Search results for ""author christine"

Of the great philosophers of pagan antiquity, Marcus Tullius Cicero is the only one whose ideas were continuously accessible to the Christian West following the collapse of the Roman Empire. Yet, in marked contrast with other ancient philosophers, Cicero has largely been written out of the historical narrative on early European political thought, and the reception of his ideas has barely been studied. The Bonds of Humanity corrects this glaring oversight, arguing that the influence of Cicero’s ideas in medieval and early modern Europe was far more pervasive than previously believed.In this book, Cary J. Nederman presents a persuasive counternarrative to the widely accepted belief in the dominance of Aristotelian thought. Surveying the work of a diverse range of thinkers from the twelfth to the sixteenth century, including John of Salisbury, Brunetto Latini, Marsiglio of Padua, Christine de Pizan, and Bartolomé de Las Casas, Nederman shows that these men and women inherited, deployed, and adapted key Ciceronian themes. He argues that the rise of scholastic Aristotelianism in the thirteenth century did not supplant but rather supplemented and bolstered Ciceronian ideas, and he identifies the character and limits of Ciceronianism that distinguish it from other schools of philosophy.Highly original and compelling, this paradigm-shifting book will be greeted enthusiastically by students and scholars of early European political thought and intellectual history, particularly those engaged in the conversation about the role played by ancient and early Christian ideas in shaping the theories of later times.

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Was geschieht mit dem Körper nach dem Tod, wie kann er auferstehen und am Ewigen Leben teilhaben? Diese Frage beschäftigt Christinnen und Christen seit jeher. Antike christliche Zeugnisse zeigen: Einen Schlüssel zur Beantwortung sah man im auferstandenen Körper Jesu, der sich der Überlieferung zufolge den Jüngern am Ostermorgen offenbart und der in Gestalt der Eucharistie vom Menschen leiblich empfangen werden kann. In der Folge entstanden mit Beginn des 2. Jahrhunderts größere Entwürfe einer "Soteriologie des Leibes", in denen Jesu Leib eine entscheidende Funktion für die Auferstehung des Menschen übernimmt und die stellenweise mit den wissenschaftlichen Standards ihrer Zeit für die Plausibilität einer leiblichen Auferstehung argumentieren. Teilweise stehen sie in Kontrast zueinander und provozieren gegensätzliche Zuspitzungen. Christine Jacobi untersucht im vorliegenden Werk Stimmen dieses Diskurses aus frühchristlicher und spätantiker Zeit, darunter Texte der entstehenden Mehrheitskirche ebenso wie Schriften, die heute als "Apokryphen" und Zeugnisse der sog. Gnosis gelten. Gemeinsam ist ihnen, dass sie argumentativ auf Briefe des Paulus und auf die kanonisch werdenden Evangelien zurückgreifen, insbesondere auf das Johannesevangelium. Sie zeigen dabei überraschende Interpretationsweisen des entstehenden Neuen Testaments und ermöglichen einen Einblick in die Vielfalt seiner Rezeptionen.

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Forty-six million people suffer from arthritis. Frustrated with the lies, driven to deceit by a career that celebrates beauty and fashion, lifestyle reporter Christine Schwab is not most people. She managed to keep her illness a secret for years, even as a recurring guest on Live with Regis & Kelly, Oprah!, The Today Show, Entertainment Tonight, and elsewhere. She juggled her career with a thrilling personal life in Hollywood: married to Shelly Schwab, then the president of television distribution at Universal Studios, she traveled, dined with celebrities, and met presidents of the United States. How could she allow a devastating disease associated with aging and disfigurement to take over her life? Rather than let it, she hid it—a skill learned well in childhood. In Take Me Home from the Oscars, Schwab openly speaks of her arthritis for the first time, looking to her past for clues of how she managed the deception, but also of lessons learned when she could no longer hide. A turning point came when she had to leave her tenth-row Oscar seat because she was in too much pain to sit for even a moment longer. From her nineteen-year journey through the UCLA Medical Center to the exhilaration of more than twenty years of appearing on national television, Schwab’s voice is at once smart and friendly. The reader will root for her at every step, and cheer when, through medication, she ultimately finds remission.

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Christine M. Korsgaard presents an account of the foundation of practical reason and moral obligation. Moral philosophy aspires to understand the fact that human actions, unlike the actions of the other animals, can be morally good or bad, right or wrong. Few moral philosophers, however, have exploited the idea that actions might be morally good or bad in virtue of being good or bad of their kind - good or bad as actions. Just as we need to know that it is the function of the heart to pump blood to know that a good heart is one that pumps blood successfully, so we need to know what the function of an action is in order to know what counts as a good or bad action. Drawing on the work of Plato, Aristotle, and Kant, Korsgaard proposes that the function of an action is to constitute the agency and therefore the identity of the person who does it. As rational beings, we are aware of, and therefore in control of, the principles that govern our actions. A good action is one that constitutes its agent as the autonomous and efficacious cause of her own movements. These properties correspond, respectively, to Kant's two imperatives of practical reason. Conformity to the categorical imperative renders us autonomous, and conformity to the hypothetical imperative renders us efficacious. And in determining what effects we will have in the world, we are at the same time determining our own identities. Korsgaard develops a theory of action and of interaction, and of the form interaction must take if we are to have the integrity that, she argues, is essential for agency. On the basis of that theory, she argues that only morally good action can serve the function of action, which is self-constitution.

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Exploring forms of desire unaccounted for in previous histories of sexuality What can the Renaissance tell us at our present moment about who and what is “queer,” as well as the political consequences of asking? In posing this question, The Shapes of Fancy offers a powerful new method of accounting for ineffable and diffuse forms of desire, mining early modern drama and prose literature to describe new patterns of affective resonance.Starting with the question of how and why readers seek traces of desire in texts from bygone times and places, The Shapes of Fancy demonstrates a practice of critical attunement to the psychic and historical circulations of affect across time within texts, from texts to readers, and among readers. Closely reading for uncharted desires as they recur in early modern drama, witchcraft pamphlets, and early Atlantic voyage narratives and demonstrating how each is structured by qualities of secrecy, impossibility, and excess, Christine Varnado follows four “shapes of fancy”: the desire to be used to others’ ends; indiscriminate, bottomless appetite; paranoid self-fulfilling suspicion; and melancholic longings for impossible transformations and affinities. These affective dynamics go awry in atypical and perverse ways. In other words, argues Varnado, these modes of feeling are recognizable on the page or stage as “queer” because of how, and not by whom, they are expressed.This new theorization of desire expands the notion of queerness in literature, decoupling the literary trace of queerness from the binary logics of same-sex versus opposite-sex and normative versus deviant that have governed early modern sexuality studies. Providing a set of methods for analyzing affect and desire in texts from any period, The Shapes of Fancy stages an impassioned defense of the inherently desirous nature of reading, making a case for readerly investment and identification as vital engines of meaning making and political insight.

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Exploring forms of desire unaccounted for in previous histories of sexuality What can the Renaissance tell us at our present moment about who and what is “queer,” as well as the political consequences of asking? In posing this question, The Shapes of Fancy offers a powerful new method of accounting for ineffable and diffuse forms of desire, mining early modern drama and prose literature to describe new patterns of affective resonance.Starting with the question of how and why readers seek traces of desire in texts from bygone times and places, The Shapes of Fancy demonstrates a practice of critical attunement to the psychic and historical circulations of affect across time within texts, from texts to readers, and among readers. Closely reading for uncharted desires as they recur in early modern drama, witchcraft pamphlets, and early Atlantic voyage narratives and demonstrating how each is structured by qualities of secrecy, impossibility, and excess, Christine Varnado follows four “shapes of fancy”: the desire to be used to others’ ends; indiscriminate, bottomless appetite; paranoid self-fulfilling suspicion; and melancholic longings for impossible transformations and affinities. These affective dynamics go awry in atypical and perverse ways. In other words, argues Varnado, these modes of feeling are recognizable on the page or stage as “queer” because of how, and not by whom, they are expressed.This new theorization of desire expands the notion of queerness in literature, decoupling the literary trace of queerness from the binary logics of same-sex versus opposite-sex and normative versus deviant that have governed early modern sexuality studies. Providing a set of methods for analyzing affect and desire in texts from any period, The Shapes of Fancy stages an impassioned defense of the inherently desirous nature of reading, making a case for readerly investment and identification as vital engines of meaning making and political insight.

