Search results for ""bloomsbury publishing plc""

The interaction of sustainability governance and global value chains has crucial implications the world over. When it comes to sustainability the last decade has witnessed the birth of hybrid forms of governance where business, civil society and public actors interact at different levels, leading to a focus on concepts of legitimacy within multi-stakeholder initiatives (MSIs). Based in over 15 years of theoretical engagement and field research, Business, Power and Sustainability draws from both labour-intensive value chains, such as in the agro-food sector (coffee, wine, fish, biofuels, palm oil), and from capital-intensive value chains such as in shipping and aviation, to discuss how sustainability governance can be best designed, managed and institutionalized in today’s world of global value chains (GVCs). Examining current theoretical and analytical efforts aimed at including sustainability issues in GVC governance theory, it expands on recent work examining GVC upgrading by introducing the concept of environmental upgrading; and through new conceptions of orchestration, it provides suggestions for how governments and international organizations can best facilitate the achievement of sustainability goals. Essential reading on the governance of sustainability in the twenty-first century.

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On the goldfields of 19th-century Australia, two very different girls are trying to escape their past. 1856, China. In the mulberry groves of the Pearl River Delta, eighteen-year-old Little Cat carries a terrible secret. And so, in disguise as a boy in blue trousers, she makes the long and difficult passage to Australia, a faraway land of untold riches where it is said the rivers run with gold. 1857, Australia. Violet Hartley has arrived off the boat from England, fleeing scandal back home. Like the Chinese immigrants seeking their fortunes on the goldfields, Violet is seduced by the promise of a new frontier. Then she meets Little Cat, a woman who, like her, is trying to escape her past. As their fates inextricably, devastatingly entwine, their story becomes one of freedom, violence, love and vengeance, echoing across the landscapes of two great continents.

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Athos, the Holy Mountain of Greece, is one of the most mysterious places in the world. A rugged pyramid that rises up from the Aegean Sea, this mountain is wreathed in myth, legend and ancient traditions that to this day remain largely hidden from view. The heart of Athos started to beat at the dawn of Christianity and its community lays claim to being the oldest democracy in the world. An entirely autonomous region of the Hellenic Republic, it is home to twenty Eastern Orthodox monasteries that cling to its rocky flanks. No women are allowed to set foot upon the peninsula and the monks who inhabit this isolated place still use the Julian calendar, living on 'Byzantine Time', where each day starts at sunset. While living in the mountain's shadow, in Ouranopolis, Sydney Loch spent many years exploring Athos, the result of which is an enthralling and vivid portrait of the Holy Mountain.

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Gender equality is a modern ideal, which has only recently, with the expansion of human rights and feminist discourses, become inherent to generally accepted conceptions of justice. In Islam, as in other religious traditions, the idea of equality between men and women was neither central to notions of justice nor part of the juristic landscape, and Muslim jurists did not begin to address it until the twentieth century. The personal status of Muslim men, women and children continues to be defined by understandings of Islamic law codified and adapted by modern nation-states that assume authority to be the natural prerogative of men, that disadvantage women and that are prone to abuse. This volume argues that effective and sustainable reform of these laws and practices requires engagement with their religious rationales from within the tradition. Gender and Equality in Muslim Family Law offers a groundbreaking analysis of family law, based on fieldwork in family courts, and illuminated by insights from distinguished clerics and scholars of Islam from Morocco, Egypt, Iran, Pakistan and Indonesia, as well as by the experience of human rights and women s rights activists. It explores how male authority is sustained through law and court practice in different contexts, the consequences for women and the family, and the demands made by Muslim women s groups. The book argues for women's full equality before the law by re-examining the jurisprudential and theological arguments for male guardianship (qiwama, wilaya) in Islamic legal tradition. Using contemporary examples from various contexts, from Morocco to Malaysia, this volume presents an informative and vital analysis of these societies and gender relations within them. It unpicks the complex and often contradictory attitudes towards Muslim family law, and the ways in which justice and ethics are conceived in the Islamic tradition. The book offers a new framework for rethinking old formulations so as to reflect contemporary realities and understandings of justice, ethics and gender rights. "

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The term ‘jihad’ has come to be used as a byword for fanaticism and Islam’s allegedly implacable hostility towards the West. But, like other religious and political concepts, jihad has multiple resonances and associations, its meaning shifting over time and from place to place. Jihad has referred to movements of internal reform, spiritual struggle, social progress, self-defence and even poetic expression as much as to ‘holy war’. Jihad, moreover, reflects principles and concerns by no means unique to Islam; understanding the evolution of this concept is crucial for engaging religion beyond Islam. Even among Muslim political, social and intellectual leaders, the meaning and significance of jihad remain subject to debate and controversy. Twenty-First Century Jihad contains vital analysis for those researching the role of religion in the modern world. It examines the ways in which the concept of jihad has changed, from its roots in the Qur’an to its usage in current debate. It explores familiar modern political angles, and touches on far less commonly analysed instances of jihad. It incorporates issues of law, society, literature and military action. It also provides a selection of ‘views from within’, allowing individuals associated with Islamic movements to present their own understanding of jihad. The approaches to understanding and conceptualising jihad include jihad in the Qur’an and Hadith, non-violent perspectives on jihad, and contemporary understandings of jihad as social practice. This makes Twenty-First Century Jihad a crucial text in understanding both the history and the contemporary applications of jihad.

