A fresh new guide to contemporary palette knife painting for beginner and experienced artists, featuring step-by-step tutorials on colour mixing, mark making, and a variety of painting techniques to create your own unique abstract, landscape, and floral paintings. Publisher's note: regrettably there were some production problems with the first printing of this title. We have recalled the affected books and new stock is now available. Author and artist, Melissa McKinnon, has designed this book to take both the beginner and experienced artist on a journey into impasto painting. She begins with an overview of the essential tools and materials you'll need to get started. Included are detailed instructions to make your own stay-wet palette and how to combine thickening mediums with acrylic paint to achieve the ideal consistency. There are simple practice exercises to get you comfortable using a palette knife, mixing colours and blending with a brush. Melissa explains how to sculpt and control the paint to create a variety of stunning textural effects. She demonstrates several mark making techniques that you can use alone or in combination to create your own expressive textured paintings, as well as an introduction to colour theory and tips on composition. Once you feel confident with the tools and paint, you'll learn how to create twelve different textured landscape, floral, and abstract paintings with step-by-step instructions. This series of paintings was designed to help you put all of the techniques and colour theory you've learned into beautiful paintings of your own. Melissa generously shares her knowledge and expert tips gained from years of experience developing her unique approach to palette knife painting. She values experimentation and is always evolving her technique. The last two projects explore alternative painting methods inviting you to take your paintings one step further by incorporating new materials and experimental techniques. Using the instructions in this book you will become equipped to take your practise further and continue to develop the skills you need to improve your artwork. This book will become a trusted resource in your studio, one that you can refer back to again and again as you grow and evolve as an artist. When speaking about the book Melissa says: "Painting with a palette knife can be intimidating even for experienced artists. My goal is to simplify the process and show you how easy and enjoyable this technique really is. Textured Art is is a deep dive into my unique painting process that I've developed over a lifetime of art making. Designed for both beginner and experienced artists, I'll teach you step-by-step everything you need to know to create colourful textured paintings of your own. I'm confident this book will become a trusted resource in your studio, one that you can refer back to again and again as you grow and evolve as an artist.".

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Learn how to do quick and easy applique the Sew Quirky way for fun, sewn projects. This collection of 12 designs for bright and bold machine applique patterns can be used to create bags, pillows, and quilts as well as to embellish clothes. Author, Mandy Murray, has a very unique style and that is reflected in her irreverent, humorous approach to designing, so whether it's a dachshund in a doughnut or a flamingo who likes to mingle, her designs can't fail to make you smile. This collection includes 12 projects for homewares and wearables. Choose from a fun floor cushion to an apron, table mats, wall hanging and even a dinosaur inspired applique design for a denim jacket. Mandy uses fusible applique to bring her designs to life and she explains this technique with step-by-step instructions and illustrations at the beginning of the book along with specific advice about getting the most from your sewing machine and using unusual fabrics ; she loves to incorporate cork, vinyl and other eye catching fabrics into her designs. Other applique and piecing techniques covered include fussy cutting, layered applique, fabric selection and fabric 'auditioning' so you choose the best fabric for your project; how to get the right tension on your sewing machine and which feet to use, as well how to choose the right threads and needles for the best results. Other subjects covered include how to add hand embroidery and decorative stitches, quilting and finishing techniques and adding embellishments. Mandy also shares her techniques for different stitch styles, and shows you how to get exciting effects with even the most basic sewing machine. And she explains how to create her distinctive applique style using decorative stitches in the stitch library. The full-size applique patterns are included on a pull-out pattern sheet so you don't need to print them out and stick pages together, and all the applique templates are included at full-size so you can get going straight away once you've decided which design to tackle first! As well as the main techniques section there are 12 exciting projects to choose from. Mandy is known for her fun and quirky designs: a dachshund in a donut, an otter on an inflatable and a flamingo who likes to mingle all feature in this fun pattern collection which includes wall art, embellishments on clothing, cushions, quilts and an apron. The projects come together quickly and easily and make the perfect funky present for families and friends.

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In 1936, at age 31, Carl David Anderson became the second youngest Nobel laureate for his discovery of antimatter when he observed positrons in a cloud chamber.He is responsible for developing rocket power weapons that were used in World War II.He was born in New York City in 1905 and was educated in Los Angeles. He served for many years as a physics professor at California Institute of Technology. Prior to Oppenheimer, Anderson was offered the job of heading the Los Alamos atomic bomb program but could not assume the role because of family obligations.He was a pioneer in studying cosmic rays at high altitudes, first atop Pike's Peak, then after the war in a specially equipped B-29.

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Lidija Novakovic offers an explanation of the remarkable link found in the Gospel of Matthew between the royal messianic title "Son of David" attributed to Jesus and his miracles of healing. There is no doubt that this represents a Christian development, because there is no extant early Jewish text that portrays the Davidic Messiah as a miracle worker. Yet, given the predominantly Jewish character of Matthew's Gospel, the origin of the concept of the healing Messiah should still be sought in the traditions of the Second Temple Judaism. The underlying principle of Matthew's portrayal of Jesus, however, cannot be found in the traditions about Solomon as an exorcist or healer, or about the eschatological prophet like Moses. Rather, the intelligibility of the healing Messiah is secured through Matthew's own skillful interpretation of selected biblical passages, especially from the Book of Isaiah.

