Search results for ""Author Fredericks"

A succinct and comprehensive history of the development of citizenship from the Roman Empire to the present dayCitizenship, Inequality, and Difference offers a concise and sweeping overview of citizenship's complex evolution, from ancient Rome to the present. Political leaders and thinkers still debate, as they did in Republican Rome, whether the presumed equivalence of citizens is compatible with cultural diversity and economic inequality. Frederick Cooper presents citizenship as "claim-making"--the assertion of rights in a political entity. What those rights should be and to whom they should apply have long been subjects for discussion and political mobilization, while the kind of political entity in which claims and counterclaims have been made has varied over time and space. Citizenship ideas were first shaped in the context of empires. The relationship of citizenship to "nation" and "empire" was hotly debated after the revolutions in France and the Americas, and claims to "imperial citizenship" continued to be made in the mid-twentieth century. Cooper examines struggles over citizenship in the Spanish, French, British, Ottoman, Russian, Soviet, and American empires, and he explains the reconfiguration of citizenship questions after the collapse of empires in Africa and India. He explores the tension today between individualistic and social conceptions of citizenship, as well as between citizenship as an exclusionary notion and flexible and multinational conceptions of citizenship. Citizenship, Inequality, and Difference is a historically based reflection on some of the most fundamental issues facing human societies in the past and present.

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CHOICE Outstanding Academic Title, 2022A cultural history of how white men exploited the image of the Vietnam veteran to roll back civil rights and restake their claim on the nation “If war among the whites brought peace and liberty to the blacks,” Frederick Douglass asked in 1875, peering into the nation’s future, “what will peace among the whites bring?” The answer then and now, after civil war and civil rights: a white reunion disguised as a veterans’ reunion. How White Men Won the Culture Wars shows how a broad contingent of white men––conservative and liberal, hawk and dove, vet and nonvet––transformed the Vietnam War into a staging ground for a post–civil rights white racial reconciliation. Conservatives could celebrate white vets as raceless embodiments of the nation. Liberals could treat them as minoritized heroes whose voices must be heard. Erasing Americans of color, Southeast Asians, and women from the war, white men with stories of vets on their mind could agree, after civil rights and feminism, that they had suffered and deserved more. From the POW/MIA and veterans’ mental health movements to Rambo and “Born in the U.S.A.,” they remade their racial identities for an age of color blindness and multiculturalism in the image of the Vietnam vet. No one wins in a culture war—except, Joseph Darda argues, white men dressed in army green.

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This tense, gripping novel set in 19C St Petersburg amid desperate revolutionaries bent on the overthrow of the Tsar 'confirms Andrew William's place in the front ranks of English thriller writers' (Daily Mail). Shortlisted for the CWA Ellis Peters and the Walter Scott Awards, To Kill a Tsar will appeal to readers of John le Carre, Robert Harris and Alan Furst.St Petersburg, 1879. A shot rings out in Palace Square. Cossack guards tackle the would-be assassin to the ground. In the mêlée no one notices a striking dark haired young woman in a heavy coat slip away from the scene. Russia is alive with revolutionaries. While Tsar Alexander II remains a virtual prisoner in his own palaces, his ruthless secret police will stop at nothing to unmask those who plot his assassination and the overthrow of the Imperial regime. For Dr Frederick Hadfield, whose medical practice is dependent on the Anglo-Russian gentry, these are dangerous times. Drawn into a desperate cat-and-mouse game of undercover assignations, plot and counter-plot, he risks all in a perilous double life.From glittering ballrooms to the cruel cells of the House of Preliminary Detention, from the grandeur of the British Embassy to the underground presses of the young revolutionaries, To Kill a Tsar is a gripping thriller set in a world of brutal contrasts in which treachery is everywhere and nothing is what it seems.

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Entusiasmado al terminar la tercera relectura de El barco fantasma, del capitán Frederick Marryat, Stevenson se propuso escribir un cuento, una historia que abarque muchos años y muchos países ... una historia que siga las grandes líneas del libro que había estado leyendo... Sirviéndose de la rivalidad entre los dos hermanos de una noble familia escocesa, Stevenson plantea en El barón de Ballantrae la imposible lucha entre el hermano vivo (esencialmente bueno) y la sombra heroica del primogénito desaparecido (un ser que ha perdido toda noción de la moral y que actúa más allá de todo escrúpulo).Pese a que la idea de un hombre que vuelve a la vida ?dice Stevenson? quedaba totalmente fuera del ámbito de la aceptación general, ... encajó de inmediato en mi proyecto... Tenía que crear una especie de genio malvado para sus amigos y para su familia, someterle a varias desapariciones y hacer de su reaparición final desde el foso de la muerte, en el bosque helado

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The Mighty Warrior Kings traces the history of early Europe through the biographies of nine kings, who had the courage, determination and martial might to establish their dominance over the fragmented remnants of the Roman Empire. The book begins with Charlemagne, who united large regions of current-day France, Germany and Italy into the Holy Roman Empire and ends with Robert the Bruce, who gallantry defended Scotland against the attempted usurpation of England. There are many famous warrior kings in the book, including Alfred the Great of Wessex, whose victories over the Vikings led to the unification of England under a single ruler, William I of Normandy, whose triumph at Hastings in 1066 changed the course of English history, while Frederick I Barbarossa led his army to victory in Germany and Italy solidifying and expanding the lands under the suzerainty of the Holy Roman Emperor. Among the lesser known monarchs discussed in the work are Cnut, whose victory at the battle of Ashingdon won the English crown and resulted in the creation of the North Sea Empire, which ruled over the kingdoms of England, Denmark and Norway, while during the reign of Louis IX of France the knights of Europe answered his call for the Seven Crusade to expel the Muslims from the Holy City of Jerusalem. From Charlemagne to Robert the Bruce, the warrior kings created a new Europe with a centralized powerbase and set the stage for the following Age of Absolutism.

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A major and original contribution to the debate as to Chaucer's use and knowledge of Boccaccio, finding a new source for the "Shipman's Tale". A possible direct link between the two greatest literary collections of the fourteenth century, Boccaccio's Decameron and Chaucer's Canterbury Tales, has long tantalized readers because these works share many stories, which are, moreover, placed in similar frames. And yet, although he identified many of his sources, Chaucer never mentioned Boccaccio; indeed when he retold the Decameron's final novella, his pilgrim, the Clerk, states that it was written by Petrarch. For these reasons, most scholars now believe that while Chaucer might have heard parts of the earlier collection when he was in Italy, he did not have it at hand as he wrote. This volumeaims to change our understanding of this question. It analyses the relationship between the "Shipman's Tale", originally written for the Wife of Bath, and Decameron 8.10, not seen before as a possible source. The book alsoargues that more important than the narratives that Chaucer borrowed is the literary technique that he learned from Boccaccio - to make tales from ideas. This technique, moreover, links the "Shipman's Tale" to the "Miller's Tale"and the new "Wife of Bath's Tale". Although at its core a hermeneutic argument, this book also delves into such important areas as alchemy, domestic space, economic history, folklore, Irish/English politics, manuscripts, and misogyny. FREDERICK M. BIGGS is Professor of English at the University of Connecticut.