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‘Every story ever told really happened...’ (The Doctor, ‘Hell Bent’, 2015) Stories are, fundamentally what Doctor Who is all about. In Once Upon a Time Lord, Ivan Phillips explores a wide range of perspectives on these stories and presents a lively and richly-varied analysis of the accumulated tales that constitute this popular modern mythology. Concerned equally with ‘classic’ and ‘new’ Who, Phillips looks at how aspects of the Time Lord’s story have been developed on television and beyond, tracing lines of connection and divergence across various media. He discusses Doctor Who as a mythology that has drawn on its own past in often complex ways, at the same time reworking elements from many other sources, whether literary, cinematic, televisual or historical. Once Upon A Time Lord offers an original take on this singular hero’s journey, reading the unsettled enigma of the Doctor in relation to the characters, narratives and locations that he has encountered across more than half a century.

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Shortlisted for the Fage and Oliver Prize 2018 From December 2013, the largest Ebola outbreak in history swept across West Africa, claiming thousands of lives in Liberia, Sierra Leone and Guinea. By the middle of 2014, the international community was gripped by hysteria. Experts grimly predicted that millions would be infected within months, and a huge international control effort was mounted to contain the virus. Yet paradoxically, by this point the disease was already going into decline in Africa itself. So why did outside observers get it so wrong? Paul Richards draws on his extensive first-hand experience in Sierra Leone to argue that the international community’s panicky response failed to take account of local expertise and common sense. Crucially, Richards shows that the humanitarian response to the disease was most effective in those areas where it supported these initiatives and that it hampered recovery when it ignored or disregarded local knowledge.

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‘Perhaps the best introduction yet to the roots of Thailand’s present political impasse. A brilliant book.’ Simon Long, The Economist Struggling to emerge from a despotic past, and convulsed by an intractable conflict that will determine its future, Thailand stands at a defining moment in its history. Scores have been killed on the streets of Bangkok. Freedom of speech is routinely denied. Democracy appears increasingly distant. And many Thais fear that the death of King Bhumibol Adulyadej is expected to unleash even greater instability. Yet in spite of the impact of the crisis, and the extraordinary importance of the royal succession, they have never been comprehensively analysed – until now. Breaking Thailand's draconian lèse majesté law, Andrew MacGregor Marshall is one of the only journalists covering contemporary Thailand to tell the whole story. Marshall provides a comprehensive explanation that for the first time makes sense of the crisis, revealing the unacknowledged succession conflict that has become entangled with the struggle for democracy in Thailand.

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Twenty years on from South Africa's first democratic election, the post-apartheid political order is more fractured, and more fractious, than ever before. Police violence seems the order of the day – whether in response to a protest in Ficksburg or a public meeting outside a mine in Marikana. For many, this has signalled the end of the South African dream. Politics, they declare, is the preserve of the corrupt, the self-interested, the incompetent and the violent. They are wrong. Julian Brown argues that a new kind of politics can be seen on the streets and in the courtrooms of the country. This politics is made by a new kind of citizen – one that is neither respectful nor passive, but instead insurgent. The collapse of the dream of a consensus politics is not a cause for despair. South Africa's political order is fractured, and in its cracks new forms of activity, new leaders and new movements are emerging.

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In 1987, more than a decade before the dawn of queer theory, Ifi Amadiume wrote Male Daughters, Female Husbands, to critical acclaim. This compelling and highly original book frees the subject position of 'husband' from its affiliation with men, and goes on to do the same for other masculine attributes, dislocating sex, gender and sexual orientation. Boldly arguing that the notion of gender, as constructed in Western feminist discourse, did not exist in Africa before the colonial imposition of a dichotomous understanding of sexual difference, Male Daughters, Female Husbands examines the structures in African society that enabled people to achieve power, showing that roles were not rigidly masculinized nor feminized. At a time when gender and queer theory are viewed by some as being stuck in an identity-politics rut, this outstanding study not only warns against the danger of projecting a very specific, Western notion of difference onto other cultures, but calls us to question the very concept of gender itself.

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The first-ever biography in English of Pina Bausch: perhaps the most influential performer and choreographer of the 20th century. Meyer has written an accessible, readable account, with a clear journalistic approach that penetrates the mystique and mythology surrounding Pina’s life. Bausch was notoriously shy of discussing her work, yet Meyer’s research is underpinned by several quotes from Pina herself, as well as members of her ensemble. As well as illuminating her personal life and her work ethic, it also takes stock of Bausch’s legacy and the future for the Tanztheater Wuppertal, the Company she created.

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An Actor Prepares is the most famous acting training book ever to have been written and the work of Stanislavski has inspired generations of actors and trainers. This translation was the first to introduce Stanislavski's 'system' to the English speaking world and has stood the test of time in acting classes to this day. Stanislavski here deals with the inward preparation an actor must undergo in order to explore a role to the full. He introduces the concepts of the 'magic if' units and objectives, of emotion memory, of the super-objective and many more now famous rehearsal aids. Now available in the Bloomsbury Revelations series to mark the 150th anniversary of Stanislavski's birth, this is an essential read for actors, directors and anyone interested in the art of drama.

