Search results for ""Oxford University Press""

Kay Dickinson is Associate Professor of Film Studies at Concordia University, Canada. She is the author of Off Key: When Film and Music Won't Work Together (Oxford University Press, 2008); the editor of Movie Music (Routledge, 2002), Teen TV (British Film Institute Publishing, 2003), and The Arab Avant-Garde: Music, Politics and Modernity (Wesleyan University Press, 2013). In addition, she has worked as an education officer on the Ramallah International Film Festival and as an advisor on the Shashat Women's Film Festival (Bethlehem, Nablus and Ramallah). In the academic year of 2010-11, she was awarded a Fellowship in Global Aesthetics at Cornell University.

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Engaging fiction and non-fiction fully aligned to each week of Essential Letters and Sounds, allowing children to consolidate their phonic knowledge through reading in context. These fully decodable readers are 100% matched to the phonic progression of Essential Letters and Sounds. Essential Letters and Sounds is a systematic synthetic phonics programme validated by the Department for Education. These readers complement your existing decodable readers from Oxford University Press and can be used alongside them to support the teaching of Essential Letters and Sounds. How to Make a Video Game allows children to apply their phonics learning from Year 1, Summer 2, Week 1 of Essential Letters and Sounds.

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Engaging fiction and non-fiction fully aligned to each week of Essential Letters and Sounds, allowing children to consolidate their phonic knowledge through reading in context. These fully decodable readers are 100% matched to the phonic progression of Essential Letters and Sounds. Essential Letters and Sounds is a systematic synthetic phonics programme validated by the Department for Education. These readers complement your existing decodable readers from Oxford University Press and can be used alongside them to support the teaching of Essential Letters and Sounds. The Brightest Star allows children to apply their phonics learning from Year 1, Autumn 2, Week 5 of Essential Letters and Sounds.

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Co-published with Oxford University Press. This highly technical and thought-provoking book stresses the development of mathematical foundations for the application of the electromagnetic model to problems of research and technology. Features include in-depth coverage of linear spaces, Green's functions, spectral expansions, electromagnetic source representations, and electromagnetic boundary value problems. This book will be of interest graduate-level students in engineering, electromagnetics, physics, and applied mathematics as well as to research engineers, physicists, and scientists.

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Published by Sinauer Associates, an imprint of Oxford University Press. A Primer of Ecology, Fourth Edition, presents a concise but detailed exposition of the most common mathematical models in population and community ecology. It is intended to demystify ecological models and the mathematics behind them by deriving the models from first principles. The book may be used as a self-teaching tutorial by students, as a primary textbook, or as a supplemental text to a general ecology textbook.

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Pip Williams was born in London, grew up in Sydney and now calls the Adelaide Hills home. She is the author of the international number one bestseller, The Dictionary of Lost Words, described by The Times as 'an extraordinary, charming novel'. It was also a New York Times bestseller, a Reese Witherspoon Book Club pick and has been translated into over thirty languages to worldwide acclaim. Pip's second novel, The Bookbinder of Jericho, sprang from her discovery of archival footage of women who worked in the bindery of Oxford University Press during the early twentieth century. When she tried to find out more about them, there was almost nothing. Despite their important role in the production of books, barely a word has been written about them until now.

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Hunter, naturalist, and conservationist, Jim Corbett is famous for slaying man-eating tigers and leopards in the Kumaon region of northern India. Frequently appealed to by the government of the United Provinces during the 1920s and the 1930s for help, Corbett is known to have shot nineteen tigers and fourteen leopards-all man-eaters. Corbett was encouraged to write about his hunting experiences by Roy E. Hawkins, manager of the Indian Branch of the Oxford University Press and a personal friend. An integral part of OUP India's centenary celebrations, this volume includes Jim Corbett's unpublished writings on man-eaters, nature, and his beloved Kumaon, personal letters, articles written for newspapers and gazettes by his contemporaries, and letters exchanged between Corbett and his publisher showcasing the development of his bestselling books-all from the archives of the Oxford University Press. It highlights Corbett's engagement with the times in which he lived, his complete empathy with the people of Kumaon, his great understanding of tigers and leopards, and also the gradual development of his ideas about conservation and the need to preserve the tiger and its habitat. Chronicling the history of his bestselling books (Man-Eaters of Kumaon, The Man-Eating Leopard of Rudraprayag, and My India) and supported by rare photographs and evocative line drawings, this volume reflects the evolution of his writing as well as his long relationship with the Press.

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In an age when the printed book was still in its infancy, the pulpit was the mass medium. A vital part of religious life, sermons were the chief occasions on which the church attempted to bridge the gap between high theology and popular religious culture. The preaching event provided the opportunity for men and women to socialize, flirt, dispute with or mock the preacher and, in a more positive way, to heed the preacher's words and change their lives. Larissa Taylor has examined over 1600 sermons given by the leading lay preachers in France between 1460 and 1560, and examines the social context of preaching and the sermon while reconstructing popular attitudes towards original sin, free will, purgatory, the Devil, the sacraments, and the magical arts. Previously published by Oxford University Press, 1992. Winner of the 1996 John Nicholas Brown Prize of the Medieval Academy of America.

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Thomas Kinsella stands apart in modern Irish poetry. His work, employing traditional and modernist elements in individual poems and open sequences, deals in a range of subjects from the most intense and psychic privacy to political satire and social commentary, from love and the enabling feminine to metaphysical speculation in a variety of earthly settings. Kinsella is a city poet. Born in Dublin in 1928, he attended University College, and entered the Irish Civil Service, but resigned from the Department of Finance in 1965 for a career in poetry in the United States. He published from the beginning with the Dolmen Press, later co-publishing his poetry and translations with Oxford University Press. His translations from the Irish include the Iron-Age prose epic "The Tain" and "Poems of the Dispossessed: 1600-1900". He is editor of the "New Oxford Book of Irish Verse".

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Hoy en día vivimos en un mundo íntimamente conectado, un mundo en el que los famosos tienen apasionados seguidores en todos los continentes, en el que los líderes religiosos pueden influir en millones de personas a una escala planetaria y en el que fuerzas económicas y políticas culturales, ideológicas y medioambientales convergen en los distintos territorios y regiones. Esto es la globalización.En esta breve introducción, Manfred B. Steger analiza las principales causas y consecuencias de la globalización así como la polémica cuestión de si este fenómeno es o no, en última instancia, algo bueno. Desde los atentados terroristas hasta el virus Zika, pasando por Donald Trump o Twitter, Steger explora nuestros insólitos niveles de integración global.Este título fue publicado originalmente dentro de la colección Very Short Introductions de Oxford University Press, de la que se han vendido más de nueve millones de ejemplares en el mundo.