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This Reader provides substantial extracts from the core texts in the field of American social and political thought. The aim is to demonstrate the rich intellectual tradition of the United States and to facilitate a better understanding of American society and politics through the reproduction of key texts from a wide variety of thinkers. The Reader is structured to enable a clear understanding of the ideas presented. The first part covers the core traditions of American social and political thought - American Exceptionalism, Political Theology, Republicanism, Liberalism and Pragmatism. In the second part texts have been selected to demonstrate the ways in which these traditions have been applied to a broad range of issues and conditions - Democracy and Power, Justice and Injustice, Pluralism and Multiculturalism, Civil Society and Social Theory and the Task of Intellectuals. The final section looks at American Social and Political Thought at the Dawn of the 21st Century. Key Features: * Unique combination of American social and political thought * Includes substantial readings from Frederick Jackson Turner, Max Weber, Michael Sandel, John Rawls, C.Wright Mills, Sheldon Wolin, Judith N. Shklar, bell hooks, Seyla Benhabib and Richard Rorty * Organisation of reader - covering traditions and then issues -facilitates students' understanding of the texts * Clear, contextualising introductions further aid understanding * Although both are stand-alone volumes, the Reader and the Introduction can form an ideal package for courses on American Social and/or Political Thought

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A groundbreaking history of the Big Questions that dominated the nineteenth centuryIn the early nineteenth century, a new age began: the age of questions. In the Eastern and Belgian questions, as much as in the slavery, worker, social, woman, and Jewish questions, contemporaries saw not interrogatives to be answered but problems to be solved. Alexis de Tocqueville, Victor Hugo, Karl Marx, Frederick Douglass, Fyodor Dostoevsky, Rosa Luxemburg, and Adolf Hitler were among the many who put their pens to the task. The Age of Questions asks how the question form arose, what trajectory it followed, and why it provoked such feverish excitement for over a century. Was there a family resemblance between questions? Have they disappeared, or are they on the rise again in our time?In this pioneering book, Holly Case undertakes a stunningly original analysis, presenting, chapter by chapter, seven distinct arguments and frameworks for understanding the age. She considers whether it was marked by a progressive quest for emancipation (of women, slaves, Jews, laborers, and others); a steady, inexorable march toward genocide and the "Final Solution"; or a movement toward federation and the dissolution of boundaries. Or was it simply a farce, a false frenzy dreamed up by publicists eager to sell subscriptions? As the arguments clash, patterns emerge and sharpen until the age reveals its full and peculiar nature.Turning convention on its head with meticulous and astonishingly broad scholarship, The Age of Questions illuminates how patterns of thinking move history.

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Martin Luther King Jr. Malcolm X. Muhammad Ali. When you think of African American history, you think of its heroes - individuals endowed with courage and strength who are celebrated for their bold exploits and nobility of purpose. But what of black villains? Villains, just as much as heroes, have helped define the black experience. Ranging from black slaveholders and frontier outlaws to serial killers and gangsta rappers, Hoodlums examines the pivotal role of black villains in American society and popular culture. Here, William L. Van Deburg offers the most extensive treatment to date of the black badman and the challenges that this figure has posed for race relations in America. He first explores the evolution of this problematic racial stereotype in the literature of the early Republic and then probes antebellum slave laws, minstrel shows, and the works of proslavery polemicists to consider how whites conceptualized blacks as members of an inferior and dangerous race. Turning to key works by blacks themselves, from the writings of Frederick Douglass and W. E. B. Du Bois to classic blaxploitation films like Black Caesar and The Mack, Van Deburg demonstrates how African Americans have combated such negative stereotypes and reconceptualized the idea of the badman through stories of social bandits-controversial individuals vilified by whites for their proclivity toward evil, but revered in the black community as necessarily insurgent and revolutionary.

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Fresh assessments of Edgar's reign, reappraising key elements using documentary, coin, and pictorial evidence. King Edgar ruled England for a short but significant period in the middle of the tenth century. Two of his four children succeeded him as king and two were to become canonized. He was known to later generations as "the Pacific" or"the Peaceable" because his reign was free from external attack and without internal dissention, and he presided over a period of major social and economic change: early in his rule the growth of monastic power and wealth involved redistribution of much of the country's assets, while the end of his reign saw the creation of England's first national coinage, with firm fiscal control from the centre. He fulfilled King Alfred's dream of the West Saxon royalhouse ruling the whole of England, and, like his uncle King Æthelstan, he maintained overlordship of the whole of Britain. Despite his considerable achievements, however, Edgar has been neglected by scholars, partly becausehis reign has been thought to have passed with little incident. A time for a full reassessment of his achievement is therefore long overdue, which the essays in this volume provide. CONTRIBUTORS: SIMON KEYNES, SHASHI JAYAKUMAR, C.P. LEWIS, FREDERICK M. BIGGS, BARBARA YORKE, JULIA CRICK, LESLEY ABRAMS, HUGH PAGAN, JULIA BARROW, CATHERINE KARKOV, ALEXANDER R. RUMBLE, MERCEDES SALVADOR-BELLO

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Speaking towards the end of the catastrophic Great War, Rudolf Steiner reveals the spiritual roots of the crises of our times. Since 1879, he says, human minds have been influenced by backward angels, ‘spirits of darkness’, who – following their defeat in battle with Archangel Michael – were forced out of the heavens and ‘fell’ to the earth. This war in the spiritual worlds had consequences, and it is essential that people today are sufficiently awake to the retrogressive influences around them. In a positive sense, we can choose freely to engage with the spirits of light, who seek to emancipate human beings from bonds of race, nation and blood. In this extraordinary series of lectures, Rudolf Steiner throws light on hidden aspects of world affairs. With the Bolshevik Revolution having just taken place, he discusses events in Russia and humanity’s attempts to build theoretically perfect social orders. Steiner also speaks about the roles and spiritual backgrounds of significant individuals, such as the mystics Johann Valentin Andreae, Vladimir Soloviev and Saint-Martin, the American and British politicians Woodrow Wilson and Lloyd George, and world-historic figures including Charles Darwin and Johann Wolfgang von Goethe. The new edition of this classic work features a revised translation, notes and extensive appendices by editor Frederick Amrine, plus a new introduction by Christopher Schaefer.

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New examinations of the figure of Charlemagne in Spanish literature and culture. The historical point of departure for this volume is Charlemagne's ill-fated incursion into Spain in 778. After an unsuccessful siege of Zaragoza, the king of the Franks directed his army north and on his passage through the Pyrenees, he turned his wrath on Pamplona, destroying the Basque city and its walls. The Basques subsequently ambushed the rearguard of Charlemagne's army on the heights of Pyrenees, killing numerous officers of the palace, plunderingthe baggage, and then vanishing into the forested hills, leaving the Franks to grieve without the satisfaction of revenge. In Spain, popular narratives eventually diverted their attention away from the Franks to the Spaniards responsible for their slaughter. This volume explores those legendary narratives of the Spaniards who defeated Charlemagne's army and the larger textual and cultural context of his presence in Spain, from before their careful elaboration in Latin and vernacular chronicles into the early modern period. It shares with previous studies a focus on the narration of historical and imaginary events across genres, but is unique in its emphasis on the reception and evolution of the legendary figure of Charlemagne in Spain. Overall, its purpose is to address the diversity and importance of the Carolingian legends in the literary, historical, and imaginative spheres during the Middle Ages, Renaissance, and into the seventeenth century. Matthew Bailey is Professor of Spanish at Washington and Lee University in Lexington, Virginia; Ryan D. Giles is Associate Professor in the Department of Spanish and Portuguese at Indiana University, Bloomington. Contributors: Frederick A. de Armas, Matthew Bailey, Anibal Biglieri, Ryan D. Giles, Lucy K. Pick, Mercedes Vaquero.