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Discover the unique mind and humane vision of an under-recognized American author. Encompassing themes of race, education, fame, law, and America’s past and future, these essays are James Alan McPherson at his most prescient and invaluable. Born in segregated 1940s Georgia, McPherson graduated from Harvard Law School only to give up law and become a writer. In 1978, he became the first Black author to win the Pulitzer Prize for fiction. But all the while, McPherson was also writing and publishing nonfiction that stand beside contemporaries such as James Baldwin and Joan Didion, as this collection amply proves. These essays range from McPherson’s profile of comedian Richard Pryor on the cusp of his stardom; a moving tribute to his mentor, Ralph Ellison; a near fatal battle with viral meningitis; and the story of how McPherson became a reluctant landlord to an elderly Black woman and her family. There are meditations on family as the author travels to Disneyland with his daughter, on the nuances of a neighborhood debate about naming a street after Malcolm X or Dr. Martin Luther King, and, throughout, those connections that make us most deeply human—including connections between writer and reader. McPherson writes of his early education, “The structure of white supremacy had been so successful that even some of our parents and teachers had been conscripted into policing the natural curiosity of young people. We were actively discouraged from reading. We were encouraged to accept our lot. We were not told that books just might contain extremely important keys which would enable us to break out of the mental jails that have been constructed to contain us.” The collection’s curator, Anthony Walton, writes, “In his nonfiction, McPherson was often looking for a way ‘beyond’ the morasses in which Americans find themselves mired. His work is a model of humanistic imagining, an attempt to perform a healing that would, if successful, be the greatest magic trick in American history: to ‘get past’ race, to help create a singular American identity that was no longer marred by the existential tragedies of the nation’s first 400 years. He attempted this profound reimagining of America while simultaneously remaining completely immersed in African American history and culture. His achievement demonstrates that an abiding love for black folks and black life can rest alongside a mastery of ‘The King’s English’ and a sincere desire to be received as an American citizen and participant in democracy. It is time for that imaginative work to be fully comprehended and for this simultaneously American and African American genius to assume a fully recognized place beside the other constitutive voices in our national literature.” This is a collection for any reader seeking a better understanding of our world and a connection to a wise and wickedly funny writer who speaks with forceful relevance and clarity across the decades.On Becoming an American Writer is part of Godine’s Nonpareil series: celebrating the joy of discovery with books bound to be classics.

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The life of Charles Bukowski—laureate of lowlife Los Angeles—a novelist and poet who wrote as he lived. This is the only biography of Bukowski written by a close friend and collaborator. Neeli Cherkovski began a deep friendship with Bukowski in the 1960s while guzzling beer at wrestling matches or during quieter evenings discussing life and literature in Bukowski’s East Hollywood apartment. Over the decades, those hundreds of conversations took shape as this biography—now with a new preface, “This Thing Upon Me Is Not Death: Reflections on the Centennial of Charles Bukowski.” Bukowski, author of Ham on Rye, Post Office, and other bestselling novels, short stories, and poetry collections only ever wanted to be a writer. Maybe that’s why Bukowski’s voice is so real and immediate that readers felt included in a conversation. “In his written work, he’s a hero, a fall guy, a comic character, a womanizing lush, a wise old dog,” biographer Neeli Cherkovski writes. “His readers do more than glimpse his many-sidedness. For some, it’s a deep experience. They feel as if his writing opens places inside of themselves they might never have seen otherwise. Often a reader comes away feeling heroic, because the poet has shown them that their ordinary lives are imbued with drama.” Full of anecdotes, wisdom, humor, and insight, this is an essential companion to the work of a great American writer. Long-time Bukowski fans will come away with fresh insights while readers new to his work will find this an exhilarating introduction. “In his death, I hear him clearly,” Cherkovski writes. “His voice comes to me resonant, full of unforced authority, a message of endurance, self-reliance, and honesty of expression. At the same time, he is also saying, ‘Poetry is a dirty dishrag. Keep laughing at yourself on the way out the door.’ ”

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The Cuban economy has been transformed over the course of the last decade, and these changes are now likely to accelerate. In this edited volume, prominent Cuban economists and sociologists present a clear analysis of Cuba’s economic and social circumstances and suggest steps for Cuba to reactivate economic growth and improve the welfare of its citizens. These authors focus first on trade, capital inflows, exchange rates, monetary and fiscal policy, and the agricultural sector. In a second section, a multidisciplinary team of sociologists and an economist map how reforms in economic and social policies have produced declines in the social standing of some specific groups and economic mobility for others.A joint collaboration between scholars at Harvard University and in Cuba, this book includes the same editors and many of the same authors of The Cuban Economy at the Start of the Twenty-First Century (edited by Jorge I. Domínguez, Omar Everleny Pérez Villanueva, and Lorena G. Barberia), which is also part of the David Rockefeller Center series.

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Make your writing and speech shine like the sun! Here’s the most entertaining and instructive book about both enlivening and clarifying communication with the art of comparison. “Ward Farnsworth is a witty commentator…It’s a book to dip in and savor.”—The Boston Globe.The author of Farnsworth’s Classical English Style and Farnsworth’s Classical English Rhetoric now provides a wide-ranging, practical, tour of metaphors, arranged by theme. Chapters include Sources & Uses of Comparisons, The Use of Nature to Describe Abstractions, Extreme People & States, Circumstances, Personification, and The Construction of Similes.Using hundreds of examples, Farnsworth demonstrates all the different stylistic ways that points can be unforgettably made. There are quotations from novelists, poets, playwrights, philosophers, and orators—along with commentary on how and why they work to bring power to words both in person and on paper. Farnsworth shows how the best writers have put figurative comparisons to distinctive use—for the sake of caricature, to make an abstract idea visible, to make a complicated idea simple. Writers and speakers, this book will make you a star.

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Far-ranging and thought-provoking essays on the relation of art and ethnic identity. This first collection by award-winning author John Yau, drawn from decades of work, includes essays about Black, Asian, Latinx, and Native American artists: sculptors Luis Jimenez and Ruth Asawa; “second generation Abstract Expressionists” such as the Black painter Ed Clark and the Japanese American painter Matsumi Kanemitsu; the performance artists James Luna and Patty Chang; the photographers Laurel Nakadate and Teju Cole; and a generation of Asian American artists that has emerged during the last decade. While identity is at the fore in this collection, Yau’s essays also propose the need for an expansive view of identity, as in the essay “On Reconsidering Identity,” which explores the writings of Lydia Cabrera and Edouard Glissant, and the possibilities of creolisation versus the reductiveness of Aime Cesaire’s Negritude.Please Wait by the Coat Room is for serious readers interested in the art and artists of color that many mainstream institutions and critics misrepresented or overlooked. It presents a view guided by the artists’ desire for autonomy and freedom in a culture that has deemed them undesirable or invisible.

