Search results for ""Author Art, Culture"

Experience an American city with Rust Belt roots and a vibrant, creative spirit with Moon Cleveland. Inside you'll find: *Explore the City: Navigate by neighbourhood or by activity, with colour-coded maps of Cleveland's most interesting neighbourhoods*See the Sights: Root for the Cleveland Indians at "The Jake," check out the legendary costumes, instruments, and handwritten lyrics at the Rock & Roll Hall of Fame, admire industrial-era mansions, or check out the Museum of Contemporary Art*Get a Taste of the City: Dine at a trattoria in Little Italy, savour fresh fare at farm-to-table restaurants, sample falafel, pierogis, local cheeses and more at the Westside Market, and relax with a pint at a craft brewery*Bars and Nightlife: Catch a performance at the House of Blues, play bocce ball in an Irish pub, polka-dance at a popular local happy hour, or sip craft cocktails in a historic lounge*Local Advice: Douglas Trattner shares insider know-how on the city he calls home*Itineraries and Day Trips: Explore nearby Lake Erie, Akron, and Amish Country, or follow city itineraries designed for long weekends, rainy days, and more*Handy tools like full-colour photos, detailed maps, and background information on the history and culture of ClevelandWith Moon Cleveland's practical tips and local insight, you can experience the city your way. Exploring more cities in the American Midwest? Check out Moon Chicago or Moon Minneapolis & St. Paul.

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Go on a musical journey around the world in this children's introduction.Discover the power of music and be inspired by cultures from all over the world with this extensive children's guide. This book is the perfect introduction for young readers to the world of music and celebrates music from every continent!Children aged 9+ can find out how instruments are made and played, and learn about the fascinating lives and achievements of great composers and musicians, from Bach to Bowie, Bjork and Beyoncé. All the essential information about music is covered, including the major movements, composers, instruments and techniques.This music book for children offers: - Chapters which cover a huge range of musical styles, from the very first instruments to the modern day.- Explanations of how music touches our lives, from festivals and religion, to TV and film, pop music and stardom.- Profiles of influential musicians from Bach to Elvis.- A focus on key instruments such as piano and violin, showing their component parts and the famous musicians who play them.Children's Book of Music is full of facts and photos highlighting musical styles from across the globe, from the very earliest music through to classical and blues, via reggae, Afropop, hip-hop and dance - making it the perfect gift for budding musicians.More in the seriesThe Children's Book of series inspires young learners to dive into their favourite topic and immerse themselves in the ins and outs, from fun facts to experts in the field. If you liked Children's Book of Music, then why not try the guide for budding artists, Children's Book of Art?

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As a social phenomenon and a commonplace of internet culture, virality provides a critical vocabulary for addressing questions raised by the global mobility and reproduction of early modern artworks. This book uses the concept of virality to study artworks’ role in the uneven processes of early modern globalization.Drawing from archival research in Asia, Europe, and the Americas, Stephanie Porras traces the trajectories of two interrelated objects made in Antwerp in the late sixteenth century: Gerónimo Nadal’s Evangelicae historiae imagines, an illustrated devotional text published and promoted by the Society of Jesus, and a singular composition by Maerten de Vos, St. Michael the Archangel. Both were reproduced and adapted across the early modern world in the seventeenth century. Porras examines how and why these objects traveled and were adopted as models by Spanish and Latin American painters, Chinese printmakers, Mughal miniaturists, and Filipino ivory carvers. Reassessing the creative labor underpinning the production of a diverse array of copies, citations, and reproductions, Porras uses virality to elucidate the interstices of the agency of individual artists or patrons, powerful gatekeepers and social networks, and economic, political, and religious infrastructures. In doing so, she tests and contests several analytical models that have dominated art-historical scholarship of the global early modern period, putting pressure on notions of copying, agency, context, and viewership. Vital and engaging, The First Viral Images sheds new light on how artworks, as agents of globalization, navigated and contributed to the emerging and intertwined global infrastructures of Catholicism, commerce, and colonialism.

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AS READ ON BBC RADIO 4 BOOK OF THE WEEK. The fascinating story of how we have gone out to eat, from the ancient Romans in Pompeii to the luxurious Michelin-starred restaurants of today. Tracing its earliest incarnations in the city of Pompeii, where Sitwell is stunned by the sophistication of the dining scene, this is a romp through history as we meet the characters and discover the events that shape the way we eat today. Sitwell, restaurant critic for the Daily Telegraph and famous for his acerbic criticisms on the hit BBC show MasterChef, tackles this enormous subject with his typical wit and precision. He spies influences from an ancient traveller of the Muslim world, revels in the unintended consequences for nascent fine dining of the French Revolution, reveals in full hideous glory the post-Second World War dining scene in the UK and fathoms the birth of sensitive gastronomy in the US counterculture of the 1960s. This is a story of the ingenuity of the human race as individuals endeavour to do that most fundamental of things: to feed people. It is a story of art, politics, revolution, desperate need and decadent pleasure. Sitwell, a familiar face in the UK and a figure known for the controversy he attracts, provides anyone who loves to dine out, or who loves history, or who simply loves a good read with an accessible and humorous history. The Restaurant is jam-packed with extraordinary facts; a book to read eagerly from start to finish or to spend glorious moments dipping in to. It may be William Sitwell’s History of Eating Out, but it’s also the definitive story of one of the cornerstones of our culture.

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National Jewish Book Awards Finalist for the Nahum N. Sarna Memorial Award for Scholarship, 2018.Hasidism, a movement of religious awakening and social reform, originated in the mid-eighteenth century. After two and a half centuries of crisis, upheaval, and renewal, it remains a vibrant way of life and a compelling aspect of Jewish experience. This book explores the profound intellectual and religious issues that the hasidic masters raised in their Torah commentary, and brings to the fore the living qualities of their sermons (derashot). Ora Wiskind-Elper addresses a spectrum of topics: creation, revelation, and redemption; hermeneutics, epistemology, psychology, Romanticism, poetry and poetics, art history, Hebrew fiction, cultural history, and tropes of Jewish suffering and hope. Fully engaged in the texts and their spirituality, she brings them to bear on postmodernist challenges to traditional spiritual and religious sensibilities. This is a comprehensive study, unique in pedagogy, clarity, and originality. It uses the full range of critical scholarship on hasidism as a social and ideological movement. At the same time, it maintains a strong focus on hasidic Torah commentary as a conveyor of theology and value. Each of its chapters presents a fundamentally new approach. Wiskind-Elper’s translations are in themselves an innovative moment in the tradition and spiritual history of the passages she offers.

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Some people are naturally creative and others aren't, right? Wrong. In this classic book on creativity, James Adams takes a unique approach to generating ideas and solving problems that has captivated, inspired, and guided thousands of people from all walks of life to new heights of creativity-whether you are a writer with writers block, or a businesswoman struggling to come up with a new organizational structure. More than three decades after its original publication, Conceptual Blockbusting has never been more relevant, powerful, or fresh. Integrating insights from the worlds of psychology, engineering, management, art, and philosophy, Adams identifies the key blocks (perceptual, emotional, cultural, environmental, intellectual, and expressive) that prevent us from realizing the full potential of our fertile minds. Employing unconventional exercises and other interactive elements, Adams shows individuals, teams, and organizations how to overcome these blocks, embrace alternative ways of thinking about complex problems, and celebrate the joy of creativity. Completely revised and updated with the latest cognitive science and addressing new subjects such as changes in technology, creativity in large groups, and sustaining creativity over time, Conceptual Blockbusting will introduce a new generation of readers to a world of new possibilities.

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Ukraine is Europe's second state and this lavishly illustrated volume provides a concise and easy to read historical survey of the country from earliest times to the present. Each of the book's forty-six chapters is framed by a historical map, which graphically depicts the key elements of the chronological period or theme addressed within. In addition, the entire text is accompanied by over 300 historic photographs, line drawings, portraits, and reproductions of books and art works, which bring the rich past of Ukraine to life. Rather than limiting his study to an examination of the country's numerically largest population - ethnic Ukrainians - acclaimed scholar Paul Robert Magocsi emphasizes the multicultural nature of Ukraine throughout its history. While ethnic Ukrainians figure prominently, Magocsi also deals with all the other peoples who live or who have lived within the borders of present-day Ukraine: Russians, Poles, Jews, Crimean Tatars, Germans (including Mennonites), and Greeks, among others. This book is not only an indispensable resource for European area and Slavic studies specialists; it is sure to appeal to people interested in having easy access to information about political, economic, and cultural development in Ukraine.