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The first survey of Leo Lionni’s protean career as a graphic designer, children’s book creator, and fine artist. Between Worlds: The Art and Design of Leo Lionni opens at the Norman Rockwell Museum in Stockbridge, MA, on 18 November 2023. Leo Lionni (1910–1999) was a key figure of postwar visual culture, who believed that a smart, pithy design language could unite people across generations and cultural boundaries. He first achieved success in the field of graphic design, serving as the influential art director of Fortune magazine from 1948 to 1960 and personally executing such innovative designs as the catalogue for the Museum of Modern Art’s seminal photo exhibition The Family of Man. Then, in the 1960s, he embarked on an equally groundbreaking career in picture books, using torn-paper collages to illustrate modern animal fables such as Frederick and Swimmy, which are still beloved today. But even as his books won multiple Caldecott Honors, Lionni — who had begun as a painter — also maintained a fine art practice centered on his Parallel Botany, a richly imagined world of fanciful plants. This volume, the catalogue of a major exhibition at the Norman Rockwell Museum, is the first to present Lionni’s extraordinary career in the round. Written by leading scholars and with an introduction by the artist’s granddaughter, it is illustrated with abundant examples of his work, including many little-seen items from the Lionni family archives. Leo Lionni: Storyteller, Artist, Designer will be an important, and eye-opening, contribution to the history of art and design.

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William Shakespeare’s As You Like It, the incredible story about love, rebellion, and generosity, now presented by the Folger Shakespeare Library with valuable new tools for educators and dynamic new covers. Readers and audiences have long greeted As You Like It with delight. Its characters are brilliant conversationalists, including the princesses Rosalind and Celia and their Fool, Touchstone. Soon after Rosalind and Orlando meet and fall in love, the princesses and Touchstone go into exile in the Forest of Arden, where they find new conversational partners. Duke Frederick, younger brother to Duke Senior, has overthrown his brother and forced him to live homeless in the forest with his courtiers, including the cynical Jaques. Orlando, whose older brother Oliver plotted his death, has fled there, too. The authoritative edition of As You Like It from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -The exact text of the printed book for easy cross-reference -Hundreds of hypertext links for instant navigation -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently linked to the text of the play -Scene-by-scene plot summaries -A key to the play’s famous lines and phrases -An introduction to reading Shakespeare’s language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library’s vast holdings of rare books -An annotated guide to further reading -An essay by a leading Shakespeare expert

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Winner of the 2017 Virginia Marie Folkins Award, Association of King County Historical Organizations (AKCHO) Winner of the 2017 Hal K. Rothman Book Prize, Western History Association Seattle would not exist without animals. Animals have played a vital role in shaping the city from its founding amid existing indigenous towns in the mid-nineteenth century to the livestock-friendly town of the late nineteenth century to the pet-friendly, livestock-averse modern city. When newcomers first arrived in the 1850s, they hastened to assemble the familiar cohort of cattle, horses, pigs, chickens, and other animals that defined European agriculture. This, in turn, contributed to the dispossession of the Native residents of the area. However, just as various animals were used to create a Euro-American city, the elimination of these same animals from Seattle was key to the creation of the new middle-class neighborhoods of the twentieth century. As dogs and cats came to symbolize home and family, Seattleites’ relationship with livestock became distant and exploitative, demonstrating the deep social contradictions that characterize the modern American metropolis. Throughout Seattle’s history, people have sorted animals into categories and into places as a way of asserting power over animals, other people, and property. In The City Is More Than Human, Frederick Brown explores the dynamic, troubled relationship humans have with animals. In so doing he challenges us to acknowledge the role of animals of all sorts in the making and remaking of cities.

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Published posthumously with Northanger Abbey in 1817, Persuasion crowns Jane Austen’s remarkable career. It is her most passionate and introspective love story. This richly illustrated and annotated edition brings her last completed novel to life with previously unmatched vitality. In the same format that so rewarded readers of Pride and Prejudice: An Annotated Edition, it offers running commentary on the novel (conveniently placed alongside Austen’s text) to explain difficult words, allusions, and contexts, while bringing together critical observations and scholarship for an enhanced reading experience. The abundance of color illustrations allows the reader to see the characters, locations, clothing, and carriages of the novel, as well as the larger political and historical events that shape its action.In his Introduction, distinguished scholar Robert Morrison examines the broken engagement between Anne Elliot and Frederick Wentworth, and the ways in which they wander from one another even as their enduring feelings draw them steadily back together. His notes constitute the most sustained critical commentary ever brought to bear on the novel and explicate its central conflicts as well as its relationship to Austen’s other works, and to those of her major contemporaries, including Lord Byron, Walter Scott, and Maria Edgeworth.Specialists, Janeites, and first-time readers alike will treasure this annotated and beautifully illustrated edition, which does justice to the elegance and depth of Jane Austen’s time-bound and timeless story of loneliness, missed opportunities, and abiding love.

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When Fracking Comes to Town traces the response of local communities to the shale gas revolution. Rather than cast communities as powerless to respond to oil and gas companies and their landmen, it shows that communities have adapted their local rules and regulations to meet the novel challenges accompanying unconventional gas extraction through fracking. The multidisciplinary perspectives of this volume's essays tie together insights from planners, legal scholars, political scientists, and economists. What emerges is a more nuanced perspective of shale gas development and its impacts on municipalities and residents. Unlike many political debates that cast fracking in black-and-white terms, this book's contributors embrace the complexity of local responses to fracking. States adapted legal institutions to meet the new challenges posed by this energy extraction process while under-resourced municipal officials and local planning offices found creative ways to alleviate pressure on local infrastructure and reduce harmful effects of fracking on the environment. The essays in When Fracking Comes to Town tell a story of community resilience with the rise and decline of shale gas production. Contributors: Ennio Piano, Ann M. Eisenberg, Pamela A. Mischen, Joseph T. Palka, Jr., Adelyn Hall, Carla Chifos, Teresa Córdova, Rebecca Matsco, Anna C. Osland, Carolyn G. Loh, Gavin Roberts, Sandeep Kumar Rangaraju, Frederick Tannery, Larry McCarthy, Erik R. Pages, Mark C. White, Martin Romitti, Nicholas G. McClure, Ion Simonides, Jeremy G. Weber, Max Harleman, Heidi Gorovitz Robertson

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A sweeping biography of the visionary behind bone marrow transplantation and the story of the diseases cured by Don Thomas's discovery. In the last half of the twentieth century, Thomas himself discovered a cure for every marrow-based disease—like leukemia, lymphoma, and sickle-cell anemia—forever changing treatment for some of the deadliest illnesses. His feats were extraordinary, earning him a Nobel Prize, and the cascade of treatments he inspired have reshaped and will continue to reshape the practice of clinical medicine. Yet no one has ever written Thomas’s courageous story. Dr. Frederick R. Appelbaum, a member of Thomas’s research team, does so for the first time in Living Medicine: Don Thomas, Marrow Transplantation, and the Cell Therapy Revolution. Bone marrow transplantation has now saved over a million lives, but when Thomas first had the idea, he was met with disbelief by the scientific community. Appelbaum, informed by decades in the field and personal connection with Thomas, tells us the secrets to Thomas’s success: his unique characteristics, how he created an effective team of researchers, and how he overcame the technical obstacles of marrow transplantation. Appelbaum tells a bigger story, too, of the scientific and societal implications of this achievement, which are critical for scientific and lay readers alike so that we all might be better informed of how far our medical progress has come and will go.

