Search results for ""author art, culture"

Read this book and the world's most famous image will never look the same again. For the world's greatest cultural icon still has secrets to reveal - not the silly secrets that the 'Leonardo loonies' continue to advance, but previously unknown facts about the lives of Leonardo, his father, Lisa Gherardini, the subject of the portrait, and her husband Francesco del Giocondo. From this factual beginning we see how the painting metamorphosed into a 'universal picture' that became the prime vehicle for Leonardo's prodigious knowledge of the human and natural worlds. We learn about the new money of the ambitious merchant who married into the old gentry of Lisa's family. We discover Lisa's life as a wife and mother, her association with sexual scandals, and her later life in a convent. We meet, for the first time, previously undiscovered members of Leonardo's immediate family and discover new information about his early life. The tiny hill town of Vinci is placed before us, with its widespread poverty. We find out about the career and possessions of his father, a notable lawyer in Florence. The meaning of the portrait that resulted from these human circumstances is vividly illuminated though Renaissance love poetry and verses specifically dedicated to Leonardo. We come to understand how Leonardo's sciences of optics, psychology, anatomy and geology are embraced in his poetic science of art. Recent scientific examinations of the painting disclose how it evolved to assume its present appearance in Leonardo's experimental hands. Above all, we cut through the suppositions and the myths to show that the portrait is a product of real people in a real place at a real time. This is the book that brings back a sense of reality into the creation of the portrait of Lisa del Giocondo. And the actual Mona Lisa, it turns out, is even more astonishing and transcendent than the Mona Lisa of legend.

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In her vibrant works, the Brazilian painter Beatriz Milhazes fuses two very different worldviews. Her abstract compositions, which can be seen in a line with modernist masters from Henri Matisse to Bridget Riley, are saturated with the colors and light of her native country. Her paintings are strewn with symbols of everyday life in Brazil, invoking carnival, traditional craftsmanship, and motifs from baroque to pop, all choreographed in an exuberant visual rhythm. The colorful atmosphere has an irresistible exotic allure, but as in the works of Paul Gauguin, we find a broken paradise in which darker, more melancholic tones resonate, both in the promises of tropical life and those of modernist abstraction. In seeking this balance, Milhazes developed a special transfer technique in the late eighties, painting her motifs onto plastic sheets, gluing these to the canvas and letting them dry, and then peeling away the plastic once dry so that the paint remains on the canvas. This method allows the artist to layer surface upon surface and to achieve an iridescence somewhere between radiant aura and shimmering melancholy. Since her breakthrough in the early 1990s, Milhazes has extended the scope of her work to other media, producing screen prints, collages made of chocolate and candy wrappers, sculptures such as giant mobiles made of carnival decorations, site-specific projects that transform building façades into stained glass windows, and experiments with body and rhythm in collaboration with her sister Marcia’s ballet ensemble. This updated edition, which has been expanded to include works made as recently as 2020, explores all of the artist’s creative phases, from her beginnings to the present, with over 300 of her works. The book was created in close collaboration with the artist, in both the selection of images and specially designed pages between chapters. It includes a conversation with editor Hans Werner Holzwarth in which the artist unravels her working methods and talks about the ideas and cultural background behind her work. An art historical essay by David Ebony, a poetic dictionary of Milhazes’s key motifs by Adriano Pedrosa, and a detailed, updated artist biography by Luiza Interlenghi round off this comprehensive work. Also available in an Art Edition with a silkscreen print signed by Beatriz Milhazes

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"A fascinating and insightful meditation on the act of memory as a built reality. " – Daniel Libeskind, architectAn extraordinary book that explores the art, architecture, and design of memorials around the world from the late twentieth century to today – an important book for our timeMemorials hold a special position in the cultural memory of communities, and collective consciousness of communities, cities, and countries. In Memory Of presents an extraordinary and moving collection of more than 60 exceptional structures commemorating some of the most destructive events of the 20th and 21st centuries, including war, genocide, terrorism, famine, and slavery from around the world.This important book highlights memorials built since 1982, featuring works from Berlin to Washington, D.C., from Montgomery, Alabama to Santiago, Chile, each urging us never to forget.In Memory Of features memorials designed by some of today's leading architects, including David Adjaye, Tadao Ando, Diller Scofidio + Renfro, Peter Eisenman, Daniel Libeskind, Maya Lin, Snøhetta, and Peter Zumthor. It also features memorials designed by artists like Elmgreen & Dragset, Isamu Noguchi, Taryn Simon, and Rachel Whiteread. The book includes well-known structures like Maya Lin's iconic Vietnam War Memorial, completed in 1982 in Washington, D.C. and more recent ones like the poignant National Memorial for Peace and Justice, completed by MASS Design Group in Montgomery, Alabama in 2018.With thoughtful essays on the subjects of hope, strength, grief, loss, and fear, and a moving foreword by Sir David Adjaye, In Memory Of helps to contextualize the projects and addresses the emotional aspects of memorialization. Beautifully designed with a minimal, reflective cover, and illustrated with 200 photographs, this book calls out to be experienced, felt, looked at, interpreted, and read in a variety of ways.

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“The political machinations, betrayal, and battles may appeal to those fans of George R. R. Martin's A Song of Ice and Fire series interested in a real-world game of thrones.” -- BooklistOne of Italy’s most revered cultural figures reconstructs the extraordinary life of the legendary Cleopatra at the height of her power in this epic story of passion, intrigue, betrayal, and war.Our world today would not be the same without Cleopatra. While she is one of the most famous figures in history, the legendary Egyptian queen remains, in many ways, an enigma. In this mesmerizing history, Alberto Angela offers a fresh and dynamic portrait of this extraordinary ruler, revealing a strikingly modern woman born in an ancient era and skilled in the art of diplomacy and war, who would conquer the heart of a general—Marc Antony—and Rome itself.Cleopatra focuses on a twenty-year period that marked a sweeping change in Roman history, beginning with the assassination of Julius Caesar that led to the end of the Republic, and ending with the suicides of Antony and Cleopatra and the birth of the Augustan Empire. Angela brings the people, stories, customs, and traditions of this fascinating period alive as he transports us to the chaotic streets of the capital of the ancient world, the exotic port of Alexandria in Egypt, and to the bloody battlefields where an empire was won and lost. Meticulously researched and rich with vivid detail, this sweeping history, reminiscent of the works of Simon Schama, Mary Beard’s SPQR, and Tom Holland’s Rubicon, recreates this remarkable era and the woman at its turbulent center.Translated from the Italian by Katherine Gregor“[Cleopatra] combines scholarship with novelistic detail and character depth…[Alberto Angela] effectively draws on previous scholarship, wading through legend and myth to get at the truth of what actually occurred… a character-rich historical biography.” -- Kirkus

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A comprehensive, theory-based approach to working with young clients in both school and clinical settings Counseling and Psychotherapy with Children and Adolescents, Fifth Edition provides mental health professionals and students with state-of-the-art theory and practical guidance for major contemporary psychotherapeutic schools of thought. Children and adolescents are not just small adults; they have their own needs, requirements, and desires, on top of the issues presented by still-developing brains and limited life perspective. Providing care for young clients requires a deep understanding of the interventions and approaches that work alongside growing brains, and the practical skill to change course to align with evolving personalities. The thoroughly revised fifth edition is a comprehensive reference, complete with expert insight. Organized around theory, this book covers both clinical and school settings in the fields of psychology, counseling, and social work. Coverage of the latest thinking and practice includes Cognitive Behavioral, Rational-Emotive, Reality Therapy, Solution Focused, Family Systems, and Play Therapy, providing a complete resource for any mental health expert who works with young people. Understand the major approaches to counseling and psychotherapeutic interventions Discover the ethical and legal implications of working with children and adolescents Learn how to employ culturally responsive counseling with younger clients Examine interventions for children and adolescents with disabilities and health care needs This updated edition includes a stronger emphasis on the clinical application of theory to specific disorders of childhood and adolescence, and new coverage of the legal and ethical issues related to social media. Chapters include a case studies and online resources that make it ideal for classroom use, and new chapters on Solution-Focused Therapy and Play Therapy enhance usefulness to practicing therapists. Expert guidance covers techniques for working with individuals, groups, and parents, and explores the efficacy of the theories under discussion.

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Under Representation shows how the founding texts of aesthetic philosophy ground the racial order of the modern world in our concepts of universality, freedom, and humanity. In taking on the relation of aesthetics to race, Lloyd challenges the absence of sustained thought about race in postcolonial studies, as well as the lack of sustained attention to aesthetics in critical race theory. Late Enlightenment discourse on aesthetic experience proposes a decisive account of the conditions of possibility for universal human subjecthood. The aesthetic forges a powerful “racial regime of representation” whose genealogy runs from enlightenment thinkers like Kant and Schiller to late modernist critics like Adorno and Benjamin. For aesthetic philosophy, representation is not just about depiction of diverse humans or inclusion in political or cultural institutions. It is an activity that undergirds the various spheres of human practice and theory, from the most fundamental acts of perception and reflection to the relation of the subject to the political, the economic, and the social. Representation regulates the distribution of racial identifications along a developmental trajectory: The racialized remain “under representation,” on the threshold of humanity and not yet capable of freedom and civility as aesthetic thought defines those attributes. To ignore the aesthetic is thus to overlook its continuing force in the formation of the racial and political structures down to the present. Across five chapters, Under Representation investigates the aesthetic foundations of modern political subjectivity; race and the sublime; the logic of assimilation and the stereotype; the subaltern critique of representation; and the place of magic and the primitive in modernist concepts of art, aura and representation. Both a genealogy and an account of our present, Under Representation ultimately helps show how a political reading of aesthetics can help us build a racial politics adequate for the problems we face today, one that stakes claims more radical than multicultural demands for representation.