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At the beach, bodies converge with the elements and strange treasures come to light. Departing from the conventional association of modernism with the city, this book makes a case for the coastal zone as a surprisingly generative setting for twentieth-century literature and art. An unruly and elusive confluence of human and more-than-human forces, the seashore is also a space of performance—a stage for loosely scripted, improvisatory forms of embodiment and togetherness.The beach, Hannah Freed-Thall argues, was to the modernist imagination what mountains were to Romanticism: a space not merely of anthropogenic conquest but of vital elemental and creaturely connection. With an eye to the peripheries of capitalist leisure, Freed-Thall recasts familiar seaside practices—including tide-pooling, beachcombing, gambling, and sunbathing—as radical experiments in perception and sociability. Close readings of works by Marcel Proust, Virginia Woolf, Claude McKay, Samuel Beckett, Rachel Carson, and Gordon Matta-Clark, among others, explore the modernist beach as a queer refuge, a precarious commons, a scene of collective exhaustion and endurance, and a visionary threshold at the end of the world.Interweaving environmental humanities, queer and feminist theory, and cultural history, Modernism at the Beach offers new ways of understanding twentieth-century literature and its relation to ecological thought.

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This book gathers for the first time an extensive selection of American artist—or “builder and demolisher,” as he describes himself—Mark Bradford's gorgeous, searing and heavily textured “merchant posters.” The original printed posters, collected by Bradford from around his Central Los Angeles neighborhood, are brightly colored local advertisements that target the area's vulnerable lower-income residents. For Bradford, they serve as both the formal and conceptual underpinnings of his works on paper, décollages/collages that engage with the pressures of the cityscape. “The sheer density of advertising creates a psychic mass, an overlay that can sometimes be very tense or aggressive,” he notes; “If there's a 20-foot wall with one advertisement for a movie about war, then you have the repetition of the same image over and over—war, violence, explosions, things being blown apart. As a citizen, you have to participate in that every day. You have to walk by until it's changed.” Eagerly anticipated, this is the first large-scale publication by a major publisher about the work of this important and increasingly influential artist. Artist and writer Malik Gaines considers Bradford's play with signs in relation to literary and performative theories of African-American forms; writer and cultural critic Ernest Hardy addresses social issues, in Los Angeles and more broadly, raised by Bradford's source material; Heidi Zuckerman Jacobson examines the language in the work as it relates to Concrete poetry; and Dia Art Foundation Director Philippe Vergne looks at the surface of the work and Bradford's processes of mining and excavation.

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Marking the 50th anniversary of the Landmarks Law, this book celebrates the great interiors of New York in a stunning visual presentation of space and intricate detail that captures the rich architectural heritage of the city. Some are widely celebrated - Radio City Music Hall, the Great Hall of the Metropolitan Museum of Art, Grand Central Station - and others virtually unknown, all warrant preservation. This book is the first to present great landmarked interiors of New York in all their intricate detail, in a visual celebration of space that captures the rich heritage of the city. In the fifty years since it was established in 1965, the New York City Landmarks Law has preserved for generations to come a remarkable number of significant buildings that represent New York City’s cultural, social, economic, political, and architectural history. Not only do the exterior facades of these buildings fall within the law’s purview, but, since 1973, many of their stunning interiors as well. This book tells the colorful stories of 47 interior landmarks from the oldest to the youngest - from the grand Italianate and infamous Tweed Courthouse, the centerpiece of the largest corruption case in New York history, and the glamorous Art Deco Rainbow Room, constructed shortly after the repeal of the Prohibition - to the modernist 1967 Ford Foundation Building, whose garden-filled atrium exemplified sustainable design well before the concept became fashionable, and was hailed as “one of the most romantic environments ever devised by corporate man.” Located throughout the five boroughs, the interior landmarks include banks, theaters, office building lobbies, restaurants, libraries, and more - spaces in which New Yorkers have worked, learned, governed, been entertained, and interacted with their communities for decades. Readers will learn about their original construction and style, their exceptional design features, materials, and architectural details - then of the challenges to preserving them—whether they were unanimously accepted or hotly contested in legal battles - the restorations or re-imaginings that took place, and the preservationists, philanthropists, politicians, and designers who made it possible. Combining strong visuals and thorough research, this valuable reference work will fascinate all readers with an interest in the city’s history.

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Today, coaching is recognized to be one of the most effective human resource development processes available, and it is becoming increasingly popular in organizations of all sizes. Faced with historically low levels of employee engagement (as little as 13% according to Gallup’s latest survey), business leaders see coaching as key to unlocking the human talent, creativity, and innovation that is hiding in plain sight in their workplaces. And rather than bring in external coaches for this purpose, they want to integrate coaching into their company culture—a 2015 study by the International Coaching Federation (ICF) and the Human Capital Institute (HCI) found that 81% of organizations surveyed planned to train managers/leaders in coaching skills. The Master Coach is written for these leaders, and is perfectly positioned to become the definitive book on the topic. Drawing on the wealth of experience that has made Gregg Thompson and Bluepoint Leadership Development the choice of numerous Fortune 100 companies, it illuminates the essence of what it takes to be a great coach. The Master Coach will appeal to leaders at all organization levels, showing them how to make a significant shift in their attitudes, values and behaviors and become more coach-like in all of their daily interactions and conversations.The Master Coach is based on the simple but profound 3Cs Coaching Model. This proven approach asserts that to master the art of coaching one must have an exemplary Character that invites the trust of others, be able to form rapid Connections with others at deeply personal level, and have the ability to initiate and guide intense, attitude-changing Conversations. At every step, Thompson reminds readers that coaching is not merely about what the coach says or does; it is about who he or she is.

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One of the significant developments in scholarship in the latter half of the twentieth century was the awareness among historians of ideas, historians of theology, and medievalists of the importance of the Christian scriptures in the Latin Middle Ages. In contrast to an earlier generation of scholars who considered the medieval period as a ’Bible-free zone’, recent investigations have shown the central role of scripture in literature, art, law, liturgy, and formal religious education. Indeed, to understand the Latin Middle Ages one must understand the value they placed upon the Bible, how they related to it, and how they studied it. However, despite the new emphasis on the Bible’s role and the place of exegesis in medieval thought, our detailed understanding is all too meagre - and generalisations, often imagined as valid for a period of close to a millennium, abound. How the Scriptures were used in one pursuit (formal theology for example relied heavily on ’allegory’) was often very different to the way they were used in another (e.g. in history writing was interested in literal meanings), and exegesis differed over time and with cultures. Similarly, while most medieval writers were agreed that there were several ’senses’ within the text, the number and nature varied greatly as did the strategies for accessing those meanings. This collection of fifteen articles, concentrating on the early Latin middle ages, explores this variety and highlights just how patchy has been our understanding of medieval exegesis. We now may be aware of the importance of the Bible, but the task of studying that phenomenon is in its infancy.

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How our beliefs about the soul have developed through the ages, and why an understanding of it still matters todayThe concept of the soul has been a recurring area of exploration since ancient times. What do we mean when we talk about finding our soul, how do we know we have one, and does it hold any relevance in today’s scientifically and technologically dominated society? From Socrates and Augustine to Darwin and Freud, In Search of the Soul takes readers on a concise, accessible journey into the origins of the soul in Western philosophy and culture, and examines how the idea has developed throughout history to the present. Touching on literature, music, art, and theology, John Cottingham illustrates how, far from being redundant in contemporary times, the soul attunes us to the importance of meaning and value, and experience and growth. A better understanding of the soul might help all of us better understand what it is to be human.Cottingham delves into the evolution of our thoughts about the soul through landmark works—including those of Aristotle, Plato, and Descartes. He considers the nature of consciousness and subjective experience, and discusses the psychoanalytic view that large parts of the human psyche are hidden from direct conscious awareness. He also reflects on the mysterious and universal longing for transcendence that is an indelible part of our human makeup. Looking at the soul’s many dimensions—historical, moral, psychological, and spiritual—Cottingham makes a case for how it exerts a powerful pull on all of us.In Search of the Soul is a testimony to how the soul remains a profoundly significant aspect of human flourishing.