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A must-read for the craftsperson, artisan and artist. “In his beautiful book, Peter Korn invites us to understand craftsmanship as an activity that connects us to others, and affirms what is best in ourselves.”—Matthew Crawford, author of Shop Class as SoulcraftWoodworking, handicrafts —the rewards of creative practice, bringing something new and meaningful into the world through one’s own vision, make us fully alive. Peter Korn explains his search for meaning as an Ivy-educated child of the middle class who finds employment as a novice carpenter on Nantucket, transitions to self-employment as a designer/maker of fine furniture, takes a turn at teaching at Colorado’s Anderson Ranch Arts Center, and finally founds a school in Maine: the Center for Furniture Craftsmanship, an internationally respected, non-profit institution.How does the making of objects shape our identities? How does creative work enrich our communities and society? What does the process of making things reveal to us about ourselves? Korn poignantly probes for answers in this book that is for the artist, artisan, crafter, do-it-yourselfer inside us all.

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With Kamala Harris’s rise, American Blacks are entering a new phase in the struggle against white supremacy. Standing firmly in the African American tradition, Walton believes in the possibility of reconciliation with those whites who desire it, offering a hand of friendship and pragmatic ideas for paths forward. Born into the Civil Rights Movement, author Anthony Walton observed firsthand the opening of opportunity for racial reconciliation. He also saw systemic racism and the vicious backlash against Black progress embodied in the Southern Strategy, Tea Party, and MAGA. Over time, Walton came to believe that moving forward requires a “Third Reconstruction” to accomplish what remains: better health outcomes, secure voting rights, and sustained economic and educational opportunity. Only this approach, he believes, will accomplish what remains unfinished for true African American equality. Blending social history, bracing a

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The indigenous people of the hemisphere have resisted a five-hundred-year assault, fighting to maintain their cultural identities. During this time, authorities in the Americas have insisted that the toleration of indigenous societies and cultures would undermine their respective states. In recent years, however, the nations of the Americas have started to reverse themselves. They are altering their constitutions and proclaiming themselves multiethnic. Why is this happening now? The Politics of Ethnicity: Indigenous Peoples in Latin American States, edited by David Maybury-Lewis, helps us understand the reasons and history behind these times of transition.The book provides a valuable overview of current problems facing indigenous peoples in their relation with national states in Latin America, from the highlands of Mexico to the jungles of Brazil. The traditional, sometimes centuries old, relations between states and indigenous peoples are now changing and being rediscussed. The collection, authored by U.S. and Latin American anthropologists using interdisciplinary approaches, enables the reader to understand these recent developments in a comparative framework. An ambitious and quite thorough collection, it is brought together skillfully by one of the discipline’s maître penseurs.

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Be at home in nature, all through the year, with the old-timey, folksy wisdom in this classic camping companion.First published in 1920, and never out-of-print, Daniel C. Beard’s The Book of Camp-Lore & Woodcraft is a guide from yesteryear for enjoying the great outdoors as its guest.Through the pages of this book, the author, a pioneer of the scouting movement, takes kids on a camping trip and instructs them in the art of building a fireplace and lighting a fire, designing a campsite, pitching a tent, cooking flapjacks, packing a trail horse, handling an axe, and much more.Daniel Carter Beard was an expert outdoorsman and founder of the scouting movement in America. His goal was to help kids to enjoy the out-of-doors as much as he did. In his books, filled with time-tested tips and knowledgable advice, Beard helped preserve invaluable folkways that instill self-reliance and a deeper appreciation of nature—all while having a world of fun. This is truly a book for all ages—including adults.

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How do simple words and images make a children’s picture book so magical that one reading can create a cherished memory for life? Here are 100 books that amply prove the picture book is an art form.Here are books you’ll remember and new gems to discover. From The Tale of Peter Rabbit (1901) to Last Stop on Market Street (2015), each of the 100 books is presented with a cover and inside spread as author Chris Loker explains the qualities that combine to make a successful picture book: the interplay between words and images, the dynamic pulse of picture and narrative that compels us to turn the page and follow the story, the sometimes quirky elements that appeal to both children and adults alike. It affirms what we all instinctively know, and have known since childhood — that a picture book is literature, art, and theater all rolled into one, miraculously blended and irresistibly presented.Additionally, A Shimmer of Joy provides an intriguing array of information, not only about the books but also about the authors, artists, publishers, and designers who created them. Along the way, the reader gains insight into the evolving eras of children’s literature and book publishing in the 20th and 21st century, with fascinating stories of its publication history and biographies of the creators.Anyone will gain a new, deeper, appreciation for the picture book while also remembering a time when, sitting in a classroom or on a lap, someone read you a book and opened up your world.For the collector, bibliophile, or children’s book enthusiast, this collection is guaranteed to provide nothing but joy. “All spot-on choices….a shop-window of the creative versatility embedded in children’s picture books over the decades.”—The Book Collector

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How was frontier expansion rationalized in the Americas during the late nineteenth century? As new states fleshed out expanded national maps, how did they represent their advances? Were there any distinct pan-American patterns? The renowned anthropologist and human rights advocate David Maybury-Lewis saw the Latin American frontiers as relatively unknown physical spaces as well as unexplored academic “territory.” He invited eight specialists to explore public narratives of the expansion of Argentina, Brazil, Chile, and the western regions of Canada and the United States during the late nineteenth century, a time when those who then identified as “Americans” claimed territories in which indigenous peoples, who were now seen as economic and political obstacles, lived. The authors examine the narrative forms that stirred or rationalized expansion, and emphasize their impact on the native residents.The authors illustrate the variety and the similarities of these nationalist ideas and experiences, which were generally expressed in symbolic and cultural terms rather than on simple materialist or essentialist grounds. The cases also point out that civic nationalism, often seem as inclusive and more benign than ethnic nationalism, can produce similarly destructive human and cultural ends. The essays thus suggest a view of nationalism as a theoretical concept, and of frontier expansion as a historical phenomenon.

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Looking for a whizzpoppingly wonderful collection of plays for your whole class? Want some ready-made, delumptious lesson plans to accompany them? Biffsquiggled at the thought of how to stage these pieces? Well, look no further because this is a scrumdiddlyumptious selection of David Wood's plays; paired with all the information and materials you need to use them in class or on stage, edited by Paul Bateson, an experienced primary-level drama teacher. The plays create worlds that trigger children's imaginations as well as entertain them, make them think as well as make them laugh, and open their minds to new ideas and the power of storytelling through theatre. Plays included are: The Gingerbread Man The See-Saw Tree The BFG Save the Human Mother Goose's Golden Christmas This book also contains a new foreword by David Wood.