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This study explores maternity in the 'disciplines' of early modern England. Placing the reproductive female body centre-stage in Shakespeare's theatre, Laoutaris ranges beyond the domestic sphere in which the rituals of childbirth, midwifery and wet-nursing were performed in order to recuperate the wider intellectual, epistemological, and archaeological significance of maternity to the Renaissance imagination. Focusing on 'anatomy' in Hamlet, 'natural history' in The Tempest, 'demonology' in Macbeth, and 'heraldry' in Antony and Cleopatra, this book reveals the ways in which the maternal body was figured in, and in turn contributed towards the re-conceptualisation of, bodies of knowledge. The relevance of the maternal to early pedagogical, aesthetic, and scientific disciplines, Laoutaris argues, makes itself felt when crises overturn the desired outcomes of birth and nurture. Instances of tragic intervention - such as disease, bewitchment, monstrosity, and death - expose the potentially destabilising power of maternity, dismantling the epistemological certainties with which the maternal body had been invested in the interests of masculine legitimation. Shakespeare resists a monolithic concept of motherhood, presenting instead a range of contested 'maternities' which challenge the distinctive 'ways of knowing' these early disciplines worked to impose on the order of created nature. Key Features *Provides a new interpretation of a subject which is becoming increasingly popular among Shakespeare scholars, cultural and medical historians, and feminist critics *Focuses on four of Shakespeare's best-loved plays *Presents striking visual material which forms a central component of the book's critical methodology, including anatomical plates, cabinets of curiosity, early modern follies and grottoes, archaeological discoveries, artefacts of witchcraft and superstition, early natural historical specimens, Renaissance 'monsters', ceramics, portraiture, funerary monuments and statuary *Offers an interdisciplinary approach to the study of maternity, encompassing research methods drawn from a range of academic fields, including literary studies, gender studies, the history of art, archaeology, and the history of the sciences

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This mini pocket Athens travel guidebook is perfect for travellers seeking basic information about Athens. It covers key places, main attractions and a short hotel and restaurant recommendations list. This book is printed on paper from responsible sources, verified to meet FSC's strict environmental and social standards.This Athens travel book covers: The Acropolis, Around the Acropolis, Monastiráki and Psyrrí, Omónia and environs, From Omónia to Sýndagma, Sýndagma Square and around.In this Athens guidebook, you will find:- Curated recommendations of places - main attractions, child-friendly family activities, chilled-out breaks in popular tourist areas - Things not to miss in Athens - Acropolis Museum, Benaki Museum Pireos Annexe, The Goulandris Museum of Contemporary Art, The National Archaeological Museum, The Acropolis, Plaka, The Athens Epidaurus Festival, Delphi, Nafplio, The Byzantine and Christian Museum- Perfect Day - itinerary suggestions for those on a short break- Short Athens introduction - geographical location, cultural legacy, history with interesting key dates - What to do in Athens - recommendations for entertainment, shopping, sports, children's activities, events and nightlife- Food and drink - recommendations for local products and places to eat- Overview maps - handy maps on the inside cover flaps showing Athens and around- Practical information - how to get there and around, opening times, health and medical care, and tourist information- Greek section - basic vocabulary and phrases from the local language- Striking pictures - inspirational colour photography throughout- Free download of the eBook - available after purchase of the printed guidebook Athens - Fully updated post-COVID-19This guide is easy to use and quick to scan through when you need help on the go. It's the perfect companion both ahead of your trip and on the ground. It gives you the flavour of Athens without overwhelming you with too much information.

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Reinhart Koselleck is one of the most important theorists of history and historiography of the last half century. His work has implications for contemporary cultural studies that extend far beyond discussions of the practical problems of historical method. He is the foremost exponent and practitioner of Begriffsgeschichte, a methodology of historical studies that focuses on the invention and development of the fundamental concepts underlying and informing a distinctively historical manner of being in the world. The eighteen essays in this volume illustrate the four theses of Koselleck's concept of history. First, historical process is marked by a distinctive kind of temporality different from that found in nature. This temporality is multileveled and subject to different rates of acceleration and deceleration, and functions not only as a matrix within which historical events happen but also as a causal force in the determination of social reality in its own right. Second, historical reality is social reality, an internally differentiated structure of functional relationships in which the rights and interests of one group collide with those of other groups, and lead to the kinds of conflict in which defeat is experienced as an ethical failure requiring reflection on "what went wrong" to determine the historical significance of the conflict itself. Third, the history of historiography is a history of the evolution of the language of historians. In this respect, Koselleck's work converges with that of Barthes, Foucault, and Derrida, all of whom stress the status of historiography as discourse rather than as discipline, and feature the constitutive nature of historical discourse as against its claim to literal truthfulness. Finally, the fourth aspect of Koselleck's notion of the concept of history is that a properly historicist concept of history is informed by the realization that what we call modernity is nothing more than an aspect of the discovery of history's concept in our age. The aporias of modernism—in arts and letters as well as in the human and natural sciences—are a function of the discovery of the historicity of both society and knowledge.

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This is a scholarly monograph devoted to Jane Morris, an icon of Victorian art whose face continues to grace a range of Pre-Raphaelite merchandise. Described by Henry James as a 'dark, silent, medieval woman', Jane Burden Morris has tended to remain a rather one-dimensional figure in subsequent accounts. This book, however, challenges the stereotype of Jane Morris as silent model, reclusive invalid, and unfaithful wife. Drawing on extensive archival research as well as the biographical and literary tradition surrounding William Morris and Dante Gabriel Rossetti, the book argues that Jane Morris is a figure who complicates current understandings of Victorian female subjectivity because she does not fit neatly into Victorian categories of feminine identity. She was a working-class woman who married into middle-class affluence, an artist's model who became an accomplished embroiderer and designer, and an apparently reclusive, silent invalid who was the lover of Dante Gabriel Rossetti and Wilfred Scawen Blunt. Jane Morris particularly focuses on textual representations - in letters, diaries, memoirs and novels - from the Victorian period onwards, in order to investigate the cultural transmission and resilience of the stereotype of Jane Morris. Drawing on recent reconceptualisations of gender, auto/biography, and afterlives, this book urges readers to think differently - about an extraordinary woman and about life-writing in the Victorian period. It is the first scholarly study of Jane Morris, which seeks to challenge the stereotype surrounding her as melancholy invalid and Pre-Raphaelite femme fatale. It is an innovative case study of the role of class, gender and sexuality in the formation of Victorian feminine subjectivity. It is a contribution to emerging field of new biography and Victorian afterlives through the inclusion and examination of a wide variety of texts which construct the self. It is an original exploration of feminine creative agency that challenges conventional understandings of masculine artistic autonomy in the Victorian period.

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There is a greater difference between life in Sussex today and life one hundred years ago than there was between the times of our great-grandparents and of Queen Elizabeth, for in 1900 Sussex away from the seaside resorts had more in common with the Sussex of 1700 than today's county. Horse power still set the pace of life and thistledown floated up from the spacious sheepwalks in high summer. Hazel and chestnut coppice was still cut regularly, men had not left off singing, and the bell-teams of wagon horses on the road were familiar sounds in what was called 'sleepy, snoozy, Sussex'.This book examines the social, cultural and environmental changes which went into the making of modern Sussex from the end of the 18th century, particularly those that resulted from the invasion of wide-eyed Londoners as tourists and health-seekers, writers and artists, weekenders or permanent residents, in the half-century up to 1939. Those in favour of innovation and progress, who wanted to let things run their course, gave their active or tacit support to change, but there were others who abhorred the modern age and tried angrily to reverse the process. There were also those who fought on behalf of the countryside and resisted urbanisation by means of landscape protection, thus saving much of the county from bricks and mortar.Sussex became a foil to the metropolis on its doorstep, functioning as a re-discovered Eden in the guise of an undeclared national park, with values and lifestyles at variance with those of the capital city. The remarkable efflorescence of painting, writing, arts and crafts, domestic architecture, and landscape design and planning was deeply affected by the nostalgia for the countryside which accompanied the rapid and largely unplanned metropolitan growth. Writers and promoters of tourism created a rural ideology designed to meet the strains and stresses of the new urban mode of existence.

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The definitive history of coronations and the Royal Family, from acclaimed writer Roy Strong. ’What is the finest sight in the world? A Coronation.What do people talk most about? A Coronation.What is delightful to have passed? A Coronation.’Horace Walpole, 1761 As a boy of sixteen, Roy Strong watched the grand procession carrying Queen Elizabeth II to her coronation. The spectacle was considered the greatest public event of the century. But now, so many years later, many people have little notion of what a coronation is and are unaware of the rich resonances of the ritual, or its deep significance in terms of the committal of monarch to people. This book is the first of its kind – a comprehensive history that sets each coronation into its political, social, religious and cultural context. The story is one of constant re-invention as the service has had to respond to all the changes in fortune of the monarchy or the country: everything from legitimising usurpers to reconciling a Catholic rite to the tenets of Protestantism. It even had to be recreated from scratch after the Restoration of Charles II in 1660. In this way, Strong tells the story of the British monarchy since the tenth century, and looks forward to the coronation of King Charles III. The musical history alone is one of extraordinary richness – involving Henry Purcell, Handel, Edward Elgar, William Walton – plus the celebratory poetry, the art and the spectacular engravings published at coronations are all explored, as is the more recent role of photographers. The book particularly concentrates on post-1603 developments, including the incredible story of the Stuarts, when the crown jewels used for hundreds of years at coronations were melted down as symbols of the hated Divine Right of Kings. As Charles III succeeds to the throne and preparations are made for his coronation, Strong speculates as to the revisions now called for to its ritual and pageantry to meet the changes in the role of the monarchy in the twenty-first century.