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This book challenges the assumption that Franz Schubert (1797-1828), best known for the lyricism of his songs, symphonies and chamber music, lacked comparable talent for drama. It is commonly assumed that Franz Schubert (1797-1828), best known for the lyricism of his songs, symphonies, and chamber music, lacked comparable talent for drama. Challenging this view, Drama in the Music of Franz Schubert provides a timely re-evaluation of Schubert's operatic works, while demonstrating previously unsuspected locations of dramatic innovation in his vocal and instrumental music. The volume draws on a range of critical approaches and techniques, including semiotics, topic theory, literary criticism, narratology, and Schenkerian analysis, to situate Schubertian drama within its musical and cultural-historical context. In so doing, the study broadens the boundaries of what might be considered 'dramatic' within the composer's music and offers new perspectives for its analysis and interpretation. Drama in the Music of Franz Schubert will be of interest to musicologists, music theorists, composers, and performers, as well as scholars working in cultural studies, theatre, and aesthetics. JOE DAVIES is College Lecturer in Music at Lady Margaret Hall, University of Oxford. JAMES WILLIAM SOBASKIE is Associate Professor of Music at Mississippi State University. Contributors: Brian Black, Lorraine Byrne Bodley, Joe Davies, Xavier Hascher, Marjorie Hirsch, Anne Hyland, Christine Martin, Clive McClelland, James William Sobaskie, Lauri Suurpää, Laura Tunbridge, Susan Wollenberg, Susan Youens

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Illegalized immigration is a highly iconic topic. The public perception of the current regime for mobility is profoundly shaped by visual and verbal images. As the issue of illegalized immigration is gaining increasing political momentum, the authors feel it is a well-warranted undertaking to analyze the role of images in the creation of illegalization. Their aim is to trace the visual processes that produce these very categories. The authors aim to map out an iconography of illegalized immigration in relation to political, ethical, and aesthetic discourses. They discuss the need to project new images as well as the dangers of giving persons without legal papers an individual face. Illegalization is produced by law, but naturalized through the everyday use of images. The production of law, on the other hand, is also driven by both mental and materialized images. A critical iconology may help us to see these mechanisms.

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Higher education worldwide, including the university and other related academic programs, is currently undergoing intensive change and transformation perhaps as no other time in its long history. One factor contributing to this rapid transformation is the global expansion of higher education at unprecedented rates. More of the world's population is continuing to higher education (and other forms of tertiary education) now than ever before. In fact, enrollment in institutions of higher education around the world is growing at a rapid rate. Some scholars have suggested that one reason for this rapid expansion is that the role of higher education has shifted over the last 50 years from an elite to a mass institution. As a result of this rapid expansion and shift in focus, the nature of students, faculty, the curriculum, and assessment is changing within the institution. And in society, the value of higher education and its impact on socioeconomic status, human capital, and technical innovation is changing as well. As a whole, the chapters in this volume in the "International Perspectives on Education and Society" series present a thoughtful discussion of the worldwide transformation of higher education from multiple perspectives. Contributors include Gaele Goastellec, David Turner, John C. Weidman, Adiya Enkhjargal, Christine Min Wotipka, Francisco O. Ramirez, Karin Amos, Lucia Bruno, Marcelo Parreira do Amaral, Mark S. Johnson, Christopher Collins, Robert A. Rhoads, Sunwoong Kim, Jun Li, Jing Lin, Chuing Prudence Chou, Philip G. Altbach, and Patti McGill Peterson.

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The war on terrorism, say America's leaders, is a war of Good versus Evil. But in the minds of the perpetrators, the September 11 attacks on New York and Washington were presumably justified as ethically good acts against American evil. Is such polarization leading to a violent "clash of civilizations" or can differences between ethical systems be reconciled through rational dialogue? This book provides an extraordinary resource for thinking clearly about the diverse ways in which humans see good and evil. In nine essays and responses, leading thinkers ask how ethical pluralism can be understood by classical liberalism, liberal-egalitarianism, critical theory, feminism, natural law, Confucianism, Islam, Judaism, and Christianity. Each essay addresses five questions: Is the ideal society ethically uniform or diverse? Should the state protect, ban, or otherwise intervene in ethically based differences? How should disagreements on the rights and duties of citizens be dealt with? Should the state regulate life-and-death decisions such as euthanasia? To what extent should conflicting views on sexual relationships be accommodated? This book shows that contentious questions can be discussed with both incisiveness and civility. The editors provide the introduction and Donald Moon, the conclusion. The contributors are Brian Barry, Joseph Boyle, Simone Chambers, Joseph Chan, Christine Di Stefano, Dale F. Eickelman, Menachem Fisch, William Galston, John Haldane, Chandran Kukathas, David Little, Muhammad Khalid Masud, Carole Pateman, William F. Scheuerman, Adam B. Seligman, James W. Skillen, James Tully, and Lee H. Yearley.

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Reports of the surveyors of Westminster Abbey in the twentieth century provide a wealth of information on this most important building. The annual reports of the Surveyors of the Fabric in the twentieth century give much detailed information about the maintenance and major restoration of Westminster Abbey and its contents. The Surveyors, William Lethaby, Walter Tapper, Charles Peers and Stephen Dykes Bower, had to deal with many problems and challenges between 1906 and 1973. Not least of these were two World Wars and the most extensive programme of cleaning and re-decoration since the timeof Sir Christopher Wren. Lethaby brought to light original decoration on medieval tombs, lost to sight for centuries under grime and shellac used by his predecessor Gilbert Scott; Tapper had to carry out emergency restoration tothe fan vault of Henry VII's chapel after a stone crashed to the floor; Peers was required to deal with the evacuation of hundreds of treasures during the 1939-45 war and with repairs to bomb damaged areas after it. Dykes Bower, meanwhile, was the most controversial of the Surveyors of this period. His replacement of medieval roof timbers drew criticism, although these were riddled with decay and death watch beetle. The nave could have looked vastly different if his design for a Cosmati work floor had gone ahead. But the Abbey interior would not look as it does today without his massive contribution to the cleaning of the brown stonework and re-decoration of the dirty and damaged Tudor and Jacobean monuments. The Abbey's current Surveyor, Ptolemy Dean, outlines the legacies of the work of these Surveyors of the modern age in his introduction; Christine Reynolds, the Abbey's Assistant Keeper of the Muniments, adds valuable notes from other sources within the archives to supplement the fascinating accounts of work carried out in the most historically significant church in England.

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"Some playwrights have a gift to amuse; Frances Ya-Chu Cowhig has a darker gift. Anyone with romantic notions of Chinese culture will be unsettled by the jagged, unsentimental portrait of modern urban China."(Chicago Reader) Poetic and devastating, sensuous and politically acute, Frances Ya-Chu Cowhig’s China Plays explore the forces of global capital as they explode within the lives of everyday people in contemporary China. This volume collects together the three plays in the series, including Cowhig’s exploration of the human cost of development in China’s socialist market economy (The World of Extreme Happiness), of justice and revenge amidst ecological and economic catastrophe (Snow in Midsummer), and the tale of the trade in blood that brought the AIDS crisis to rural China (The King of Hell’s Palace). In addition to Cowhig’s plays, the volume includes a host of supplemental materials including an editorial preface and three (previously published) brief essays responding to each play by the editor, Joshua Chambers-Letson; a new introduction by theatre/performance scholar and dramaturg Christine Mok that explores the key themes in Cowhig’s body of work; a summary discussion between Cowhig, Chambers-Letson, and Mok, on Cowhig’s process and the political and aesthetic currents animating her work. The World of Extreme Happiness: "Fearless, zippily-paced, and satirical . . . Cowhig forces us down the long hard look path" (Independent) Snow in Midsummer: “Gripping and affecting… graceful and impassioned” (Times) The King of Hell's Palace: "A medical-scandal drama that we can't afford to ignore" (Telegraph)

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‘Love set you going’. The opening words of Sylvia Plath’s poem for her newborn daughter are true of each one of us. Love is fundamental to our being, our growth, our development and our happiness. Love enables us to make meaning of our lives in the world, and it gives us hope for what lies beyond. It is completely humdrum and ordinary – yet mysterious beyond words. Beginning in the body, it points us to eternity. Life offers, and asks of us, many different kinds of love, and poets have reflected on this truth with insight and acute observation. As Janet Morley explores love ‘up and down the generations’, ‘grown up love’ and love between ‘God and the human heart’, she reveals what our hearts eventually discern – love has its seasons and ambiguities, its certainties and passions. Love is never simple at all. W. H. Auden * Rupert Brooke * Charles Causley * John Clare * Gillian Clarke * Samuel Taylor Coleridge * Christine De Luca * Imtiaz Dharker * Emily Dickinson * John Donne * Carol Ann Duffy * Ruth Fainlight * U. A. Fanthorpe * Seamus Heaney * George Herbert * Gerard Manley Hopkins * Ted Hughes * John of the Cross * Jane Kenyon * D. H. Lawrence * Edwin Morgan * Sinéad Morrissey * Sylvia Plath * Christina Rossetti * Siegfried Sassoon * E. J. Scovell * William Shakespeare * R. S. Thomas * Rosemary Tonks * Andrew Waterhouse * Charles Wesley * Rowan Williams * Thomas Wyatt