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El legendario Frederick Forsyth, el auténtico maestro del suspense internacional según Los Angeles Times, nos sorprende con un nuevo y oportuno thriller.La mayoría de las armas hacen lo que les pides.La mayoría de las armas son controlables.Y si el arma más peligrosa del mundo no fuera un misil inteligente, un submarino sigiloso o un virus informático? Y si, en realidad, se tratara de un chico de diecisiete años con una mente prodigiosa, capaz de sortear los sistemas de seguridad más sofisticados y de manipular cualquier arma y volverla en contra de los más poderosos? Qué no estaría dispuesta a hacer cualquier agencia de inteligencia para tenerlo de su lado?Hay que encontrarlo y capturarlo. O protegerlo y salvarlo. Pase lo que pase, él es capaz de decantar la balanza del poder mundial y no debe caer en las manos equivocadas, porque lo que podría ocurrir a continuación es impensable... Y lo mejor de todo es que s

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Copleston cierra su monumental análisis del pensamiento occidental con una mirada sobre la filosofía contemporánea que sorprende por la sagacidad de su visión. El pensamiento se ha escindido en dos campos de trabajo separados, con preguntas, objetivos y metodologías distintas. En el mundo anglosajón prima el análisis del lenguaje como base de las especulaciones éticas y políticas; en el continente es el momento de las filosofías sociales, la búsqueda de sentido del existencialismo, y los conflictos entre el poder y el individuo que prefiguran la postmodernidad.Esta edición de la Historia de la Filosofía de Frederick Copleston actualiza para el lector en castellano la que probablemente sea la mejor introducción al pensamiento Occidental. Concebida como un mapa para dar orientación al estudiante y al lector curioso que se acerca a la filosofía por primera vez, la obra de Copleston ha terminado por consolidarse gracias a la claridad de su escritura, por la profundidad de sus interpretacio

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Mill Power documents the making of a national park that changed the concept of what a national historical park could be. For a time in the 1800s, Lowell was Massachusetts’s cosmopolitan, must-see second city. The city’s industrial model was as high-tech then as Silicon Valley is today. It drew the attention of luminaries like Charles Dickens, Congressmen Davy Crockett and Abraham Lincoln, feminist sociologist Harriet Martineau, and abolitionist Frederick Douglass. This insider’s account of the creative, bold community-driven process to establish the park explains why today Lowell National Historical Park is renowned as “the partnership park.” The park’s establishment was an integral piece of an urban revival strategy that has made Lowell the subject of scores of newspaper articles, magazine profiles, TV and radio reports, scholarly papers, and book chapters. Historic Preservation magazine has hailed the park as “the premier rehabilitation model for gritty cities worldwide.” The Lowell story has much to teach the mid-sized cities of the nation and the world. Mill Power frames the Lowell comeback in its historical context and brings together the people who dreamed, wrote, designed, pushed, and cheered a new national park into existence along with those who came after with the charges of shaping the ideas into material form. The volume features 100 photos, many of them showing the before-and-after story of this revitalization.

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A succinct and comprehensive history of the development of citizenship from the Roman Empire to the present dayCitizenship, Inequality, and Difference offers a concise and sweeping overview of citizenship's complex evolution, from ancient Rome to the present. Political leaders and thinkers still debate, as they did in Republican Rome, whether the presumed equivalence of citizens is compatible with cultural diversity and economic inequality. Frederick Cooper presents citizenship as "claim-making"--the assertion of rights in a political entity. What those rights should be and to whom they should apply have long been subjects for discussion and political mobilization, while the kind of political entity in which claims and counterclaims have been made has varied over time and space. Citizenship ideas were first shaped in the context of empires. The relationship of citizenship to "nation" and "empire" was hotly debated after the revolutions in France and the Americas, and claims to "imperial citizenship" continued to be made in the mid-twentieth century. Cooper examines struggles over citizenship in the Spanish, French, British, Ottoman, Russian, Soviet, and American empires, and he explains the reconfiguration of citizenship questions after the collapse of empires in Africa and India. He explores the tension today between individualistic and social conceptions of citizenship, as well as between citizenship as an exclusionary notion and flexible and multinational conceptions of citizenship. Citizenship, Inequality, and Difference is a historically based reflection on some of the most fundamental issues facing human societies in the past and present.

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Amid the disintegration of the Kingdom of Italy in the eleventh and twelfth centuries, a new form of collective government--the commune--arose in the cities of northern and central Italy. Sleepwalking into a New World takes a bold new look at how these autonomous city-states came about, and fundamentally alters our understanding of one of the most important political and cultural innovations of the medieval world. Chris Wickham provides richly textured portraits of three cities--Milan, Pisa, and Rome--and sets them against a vibrant backcloth of other towns. He argues that, in all but a few cases, the elites of these cities and towns developed one of the first nonmonarchical forms of government in medieval Europe, unaware that they were creating something altogether new. Wickham makes clear that the Italian city commune was by no means a democracy in the modern sense, but that it was so novel that outsiders did not know what to make of it. He describes how, as the old order unraveled, the communes emerged, governed by consular elites "chosen by the people," and subject to neither emperor nor king. They regularly fought each other, yet they grew organized and confident enough to ally together to defeat Frederick Barbarossa, the German emperor, at the Battle of Legnano in 1176. Sleepwalking into a New World reveals how the development of the autonomous city-state took place, which would in the end make possible the robust civic culture of the Renaissance.

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In one of the most remarkable artistic pilgrimages in history, the nineteenth century saw scores of Western artists heading to the Middle East. Inspired by the allure of the exotic Orient, they went in search of subjects for their paintings. Orientalist Lives looks at what led this surprisingly diverse and idiosyncratic group of men—and some women—to often remote and potentially dangerous locations, from Morocco to Egypt, the Levant, and Turkey. There they lived, worked, and traveled for weeks or months on end, gathering material with which to create art for their clients back in the drawing rooms of Boston, London, and Paris. Based on his research in museums, libraries, archives, galleries, and private collections across the world, James Parry traces these journeys of cultural and artistic discovery. From the early pioneer David Roberts through the heyday of leading stars such as Jean-Léon Gérôme and Frederick Arthur Bridgman, to Orientalism’s post-1900 decline, he describes how these traveling artists prepared for their expeditions, coped with working in unfamiliar and challenging surroundings, engaged with local people, and then took home to their studios the memories, sketches, and collections of artifacts necessary to create the works for which their audiences clamored. Excerpts from letters and diaries, including little-known accounts and previously unpublished material, as well as photographs, sketches, and other original illustrations, bring alive the impressions, experiences, and careers of the Orientalists and shed light on how they created what are now once again recognized as masterpieces of art.

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Drawn from many international sources, many not employed before in English-language publications, Armies of the Seven Years War is the finest reference work on this most complex of conflicts. It details the senior commanders, uniforms, weapons, equipment, artillery, strategy and tactics (military and naval) of the forces that fought – in effect – for world supremacy from 1756 to 1763. States involved included Austria, Bavaria, Britain, Brunswick, Hanover, Hessen-Darmstadt, Hessen-Kassel, France, the Palatinate, Portugal, Prussia, Russia, Spain, Sweden, Württemberg and the minor states of the Holy Roman Empire. The colonial struggle in North America is not neglected. Coverage of the uniforms and colours is in depth. The tactics of the ‘horse and musket’ era are examined, as are Frederick the Great’s abilities as a war leader who led his armies against the rest of continental Europe. With over 280 illustrations and specially commissioned battle maps, Armies of the Seven Years War is an invaluable resource for the modeller and wargamer, as well as a clear analysis of an extraordinary period of international conflict for all those with an interest in the history of empire. William Pitt, 1st Earl of Chatham, Britain’s war leader, stated that ‘America was won in Germany.’ How could Prussian successes on the continent of Europe have sounded the death knell for New France and Spanish ambitions in North America? Armies of the Seven Years War explains the connection and the outcomes of all the complex alliances that led to the ‘first world war’.