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The University of Notre Dame’s connection with Ireland has been entrenched in Notre Dame’s heritage and identity since the founding of the university in 1842. The university is also closely associated with Ireland through its renowned football team, the Fighting Irish. When some thirty-five thousand Americans descended on Dublin, Ireland, for the Emerald Isle Classic football game between Notre Dame and Navy (played on September 1, 2012) at Aviva Stadium, the relationship between Notre Dame and the land and its people was celebrated throughout Dublin and the rest of Ireland. Now the allure of both Ireland and the Emerald Isle Classic football game are brought together in Notre Dame’s Happy Returns: Dublin, the Experience, the Game. Senior University Photographer Matt Cashore took thousands of photographs for this book, and has selected nearly two hundred of his favorite shots for this large-format collection, capturing the sights, historic places, and cultural riches that make Ireland special for fans of the Fighting Irish. Woven together with brief cultural and historical captions by Brian Ó Conchubhair and Susan Mullen Guibert, Notre Dame’s Happy Returns contains dozens of full-page photographs of Ireland’s capital city. Ranging from art and architecture to spectacular views of Dublin Castle, Saint Patrick’s Cathedral, Trinity College, Casino Marino, Saint Stephen’s Green, shops, pubs, and other notable landmarks, the photographs capture the mythical attraction of one of Europe’s most vibrant cities and offer readers a glimpse of its rich history. The photographs and text also highlight the university’s commitment to scholarship through the Keough-Naughton Institute for Irish Studies, Notre Dame’s Catholic tradition of service in Ireland, and the extraordinary beauty of the countryside beyond Dublin. In addition, the book explores the introduction of American football in Ireland and Notre Dame’s role in elevating the sport there, and contains a special section on the 2012 Notre Dame–Navy game in Dublin. As travel guide, sports book, and lush photographic essay all in one, Notre Dame’s Happy Returns is a must have for those who attended the Notre Dame–Navy game in Aviva Stadium as well as for all Notre Dame football fans. It will also be of interest to graduates, subway alumni, members of the Notre Dame family, and university supporters for whom Ireland is a spiritual and ancestral home.

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"Today, a good century after the first X-rays of mummies, Egyptology has the benefit of all the methods and means at the disposal of forensic medicine. The 'mummy stories' we tell have changed their tone, but they have enjoyed much success, with fantastic scientific and technological results resolving the mysteries of the ancient land of the pharaohs."—from the Foreword Mummies are the things that fascinate us most about ancient Egypt. But what are mummies? How did the Egyptians create them? And why? What became of the people they once were? We are learning more all the time about the cultural processes surrounding mummification and the medical characteristics of ancient Egyptian mummies. In the first part of Mummies and Death in Egypt Françoise Dunand gives an overview of the history of mummification in Egypt from the prehistoric to the Roman period. She thoroughly describes the preparations of the dead (tombs and their furnishings, funerary offerings, ornamentation of the corpse, coffins, and canopic jars), and she includes a separate chapter on the mummification of animals. She links these various practices and behaviors to the religious beliefs of classical Egypt. In the second part of this book, Roger Lichtenberg, a physician and archaeologist, offers a fascinating narrative of his forensic research on mummies, much of it conducted with a portable X-ray machine on archaeological digs. His findings have revealed new information on the ages of the mummified, their causes of death, and the illnesses and injuries they suffered. Together, Dunand and Lichtenberg provide a state-of-the-art account of the science of mummification and its social and religious context.

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Wondering what the essential Judge Dredd stories are? Need to find out how long The Ballad of Halo Jones ran? Well look no further, Earthlets – the 2000 AD Encyclopedia is here!Timed to concide with 2000 AD's landmark 45th anniversary, this 336-page hardcover with dustjacket and explosive brand new cover by artist Stewart K. Moore is a must have for comic book fans. For the first time, the 2000 AD Encyclopedia celebrates 45 years of cutting edge sci-fi, biting dystopian satire and glorious fantasy by giving readers chapter and verse on this enthralling universe of thrills, detailing the characters and stories that have helped make 2000 AD a groundbreaking comic book and major cultural force.With jaw-dropping illustrations by some of the world’s top artists alongside detailed profiles on the stories and characters from the pages of this legendary comic, from the luckless Aaron A. Aardvark of Judge Dredd to the weaponised (but very polite) undead crusader Zombo.Discover fascinating facts about the acclaimed art and script droids behind 2000 AD’s success, including industry legends such as John Wagner, Alan Grant, Alan Moore, Mark Millar, Grant Morrison, Jock, Brian Bolland, Mick McMahon, Carlos Ezquerra and many more. With a foreword by 2000 AD’s longest-serving editor Matt Smith, this hardcover collection is indispensable for all dedicated Squaxx Dek Thargo and an essential addition to any comic fan’s bookshelf.

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For more than a century, the Lower East Side of New York City has been recognized and scrutinized as the largest and most vibrant immigrant Jewish neighborhood in America. In recent years a spate of art works, performances, and tourist productions have fostered increased interest in the neighborhood. This lively book explores the dynamics of Lower East Side memory and considers the changing ways that this unique neighborhood has been embraced by American Jews over the course of a century. Part 1, "The Dynamics of Remembrance," investigates multiple facets of life on the Lower East Side and considers the emerging repertoire of memory that took shape around the neighborhood. Themes include the naming of the Lower East Side, a century of photography of the neighborhood, and the colorful histories of synagogues and schools, restaurants and cabarets. Part 2, "Contemporary Recollections," examines the recent upsurge of interest in the Lower East Side as a site of Jewish heritage and cultural innovation. Topics include the creation of the Tenement Museum, walking tours of the neighborhood and visits to popular "period" restaurants, the experience of a documentary filmmaker, and the performance of memory in a refurbished synagogue. A generous selection of photographs enhances the book's wide-ranging insights into how the Lower East Side became a touchstone of Jewish identity and history.Contributors include Stephan Brumberg, Hasia R. Diner, Joseph Dorman, Paula Hyman, Eve Jochnowitz, Seth Kamil, David Kaufman, Jack Kugelmass, David Lobenstine, Mario Maffi, Deborah Dash Moore, Riv-Ellen Prell, Moses Rischin, Jeffrey Shandler, Suzanne Wasserman, Aviva Weintraub, and Beth S. Wenger.

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This book has come about as a result of the project 'Roman Funerary Monuments of South-Western Pannonia in their Material, Social, and Religious Context', unfolding between 2015 and 2018 in the Croatian Academy of Sciences and Arts under the auspices of the Croatian Science Foundation, with B. Migotti as the project leader and M. Šašel Kos and I. Radman-Livaja as collaborators. 'Roman Funerary Monuments of South-Western Pannonia in their Material, Social, and Religious Context' examines around two hundred funerary monuments and fragments (stelai, sarcophagi, ash-chests, tituli, altars, medallions and buildings) from three Roman cities in the south-west part of the Roman province of Pannonia in the territory of north-west Croatia: colonia Siscia (Sisak) and municipia Andautonia (Ščitarjevo) and Aquae Balissae (Daruvar). A juxtaposition of the evidence from three administrative units of different dimensions and municipal profiles, and of unequal importance in the wider area, offered a good opportunity for a meaningful comparison of the main components for a reconstruction of material, social and cultural components of the three Romano-provincial communities. The components studied were: 1 – territorial scope of the individual cities; 2 – quantification of the monuments in terms of kinds and chronology; 3 – structural typology and iconography; 4 – social aspects of the monument use; 5 – ritual and religious aspects (incineration vs. inhumation, classical religion vs. Christianity); 6 – geo-archaeological aspect. The most valuable contributions have been achieved in the geo-archaeological field, as such research had never been carried out in the studied area before.

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A new edition of a classic on a beloved turtle species. She's the mascot for the University of Maryland's sports teams and her ancestors were nearly driven to extinction by Victorians who indulged in turtle soup. But as she buries herself in the mud every night to sleep, the diamondback terrapin knows none of this. The size of a dinner plate and named for the beautiful concentric rings on her shell, she can live at least forty years and is the only turtle in North America who can live in brackish and salty waters. Several diamondback populations have been the subjects of ecological studies in recent years, but most of that information was buried in scientific literature and various state and federal reports-until this book. Synthesizing all known research on this remarkable animal, Diamonds in the Marsh is the first full-scale natural history of the diamondback terrapin. Focusing on the northern diamondback, Barbara Brennessel examines its evolution, physiology, adaptations, behavior, growth patterns, life span, genetic diversity, land use, reproduction, and early years. She also discusses its relationship to humans, first as an important food source from colonial times through the nineteenth century, and more recently as a cultural icon, frequently depicted in Native American art and design. She concludes with a look at contemporary hazards to the terrapin and urges continued study of this marvelous creature. Updated with a new introduction by Brennessel, and with a foreword by Bob Prescott, former executive director of Massachusett's Audubon Wellfleet Bay Sanctuary, Diamonds of the Marsh is perfect for those interested in the conservation of a species.

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While scholars of traditional imperial history see the formation of the larger British Atlantic world as a consequence of competing European powers' efforts at nation-building, Atlantic historians see the transatlantic empire shaped more by the motives of a wide variety of subnational groups. Elizabeth Mancke and Carole Shammas have compiled a volume that reflects these different viewpoints concerning the transatlantic experience during Britain's rise to world dominance between the sixteenth and nineteenth centuries. In the book's opening chapters, contributors consider the effect of transatlantic emigration, discussing European and African migration and slave trade; the enslavement of Native American peoples; and the ways individuals adapted their national and religious identities in a world of expanding cultural influences. The second section addresses the roles played by trade, religion, ethnicity, and class in linking the Atlantic borders, with essays examining how mariners circulated political and religious news along with trade goods; how British common law supplanted the diverse legal systems of the early colonies; and how Protestant leaders in the colonies challenged the theological assumptions of their European contemporaries. The chapters in the final section address the increasingly complicated legal relationships between the British sovereign and colonial charterholders; the simultaneous establishment of a British colonial government in East Florida and the Royal Gardens of Kew; the popularity of imperial landscape art in eighteenth-century Britain; and the British roots of Pennsylvania Quakers. The Creation of the British Atlantic World provides insight into the competing forces that forged the Atlantic world as well as the reciprocal relationships between the growing British Empire and the individuals, groups, and subnations within that empire.