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The Mediterranean is surrounded by three continents – Europe, Africa and Asia – and even though the cultures around this sea are highly diverse, they harmoniously share a pleasant climate, distinctive flora and fauna, and not least the intense blue of the water. Angelika Taschen set out in search of the most beautiful hotels on a great variety of coasts, islands and beaches, taking you on a journey to the luxurious Hotel du Cap-Eden-Roc and the ultra-chic Les Roches Rouges on the Côte d’Azur, to the little-known Pardini’s Hermitage on the Italian island of Giglio, which is only accessible by boat or on foot, and to Bodrum in Turkey, where the elegant Amanruya resort lies hidden in one of the most stunning bays in the Mediterranean. She also presents new hotel concepts, great architecture and creative design – such as the finca Menorca Experimental on the Balearic Islands, the modernist Villa Dubrovnik in Croatia and Dexamenes on the Peloponnese, where new life was breathed into decommissioned wine tanks. Further highlights are the brand-new, stylishly designed Mezzatorre on Ischia and the Torre di Cala Piccola with its enchanting private beach on the Argentario peninsula in Tuscany, an almost unknown location that possesses the aura of 1960s Italy. Another gem is La Locanda del Barbablù, with just five rooms in the shadow of the mythical volcano on Stromboli. Look forward to staying at the Nord-Pinus in Tangier with its fantastic view of the Strait of Gibraltar, and the charming Coco-Mat Eco Residences on Serifos, or experiencing the originality of Ammos on Crete, where the art and design are as essential as the sun and the beach.

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It's a life of the two of us.' The complete surviving correspondence between Benjamin Britten and Peter Pears. To read these letters is to climb up a wall and peer into the secret garden of two giants.' From the Foreword by FIONA SHAW This volume comprises the complete surviving correspondence between Benjamin Britten and Peter Pears. The 365 letters written throughout their 39-year relationship are here brought together and published, as Pears intended, for the first time. While the correspondence provides valuable evidence of the development of Britten's works, more significant is the insight into his relationship with Pears and their day-to-day life together. Entertaining to read, domestic and intimate, the letters provide glimpses of cultural and artistic life in the twentiethcentury, including pacifism and conscientious objection, critical assessments of music and other artists, transport and communications development in the twentieth century, the 'Aldeburgh corpses', art collecting, gossip, everyday life in an English country house, the development of the Aldeburgh Festival, performance practice in early music, looking after dachshunds, travel, and a host of other topics. Above all, when read together, Britten and Pears's letters allow the clearest possible look 'behind the scenes' of one of the most productive creative partnerships of the twentieth century. VICKI P. STROEHER is Professor of Music History at Marshall University where she isalso Coordinator of the Music History & Literature area. NICHOLAS CLARK is the Librarian at the Britten-Pears Foundation at The Red House, Britten and Pears's home in Aldeburgh, Suffolk. JUDE BRIMMER is an Archivist at the Britten-Pears Foundation.

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No sitting federal judge has ever written so trenchant a critique of the federal judiciary as Richard A. Posner does in this, his most confrontational book. Skewering the politicization of the Supreme Court, the mismanagement of judicial staff, the overly complex system of appeals, the threat of originalism, outdated procedures, and the backward-looking traditions of law schools and the American judicial system, Posner has written a cri de coeur and a battle cry. With the prospect that the Supreme Court will soon be remade in substantial, potentially revanchist, ways, The Federal Judiciary exposes the American legal system’s most troubling failures in order to instigate much-needed reforms.Posner presents excerpts from legal texts and arguments to expose their flaws, incorporating his own explanation and judgment to educate readers in the mechanics of judicial thinking. This rigorous intellectual work separates sound logic from artful rhetoric designed to subvert precedent and open the door to oblique interpretations of American constitutional law. In a rebuke of Justice Antonin Scalia’s legacy, Posner shows how originalists have used these rhetorical strategies to advance a self-serving political agenda. Judicial culture adheres to an antiquated traditionalism, Posner argues, that inhibits progressive responses to threats from new technologies and other unforeseen challenges to society.With practical prescriptions for overhauling judicial practices and precedents, The Federal Judiciary offers an unequaled resource for understanding the institution designed by the founders to check congressional and presidential power and resist its abuse.

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The use of Irish settings in mainstream Hollywood cinema has been well documented; Terry Byrne's objective in Power in the Eye is to explore indigenous Irish film production that addresses itself primarily to a native Irish audience and to analyze the social impact of the films on modern Irish society. This is no easy task, as the book makes clear. Historically denied access to mainstream production funds and distribution systems, the work of these indigenous Irish filmmakers has (with two or three notable exceptions) been relegated to Irish and European art-house cinemas and to European television channels. The book addresses mainly the work of these filmmakers, in the hope that the stimulation of interest outside Ireland will encourage interested students of cinema to seek them out. In that context, Power in the Eye should serve as a guidebook—a launching-point from which to begin a search for these films and the subsequent work of their makers. In addition to internationally-known Irish filmmakers (Neil Jordan, Jim Sheridan, Pat O'Connor), the book focuses on the works and opinions of Joe Comerford, Cathal Black, John T. Davis, Thaddeus O'Sullivan, Gerry Stembridge, Kieran Hickey, Bob Quinn, Pat Murphy, and many others. It also deals with the social, economic, and political issues surrounding the production of films for the Irish market and those which would speak to the world on behalf of the Irish. Funding, censorship, and the definition of Irish culture are all wound up in these issues and brought to bear quite strongly in the making of films about the Irish. Power in the Eye addresses these issues and aims to stimulate the reader to pursue them further and to equip them to begin that pursuit.

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Courageous artists working in conflict regions describe exemplary peacebuilding performances and groundbreaking theory on performance for transformation of violence. Acting Together: Performance and the Creative Transformation of Conflict is a two-volume work describing peacebuilding performances in regions beset by violence and internal conflicts. Volume I: Resistance and Reconciliation in Regions of Violence, emphasizes the role theatre and ritual play both in the midst and in the aftermath of direct violence, while Volume II: Building Just and Inclusive Communities, focuses on the transformative power of performance in regions fractured by "subtler" forms of structural violence and social exclusion. Volume I: Resistance and Reconciliation in Regions of Violence focuses on the role theatre and ritual play both in the midst and in the aftermath of violence. The performances highlighted in this volume nourish and restore capacities for expression, communication, and transformative action, and creatively support communities in grappling with conflicting moral imperatives surrounding questions of justice, memory, resistance, and identity. The individual chapters, written by scholars, conflict resolution practitioners, and artists who work directly with the communities involved, offer vivid firsthand accounts and analyses of traditional and nontraditional performances in Serbia, Uganda, Sri Lanka, Palestine, Israel, Argentina, Peru, India, Cambodia, Australia, and the United States. Complemented by a website of related materials, a documentary film, Acting Together on the World Stage, that features clips and interviews with the curators and artists, and a toolkit, or "Tools for Continuing the Conversation," that is included with the documentary as a second disc, this book will inform and inspire socially engaged artists, cultural workers, peacebuilding scholars and practitioners, human rights activists, students of peace and justice studies, and whoever wishes to better understand conflict and the power of art to bring about social change. The Acting Together project is born of a collaboration between Theatre Without Borders and the Program in Peacebuilding and the Arts at the International Center for Ethics, Justice, and Public Life at Brandeis University. The two volumes are edited by Cynthia E. Cohen, director of the aforementioned program and a leading figure in creative approaches to coexistence and reconciliation; Roberto Gutierrez Varea, an award-winning director and associate professor at the University of San Francisco; and Polly O. Walker, director of Partners in Peace, an NGO based in Brisbane, Australia..

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Pious Pilgrims, Discerning Travellers, Curious Tourists: Changing patterns of travel to the Middle East from medieval to modern times comprises a varied collection of seventeen papers presented at the biennial conference of the Association for the Study of Travel in Egypt and the Near East (ASTENE) held in York in July 2019, which together will provide the reader with a fascinating introduction to travel in and to the Middle East over more than a thousand years. As in previous ASTENE volumes, the material presented ranges widely, from Ancient Egyptian sites through medieval pilgrims to tourists and other travellers of the nineteenth and early twentieth centuries. The papers embody a number of different traditions, including not only actual but also fictional travel experiences, as well as pilgrimage or missionary narratives reflecting quests for spiritual wisdom as well as geographical knowledge. They also reflect the shifting political and cultural relations between Europe and the Near and Middle East, and between the different religions of the area, as seen and described by travellers both from within and from outside the region over the centuries. The men and women travellers discussed travelled for a wide variety of reasons — religious, commercial, military, diplomatic, or sometimes even just for a holiday! — but whatever their primary motivations, they were almost always also inspired by a sense of curiosity about peoples and places less familiar than their own. By recording their experiences, whether in words or in art, they have greatly contributed to our understanding of what has shaped the world we live in. As Ibn Battuta, one of the greatest of medieval Arab travellers, wrote: ‘Travelling — it leaves you speechless, then turns you into a storyteller!’