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* Don't miss 'THE CHEMISTRY OF DEATH' TV SERIES - now streaming on Paramount+ * Adapted from The Chemistry of Death and Written in Bone - starring Harry Treadaway as Dr David Hunter'A superbly strong read' The Times What began as a straightforward case is about to become a twisted nightmare . . . Once a busy hospital, St Jude's now stands derelict, awaiting demolition.When a partially mummified corpse is found in the building's cavernous loft, forensics expert Dr David Hunter is called in to take a look. He can't say how long the body's been there, but he is certain it's that of a young woman. And that she was pregnant.Then part of the attic floor collapses, revealing another of the hospital's secrets: a bricked-up chamber with beds inside. And some of them are still occupied.And it soon becomes clear that St Jude's hasn't claimed its last victim . . .Chilling, visceral and masterfully paced, Simon Beckett's new crime thriller will leave you gasping.

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“It is a heartbreaking book, a gorgeous book...In Night Came with Many Stars, Van Booy finds the weakness, grace and beauty of common lives fully lived.”—NPR, “Books We Love” “Not to miss!”—USA Today In Kentucky, back in 1933, Carol’s daddy lost his 13-year-old daughter in a game of cards. Award-winning author Simon Van Booy’s spellbinding novel spans decades as he tells the story of Carol and the people in her life. Incidents intersect and lives unexpectedly change course in this masterfully interwoven story of chance and choice that leads home again to a night blessed with light. “What you give in this world,” an old man tells his grandson, “will be given back to you.” Those words illuminate the actions within this unforgettable novel and its connected characters. A young man survives two nearly fatal accidents. A Black family saves an orphaned white boy. A pregnant teenager is rescued by the side of the road. A teenager with developmental disabilities is given his first job. Each incident grows in meaning and power over many decades as we see connections sometimes felt but not always apparent to the people themselves. “Everything was moving,” observes Samuel (Carol’s grandson) in the Kentucky woods. “An invisible force that was everywhere, and made everything touch.” Told by a master storyteller, Night Came with Many Stars is a rare novel that reveals how wondrous, mysterious, and magically connected life can be—the light Simon Van Booy creates illuminates our own lives.

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Contemporary conversations about religion and culture are framed by two reductive definitions of secularity. In one, multiple faiths and nonfaiths coexist free from a dominant belief in God. In the other, we deny the sacred altogether and exclude religion from rational thought and behavior. But is there a third way for those who wish to rediscover the sacred in a skeptical society? What kind of faith, if any, can be proclaimed after the ravages of the Holocaust and the many religion-based terrors since? Richard Kearney explores these questions with a host of philosophers known for their inclusive, forward-thinking work on the intersection of secularism, politics, and religion. An interreligious dialogue that refuses to paper over religious difference, these conversations locate the sacred within secular society and affirm a positive role for religion in human reflection and action. Drawing on his own philosophical formulations, literary analysis, and personal interreligious experiences, Kearney develops through these engagements a basic gesture of hospitality for approaching the question of God. His work facilitates a fresh encounter with our best-known voices in continental philosophy and their views on issues of importance to all spiritually minded individuals and skeptics: how to reconcile God's goodness with human evil, how to believe in both God and natural science, how to talk about God without indulging in fundamentalist rhetoric, and how to balance God's sovereignty with God's love.

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“The story of a book-making life.”—New York Times “The lovely colors, tasteful art and elegant typography are an abiding reminder to a hurried world that some gifts of grace endure. That promise is realized in Godine’s books, the gold standard of commercial bookmaking.”—Wall Street Journal David R. Godine, the retired founder of the press, conducts a personal tour of the most memorable books he published during his 50-year career. From his earliest days as a letterpress printer to the present digital era, Godine managed to survive, and sporadically thrive, against all odds and challenges. For more than fifty years, this publishing house tried to make good on the founder’s claim to “Publish books that matter for people who care.” Books that might, and often did, make a difference. In fiction and nonfiction, biography, photography, art and architecture, the graphic arts, children’s books, and more, the company maintained an open door policy, attempting to discover and nurture new talent, rediscovering and reprinting older and unjustly neglected classics. Its program includes first American editions of such acclaimed authors as John Banville, Richard Rodriguez, Noel Perrin, Andre Dubus, Janet Malcolm, and Georges Perec. Its photographers have included Sally Mann, Paul Caponigro, Yousuf Karsh, Nicholas Nixon, George Tice, Rosamond Purcell, Manuel Álvarez Bravo, and Julia Margaret Cameron, among others. Its list of children’s books, with authors and illustrators as diverse as Mary Azarian, Dylan Thomas, Barbara McClintock, Andrea Wisnewski, Edward Ardizzone, William Steig, Daniel C. Beard, Saki, and Frances Hodgson Burnett, have been embraced by reviewers, bookstores, and the public for two generations. Among many others, the Nonpareil list has reprinted the work of Edmund Wilson, George Orwell, Donald Hall, Iris Origo, Paul Horgan, William Gass, Will Cuppy, Ludwig Bemelmans, William Maxwell, Wright Morris, and Paula Fox. The Verba Mundi series introduced American readers to classics of foreign literature by Aharon Appelfeld, Dino Buzzati, Robert Musil, José Donoso, and two Nobel Laureates, J.M.G. Le Clézio and Patrick Modiano.As publishing history, Godine at Fifty presents a record of an era that began in 1970 as the reign of hot metal type that had endured for almost 500 years was coming to an end, when retailers were mostly brick-and-mortar stores, when small publishers thrived, when library purchases were primarily books, and when correspondence was carried on through letters and the telephone. It was an industry that had not substantially changed for a century. So this is, as well, the story of a sea change—in publishing practices, in technology, in retailing, and in corporate structures. Divided into twenty-four chapters and describing almost 300 titles, it remains primarily a personal story—the record, told through the books themselves, of a staunchly independent publisher who pursued his own interests, expanded on his own passions, and took the unconventional position that somewhere out there were probably enough readers that shared his peculiar obsessions to insure his survival. It is also the back story of books and authors, some famous, some little known, who had a story to tell, and what was required to bring that story, through the many and complex dimensions of the publishing process, to the attention of the world.