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A new edition of the biography of Dallas' own Deep Ellum. Just outside of downtown Dallas lies a section of the city called Deep Ellum, where graffiti and murals decorate the walls of trendy shops, loft apartments, restaurants, nightclubs, art galleries, and tattoo studios. The area has been home to a remarkable array of businesses, creatives, and artistic practices since its birth 150 years ago as a Black center of business. Because of the area’s long association with blues and jazz musicians, Deep Ellum has been shrouded in myth and misconceptions which obscure its actual history. Alan Govenar and Jay Brakefield—using oral histories, old newspapers and photographs, city directories and maps, as well as more traditional public records and secondary sources—reveal another side of Deep Ellum which includes Central Track (formerly called Central Avenue), an area lined with Black-owned businesses which served both Black and white patrons during its heyday in the 1920s and 30s. In the Deep Ellum and Central Track areas, African Americans and whites, primarily Eastern European Jews, operated businesses from the late 19th to the mid-20th centuries, creating a unique social climate where cultural interaction took place. Much of the information in the book is presented through the stories of remarkable individuals, including professionals, pawnbrokers and other merchants, police officers, criminals, and the blues and jazz musicians who had a lasting impact on American popular music.

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More perhaps than any other composer, Edward Elgar (1857-1934) has gained the status of an 'icon of locality', his music seemingly inextricably linked to the English landscape in which he worked. This, the first full-length study of Elgar's complex interaction with his physical environment, explores how it is that such associations are formed and whether it is any sense true that Elgar alchemized landscape into music. It argues that Elgar stands at the apex of an English tradition, going back to Blake, in which creative artists in all media have identified and warned against the self-harm of environmental degradation and that, following a period in which these ideas were swept away by the swift but shallow tide of Modernism in the decades after the First World War, they have since resurfaced with a new relevance and urgency for twenty-first century society. Written with the non-specialist in mind, yet drawing on the rich resources of post-millennial scholarship on Elgar, as well as geographical studies of place, the book also includes many new insights relating to such aspects of Elgar's output as his use of landscape typology in The Apostles, and his encounter with Modernism in the late chamber music. It also calls on the resources of contemporary social commentary, poetry and, especially, English landscape art to place Elgar and his thought in the broader cultural milieu of his time. A survey of recent recordings is included, in the hope that listeners, both familiar and unfamiliar with Elgar's music, will feel inspired to embark on a voyage of (re)discovery of its endlessly rewarding treasures.

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A wide-ranging, interconnected anthology presents a diversity of feminist contributions to digital humanitiesIn recent years, the digital humanities has been shaken by important debates about inclusivity and scope—but what change will these conversations ultimately bring about? Can the digital humanities complicate the basic assumptions of tech culture, or will this body of scholarship and practices simply reinforce preexisting biases? Bodies of Information addresses this crucial question by assembling a varied group of leading voices, showcasing feminist contributions to a panoply of topics, including ubiquitous computing, game studies, new materialisms, and cultural phenomena like hashtag activism, hacktivism, and campaigns against online misogyny.Taking intersectional feminism as the starting point for doing digital humanities, Bodies of Information is diverse in discipline, identity, location, and method. Helpfully organized around keywords of materiality, values, embodiment, affect, labor, and situatedness, this comprehensive volume is ideal for classrooms. And with its multiplicity of viewpoints and arguments, it’s also an important addition to the evolving conversations around one of the fastest growing fields in the academy.Contributors: Babalola Titilola Aiyegbusi, U of Lethbridge; Moya Bailey, Northeastern U; Bridget Blodgett, U of Baltimore; Barbara Bordalejo, KU Leuven; Jason Boyd, Ryerson U; Christina Boyles, Trinity College; Susan Brown, U of Guelph; Lisa Brundage, CUNY; micha cárdenas, U of Washington Bothell; Marcia Chatelain, Georgetown U; Danielle Cole; Beth Coleman, U of Waterloo; T. L. Cowan, U of Toronto; Constance Crompton, U of Ottawa; Amy E. Earhart, Texas A&M; Nickoal Eichmann-Kalwara, U of Colorado Boulder; Julia Flanders, Northeastern U Library; Sandra Gabriele, Concordia U; Brian Getnick; Karen Gregory, U of Edinburgh; Alison Hedley, Ryerson U; Kathryn Holland, MacEwan U; James Howe, Rutgers U; Jeana Jorgensen, Indiana U; Alexandra Juhasz, Brooklyn College, CUNY; Dorothy Kim, Vassar College; Kimberly Knight, U of Texas, Dallas; Lorraine Janzen Kooistra, Ryerson U; Sharon M. Leon, Michigan State; Izetta Autumn Mobley, U of Maryland; Padmini Ray Murray, Srishti Institute of Art, Design, and Technology; Veronica Paredes, U of Illinois; Roopika Risam, Salem State; Bonnie Ruberg, U of California, Irvine; Laila Shereen Sakr (VJ Um Amel), U of California, Santa Barbara; Anastasia Salter, U of Central Florida; Michelle Schwartz, Ryerson U; Emily Sherwood, U of Rochester; Deb Verhoeven, U of Technology, Sydney; Scott B. Weingart, Carnegie Mellon U.

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Lonely Planet: The world's leading travel guide publisher Lonely Planet Buenos Aires is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Catch the historic sights of Plaza de Mayo, get a backstage tour of the Teatro Colon, or immerse yourself in a game of futbol -all with your trusted travel companion. Get to the heart of Buenos Aires and begin your journey now!Inside Lonely Planet's Buenos Aires Travel Guide: Full-color maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sight-seeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, religion, art, dance, literature, film, music, architecture, politics, shopping, cuisine Free, convenient pull-out Buenos Aires map (included in print version), plus over 25 color maps Covers Puerto Madero, Congreso & Tribunales, San Telmo, La Boca, Retiro, Recoleta, Barrio Norte, Palmero, Belgrano, Caballito, Once, Villa Crespo, Montserrat and more The Perfect Choice: Lonely Planet Buenos Aires, our most comprehensive guide to Buenos Aires, is perfect for both exploring top sights and taking roads less traveled.About Lonely Planet: Since 1973, Lonely Planet has become the world's leading travel media company with guidebooks to every destination, an award-winning website, mobile and digital travel products, and a dedicated traveller community. Lonely Planet covers must-see spots but also enables curious travellers to get off beaten paths to understand more of the culture of the places in which they find themselves. The world awaits! Lonely Planet guides have won the TripAdvisor Traveler's Choice Award in 2012, 2013, 2014, 2015, and 2016. 'Lonely Planet. It's on everyone's bookshelves, it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media 'Lonely Planet guides are, quite simply, like no other.' - New York Times

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First published in Irish by An Gum in 1965, Seosamh Mac Grianna's magnificent autobiographical novel Mo Bhealach Fein is translated here for the first time into English by Micheal O hAodha. With notes of Dead as Doornails and The Ginger Man in its absurd comedy, Mac Grianna pens his reaction to an anglicised, urbanised, post-revolution Ireland, demonstrating his talents at their peak. This Road of Mine relates a humorous, picaresque journey through Wales en route for Scotland, an Irish counterpart to Three Men in a Boat with a twist of Down and Out in Paris and London. The protagonist follows his impulses, getting into various absurd situations: being caught on the Irish Sea in a stolen rowboat in a storm; feeling guilt and terror in the misplaced certainty that he had killed the likeable son of his landlady with a punch while fleeing the rent; sleeping outdoors in the rain and rejecting all aid on his journey. What lies behind his misanthropy is a reverence for beauty and art and a disgust that the world doesn't share his view, concerning itself instead with greed and pettiness. The prose is full of personality, and O hAodha has proved himself adept at capturing the life and spark of the writer's style. His full-spirited translation has given the English-reading world access to this charming and relentlessly entertaining bohemian poet, full of irrepressible energy for bringing trouble on himself. As well as the undoubted importance of this text culturally, Mac Grianna is able to make rank misanthropy enjoyable - making music out of misery. The voice is wonderful: hyperbolic but sincere.