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Engaging fiction and non-fiction fully aligned to each week of Essential Letters and Sounds, allowing children to consolidate their phonic knowledge through reading in context. These fully decodable readers are 100% matched to the phonic progression of Essential Letters and Sounds. Essential Letters and Sounds is a systematic synthetic phonics programme validated by the Department for Education. These readers complement your existing decodable readers from Oxford University Press and can be used alongside them to support the teaching of Essential Letters and Sounds. The Ice-cream Nightmare allows children to apply their phonics learning from Year 1, Summer 1, Week 3 of Essential Letters and Sounds.

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"Co-published with Oxford University Press Long considered the most comprehensive account of electromagnetic theory and analytical methods for solving waveguide and cavity problems, this new Second Edition has been completely revised and thoroughly updated -- approximately 40% new material!Packed with examples and applications FIELD THEORY OF GUIDED WAVES provides solutions to a large number of practical structures of current interest. The book includes an exceptionally complete discussion of scalar and Dyadic Green functions. Both a valuable review and source of basic information on applied mathematical topics and a hands-on source for solution methods and techniques, this book belongs on the desk of all engineers working in microwave and antenna systems!" Sponsored by: IEEE Antennas and Propagation Society

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Una artesana de libros desafía los límites de su épocapara labrarse un nuevo futuroDespués del éxito de El diccionario de las palabras olvidadas, con más de 500 000 ejemplaresvendidos, la nueva novela de Pip Williams aboga por el poder transformador de los libros ydel conocimiento.Oxfordshire, Inglaterra, 1914. Cuando el frente reclama a los hombres jóvenes, las mujeres deben mantenerel país en marcha. Dos de ellas, las gemelas Peggy y Maude Jones, trabajan en la sección de encuadernaciónde la editorial Oxford University Press. Peggy es inteligente, ambiciosa y sueña con estudiar Literatura en launiversidad, pero su trabajo consiste en encuadernar los libros, no en leerlos. Maude, por su parte, es un servulnerable que no sería capaz de salir adelante sin su hermana.Peggy visualiza un futuro en el que pueda utilizar su intelecto y no solo las manos, pero a medida que la guerray los acontecimientos remodelan su mundo, es el amor y la responsabilidad que conlleva lo que amenazacon frenar

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Assaf Shelleg untersucht in diesem Buch die Geschichte der israelischen Kunstmusik und ihren anhaltenden Diskurs mit der jüdischen Kunstmusik der Moderne. Er erläutert verschiedene ästhetische Dilemmata, die an der Entstehung dieser Musik beteiligt waren. Diese reichen von Auto-Exotismus über Vorwürfe des Selbsthasses bis hin zum Vermeiden von Merkmalen jüdischer Musik. Er betrachtet, wie diese Musik in das damalige Britische Mandatsgebiet Palästina gelangt und dort in ein widersprüchliches Verhältnis mit der hebräischen Kultur gerät. Zugleich wird deutlich, wie die Komponisten mit ihrer Selbstverortung zwischen Moderne und Zionismus hadern. Im Gegensatz zu bisherigen Studien auf diesem Gebiet fördert Assaf Shelleg einen Mechanismus zutage, den er als "zionistische musikalische Lautmalerei" bezeichnet. Noch wichtiger ist aber, dass er auch deren Abschwächung durch nicht-westliche arabisch-jüdische Gesangstraditionen aufzeigt.Die englische Originalausgabe dieses Werks, erschienen bei Oxford University Press, wurde mit dem Engle Prize für das Studium hebräischer Musik 2015 und dem Jordan Schnitzer Buch Preis 2016 ausgezeichnet.

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Get the combined knowledge of a dictionary and a thesauras in this convenient resource from Oxford University Press—the first name in reference.For anyone who has experienced the frustration of finding alternative words and precise meanings, The Oxford American Desk Dictionary and Thesaurus is the easy and informative two-in-one solution to your reference needs. This essential reference includes:• Over 150,000 entries, definitions, and synonyms in an integrated A-to-Z volume • Includes appendices with valuable information such as Standard Weights and Measurements, Signs and Symbols, U.S. Presidents, Countries of the World, and more • Hundreds of new words and meanings make this two-in-one guide more useful than ever!

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La innovación, la forma en que las ideas se vuelven valiosas, desempeña un papel esencial en el desarrollo económico y social. Durante los últimos ciento cincuenta años, el mundo ha sido transformado por la innovación; desde los aviones y la televisión, hasta las impresoras 3D y el dinero digital, los frutos de la innovación nos rodean.En esta breve introducción, Mark Dodgson y David Gann analizan qué es la innovación y qué la genera, quién la estimula y cómo se logra, además de cuáles son sus efectos, tanto positivos como negativos.Este título fue publicado originalmente dentro de la colección Very Short Introductions de Oxford University Press, de la que se han vendido más de nueve millones de ejemplares en el mundo.

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This standard lexicon of Syriac has long been the choice of students of Syriac, both for its comprehensiveness and also because of its handy size. It originated as an abridgement of Payne Smith’s Thesaurus Syriacus, a substantically larger work that also tends to be less accessible for the student. Here the meanings of the Syriac words are given in English, and the order of the Syriac is alphabetical, to avoid requiring the student to know the root of the word being looked up. An essential tool for anyone studying or researching Syriac texts or literature and for students of the Semitic languages.The Compendious Syriac Dictionary was first published by Oxford University Press in 1903 and has been out of print for a number of years. A quality Eisenbrauns reprint based on the 1976 printing.

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Collected here are three plays written over four decades that take an unflinching look at life in postcolonial Jamaica.Cumper began writing plays when she was in her twenties. Reviews of her contribution to black theatre are included in publications by Oxford University Press, Heinemann and Collins. Cumper's plays have often been called 'theatre of the people'. When she first moved to Britain, she struggled to have her work shown, despite winning four awards by this point in the Caribbean. Cumper has since been commissioned by Carib Theatre Company, Talawa Theatre Company, The Royal Court, Blue Mountain Theatre, BBC Radio 4 and the World Service.Patricia Cumper is an award winning playwright, producer, director, arts administrator and cultural leader who led Talawa Theatre Company for six years as Artistic Director and CEO. She was awarded an MBE for services to Black British theatre. She is a passionate advocate for the arts and is an experienced and highly articulate cultural commentator who has worked in radio for more than twenty years as a writer, contributor and presenter. Cumper's radio adaptation of The Colour Purple won a silver Sony Award.

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History Today carried a feature in 2015, describing The Origin of Museums as "a cult book [that] spawned a new discipline in the history of collecting". Indeed, the first publication of this book in 1985 undoubtedly marked a propitious moment in the development of interest, in what has since grown to be a dynamic subject-area in its own right. That an appetite for such matters was already there is confirmed by the fact that the first impression sold out within a few months, a second impression a year or two later, and the third in 1989. There was to be no further printing by the original publishers, Oxford University Press. However in 2001 a new edition appeared with a new publisher. Demand again proved buoyant, but within a few months the company failed; having operated on a print-on-demand basis, it left behind it no unsold stock. The Origins of Museums reverted to a scarce (though much sought-after) volume. With original copies now selling for hundreds, if not thousands of pounds, the Ashmolean is proud to make this important volume readily available again.