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When Dr. Jack Graham was twenty years old, he got the phone call no one wants to receive. His father had been ruthlessly attacked, and it became clear to young Jack that invisible forces of evil were involved. He realized he needed to take the spiritual world more seriously, because the real battles we face in life are between the powers of good and evil...literally the armies of heaven and hell. Through compelling stories, practical guidance, and biblical truth, Dr. Graham challenges popular opinions and persistent folklore about heaven and hell, good and evil, angels and Satan. You will come away from this book enlightened about the supernatural world and encouraged that God can provide protection, provision, and power for whatever lies ahead. Each chapter includes questions for group discussion or individual reflection. Free online small-group curriculum is also available. "We sometimes forget that the real powers in this world are spiritual rather than physical. I'm thrilled that in Unseen Jack Graham reminds us of the hidden battles we face and instills hope and assurance that believers will emerge victorious. I highly recommend this insightful, biblical, and very personal book."--Mark Batterson, New York Times bestselling author, The Circle Maker "I was captivated by Unseen from start to finish. Dr. Graham has powerfully addressed some of the greatest questions and concerns of our day. We must all recognize that we are in a spiritual battle. This book will help you to not only understand what is going on, but how God has equipped each and every one of us to live a victorious, overcoming Christian life as light in the midst of darkness. This book is a must-read for every Christian."--Christine Caine, founder, The A21 Campaign , bestselling author, Undaunted "Jack Graham is a man of God who understands the spirit world. Our battle isn't against people. It's against Satan and demonic spirits. Jesus' conquest over those evil forces enables us to walk victoriously as we prayerfully put on God's armor and appropriate His Word. Unseen is a mandatory manual for every spiritual warrior!"--Steve Gaines, PhD, senior pastor, Bellevue Baptist Church, Memphis, TN "What you see is not all there is. Unfortunately, too many people are losing battles they don't even know are being fought. In his timely book, Unseen, Dr. Jack Graham equips and empowers us to fight and win spiritual battles God's way. If you are longing for more spiritual power and understanding, read this book."--Craig Groeschel, senior pastor, LifeChurch.tv, author, Altar Ego: Becoming Who God Says You Are "The key word that comes to mind concerning Jack Graham's new book Unseen is needed. There is a war in the heavenlies that touches this earth, but the good news is that we can win the war. Read, be instructed, embrace its truth, and win the battle."--Johnny Hunt, pastor, First Baptist Church, Woodstock, GA "Lift your eyes from the urgent and set your sights on eternity, where a hundred years from today you will be alive and fully aware. Jack Graham calls us not just to finish the race to eternity, but to break the tape accelerating, and his insightful book Unseen tells us why and how!"--James MacDonald, senior pastor, Harvest Bible Chapel and author, Vertical Church "The unseen aspects of the spiritual life are the most important and often most difficult to understand. But our lack of understanding doesn't negate the reality. Jack Graham's words in Unseen will open your eyes to the spiritual battle that surrounds us. Allow Dr. Graham to lead you on a life-changing journey into the unseen."--Gregg Matte, pastor, Houston's First Baptist Church, author, I AM Changes Who i Am "Pastor Jack Graham presents a tactical manual every Christ-follower needs for winning the spiritual conflict with unseen forces of evil."--Kerry Shook, founding pastor, Woodlands Church

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A new approach to writing culture has arrived: multispecies ethnography. Plants, animals, fungi, and microbes appear alongside humans in this singular book about natural and cultural history. Anthropologists have collaborated with artists and biological scientists to illuminate how diverse organisms are entangled in political, economic, and cultural systems. Contributions from influential writers and scholars, such as Dorion Sagan, Karen Barad, Donna Haraway, and Anna Lowenhaupt Tsing, are featured along with essays by emergent artists and cultural anthropologists.Delectable mushrooms flourishing in the aftermath of ecological disaster, microbial cultures enlivening the politics and value of food, and nascent life forms running wild in the age of biotechnology all figure in this curated collection of essays and artifacts. Recipes provide instructions on how to cook acorn mush, make cheese out of human milk, and enliven forests after they have been clear-cut. The Multispecies Salon investigates messianic dreams, environmental nightmares, and modest sites of biocultural hope.For additional materials see the companion website: www.multispecies-salon.org/Contributors. Karen Barad, Caitlin Berrigan, Karin Bolender, Maria Brodine, Brandon Costelloe-Kuehn, David S. Edmunds, Christine Hamilton, Donna J. Haraway, Stefan Helmreich, Angela James, Lindsay Kelley, Eben Kirksey, Linda Noel, Heather Paxson, Nathan Rich, Anna Rodriguez, Dorion Sagan, Craig Schuetze, Nicholas Shapiro, Miriam Simun, Kim TallBear, Anna Lowenhaupt Tsing

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Has a global queer popular culture emerged at the expense of local queer artists? In this book, Helton Levy argues that global queer culture is indebted to specific, local references that artists carry from their early experiences in life, which then become homogenized by contemporary media markets. The assumption that queer publics live and consume only through a global set of references, including gay parades and rainbow flags, for example, erases many personal complexities. Levy revisits media characters that have caught the attention of the broader public – such as Calamity Jane (1953), the Daffyd Thomas character from the BBC comedy Little Britain (2003-2007), Brazilian drag queen Pabblo Vittar, French singer Christine and the Queens, and the Italian-Egyptian rapper Mahmood – and argues that they have gradually blended in the public's perception. This has often obscured the individual struggles faced by these characters, such as immigration, homophobia, poverty and societal exclusion. Levy also questions what happens when global media flows take queer culture to regions wherein the notion of LGBTQ+ rights are not entirely acceptable. Utilizing insights from media reports published across the world's ten biggest media markets, Levy argues that there are a series of conditions which artists and cultural actors negotiate once they achieve any kind of success in mainstream media, while local queer references remain unseen in the wider media world. For that reason, he argues for stronger incentives for communities to accept and acknowledge the work of queer people before and after commoditization.

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Jacopo de’ Barbari’s View of Venice, a woodcut first printed in the year 1500, presents a bird’s-eye portrait of Venice at its peak as an international hub of trade, art, and culture. An artistic and cartographic masterpiece of the Renaissance, the View depicts Venice as a vibrant, waterborne city interconnected by canals and bridges and filled with ornate buildings, elaborate gardens, and seafaring vessels. The contributors to A View of Venice: Portrait of a Renaissance City draw on a high-resolution digital scan of the over nine-foot-wide composite print to examine the complexities of this extraordinary woodcut and portrayal of early modern Venetian life. The essays show how the View constitutes an advanced material artifact of artistic, humanist, and scientific culture. They also outline the ways the print reveals information about the city’s economic and military power, religious and social infrastructures, and cosmopolitan residents. Featuring methodological advancements in the digital humanities, A View of Venice highlights the reality and myths of a topographically unique, mystical city and its place in the world. Contributors. Karen-edis Barzman, Andrea Bellieni, Patricia Fortini Brown, Valeria Cafà, Stanley Chojnacki, Tracy E. Cooper, Giada Damen, Julia A. DeLancey, Piero Falchetta, Ludovica Galeazzo, Maartje van Gelder, Jonathan Glixon, Richard Goy, Anna Christine Swartwood House, Kristin Love Huffman, Holly Hurlburt, Claire Judde de Larivière, Blake de Maria, Martina Massaro, Cosimo Monteleone, Monique O’Connell, Mary Pardo, Giorgio Tagliaferro, Saundra Weddle, Bronwen Wilson, Rangsook Yoon

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Can crochet explain the complexities of non-Euclidean geometry? How does the 1804 Jacquard loom relate to modern computing? Radical Fiber celebrates the overlap between art, science, interdisciplinary creativity and collaborative learning For centuries, fiber arts have influenced sciences as diverse as digital technology, mathematics, neuroscience, medicine and more. Radical Fiber explores this relationship through contemporary art and historical artifacts that address five key themes: shape, machine, body, brain and community. How did the accidental discovery of synthetic mauveine dye in 1856 pave the way for modern pharmaceuticals while also generating toxic waste? Why do we respond differently to a woven photograph than a printed one? These and other questions reframe the fiber/science intersection and ask how the medium can be used to improve our world for the future. Radical Fiber features a new artwork created by amateur and professional makers around the globe: the Saratoga Springs Satellite Reef, part of the Crochet Coral Reef project by Christine and Margaret Wertheim and the Institute For Figuring. Alongside numerous unidentified artists, additional artists and creators include: Lia Cook, Brock Craft, Veronica Dry, Anna Dumitriu, Ellis Developments, Hanne Kekkonen, Kintra Fibers, Elaine Krajenke Ellison, Karen Norberg, William Henry Perkin, Helen Remick, Dario Robleto, Daniela Rosner, Samantha Shorey, John Sims, Soft Monitor (Victoria Manganiello and Julian Goldman), Daina Taimina, Cecilia Vicun?a and Carolyn Yackel.