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This textbook evolves from the intersection between ‘Research’, ‘Educational Information Technologies’ and recent ‘Best Practices’. It offers diplomacy and erudite rhetoric in order to harvest from innovation projects and see how new professional needs for teachers are emerging day by day. The volume launches the compact background for the 21st century education that every teacher faces after being in charge for 3 or 6 years after pre-service training. ‘Sources for a better education’ refers to the deep understanding and to the incentives for encouraging teachers to leave the comfort zone and experiment the next steps into a further sophisticated professionalism, without the threat of feeling in a ‘Dilemma’.The first candidate for extending one’s teaching effectiveness is to tailor one’s teaching to the test to be expected. ‘Teaching to the Test’ is an understandable tactic, however it endangers the students’ full understanding of underlying concepts and analogies. The second candidate for professionalism is the deeper layer of knowledge on how curricular domains are related. In simpler terms: better teachers know how to ‘bridge’ topics and subjects so that students develop a deeper understanding on the patterns and structure in knowledge. The 21st century education prioritizes higher degrees of flexible-, divergent and abstract thinking, so that creative problem solving comes into reach. ICT tools for making prior knowledge explicit is a major example on how learners harvest upon prior knowledge, thinking and intuition. The third source for a better education is the courage to envisage one’s meta knowledge in order to see patterns in learning and understanding. The more conscious prior knowledge gets decompiled into genetic metaphors; the better future learning can be anticipated. The fourth asset for meta-cognitive skills is the wide spectrum of tools that the web offers for building knowledge infra-structures so that knowledge becomes transformed into problem solving skills; the availability of knowledge is no longer sufficient for finding creative and authentic solutions in future situations. This is the case for both students and teachers. By tradition, the bottom-up strategy from reproductive factual learning up to the levels of problem solving and creative thinking has been favoured. The ‘one-click away’ access to information on the web asks a more strategic attitude from learners and practitioners to cope with the periphery between known and unknown, so that a more effective meta-cognition develops. The fifth stimulus for more effective learning is the expanding impact of social media. Social media tend to intimidate learners with incomplete understanding to jump on biases as delivered through political and conspiracy agendas. This books aims at the challenge to build upon learners’ existential needs and developing interest for a longer-term learning perspective.“Renaissance man and philosopher Piet Kommers presents us with an interesting question: What makes education exciting? His book covers a range of lessons learnt through research and practice, covering philosophies and paradoxes, ranging from learning to learn to machine learning for learning. In 35 chapters he takes us on an exciting, comprehensive journey of just about every conceivable aspect of technology and education. This is a must-have for every 21st Century bookshelf!” By: Johannes Cronjé, professor of Digital Teaching and Learning in the Department of Information Technology at the Cape Peninsula University of Technology, South Africa.“Piet Kommers has in 400 pages provided an overview of teaching based on practical experience. It is not a summary of pedagogic models, but a guide to important factors in how to motivate students and thus improve their learning. New technologies changes teaching, and we need to understand how application of such technologies can improve the learning. This book provides such knowledge and I wish I had it when I started teaching at university many years ago.” By: Jan Frick, Professor Business School, University of Stavanger, Norway."Piet Kommers delivers a very thorough book with a holistic perspective on Learning Technologies. This book is a result of many years of experience that the author has in Higher Education. It comprises lessons learned from the author´s professional career, including inputs from European Union research projects, as well as diversified interactions with a wide range of Peoples and Cultures. The result is a unique perspective that is a must-read for anyone interested in Learning Technologies, past, present, and future!" By: Pedro Isaias, associate professor at the Information Systems & Technology Management School of The University of New South Wales (UNSW – Sydney), Australia. “Distinguished Professor and Thinker Dr. Piet Kommers presents the academic community with a new horizon on education that reflects the current and future technology trends in the e-Learning and Fast Internet ubiquity. The Book discusses the current and most recent advances in research and application of most effective learning methods in conjunction with the future directions in machine learning in support of learning. The Book's 35 chapters present cutting-edge technologies and state-of-the-art learning methods in support of best educational practices and the student's best learning experience. The Book is most valuable asset to educator's community pursuing the mission of excellence in the Third Millennium!” By: Eduard Babulak, Professor, Computational Sciences, Liberty University, Lynchburg, USA."Well-known scientist, (e-)learning expert and philosopher Piet Kommers presents us with an interesting question: What makes education exciting? His book covers a range of lessons learnt through research and practice, covering philosophies and paradoxes, ranging from ‘learning to learn’ to ‘machine learning for learning’. In 35 chapters he takes us on an exciting, comprehensive journey of just about every conceivable aspect of technology and education. This is an interesting and useful publication for all educators as well as learners and must-have for every 21st Century bookshelf!" By: Eugenia Smyrnova-Trybulska, Dr. hab., associate professor, Institute of Pedagogy, Faculty of Art and Sciences of Education, University of Silesia in Katowice, Poland.“The book presents a mosaic of assets reflecting the vast international experience in research and realization of learning technologies of the author, honourable professor of the UNESCO Chair in New information technologies in education for all, Piet Kommers. Describing various aspects of learning strategies, approaches, techniques and technologies in a concise way, he engages the readers into the mental construction of a "big picture" and makes them reconsider routine processes of teaching and learning. Exciting and thought-provoking reading for educators, researchers, and devoted learners.” By: professor Volodymyr Gritsenko, Director of the International Research and Training Centre for Information Technologies and Systems, National Academy of Sciences and Ministry of Education and Science of Ukraine, Head of the UNESCO Chair.

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Named one of the best books of 2021 by NPR, The Washington Post, and Financial Times“No one states problems more correctly, more astutely, more amusingly and more uncomfortably than Francine Prose . . . The gift of her work to a reader is to create for us what she creates for her protagonist: the subtle unfolding, the moment-by-moment process of discovery as we read and change, from not knowing and even not wanting to know or care, to seeing what we had not seen and finding our way to the light of the ending.”—Amy Bloom, New York Times Book Review"Depending on the light, it’s either a very funny serious story or a very serious funny story. But no matter how you turn it, The Vixen offers an illuminating reflection on the slippery nature of truth in America, then and now."—Washington PostCritically acclaimed, bestselling author Francine Prose returns with a dazzling new novel set in the glamorous world of 1950s New York publishing, the story of a young man tasked with editing a steamy bodice-ripper based on the recent trial and execution of Ethel and Julius Rosenberg—an assignment that will reveal the true cost of entering that seductive, dangerous new world. It’s 1953, and Simon Putnam, a recent Harvard graduate newly hired by a distinguished New York publishing firm, has entered a glittering world of three-martini lunches, exclusive literary parties, and old-money aristocrats in exquisitely tailored suits, a far cry from his loving, middle-class Jewish family in Coney Island.But Simon’s first assignment—editing The Vixen, the Patriot and the Fanatic, a lurid bodice-ripper improbably based on the recent trial and execution of Ethel and Julius Rosenberg, a potboiler intended to shore up the firm’s failing finances—makes him question the cost of admission. Because Simon has a secret that, at the height of the Red Scare and the McCarthy hearings, he cannot reveal: his beloved mother was a childhood friend of Ethel Rosenberg’s. His parents mourn Ethel’s death.Simon’s dilemma grows thornier when he meets The Vixen’s author, the startlingly beautiful, reckless, seductive Anya Partridge, ensconced in her opium-scented boudoir in a luxury Hudson River mental asylum. As mysteries deepen, as the confluence of sex, money, politics and power spirals out of Simon’s control, he must face what he’s lost by exchanging the loving safety of his middle-class Jewish parents’ Coney Island apartment for the witty, whiskey-soaked orbit of his charismatic boss, the legendary Warren Landry. Gradually Simon realizes that the people around him are not what they seem, that everyone is keeping secrets, that ordinary events may conceal a diabolical plot—and that these crises may steer him toward a brighter future. At once domestic and political, contemporary and historic, funny and heartbreaking, enlivened by surprising plot turns and passages from Anya’s hilariously bad novel, The Vixen illuminates a period of history with eerily striking similarities to the current moment. Meanwhile it asks timeless questions: How do we balance ambition and conscience? What do social mobility and cultural assimilation require us to sacrifice? How do we develop an authentic self, discover a vocation, and learn to live with the mysteries of love, family, art, life and loss?

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"Although the Devil still 'lives' in modern popular culture, for the past 250 years he has become marginal to the dominant concerns of Western intellectual thought. That life could not be thought or imagined without him, that he was a part of the everyday, continually present in nature and history, and active at the depths of our selves, has been all but forgotten. It is the aim of this work to bring modern readers to a deeper appreciation of how, from the early centuries of the Christian period through to the recent beginnings of the modern world, the human story could not be told and human life could not be lived apart from the 'life' of the Devil. With that comes the deeper recognition that, for the better part of the last two thousand years, the battle between good and evil in the hearts and minds of men and women was but the reflection of a cosmic battle between God and Satan, the divine and the diabolic, that was at the heart of history itself."—from The Devil Lucifer, Mephistopheles, Beelzebub; Ha-Satan or the Adversary; Iblis or Shaitan: no matter what name he travels under, the Devil has throughout the ages and across civilizations been a compelling and charismatic presence. In Christianity, Judaism, and Islam, the supposed reign of God has long been challenged by the fiery malice of his opponent, as contending forces of good and evil have between them weighed human souls in the balance. In The Devil, Philip C. Almond explores the figure of evil incarnate from the first centuries of the Christian era. Along the way, he describes the rise of demonology as an intellectual and theological pursuit, the persecution as witches of women believed to consort with the Devil and his minions, and the decline in the belief in Hell and in angels and demons as corporeal beings as a result of the Enlightenment. Almond shows that the Prince of Darkness remains an irresistible subject in history, religion, art, literature, and culture. Almond brilliantly locates the "life" of the Devil within the broader Christian story of which it is inextricably a part; the "demonic paradox" of the Devil as both God's enforcer and his enemy is at the heart of Christianity. Woven throughout the account of the Christian history of the Devil is another complex and complicated history: that of the idea of the Devil in Western thought. Sorcery, witchcraft, possession, even melancholy, have all been laid at the Devil's doorstep. Until the Enlightenment enforced a "disenchantment" with the old archetypes, even rational figures such as Thomas Aquinas were obsessed with the nature of the Devil and the specific characteristics of the orders of demons and angels. It was a significant moment both in the history of demonology and in theology when Benedict de Spinoza (1632–1677) denied the Devil's existence; almost four hundred years later, popular fascination with the idea of the Devil has not yet dimmed.