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Photography has a unique relationship to chance. Anyone who has wielded a camera has taken a picture ruined by an ill-timed blink or enhanced by an unexpected gesture or expression. Although this proneness to chance may amuse the casual photographer, Robin Kelsey points out that historically it has been a mixed blessing for those seeking to make photographic art. On the one hand, it has weakened the bond between maker and picture, calling into question what a photograph can be said to say. On the other hand, it has given photography an extraordinary capacity to represent the unpredictable dynamism of modern life. By delving into these matters, Photography and the Art of Chance transforms our understanding of photography and the work of some of its most brilliant practitioners.The effort to make photographic art has involved a call and response across generations. From the introduction of photography in 1839 to the end of the analog era, practitioners such as William Henry Fox Talbot, Julia Margaret Cameron, Alfred Stieglitz, Frederick Sommer, and John Baldessari built upon and critiqued one another’s work in their struggle to reconcile aesthetic aspiration and mechanical process. The root problem was the technology’s indifference, its insistence on giving a bucket the same attention as a bishop and capturing whatever wandered before the lens. Could such an automatic mechanism accommodate imagination? Could it make art? Photography and the Art of Chance reveals how daring innovators expanded the aesthetic limits of photography to create art for a modern world.

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The Crusades were among the most astonishing historical events that took place during the Middle Ages. After centuries of relative isolation following the fall of the Roman Empire, Western Europe looked again towards the Middle East in search of lands to conquer. Incited by the Church to believe that the Holy Land must be ‘liberated’ from its Muslim rulers (who had by then occupied it for centuries), and that to do so would bring spiritual salvation, many thousands from all over Christian Europe ‘took the cross’ and joined the Crusades. Led by some of the most illustrious personalities of the age, such as Richard the Lionheart and Frederick Barbarossa, they fought numerous campaigns and even founded new ‘Crusader states’, some of which lasted for almost two centuries. Gabriele Esposito gives an overview of the key events of these campaigns, from the First Crusade in 1096 to the fall of Acre, the last Christian stronghold in the Holy Land, in 1291. He analyses the various contingents that made up the Crusader forces, describing their equipment and tactics and showing how they attempted to adapt to unfamiliar terrain and enemies. Included, of course, are the military orders (the Templar, Hospitaller and Teutonic knights) who combined the religious fervour of a monastic brotherhood with martial prowess, forming an elite core to the Christian forces. As usual, the informative text is lavishly illustrated with colour photos depicting replica weapons and equipment in use.

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Beethoven's Cello is the ideal companion for cellists, pianists, musicologists and chamber-music devotees desiring a comprehensive understanding of this beloved repertoire. Winner of the 2018 CHOICE Outstanding Academic Title Award In 1796 the young Beethoven presented his first two cello sonatas, Op. 5, at the court of Frederick William II, an avid cellist and the reigning Prussian monarch. Released in print the next year, these revolutionary sonatas forever altered the cello repertoire by fundamentally redefining the relationship between the cello and the piano and promoting their parity. Beethoven continued to develop the potential of the duo partnership in his three other cello sonatas - the lyrical and heroic Op. 69 and the two experimental sonatas Op. 102, No. 1 and No. 2, transcendent compositions conceived on the threshold of the composer's late style. In Beethoven's Cello, Marc D. Moskovitz and R. Larry Todd examine these seminal cornerstones of the cello repertoire and place them within their historical and cultural contexts. Also addressed arethe three variation sets and, in a series of interludes, the cellos owned by Beethoven, the changing nature of his pianos, the cello-centric 'Triple' Concerto and the arrangements for cello and piano of other works. Featuring a preface by renowned cellist Steven Isserlis and concluding with the reviews of the composer's cello music published during his lifetime, Beethoven's Cello is the ideal companion for cellists, pianists, musicologists and chamber-music devotees desiring a comprehensive understanding of this beloved repertoire. MARC D. MOSKOVITZ is principal cellist of the ProMusica Chamber Orchestra. He has recorded the music of virtuoso cellists David Popperand Alfredo Piatti for the VAI label, and his American premiere of Zemlinsky's Cello Sonata was heralded by the Washington Post as 'an impassioned performance'. Moskovitz has contributed to the New Grove Dictionary of Music and Musicians; and his biography, Alexander Zemlinsky: A Lyric Symphony, was published by Boydell & Brewer in 2010. Recognized as 'Mendelssohn's most authoritative biographer' (The New Yorker), R. LARRY TODD is Arts and Sciences Professor at Duke University. He is the author of Mendelssohn: A Life in Music, named Best Biography in 2003 by the Association of American Publishers, and Fanny Hensel: The Other Mendelssohn, awarded the ASCAP Nicholas Slonimsky Award for outstanding biography in music. As a pianist, he has recorded with Nancy Green the complete cello works of Mendelssohn and Fanny Hensel for JRI Recordings.

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ÊBest Monologues from Best American Short Plays Volume OneÊ is a must for actors of all ages ä beginners as well as seasoned veterans ä and belongs in the libraries of all theater teachers looking for new and exciting material for their students. The monologues in this volume are excerpted from the outstanding series Best American Short Plays an archive of works from many of the best playwrights active today presenting taut engaging single-character pieces that range from zany comedy to poignant tales of love and loss. Each monologue includes a short introduction and a reference identifying where to locate the entire play should anyone choose to pursue production beyond the monologue. Long or short serious or not this collection is must-have material for anyone interested in acting. The monologues also succeed as excellent companions for the casual reader.ÞIncluded in this volume are monologues by Liliana Almendarez James Armstrong Billy Aronson Clay McLeod Chapman Migdalla Cruz Laura Shaine Cunningham Eileen Fischer Jill Elaine Hughes Julia Jarcho Zilvinas Jonusas Adam Kraar David Kranes Neil LaBute Daniel Frederick Levin Bruce Levy Carey Lovelace Carol K. Mack Dano Madden Peter Maloney Joe Maruzzo Mark Medoff Susan Miller Julie Rae (Pratt) Mollenkamp Rick Pulos Ronald Ribman Murray Schisgal Pamela Sneed and co-writers Polly Frost and Ray Sawhill.

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Americans in the middle decades of the nineteenth century were a people with boundless energy capable of heroic deeds, monumental achievements, and tragic errors. In The Civil War Generation, his newest volume in The Representative Americans series, noted scholar Norman K. Risjord uses biographical sketches to create a composite portrait of the United States during and immediately after the Civil War. Risjord begins his study with Stephen A. Douglas and Frederick Douglass, who provide two different viewpoints on the events leading to the conflict, while Harriet Tubman represents a form of social activism during the same years. Profiles of Stonewall Jackson and William Tecumseh Sherman, as well as infantryman James Anderson, give the reader an insightful view of the men fighting the war. Risjord then leads the reader inside both the Northern and Southern governments as well as the Reconstruction Era through the eyes of people such as William H. Seward and Thaddeus Stevens. Looking at the postwar period, Risjord examines the social and economic changes the conflict wrought, describing the lives of Clara Barton and Cornelius Vanderbilt. As the nation's eyes turned westward, the tragic tale of Crazy Horse unfolds, as well as the chronicle of two of the first scientists to explore the new land. Masterfully written and eminently readable, The Civil War Generation brings to life one of our nation's most turbulent decades and will be of great value to students of the Civil War.