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In the 1930s, British colonial officials introduced drama performances, broadcasting services, and publication bureaus into Africa under the rubric of colonial development. They used theater, radio, and mass-produced books to spread British values and the English language across the continent. This project proved remarkably resilient: well after the end of Britain’s imperial rule, many of its cultural institutions remained in place. Through the 1960s and 1970s, African audiences continued to attend Shakespeare performances and listen to the BBC, while African governments adopted English-language textbooks produced by metropolitan publishing houses. Imperial Encore traces British drama, broadcasting, and publishing in Africa between the 1930s and the 1980s—the half century spanning the end of British colonial rule and the outset of African national rule. Caroline Ritter shows how three major cultural institutions—the British Council, the BBC, and Oxford University Press—integrated their work with British imperial aims, and continued this project well after the end of formal British rule. Tracing these institutions and the media they produced through the tumultuous period of decolonization and its aftermath, Ritter offers the first account of the global footprint of British cultural imperialism.

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Richard Charkin es una leyenda por tres motivos: lleva medio siglo editando, lo ha hecho absolutamente todo en el mundo editorial anglosajón y sabe contarlo como nadie. Ha trabajado en Oxford University Press y en la revista Nature; ha vendido los derechos de publicación de la Biblia y comprado los de Sex, el superventas de Madonna; ha sobrevivido a fracasos como The Anatomy of the Dromedary ?la única guía anatómica sobre el camello de una sola joroba? y al éxito de la saga de Harry Potter en Bloomsbury.Pero, sobre todo, Charkin ha viajado por el mundo, ha conocido a todo tipo de gente y disfrutado de mil experiencias únicas. Estas páginas recogen sus encuentros y colaboración con magnates mediáticos como Robert Maxwell y con traficantes de armas libaneses (que descubrieron que se podía hacer más dinero vendiendo diccionarios de idiomas), celebran las historias de mujeres que por fin pasaron de ocupar cargos subalternos dentro de la industria editorial a puestos clave y nos ilustra

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As World War One brings women unexpected new freedoms, bookbinder Peggy has the chance at a new future.'A wonderful book' Fiona Valpy, author of The Dressmaker's Gift'Your job is to bind the books, not read them.'When the men of Oxford University Press leave for the Western Front, Peggy, her twin sister Maude and their friends in the bookbindery must shoulder the burden at home. As Peggy moves between her narrowboat full of memories and the demands of the Press, her dreams of studying feel ever more remote. She must know her place, fold her pages and never stop to savour the precious words in front of her.From volunteer nurses to refugees fleeing the horrors of occupation, the war brings women together from all walks of life, and with them some difficult choices for Peggy. New friends and lovers offer new opportunities, but they also make new demands - and Peggy must write her own story.'Vivid and moving ... I absolutely loved it!' Ruth Hogan, author of The Keeper of Lost Things'Charming, original and beautifully researched' Rachel Hore, author of A Beautiful Spy'A fresh, exciting new voice in historical fiction' Paula McLain, author of The Paris Wife

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W.B. Yeats (1865-1939) began writing poetry as a devotee of Blake, Shelley, the pre-Raphaelites, and of nineteenth-century Irish poets including James Clarence Mangan and Samuel Ferguson. By the end of his life, he had, as T.S. Eliot said, created a poetic language for the twentieth century. The First Yeats deepens our understanding of the making of that poetic imagination, reprinting the original texts of Yeats's three early collections, The Wanderings of Oisin and Other Poems (1899), The Countess of Kathleen and Various Legends and Lyrics (1892), and The Wind Among the Reeds (1899). The poems were subsequently heavily revised or discarded. Among them are some of the best-loved poems in English - 'The Lake Isle of Innisfree', 'He Wishes for the Cloths of Heaven' - fresh and unfamiliar here in their original forms and contexts, together with Yeats's lengthy notes which were drastically cut in the collected editions. This illuminating edition by Edward Larrissy, editor of W.B. Yeats, The Major Works (Oxford University Press, 2000), includes an introduction that clarifies the literary, historical and intellectual context of the poems, detailed notes, and a bibliography. It offers essential material for reading - and revaluing - one of the great modern poets.

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As World War One brings women unexpected new freedoms, bookbinder Peggy has the chance at a new future.'A wonderful book' Fiona Valpy, author of The Dressmaker's Gift'Your job is to bind the books, not read them.'When the men of Oxford University Press leave for the Western Front, Peggy, her twin sister Maude and their friends in the bookbindery must shoulder the burden at home. As Peggy moves between her narrowboat full of memories and the demands of the Press, her dreams of studying feel ever more remote. She must know her place, fold her pages and never stop to savour the precious words in front of her.From volunteer nurses to refugees fleeing the horrors of occupation, the war brings women together from all walks of life, and with them some difficult choices for Peggy. New friends and lovers offer new opportunities, but they also make new demands - and Peggy must write her own story.'Vivid and moving ... I absolutely loved it!' Ruth Hogan, author of The Keeper of Lost Things'Charming, original and beautifully researched' Rachel Hore, author of A Beautiful Spy'A fresh, exciting new voice in historical fiction' Paula McLain, author of The Paris Wife

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A new title in ACC Art Books' celebrated Design series, presenting and reviving the work of illustrator Wyndham Payne (1884-1974). Wyndham Payne's career as an illustrator began in the early 1920s, gathering momentum with a series of book illustrations for renowned Charing Cross publisher Cyril Beaumont. Working in the tradition of Claud Lovat Fraser - and others - Payne nurtured a reputation for freedom of line, illustrating books, calendars, greetings cards and advertisements, often with toys - soldiers, model theatres, trains - as a subject. Aside from creating illustrations for the Beaumont Press, Payne was also commissioned by Oxford University Press and Hodder & Stoughton, among others. For The Bodley Head, he designed covers for Agatha Christie titles, whilst his celebrated jacket for The Wind in the Willows was produced for Methuen. Wyndham Payne presents a detailed survey of the artist's work: lino cuts, woodcuts, drawings in pen, watercolours, silhouette painting on glass, and later, when his health became too poor for commercial work, models - including automata - for his children and grandchildren. The book also includes a fulsome biography of the artist, covering his life and work.

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From Cotton Belt to Sunbelt investigates the effects of federal policy on the American South from 1938 until 1980 and charts the close relationship between federal efforts to reform the South and the evolution of activist government in the modern United States. Decrying the South’s economic backwardness and political conservatism, the Roosevelt Administration launched a series of programs to reorder the Southern economy in the 1930s. After 1950, however, the social welfare state had been replaced by the national security state as the South’s principal benefactor. Bruce J. Schulman contrasts the diminished role of national welfare initiatives in the postwar South with the expansion of military and defense-related programs. He analyzes the contributions of these growth-oriented programs to the South’s remarkable economic expansion, to the development of American liberalism, and to the excruciating limits of Sunbelt prosperity, ultimately relating these developments to southern politics and race relations. By linking the history of the South with the history of national public policy, Schulman unites two issues that dominate the domestic history of postwar America—the emergence of the Sunbelt and the expansion of federal power over the nation’s economic and social life. A forcefully argued work, From Cotton Belt to Sunbelt, originally published in 1991(Oxford University Press), will be an important guide to students and scholars of federal policy and modern Southern history.