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From the preeminent Edison scholar . . . The definitive life of the inventor of the modern age The conventional story is so familiar and reassuring that it has come to read more like American myth than history: With only three months of formal education, a curious and hardworking young man beats the odds and becomes one of the greatest inventors in history. Not only does he invent the phonograph and the first successful electric light bulb, but he also establishes the first electrical power distribution company and lays the technological groundwork for today's movies, telephones, and sound recording industry. Through relentless tinkering, by trial and error, the story goes, Thomas Alva Edison perseveres-and changes the world. In the revelatory Edison: A Life of Invention, author Paul Israel exposes and enriches this one-dimensional view of the solitary "Wizard of Menlo Park," expertly situating his subject within a thoroughly realized portrait of a burgeoning country on the brink of massive change. The second half of the nineteenth century witnessed the birth of corporate America, and with it the newly overlapping interests of scientific, technological, and industrial cultures. Working against the common perception of Edison as a symbol of a mythic American past where persistence and individuality yielded hard-earned success, Israel demonstrates how Edison's remarkable career was actually very much a product of the inventor's fast-changing era. Edison drew widely from contemporary scientific knowledge and research, and was a crucial figure in the transformation of invention into modern corporate research and collaborative development. Informed by more than five million pages of archival documents, Paul Israel's ambitious life of Edison brightens the unexamined corners of a singularly influential and triumphant career in science. In these pages, history's most prolific inventor-he received an astounding 1,093 U.S. patents-comes to life as never before. Edison is the only biography to cover the whole of Edison's career in invention, including his early, foundational work in telegraphy. Armed with unprecedented access to Edison's workshop diaries, notebooks, and letters, Israel brings fresh insights into how the inventor's creative mind worked. And for the first time, much attention is devoted to his early family life in Ohio and Michigan-where the young Edison honed his entrepreneurial sense and eye for innovation as a newsstand owner and editor of a weekly newspaper-underscoring the inventor's later successes with new resonance and pathos. In recognizing the inventor's legacy as a pivotal figure in the second Industrial Revolution, Israel highlights Edison's creation of the industrial research laboratory, driven by intricately structured teams of researchers. The efficient lab forever changed the previously serendipitous art of workshop invention into something regular, predictable, and very attractive to corporate business leaders. Indeed, Edison's collaborative research model became the prototype upon which today's research firms and think tanks are based. The portrait of Thomas Alva Edison that emerges from this peerless biography is of a man of genius and astounding foresight. It is also a portrait rendered with incredible care, depth, and dimension, rescuing our century's godfather of invention from myth and simplification. Advance Praise for Edison: A Life of Invention "Familiar Edison stories come alive with fresh insight . . . Israel's scholarship is impeccable while his deceptively easy grace transforms a challenging story into a page turner. One hundred years of history texts have been right all along. Thomas Edison, a protean actor on the American landscape, requires our attention. Paul Israel has given us a book to satisfy that requirement for a long time to come."- John M. Staudenmaier, S.J., Editor, Technology and Culture

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From Frederick Law Olmsted to Richard Neutra, Michelle Obama to our neighbors, Americans throughout history have revealed something of themselves - their personalities, desires, and beliefs - in the gardens they create. Monticello's gardens helped Jefferson reconcile his conflicted feelings about slavery - and take his mind off his increasing debt. Edith Wharton's gardens made her feel more European and superior to her wealthy but insufficiently sophisticated countrymen. Martha Stewart's how-to instructions helped bring Americans back into their gardens, while at the same time stoking and exploiting our anxieties about social class. Melding biography, history, and cultural commentary in a one-of-a-kind narrative, "American Eden" presents a dynamic, sweeping look at this country's landscapes and the visionaries behind them. "American Eden" offers an inclusive definition of the garden, considering intentional landscapes that range from domestic kitchen gardens to city parks and national parks, suburban backyards and golf courses, public plazas and Manhattan's High Line park, reclaimed from freight train tracks. And it exposes the overlap between garden-making and painting, literature, and especially architecture-the garden's inseparable sibling-to reveal the deep interconnections between the arts and their most inspired practitioners. Beautifully illustrated with color and black-and-white images, "American Eden" is at once a different kind of garden book and a different kind of American history, one that offers a compelling, untold story-a saga that mirrors and illuminates our nation's invention, and constant reinvention, of itself.

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From giving rides to children at the British seaside to pulling a plough in the poorest of countries, donkeys have served humans faithfully since the time of their domestication more than 10,000 years ago. Despite the critical role that they have played throughout human history, however, donkeys have often received little respect. Donkey follows the story of this incredibly hard-working animal. Jill Bough reveals the animal's historic significance in Ancient Egypt where they were once highly regarded and even worshipped. However, this elevated status did not endure in Ancient Greece and Rome, where donkeys were denigrated, ridiculed and abused. Since this time, donkeys have continued to be associated with the poorest and most marginalized in human societies. Throughout the world, donkeys have been used for innumerable tasks: the main ones being as pack animals during times of peace and war, and to breed mules. Even today, donkeys are considered to be one of the best draught animals in third world countries, where they continue to make a vital contribution. Jill Bough goes beyond the practical uses of the animal by exploring a variety of social, cultural and religious meanings that the donkey has embodied, especially its symbolic representations in Western literature and art. The story of the donkey makes an important addition to the complex and contradictory history of human and non-human animal relationships. With accounts that are both fascinating and touching, this book will be ideal for anyone with an admiration of the donkey or who is interested by animals in history.

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Winner of a Casa de las Américas Prize 2010, one of Latin America's oldest and most prestigious literary awards.The jury said the collection "captures a sense of the complexities of historical, social and cultural aspects of contemporary Caribbean".Jennifer Rahim's poems move seamlessly between the inwardly confessional, an acute sensitivity to the distinctive subjectivities of an immediate circle of family, friends and neighbours, and a powerful sense of Trinidadian place and history. Few have written more movingly or perceptively of what can vex the relationship between daughters and mothers, or with such a mixture of compassion and baffled rage about a daughter's relationship to her father. If Sylvia Plath comes to mind, acknowledged in the poem 'Lady Lazarus in the Sun', the comparison does Rahim no disfavours; Rahim's voice and world is entirely her own. There is in her work a near perfect balance between the disciplined craft of the poems, and their capacity to deal with the most traumatic of experiences in a cool, reflective way. Equally, she has the capacity to make of the ordinary something special and memorable.Here is no self-indulgent misery memoir, not least in its compassion and involvement with other lives. The threat and reality of fragmentation – of psyche's, of lives, of a nation – is ever present, but the shape and order of the poems provide a saving frame of wholeness. Poem after poem offers phrases of a satisfying weight and appositeness, like the description of the killers of a boy as 'mere children,/ but twisted like neglected fields of cane'.Jennifer Rahim is Trinidadian. She also writes short fiction and criticism. She is currently Senior Lecturer at The Liberal Arts Department, The University of the West Indies, St Augustine, Trinidad.

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Childhood joy, pleasure, and creativity are not often associated with the civil rights movement. Their ties to the movement may have faded from historical memory, but these qualities received considerable photographic attention in that tumultuous era. Katharine Capshaw’s Civil Rights Childhood reveals how the black child has been—and continues to be—a social agent that demands change. Because children carry a compelling aura of human value and potential, images of African American children in the wake of Brown v. Board of Education had a powerful effect on the fight for civil rights. In the iconography of Emmett Till and the girls murdered in the 1963 Birmingham church bombings, Capshaw explores the function of children’s photographic books and the image of the black child in social justice campaigns for school integration and the civil rights movement. Drawing on works ranging from documentary photography, coffee-table and art books, and popular historical narratives and photographic picture books for the very young, Civil Rights Childhood sheds new light on images of the child and family that portrayed liberatory models of blackness, but it also considers the role photographs played in the desire for consensus and closure with the rise of multiculturalism.Offering rich analysis, Capshaw recovers many obscure texts and photographs while at the same time placing major names like Langston Hughes, June Jordan, and Toni Morrison in dialogue with lesser-known writers. An important addition to thinking about representation and politics, Civil Rights Childhood ultimately shows how the photobook—and the aspirations of childhood itself—encourage cultural transformation.

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In the 1970s, Hollywood experienced a creative surge, opening a new era in American cinema with films that challenged traditional modes of storytelling. Inspired by European and Asian art cinema as well as Hollywood's own history of narrative ingenuity, directors such as Martin Scorsese, Robert Altman, William Friedkin, Stanley Kubrick, Woody Allen, and Francis Ford Coppola undermined the harmony of traditional Hollywood cinema and created some of the best movies ever to come out of the American film industry. Critics have previously viewed these films as a response to the cultural and political upheavals of the 1970s, but until now no one has explored how the period's inventive narrative design represents one of the great artistic accomplishments of American cinema.In Hollywood Incoherent, Todd Berliner offers the first thorough analysis of the narrative and stylistic innovations of seventies cinema and its influence on contemporary American filmmaking. He examines not just formally eccentric films—Nashville; Taxi Driver; A Clockwork Orange; The Godfather, Part II; and the films of John Cassavetes—but also mainstream commercial films, including The Exorcist, The Godfather, The French Connection, Willy Wonka and the Chocolate Factory, Dog Day Afternoon, Chinatown, The Bad News Bears, Patton, All the President's Men, Annie Hall, and many others. With persuasive revisionist analyses, Berliner demonstrates the centrality of this period to the history of Hollywood's formal development, showing how seventies films represent the key turning point between the storytelling modes of the studio era and those of modern American cinema.

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It is nearly impossible to separate contemporary Iranian cinema from the Islamic revolution that transformed film production in the country in the late 1970s. As the aims of the revolution shifted and hardened once Khomeini took power and as an eight-year war with Iraq dragged on, Iranian filmmakers confronted new restrictions. In the 1990s, however, the Reformist Movement, led by Mohammad Khatami, and the film industry, developed an unlikely partnership that moved audiences away from revolutionary ideas and toward a discourse of reform. In Reform Cinema in Iran, Blake Atwood examines how new industrial and aesthetic practices created a distinct cultural and political style in Iranian film between 1989 and 2007. Atwood analyzes a range of popular, art, and documentary films. He provides new readings of internationally recognized films such as Abbas Kiarostami's Taste of Cherry (1997) and Mohsen Makhmalbaf's Time for Love (1990), as well as those by Rakhshan Bani, Masud Kiami, and other key Iranian directors. At the same time, he also considers how filmmakers and the film industry were affected by larger political and religious trends that took shape during Mohammad Khatami's presidency (1997-2005). Atwood analyzes political speeches, religious sermons, and newspaper editorials and pays close attention to technological developments, particularly the rise of video, to determine their role in democratizing filmmaking and realizing the goals of political reform. He concludes with a look at the legacy of reform cinema, including films produced under Mahmoud Ahmadinejad, whose neoconservative discourse rejected the policies of reform that preceded him.