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When sixteen-year-old Sara Parcell goes missing, it’s an utter tragedy . . . and an entertaining national obsession in this thoughtful and addictively readable novel that offers a fresh and provocative take on whodunits and true crime. Sixteen-year-old Sara Parcell disappeared without a trace on a crisp April morning in Frederick, Maryland. Her tragic story was a national obsession and the centerpiece of a controversial TV docu-series that followed her disappearance in real time. But is it possible that everyone missed the biggest secret of all?Ten years after the events in question, the people who knew Sara best are finally ready to talk. In this genre-bending novel, Daniel Sweren-Becker fashions an oral history around the seemingly familiar crime of a teenage girl gone missing. Yet Kill Show, filled with diabolical twists and provocative social commentary, is no standard mystery; through “interviews” with family members, neighbors, law enforcement, TV executives, and a host of other compelling characters, Sweren-Becker constructs a riveting tale about one family’s tragedy... and Hollywood’s insatiable desire to exploit that tragedy.By revealing the seedy underbelly of the True Crime entertainment machine, Kill Show probes literary territory beyond the bounds of the standard whodunit–it’s a thoughtful exploration into America’s obsession with the mysteries, cold cases, and violent tales we turn to for comfort. Groundbreaking, fast-moving and informed, this is a novel about who’s really responsible for the tragedies we love to consume.

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In seven representative episodes of black masculine literary and cultural history—from the founding of the first African American Masonic lodge in 1775 to the 1990s choreographies of modern dance genius Bill T. Jones—Constructing the Black Masculine maps black men’s historical efforts to negotiate the frequently discordant relationship between blackness and maleness in the cultural logic of American identity. Maurice O. Wallace draws on an impressive variety of material to investigate the survivalist strategies employed by black men who have had to endure the disjunction between race and masculinity in American culture. Highlighting their chronic objectification under the gaze of white eyes, Wallace argues that black men suffer a social and representational crisis in being at once seen and unseen, fetish and phantasm, spectacle and shadow in the American racial imagination. Invisible and disregarded on one hand, black men, perceived as potential threats to society, simultaneously face the reality of hypervisibility and perpetual surveillance. Paying significant attention to the sociotechnologies of vision and image production over two centuries, Wallace shows how African American men—as soldiers, Freemasons, and romantic heroes—have sought both to realize the ideal image of the American masculine subject and to deconstruct it in expressive mediums like modern dance, photography, and theatre. Throughout, he draws on the experiences and theories of such notable figures as Frederick Douglass, W. E. B. Du Bois, Booker T. Washington, and James Baldwin.

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In 1981, Frederick Houk Borsch returned to Princeton University, his alma mater, to serve as dean of the chapel at the Ivy League school. In Keeping Faith at Princeton, Borsch tells the story of Princeton's journey from its founding in 1746 as a college for Presbyterian ministers to the religiously diverse institution it is today. He sets this landmark narrative history against the backdrop of his own quest for spiritual illumination, first as a student at Princeton in the 1950s and later as campus minister amid the turmoil and uncertainty of 1980s America. Borsch traces how the trauma of the Depression and two world wars challenged the idea of progress through education and religion--the very idea on which Princeton was founded. Even as the numbers of students gaining access to higher education grew exponentially after World War II, student demographics at Princeton and other elite schools remained all male, predominantly white, and Protestant. Then came the 1960s. Campuses across America became battlegrounds for the antiwar movement, civil rights, and gender equality. By the dawn of the Reagan era, women and blacks were being admitted to Princeton. So were greater numbers of Jews, Catholics, and others. Borsch gives an electrifying insider's account of this era of upheaval and great promise. With warmth, clarity, and penetrating firsthand insights, Keeping Faith at Princeton demonstrates how Princeton and other major American universities learned to promote religious diversity among their students, teachers, and administrators.

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Winner of the Caughey Western History PrizeWinner of the Robert G. Athearn AwardWinner of the Lawrence W. Levine AwardWinner of the TCU Texas Book AwardWinner of the NACCS Tejas Foco Nonfiction Book AwardWinner of the María Elena Martínez PrizeFrederick Jackson Turner Award Finalist“A page-turner…Haunting…Bravely and convincingly urges us to think differently about Texas’s past.”—Texas MonthlyBetween 1910 and 1920, self-appointed protectors of the Texas–Mexico border—including members of the famed Texas Rangers—murdered hundreds of ethnic Mexicans living in Texas, many of whom were American citizens. Operating in remote rural areas, officers and vigilantes knew they could hang, shoot, burn, and beat victims to death without scrutiny. A culture of impunity prevailed. The abuses were so pervasive that in 1919 the Texas legislature investigated the charges and uncovered a clear pattern of state crime. Records of the proceedings were soon filed away as the Ranger myth flourished.A groundbreaking work of historical reconstruction, The Injustice Never Leaves You has upended Texas’s sense of its own history. A timely reminder of the dark side of American justice, it is a riveting story of race, power, and prejudice on the border.“It’s an apt moment for this book’s hard lessons…to go mainstream.”—Texas Observer“A reminder that government brutality on the border is nothing new.”—Los Angeles Review of Books

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"The Living Landscape" is a manifesto, resource, and textbook for architects, landscape architects, environmental planners, students, and others involved in creating human communities. Since its first edition, published in 1990, it has taught its readers how to develop new built environments while conserving natural resources. No other book presents such a comprehensive approach to planning that is rooted in ecology and design. And no other book offers a similar step-by-step method for planning with an emphasis on sustainable development. This second edition of "The Living Landscape" offers Frederick Steiner's design-oriented ecological methods to a new generation of students and professionals." The Living Landscape" offers: a systematic, highly practical approach to landscape planning that maximizes ecological objectives, community service, and citizen participation; more than 20 challenging case studies that demonstrate how problems were met and overcome, from rural America to large cities; scores of checklists and step-by-step guides; hands-on help with practical zoning, land use, and regulatory issues; coverage of major advances in GIS technology and global sustainability standards; and, more than 150 illustrations.As Steiner emphasizes throughout this book, all of us have a responsibility to the Earth and to our fellow residents on this planet to plan with vision. We are merely visiting this planet, he notes; we should leave good impressions.

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Frederick Burr Opper fue un ilustrador norteamericano de principios del siglo XX conocido por ser uno de los primeros autores que utilizaron una innovadora forma de narrativa gráfica como medio de expresión artística que pocos años después se conocería como cómic. La importancia histórica de Fred Opper radica, además de por ser uno de los pioneros del noveno arte, en ser el primero en sistematizar el uso de globos o bocadillos para representar el habla de los personajes. Este recurso ha sido característico, indispensable y definitivo en el cómic desde entonces hasta nuestros días.De su extensa obra, la serie con la que consiguió mayor fama y reconocimiento fue Happy Hooligan, que se publicó de forma ininterrumpida desde 1900 a 1932, y que narraba las peripecias de un vagabundo con un corazón tan grande como su torpeza, que siempre termina sus aventuras golpeado y detenido por la policía.El presente libro recoge una antología de historietas de esta serie ordenadas secuencialment

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Frederick Douglass recalled that slaves living along Chesapeake Bay longingly viewed sailing ships as "freedom’s swift-winged angels." In 1813 those angels appeared in the bay as British warships coming to punish the Americans for declaring war on the empire. Over many nights, hundreds of slaves paddled out to the warships seeking protection for their families from the ravages of slavery. The runaways pressured the British admirals into becoming liberators. As guides, pilots, sailors, and marines, the former slaves used their intimate knowledge of the countryside to transform the war. They enabled the British to escalate their onshore attacks and to capture and burn Washington, D.C. Tidewater masters had long dreaded their slaves as "an internal enemy." By mobilizing that enemy, the war ignited the deepest fears of Chesapeake slaveholders. It also alienated Virginians from a national government that had neglected their defense. Instead they turned south, their interests aligning more and more with their section. In 1820 Thomas Jefferson observed of sectionalism: "Like a firebell in the night [it] awakened and filled me with terror. I considered it at once the knell of the union." The notes of alarm in Jefferson's comment speak of the fear aroused by the recent crisis over slavery in his home state. His vision of a cataclysm to come proved prescient. Jefferson's startling observation registered a turn in the nation’s course, a pivot from the national purpose of the founding toward the threat of disunion. Drawn from new sources, Alan Taylor's riveting narrative re-creates the events that inspired black Virginians, haunted slaveholders, and set the nation on a new and dangerous course.