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During the summers of 1792-94, George Vancouver and the crew of the British naval ships Discovery and Chatham mapped the northwest coast of North America from Baja California to Alaska. Vancouver’s voyage was the last, and longest, of the great Pacific voyages of the late eighteenth century. Taking the art and technique of distant voyaging to a new level, Vancouver eliminated the possibility of a northwest passage and his remarkably precise surveys completed the outline of the Pacific.But to map an area is to appropriate it – to begin to bring it under control – and Vancouver’s charts of the northwest coast were part of a process of economic exploitation and cultural disruption. Although he and the other great navigators of his age exercised no control over the ideas and enterprises spawned by their voyages, their names have come to symbolize the consequences of European expansion – good or bad.From Maps to Metaphors grew out of the Vancouver Conference on Exploration and Discovery, held to observe the bicentennial of Vancouver’s arrival on the Pacific northwest coast. It brings to light much of the new research on the discovery of the Pacific and illuminates the European and Native experience. The chapters are written from a variety of perspectives and provide new insights on many aspects of Vancouver’s voyages – from the technology employed to the complex political and power relationships among European explorers and the Native leadership.While it is no longer possible to “celebrate” the arrival to the northwest coast of explorers such as Vancouver, their achievements cannot be overlooked. The charts, log books, journals, and specimens from these voyages are important sources of information and essential for the reconstruction of an image of the Pacific region and its people in the eighteenth century.

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Discover the celebrated world of design, advertising, photography, and illustration art in the latest edition of the quarterly Graphis Journal magazine, featuring Q&As and the incredible talents of renowned creatives and visionaries. Get ready to be inspired as you dive inside the stories and visuals within this limited-edition publication.Inside take a journey into uncharted territory as PepsiCo Design & Innovation, led by Jason Woodside, reveals their groundbreaking design philosophy, introducing a paradigm-shifting wave of creativity. Brace yourself for a narrative that places people at the forefront, crafting extraordinary and transformative experiences for their world-renowned food and beverage offerings.Prepare to be awestruck by the extraordinary works of Marlena Buczek Smith, whose mastery of posters transcends mere communication to create a complete cultural experience. Join Jessica Walsh of &Walsh as she showcases the power of intersectional feminism in design, paving the way for a new wave of creative expression.Immerse yourself in advertising, where the iconic agency Fallon effortlessly bridges the gap between nostalgia and modernity. Drawing inspiration from beloved films, art, and music, Kelsey _____'s work resonates deeply with audiences, evoking a sense of yesteryear with a fresh twist. Witness the magic of Michael Winokur's photography as he skillfully captures light and form to produce images that are nothing short of perfection. From flawless compositions to a delightful sense of humor, Michael brings joy and professionalism to every shoot. Then, experience the mastery of Darnell McCown, who flawlessly showcases fine timepieces in the best possible light. With 15 years of expertise and an unwavering commitment to perfection, Darnell is a true artist in his craft.The publication also pays tribute to the extraordinary talents of The Balbusso Twins, an Italian duo whose artistry knows no bounds. With originality and impeccable craftsmanship, their work will leave you in awe. Next up join Richard Wilde, former Dean of the School of Visual Arts, on a journey of education, where the joy of nurturing student creativity and achievements is celebrated. Richard's boundless enthusiasm and infectious passion have transformed countless students into some of the greatest creatives in the industry.With each turn of the page, Graphis Journal opens a window into a world of inspiration, innovation, and creativity. This extraordinary edition will leave you mesmerized and fuel your own artistic journey.

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“Fresh and diverting, informative and topical without being slight or ephemeral. This supremely well-edited combination of current affairs, journalism, commentary, and fun facts is perfect for our pause-button moment.” —Australian Financial Review, Best Books of the Year Fully illustrated, The Passenger collects the best new writing, photography, art and reportage from around the world. IN THIS VOLUME: Growing Uncertainty in California’s Central Valley by Anna Wiener • What Does It Mean to Be a Solution? by Vanessa Hua • Shadows in the Valley by Francisco Cantú. Plus: direct democracy and unsustainable development, the rise of the Land Back movement, LA’s cultural renaissance in the face of rampant gentrification, visions of the future, the death of the Californian Dream, the burning of Paradise and much more . . . “Wildfire season had already begun, and, as the car pitched along the road through Kings Canyon, I tried to tamp down a feeling like dread. In California, where the effects of global warming are pervasive and unsubtle, spending time in the forest always makes me feel unspeakably lucky and dizzy with remorse. Families in masks stomped through the Giant Forest to pose for photographs in front of General Sherman, a 275-foot-tall tree. Children licked ice-cream bars by the visitor center. In the parking lot, some of the oldest living trees in the world shaded eight-seat SUVs: Kia Tellurides, Chevy Tahoes, Toyota Sequoias.” —From “Growing Uncertainty in California’s Central Valley” by Anna Wiener

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Combines empirical data and original analysis in a uniquely detailed account of Christianity in North Africa and West AsiaThis comprehensive reference volume covers every country in North Africa and West Asia, offering reliable demographic information and original interpretative essays by indigenous scholars and practitioners. It maps patterns of growth and decline, assesses major traditions and movements, analyses key themes and examines current trends.Key FeaturesProfiles of Christianity in every country in North Africa and West Asia including clearly presented statistical and demographic informationAnalyses of leading features and current trends written by indigenous scholarsEssays examining each of the major Christian traditions (Anglicans, Independents, Orthodox, Protestants, Roman Catholics, Evangelicals, Pentecostals/Charismatics)Essays explore key themes such as faith and culture, worship and spirituality, theology, social and political engagement, mission and evangelism, religious freedom, gender, inter-faith relations, monastic movements and spirituality, displaced populations and ecclesiologyContributorsEd Alden, Independent Scholar Sara Afshari, University of Edinburgh Najib George Awad, Hartford SeminaryKatia Boissevain, Centre National de la Recherche Scientifique (CNRS)Charles Chartouni, Lebanese University and St Joseph University John Eibner, Christian Solidarity International (CSI)Kristian Girling, Boston College's School of Theology and MinistryAkram Habib, Independent ScholarGabriel Hachem, Holy Spirit University of Kaslik (USEK)Hrayr Jebejian, General Secretary of the Bible Society in the GulfTodd M. Johnson, Gordon-Conwell Theological Seminary Paolo Maggiolini, Catholic University of MilanDuane Miller, Saint Mary's University in San AntonioElizabeth Monier, University of CambridgeRima Nasrallah, Near East School of Theology, BeirutDavid Neuhaus SJ, Latin Patriarchal VicarEric N. Newberg, Oral Roberts University in TulsaEwelina Ochab, ADF InternationalAnthony O'Mahony, Heythrop College at the University of LondonAnna Poujeau, National Centre for Scientific Research (CNRS) in FranceMitri Raheb, Dar al-Kalima University College of Arts and Culture in BethlehemDonna M. Rizk, King's College LondonBernard Sabella, al-Quds University George F. Sabra, Near East School of Theology in BeirutYazid Said, Liverpool Hope UniversitySilvia Serrano, Universite d'Auvergne Heather J. Sharkey, University of PennsylvaniaRazek Siriani, lay deacon in the Syriac Orthodox Church of AntiochGeorges Tamer, Friedrich-Alexander University Erlangen-NurembergMariz Tadros, University of SussexSamuel Tadros, Hoover Institution and Johns Hopkins UniversityHratch Tchilingirian, University of OxfordHerman G.B. Teule, Radboud University Nijmegen and University of LouvainIyad Twal, Bethlehem UniversityWafik Wahba, Tyndale University and Seminary in TorontoJack Wald, pastor of Rabat International Church Anastasia Yiangou, Independent ScholarGina A. Zurlo, Gordon-Conwell Theological Seminary