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'Uplifting and triumphant' JUNO DAWSON'This book is vital' RUSSELL T DAVIES'A brilliant resource' LADY PHYLL'A must-read for anyone grappling with coming out' RIYADH KHALAF'Inspirational' PETER TATCHELL"He told me being gay was nothing to be ashamed of." - Bill"I put my hands over my eyes as I told her, as I couldn't bear to see her reaction." - OliviaBased on the hugely popular Coming Out Stories podcast, this empowering, humorous and deeply honest book invites you to share one of the most important moments in many LGBTQ+ people's lives.From JP coming out to his reflection in the mirror, to Jacob coming out to their Mum over email, from Christine knowing she was trans as a young child, to Kerry coming out as a lesbian in her late thirties, all of the real life stories in this book show you there is no right or wrong way to come out, whatever your age and whatever your background.Whether you're gay, pan, queer, bi, trans, non-binary, or an ally, this uplifting go-to resource is filled with helpful advice and tips on what to expect, and inspirational quotes from leading LGBTQ+ figures, to help you live your life as your most authentic self. Welcome to the family!

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The best new research on medieval clothing and textiles, drawing from a range of disciplines. This sixth volume of Medieval Clothing and Textiles ranges widely, as ever, across England and Europe. It presents two groundbreaking articles in novel areas of textile and dress scholarship: an introduction to a previouslyunexamined class of embroidery (decorative manuscript repair), and an English-language overview of scholarly research on historical dress in Latvia. Among the other topics considered in the volume are two very different listingsof clothing items from medieval Germany: an invented lexicon by the mystic Hildegard of Bingen, and an accounting of specific real garments worn by ordinary people and donated to finance the building of Strasbourg Cathedral. Papers also consider the mercantile world of clothing in medieval London: one gathers insight on dealers of secondhand clothing from the evidence of historical documents, while the other examines the social rise of the mercers in the light of their representation in literature, and their connections to the literary world. Further articles consider luxurious dress accessories with both worldly and spiritual significance, and analyse a French manual for Englishhousewives, illuminating the often-overlooked topic of home linen production. Contributors: Hilary Davidson, Ieva Pigozne, Valerie L. Garver, Christine Sciacca, Sarah L. Higley, William Sayers, Roger A. Ladd, Kate KelseyStaples, Charlotte A. Stanford

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Shortlisted for Deluxe Edition of the Year at the Presto Music Awards 2023 Picture a day like this is the fourth operatic collaboration between George Benjamin and Martin Crimp, whose acclaimed partnership produced Written on Skin, Lessons in Love and Violence, and Into the Little Hill. This limited edition of the full score is one of only one hundred and fifty, presented in a cloth-bound hard cover. It is signed by George Benjamin and Martin Crimp and includes facsimile reproductions of pages from the manuscript, sketches by Benjamin and Crimp, and a photograph of Benjamin, Crimp and directors Daniel Jeanneteau and Marie-Christine Soma in rehearsal at the Aix-en-Provence Festival. In this bittersweet fable of grief and renewal. Benjamin and Crimp tell the story of a Woman who has lost her child: if, before nightfall, she meets one truly happy person and cuts a button from their sleeve, her child will live again. In her search she meets a pair of lovers, a Composer and their Assistant, an Artisan, Collector, and, in a beautiful garden, the mysterious Zabelle. ‘Benjamin proves with this taut, sharp miniature that he is the finest opera composer of today…a work of depth of feeling, humanistic artistry and expressive rigor…a drama that is miraculously condensed.’ Süddeutsche Zeitung (Reinhard J. Brembeck) 9 July 2023

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Examines the "home front" war effort from an overall imperial perspective, assessing the contribution of individual imperial territories. There is increasing interest in the "home front" during the Second World War, including issues such as how people coped with rationing, how women worked to contribute to the war effort, and how civilian morale fluctuated over time. Most studies on this subject are confined to Britain, or to a single other colonial territory, neglecting the fact that Britain controlled a large Empire and that there were numerous "home fronts", each of which contributed greatly to the war effort but each in slightly different ways. This book considers "home fronts" from an overall imperial perspective and in a broad array of territories - Australia, India, South Africa, Ceylon, Palestine and Kenya aswell as Britain. It examines many aspects of wartime life - food, communications, bombing, volunteering, internment and more, and discusses important themes including identity, gender, inequality, and the relationship between civilians and the state. Besides case studies outlining the detail of the situation in different territories and in different areas of life, the book assesses "home fronts" across the Empire in a comprehensive way, setting the case studies in their wider context, and placing the subject in, and advancing, the historiography. MARK J. CROWLEY is Associate Professor of History at Wuhan University, China. SANDRA TRUDGEN DAWSON is an Instructor in the Department of History at the University of Maryland. Contributors: NUPUR CHAUDHURI, MARK J. CROWLEY, SANDRA TRUDGEN DAWSON, NADJA DURBACH, ASHLEY JACKSON, RITIKA PRASAD, LINSEY ROBB, SHERENE SEIKALY, JEAN SMITH,ANDREW STEWART, PETER THORSHEIM, CHRISTINE WINTER

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What is sex exactly? Does everyone agree on a definition? And does that definition hold when considering literary production in other times and places? Sex before Sex makes clear that we cannot simply transfer our contemporary notions of what constitutes a sex act into the past and expect them to be true for the people who were then reading literature and watching plays. The contributors confront how our current critical assumptions about definitions of sex restrict our understanding of representations of sexuality in early modern England. Drawing attention to overlooked forms of sexual activity in early modern culture, from anilingus and interspecies sex to “chin-chucking” and convivial drinking, Sex before Sex offers a multifaceted view of what sex looked like before the term entered history. Through incisive interpretations of a wide range of literary texts, including Romeo and Juliet, The Comedy of Errors, Paradise Lost, the figure of Lucretia, and pornographic poetry, this collection queries what might constitute sex in the absence of a widely accepted definition and how a historicized concept of sex affects the kinds of arguments that can be made about early modern sexualities.Contributors: Holly Dugan, George Washington U; Will Fisher, CUNY–Lehman College; Stephen Guy-Bray, U of British Columbia; Melissa J. Jones, Eastern Michigan U; Thomas H. Luxon, Dartmouth College; Nicholas F. Radel, Furman U; Kathryn Schwarz, Vanderbilt U; Christine Varnado, U of Buffalo–SUNY.

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More than one hundred years after her death, Elizabeth Cady Stanton still stands—along with her close friend Susan B. Anthony—as the major icon of the struggle for women’s suffrage. In spite of this celebrity, Stanton’s intellectual contributions have been largely overshadowed by the focus on her political activities, and she is yet to be recognized as one of the major thinkers of the nineteenth century. Here, at long last, is a single volume exploring and presenting Stanton’s thoughtful, original, lifelong inquiries into the nature, origins, range, and solutions of women’s subordination. Elizabeth Cady Stanton, Feminist as Thinker reintroduces, contextualizes, and critiques Stanton’s numerous contributions to modern thought. It juxtaposes a selection of Stanton’s own writings, many of them previously unavailable, with eight original essays by prominent historians and social theorists interrogating Stanton’s views on such pressing social issues as religion, marriage, race, the self and community, and her place among leading nineteenth century feminist thinkers. Taken together, these essays and documents reveal the different facets, enduring insights, and fascinating contradictions of the work of one of the great thinkers of the feminist tradition. Contributors: Barbara Caine, Richard Cándida Smith, Ellen Carol DuBois, Ann D. Gordon, Vivian Gornick, Kathi Kern, Michele Mitchell, and Christine Stansell.