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The first in-depth study of Mendelssohn's two settings of Goethe's Die erste Walpurgisnacht, in the context of scenes from Goethe's Faust and other works. This paperback edition of Mendelssohn, Goethe, and the Walpurgis Night addresses tolerance and acceptance in the face of cultural, political, and religious strife. Its point of departure is the Walpurgis Night. The Night, also known as Beltane or May Eve, was supposedly an annual witches' Sabbath that centered around the Brocken, the highest peak of the Harz Mountains. After exploring how a notoriously pagan celebration came to be named after the Christian missionary St. Walpurgis (ca. 710-79), John Michael Cooper discusses the Night's treatments in several closely interwoven works by Goethe and Mendelssohn. His book situates those works in their immediate personal andprofessional contexts, as well as among treatments by a wide array of other artists, philosophers, and political thinkers, including Voltaire, Lessing, Shelley, Heine, Delacroix, and Berlioz. In an age of decisive political and religious conflict, Walpurgis Night became a heathen muse: a source of spiritual inspiration that was neither specifically Christian, nor Jewish, nor Muslim. And Mendelssohn's and Goethe's engagements with it offer new insightsinto its role in European cultural history, as well as into issues of political, religious, and social identity -- and the relations between cultural groups -- in today's world. John Michael Cooper is Professor of Music at Southwestern University and author of Mendelssohn's "Italian" Symphony (Oxford University Press).

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Are you considering a career in the world of publishing, or simply want to understand more about the industry? If so, The Publishing Business will take you through the essential publishing activities performed in editorial, rights, design, production, sales and marketing departments. International examples from across the industry, from children's books to academic monographs, demonstrate key responsibilities at each stage of the publishing process and how the industry is adapting to digital culture. This 3rd edition has been updated with more on the role of self-publishing, independent publishers, audio books, the rise of poetry and non-fiction and how the industry is facing up to challenges of sustainability, inclusivity and diversity. Beautifully designed and full of insight and advice from practitioner interviews, this is an essential introduction to a dynamic industry. Interviewees include: Anne Meadows, Commissioning Editor at Granta and Portobello Books Zaahida Nabagereka, Head of Social Impact at Penguin Books UK Ashleigh Gardner, Senior Vice President, Managing Director Global Publishing, Wattpad Caroline Walsh, Literary Agent, David Higham Associates Peter Blackstock, VP, Deputy Publisher, Grove Atlantic/Publisher, Grove Press UK Amy Ellis, Head of Rights and Permissions, Publishers' Licensing Services Victoria Lawrance, Rights Manager, Bloomsbury Publishing Plc Shaun Hodgkinson, COO, Dorling Kindersley Thomas Truong, Publishing Director, Little Tiger Group Jenny Blenk, Associate Editor, Dark Horse Comics Jeanette Morton, Digital Publisher, Oxford University Press Maria Vassilopoulos, Publishing Sales, Uni of Wales Press and Calon Books Ian Lamb, Head Of Children's Marketing and Publicity, Simon and Schuster

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This biography of writer, translator, teacher, and feminist Ada Gobetti, the first in English or Italian, frames her activism in the Resistenza as a chapter in a lifetime of resistance. By the time Turin was liberated in April 1945, writer, translator, teacher, and women's rights activist Ada Gobetti had been fighting fascism for almost twenty-five years. This biography frames her wartime activism in the Resistenza as a chapter in a lifetime of resistance. Gobetti participated in the underground Giustizia e Libertà movement, and helped to found the Partito d'Azione, a political party whose members asked her to represent them as vice mayor of Turin after the war. For Gobetti, the Resistenza also brought an awareness of the specific talents, needs, and rights of Italian women. This led her to organize other Italian women against German occupiers and Fascist oppressors, found an underground women's newspaper, and solidify her views regarding women as a political force. After 1945, resistance meant espousing a set of ideals exemplified by the best that came out of the Resistenza, ideals of grassroots democracy, women's rights, and democratic education for which Gobetti would fight for the rest of her life. Jomarie Alano is a visiting scholar at Cornell University's Institute for European Studies. She is the translator and editor of Ada Gobetti's Diario partigiano, published by Oxford University Press in 2014 as Partisan Diary: A Woman's Life in the Italian Resistance.

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It is not often that an author and his editor strike up a relationship which survives forty years of epistolary exchanges and intellectual sparring. The strangely enduring and occasionally fractious friendship which developed between the famously outspoken historian Ramachandra Guha and his reticent editor Rukun Advani is the subject of this quite eccentric and thoroughly compelling literary memoir. It started in Delhi in the early 1980s, when Guha was an unpublished PhD scholar, and Advani a greenhorn editor with Oxford University Press. It blossomed through the 1990s, when Guha grew into a pioneering historian of the environment and of cricket, while also writing his pathbreaking biography of Verrier Elwin. Over these years Advani was Guha’s most constant confidant, his most reliable reader. He encouraged him to craft and refine the literary style for which Guha became internationally known – narrative histories which have made vast areas of scholarship popular and accessible. Four decades later, though he no longer publishes his books, Advani remains Guha’s most trusted literary adviser. Yet they also disagree ferociously on politics, human nature, and the shape of their commitment to India. They usually make up – because it just wouldn’t do to allow such an odd relationship to die. Built around letters and emails between an outgoing and occasionally combative scholar and a reclusive editor prone to private outbursts of savage sarcasm, this book is never short of the kind of wit, humour, and drollery that has been strangled by contemporary political correctness.

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New Collegeville Bible Commentary The Gospel According to Mark Volume 2 The absence of stories of Jesus' birth and infancy, a minimum of Jesus' parables and a resurrection scene without sight or sound of the risen Jesus have tempted readers to shortchange Mark's Gospel. Thanks to the insightful analysis and inspiring reflections of Marie Noonan Sabin, anyone studying this premier Gospel with her guidance will recognize the genius of the original author. Sabin asserts that Mark's Gospel is not an eyewitness account or a work of biography or history. She writes, What Mark gives us is far richer. He interprets Jesus in the light of the Hebrew Bible, showing Jesus to be not only a teacher of Wisdom but Wisdom itself, calling his followers to an unconventional wisdom, a way of living (and a way of dying) that he himself exemplifies." The cover of this commentary from The Saint John's Bible highlights Sabin's thesis that the transfiguration of Jesus is pivotal to the Gospel: "The scene [9:2-8]overshadows both parts of the Gospel, emphasizing God's creative, transforming, transfiguring power to restore life." Sabin gives special attention to Mark's key words and phrases (e.g., "release," "rise up" or "be raised," "straightway," and "ecstasy") and his pattern of twos and threes. Especially helpful are the summaries at the end of each chapter. Here is a commentary that will restore Mark's prime place among the other two Synoptic Gospels. Marie Noonan Sabin, Ph.D., has taught the Gospel of Mark at Bangor Theological Seminary; an earlier book on Mark, Reopening the Word, was published by Oxford University Press in 2002.