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This authoritative collection surveys the teachings of Confucius, and illustrates his importance throughout Chinese history in one focused and incisive volume. A Concise Companion to Confucius offers a succinct introduction to one of East Asia’s most widely-revered historical figures, providing essential coverage of his legacy at a manageable length. The volume embraces Confucius as philosopher, teacher, politician, and sage, and curates a collection of key perspectives on his life and teachings from a team of distinguished scholars in philosophy, history, religious studies, and the history of art. Taken together, chapters encourage specialists to read across disciplinary boundaries, provide nuanced paths of introduction for students, and engage interested readers who want to expand their understanding of the great Chinese master. Divided into four distinct sections, the Concise Companion depicts a coherent figure of Confucius by examining his diverse representations from antiquity through to the modern world. Readers are guided through the intellectual and cultural influences that helped shape the development of Confucian philosophy and its reception among late imperial literati in medieval China. Later essays consider Confucius’s engagement with topics such as warfare, women, and Western philosophy, which remain fruitful avenues of philosophical inquiry today. The collection concludes by exploring the significance of Confucian thought in East Asia’s contemporary landscape and the major intellectual movements which are reviving and rethinking his work for the twenty-first century. An indispensable resource, A Concise Companion to Confucius blazes an authoritative trail through centuries of scholarship to offer exceptional insight into one of history’s earliest and most influential ancient philosophers. A Concise Companion to Confucius: Provides readers with a broad range of perspectives on the ancient philosopher Traces the significance of Confucius throughout Chinese history—past, present, and future Offers a unique, interdisciplinary overview of Confucianism Curated by a team of distinguished scholars in philosophy, history, religious studies, and the history of art A Concise Companion to Confucius is an ideal text for undergraduate and graduate courses on Confucius and Confucianism. It is also fascinating and informative reading for anyone interested in learning more about one of history’s most influential philosophers.

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Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into debates about music's role in society. International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience. This book explores music at international exhibitions held in Australia, India, and the United Kingdom during the 1880s. At these exhibitions, music was codified, ordered, and all-round 'exhibited' in manifold ways. Displays of physical instruments from the past and present were accompanied by performances intended to educate or to entertain, while music was heard at exhibitors' stands, in concert halls, and in the pleasure gardens that surrounded the exhibition buildings. Music was depicted as a symbol of human artistic achievement, or employed for commercial ends. At times it was presented in nationalist terms, at others as a marker of universalism. This book argues, by interrogating the multiple ways that music was used, experienced, and represented, that exhibitions can demonstrate in microcosm many of the broader musical traditions, purposes, arguments, and anxieties of the day. Its nine chapters focus on sociocultural themes, covering issues of race, class, public education, economics, and entertainment in the context of music, tracing these through the networks of communication that existed within the British Empire at the time.

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'A raw and raging celebration of music . . . astounding.' Megan Bradbury'Funny, filthy, erudite, and rude.' Carl Shuker'A magnificent novel.' Alan McMonagleDuring their 1985 tour, two events of hatred and stupidity forever change the lives of a band’s four members. Neues Bauen, a post-hardcore Illinois group homing in on their own small fame, head on with frontman Conrad Wells sexually assaulted and guitarist Tone Seburg wounded by gunshot. The band staggers forth into the American landscape, traversing time and investigating each of their relationships with history, memory, authenticity, violence and revelling in transcendence through the act of art.With decades passed and compelled by his wife’s failing health to track down Tone, Conrad flies to North Africa where her brother is rumoured to be hiding with a renowned artist from their past. There he instead meets various characters including his former drummer, Spence. Amongst the sprawl and shout of Morocco, the men attempt to recall what happened to them during their lost years of mental disintegration and emotional poverty.Dance Prone is a novel of music, ritual and love. It is live, tense and corporeal. Full of closely observed details of indie-rock, of punk infused performance, the road and the players’ relationship to violence, hate and peace. Set during both the post-punk period and the present day, Dance Prone was born out of a love of the underground and indie rock scenes of the 1980s, a fascination for their role in the cultural apparatus of memory, social decay and its reconstruction.

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In Public Privates, a book about looking and being looked at, about speculums, spectacles, and spectators, about display, illumination, and reflection, Terri Kapsalis makes visible the practices and representations of gynecology. The quintessential examination of women, gynecology is not simply the study of women’s bodies, but also serves to define and constitute them. Any critical analysis of gynecology is therefore, as Kapsalis affirms, an investigation of what it means to be female. In this respect she considers the public exposure of female "privates" in the performance of the pelvic exam. From J. Marion Sims’s surgical experiments on unanesthetized slave women in the mid-nineteenth century, to the use of cadavers and prostitutes to teach medical students gynecological techniques, Kapsalis focuses on the ways in which women and their bodies have been treated by the medical establishment. Removing gynecology from its private cover within clinic walls and medical textbook pages, she decodes the gynecological exam, seizing on its performative dimension. She considers traditional medical practices and the dynamics of "proper" patient performance; non-traditional practices such as cervical self-exam; and incarnations of the pelvic examination outside the bounds of medicine, including its appearance in David Cronenberg’s film Dead Ringers and Annie Sprinkle’s performance piece "Public Cervix Announcement." Confounding the boundaries that separate medicine, art, and pornography, revealing the potent cultural attitudes and anxieties about women, female bodies, and female sexuality that permeate the practice of gynecology, Public Privates concludes by locating a venue from which challenging, alternative performances may be staged.

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More than two million people are currently imprisoned in the United States, and the nation’s incarceration rate is now the highest in the world. The dramatic rise and consolidation of America’s prison system has devastated lives and communities. But it has also transformed prisons into primary sites of radical political discourse and resistance as they have become home to a growing number of writers, activists, poets, educators, and other intellectuals who offer radical critiques of American society both within and beyond the prison walls. In Forced Passages, Dylan Rodríguez argues that the cultural production of such imprisoned intellectuals as Mumia Abu-Jamal, Angela Davis, Leonard Peltier, George Jackson, José Solis Jordan, Ramsey Muniz, Viet Mike Ngo, and Marilyn Buck should be understood as a social and intellectual movement in and of itself, unique in context and substance. Rodríguez engages with a wide range of texts, including correspondence, memoirs, essays, poetry, communiqués, visual art, and legal writing, drawing on published works by widely recognized figures and by individuals outside the public’s field of political vision or concern. Throughout, Rodríguez focuses on the conditions under which imprisoned intellectuals live and work, and he explores how incarceration shapes the ways in which insurgent knowledge is created, disseminated, and received. More than a series of close readings of prison literature, Forced Passages identifies and traces the discrete lineage of radical prison thought since the 1970s, one formed by the logic of state violence and by the endemic racism of the criminal justice system. Dylan Rodríguez is assistant professor of ethnic studies at the University of California, Riverside.

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An argument that humanists have the tools—and the responsibility—to mobilize political power to tackle climate changeAs climate catastrophes intensify, why do literary and cultural studies scholars so often remain committed to the separation of aesthetic study from the nitty-gritty of political change? In this thought-provoking book, Caroline Levine makes the case for an alternative view, arguing that humanists have the tools to mobilize political power—and the responsibility to use those tools to avert the worst impacts of global warming. Building on the theory developed in her award-winning book, Forms, Levine shows how formalist methods can be used in the fight for climate justice.Countering scholars in the environmental humanities who embrace only “modest gestures of care”—and who seem to have moved directly to “mourning” our inevitable environmental losses—Levine argues that large-scale, practical environmental activism should be integral to humanists’ work. She identifies three major infrastructural forms crucial to sustaining collective life: routines, pathways, and enclosures. Crisscrossing between art works and public works—from urban transportation to television series and from food security programs to rhyming couplets—she considers which forms might support stability and predictability in the face of growing precarity. Finally, bridging the gap between academic and practical work, Levine offers a series of questions and exercises intended to guide readers into political action. The Activist Humanist provides an essential handbook for prospective activist-scholars.