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'At a time when fluff and gossip reign supreme, Hanna Flint's work is consistently insightful, informative and engaging all at once. I always finish reading it feeling just a tad bit smarter.' Candice Frederick, Huffington Post'One of the smartest pop culture commentators out there.' Toby Moses, GuardianThe leading film critic of her generation offers an eloquent, insightful and humorous reflection on the screen's representation of women and ethnic minorities, revealing how cinema has been the key to understanding herself, her body image and her ambitions as well as the world we live in. A staunch feminist of mixed-race heritage, Hanna has succeeded in an industry not designed for people like her. She interweaves anecdotes from familial and personal experiences - from episodes of messy sex and introspection to the time when actor Vincent D'Onofrio tweeted that Hanna Flint sounded 'like a secret agent' - to offer a critical eye on the screen's representation of women and ethnic minorities. Divided into sections 'Origin Story', 'Coming of Age', 'Adult Material', 'Workplace Drama' and 'Strong Female Character', the book ponders how the creative industries could better reflect our multicultural society.Warm, funny and engaging and full of film-infused lessons, Strong Female Character will appeal to readers of all backgrounds and seeks to help us better see ourselves in our own eyes rather than letting others decide who and what we can be.

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A century and a half after the abolition of slavery in the United States, survivors of contemporary forms of enslavement from around the world have revived a powerful tool of the abolitionist movement: first-person narratives of slavery and freedom. Just as Frederick Douglass, Harriet Jacobs, and others used autobiographical testimonies in the fight to eradicate slavery, today’s new slave narrators play a crucial role in shaping an antislavery agenda. Their writings unveil the systemic underpinnings of global slavery while critiquing the precarity of their hard-fought freedom. At the same time, the demands of antislavery organizations, religious groups, and book publishers circumscribe the voices of the enslaved, coopting their narratives in support of alternative agendas.In this pathbreaking interdisciplinary study, Laura T. Murphy argues that the slave narrative has reemerged as a twenty-first-century genre that has gained new currency in the context of the memoir boom, post-9/11 anti-Islamic sentiment, and conservative family-values politics. She analyzes a diverse range of dozens of book-length accounts of modern slavery from Africa, Asia, the United States, the United Kingdom, and Europe, examining the narrative strategies that survivors of slavery employ to make their experiences legible and to promote a reinvigorated antislavery agenda. By putting these stories into conversation with one another, The New Slave Narrative reveals an emergent survivor-centered counterdiscourse of collaboration and systemic change that offers an urgent critique of the systems that maintain contemporary slavery, as well as of the human rights industry and the antislavery movement.

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Fans of Mary Balogh, Ella Quinn, and Bridgerton will fall in love with the charismatic characters and glittering detail of Jane Ashford's bestselling Regency romances:A reluctant duke flees from his new roleA wild lady yearns to escape her family's strict rulesThey meet, and find refuge in each otherThe missing Earl of Ferrington doesn't want to be found…At the end of the London season, Harriet Finch reluctantly returns to her wealthy grandfather's country house. His rigid opinions for how she should live and whom she should marry sparks Harriet's rebelliousness. Yearning to reclaim her freedom, Harriet goes for a long walk and a handsome rogue from the nearby Travelers camp catches her eye.Little does she know, the rugged traveler she's flirting with is Jonathan "Jack" Frederick Merrill, the missing Earl of Ferrington in disguise. Will Jack tell Harriet the truth about who he is for the sake their blossoming relationship? Or will he keep his distance altogether? Time is running out, and the earl can't hide forever…Praise for Jane Ashford's romances:"Impossible to put down… The story crackles with clever dialogue and humorous scenes."—Historical Novel Society for The Duke Who Loved Me"An irresistibly sweet literary confection."—Booklist for Earl to the Rescue"Complex characters, subtle romance, and all the sparkling wit and flirtatious banter of a Georgette Heyer novel."—Publishers Weekly for A Duke Too Far

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It is widely recognized that American culture is both exceptionally religious and exceptionally violent. Americans participate in religious communities in high numbers, yet American citizens also own guns at rates far beyond those of citizens in other industrialized nations. Since 9/11, United States scholars have understandably discussed religious violence in terms of terrorist acts, a focus that follows United States policy. Yet, according to Jon Pahl, to identify religious violence only with terrorism fails to address the long history of American violence rooted in religion throughout the country’s history. In essence, Americans have found ways to consider blessed some very brutal attitudes and behaviors both domestically and globally. In Empire of Sacrifice, Pahl explains how both of these distinctive features of American culture work together by exploring how constructions along the lines of age, race, and gender have operated to centralize cultural power across American civil or cultural religions in ways that don’t always appear to be "religious" at all. Pahl traces the development of these forms of systemic violence throughout American history, using evidence from popular culture, including movies such as Rebel without a Cause and Reefer Madness and works of literature such as The Narrative of the Life of Frederick Douglass and The Handmaid's Tale, to illuminate historical events. Throughout, Pahl focuses an intense light on the complex and durable interactions between religion and violence in American history, from Puritan Boston to George W. Bush’s Baghdad.

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Elisabeth of Bohemia (1618–1680) was the daughter of the Elector Palatine, Frederick V, King of Bohemia, and Elizabeth Stuart, the daughter of King James VI and I of Scotland and England. A princess born into one of the most prominent Protestant dynasties of the age, Elisabeth was one of the great female intellectuals of seventeenth-century Europe. This book examines her life and thought. It is the story of an exiled princess, a grief-stricken woman whose family was beset by tragedy and whose life was marked by poverty, depression, and chronic illness. It is also the story of how that same woman’s strength of character, unswerving faith, and extraordinary mind saw her emerge as one of the most renowned scholars of the age. It is the story of how one woman navigated the tumultuous waters of seventeenth-century politics, religion, and scholarship, fought for her family’s ancestral rights, and helped established one of the first networks of female scholars in Western Europe. Drawing on her correspondence with René Descartes, as well as the letters, diaries, and writings of her family, friends, and intellectual associates, this book contributes to the recovery of Elisabeth’s place in the history of philosophy. It demonstrates that although she is routinely marginalized in contemporary accounts of seventeenth-century thought, overshadowed by the more famous male philosophers she corresponded with, or dismissed as little more than a “learned maiden,” Elisabeth was a philosopher in her own right who made a significant contribution to modern understandings of the relationship between the body and the mind, challenged dominant accounts of the nature of the emotions, and provided insightful commentaries on subjects as varied as the nature and causes of illness to the essence of virtue and Machiavelli’s The Prince.