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Violin Mix is an original series of new arrangements for violin. Book 3 offers attractive repertoire at Grade 3 in a wide variety of styles. Well-known music includes 'Jupiter' from The Planets and the African-American spiritual 'Deep River'. There are also lots of new tunes to be explored, such as 'Rabbit Foot' by Florence Price and the traditional Ukrainian song 'Halya carries water'. The series has been compiled by string specialists Kathy and David Blackwell and covers the musical and technical elements of the early grades in three progressive volumes. Many of the arrangements are featured on the ABRSM Violin syllabus from 2024 and, in addition, all are ideal choices for Performance Grade exams. There are piano accompaniments for every piece, and violin accompaniments and guitar chords for many pieces, providing useful flexibility for students and teachers. Key features: -New arrangements of repertoire spanning many cultures and styles, in three progressive volumes -Accompaniments for piano, violin and guitar -A rich source of repertoire for a concert or exam -Many of the pieces are featured on the ABRSM Violin syllabus from 2024 -An interesting footnote and fun fact for every piece Kathy and David Blackwell both studied music at the University of Edinburgh. Kathy continued with studies at the University of Oxford before following a career in string teaching and writing educational music. David has worked in music publishing and has composed and arranged a wide range of music from choral and organ compositions to educational music for strings, piano and a variety of other instruments. Together they have written the award-winning String Time series published by Oxford University Press. They have twice won the UK's Music Industries Association award for Best Education Publication and in 2017 they received an ESTA UK award in recognition of exceptional services to string teaching.

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Viola Mix is an original series of new arrangements for viola. Book 3 offers attractive repertoire at Grade 3 in a wide variety of styles. Well-known music includes 'Jupiter' from The Planets and the African-American spiritual 'Deep River'. There are also lots of new tunes to be explored, such as 'Rabbit Foot' by Florence Price and the traditional Ukrainian song 'Halya carries water'. The series has been compiled by string specialists Kathy and David Blackwell and covers the musical and technical elements of the early grades in three progressive volumes. Many of the arrangements are featured on the ABRSM Viola syllabus from 2024 and, in addition, all are ideal choices for Performance Grade exams. There are piano accompaniments for every piece, and viola accompaniments and guitar chords for many pieces, providing useful flexibility for students and teachers. Key features of the series -new arrangements of repertoire spanning many cultures and styles, in three progressive volumes at Grades Initial to 3 -accompaniments for piano, viola and guitar -a rich source of repertoire for a concert or exam -many of the pieces are featured on the ABRSM Viola syllabus from 2024 -an interesting footnote and fun fact for every piece Kathy and David Blackwell both studied music at the University of Edinburgh. Kathy continued with studies at the University of Oxford before following a career in string teaching and writing educational music. David has worked in music publishing and has composed and arranged a wide range of music from choral and organ compositions to educational music for strings, piano and a variety of other instruments. Together they have written the award-winning String Time series published by Oxford University Press. They have twice won the UK's Music Industries Association award for Best Education Publication and in 2017 they received an ESTA UK award in recognition of exceptional services to string teaching.

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Violin Mix is an original series of new arrangements for violin. Book 2 offers attractive repertoire at Grades 1 to 2 in a wide variety of styles. Well-known music includes 'La donna è mobile' from Rigoletto and 'The Hippopotamus' by Flanders and Swann. There are also lots of new tunes to be explored, such as 'Pierrot and Pierrette' by Amy Beach and the traditional Ghanaian song 'Senwa dedende'. The series has been compiled by string specialists Kathy and David Blackwell and covers the musical and technical elements of the early grades in three progressive volumes. Many of the arrangements are featured on the ABRSM Violin syllabus from 2024 and, in addition, all are ideal choices for Performance Grade exams. There are piano accompaniments for every piece, and violin accompaniments and guitar chords for many pieces, providing useful flexibility for students and teachers. Key features:-New arrangements of repertoire spanning many cultures and styles, in three progressive volumes -Accompaniments for piano, violin and guitar -A rich source of repertoire for a concert or exam -Many of the pieces are featured on the ABRSM Violin syllabus from 2024 -An interesting footnote and fun fact for every piece Kathy and David Blackwell both studied music at the University of Edinburgh. Kathy continued with studies at the University of Oxford before following a career in string teaching and writing educational music. David has worked in music publishing and has composed and arranged a wide range of music from choral and organ compositions to educational music for strings, piano and a variety of other instruments. Together they have written the award-winning String Time series published by Oxford University Press. They have twice won the UK's Music Industries Association award for Best Education Publication and in 2017 they received an ESTA UK award in recognition of exceptional services to string teaching.

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Are you considering a career in the world of publishing, or simply want to understand more about the industry? If so, The Publishing Business will take you through the essential publishing activities performed in editorial, rights, design, production, sales and marketing departments. International examples from across the industry, from children's books to academic monographs, demonstrate key responsibilities at each stage of the publishing process and how the industry is adapting to digital culture. This 3rd edition has been updated with more on the role of self-publishing, independent publishers, audio books, the rise of poetry and non-fiction and how the industry is facing up to challenges of sustainability, inclusivity and diversity. Beautifully designed and full of insight and advice from practitioner interviews, this is an essential introduction to a dynamic industry. Interviewees include: Anne Meadows, Commissioning Editor at Granta and Portobello Books Zaahida Nabagereka, Head of Social Impact at Penguin Books UK Ashleigh Gardner, Senior Vice President, Managing Director Global Publishing, Wattpad Caroline Walsh, Literary Agent, David Higham Associates Peter Blackstock, VP, Deputy Publisher, Grove Atlantic/Publisher, Grove Press UK Amy Ellis, Head of Rights and Permissions, Publishers' Licensing Services Victoria Lawrance, Rights Manager, Bloomsbury Publishing Plc Shaun Hodgkinson, COO, Dorling Kindersley Thomas Truong, Publishing Director, Little Tiger Group Jenny Blenk, Associate Editor, Dark Horse Comics Jeanette Morton, Digital Publisher, Oxford University Press Maria Vassilopoulos, Publishing Sales, Uni of Wales Press and Calon Books Ian Lamb, Head Of Children's Marketing and Publicity, Simon and Schuster