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Theodor Adorno (1903-69) was undoubtedly the foremost thinker of the Frankfurt School, the influential group of German thinkers that fled to the US in the 1930s, including such thinkers as Herbert Marcuse and Max Horkheimer. His work has proved enormously influential in sociology, philosophy and cultural theory. Aesthetic Theory is Adorno's posthumous magnum opus and the culmination of a lifetime's investigation. Analysing the sublime, the ugly and the beautiful, Adorno shows how such concepts frame and distil human experience and that it is human experience that ultimately underlies aesthetics. In Adorno's formulation ‘art is the sedimented history of human misery'.

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In this follow up to his most famous book, An Actor Prepares, Stanislavski develop his influential 'system' of acting by exploring the imaginative processes at the heart of the actor's craft. Building a Character deals with the physical realisation of character on the stage through such tools as expressions, movement and speech. It is a book in which every theory is inextricably bound up with practice - a perfect handbook to the physical art of acting. The work of Stanislavski has inspired generations of actors and trainers and - available now in the Bloomsbury Revelations series to mark the 150th anniversary of Stanislavski's birth - it remains an essential read for actors and directors at all stages of their careers.

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Exploring the breadth and complexities of history as a field of study, History in Practice demystifies what historians actually do and the tasks they take on. This study, written by one of the most acute practitioners in the field, examines not only the academic discipline but also engages with the use of historical ideas in the wider world. The new edition features: - A new chapter on history in the digital age, covering the use of information technology in historical practice - Extended coverage of the relationships between history and other disciplines - Fresh material on current trends in the practice of history - Over 35 new illustrations spread throughout the book drawn from around the world This book is essential reading for all students seeking an understanding of history as a discipline.

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One of the most prosperous and influential dynasties of the Muslim world, the Fatimids (909–1171) were distinguished by their Imam-caliphs, who asserted religious as well as political authority in direct descent from the family of the Prophet. Their conquest of Egypt in 969 marked the inception of a burgeoning Mediterranean empire. From there, they refined their systems of administration, judiciary, and governance, instilling principles of inclusion which contributed to stability during their caliphate. Fatimid Cairo flourished as a vibrant cultural and intellectual centre through patronage of the arts, architecture, and scholarship. This book continues the story of the Fatimids from their newly founded capital of Cairo. Introducing the figures who moulded the empire, Shainool Jiwa charts the Fatimids’ expansion, the reasons behind their ultimate fall by the hand of Saladin, and the legacy that continues with the living Ismaili communities today. This lively and engaging work, including maps and colour images, draws on a broad range of primary sources to lead readers through two centuries that witnessed the triumphs and trials of the only sustained Shi’i caliphate to rule across the medieval Islamic world.

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Bestselling author, pioneering photographer, mathematical don and writer of nonsense verse, Lewis Carroll remains a source of continuing fascination. Though many have sought to understand this complex man he remains for many an enigma. Now leading international authority, Edward Wakeling, offers his unique appraisal of the man born Charles Dodgson but whom the world knows best as Lewis Carroll, author of Alice's Adventures in Wonderland and Through the Looking-Glass. This new biography of Carroll presents a fresh appraisal based upon his social circle. Contrary to the claims of many previous authors, Carroll's circle was not child centred: his correspondence was enormous, numbering almost 100,000 items at the time of his death, and included royalty and many of the leading artists, illustrators, publishers, academics, musicians and composers of the Victorian era. Edward Wakeling draws upon his personal database of nearly 6,000 letters, mostly never before published, to fill the gaps left by earlier biographies and resolve some of the key myths that surround Lewis Carroll, such as his friendships with children and his drug-taking. Meticulously researched and based upon a lifetime's study of the man and his work, this important new work will be essential reading for scholars and admirers of one of the key authors of the Victorian age.

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The early twenty-first century has seen the emergence of a new style of television drama in Britain that adopts the professional practices and production values of high-end American television while remaining emphatically 'British' in content and outlook. This book analyses eight of these dramas - Spooks, Foyle's War, Hustle, Life on Mars, Ashes to Ashes, Downton Abbey, Sherlock and Broadchurch - which have all proved popular with audiences and in their different ways represent the thematic and formal paradigms of post-millennial drama. James Chapman locates new British drama in its institutional and economic contexts, considers their critical and popular reception, and analyses their social politics in relation to their representations of class, gender and nationhood. He demonstrates how contemporary drama has mobilised both new and residual elements in re-configuring genres such as the spy series, cop show and costume drama for the cultural tastes of modern audiences. And it concludes that television drama has played an integral role in both the economic and the cultural export of 'Britishness'.

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What is experimental music today? This book offers an up to date survey of this field for anyone with an interest, from seasoned practitioners to curious readers. This book takes the stance that experimental music is not a limited historical event, but is a proliferation of approaches to sound that reveals much about present-day experience. An experimental work is not identifiable by its sound alone, but by the nature of the questions it poses and its openness to the sounding event. Experimentation is a way of working. It pushes past that which is known to discover what lies beyond it, finding new knowledge, forms, and relationships, or accepting a state of uncertainty. For each of these composers and sound artists, craft is developed and transformed in response to the questions they bring to their work. Scientific, perceptual, or social phenomena become catalysts in the operation of the work. These practices are not presented according to a chronology, a set of techniques, or social groupings. Instead, they are organized according to the content areas that are their subjects, including resonance, harmony, objects, shapes, perception, language, interaction, sites, and histories. Musical materials may be subject, among other treatments, to systemization, observation, examination, magnification, fragmentation, translation, or destabilization. These restless and exploratory modes of engagement have continued to develop over recent decades, expanding the scope of both musical practice and listening.