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Kendel Hippolyte’s poetry moves easily, boldly between the worlds of public engagement and the intimacies of domesticity. What unites this movement are the distinctive sounds and rhythms of his voice, and whilst some poems have a named recipient, and some are addressed to himself, all engage the reader in an implicit dialogue. His is an art of sound, of the rhythms of the long, supple line, of form that sometimes disguises itself as no form, of the beauty of the crooked basket. He wants the poem to draw us in rather than hold us outside in admiration at its skill – and skill and craft are what his poems display in spades. His is a vision that extends outwards in illimitable ways in space and time, but where the scale is always the human body, the human mind.The challenge comes in the way his poems address the dread reality of a Caribbean world of disappointed dreams, of sovereignty swamped by the new economic and cultural imperialism that masquerades under the mask of globalisation, of waking “one morning and the Caribbean was gone”, of continuing environmental degradation. The questioning comes from looking inwards to wonder why this has happened, what failures of vision, what empty sloganizing, what dishonesties, arrogance and failures of mutual respect led to the defeats so that “the rivers of Babylon clog into vomit…” The comfort comes from both the small loving kindnesses of the domestic – the rituals of coffee-brewing, of bed-making – but also the refusal to retreat, to look to the moment when flint and iron can “flare into the hot bright moment of a spark”.

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Caroline Bancroft History Prize 2021, Denver Public Library Armitage-Jameson Prize 2021, Coalition of Western Women's History David J. Weber Prize 2021, Western History Association W. Turrentine Jackson Prize 2021, Western History AssociationTiny You tells the story of one of the most successful political movements of the twentieth century: the grassroots campaign against legalized abortion. While Americans have rapidly changed their minds about sex education, pornography, arts funding, gay teachers, and ultimately gay marriage, opposition to legalized abortion has only grown. As other socially conservative movements have lost young activists, the pro-life movement has successfully recruited more young people to its cause. Jennifer L. Holland explores why abortion dominates conservative politics like no other cultural issue. Looking at anti-abortion movements in four western states since the 1960s—turning to the fetal pins passed around church services, the graphic images exchanged between friends, and the fetus dolls given to children in school—she argues that activists made fetal life feel personal to many Americans. Pro-life activists persuaded people to see themselves in the pins, images, and dolls they held in their hands and made the fight against abortion the primary bread-and-butter issue for social conservatives. Holland ultimately demonstrates that the success of the pro-life movement lies in the borrowed logic and emotional power of leftist activism.

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In a culture that prizes keeping one’s options open, making commitments offers something more valuable. The consumerism and instant gratification of “liquid modernity” feed a general reluctance to make commitments, a refusal to be pinned down for the long term. Consider the decline of three forms of commitment that involve giving up options: marriage, military service, and monastic life. Yet increasing numbers of people question whether unprecedented freedom might be leading to less flourishing, not more. They are dissatisfied with an atomized way of life that offers endless choices of goods, services, and experiences but undermines ties of solidarity and mutuality. They yearn for more heroic virtues, more sacrificial commitments, more comprehensive visions of the individual and common good. It turns out that the American Founders were right: the Creator did endow us with an unalienable right of liberty. But he has endowed us with something else as well, a gift that is equally unalienable: desire for unreserved commitment of all we have and are. Our liberty is given us so that we in turn can freely dedicate ourselves to something greater. Ultimately, to take a leap of commitment, even without knowing where one will land, is the way to a happiness worth everything. On this theme: - Lydia S. Dugdale asks what happened to the Hippocratic Oath in modern medicine. - Caitrin Keiper looks at competing vows in Victor Hugo’s Les Misérables. - Kelsey Osgood, an Orthodox Jew, asks why lifestyle discipline is admired in sports but not religion. - Wendell Berry says being on the side of love does not allow one to have enemies. - Phil Christman spoofs the New York Times Vows column. - Andreas Knapp tells why he chose poverty. - Norann Voll recounts the places a vow of obedience took her. - Carino Hodder says chastity is for everyone, not just nuns. - Dori Moody revisits her grandparents’ broken but faithful marriage. - Randall Gauger, a Bruderhof pastor, finds that lifelong vows make faithfulness possible. - King-Ho Leung looks at vows, oaths, promises, and covenants in the Bible. Also in the issue: - A young Black pastor reads Clarence Jordan today. - Activists discuss the pro-life movement after Roe and Dobbs. - Children learn from King Arthur, Robin Hood, and the occasional cowboy. - Original poetry by Ned Balbo - Reviews of Montgomery and Biklé’s What Your Food Ate, Mohsin Hamid’s The Last White Man, and Bonnie Kristian’s Untrustworthy - A profile of Sadhu Sundar Singh Plough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.

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The Oxford Handbook of Dante contains forty-four specially written chapters that provide a thorough and creative reading of Dante's oeuvre. It gathers an intergenerational and international team of scholars encompassing diverse approaches from the fields of Anglo-American, Italian, and continental scholarship and spanning several disciplines: philology, material culture, history, religion, art history, visual studies, theory from the classical to the contemporary, queer, post- and de-colonial, and feminist studies. The volume combines a rigorous reassessment of Dante's formation, themes, and sources, with a theoretically up-to-date focus on textuality, thereby offering a new critical Dante. The volume is divided into seven sections: 'Texts and Textuality'; 'Dialogues'; 'Transforming Knowledge'; Space(s) and Places'; 'A Passionate Selfhood'; 'A Non-linear Dante'; and 'Nachleben'. It seeks to challenge the Commedia-centric approach (the conviction that notwithstanding its many contradictions, Dante's works move towards the great reservoir of poetry and ideas that is the Commedia), in order to bring to light a non-teleological way in which these works relate amongst themselves. Plurality and the openness of interpretation appear as Dante's very mark, coexisting with the attempt to create an all-encompassing mastership. The Handbook suggests what is exciting about Dante now and indicate where Dante scholarship is going, or can go, in a global context.

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Mahani Teave grew up on Rapa Nui, also known as Easter Island, one of the most remote islands in the world, where moai statues stand and music is everywhere. When she began taking lessons on the island's only piano, she proved to be a great talent. She left Rapa Nui when she was just nine to continue her music education, wishing she didn't have to leave such a beautiful place to pursue her dreams. She became an internationally acclaimed classical pianist, playing around the world for all kinds of audiences.But her island home kept calling her back. Years later, she returned to Rapa Nui to stay, and with a new dream: to save its environment and culture. She helped create a music and arts school, so that children there could learn music in ways that kept the island's unique traditions alive. Mahani also saw the island's struggles with sustainability issues and pollution from tourism and ocean plastics, so the school was built using of thousands of tires, bottles, and cans in its walls, and incorporates rain barrels, solar panels, and a food garden. Mahani and her team have created an inspiring place that celebrates the land of Rapa Nui and its people.

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The Philosophy of Julia Kristeva is the latest addition to the highly acclaimed series, The Library of Living Philosophers. The book epitomizes the objectives of this acclaimed series; it contains critical interpretation of one of the greatest philosophers of our time, and pursues more creative regional and world dialogue on philosophical questions. The format provides a detailed interaction between those who interpret and critique Kristeva’s work and the seminal thinker herself, giving broad coverage, from diverse viewpoints, of all the major topics establishing her reputation. With questions directed to the philosopher while they are alive, the volumes in The Library of Living Philosophers have come to occupy a uniquely significant place in the realm of philosophy. The inclusion of Julia Kristeva constitutes a vital addition to an already robust list of thinkers. The Philosophy of Julia Kristeva exemplifies world-class intellectual work closely connected to the public sphere. Kristeva has been said to have “inherited the intellectual throne left vacant by Simone de Beauvoir,” and has won many awards, including the Hannah Arendt Prize for Political Thought. Julia Kristeva’s autobiography provides an excellent introduction to her work, situating it in relation to major political, intellectual, and cultural movements of the time. Her upbringing in Soviet-dominated Bulgaria, her move to the French intellectual landscape of the 1960s, her visit to Mao’s China, her response to the fall of the Berlin Wall, her participation in a papal summit on humanism, her appointment by President Chirac as President of the National Council on Disability, and her setting up of the Simone de Beauvoir prize, honoring women in active and creative fields, are all major moments of this fascinating life. The major part of the book is comprised of thirty-six essays by Kristeva’s foremost interpreters and critics, together with her replies to the essays. These encounters cover an exceptionally wide range of theoretical and literary writing. The strong international and multidisciplinary focus includes authors from over ten countries, and spans the fields of philosophy, semiotics, literature, psychoanalysis, feminist thought, political theory, art, and religion. The comprehensive bibliography provides further access to Kristeva’s writings and thought. The preparation of this volume, the thirty-sixth in the series, was supported by a major grant from the National Endowment for the Humanities.