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Contemporary conversations about religion and culture are framed by two reductive definitions of secularity. In one, multiple faiths and nonfaiths coexist free from a dominant belief in God. In the other, we deny the sacred altogether and exclude religion from rational thought and behavior. But is there a third way for those who wish to rediscover the sacred in a skeptical society? What kind of faith, if any, can be proclaimed after the ravages of the Holocaust and the many religion-based terrors since? Richard Kearney explores these questions with a host of philosophers known for their inclusive, forward-thinking work on the intersection of secularism, politics, and religion. An interreligious dialogue that refuses to paper over religious difference, these conversations locate the sacred within secular society and affirm a positive role for religion in human reflection and action. Drawing on his own philosophical formulations, literary analysis, and personal interreligious experiences, Kearney develops through these engagements a basic gesture of hospitality for approaching the question of God. His work facilitates a fresh encounter with our best-known voices in continental philosophy and their views on issues of importance to all spiritually minded individuals and skeptics: how to reconcile God's goodness with human evil, how to believe in both God and natural science, how to talk about God without indulging in fundamentalist rhetoric, and how to balance God's sovereignty with God's love.

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Words of wisdom from Charlie Munger, Warren Buffett’s longtime business partner, collected and interpreted with an eye towards investing by David Clark, coauthor of the bestselling Buffettology series. Born in Omaha, Nebraska in 1924 Charlie Munger studied mathematics at the University of Michigan, trained as a meteorologist at Cal Tech Pasadena while in the Army, and graduated magna cum laude from Harvard Law School without ever earning an undergraduate degree. Today, Munger is one of America’s most successful investors, the Vice Chairman of Berkshire Hathaway, and Warren Buffett’s business partner for almost forty years. Buffett says “Berkshire has been built to Charlie’s blueprint. My role has been that of general contractor.” Munger is an intelligent, opinionated business man whose ideas can teach professional and amateur investors how to be successful in finance and life. Like The Tao of Warren Buffett, The Tao of Charlie Munger is a compendium of pithy quotes including, “Knowing what you don’t know is more useful than being brilliant” and “In my whole life, I have known no wise people who didn’t read all the time, none, zero.” This collection, culled from interviews, speeches, and questions and answers at the Berkshire Hathaway and Wesco annual meetings, offers insights into Munger’s amazing financial success and life philosophies. Charlie Munger’s investment tips, business philosophy, and rules for living are as unique as his life story; intelligent as he clearly is; and as successful as he has been.

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The latest in the Spotlight Series, which focuses on new bodies of work by contemporary artists, Sherrie Levine: Hong Kong Dominoes showcases several series that distinctly engage the artist’s ongoing inquiry into notions of authorship, originality, and authenticity. Many of the works are consistent with Levine’s practice—the deliberate reproduction of other artists’ works and styles, so that her work and the original are nearly indistinguishable (as with the After Henri Matisse (1985) and After Feininger (2021) series). A number of the works make reference to modernist masterpieces, questioning the stereotypical construct of the heroic male artist. In her Monochromes After Renoir Nudes (2016) series, Levine used a computer program to calculate the average tone of the nude figures in Renoir’s paintings and then used this color to create monochrome panels. Published for the first time, Hong Kong Dominoes: 1–12 (2017) replicates the patterns of a set of dominoes that Levine purchased in Hong Kong, evoking both minimalist art and popular games. The catalogue also features a new essay by Larry List, which tracks the history of Levine’s inspirations and artistic practice, and an interview with Levine by Jeanne Siegel, originally published in the June/ Summer 1985 issue of Arts Magazine, which explores the artist’s use of appropriated imagery.

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Rudolf Zwirner, “the man who invented the art market,” as coined in Der Spiegel, reflects on more than sixty years in the art business in his authoritative autobiography. An art dealer of the ages, Rudolf Zwirner, father of the esteemed gallerist David Zwirner, reached many milestones in his career. From co-founding Art Cologne, the first fair for contemporary art, in 1967, to showing works by Georg Baselitz, Gerhard Richter, and Andy Warhol, Zwirner transformed the contemporary art scene in Cologne. Born in 1933, he presented more than three hundred exhibitions from the early 1960s to 1991. In his autobiography, Zwirner reveals stories of artists, his gallery, and his most important collector, Peter Ludwig, whose collection forms the cornerstone of the Ludwig Museum in Cologne. First published in 2019 in German, and translated and adapted here for the first time in English, the book explores the most significant moments of Zwirner’s career and the fast-changing postwar art world of. Also included in this edition is a new introduction by Lucas Zwirner, Rudolf’s grandson, who reflects on his grandfather’s role in bringing us to the global art landscape we find ourselves in now.

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The first in-depth study of a monumental wall hanging—rediscovered after many years—by renowned Bauhaus artist Anni Albers.Albers was influential in elevating textiles from craft to fine art. Her exquisite wall hanging Camino Real—seen for the first time outside of Mexico City at David Zwirner, New York, in 2019, and the subject of this book—is a superb example of this modern master’s work.In 1967, noted architects Ricardo Legorreta and Luis Barragán commissioned Albers to create a work for the newly built Hotel Camino Real in Mexico City. Completed in 1968, her striking wall hanging Camino Real is heavily influenced by Latin American art and culture. Showcasing Albers’s approach to working with textiles as a “many-sided practice,” it is accompanied in this book by works Albers made following her move to the United States in 1933, including innovative wall hangings, weavings, and a range of works on paper. Together, these works reflect Albers’s brilliant embrace of different materials and techniques and her ability to work at varied scales. The works in this publication offer additional context and motifs, demonstrating the artist’s pioneering investment in textiles as an art form and her parallel interest in mass-produced designs.Published on the occasion of the Anni Albers exhibition presented at David Zwirner, New York, in 2019, this catalogue features new scholarship from the show’s curator, Brenda Danilowitz, art historian and chief curator of The Josef and Anni Albers Foundation, and T’ai Smith, an expert on Bauhaus craft and weaving.