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Leos Janácek (1854-1928) occupied a pre-eminent position in Moravian (and wider Czech) culture, not only as a composer but also as a folksong collector, journalist, educator and nationalist. One of the greatest and most original composers of the early twentieth century, Leos Janácek (1854-1928) occupied a pre-eminent position in Moravian culture, not only as a composer but also as a folksong collector, journalist, educator and nationalist. His friends and associates included artists, writers, ethnographers and politicians, as well as conductors, singers and instrumentalists. Janácek's many pupils included the conductor Bretislav Bakala and thecomposer Pavel Haas. He had important associations with publishers in Vienna and Prague and with the earliest years of Czech Radio. Janácek was strongly attached to particular places - Hukvaldy, Brno, Luhacovice - and had professional links with Prague, Berlin, London and beyond. The Janácek Compendium includes nearly 300 entries on every aspect of Janácek's life and works, with detailed notes on all his significant compositions - above all the operas - providing the latest information to emerge about some of his most famous pieces. An extensive bibliography supports the entries, which are cross-referenced to enable wider exploration of particular topics. NIGELSIMEONE is a widely respected writer and lecturer on music, with a lifelong interest in Czech music. His books include Janacek's Works (Oxford University Press, 1997, co-authored with John Tyrrell and Alena Nemcová), TheLeonard Bernstein Letters (Yale University Press, 2013), and Charles Mackerras (Boydell Press, 2015, co-edited with John Tyrrell). He is a regular broadcaster on BBC radio.

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Viola Mix is an original series of new arrangements for viola. Book 1 offers attractive repertoire at Grades Initial to 1 in a wide variety of styles. Well-known music includes 'Autumn' from The Four Seasons and 'Supercalifragilisticexpialidocious' from Mary Poppins. There are also lots of new tunes to be explored, such as 'Gavotta' by Ignatius Sancho and the traditional American song 'Let us chase the squirrel'. The series has been compiled by string specialists Kathy and David Blackwell and covers the musical and technical elements of the early grades in three progressive volumes. Many of the arrangements are featured on the ABRSM Viola syllabus from 2024 and, in addition, all are ideal choices for Performance Grade exams. There are piano accompaniments for every piece, and viola accompaniments and guitar chords for many pieces, providing useful flexibility for students and teachers. Key features of the series -new arrangements of repertoire spanning many cultures and styles, in three progressive volumes at Grades Initial to 3 -accompaniments for piano, viola and guitar -a rich source of repertoire for a concert or exam - many of the pieces are featured on the ABRSM Viola syllabus from 2024 -an interesting footnote and fun fact for every piece Kathy and David Blackwell both studied music at the University of Edinburgh. Kathy continued with studies at the University of Oxford before following a career in string teaching and writing educational music. David has worked in music publishing and has composed and arranged a wide range of music from choral and organ compositions to educational music for strings, piano and a variety of other instruments. Together they have written the award-winning String Time series published by Oxford University Press. They have twice won the UK's Music Industries Association award for Best Education Publication and in 2017 they received an ESTA UK award in recognition of exceptional services to string teaching

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Viola Mix is an original series of new arrangements for viola. Book 2 offers attractive repertoire at Grades 1 to 2 in a wide variety of styles. Well-known music includes 'La donna e` mobile' from Rigoletto and 'The Hippopotamus' by Flanders and Swann. There are also lots of new tunes to be explored, such as 'Pierrot and Pierrette' by Amy Beach and the traditional Ghanaian song 'Senwa dedende'. The series has been compiled by string specialists Kathy and David Blackwell and covers the musical and technical elements of the early grades in three progressive volumes. Many of the arrangements are featured on the ABRSM Viola syllabus from 2024 and, in addition, all are ideal choices for Performance Grade exams. There are piano accompaniments for every piece, and viola accompaniments and guitar chords for many pieces, providing useful flexibility for students and teachers. Key features of the series -new arrangements of repertoire spanning many cultures and styles, in three progressive volumes at Grades Initial to 3 -accompaniments for piano, viola and guitar -a rich source of repertoire for a concert or exam -many of the pieces are featured on the ABRSM Viola syllabus from 2024 -an interesting footnote and fun fact for every piece Kathy and David Blackwell both studied music at the University of Edinburgh. Kathy continued with studies at the University of Oxford before following a career in string teaching and writing educational music. David has worked in music publishing and has composed and arranged a wide range of music from choral and organ compositions to educational music for strings, piano and a variety of other instruments. Together they have written the award-winning String Time series published by Oxford University Press. They have twice won the UK's Music Industries Association award for Best Education Publication and in 2017 they received an ESTA UK award in recognition of exceptional services to string teaching.

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Since 1994, Nancy Mulvany's "Indexing Books" has been the golden standard for thousands of professional indexers, editors, and authors. This long-awaited second edition, expanded and completely up-dated, will be equally revered. Like its predecessor, this edition of "Indexing Books" offers comprehensive, reliable treatment of indexing principles and practices relevant to authors and indexers alike. In addition to practical advice, the book presents a big-picture perspective on the nature and purpose of indexes and their role in published works. New to this edition are discussions of "information overload" and the role of the index, open-system versus closed-system indexing, electronic submission and display of indexes, and trends in software development, among other topics. Mulvany is equally comfortable focusing on the nuts and bolts of indexing - how to determine what is indexable, how to decide the depth of an index, and how to work with publisher instructions - and broadly surveying, as she does here, important sources of indexing guidelines such as The Chicago Manual of Style, Sun Microsystems, Oxford University Press, NISO TR03, and ISO 999. Authors will appreciate Mulvany's in-depth consideration of the costs and benefits of preparing one's own index versus hiring a professional, while professional indexers will value Mulvany's insights into computer-aided indexing. Helpful appendixes include resources for indexers, a worksheet for general index specifications, and a bibliography of sources to consult for further information on a range of topics. "Indexing Books" is both a practical guide and a manifesto about the vital role of the human-crafted index in the Information Age. As the standard indexing reference, it belongs on the shelves of everyone involved in writing and publishing nonfiction books.

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Short-listed for the Society of Biology Book Award 2014 Long-listed for the Royal Society Winton prize for science books 2014In The Compatibility Gene, leading scientist Daniel M Davis tells the story of the crucial genes that define our relationships, our health and our individuality. We each possess a similar set of around 25,000 human genes. Yet a tiny, distinctive cluster of these genes plays a disproportionately large part in how our bodies work. These few genes, argues Davis, hold the key to who we are as individuals and our relationship to the world: how we combat disease, how our brains are wired, how attractive we are, even how likely we are to reproduce.The Compatibility Gene follows the remarkable history of these genes' discovery. From the British scientific pioneers who struggled to understand the mysteries of transplants to the Swiss zoologist who devised a new method of assessing potential couples' compatibility based on the smell of worn T-shirts, Davis traces a true scientific revolution in our understanding of the human body: a global adventure spanning some sixty years.'Unusual results, astonishing implications and ethical dilemmas' The Times'Packed with an insider's knowledge' New York Times'He makes immunology as fascinating to popular science readers as cosmology, consciousness, and evolution' Steven Pinker'An elegantly written, unexpectedly gripping account' Bill Bryson Guardian, Books of the Year Daniel M Davis is director of research at the University of Manchester's Collaborative Centre for Inflammation Research and a visiting professor at Imperial College, London. He has published over 100 academic articles, including papers in Nature and Science, and Scientific American. He has won the Oxford University Press Science Writing Prize and given numerous interviews for national and international media. He was elected a Fellow of the Academy of Medical Sciences in 2011.