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This easy to understand text provides illustrated "lessons" that demonstrate the various patternmaking methods and how they are used to develop design variations. Each of the Second Edition's four units address one major segment of a garment-the bodice, the collar, the skirt, and the sleeve-with a series of pictorial examples that progress from the most basic dart manipulations to advanced design variations. Students will master the slash and pivot methods of flat pattern design and understand how garment design variations are derived from each other. Simple illustrations demystify the patternmaking process for the beginner student, showing how a few basic techniques can lead to endless design possibilities. New to this Edition: Updated design variations reflect current styles Improved lesson layouts foster even better understanding of concepts Comprehensive glossary defines important terms Index facilitates navigation from one technique to another

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As joint winner of the Gapper Book Prize, 2021, this new edition of Susan Harrow's award-winning study of modern French poetry and art writing offers a bold approach to studying the relationship between text and image. Exploring key questions such as how modern writers write colour, and to what extent critical thought on colour in visual media can illuminate the textual life of colour, Susan Harrow argues that colour is integral to the exploration of ethics, ekphrasis, objects, bodies, landscape and interiority in painting and poetry. The question of colour, in a variety of disciplines and media, has provoked debate from Aristotle to Goethe, and from Baudelaire to Derek Jarman. If the past twenty years have witnessed a ‘colour turn’ in contemporary cultural studies and screen research, colour values in literary and textual media are often elided or, simply, overlooked. Colourworks tackles this lacuna in the study of modern poetry and art writing in French, revealing the integral role of colour in the work of three iconic French writers in the modern tradition: Stéphane Mallarmé, Paul Valéry and Yves Bonnefoy. This book spans the broad modern period from the 1860s to the early twenty-first century in taking an exploratory approach to the visuality of the verbal medium through an adventurous reading of text and image. Harrow uncovers how colour moves and morphs in texts as it challenges the traditionalist containments of chromatic symbolism. Beyond its primary area of investigation in modern poetry and art writing in French, this richly colour-illustrated study has significant interdisciplinary implications—conceptual, methodological, and practical—for the study of visuality in humanities research, from literature studies to material and visual culture studies.

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Digital mediation is here to stay, but how do mediators, advisers and clients achieve the same results from digital mediations as they do from face to face mediations? Do new skills and mindsets need to be learnt? Can you build rapport online? Can you read emotions? How do you market online? How do you decide whether it’s the right choice for your dispute? How does digital mediation fit into the world of the Digital Justice System and mandatory mediation? Answering these questions and many more, this is the only book to focus on mediation as opposed to other means of Online Dispute Resolution such as arbitration. This title: - Includes checklists and templates written by a mediator who has conducted over 280 digital mediations - Covers topics including smart systems, ‘smart settle’, the use of artificial intelligence, ChatGPT and mixed media mediations - Teaches mediators, advisers and clients the different skills and mindsets essential to success in the world of digital mediation - Shows how to market mediation online with practical guidance on websites, videos, blogs and podcasts - This book is essential reading for all mediators wishing to adapt to the new norm of digital mediation. This title is included in Bloomsbury Professional's Mediation online service.

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‘Step-by-step guidance to crack the SQE.’ The Commonwealth Lawyer Journal ‘Relentlessly practical… all SQE students should invest in this book.’ Christina Blacklaws, former President of the Law Society of England and Wales ‘An Excellent book. Incredibly useful as a study aid’ Sarah Grabham, Head of Bristol Law School (UWE) Skilfully Passing the Solicitors Qualifying Examination (SQE) helps qualified lawyers, aspiring solicitors and students prepare for and pass the exam. From start to finish it provides practical guidance, tips and tools; from choosing a course provider, through to how to be admitted to the Roll of Solicitors. The SQE is heavily based on the Qualified Lawyers Transfer Scheme (QLTS), now abolished, so already an established format. This essential title will help you understand the exam, how to prepare for it and ensure what you learn will also benefit you in practice. Complementing your academic study materials, it provides insight and understanding of what you can expect from doing the SQE. It offers practical solutions around questions and challenges when studying and practising for SQE Part 1 and Part 2, such as: - What strategies will help you with the multiple choice tests? - How do you deal with emotional/vulnerable clients? - What do you do when you cannot answer your client’s or the judge’s question? - How can you maximise your chances of scoring the highest marks? Skilfully Passing the Solicitors Qualifying Examination (SQE) is an essential textbook for universities, training providers, law firms, businesses and individuals. It teaches you how to explain the law and legal principles in a clear and concise manner which directly links to how you hone your communication skills to deliver a confident performance.

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The first book of its kind published in the UK, Street Law: Theory and Practice is the ideal companion for all students engaging in credit-bearing or non-credit bearing Street Law projects. Highly-accessible and student-focussed, it teaches readers not only how to successfully design, deliver, and reflect on Street Law sessions, but also the theory behind this practice. It covers a full and diverse range of topics, beginning with initial project design and ending at post-project reflection and evaluation, with a host of topics including interactive teaching techniques, ethics and problem-solving in between. Designed to be read chronologically or as standalone chapters, it is the perfect textbook for students at each stage of their Street Law journey. Including quotes from active Street Law practitioners and coverage of contemporary Street Law topics, such as the housing crisis, the text is a fully up-to-date resource for today’s law students. Its original workbook format, including an abundance of reflective questions, activities and prompts, with space included for students to write their responses, ensures every reader develops not only a comprehensive insight of this important form of public legal education, but also their own learning and practice.