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Grow your way to happiness with this practical handbook for a more sustainable life. Whether you have a large country garden or a small backyard in the city, this essential guide to the 'Good Life' will help you on your journey to becoming more self-sufficient - which is something we all need to be thinking about. Climate change, industrial farming with its reliance on chemicals, rising food prices, fears over food security or just a desire to spend more time outdoors - there are many reasons driving people towards homegrown food and self-sufficiency. Growing your own fruit and vegetables, preserving your produce and generating your own energy are all covered in this thrifty guide by the original 'Tom and Barbara', Eve and Terence McLaughlin, who wrote the first edition of this book in 1979. This information-packed book has expert advice on growing, harvesting, storing and preserving your produce. You can brew your own beer and learn how to bottle, cure, smoke and pickle your produce to make it last longer. The book features easy-to-follow instructions for DIY tools and equipment to save money, reduce energy consumption and cut back on waste. Learn how to plan your site, explore the best planting times and methods, discover how to grow a variety of vegetables, fruit and nuts, and how to deal with pests and diseases. As well as growing your own food, the book also covers the basics of keeping livestock - including chickens, ducks, goats and pigs - and how to harness alternative energy sources such as solar and wind power. Putting your own food on the table and playing your part in creating a more sustainable future is hugely rewarding and also has health benefits - the physical exercise of planting and harvesting, the mental wellness that comes with spending time in nature, and the reduction in chemicals in the food you eat - there is so much in this activity that fosters greater wellbeing. Whether you're planning a move to full-blown self-sufficiency or are just curious about what's involved and want to take your first steps to growing your own food, this essential guide has everything you need to know.

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Discover the creative processes and intriguing inspirations behind the work of leading fantasy artist John Howe ; conceptual designer on The Lord of the Rings movie trilogy ; in this comprehensive practical art book. Brings together Fantasy Art Workshop and Fantasy Drawing Workshop into a combined volume, fully updated and with new art. Examines in fascinating detail over 150 of the artist's outstanding sketches, drawings and paintings, plus the techniques and stories behind each. Leads you step-by-step through a range of specially commissioned drawing and painting demonstrations that reveal John's renowned artistic approach in action. Discusses the rewarding journey into fantasy art, from the first steps of building a compelling portfolio to book illustration, graphic novels and the big screen. This book will appeal to artists and fans of John Howe's work by leading you step-by-step through a range of specially commissioned demonstrations, sketches and finished paintings, some designed specifically for this book, that reveal John's renowned artistic approach in action, plus the techniques and stories behind each. It covers a wide range of subjects, beginning with the creative process, exploring where inspiration comes from, looking at narratives and themes, gathering reference materials, organizing your working environment, and protecting and storing artwork. Howe covers drawing materials and explores drawing and painting fantasy beings from initial inspiration and approaches to characters, symbolism and accoutrements. He begins by showing how to create different types of male and female archetypes, humans in action, armour and weapons, faces, expressions and hands, hair and costumes, and goes on to explain how to create different types of fantasy beasts: talons, wings, fangs and fire, and noble animals, interspersed throughout with exciting case studies. The book also explores fantasy landscapes and architecture and balancing light and dark atmospheres. The final section of the book provides further inspiration and guidance on presenting work in various forms, including film work, book covers and advertising, all areas John Howe has vast experience in. The foreword is written by groundbreaking film director Terry Gilliam, with an afterword by Alan Lee, John's partner on the conceptual design for The Lord of the Rings movie trilogy and Oscar-winning illustrator.

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It's time to finally use those fat quarters you have been hoarding! We all love fat quarters for their amazing value, effortless co-ordination and "buy-me" bundling - but knowing what to do with them (other than sitting and stroking them from time to time) can be a dilemma. Not any more! This unique collection of quick-and-easy sewing projects includes contemporary ideas for DIY home décor, accessories, gifts and more - all made from fat quarters. Projects range from instant fixes needing just one fat quarter, to those using a small handful to create quick patchwork presents, to those that need up to ten fat quarters to really bust that fabric stash. Eleven talented designers from across the blogosphere contribute their patterns - including cases and cosies, bags and baskets, pillows and playmats, quilts and clothes - to this desirable, super value package that like the fabrics themselves, just begs to be taken home.

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Adventurous friends Lulu and Malek make fantastic discoveries, take care of our planet, and meet new friends as they explore the wonders of the world under the sea. With vibrant illustrations and endearing characters, this fun to read rhyming book is sure to be a children's favourite that they will want to read over and over again! Add this fun-filled and inspiring book to your home or class library! It will be enjoyed by children who love adventure, a good laugh, and want to learn more about the sea and conservation.

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Explore Frank Walter’s relationship to Antigua through a range of works and writings that express his intimate connection to Caribbean nature, landscape, and place. “Nothing seems to be reworked—it is as if each piece drew or painted itself without being adjusted, revised, or fussed over.” — Hyperallergic Influenced by his studies of agriculture and the sugar industry in the former British colony of Antigua as well as his extensive travels in England, Scotland, and West Germany, Walter created work inspired by his thoughts, knowledge, journeys, and surroundings—work that encompassed painting, drawing, writing, sculpture, photography, and sound. This focused selection focuses on paintings—tender, quiet, and lush—that transcend the traditional tourist’s view of island life in favor of perspectives that explore how and why we look at where we are.Published on the occasion of the 2022 exhibition at David Zwirner, this catalogue includes an introduction by the show’s curator Hilton Als. Barbara Paca, the leading expert on Walter, writes a text detailing her personal experience meeting Walter and being in his presence. An essay by Charlie Porter takes readers on a walk as he muses about Walter’s life and the nature depicted in his paintings. Joshua Jelly-Schapiro travels to Antigua to explore the history of the island and Walter’s lasting impact there.

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Carol Bove: Collage Sculptures presents an extensive look into the contemporary artist’s work over the past five years and her ongoing exploration of scale, color, material, and artistic traditions of the twentieth century. Bove’s recent work engages the conceptual concerns of mid-century sculpture, such as spontaneity, industrial materials, and the potential of painted sculpture. However, within this space of familiar sculptural traditions, Bove has discovered new approaches that lead to places previously unknown. Bove’s “collage sculptures” are created from scrap metal and stainless steel that has been carefully worked into sinuous forms and are frequently painted. Considering the hard rigidity of the steel, the works possess an appearance of almost impossible softness, as if steel could become as pliable as clay. Such works range from small pedestal sculptures to large, imposing compositions. Bove’s interest in scale and how a viewer’s understanding of an artwork shifts depending on its context are explored through a selection of small works from the collection of the Nasher Sculpture Sculpture. Published by the Nasher Sculpture Center, the catalogue features beautiful reproductions of Bove’s work and an introduction as well as an essay by curator Catherine Craft on the development of the collage sculptures and their relationship to other artists and traditions of modern sculpture. Also included is an essay by Lisa Le Feuvre that explores Bove’s complex work by means of a thematic alphabet related to the artist’s interests.