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Gioele Magaldi traza la historia, los objetivos y los nombres de los masones en el poder gracias a información privilegiada de las redes masónicas internacionales, que por primera vez abren sus archivos confidenciales.Masones defiende la existencia de unas poderosas logias supranacionales que reúnen, sobre todo, a los poderosos del mundo político y financiero (por citar alguno de los más ilustres: Mariano Rajoy, Angela Merkel, Vladimir Putin, Ana Botín, Christine Lagarde, Javier Solana, Mario Draghi) e influyen decisivamente en el curso de los acontecimientos mundiales.En el seno de la masonería el enfrentamiento entre sus respectivas logias internacionales es feroz: de un lado, los conservadores (oligarcas y neoaristocráticos) y, del otro, los progresistas (demócratas y liberales). En esta pugna, afirma el autor, se han ido imponiendo los primeros desde el tiempo de Reagan y Thatcher.Una interpretación explosiva del siglo XX y de comienzos del siglo XXI en sus momentos más dramáticos

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The story of Wilhelmina Yazzie and her son's effort to seek an adequate education in New Mexico schools revealed an educational system with poor policy implementation, inadequate funding, and piecemeal educational reform. The 2018 decision in the Yazzie/Martinez lawsuit proved what has always been known: the educational needs of Native American students were not being met.In this superb collection of essays, the contributors cover the background and significance of the lawsuit and its impact on racial and social politics. The Yazzie Case provides essential reading for educators, policy analysts, attorneys, professors, and students to understand the historically entrenched racism and colonial barriers impacting all Native American students in New Mexico's public schools. It constructs a new vision and calls for transformational change to resolve the systemic challenges plaguing Native American students in New Mexico's public education system.ContributorsGeorgina BadoniCynthia BenallyRebecca Blum MartínezNathaniel CharleyMelvatha R. CheeShiv DesaiDonna DeyhleTerri FlowerdayWendy S. GreyeyesAlex KinsellaLloyd L. LeeTiffany S. LeeNancy LópezHondo Louis (photographer)Glenabah MartinezNatalie MartinezJonathan NezCarlotta Penny BirdPreston SanchezKaren C. Sanchez-GriegoChristine SimsLeola Tsinnajinnie PaquinVincent WeritoWilhelmina Yazzie

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The apparent disappearance of mysticism in the Protestant world after the Reformation used to be taken as an example of the arrival of modernity. However, as recent studies in history and literary history reveal, the “Reformation” was not experienced in such a drastically transformative manner, not least because the later Middle Ages itself was marked by a series of reform movements within the Catholic Church in which mysticism played a central role. In Mysticism and Reform, 1400-1750, contributors show that it is more accurate to characterize the history of early modern mysticism as one in which relationships of continuity within transformations occurred. Rather than focus on the departures of the sixteenth-century Reformation from medieval traditions, the essays in this volume explore one of the most remarkable yet still under-studied chapters in its history: the survival and transformation of mysticism between the late Middle Ages and the early modern period. With a focus on central and northern Europe, the essays engage such subjects as the relationship of Luther to mystical writing, the visual representation of mystical experience in fifteenth- and sixteenth-century art, mystical sermons by religious women of the Low Countries, Valentin Weigel’s recasting of Eckhartian gelassenheit for a Lutheran audience, and the mysticism of English figures such as Gertrude More, Jane Lead, Elizabeth Hooten, and John Austin, the German Catharina Regina von Greiffenberg, and the German American Marie Christine Sauer.

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Essays on costume, fabric and clothing in the Middle Ages and beyond. All those who work with historical dress and textiles must in some way re-fashion them. This fundamental concept is developed and addressed by the articles collected here, ranging over issues of gender, status and power. Topics include: the repurposing and transformation of material items for purposes of religion, memorialisation, restoration and display; attempts to regulate dress, both ecclesiastical and secular, the reasons for it and the refashioning which was both a result and a reaction; conventional ways in which dress was used to characterise children, and their transition into young men; how symbolism-laded dress items could indicate political/religious affiliations; waysin which allegorical, biblical and historical figures were depicted in art in dress familiar to the viewers of their own era, and the emotive and intellectual responses to these costumes the artists sought to elicit; and the use of clothing in medieval literature (often rich, exotic or unique) as narrative, structuring and rhetorical devices. Taken together, they honour the costume historian and editor Robin Netherton, who has been hugely influentialin the development of medieval and Renaissance dress and textile studies. GALE R. OWEN-CROCKER is Professor Emerita at the University of Manchester; MAREN CLEGG HYER is Professor of English at Valdosta State University. Contributors: Melanie Schuessler Bond, Elizabeth Coatsworth, Lisa Evans, Gina Frasson-Hudson, Charney Goldman, Sarah-Grace Heller, Maren Clegg Hyer, John Friedman, Thomas Izbicki, Drea Leed, Christine Meek, M.A. Nordtorp-Madson, Gale R. Owen-Crocker, Lucia Sinisi, Monica L. Wright.

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With essays covering diverse topics, from seafood trade across the Vietnam-China border, to street traders in Hanoi, to gold shops in Ho Chi Minh City, Traders in Motion spans the fields of economic and political anthropology, geography, and sociology to illuminate how Vietnam's rapidly expanding market economy is formed and transformed by everyday interactions among traders, suppliers, customers, family members, neighbors, and officials. The contributions shed light on the micropolitics of local-level economic agency in the paradoxical context of Vietnam's socialist orientation and its contemporary neoliberal economic and social transformation. The essays examine how Vietnamese traders and officials engage in on-the-ground contestations to define space, promote or limit mobility, and establish borders, both physical and conceptual. The contributors show how trading experiences shape individuals' notions of self and personhood, not just as economic actors, but also in terms of gender, region, and ethnicity. Traders in Motion affords rich comparative insight into how markets form and transform and what those changes mean. Contributors: Lisa Barthelmes, Christine Bonnin, Gracia Clark, Annuska Derks, Kirsten W. Endres, Chris Gregory, Caroline Grillot, Erik Harms, Esther Horat, Gertrud Hüwelmeier, Ann Marie Leshkowich, Hy Van Luong, Minh T. N. Nguyen, Nguyen Thi Thanh Binh, Linda J. Seligmann, Allison Truitt, Sarah Turner

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They began as a little blues band in London, England, in 1967, named, rather bizarrely, after their tight rhythm section: Mick Fleetwood on drums and John McVie on bass. Fleetwood Mac. Fifty years later,they remain one of the biggest bands of all time – a position they have held since 1977 when, with the help of John’s wife, Christine McVie, and two virtually unknown American musicians called Stevie Nicks and Lindsey Buckingham, they released an LP titled Rumours that went on to become the world’s best-selling album. That, in itself, is a remarkable story. Now consider the highs and lows, the successes and failures, the personal turmoil, tragedy and heartbreak through which this band has journeyed over the last 50 years ... and the story of Fleetwood Mac becomes one of pure drama. The greatest ever rock ‘n’ roll soap opera. In this independent, lavishly illustrated publication, music writer and journalist Pete Chrisp reveals the true story of how, over the last 50 years, despite all of those confrontations, pinnacles and all-time lows ... the chain of Fleetwood Mac remains unbroken. Now fully updated to include features on Peter Green’s Fleetwood Mac and all the musicans and members that have made the band one of the ebst selling of all time.

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'The work of a master' Sunday Times'Effortlessly brilliant...a comedy of London life' Sunday TelegraphNo London neighbourhood more resmbles the restless downstream tide of the Thames than the ragged square mile of Soho. Ask the people who live there, like Christine Yardley, drag queen by night and grey-suited accountant by day; or Len Gates, self-appointed Soho historian and bore; or Jenny Wise, former starlet and now resident lush in the New Kismet club; or even Ellis Hugo Bell, wannabe film producer who dreams of moving to L.A. Daily, nightly, shift by shift, their numbers are swelled by immigrants flocking to work, eat, drink and loiter, from kitchen staff to dress designers, hookers to pushers to punters. Down into this human rabbit warren one evening slips Alex Singer, a student from Leeds in pursuit of his errant girlfriend, whose search takes him from club to pub and into contact with a rich cross-section of Soho life. Twenty-four hours, three deaths, one fire and one mugging later, seduced, traduced and befriended, Alex is on his way to the Soho Ball. In this fast, funny and superbly crafted novel, Keith Waterhouse draws a vibrant portrait of London's liveliest quarter and it's eccentric inhabitants.