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Well-selected and authoritative, Hart Core Statutes provide the key materials needed by students in a format that is clear, compact and very easy to use. They are ideal for use in exams.

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This textbook presents a clear exploration of the historical developments and ideas that give modern thinking its distinctive shape. It guides students through the rival standpoints on jurisprudence from the origins of Western jurisprudential thought and the classical tradition to the emergence of ‘modern’ political thought. Chapters on Hart, Fuller, Rawls, Dworkin and Finnis lead the reader systematically through the terrain of modern legal philosophy, tracing the issues back to fundamental questions of philosophy, and indicating lines of criticism that result in a fresh and original perspective on the subject. The third edition includes a new chapter on feminist legal scholarship and non-Western approaches. Praise for the previous editions: 'An ideal starting place for anyone interested in, or studying, legal philosophy ... Its simple but ambitious aim to provide a concise and accessible guide is easily achieved.' (Student Law Journal) 'A decent choice for an introductory course on jurisprudence, or for a serious student who wishes to study on his or her own.' (Canadian Law Library)

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Praise for previous edition: ‘… very comprehensive; very competent; and, what I think will be seen as its chief virtue … very clear’ – David Campbell, Law Quarterly Review ‘I enjoyed…every part of this book. Mr Kramer's analyses are carefully developed and almost always useful and illuminating.’ – Angela Swan, Canadian Business Law Journal Written by a leading commercial barrister and academic, the third edition of this acclaimed book is the most comprehensive and detailed treatment available of this important dispute resolution area. Previous editions have been regularly cited by the English courts and academic literature. The third edition covers all key case law developments and updates since 2017, with very substantial rewrites of the loss of chance, scope of duty and negotiating damages chapters (including in the light of Supreme Court decisions in Perry v Raleys, Edwards v Hugh James Ford Simey, Manchester BS v Grant Thornton and Morris-Garner v One Step (Support) Ltd). It also includes expanded share purchase warranty and causation sections, and a new chapter on the construction of exclusion clauses. To aid understanding and practicality, the book is primarily arranged by the type of complaint, such as the mis-provision of services, the non-payment of money, or the temporary loss of use of property, but also includes sections on causation, remoteness and other general principles. At all points, the work gathers together the cases from all relevant contractual fields, both those usually considered—construction, sale of goods, charterparties, professional services—and those less frequently covered in general works—such as SPAs, exclusive jurisdiction and arbitration clauses, insurance, and landlord and tenant. It also refers to tort decisions where relevant, including full coverage of professional negligence damages, and gives detailed explanation of many practically important but often neglected areas, such as damages for lost management time and the how to prove lost profits. The book provides authoritative and insightful analysis of damages for breach of contract and is an essential resource for practitioners and scholars in commercial law and other contractual fields.

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The third edition of this acclaimed book continues to provide a discussion of key theoretical and policy issues in corporate finance law. It has been fully updated to reflect developments in the law and the markets. One of the book’s distinctive features is its equal coverage of both the equity and debt sides of corporate finance law, and it seeks, where possible, to compare and contrast the two. This book covers a broad range of topics regarding the debt and equity-raising choices of companies of all sizes, from SMEs to the largest publicly traded enterprises, and the mechanisms by which those providing capital are protected. Each chapter provides a critical analysis of the present law to enable the reader to understand the difficulties, risks and tensions in this area, and the attempts by the legislature, regulators and the courts, as well as the parties involved, to deal with them. The book will be of interest to practitioners, academics and students engaged in the practice and study of corporate finance law.

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The first edition of this seminal textbook made a significant impact on the teaching of EU external relations law. This new edition retains the hallmarks of that success, while providing a fully revised and updated account of this burgeoning field. It offers a dual perspective, looking at questions from both the EU constitutional law perspective (the principles underpinning EU external action, the EU’s powers, and the role of the Court of Justice of the EU); and the international law perspective (the effect of international law in the EU legal order and the position of the EU in international organisations such as the WTO). A number of key substantive policy areas are explored, including trade, security and defence, police and judicial cooperation, the environment, human rights, and development cooperation. Taking a ‘text, cases and materials’ approach, it allows students to gain a thorough understanding of milestones in the evolution of EU law in this area, their judicial interpretation and scholarly appraisal. Linking these pieces together through the authors’ commentary and analysis ensures that students are given the necessary guidance to properly position and digest these materials. Lastly, each chapter concludes with a section entitled ‘The Big Picture of EU External Relations Law’, which weaves together the diverse and complex materials into a coherent whole and stimulates critical discussion of the topics covered.

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This third edition of one of the leading textbooks on world trade law offers what is, in a number of ways, a unique perspective on this important subject. Combining the best aspects of both casebook and treatise, this comprehensive textbook provides detailed explanations and analysis of the law to help understand the issues as well as case extracts to offer a flavour of the judicial reasoning of trade adjudicators. Moreover, the book is truly global in outlook, being equally useful for students of international trade law in the UK, Europe, the US, Asia and elsewhere around the world. This updated edition includes in-depth discussions of the most recent developments in international trade jurisprudence, setting out important precedents that help establish the boundaries between global trade rules and domestic national autonomy. In this era, when political developments place even more importance on international trade, it will be essential reading for all students, scholars and practitioners in the field.