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Tiona Nekkia McClodden considers the presence and absence of the Black figure and aesthetic tropes of representation through work traversing film, installation, sculpture, painting, and writing. ---------- “An artist who may be America’s most essential today.” — Siddhartha Mitter, The New York Times ---------- Known for her poignant examinations of biomythography and identity, McClodden uses a research-based approach in her practice as an artist and self-described “historian and cultural custodian.” MASK / CONCEAL / CARRY dissects the many meanings of “masking,” “concealing,” “carrying,” and their opposites, revealing the constant contradiction and harmony between these actions. In this body of work, McClodden creates sculptural meditations on guns—a gold and silver chainmail helmet and a leather molded magazine of an AR15 assault rifle. Through custom lighting, the artist carefully choreographs a performance between the work, space, and viewer. Adding to McClodden’s narrative and psychological concepts, this publication includes a curator’s note from Ebony L. Haynes, a poem by the acclaimed writer and artist Rhea Dillon, and a conversation between the poet Simone White and the artist, as well as a statement penned by McClodden herself.

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An exciting, unexpected, and beautiful encounter with one collector’s deeply personal assemblage of works. Since the 1980s, Mickey Cartin has assembled a remarkable collection of objects and art—Renaissance and modernist paintings, master prints, sculptures, illuminated manuscripts, and more. Exploring the theory behind collecting art and how Cartin’s approach to collecting diverges from common practices, this publication offers a unique perspective on an intimate practice. Unconcerned with hewing to specific categories, time periods, or media, Cartin’s collection—which includes the likes of Josef Albers, Sol Lewitt, and Forrest Bess—creates active combinations and disrupts homogeneity, privileging the drive of curiosity. A documentation of the celebrated exhibition Seen in the Mirror: Things from the Cartin Collection at David Zwirner, New York, in 202, this catalogue includes additional artworks from Cartin’s trove along with views of his home, conveying how he lives with these various types of work. Cartin selected each work in the exhibition and catalogue as a reflection of his deep connections with the many artists represented therein. The conversation between Cartin and David Leiber illuminates the tensions between study and instinct, reading versus experiencing, as well as the influences and figures that inform his personal, curatorial practice. With an introduction by the curator of the Cartin Collection, Steven Holmes, and a text from the art historian Luke Syson, this inspiring volume is a spirited investigation of a very different method of and approach to collecting.

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Mwili, Akili Na Roho: Ten Figurative Painters from East Africa features the work of ten artists from Kenya, Uganda, and Tanzania, including Sam Ntiro, Elimo Njau, Asaph Ng’ethe Macua, Jak Katarikawe, Theresa Musoke, Sane Wadu, Peter Mulindwa, Chelenge van Rampelberg, John Njenga, and Meek Gichugu. The personal histories, thematic concerns, and formal strategies of this multigenerational group of artists present an opportunity to engage more deeply in the genealogies of artistic creation in the region, while considering the enduring influence of certain ideas and institutions in the creation, dissemination, and reception of art in and from East Africa. This catalogue is published to coincide with an expanded version of Mwili, Akili Na Roho at the Nairobi Contemporary Art Institute in 2022, following earlier iterations at Haus Der Kunst in Munich (2020) and the Royal Academy of Arts in London (2021).

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A sweeping selection of Donald Judd’s iconic and ambitious works alongside a diverse collection of newly commissioned writings. "One of the most significant American artists of the postwar period, Donald Judd rigorously experimented with color, form, material, and space. The works in this catalogue range from the artist’s expansive installations to self-contained single units, yielding valuable new insights into his process and approach. The survey includes one of the artist’s largest and most intricate installations of sixty-three wall-mounted plywood boxes, conceived in 1986. Other works include variations on some of Judd’s most recognizable forms, executed in materials such as Cor-ten steel, plexiglass, copper, plywood, brushed aluminum, and enameled aluminum. Brilliant and exacting reproductions bring these works to life on the page. Following the artist’s major retrospective at The Museum of Modern Art, New York, in 2020, this book serves as a companion volume. With contributions from a wide range of voices—art historians, critics, writers, and performers— this publication includes rich new writings on Judd’s oeuvre, art criticism, and enduring influence. Artworks: 1970–1994 is published on the occasion of the eponymous 2020 exhibition at David Zwirner, New York."

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I carry my landscapes around with me focuses on American abstract artist Joan Mitchell’s large-scale multipanel works from the 1960s through the 1990s. Mitchell’s exploration of the possibilities afforded by combining two to five large canvases allowed her to simultaneously create continuity and rupture, while opening up a panoramic expanse referencing landscapes or the memory of landscapes. Mitchell established a singular approach to abstraction over the course of her career. Her inventive reinterpretation of the traditional figure-ground relationship and synesthetic use of color set her apart from her peers, resulting in intuitively constructed and emotionally charged compositions that alternately evoke individuals, observations, places, and points in time. Art critic John Yau lauded her paintings as “one of the towering achievements of the postwar period.” Published on the occasion of the eponymous exhibition at David Zwirner New York in 2019, this book offers a unique opportunity to explore the range of scale and formal experimentation of this innovative area of Mitchell’s extensive body of work. It not only features reproductions of each painting in this selection as a whole, but also numerous details that allow an intimate understanding of the surface texture and brushwork. In the complementing essays, Suzanne Hudson examines boundaries, borders, and edges in Mitchell’s multipanel paintings, beginning with her first work of this kind, The Bridge (1956), considering them as both physical and conceptual objects; Robert Slifkin discusses the dynamics of repetition and energy in the artist’s paintings, in relation to works by Monet and Willem de Kooning, among others.