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Surprising as it may seem, the first place an experienced gardener looks for advice and ideas is not the local gardening store or even the nearby botanical garden, but a good library. Gardeners have been sharing their wisdom for thousands of years, and their books and treatises still provide a rich resource for growers and landscapers today. Here in this volume is a bouquet of quotations that will strike a responsive chord with anyone who has ever worked the soil or just admired nature’s handiwork. Areas that are covered include the metaphorical…- Some men like to make a little garden out of life and walk down a path.Jean Anouilh, The Lark (1952)words of encouragement…-Then seek your job with thankfulness and work till further orders,If it's only netting strawberries or killing slugs on borders;And when your back stops aching and your hands begin to harden,You will find yourself a partner in the Glory of the Garden.Rudyard Kipling, “The Glory of the Garden” (1911)reflection…- To sit in the shade on a fine day, and look upon verdure, is the most perfect refreshment.Jane Austen, Mansfield Park (1814)and the practical…- Three fundamental aspects of border design—site, shape, and size—have at least as great an effect on the ease of garden maintenance as does the actual selection of plants.Frederick McGourty, The Perennial Gardener (1989)and much more. Drawing on sources ranging from the earliest agrarian civilizations to the present, The Little Red Book of Gardening Wisdom is a treasury of great ideas that will delight amateur and expert gardeners alike.

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This book recovers a major nineteenth-century literary figure, the American Claimant. For over a century, claimants offered a compelling way to understand cultural difference across the Anglophone Atlantic, especially between Britain and the United States. They also formed a political talisman, invoked against slavery and segregation, or privileges of gender and class. Later, claimants were exported to South Africa, becoming the fictional form for explaining black students who acquired American degrees. American Claimants traces the figure back to lost-heir romance, and explores its uses. These encompassed real, imagined, and textual ideas of inheritance, for writers and editors, and also for missionaries, artists, and students. The claimant dramatized tensions between tradition and change, or questions of exclusion and power: it offered ways of seeing activism, education, sculpture, and dress. The premise for dozens of novels and plays, a trope, a joke, even the basis for real claims: claimants matter in theatre history and periodical studies, they touch on literary marketing and reprinting, and they illuminate some unexpected texts. These range from Our American Cousin to Bleak House, Little Lord Fauntleroy to Frederick Douglass' Paper; writers discussed include Frances Trollope, Julia Griffiths, Alexander Crummell, John Dube, James McCune Smith, Nathaniel Hawthorne, and Mark Twain. The focus on claimants yields remarkable finds: new faces, fresh angles, a lost column, and a forgotten theatrical genre. It reveals the pervasiveness of this form, and its centrality in imagining cultural contact and exchange.

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Defensive Relativism describes how governments around the world use cultural relativism in legal argument to oppose international human rights law. Defensive relativist arguments appear in international courts, at the committees established by human rights treaties, and at the United Nations Human Rights Council. The aim of defensive relativist arguments is to exempt a state from having to apply international human rights law, or to stop international human rights law evolving, because it would interfere with cultural traditions the state deems important. It is an everyday occurrence in international human rights law and defensive relativist arguments can be used by various types of states. The end goal of defensive relativism is to allow a state to appear human rights compliant while at the same time not implementing international human rights law. Drawing on a range of materials, such as state reports on the Convention on the Elimination of All Forms of Discrimination Against Women (CEDAW) and cases from the European Court of Human Rights involving freedom of religion, this book provides a definitive survey of defensive relativism. Crucially, Frederick Cowell argues, defensive relativism is not about alternative practices of human rights law, or debates about the origins or legitimacy of human rights as a concept. Defensive relativism is instead a variety of tactical argument used by states to justify ignoring international human rights law. Yet, as Cowell concludes, defensive relativism can’t be removed from the law, as it is a reflection of unresolved tensions about the nature of what it means for rights to be universal.

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Honorable Mention, 2019 MLA Prize for a First Book Sole Finalist Mention for the 2018 Lora Romero First Book Prize, presented by the American Studies Association Exposes the influential work of a group of black artists to confront and refute scientific racism. Traversing the archives of early African American literature, performance, and visual culture, Britt Rusert uncovers the dynamic experiments of a group of black writers, artists, and performers. Fugitive Science chronicles a little-known story about race and science in America. While the history of scientific racism in the nineteenth century has been well-documented, there was also a counter-movement of African Americans who worked to refute its claims. Far from rejecting science, these figures were careful readers of antebellum science who linked diverse fields—from astronomy to physiology—to both on-the-ground activism and more speculative forms of knowledge creation. Routinely excluded from institutions of scientific learning and training, they transformed cultural spaces like the page, the stage, the parlor, and even the pulpit into laboratories of knowledge and experimentation. From the recovery of neglected figures like Robert Benjamin Lewis, Hosea Easton, and Sarah Mapps Douglass, to new accounts of Martin Delany, Henry Box Brown, and Frederick Douglass, Fugitive Science makes natural science central to how we understand the origins and development of African American literature and culture. This distinct and pioneering book will spark interest from anyone wishing to learn more on race and society.

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In the nineteenth century the predominant focus of American anthropology centered on the native peoples of North America, and most anthropologists would argue that Korea during this period was hardly a cultural area of great anthropological interest. However, this perspective underestimates Korea as a significant object of concern for American anthropology during the period from 1882 to 1945—otherwise a turbulent, transitional period in Korea’s history. An Asian Frontier focuses on the dialogue between the American anthropological tradition and Korea, from Korea’s first treaty with the United States to the end of World War II, with the goal of rereading anthropology’s history and theoretical development through its Pacific frontier. Drawing on notebooks and personal correspondence as well as the publications of anthropologists of the day, Robert Oppenheim shows how and why Korea became an important object of study—with, for instance, more published about Korea in the pages of American Anthropologist before 1900 than would be seen for decades after. Oppenheim chronicles the actions of American collectors, Korean mediators, and metropolitan curators who first created Korean anthropological exhibitions for the public. He moves on to examine anthropologists—such as Aleš Hrdlicka, Walter Hough, Stewart Culin, Frederick Starr, and Frank Hamilton Cushing—who fit Korea into frameworks of evolution, culture, and race even as they engaged questions of imperialism that were raised by Japan’s colonization of the country. In tracing the development of American anthropology’s understanding of Korea, Oppenheim discloses the legacy present in our ongoing understanding of Korea and of anthropology’s past.

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How Black poets have charted the direction of American poetics for the past two centuriesBefore Modernism examines how Black poetics, in antagonism with White poetics in the late eighteenth and early nineteenth centuries, produced the conditions for the invention of modern American poetry. Through inspired readings of the poetry of Phillis Wheatley Peters, George Moses Horton, Ann Plato, James Monroe Whitfield, and Frances Ellen Watkins Harper—as well as the poetry of neglected but once popular White poets William Cullen Bryant and Henry Wadsworth Longfellow—Virginia Jackson demonstrates how Black poets inspired the direction that American poetics has taken for the past two centuries. As an idea of poetry based on genres of poems such as ballads, elegies, odes, hymns, drinking songs, and epistles gave way to an idea of poetry based on genres of people—Black, White, male, female, Indigenous—almost all poetry became lyric poetry. Jackson discusses the important role played by Frederick Douglass as an influential editor and publisher of Black poetry, and traces the twisted paths leading to our current understanding of lyric, along the way presenting not only a new history but a new theory of American poetry.A major reassessment of the origins and development of American poetics, Before Modernism argues against a literary critical narrative that links American modernism directly to British or European Romanticism, emphasizing instead the many ways in which early Black poets intervened by inventing what Wheatley called “the deep design” of American lyric.

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