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Integral to the commercial law field, Intellectual Property (IP) knowledge is central to culture, innovation, and enterprise. Looking forward to the new academic norm, Teaching Intellectual Property Law: Strategy and Management uses experience as well as interactive, practice-based methods for teaching IP to examine the various ways through which to move on from ‘chalk and talk’ methods.Crucial to science, technology, art, fashion and creative industries as well as to business creation and management, it is unsurprising that IP surfaces in curricula within and beyond the law school. Providing multiple examples, exercises and teaching tips to identify the transferable aspects of IP teaching, this book provides educators with new approaches to tailor content delivery to their students. Focused on the profile of the contemporary learner, it invites educators to adopt new approaches to impart knowledge that will empower IP students of all disciplines, at all levels.Teaching Intellectual Property Law: Strategy and Management will be a useful resource for higher education law academics offering Intellectual Property education modules in law schools, to facilitate contemporary approaches to traditional law school content. It will also be of value to tertiary educators inspired, or instructed, to include IP education in their programmes as well as enterprise and entrepreneurship educators and trainers, to further IP relevance to enterprise and entrepreneurship.

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Fresh examinations of the role of medicinal plants in medieval thought and practice and how they contributed to broader ideas concerning the body, religion and identity. The important and ever-shifting role of medicinal plants in medieval science, art, culture, and thought, both in the Latin Western medical tradition and in Byzantine and medieval Arabic medicine, is the focus of this new collection. Following a general introduction and a background chapter on Late Antique and medieval theories of wellness and therapy, in-depth essays treat such wide-ranging topics as medicine and astrology, charms and magical remedies, herbal glossaries, illuminated medical manuscripts, women's reproductive medicine, dietary cooking, gardens in social and political context, and recreated medieval gardens. They make a significant contribution to our understanding ofthe place of medicinal plants in medieval thought and practice, and thus lead to a greater appreciation of how medieval theories and therapies from diverse places developed in continuously evolving and cross-pollinating strands,and, in turn, how they contributed to broader ideas concerning the body, religion, identity, and the human relationship with the natural world. Contributors: MARIA AMALIA D'ARONCO, PETER DENDLE, EXPIRACION GARCIA SANCHEZ, PETER MURRAY JONES, GEORGE R. KEISER, DEIRDRE LARKIN, MARIJANE OSBORN, PHILIP G. RUSCHE, TERENCE SCULLY, ALAIN TOUWAIDE, LINDA EHRSAM VOIGTS

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On November 18, 1928, the world’s most famous mouse made his very first public debut. Today, we celebrate 90+ years of Mickey in one of the most expansive illustrated publications on the Disney universe. Starting with the first sketches of a character who was almost named Mortimer, we trace the career of Walt Disney’s and Ub Iwerks’s most famous creation, one met with an explosion of worldwide popularity preceded only by the earlier successes of Charlie Chaplin.With unlimited access to Disney’s vast historical collections as well as public and private collections, the authors bring Mickey’s success story to life: concept art, story sketches, background paintings, and animation drawings as well as historical photographs trace the origins and evolution of such timeless favorites as Steamboat Willie, The Band Concert, and Brave Little Tailor. They also follow Mickey as he builds on this legendary library of short cartoons by appearing in two historic feature-length films, Fantasia and Fun and Fancy Free.Unfinished projects, many of them presented for the first time through original storyboard drawings, unveil a Mickey that might have been. Extensive archival research sheds new light on little-known chapters of Mickey’s career, such as his pioneering radio shows, the origins of the Mickey Mouse Club, and his use as a patriotic icon during World War II. Along the way, we encounter the work of all major Mickey artists in both film and comics, including such greats as Ub Iwerks, Win Smith, Ferdinand Horvath, Fred Moore, Floyd Gottfredson, Carl Barks, Manuel Gonzales, Paul Murry, Romano Scarpa, Giorgio Cavazzano, Byron Erickson, César Ferioli, and Noel Van Horn.Mickey Mouse has left an indelible mark on everyday culture. As Walt Disney once said: “I only hope that we never lose sight of one thing—that it was all started by a mouse.” And an end to the success story is nowhere in sight. Today, 90 years after his creation, Mickey remains as lovable and popular as ever. Let’s pay tribute to the little fellow, his legend, and his legacy with a monument to the one and only Mickey Mouse.Copyright © 2023 Disney Enterprises, Inc.

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An alluring overview to the thirty-year, award-winning output of Brininstool + Lynch, whose rigor, vision, and elegance has distinguished their diverse projects since its founding. Brad Lynch and David Brininstool of Chicago-based Brininstool + Lynch feature their most exemplary built works from over the course of their thirty years in practice. Founded in 1989, their office has become known for modern works that are rooted in the exceptional architectural culture of the American Midwest but also epitomize the best of contemporary design: elegant spatial compositions, remarkable aesthetic quality, and nuanced details. In this volume, partners Brad Lynch and David Brininstool have selected twelve distinguished projects that represent the character of the practice, at once refined and forthright. Among the selected built works are the Racine Art Museum, designed around a collection of crafts in ceramic, fiber, glass, metal, and wood; city and country houses in Illinois and Indiana; sophisticated single-family homes; and multi-unit residential buildings that explore their urban scale and contexts. For thirty years, the office distinguished itself through buildings and interiors whose beauty lies in their restraint: spare, smart structures that manipulate light, space, and a simple material palette to create architecture of unusual grace. Brininstool + Lynch: Making Architecture showcases the signature works of this prestigious firm.

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“Ah! . . . to make of painting what the music of Berlioz and Wagner has been before us . . . a consolatory art for distressed hearts!”—Vincent van Gogh This engaging book is the first in-depth investigation of the influential role that music and sound played throughout Vincent van Gogh’s (1853–1890) life. From psalms and hymns to the operas of Richard Wagner to simple birdsong, music represented to Van Gogh the ultimate form of artistic expression. And he believed that by emulating music painting could articulate deep truths and impart a lasting emotional impact on its viewers. In Van Gogh and Music Natascha Veldhorst provides close readings of the many allusions to music in the artist’s prolific correspondence and examines the period’s artistic theory to offer a rich picture of the status of music in late 19th-century culture. Veldhorst shows the extent to which Van Gogh not only admired the ability of music to inspire emotion, but how he incorporated musical subject matter and techniques into his work, with illustrations of celebrated paintings such as Sunflowers in a Vase, which he described as “a symphony in blue and yellow.” An expansive inquiry into the significance of sound and music for the artist, including the formative influence of his song-filled upbringing, Van Gogh and Music is full of fascinating new insights into the work of one of history’s most venerated artists.

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This state-of-the-art Encyclopedia provides a detailed snapshot study of politics in Asia. Curated by two internationally recognised scholars, entries offer key insights and critical reference points in order to navigate the vastness, diversity and dynamism of Asian politics.Cross-disciplinary in approach, this pioneering Encyclopedia of Asian Politics reviews a broad range of issues such as democratisation, identity politics, political culture and terrorism, as well as the regional divisions across Northeast Asia, Southeast Asia and South Asia. Contributors include a wealth of specialist academics and practitioners from a diverse array of fields. They provide case studies on specific countries for further insight, focusing on China, India, Japan, Pakistan, Taiwan and Vietnam among other territories. Offering a high level of detail in an accessible manner, this definitive Encyclopedia will be crucial reading for students and academics in international relations, international politics, Asian studies and Asian politics. It will also prove an excellent reference point for practitioners and professionals working in the field. Key Features: Covers the latest developments in the field of Asian politics Signposts extensive additional resources for further reading and exploration Over 50 entries organised according to key geographic regions and conceptual themes Entries written by leading scholars reviewing core topics in the current political landscape

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Metal music has long nurtured an obsession with visions of the Middle Ages, with countless album covers and lyric sheets populated by Vikings, knights, wizards, and castles. Medievalism and Metal Music Studies: Throwing down the Gauntlet addresses this fascination with all things medieval, exploring how metal musicians and fans find inspiration both in authentically medieval materials and neomedievalist depictions of the period in literature, cinema, and other media. Within metal music, the medieval takes on multiple, and even contradictory meanings, becoming at once a cipher of difference and grotesque alterity while simultaneously being imagined as a simpler, more authentic time, as opposed to the complexities and stresses of modernity. In this fashion, the medieval period becomes both a source for artistic creativity and a vector for countercultural social and political critique. The contributors in this book hail from a wide range of fields including medieval history, music performance, musicology, media studies, and literature, and computer linguistics, bringing a variety of critical perspectives to bear on the topic. Engaging in analyses of cover art, liner notes, lyrics, and musical style, the contributors investigate issues of research methodologies, crucial concerns over identity and nationalism, and the recontextualisation of historical materials, all aimed at critically examining how and why medievalism has permeated heavy metal music and culture. Hearken to our tales!