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The humble granny square gets a fresh new look in this collection of 100 3D granny square crochet patterns. Choose your favourite from 100 different designs including flowers, animals, food and drink, and motifs; whether it's a fragrant rose, a cherry pie or a jellyfish. Each motif features a 3D element that is integral to the granny square design. There are also ten bright and beautiful projects showing you how to use the squares to make unique gifts for friends and family including an animal themed baby blanket; a fruity cushion and a decorative garland.

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Tau Lewis’s mythical sculptures create elaborate portals into fantastic worlds “At 52 Walker, artist Tau Lewis transmutes the lifeblood of scrap objects into something sanctified. . . . I’m reminded that an art gallery can also be a temple.” — New York magazine Following her acclaimed presentation Divine Giants Tribunal at the 2022 Venice Biennale, Lewis has continued to create anthropomorphic forms inspired by those in Yoruban mask dramas—ones which are spiritually activated by the wearer and the audience and, by extension, their community. Conversing with spiritual and ancestral pasts, Lewis’s works reinvent and reconsider narratives of Greek myths, theater, and death. In this body of work, the artist reexamines apocalyptic themes as an opportunity for reconstruction and transformation. Documenting and expanding on Lewis’s exhibition at 52 Walker titled Vox Populi, Vox Dei, this catalogue contextualizes the artist’s investigations and expressions. Poetry by the multidisciplinary artist and activist Yves B. Golden complements Lewis’s otherworldly motifs. With a curator’s note by Ebony L. Haynes, this publication also features an essay by Tiana Reid that explores Lewis’s practice, drawing connections between sources that range from Joy James to Frederick Douglass.

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This is a comprehensive and attractive lifestyle guide to keeping ducks and geese - from what to consider before buying them, how to house them, their welfare and even egg selection. They make wonderful and rewarding pets, and come in all shapes, sizes and colours, providing delicious eggs which are high in protein and are ideal for baking superior cakes. Geese make handy lawn mowers and ducks are perfect for vegetable and allotment gardeners as they love to feast on insects and other pests. With so much versatility, the desire to rear ducks and geese has never been greater. The book begins with a fascinating brief history of domesticated waterfowl, and then moves onto first considerations before purchasing your ducks or geese, such as goose and duck anatomy and behavior. There is a detailed section on all of the 40 common breeds of duck and goose, enabling you to make the right decision about which ones to choose. The book features extensive information on planning and welfare, helping you to ensure that you have the right type of space and housing, along with important feeding information. There are also guidelines on how to deal with any eventuality, such as telling the neighbors, going away on holiday and cleaning. Useful for anyone considering breeding from their waterfowl, there is advice on egg production, egg incubation and hatching, as well as a whole section on rearing. A lavish lifestyle chapter provides recipes for using the rich eggs, along with fun activities for all of the family including quill making and decorating eggs. Keeping Ducks and Geese fuses contemporary lifestyle design and an authoritative text, to appeal not only to those who already keep waterfowl, but also to those who are thinking of having them or even just aspire to the self-sufficient lifestyle that they represent.

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I Hope So: Sane Wadu follows the expansion and development of Wadu’s conceptual preoccupations, beginning with an early interest in bucolic scenes of pastoral life which has evolved into incisive social commentary, a complex exploration of the intersection of faith and politics, and an ongoing critique of societal contradictions. An illuminating essay by Mukami Kuria and an interview with Rosie Olang’ Odhiambo offer readers multiple entry points into Wadu’s penetrating vision. This catalogue is published on the occasion of Sane Wadu’s first retrospective exhibition at the Nairobi Contemporary Art Institute in 2022.

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Light Break presents the first survey since 1996 of photographer Roy DeCarava, an essential figure of American art and culture, whose “poetry of vision” re-forms urban life, labor, love, and jazz into the discovery of “an intimate, emotional arc of transformation.”Though DeCarava often refrained from public discussion of his work, this catalogue provides important background into determining factors of his aesthetic sensibility—his traditional training in painting and printmaking as well as his philosophical undertakings. It brings the viewer to a consideration of contradictory precepts in DeCarava’s work that seeks resolution through tonal and structural elements within the image.Light Break presents a wide-ranging selection of DeCarava’s photographs accompanied by a preface by Zoé Whitley, an American curator based in London, and features an introduction and essay by curator and art historian Sherry Turner DeCarava. Titled “Celebration,” Turner DeCarava’s essay considers the artist’s singular poetic vision, his timeless portrayals of individuals and places, and his mastery of composition and photographic printmaking.As Whitley writes, “In making photographs, as in life, DeCarava was patient. Possessing both a peerless self-awareness and acute observational skills, he knew intuitively when to wait and when to open the camera’s shutter. In the dark room, he availed himself of these same attributes, moving with steady assurance to develop his prints so as to allow the full range of what he called his ‘infinite scale of grey tones’—often realized at the deepest end of the spectrum—to emerge slowly and fully.”Published on the occasion of two concurrent exhibitions of DeCarava’s work at David Zwirner New York in 2019, this exquisite volume showcases a dynamic range of images that underscore DeCarava’s subtle mastery of tonal and spatial elements across a wide, fascinating array of subject.

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“The rising star’s ethereal work is filled with transcendent imagery that allows the viewer to peek beyond the veil of earthly existence.” — Naomi Rea, Artnet News In her paintings, Zvavahera gives form to emotions that manifest from other realms and dimensions beyond the domains of everyday life and thought. Her vivid imagery is rooted in the cornerstones of our earthly existence—life and death, pain and pleasure, isolation and connection, and love and loss. This is the first book to explore her work in vivid detail. Zvavahera draws from a powerful visual vocabulary comprising women, her family, and shape-shifting animals, in scenes both metaphorical and fantastical. In several paintings, she makes use of intricate patterns taken from her own floral or classical Zimbabwean designs. Her particular process of alternating painting and printing results in images that communicate complex emotions in a play of tension and release. The result is a deeply personal body of work that probes the nature of the human condition. As Zvavahera states, “It is me in the paintings.… I can only speak about myself.” In addition to gorgeous reproductions of seventy-five paintings, including up-close details and installation views, this catalogue also features a new essay by curator Meredith Brown and an interview with the artist by writer Allie Biswas. This catalogue surveys work made since 2017, including her much-lauded contribution to the 2022 Venice Biennale.

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