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Violin Mix is an original series of new arrangements for violin. Book 1 offers attractive repertoire at Grades Initial to 1 in a wide variety of styles. Well-known music includes 'Autumn' from The Four Seasons and 'Supercalifragilisticexpialidocious' from Mary Poppins. There are also lots of new tunes to be explored, such as 'Gavotta' by Ignatius Sancho and the traditional American song 'Let us chase the squirrel'. The series has been compiled by string specialists Kathy and David Blackwell and covers the musical and technical elements of the early grades in three progressive volumes. Many of the arrangements are featured on the ABRSM Violin syllabus from 2024 and, in addition, all are ideal choices for Performance Grade exams. There are piano accompaniments for every piece, and violin accompaniments and guitar chords for many pieces, providing useful flexibility for students and teachers. Key features: New arrangements of repertoire spanning many cultures and styles, in three progressive volumes -Accompaniments for piano, violin and guitar -A rich source of repertoire for a concert or exam -Many of the pieces are featured on the ABRSM Violin syllabus from 2024 -An interesting footnote and fun fact for every piece Kathy and David Blackwell both studied music at the University of Edinburgh. Kathy continued with studies at the University of Oxford before following a career in string teaching and writing educational music. David has worked in music publishing and has composed and arranged a wide range of music from choral and organ compositions to educational music for strings, piano and a variety of other instruments. Together they have written the award-winning String Time series published by Oxford University Press. They have twice won the UK's Music Industries Association award for Best Education Publication and in 2017 they received an ESTA UK award in recognition of exceptional services to string teaching.

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In a series of backroom negotiations in 1956, the National Government and Labour Opposition agreed to put aside adversarial politics temporarily and entrench certain significant electoral rules. For any of these rules to be amended or repealed, Section 189 of the Electoral Act (now Section 268 of the 1993 Act) requires the approval of either three-quarters of all MPs or a majority of electors voting in a referendum. The MPs believed this entrenchment put in place a 'moral' constraint to guide future parliaments - but its status has changed over time. In Search of Consensus tells the story of why and how such a remarkable political settlement happened. It traces and analyses the Act's protected provisions, subsequent fortunes and enduring legacy. As such, it is an important contribution to understanding the contemporary constitution and political culture of Aotearoa New Zealand. Contents 1 The ''Remarkable' Electoral Act 1956 2 New Zealand's Constitution in the 1950s 3 Politics and Government in the 1950s 4 The Unsettled Electoral Issues 5 The Making of the Electoral Act 1956 6 Entrenchment 7 The Reserved Provisions: Justifications and Evolution 8 The Electoral Act 1956 and Constitutional Evolution in Aotearoa New Zealand Elizabeth McLeay is a political scientist who has published extensively on New Zealand and comparative politics and government. Her books include: The Cabinet and Political Power in New Zealand (Oxford University Press, Auckland, 1995); with Jonathan Boston, Stephen Levine and Nigel S. Roberts, New Zealand Under MMP: A New Politics? (Auckland University Press/Bridget Williams Books, Auckland, 1996); with Kate McMillan and John Leslie, eds., Rethinking Women and Politics: New Zealand and Comparative Perspectives (Victoria University Press, Wellington, 2009); and with Claudia Geiringer and Polly Higbee, What's the Hurry? Urgency in the New Zealand Legislative Process 1987-2010 (Victoria University Press, Wellington, 2011). Formerly a professor at Victoria University of Wellington, Elizabeth has received many awards and fellowships.

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An intimate and readable account, filled with interesting and amusing anecdotes, of a highly creative period in English musical history Hubert J. Foss (1899-1953) is best known for his work as founder and first music editor for Oxford University Press. Foss promoted composers in England between the World Wars, most notably Ralph Vaughan Williams, William Walton, Constant Lambert, and Peter Warlock. The first part of this book is based on the memoirs of his wife Dora, who was herself a professional singer. The book - through the presentation of memoirs and letters - recreates a vivid picture of the musical world during the inter-war period when there was a renaissance of English music. Foss's work for OUP saw the music department expand from publishing a limited number of sheet music items to a comprehensive inventory of operas, orchestral compositions, chamber and vocal works, and piano pieces. Foss also greatly expanded the press's publication of books on music, music analysis, and music appreciation. Leaving OUP's music department in1941, Foss pursued a number of freelance musical occupations, serving as critic, reviewer, journalist, author and frequent broadcaster. The book includes letters sent to and received from such luminaries as Hamilton Harty,Constant Lambert, Edith Sitwell, Donald Tovey, Ralph Vaughan Williams, William Walton, Henry J. Wood, Arthur Bliss, Benjamin Britten, Roger Quilter, Percy Scholes, Leopold Stokowski, Michael Tippett, Thomas Hardy, James Joyce andWalter de la Mare. Many of the letters presented here have never been published before. An authoritative introduction by Simon Wright (Head of Rights & Contracts, Music, OUP) provides a detailed overview of Hubert Foss and his place in music publishing. STEPHEN LLOYD is the author of William Walton: Muse of Fire and Constant Lambert: Beyond the Rio Grande (both published by Boydell). DIANA SPARKES is the daughter of Hubert and Dora Foss. BRIAN SPARKES is her husband and an Emeritus Professor of Classical Archaeology.

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As Director of Exhibitions and Publications at the Museum of Modern Art from 1939 to 1967, Monroe Wheeler heavily influenced typography, book design, and the development of the museum exhibition catalogue. During his tenure at MoMA, Wheeler developed close relationships with many of the artists he exhibited and published. Season's Greetings is a volume of over fifty handmade art objects and limited printings that were sent to Wheeler from artists, many of whom he knew intimately, including never-before-seen work by such luminaries as Jean Cocteau, Ben Shahn, Miguel Covarrubias, Rufino Tamayo, Robert Parker, Roberto Montenegro, Herbert Bayer, and Max Weber. Essays by Allen Ellenzweig, Joseph Scott IV and Vincent Cianni establish the importance of this vast archive of art, letters, and ephemera, and highlight Wheeler's wide influence within his field. Season's Greetings is a fitting tribute to a man whose life's work centered on and celebrated fine art publications. Vincent Cianni is a documentary photographer and archivist for the Estate of Anatole Pohorilenko and the Monroe Wheeler Archive. He teaches at Parsons, The New School for Design in New York City, and has authored two books, including Gays in the Military, published by Daylight Books in 2014. Joseph Scott IV, Philadelphia, PA, became caretaker of the Manhattan apartment of Monroe Wheeler in 1990 to assist with organizing and preserving this important archive. His work continues today, as executor for Anatole Pohorienko, to help finish cataloging the remaining material for Mr. Wheeler, Glenway Wescott and George Platt Lynes. Allen Ellenzweig, New york, NY, is an arts critic and cultural commentator currently preparing a biography of twentieth-century photographer George Platt Lynes for Oxford University Press. He is a contributing writer to the Gay & Lesbian Review Worldwide and has published in Art in America, PASSION: the Magazine of Paris, Studies in Gender and Sexuality, and the online magazine Tablet. He has also published works of short fiction. His landmark 1992 illustrated history, The Homoerotic Photograph: Male Images from Durieu/Delacroix to Mapplethorpe, was reissued in paperback by Columbia University Press in 2012. He teaches in the Writing Program at Rutgers University, New Brunswick, New Jersey. He is a founding board member of The Robert Giard Foundation which offers an annual fellowship to photographers, videographers, or filmmakers.