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It is nearly impossible to separate contemporary Iranian cinema from the Islamic revolution that transformed film production in the country in the late 1970s. As the aims of the revolution shifted and hardened once Khomeini took power and as an eight-year war with Iraq dragged on, Iranian filmmakers confronted new restrictions. In the 1990s, however, the Reformist Movement, led by Mohammad Khatami, and the film industry, developed an unlikely partnership that moved audiences away from revolutionary ideas and toward a discourse of reform. In Reform Cinema in Iran, Blake Atwood examines how new industrial and aesthetic practices created a distinct cultural and political style in Iranian film between 1989 and 2007. Atwood analyzes a range of popular, art, and documentary films. He provides new readings of internationally recognized films such as Abbas Kiarostami's Taste of Cherry (1997) and Mohsen Makhmalbaf's Time for Love (1990), as well as those by Rakhshan Bani, Masud Kiami, and other key Iranian directors. At the same time, he also considers how filmmakers and the film industry were affected by larger political and religious trends that took shape during Mohammad Khatami's presidency (1997-2005). Atwood analyzes political speeches, religious sermons, and newspaper editorials and pays close attention to technological developments, particularly the rise of video, to determine their role in democratizing filmmaking and realizing the goals of political reform. He concludes with a look at the legacy of reform cinema, including films produced under Mahmoud Ahmadinejad, whose neoconservative discourse rejected the policies of reform that preceded him.

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Beth Moon's fourteen-year quest to photograph ancient trees has taken her across the United States, Europe, Asia, the Middle East, and Africa. Some of her subjects grow in isolation, on remote mountainsides, private estates, or nature preserves; others maintain a proud, though often precarious, existence in the midst of civilization. All, however, share a mysterious beauty perfected by age and the power to connect us to a sense of time and nature much greater than ourselves. It is this beauty, and this power, that Moon captures in her remarkable photographs. This handsome volume presents nearly seventy of Moon's finest tree portraits as full-page duotone plates. The pictured trees include the tangled, hollow-trunked yews - some more than a thousand years old - that grow in English churchyards; the baobabs of Madagascar, called 'upside-down trees' because of the curious disproportion of their giant trunks and modest branches; and the fantastical dragon's-blood trees, red-sapped and umbrella-shaped, that grow only on the island of Socotra, off the Horn of Africa. Moon's narrative captions describe the natural and cultural history of each individual tree, while Todd Forrest, vice president for horticulture and living collections at The New York Botanical Garden, provides a concise introduction to the biology and preservation of ancient trees. An essay by the critic Steven Brown defines Moon's unique place in a tradition of tree photography extending from William Henry Fox Talbot to Sally Mann, and explores the challenges and potential of the tree as a subject for art.

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Secrecy is the common feature of the so-called allo kafii gida Qur'anic writing boards used by the Hausa of northern Nigeria. While on the one hand their owners share a barely concealed reluctance to reveal the auspicious epigrams decorating these artefacts, on the other they exhibit a clear desire to avoid displaying images of animals and human beings that might cause repercussions in an iconoclastic Islamic context. One need only consider that even today possessing an allo kafii gida incurs severe punishment by the most fervent Moslems, sometimes extending to the death penalty. Every board in this book would have been destroyed by Islamic fundamentalists if it had not somehow been saved at some time in the past. Those who made the decorations embellishing these Qur'anic tablets were not simply illustrators; they were nothing short of troubadours, painting on wooden panels the tales depicting the cosmic connections of the society in which they lived. Over the years, the cosmic ideas of distant foreign lands were incorporated in the Hausas' system of thought and these allo kafii gida have thus turned into cosmological time capsules impressed on wooden panels. In view of this challenging cultural context, the owners of these artworks can be described as 'curators' of these secret boards, which, in spite of serving the Islamic religion, actually record Hausa cosmology. The artefacts adorning the book are truly unique in the field of extra-European art and come from a private collection built over a period of twenty years of painstaking research.

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Pressing Matters is an exciting design and research compilation from PennDesign's Department of Architecture, featuring recent student work, news, important symposia and lectures. Society faces many challenges: global warming and environmental change, pollution and waste, transition to new energy and resource economies, the redistribution and reorganisation of political and economic power worldwide; globalisation of the construction and development industries, population growth, shrinkage and migration; urban intensification and attrition; privatisation of public sector activities; and the transformation of cultural identities and social institutions. We seek to bring the expansion of expertise and creativity in architecture to bear on these challenges with a goal to be at the forefront of advanced research and design by creating an advanced research institute that focuses on new design methodologies and future manufacturing through the interlinked intelligence of digital design, scripting and robotics. Printed on recycled paper with non-toxic inks, Pressing Matters focuses on social awareness and responsibility, and endeavours to be a think-tank for critical exchange and advanced debate within and across disciplinary boundaries. We are a connective device linking invited experts for ongoing lectures and publications to a growing international audience and an increasing network of experts. Approximately 310 graduate students, the Graduate Architecture Department is comprised of design studios, exhibition spaces, classrooms, and offices, a facility that includes state-of-the-art laboratories for computing and fabrication and two advanced research labs: the Digital Design Research Lab and the Building Simulation Group. PennDesign has also introduced 3-D printers in the newly renovated studio spaces and a brand new Robotic lab.

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The poetry of Edgar Allan Poe has had a rough ride in America, as Emerson’s sneering quip about “The Jingle Man” testifies. That these poems have never lacked a popular audience has been a persistent annoyance in academic and literary circles; that they attracted the admiration of innovative poetic masters in Europe and especially France—notably Baudelaire, Mallarmé, and Valéry—has been further cause for embarrassment. Jerome McGann offers a bold reassessment of Poe’s achievement, arguing that he belongs with Whitman and Dickinson as a foundational American poet and cultural presence.Not all American commentators have agreed with Emerson’s dim view of Poe’s verse. For McGann, a notable exception is William Carlos Williams, who said that the American poetic imagination made its first appearance in Poe’s work. The Poet Edgar Allan Poe explains what Williams and European admirers saw in Poe, how they understood his poetics, and why his poetry had such a decisive influence on Modern and Post-Modern art and writing. McGann contends that Poe was the first poet to demonstrate how the creative imagination could escape its inheritance of Romantic attitudes and conventions, and why an escape was desirable. The ethical and political significance of Poe’s work follows from what the poet takes as his great subject: the reader.The Poet Edgar Allan Poe takes its own readers on a spirited tour through a wide range of Poe’s verse as well as the critical and theoretical writings in which he laid out his arresting ideas about poetry and poetics.

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Making No Compromise is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"—Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot—and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism.

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Cities throughout the Roman Empire flourished during the reign of Hadrian (A.D. 117-138), a phenomenon that not only strengthened and legitimized Roman dominion over its possessions but also revealed Hadrian as a masterful negotiator of power relationships. In this comprehensive investigation into the vibrant urban life that existed under Hadrian's rule, Mary T. Boatwright focuses on the emperor's direct interactions with Rome's cities, exploring the many benefactions for which he was celebrated on coins and in literary works and inscriptions. Although such evidence is often as imprecise as it is laudatory, its collective analysis, undertaken for the first time together with all other related material, reveals that over 130 cities received at least one benefaction directly from Hadrian. The benefactions, mediated by members of the empire's municipal elite, touched all aspects of urban life; they included imperial patronage of temples and hero tombs, engineering projects, promotion of athletic and cultural competitions, settlement of boundary disputes, and remission of taxes. Even as he manifested imperial benevolence, Hadrian reaffirmed the self-sufficiency and traditions of cities from Spain to Syria, the major exception being his harsh treatment of Jerusalem, which sparked the Third Jewish Revolt. Overall, the assembled evidence points to Hadrian's recognition of imperial munificence to cities as essential to the peace and prosperity of the empire. Boatwright's treatment of Hadrian and Rome's cities is unique in that it encompasses events throughout the empire, drawing insights from archaeology and art history as well as literature, economy, and religion.

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Under the Third Reich, Nazi Germany undertook an unprecedented effort to refashion the city of Łódź. Home to prewar Poland’s second most populous Jewish community, this was to become a German city of enchantment—a modern, clean, and orderly showcase of urban planning and the arts. Central to the undertaking, however, was a crime of unparalleled dimension: the ghettoization, exploitation, and ultimate annihilation of the city’s entire Jewish population.Ghettostadt is the terrifying examination of the Jewish ghetto’s place in the Nazi worldview. Exploring ghetto life in its broadest context, it deftly maneuvers between the perspectives and actions of Łódź’s beleaguered Jewish community, the Germans who oversaw and administered the ghetto’s affairs, and the “ordinary” inhabitants of the once Polish city. Gordon Horwitz reveals patterns of exchange, interactions, and interdependence within the city that are stunning in their extent and intimacy. He shows how the Nazis, exercising unbounded force and deception, exploited Jewish institutional traditions, social divisions, faith in rationality, and hope for survival to achieve their wider goal of Jewish elimination from the city and the world. With unusual narrative force, the work brings to light the crushing moral dilemmas facing one of the most significant Jewish communities of Nazi-occupied Eastern Europe, while simultaneously exploring the ideological underpinnings and cultural, economic, and social realities within which the Holocaust took shape and flourished.This lucid, powerful, and harrowing account of the daily life of the “new” German city, both within and beyond the ghetto of Łódź, is an extraordinary revelation of the making of the Holocaust.