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A collection of 36 extraordinary stories originally told on stage, featuring work by writers, entertainers, thinkers, and community leaders. Spanning comedy and tragedy, Alien Nation brilliantly illuminates what it’s like to be an immigrant in America.America would not be America without its immigrants. This anthology, adapted from storytelling event “This Alien Nation,” captures firsthand the past and present of immigration in all its humor, pain, and weirdness. Contributors—some well-known, others regular (and fascinating) people—share moments from their lives, reminding us that immigration is not just a word dropped in the news (simplified to something you are “for” or “against”), but a world—rich with unique voices, perspectives, and experiences. Travel from the Central Park playground where “tattle-tales” among nannies inspire Christine Lewis’s activism to an Alexandrian garden half a century ago courtesy of writer André Aciman. Visit a refugee camp in Gaza as described by actress and comedian Maysoon Zayid, and follow Intersex activist Tatenda Ngwaru as she flees Zimbabwe with dreams of meeting Oprah. Witness efforts from comedian Aparna Nancherla's mother to make Aparna less shy, and Orange is the New Black's Laura Gómez makes an unlikely connection in a bed-and-breakfast. Compelling and inspirational, Alien Nation is a celebration of immigration and an exploration of culture shock, isolation and community, loneliness and hope, heartbreak and promise—it’s a poignant reminder of our shared humanity at a time we need it greatly, and a thoughtful, entertaining tribute to cultural diversity.

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The contributors to The Story Within share powerful experiences of living with genetic disorders. Their stories illustrate the complexities involved in making decisions about genetic diseases: whether to be tested, who to tell, whether to have children, and whether and how to treat children medically, if treatment is available. More broadly, they consider how genetic information shapes the ways we see ourselves, the world, and our actions within it. People affected by genetic disease respond to such choices in varied and personal ways. These writers reflect that breadth of response, yet they share the desire to challenge a restricted sense of what "health" is or whose life has value. They write hoping to expand conversations about genetics and identity-to deepen debate and generate questions. They or their families are affected by Huntington's disease, Alzheimer's disease, cancer, genetic deafness or blindness, schizophrenia, cystic fibrosis, Tay-Sachs, hypertrophic cardiomyopathy, fragile X, or Fanconi anemia. All of their stories remind us that genetic health is complicated, dynamic, and above all, deeply personal. Contributors Misha Angrist, Amy Boesky, Kelly Cupo, Michael Downing, Clare Dunsford, Mara Faulkner, Christine Kehl O'Hagan, Charlie Pierce, Kate Preskenis, Emily Rapp, Jennifer Rosner, Joanna Rudnick, Anabel Stenzel (deceased), Isabel Stenzel Byrnes, Laurie Strongin, Patrick Tracey, and Alice Wexler.

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Every leadership journey has moments when the path forward suddenly feels unclear. When it happens, your sense of self, and your clarity of purpose, get out of balance. It's like you're no longer the hero in your own story; at times like these, you need a rewrite. A growing body of research suggests we are guided by a core narrative that acts as a key source of personal motivation, drive and action. What holds you back as a senior leader isn't a lack of skills or knowledge, but a narrative that is frozen in time. When your leadership stalls, it's a sign that your story has taken you as far as it can - and it's time to write a new one. In this transformative guide to leadership development, executive coaches and leadership experts Rick Lash and Christine Miners illuminate how your internal narrator acts as the operating system of your mind. Like any OS, it can become outdated and overstretched, because it was mainly installed in your teens and early 20s. Through engaging stories, research-backed insights, and techniques, you'll gain the tools to re-engage and update the story that you tell yourself, so you can operate at a higher level. As you edit and upgrade your internal narrator, you'll develop a personal story that is more grounded and anchored in your true self: one that is less fragile, more resilient, and able to withstand the relentless pressures of leadership - and life.

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'Warm, funny, and bursting with heart' Rebecca Serle'Beautiful, moving, hopeful' Emily StoneGreta James is adrift. Literally.Just after the sudden death of her mother - her most devoted fan - and weeks before the launch of her high-stakes second album, Greta James falls apart on stage. The footage quickly goes viral and she stops playing. Greta's career is suddenly in jeopardy - the kind of jeopardy her father, Conrad, has always warned her about.Months later, Greta - still heartbroken and very much adrift - reluctantly agrees to accompany Conrad on the Alaskan cruise her parents had booked to celebrate their fortieth anniversary. It could be their last chance to heal old wounds in the wake of shared loss. But the trip will also prove to be a voyage of discovery for them both, and for Ben Wilder, a charming historian who is struggling with a major upheaval in his own life.In this unlikeliest of places - at sea and far from the packed venues where she usually plays - Greta must finally confront the heartbreak she's suffered, the family hurts that run deep, and how to find her voice again.'Gorgeous, heartfelt' Amanda Eyre Ward'Thoughtful and tender and true' Janelle Brown'Filled with music, passion, and love of all kinds' Jill Santopolo'A total delight!' Christine Pride'Full of hope . . . vibrant' Linda Holmes

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Focuses on abstracts for research articles before addressing abstracts for short communications, conferences, and PhD dissertations. This title covers keywords, titles, and author names. It discusses options and provides tips for meeting specific linguistic challenges posed by the writing of different types of abstracts.

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Based on their extensive experience of clinical work, the authors emphasize the practical issues related to the healthcare of individuals and families. Genetics for the Health Sciences takes an holistic approach, from preconception to adulthood, and addresses the false notion that clinical genetics is of relevance only to those who are planning a family. The book enables nurses, midwives, genetic counselors and doctors to apply the general principles of genetics in their routine clinical practice. As well as discussing the basic principles, Genetics for the Health Sciences also describes the latest technologies and shows how these can be applied to clinical practice. This is an essential text which helps all those in clinical healthcare understand the genetics they need in their professional roles. It is also an ideal coursebook for students in the healthcare professions seeking an understanding of core genetic principles and how these are applied in practice. Reviews: 'The text is a compact, concise presentation of the basic concepts in genetics science and the impact of genetics across the lifespan. The organization of the text increases its usefulness to clinicians as each specialty area could easily locate the information most pertinent to their work...The text is well illustrated throughout, again providing summarized information that is easily accessed. An especially helpful feature of this text is the presence of multiple case studies in each chapter, making this text particularly useful for teaching. I think faculty teaching students in advanced practice nursing programs and allied health courses would find this text a succinct addition to their course. However, I could also see this text being useful in RN preparation curriculum. It could easily be a text that would carry over for several specialty areas and provide additional material specific to genetics in each area. Genetics for Health Sciences: A Handbook for Clinical Healthcare is a welcome addition to the rather sparse choices available for presenting genetics content in clinical practice curriculum. Rebekah Hamilton, ISONG, June 2010 'Tremendous progress in recent years has shaped the field of medical genetics, which continues to expand to involve almost every aspect of human health. Hence, it is necessary for every healthcare professional to acquire a basic understanding of this science. This is clearly the objective of this well-edited and structured book by Skirton and Patch in its second updated edition. The authors' considerable experience in genetics, through direct clinical practice in addition to organisational and academic roles, can be appreciated in the practical aspect of their writing. The book starts with useful definitions and alerts the reader to the wide applicability of genetics through clinical cases, raising questions that are answered and discussed when relevant in later chapters. Important aspects of genetic counselling, from basic skills such as risk estimation using family trees to more complex ones related to effective ethical communication with the clients in the light of their needs and the different models of counselling, are then discussed in two chapters. However, given their intrinsic function in medical genetics, these issues are also efficiently tackled in the clinical cases outlined in each chapter. The authors then describe important scientific concepts and techniques that are necessary for a good clinical understanding of genetics. Although this section may seem short, the additional resources provided at the end are very useful. Likewise, for all topics covered in the book, the updated links provided serve as a handy catalogue for the health professional seeking extra information. Next, the concepts and techniques described in the first part of the book are applied directly to common genetic conditions and issues faced by different age groups, from prenatal care to older adulthood in separate chapters. This organisation puts into perspective the importance of genetics in different medical specialities and settings. This book, with its concise yet comprehensive explanation of a complex rapidly growing field, should prove to be a valuable resource for a diverse audience of health professionals, including midwives, nurses and physicians, who confront genetic issues during their daily practice without being specialists in medical genetics.' Nadine Taleb, Journal of Medical Genetics 'When first asked to write this book review I thought to myself how it would be important to give a rounded report on both the book’s strengths and weaknesses. After reading the book, however, I realised that it is difficult to find weaknesses. The authors, Heather Skirton and Christine Patch, between them have over 30 years of experience in clinical genetics. Their experience of explaining genetics in their professional roles shines through in the way they have written the book. They make complex genetic principles interesting and understandable. The book does not baffle or patronise. The book is easily navigated. It is broken down into clear chapters that are ordered in a pleasingly logical way. The first chapter 'sets the scene' by introducing the reader to important concepts related to genetic health care including issues such as ethical practice, the different forms of genetic testing and the impact of genetic conditions on families. The next chapters then discuss the family tree, counselling issues, genetic science and public health genetics. The remaining chapters then explore the core topics relating to particular life stages from preconception to older adulthood. It engages the reader from the start when it introduces seven ‘core’ families that reappear throughout the book to highlight a number of key issues. The text is peppered with clear illustrations, useful step by step guides, practical checklists, and test yourself sections making the book lively and dynamic. The test yourself sections make the book student friendly and would also make good teaching aids to lecturers and tutors. At the start of the book there is a list of helpful websites and at the end of each chapter there is a list of resources for those who wish to extend their knowledge. One of the main strengths of this book is its refreshingly practical approach. All too often books can be written in a way in which it is difficult for the reader to transfer the knowledge that they have gained into their day-to-day practice. The introduction states that 'the aim of this book is to enable those in healthcare to update their knowledge on topics related to genetics and genomics that have an impact in their daily work and apply it usefully in patient care'. Given the fact that genetics has increasingly become a core component in a number of specialties, one would think that meeting this aim for all would be a tall order. This book however eloquently does so using case examples and key practice points boxes throughout to demonstrate the clinical application of the topic under discussion. Another of the book’s main strengths is the way in which it promotes individualised care by enabling the reader to consider the impact of genetic conditions from the patients’ point of view. Genetics for the Health Sciences brings genetics into common healthcare settings. It is highly recommended as an essential text for health care professionals in roles across all specialties. It is also recommended to students, lecturers, social scientists; to anyone who has an interest in genetics and wishes to extend their knowledge. It is a joy to read and could be read from cover to cover.' Helen Thistlewood, Medical Genetics 'Genetics is at the forefront of medicine and nurses are expected to have a basic understanding of the subject. This handbook is well written and the authors do a good job of making this complex topic understandable. The book lists prenatal, childhood and adult genetic conditions that may involve testing and counselling. Genetic services, types of genetic testing and the impact of genetic conditions on families are discussed in depth, and case studies highlight the emotional and psychological needs of patients and their families. Guidelines for drawing family trees and practical examples of risk assessment are well explained. The perspective of the patient regarding risk and lay knowledge is also considered... All departments should have a copy of this book on their shelves.' Audrey Ardern-Jones, Nursing Standard