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Monuments represent power: explicitly and simply, but not universally. In Estonia, the classical notion of a monument is a strange one. Its presence is marginal, its tradition non-existent and its form tormented by an apparent cultural displacement. The statue on a square never claimed the central position so common in Western Europe. This semantic void directs attention to other, less exceptional pieces of architecture. Sometimes a stairway marks a politically charged location, or a pavement becomes symbolic. Instead of explicit meanings inscribed in marble and bronze, an implicit charge is revealed that might be weaker yet more relevant, for what is only implicit cannot be openly questioned. Weak Monument explores the blurred line between a monument's explicitly political form and the architecture of everyday. It juxtaposes classical monuments with seemingly insignificant architectural objects and public space in a collection of images and drawings, archival as well as newly commissioned ones, alongside essays and brief texts. Contributors include such eminent guests as Tom Avermaete, Professor of Architecture at the Delft University of Technology; Margrethe Troensegaard from Ruskin School of Art, University of Oxford; Eik Hermann, Estonian theorist and philosopher; and Toomas Paaver, Estonian architect and political activist. Text in English and Estonian.

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Exam Board: Cambridge Assessment International EducationLevel & Subject: Cambridge International AS & A Level DramaFor examination from 2021 (AS Level), 2022 (AS and A Level) The Student’s Book is structured to build skills and knowledge in a clear sequence, and to help students to apply their skills. With in-depth coverage of the syllabus topics and a stimulating range of international play script extracts, this is the ideal resource for advanced level drama study.• Offers a clear route through the syllabus, helping teachers to plan for the first years of teaching and find material for each Component of the course.• Fosters a creative, experiential approach with practical activities in every unit and suggestions of how to experiment with imaginative approaches to individual tasks.• Introduces the excitement of World Theatre: a chapter on World Theatre traditions and practitioners enables students to draw on this knowledge in their own practice throughout the course and opens avenues for further exploration.• Helps students to acquire a vocabulary of performing arts terms with Key terms boxes throughout and a collated Glossary of key terms.• Supports successful writing with clear modelling of the planning, structuring and writing process, and sample writing at different levels.• Provides an exciting range of high quality, international play script extracts for students to perform individually and in groups.• Contextualises plays for international students – Key context boxes introduce texts and their social, historical and cultural contexts, while Vocabulary boxes explain any culturally specific vocabulary or references.• Differentiated to support all learners with Thinking more deeply sections in each chapter to stretch those who require a challenge, and a clear, accessible writing style to assist international learners.• Written by experienced A Level drama teachers, whose expertise includes technical and production skills as well as devising, performing and writing.• Supports teachers through the free, editable scheme of work available on www.collins.co.uk/cambridge-international-downloads. This title is endorsed by Cambridge Assessment International Education.

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This multicultural children's book presents a selection of traditional Korean folk tales that are instantly recognizable to Koreans of all ages. These treasured tales are retold by Kim So-un, an eminent storyteller who is a household name in Korea. The illustrations combine modern and traditional Korean art elements and techniques in telling these classic stories.In the Tuttle tradition of bringing beloved stories from other countries to new generations of readers, this book presents the following tales: "The Magic Gem" answers the question why do dogs and cats fight? When the house feline recovers the story's prized title jewel, the family dog bears a grudge that is passed down through the ages. "The Deer and the Woodcutter" follows a merciful man who saves a deer's life and is rewarded with love and luck. When he's turned into a rooster, he expresses his joy each dawn through his loud crowing. "The Tigers of the Kumgang Mountains" concludes the anthology with a cautionary tale about overcoming challenges. A hunter's son sets out for revenge but instead learns that things are not always as they appear, and that persistence and sacrifice hold richer rewards. With Three Korean Fairy Tales, kids and parents alike will learn about Korean culture by experiencing the country's rich storytelling tradition.

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A maverick figure in New York’s downtown scene, Humphries has revitalized the language of abstract painting over a career that has covered four decades and multiple transformations in style Published on the occasion of Jacqueline Humphries’ exhibition at the Wexner Center for the Arts, this major catalog surveys the artist’s work from the past seven years, including dozens of new paintings and her largest multipanel installations to date. The exhibition and its accompanying catalog highlight the importance of digital communications and online culture in Humphries's ever-changing practice. Incorporating the QWERTY keyboard as a means of generating abstract forms, the artist's recent paintings integrate emoticons, emojis, CAPTCHAs and ASCII text as layers of mark-making in dense and vivid works. Other featured works explore the visual language of corporate logos; black light paintings presented in darkened spaces; a group of protest paintings that subtly channel political dissent; and thickly painted renderings of white noise, in which digital content receives viscerally material application. Across each body of work, Humphries reaffirms her ongoing commitment to abstract painting, while bringing a seemingly traditional form into dialogue with the issues and interfaces that shape contemporary life. The book features essays by exhibition curator Mark Godfrey, Courtney J. Martin, Jenny Nachtigall and former Wexner Center Director Johanna Burton. Designed by Studio Markus Weisbeck, this extensively illustrated monograph offers an in-depth view of Humphries's continued evolution in painting.

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Harald Szeemann is associated with some of the most important artistic developments of the postwar era. A passionate advocate of avant-garde movements like conceptualism and post minimalism, he collaborated with artists such as Joseph Beuys, Bruce Nauman, Richard Serra, and Cy Twombly, developing new ways of presenting art that reflected his sweeping vision of contemporary culture. Szeemann once stated that his goal as an exhibition maker was to create a "Museum of Obsessions." This richly illustrated volume is a virtual collection catalogue for that imaginary institution, tracing the evolution of his curatorial method through the materials he collected and produced while researching and organising his exhibitions, including letters, drawings, personal datebooks, installation plans, artists' books, posters, photographs, and handwritten notes. This book documents all phases of Szeemann's career, from his early stint as director of the Kunsthalle Bern, where he organized the seminal Live in Your Head: When Attitudes Become Form (1969); to documenta 5 (1972) and the intensely personal exhibition he staged in his own apartment using the belongings of his hairdresser grandfather (1974); to his reinvention as a freelance curator who realised projects on wide-ranging themes until his death in 2005. The book contains essays exploring Szeemann's curatorial approach as well as interviews with collaborators. Its more than 350 illustrations include previously unpublished installation photographs and exhibition documents as well as many other materials from the curator's archive.

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The third in our award-winning Atlas series, following Dinosaur Atlas and Animal Atlas, Lonely Planet Kids’ Bug Atlas focuses on the magical miniature world of creepy crawlies. Continent by continent, we take a tour around the globe to uncover fascinating bugs, insects, scorpions, spiders and other icky things that live around, alongside - and often even on - us.Maps show where the critters live, while gatefolds and flaps open to reveal their wonderful, and sometimes very weird, mini lives. From spiders the size of dinner plates, stick insects as long as golf clubs and mega-ant colonies that stretch across countries to cannibal mantises, zombie ants, giant millipedes, beautiful butterflies, shiny iridescent beetles and more, this is a fascinating, in-depth exploration of the world of bugs.As with previous titles in this series, Bug Atlas features a mixture of art and photography, densely packed with information and illustrated with incredible images.Features include: Detailed maps of every continent showing where all the fascinating bugs live. Data boxes for each amazing species, listing its name, size, habitat, diet and more. Life-size elements, both big and small, showing you just how enormous a goliath-bird eating spider is (you don’t want to know) to tiny bugs that share our homes almost unnoticed. Incredible macro photography revealing the minute detail of these minibeasts Animal Adaptations – Showing how each species is perfectly adapted for its environment, including the amazing camouflage of leaf insects. About Lonely Planet Kids: Lonely Planet Kids - an imprint of the world's leading travel authority Lonely Planet - published its first book in 2011. Over the past 45 years, Lonely Planet has grown a dedicated global community of travelers, many of whom are now sharing a passion for exploration with their children. Lonely Planet Kids educates and encourages young readers at home and in school to learn about the world with engaging books on culture, sociology, geography, nature, history, space and more. We want to inspire the next generation of global citizens and help kids and their parents to approach life in a way that makes every day an adventure. Come explore!

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