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Fully revised and updated, Essentials of Communication Sciences and Disorders, Third Edition is an accessible and engaging introductory resource for students new to communication sciences and disorders. This text covers foundational information about speech disorders in both children and adults, while numerous case scenarios and personal stories paint a vivid picture of speech-language pathology. A robust, full color art program illustrates key concepts with detailed anatomical images, photos, and helpful charts and tables. Additionally, this text addresses multicultural issues as well as the emotional and social effects of each disorder on the individual and family, providing students with a comprehensive overview of the profession. Every new print copy includes Navigate Advantage Access that unlocks a complete, interactive eBook, videos of most disorders, PowerPoint slides, and more! New section on Cultural Competence and the diversity in professional and client interactions New sections on Interviewing and Therapy Microskills, Orofacial Myofunctional Disorders, Neurodiversity, Transgender Voice therapy, Communication Partner training, and more New video footage illustrating almost all disorders, including assessment and therapy Insight Questions throughout the text encourage students to consider how they might relate to the information presented to their personal lives or in ways they had not expected Study Questions are provided at the end of each chapter to help students demonstrate their learning Written for an international market by including journals written by researchers from Canada, United Kingdom, Israel, Argentina, China, Italy, and more

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The cataclysmic conquests of the eleventh century are here set together for the first time. Eleventh-century England suffered two devastating conquests, each bringing the rule of a foreign king and the imposition of a new regime. Yet only the second event, the Norman Conquest of 1066, has been credited with the impact and influence of a permanent transformation. Half a century earlier, the Danish conquest of 1016 had nonetheless marked the painful culmination of decades of raiding and invasion - and more importantly, of centuries of England's conflict and cooperation with the Scandinavian world - and the Normans themselves were a part of that world. Without 1016, the conquest of 1066 could never have happened as it did: and yet disciplinary fragmentation in the study of eleventh-century England has ensured that a gulf separates the conquests in modern scholarship. The essays in this volume offer multidisciplinary perspectives on a century of conquest: in politics, law, governance, and religion; in art, literature, economics, and culture; and in the lives and experiences of peoples in a changing, febrile, and hybrid society. Crucially, it moves beyond an insular perspective, placing England within its British, Scandinavian, and European contexts; and in reaching across conquests connects the tenth century and earlier with the twelfth century and beyond, seeing the continuities in England's Anglo-Saxon, Danish, Norman, and Angevin elite cultureand rulership. The chapters break new ground in the documentary evidence and give fresh insights into the whole historical landscape, whilst fully engaging with the importance, influence, and effects of England's eleventh-centuryconquests, both separately and together. LAURA ASHE is Professor of English Literature and Fellow and Tutor in English, Worcester College, Oxford; EMILY JOAN WARD is Moses and Mary Finley Research Fellow, Darwin College, Cambridge. Contributors: Timothy Bolton, Stephanie Mooers Christelow, Julia Crick, Sarah Foot, John Gillingham, Charles Insley, Catherine Karkov, Lois Lane, Benjamin Savill, Peter Sigurdson Lunga, Niels Lund, Rory Naismith, Bruce O'Brien, Rebecca Thomas, Elizabeth M. Tyler, Elisabeth van Houts, Emily Joan Ward.

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The ideal travel companion, full of insider advice on what to see and do, plus detailed itineraries and comprehensive maps for exploring this epic nation.Travel on the epic Trans-Siberian railway, admire the colourful onion domes of St Basil's Cathedral in Moscow or spend a couple of weeks touring the Volga River: everything you need to know is clearly laid out within colour-coded chapters. Discover the best of Russia with this indispensable travel guide.Inside DK Eyewitness Travel Guide Russia:- Over 30 colour maps, including transport maps for St Petersburg and Moscow, help you navigate with ease- Simple layout makes it easy to find the information you need- Comprehensive tours and itineraries of Russia, designed for every interest and budget- Illustrations and floorplans show in detail St Basil's Cathedral, the Bolshoi Theatre, the Winter Palace, St Isaac's Cathedral and more- Colour photographs of Russia's historic capital cities, iconic architecture, churches and cathedrals, vast landscape and more- Detailed chapters, with area maps, cover Moscow (The Kremlin, Red Square and Kitay Gorod, Garden Ring, Zamoskvoreche and sights beyond the city), St Petersburg (The Islands, Palace Embankment, Gostinyy Dvor, Sennaya Ploshchad and sights beyond the city), Northern Russia, Kaliningrad, Central and Southern Russia, the Caucasus, and Siberia and the Far East- Historical and cultural context gives you a richer travel experience: learn about the country's epic history, rich culture of arts and literature, iconic architecture, and the festivals and events that take place throughout the year - Essential travel tips: our expert choices of where to stay, eat, shop and sightsee, plus useful phrases, transport, visa and health information DK Eyewitness Travel Guide Russia is a detailed, easy-to-use guide designed to help you get the most from your visit to Russia.DK Eyewitness: winner of the Top Guidebook Series in the Wanderlust Reader Travel Awards 2017. "No other guide whets your appetite quite like this one" - The IndependentPlanning a city break? Try our DK Eyewitness Travel Guide St Petersburg or DK Eyewitness Travel Guide Moscow.About DK Eyewitness Travel: DK's highly visual Eyewitness guides show you what others only tell you, with easy-to-read maps, tips, and tours to inform and enrich your holiday. DK is the world's leading illustrated reference publisher, producing beautifully designed books for adults and children in over 120 countries.

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The contemporary architecture of Japan has long been among the most inventive in the world, recognized for sustainability and infinite creativity. No fewer than seven Japanese architects have won the Pritzker Prize. Since Osaka World Expo ’70 brought contemporary forms center stage, Japan has been a key player in global architecture. With his intentionally limited vocabulary of geometric forms, Tadao Ando has since then put Japanese building on the world’s cultural map, establishing a bridge between East and West. In the wake of Ando’s mostly concrete buildings, figures like Kengo Kuma (Japan National Stadium intended for the Olympic Games), Shigeru Ban (Mount Fuji World Heritage Center), and Kazuyo Sejima (Kanazawa Museum of 21st Century Art of Contemporary Art) pioneered a more sustainable approach. Younger generations have successfully developed new directions in Japanese architecture that are in harmony with nature and connected to traditional building. Rather than planning on the drawing board, the architects presented in this collection stand out for their endless search for forms, truly reacting on their environment. Presenting the latest in Japanese building, this book reveals how this unique creativity is a fruit of Japan’s very particular situation that includes high population density, a modern, efficient economy, a long history, and the continual risk of disasters in the form of earthquakes. Accepting ambiguity, as seen in the evanescent reflections of Sejima’s Kanazawa Museum, or constant change and the threat of catastrophe is a key to understanding what makes Japanese architecture different from that of Europe or America. This XL-sized book highlights 39 architects and 55 exceptional projects by Japanese masters—from Tadao Ando’s Shanghai Poly Theater, Shigeru Ban’s concert hall La Seine Musical, SANAA’S Grace Farms, Fumihiko Maki’s 4 World Trade Center, to Takashi Suo’s much smaller sustainable dental clinic. Each project is introduced with photos, original floor plans and technical drawings, as well as insightful descriptions and brief biographies. An elaborate essay traces the country’s building scene from the Metabolists to today and shows how the interaction of past, present, and future has earned contemporary Japanese architecture worldwide recognition.

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A wide-ranging, multi-disciplinary collection of essays that decenter, critique, and problematize predominant notions of the meaning of mortality for human creativityThis issue of Alif explores the ways in which humans have come to confront their mortality across time and space. Contributions question the nature of loss, grief, and the possibility of an afterlife. Is death only an interlude? Perhaps simply the end? How have people used literature and the arts to conceptualize its relentless presence in our existence?The articles in this issue decenter, critique, and problematize predominant notions of the meaning of mortality for human creativity. They provide a wide scope of responses to mortality, anthropologically, philosophically, and psychologically. They shed light on different cultural receptions of loss, annihilation, and mortality, ranging from India to Yemen, Palestine to Iraq, the Island of Lampedusa to the war-ravished city of Beirut, among many other locales. Death is dealt with in an intimate fashion through the exploration and reinterpretation of modern and classical elegiac poetry, children’s picturebooks, fictional accounts of war, grief, and displacement, and dramatic treatments of dying and the afterlife.Contributors: Hajjaj Abu Jabr, Egyptian Academy of Arts, Cairo, EgyptKaram AbuSehly, Beni-Suef University, Beni Suef, EgyptHala Amin, Beni-Suef University, Beni Suef, EgyptShaimaa El-Ateek, Imam Mohammad Ibn Saud Islamic University, Riyadh, Saudi ArabiaMohamed Birairi, Beni-Suef University, Beni-Suef, Egypt, and American University in Cairo, Cairo, EgyptElliott Colla, Georgetown University, Washington, DC, USASaeed Elmasry, Cairo University, Cairo, EgyptShaimaa Gohar, Ain Shams University, Cairo, EgyptWalid El Khachab, York University, Toronto, CanadaYasmine Motawy, American University in Cairo, Cairo, EgyptDani Nassif, University of Münster, Münster, GermanyAndrea Maria Negri, Ludwig Maximilian University of Munich, Munich, GermanyMarwa Ramadan, Zagazig University, Zagazig, EgyptCaroline Rooney, University of Kent, Kent, United KingdomTania Al Saadi, Stockholm University, Stockholm, SwedenMay Telmissany, University of Ottawa, Ottawa, CanadaShahla Ujayli, American University of Madaba, Madaba, Jordan

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