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Knowledge Works is a handbook full of ideas to help you draw on people's knowledge to keep ideas fresh, reduce waste, and build competence and capability. You can either dip into it according to your needs, or work through it in a more systematic way to create a plan to improve your organization's performance. "Knowledge Works is a very practical book that provides proven solutions for important knowledge-related problems in organizations including: how to convince managers that knowledge is important, how to create a knowledge-sharing culture, and how to improve the quality of conversations. A must-read for all managers of knowledge-intensive organizations." Daan Andriessen, Professor of Intellectual Capital, Inholland University of Applied Sciences, The Netherlands "To be successful as a manager, you need to make better decisions, be more innovative and to do more with less. In this highly practical handbook, Christine Van Winkelen and Jane McKenzie offer new ideas to challenge your current thinking and achieve this. Their work is soundly based on 10 years collaborative research with the Knowledge Management Forum at the Henley Business School." David Gurteen, Founder and Director, Gurteen Knowledge Community "This book shows in a very inspiring and hands-on way how knowledge works. This is an utmost important understanding in the growing intellectual economy for increased operational knowledge effectiveness. The book has in an impressive way systematized many challenging K-works perspectives, from knowledge mapping and flows to social media and knowledge creating conversations. It is demonstrating a number of insightful real life stories and projects during 10 years of the Henley KM Forum, as well as providing valuable reading notes. Happy Knowledge Work ..." Leif Edvinsson, Honorary Chairman for the Henley KM Forum, The World´s First Professor of Intellectual Capital

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Exploring how we make, distribute, and consume today’s media systems Media backends--the electronics, labor, and operations behind our screens--significantly influence our understanding of the sociotechnical relations, economies, and operations of media. Lisa Parks, Julia Velkova, and Sander De Ridder assemble essays that delve into the evolving politics of the media infrastructural landscape. Throughout, the contributors draw on feminist, queer, and intersectional criticism to engage with infrastructural and industrial issues. This focus reflects a concern about the systemic inequalities that emerge when tech companies and designers fail to address workplace discrimination and algorithmic violence and exclusions. Moving from smart phones to smart dust, the essayists examine topics like artificial intelligence, human-machine communication, and links between digital infrastructures and public service media alongside investigations into the algorithmic backends at Netflix and Spotify, Google’s hyperscale data centers, and video-on-demand services in India. A fascinating foray into an expanding landscape of media studies, Media Backends illuminates the behind-the-screen processes influencing our digital lives. Contributors: Mark Andrejevic, Philippe Bouquillion, Jonathan Cohn, Faithe J. Day, Sander De Ridder, Fatima Gaw, Christine Ithurbide, Anne Kaun, Amanda Lagerkvist, Alexis Logsdon, Stine Lomborg, Tim Markham, Vicki Mayer, Rahul Mukherjee, Kaarina Nikunen, Lisa Parks, Vibodh Parthasarathi, Philipp Seuferling, Ranjit Singh, Jacek Smolicki, Fredrik Stiernstedt, Matilda Tudor, Julia Velkova, and Zala Volcic

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A riveting look at the real reasons Americans feel inadequate in the face of their dreams, and a call to celebrate how we support one another in the service of family and work in our daily life. Jay's days are filled with back-to-back meetings, but he always leaves work in time to pick his daughter up from swimming at 7pm, knowing he'll be back on his laptop later that night. Linda thinks wistfully of the treadmill in her garage as she finishes folding the laundry that's been in the dryer for the last week. Rebecca sits with one child in front of a packet of math homework, while three others clamor for her attention. In Dreams of the Overworked, Christine M. Beckman and Melissa Mazmanian offer vivid sketches of daily life for nine families, capturing what it means to live, work, and parent in a world of impossible expectations, now amplified unlike ever before by smart devices. We are invited into homes and offices, where we recognize the crushing pressure of unraveling plans, and the healing warmth of being together. Moreover, we witness the constant planning that goes into a "good" day, often with the aid of phones and apps. Yet, as technologies empower us to do more, they also promise limitless availability and connection. Checking email on the weekend, monitoring screen time, and counting steps are all part of the daily routine. The stories in this book challenge the seductive myth of the phone-clad individual, by showing that beneath the plastic veneer of technology is a complex, hidden system of support—our dreams being scaffolded by retired in-laws, friendly neighbors, spouses, and paid help. This book makes a compelling case for celebrating the structures that allow us to strive for our dreams, by supporting public policies and community organizations, challenging workplace norms, reimagining family, and valuing the joy of human connection.

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The Girls' History and Culture Reader: The Nineteenth Century provides scholars, instructors, and students with the most influential essays that have defined the field of American girls' history and culture. A relatively new and energetic field of inquiry, girl-centered research is critical for a fuller understanding of women and gender, a deeper consideration of childhood and adolescence, and a greater acknowledgment of the significance of generation as a historical force in American culture and society. Bringing together work from top scholars of women and youth, The Girls' History and Culture Reader: The Nineteenth Century addresses topics ranging from diary writing and toys to prostitution and slavery. Covering girlhood and the relationships between girls and women, this pioneering volume tackles pivotal themes such as education, work, play, sexuality, consumption, and the body. The reader also illuminates broader nineteenth-century developments—including urbanization, industrialization, and immigration--through the often-overlooked vantage point of girls. As these essays collectively suggest, nineteenth-century girls wielded relatively little political or social power but carved out other spaces of self-expression. Contributors are Carol Devens, Miriam Forman-Brunell, Jane H. Hunter, Anya Jabour, Anne Scott MacLeod, Susan McCully, Mary Niall Mitchell, Leslie Paris, Barbara Sicherman, Carroll Smith-Rosenberg, Christine Stansell, Nancy M. Theriot, and Deborah Gray White.

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The uncensored, New York Times bestselling memoir by the polygamist stars of the hit show Sister Wives, Kody and his four wives openly discuss what it’s like living in a plural marriage.A SINGULAR STORY OF PLURAL MARRIAGE Since TLC first launched its popular reality program Sister Wives, Kody Brown, his four wives—Meri, Janelle, Christine, and Robyn—and their seventeen children have become one of the most famous families in the country. Now, with the candor and frankness that have drawn millions to their show, they reveal exactly how their special relationship works—the love and faith that drew them together, the pluses and pitfalls of having sister wives, and the practical and emotional complications of a lifestyle viewed by many with distrust, prejudice, even fear. How do the four relationships differ? What effect does a polygamous upbringing have on their children? What are the challenges—emotional, social, or financial—involved in living this lifestyle? Is it possible for all four sister wives to feel special when sharing a husband? How has being on camera changed their lives? And what is it like to add a new wife to the family—or to be that new wife? Filled with humor, warmth, surprising insights, and remarkable honesty, theirs is a love story at heart, unconventional but immediately recognizable in the daily moments of trust, acceptance, forgiveness, passion, and commitment that go into making one big, happy, extraordinary family.