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Given that the Surrealists were initially met with widespread incomprehension, mercilessly ridiculed, and treated as madmen, it is remarkable that more than one hundred years on we still feel the vitality and continued popularity of the movement today. As Willard Bohn demonstrates, Surrealism was not just a French phenomenon but one that eventually encompassed much of the world. Concentrating on the movement’s theory and practice, this extraordinarily broad-ranging book documents the spread of Surrealism throughout the western hemisphere and examines keys texts, critical responses, and significant writers. The latter include three extraordinarily talented individuals who were eventually awarded the Nobel Prize in Literature (Andre Breton, Pablo Neruda, and Octavio Paz). Like their Surrealist colleagues, they strove to free human beings from their unconscious chains so that they could realize their true potential. One Hundred Years of Surrealist Poetry explores not only the birth but also the ongoing life of a major literary movement.

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In A Guide to Post-classical Narration, Eleftheria Thanouli expands and substantially develops the innovative theoretical work of her previous publication, Post-classical Cinema: an International Poetics of Film Narration (2009). A Guide to Post-classical Narration: The Future of Film Storytelling presents a concise and comprehensive overview of the creative norms of the post-classical mode of narration. With dozens of cases studies and hundreds of color stills from films across the globe, this book provides the definitive account of post-classical storytelling and its techniques. After surfacing in auteur films in varied production milieus in the 1990s, the post-classical options continued to gain ground throughout the 2000s and 2010s, gradually fertilizing several mainstream productions in Hollywood. From Lars von Trier’s Europa (1991) to Zack Snyder’s Army of the Dead (2021) and Baz Luhrmann’s Elvis (2022), the post-classical narration has shown not only impressive resilience but also tremendous creativity in transforming its key formal principles, such as fragmented and multi-thread plotlines, hypermediated realism, parody, graphic frame construction, complex chronology, and intense self-consciousness. Through the meticulous textual analysis of the post-classical works, Eleftheria Thanouli addresses head-on a series of methodological questions in narrative research and brings the tradition of historical poetics back into the limelight. By reinforcing her previous work with numerous new films as well as more nuanced narrative terms and concepts, she not only strengthens her position on post-classical cinema but also establishes the relevance of formalist analysis in the study of film today.

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Apocalyptic Ruin and Everyday Wonder in Don DeLillo’s America is a fresh and engaging study of “last things” in Don DeLillo’s works—things like death, mourning, and the decline of the American empire, but then also the apocalypse, the last judgment, and the end of the world more generally. Michael Naas untangles complex themes in short, witty chapters that highlight and celebrate DeLillo’s inventive and playful writing, employing a novel approach to literary criticism. Making no use of secondary sources, the book is entirely a discussion of DeLillo's work, accessible to any level of readership while maintaining a firm grasp of the theory necessary to make this unique argument. And yet, this book is also about all the things that double or shadow those last things in the very same works, like the wonder of language or the radiance of everyday events. From Americana (1971) up through Zero K (2016) and The Silence (2020), and perhaps like no other American author, Don DeLillo has created meaning by contrasting, juxtaposing or, as Naas calls it here, “contrabanding” first and last things, conflicting or opposing forces such as life and death, creation and destruction, consumption and waste, everyday wonder and apocalyptic ruin, the origins of language and the end of the world. In his adept demonstration of how DeLillo has returned repeatedly to these “last things,” Naas shows how the works of Don DeLillo have been there for more than half a century to remind us of one simple and yet profound truth—nothing lasts forever.

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From entering a high-school music competition to being honoured with the New Zealand Order of Merit, Bic Runga has an established place within contemporary popular music. Focusing on her iconic album, Drive, and including informative case studies of representative tracks on the album, this book provides not only an in-depth study of one album, but skilfully navigates Runga’s creative work over three decades to illuminate some of the key stages of her career. The book discusses the performer’s rise to stardom, musical style, accolades and performance achievements. Blending popular music studies with media analysis, the book is the first to offer a detailed study of Runga’s creativity and a close-up study of her debut and critically acclaimed album.

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Music videos play a critical role in our age of ubiquitous streaming digital media. They project the personas and visions of musical artists; they stand at the cutting edge of developments in popular culture; and they fuse and revise multiple frames of reference, from dance to high fashion to cult movies and television shows to Internet memes. Above all, music videos are laboratories for experimenting with new forms of audiovisual expression. The Rhythm Image explores all these dimensions. The book analyzes, in depth, recent music videos for artists ranging from pop superstar The Weeknd to independent women artists like FKA twigs and Dawn Richard. The music videos discussed in this book all treat the traditional themes of popular music: sex and romance, money and fame, and the lived experiences of race and gender. But they twist these themes in strange and unexpected ways, in order to reflect our entanglement with a digital world of social media, data gathering, and 24/7 demands upon our attention.

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The Dead C’s Clyma est mort (1993) is the record of a live gig for one person. Tom Lax was running the Siltbreeze label in Philadelphia and had come to New Zealand to meet the artists he was releasing. He heard The Dead C at their noisy, improvised best, turning rock music on its head with a free-form style of blaring, loosely organised sound. Leading a second wave of music from Dunedin, New Zealand, The Dead C were an assault against the kind of jangly pop that had made the Dunedin Sound famous during the 1980s. This book uses The Dead C and in particular their album Clyma est mort (1993) to offer insights into the way the best of rock music plays vertigo with our senses, illustrating a sonic picture of freedom and energy. It places the album into the history of independent music in New Zealand, and into an international context of independent labels posting, faxing and phoning each other.