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“What makes a chef great is her palate,” writes Mark Bittman, “and the food [Jessica] Koslow makes is highly seasoned, both down-to-earth and luxurious.” In fewer than five years as the chef and owner as LA’s Sqirl, Koslow has solidified her reputation as one of the country’s most influential chefs. Her food, which Bon Appetit’s Christine Muhlke describes as “healthy-meets-to-hell-with-it” is designed to surprise us and to engage every one of our senses—it looks good, tastes vibrant and feels fortifying yet refreshing. In Everything I Want to Eat, Koslow shares more than 100 of her favourite recipes, filling her book with plenty of vegetarian and vegan offerings, but, like her restaurant, offering up options for the bacon-eaters among us as well. Koslow helps readers strike a balance at home, teaching them how to make some of her most popular dishes: Burnt brioche toast with ricotta and jam; the Sorrel-pesto rice bowl topped with a poached egg; Valrhona chocolate fleur de sel cookies; and more. The ingredients called for are a modern mash-up of vegetables, grains, and spices from the world over. The recipes are unfussy but thought provoking. They will inspire home cooks to reach beyond their comfort zones flavour-wise—to learn a new, exciting way to eat every day.

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A close examination of an iconic small town that gives boundless insights into architecture, landscape, preservation, and philanthropyAvant-Garde in the Cornfields is an in-depth study of New Harmony, Indiana, a unique town in the American Midwest renowned as the site of two successive Utopian settlements during the nineteenth century: the Harmonists and the Owenites. During the Cold War years of the twentieth century, New Harmony became a spiritual “living community” and attracted a wide variety of creative artists and architects who left behind landmarks that are now world famous. This engrossing and well-documented book explores the architecture, topography, and preservation of New Harmony during both periods and addresses troubling questions about the origin, production, and meaning of the town’s modern structures, landscapes, and gardens. It analyzes how these were preserved, recognizing the funding that has made New Harmony so vital, and details the elaborate ways in which the town remains an ongoing experiment in defining the role of patronage in historic preservation.An important reappraisal of postwar American architecture from a rural perspective, Avant-Garde in the Cornfields presents provocative ideas about how history is interpreted through design and historic preservation—and about how the extraordinary past and present of New Harmony continue to thrive today. Contributors: William R. Crout, Harvard U; Stephen Fox, Rice U; Christine Gorby, Pennsylvania State U; Cammie McAtee, Harvard U; Nancy Mangum McCaslin; Kenneth A. Schuette Jr., Purdue U; Ralph Schwarz; Paul Tillich.

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Educators and community-based professionals are often required to work with children and families from a range of diverse backgrounds. The second edition of this popular book goes beyond simplistic definitions of diversity, encouraging a much broader understanding and helping childhood educators and community-based professionals develop a critical disposition towards assumptions about children and childhood in relation to diversity, difference and social justice. As well as drawing on research, the book gives an overview of relevant contemporary social theories, including poststructuralism, cultural studies, critical theory, postcolonialism, critical ‘race’ theory, feminist perspectives and queer theory. It interrogates practice and explores opportunities and strategies for creating a more equitable environment, whilst covering key issues impacting on children’s lives, including: globalization, neoliberalism, new racisms, immigration, Indigeneity, refugees, homophobia, heterosexism and constructions of childhood. Each chapter provides an overview of the area of discussion, a focus on the implications for practice, and recommended readings.Providing insight into how social justice practices in childhood education and community-based service delivery can make a real difference in the lives of children, their families and communities, this is key reading for early childhood and primary educators, community-based professionals, university students and researchers.“This thoughtful, topical book addresses a considerable range of diversity issues relevant to teacher educators, their students, and other professionals who work with children and their families within and beyond Australia. This timely second edition draws on the authors’ longstanding teacher education experiences, and their most recent research, to revisit the challenges of diversity and difference in children’s lives”. Dr Valerie N. Podmore, former associate professor, Faculty of Education and Social Work, the University of Auckland, New Zealand“The second edition of Robinson and Jones Díaz’s Diversity and Difference in Childhood is a thoroughly welcome addition to my list of key texts for students of early childhood and childhood studies. It provides a means from the outset for educating undergraduate students from within critical postmodern and post structural perspectives – thus orienting their views of and actions within their future professions towards critical and equitable practices that value difference rather than treat is as a problem to be solved.” Alexandra C. Gunn, Associate Dean (Teacher Education), University of Otago College of Education, New Zealand“This is the 21st century early childhood education text. Diversity and Difference in Childhood provides early childhood educators and scholars a powerful space for asking social justice questions in a profoundly innovative way." Veronica Pacini-Ketchabaw, Ph.D., Professor, School of Child and Youth Care, University of Victoria, Canada “This new edition of Diversity and Difference is both important and timely. Readers will find the new theoretical resources and additional chapters that have been included give the book a sense of enhanced rigour and its depth and breadth of coverage make it an ideal resource for a wide variety of interests and perspectives.”Christine Woodrow, Associate Professor and Senior Researcher, the Centre for Educational Research, Western Sydney University, Australia

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With essays covering diverse topics, from seafood trade across the Vietnam-China border, to street traders in Hanoi, to gold shops in Ho Chi Minh City, Traders in Motion spans the fields of economic and political anthropology, geography, and sociology to illuminate how Vietnam's rapidly expanding market economy is formed and transformed by everyday interactions among traders, suppliers, customers, family members, neighbors, and officials. The contributions shed light on the micropolitics of local-level economic agency in the paradoxical context of Vietnam's socialist orientation and its contemporary neoliberal economic and social transformation. The essays examine how Vietnamese traders and officials engage in on-the-ground contestations to define space, promote or limit mobility, and establish borders, both physical and conceptual. The contributors show how trading experiences shape individuals' notions of self and personhood, not just as economic actors, but also in terms of gender, region, and ethnicity. Traders in Motion affords rich comparative insight into how markets form and transform and what those changes mean. Contributors: Lisa Barthelmes, Christine Bonnin, Gracia Clark, Annuska Derks, Kirsten W. Endres, Chris Gregory, Caroline Grillot, Erik Harms, Esther Horat, Gertrud Hüwelmeier, Ann Marie Leshkowich, Hy Van Luong, Minh T. N. Nguyen, Nguyen Thi Thanh Binh, Linda J. Seligmann, Allison Truitt, Sarah Turner

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This volume brings together literary and musical compositions of medieval France, including the Occitanian region, identifying the use of voice in these works as a way of articulating gendered identities. The contributors to this volume argue that because medieval texts were often read or sung aloud, voice is central for understanding the performance, transmission, and reception of work from the period across a wide variety of genres. These essays offer close readings of narrative and lyric poetry, chivalric romance, sermons, letters, political writing, motets, troubadour and trouvère lyric, crusade songs, love songs, and debate songs. Through literary, musical, and historiographical analyses, contributors highlight the voicing of gendered perspectives, expressions of sexuality, and power dynamics. The volume includes feminist readings, investigations of masculinity, queer theory, and intersectional approaches. The contributors interpret literary or musical works by Chrétien de Troyes, Aimeric de Peguilhan, Hue de la Ferté, the Chastelain de Couci, Jacques de Vitry, Christine de Pizan, Anne de Graville, Alain Chartier, and Giovanni Boccaccio, among others. Gender and Voice in Medieval French Literature and Song offers a valuable interdisciplinary approach and contributes to the history of women’s voices in the Middle Ages and Early Modern periods. It illuminates the critical role of voice in negotiating culture, celebrating and innovating traditions, advancing personal and political projects, and defining the literary and musical developments that shaped medieval France.

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Encuadernación: Rústica.Colección: Literaturas.El escritor de lengua inglesa más inteligente, el estilista más elegante. GEORGE STEINERHa pasado el tiempo para Quirke, el hastiado forense que conocimos en El secreto de Christine. La muerte de su gran amor y el distanciamiento de su hija han conseguido acentuar su carácter solitario, pero su capacidad para meterse en problemas continúa intacta.Cuando Billy Hunt, conocido de sus tiempos de estudiante, le aborda para hablarle del aparente suicidio de su esposa, Quirke se da cuenta de que se avecinan complicaciones, pero, como siempre, las complicaciones son algo a lo que no podrá resistirse. De este modo se verá envuelto en un caso sórdido en el que se mezclan las drogas, la pornografía y el chantaje, y que una vez más pondrá en peligro su vida.Esta novela de ambiente y trama apasionantes confirma a Benjamin Black como uno de los escritores contemporáneos de mejor estilo y mayor capacidad de persuasión en el género

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