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Adopting the modernist master Vladimir Nabokov as its guide, Nabokov in Motion: Modernity and Movement is an exploration of the radically changing social, historical, technological, and literary culture of the early 20th century, a time when modes of communication and transportation, especially, were changing society in drastic and profound ways. Across seventy microchapters that are by turn serious, ironic, informative, and playful, and which take on topics such as automobiles, trains, airplanes, electricity, elevators, advertisements, telegraphs, and telephones, Yuri Leving offers new ways to understand Nabokov, Russian literature, and technology, modernism, and world material culture. Nabokov’s writings are analyzed against a broad context of prose and poetry and from the point of view of what Leving calls the poetics of urbanism in literature. Nabokov in Motion is a ground-breaking exploration of urban and material themes in literature and creates a complex and vibrant cultural fabric of which Nabokov is the master weaver.

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The Presidents of American Fiction brings together American literature, history, and political science to explore the most influential fictionalized accounts of the presidency from the early 19th century to the time of Trump. Of late, popular understandings of the presidency are being radically re-written—consider, for example, the distinctive myths that accompanied the ascent of the Obama and Trump administrations—and many readers of all stripes are radically reimagining the office and its holder. Placing these changes within a broader cultural context, Michael J. Blouin investigates narratives involving fictional presidents, from the supposedly factual to the outright fantastical, within their distinct literary and historical moments. The author considers representative texts including works penned by James Fenimore Cooper from the Jacksonian moment, Gore Vidal in the age of Nixon and Vietnam, and Philip Roth in the neoliberal period. Through detailed readings that question how American presidents function as characters within the popular imagination, this book examines the presidency as a complex, ever-evolving trope, and in so doing enhances our appreciation of American literature’s inextricable link with American politics.

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All over the world, people get dressed, mostly for the same reasons. Why, then, do we look so different from each other? The answers lie in the constellations of factors that contribute to the human condition, from climate to conformity, gender expression to race and ethnicity. Beginning with the body as the organizing principle around which to study dress, this 50th anniversary edition of The Visible Self makes sense of humans as biological, social, and aesthetic creatures based on cross-disciplinary concepts and examples. It explores the daily act of dress in cultures around the world, using the word “dress” to describe the wide variety of behaviors connected to the act of adorning our bodies—or not—through the use of clothing, modifications, and/or supplements. Political economies are addressed holistically to understand the global world through contemporary topics such as racism and how dress can be used to sustain or rebel against dominant structures. With current examples and relevant readings in every chapter, the authors convey how dress can achieve standards of appearance and social ideals, relate to individuality and conformity in fashion, and communicate identity and character in the arts. Exploring the global mash-up of fashion, dress, culture, production, and sustainability—including life in a post-pandemic world—The Visible Self offers a powerful understanding of the way we look and how we look at others. New to this Edition: - Focus on the body as the organizing principle in the study of dress including additional insight on fashion and using this concept to define the target customer - Investigation of current issues such as race and the post-pandemic world - Updated readings, at the end of each chapter, with discussion questions that directly connect chapter concepts to reading content - Activities that apply chapter concepts to design, product development, merchandising, and everyday life STUDIO Features Include: - Links to third party video clips to help visualize how dress is used to identify the self - Self-assessment quizzes to test yourself on what you have just read - Flashcards of key terms and concepts covered in the book Instructor Resources - Instructor’s Guide to help incorporate the text into your classroom - Test Bank to highly key concepts and test student comprehension on those concepts - PowerPoint Slides for every chapter

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This Is a Classic illuminates the overlooked networks that contribute to the making of literary classics through the voices of multiple translators, without whom writers would have a difficult time reaching a global audience. It presents the work of some of today’s most accomplished literary translators who translate classics into English or who work closely with translation in the US context and magnifies translators’ knowledge, skills, creativity, and relationships with the literary texts they translate, the authors whose works they translate, and the translations they make. The volume presents translators’ expertise and insight on how classics get defined according to language pairs and contexts. It advocates for careful attention to the role of translation and translators in reading choices and practices, especially regarding literary classics.

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This book explores an album of popular music with a remarkable significance to a violent wave of postcolonial tensions in the Netherlands in the 1970s. Several “actions” were claimed by a small number of first-generation descendants of ca. 12,500 reluctant migrants from the young independent state of Indonesia (former Dutch East Indies). Transferred in 1951, this culturally coherent group consisted of ex-Royal Dutch Colonial Army personnel and their families. Their ancient roots in the Moluccan archipelago and their protestant-christian faith defined their minority image. Their sojourn should have been temporary, but frustratingly turned out to be permanent. At the height of strained relations, Massada rose to the occasion. Astaganaga (1978) is a telling example of the will to negotiate a different diasporic Moluccan identity through uplifting contemporary sounds.

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Choice Outstanding Academic Title for 2020 With the dramatic rise of Freemasonry in the eighteenth century, art played a fundamental role in its practice, rhetoric, and global dissemination, while Freemasonry, in turn, directly influenced developments in art. This mutually enhancing relationship has only recently begun to receive its due. The vilification of Masons, and their own secretive practices, have hampered critical study and interpretation. As perceptions change, and as masonic archives and institutions begin opening to the public, the time is ripe for a fresh consideration of the interconnections between Freemasonry and the visual arts. This volume offers diverse approaches, and explores the challenges inherent to the subject, through a series of eye-opening case studies that reveal new dimensions of well-known artists such as Francisco de Goya and John Singleton Copley, and important collectors and entrepreneurs, including Arturo Alfonso Schomburg and Baron Taylor. Individual essays take readers to various countries within Europe and to America, Iran, India, and Haiti. The kinds of art analyzed are remarkably wide-ranging—porcelain, architecture, posters, prints, photography, painting, sculpture, metalwork, and more—and offer a clear picture of the international scope of the relationships between Freemasonry and art and their significance for the history of modern social life, politics, and spiritual practices. In examining this topic broadly yet deeply, Freemasonry and the Visual Arts sets a standard for serious study of the subject and suggests new avenues of investigation in this fascinating emerging field.

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Rock ‘n’ roll may not have toppled the USSR, but it definitely rumbled through its foundations. Unlike the often-saccharine pop music sanctioned by the Soviet state, Ukrainian punk musicians of the 1980s Kyiv underground adapted ideologies of rock to roast the absurdities of late Soviet life, to articulate new ways of being Ukrainian, and to celebrate the cathartic pleasures of collective gatherings organized around musical performances. This book tells the story of Tantsi (Dances) a 1989 semi-official cassette release by the now-legendary Ukrainian punk band Vopli Vidopliassova, known to fans simply as VV (pronounced “Ve-Ve”). Their disruptive musical sounds, ironic lyrics, use of language, and propulsive performances toyed with the distinctions between official and unofficial Soviet culture. VV's Tantsi exemplifies how Soviet musical cultures existed within an ecosystem of contradictions as entrenched state infrastructures collided with emergent youth subcultures on the quicksand of late Soviet life. Today, Tantsi continues to invite us to dance while we laugh (or cry) at the absurdities of everyday life.

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Sin Documentos is a landmark album in Spanish popular culture and continues to maintain considerable popularity more than two decades after its release. The characteristic guitar riff of the title song, a kind of rumba-rock, still occupies a place at every party in Spain. Los Rodríguez’s success came after a decade characterized by the rise and fall of local-language punk and new wave bands. By the time Sin Documentos appeared, however, rock journalism was fascinated by the thriving indie scene, where the bands were singing in English and had turned to grunge and noise rock. This book evaluates the influence of Latin American pop-rock in the modernization of Spanish popular music from the 1950s, despite the Anglophilia of Spanish rock scenes, especially in the 1990s. Through interviews with members of the band and members of the record label DRO, analysis of the media coverage of the album and a cultural analysis of its meanings, it delves into the cultural trends of Spain throughout the 1990s and beyond.

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We’re experiencing a time when digital technologies and advances in artificial intelligence, robotics, and big data are redefining what it means to be human. How do these advancements affect contemporary media and music? This collection traces how media, with a focus on sound and image, engages with these new technologies. It bridges the gap between science and the humanities by pairing humanists’ close readings of contemporary media with scientists’ discussions of the science and math that inform them. This text includes contributions by established and emerging scholars performing across-the-aisle research on new technologies, exploring topics such as facial and gait recognition; EEG and audiovisual materials; surveillance; and sound and images in relation to questions of sexual identity, race, ethnicity, disability, and class and includes examples from a range of films and TV shows including Blade Runner, Black Mirror, Mr. Robot, Morgan, Ex Machina, and Westworld. Through a variety of critical, theoretical, proprioceptive, and speculative lenses, the collection facilitates interdisciplinary thinking and collaboration and provides readers with ways of responding to these new technologies.

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An effective filmmaker needs to have a good understanding of how film language works, and more importantly, how to actively influence an audience’s thoughts and feelings and guide their gaze around the screen. Packed with examples from classic and contemporary cinema, The Language of Film reveals the essential building blocks of film and explains how the screen communicates meaning to its audience. You will learn about fundamental theories and concepts, including film semiotics, narrative structures, ideology, and genre, as well as how elements such as shot size, camera movement, editing technique, and color come together to create the cinematic image. With insightful case studies and discussion questions, dozens of practical tips and exercises, and a new chapter on film sound, this new edition of The Language of Film is a must-have guide for aspiring filmmakers.

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Shonen Knife—an all-female punk trio from Osaka, Japan—cultivated a global fan base that has included the likes of Nirvana’s Kurt Cobain and Sonic Youth’s Thurston Moore. Their 1998 album Happy Hour, filled with tunes about delicacies ranging from sushi to banana chips, encapsulates the band’s charming fusion of cuteness with punk rock cool. Tracing histories of food and josei rock in Japan, McCorkle Okazaki outlines the ways Shonen Knife has, over the last forty years, consistently used seemingly straightforward songs about food to comment on gender stereotypes in popular culture.

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Domestic Space in France and Belgium offers a new addition to the growing body of work in Interior Studies. Focused on late 19th and early 20th-century France and Belgium, it addresses an overlooked area of modernity: the domestic sphere and its conception and representation in art, literature and material culture. Scholars from the US, UK, France, Italy, Canada and Belgium offer fresh and exciting interpretations of artworks, texts and modern homes. Comparative and interdisciplinary, it shows through a series of case-studies in literature, art and architecture, how modernity was expressed through domestic life at the turn of the century in France and Belgium.

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