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The intense bonds among the king and his family, friends, lovers, and entourage are the most enticing and intriguing aspects of Alexander the Great’s life. The affective ties of the protagonists of Alexander’s Empire nurtured the interest of the ancient authors, as well as the audience, in the personal life of the most famous men and women of the time. These relations echoed through time in art and literature, to become paradigm of positive or negative, human behavior.By rejecting the perception of the Macedonian monarchy as a positivist king-army based system, and by looking for other political and social structures Elizabeth Carney has played a crucial role in prompting the current re-appraisal of the Macedonian monarchy. Her volumes on Women and Monarchy in Ancient Macedonia (University of Oklahoma Press, 2000), Olympias: Mother of Alexander the Great (Routledge, 2006), Arsinoë of Egypt and Macedon: A Royal Life. (Oxford University Press, 2013) have been game-changers in the field and has offered the academic world a completely new perspective on the network of relationships surrounding the exercise of power. By examining Macedonian and Hellenistic dynastic behavior and relations, she has shown the political yet tragic, heroic thus human side, thus connecting Hellenistic political and social history.Building on the methodological approach and theoretical framework engendered by Elizabeth Carney’s research, this book explores the complex web of personal relations, inside and outside the oikos (family), governing Alexander’s world, which sits at the core of the inquiry into the human side of the events shedding light light on the personal dimension of history. Inspired by Carney’s seminal work on Ancient Macedonia, the volume moves beyond the traditionally rationalist and positivist approaches towards Hellenistic antiquity, into a new area of humanistic scholarship, by considering the dynastic bloodlines as well as the affective relations. The volume offers a discussion of the intra and extra familial network ruling the Mediterranean world at the time of Philip and Alexander. Building on present scholarship on relations and values in Hellenistic Monarchies, the book contributes to a deeper historical understanding of the mutual dialogue between the socio-cultural and political approaches to Hellenistic history.

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Archipelago is one of the most important and influential literary magazines of the last twenty years. Running to twelve editions, it was edited by scholar-poet Andrew McNeillie, with the assistance later of James McDonald Lockhart, and began as an attempt to reimagine the relationships between the islands of Ireland and Britain. Archipelago has brought together established and emerging artists in creative conversations that have transformed the study of islands, coasts and waterways. It journeys from the Shetlands to Cornwall, from the Aran Islands to the coast of Yorkshire, tracing the cultures of diverse zones through some of the best in contemporary writing about place and people. This collection gathers poetry, prose and visual art in clusters grouped around the Irish and British archipelago, with contributions from an array of significant artists. With fifty contributors, Archipelago: A Reader includes: Moya Cannon is an Irish poet with seven published collections, the most recent being Collected Poems (2021). Deirdre Ni Chonghaile is a graduate of the University of Oxford and University College Cork. She is associated with NUI, Galway, and the University of Notre Dame, and is known for her work in music studies. Tim Dee is a naturalist, BBC radio producer and author of The Running Sky (2018). Seamus Heaney (1939-2013) was born in Northern Ireland. His career included teaching at Harvard and Oxford. He received many awards including the Nobel Prize in Literature, 1995. Kathleen Jamie is a Scottish writer whose work has appeared internationally. She has taught poetry at the University of Stirling since 2010. Michael Longley is a Northern Irish poet, and winner of the Whitbread Poetry Prize, the Hawthornden Prize, and the PEN Pinter Prize in 2017. Robert Macfarlane is a Writing Fellow of Emmanuel College, Cambridge. He has won the EM Forster Award for Literature. Derek Mahon (1941-2020) was a Northern Irish poet. He won the David Cohen Prize for Literature and the Poetry Now Award. Andrew McNeillie is a Welsh poet and current Literature Editor at Oxford University Press. His memoir An Aran Keening was published by The Lilliput Press, and he is founder of the Clutag Press and publisher of the Archipelago series. Sinead Morrisey is a Northern Irish winner of the T.S. Eliot Prize and the Forward Poetry Prize. She has taught in Belfast and Newcastle. 'Archipelago met and extended my own strong sense that there was a need to turn the compass-rose of some storytelling and art in Britain and Ireland away from the south and east and towards the north and west; away from the metropolis and towards the margins.' -Robert Macfarlane

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From the Preface by Tetsuya Iseki:A Survey of London was originally published by John Stow (c. 1525–1605) in 1598. Stow was a chronicler and antiquary who edited literary works and archaeological texts (his first publication was Chaucer’s Canterbury Tales, newly edited in 1561). In 1603 Stow published a new edition with corrections and additions, and it achieved immediate popular success. Even after his death, the work was reprinted in 1618 (Anthony Munday’s new edition), and again in 1633, but then disappeared from print until the end of the century. (The 1603 edition which was re-edited by C. L. Kingsford was issued by Oxford University Press in 1908, and later reprinted as the facsimile edition in 2000.)After the Great Fire of 1666, the state of London depicted and recorded in Stow’s Survey was greatly transformed. In 1694 Richard Blome (who published a new edition of William Camden’s Britannia) made an attempt to publish his new edition of Stow’s Survey with maps and many additions to describe the rebuilding of London after the Fire, but this was not successful. In 1702 John Strype (1643–1737), who had already achieved fame as an editor of historical and biographical documents, started editing Blome’s abortive work and created a new edition to answer the need for a current version of Stow’s Survey. Strype was said to have completed his edition (in two folio volumes) by November 1707, while a similar, rival book, A New View of London by Edward Hatton, was going to be published the following year. The booksellers gave up Strype’s Survey because Hatton’s publication was a smaller and cheaper edition. As it turned out, however, Hatton’s View of London could not satisfy the demand for a more scholarly updated edition of Stow’s Survey, and Strype’s project was revived in 1716 and finally published in December 1720.Strype’s Survey of London is basically an enlarged edition of Stow’s Survey, but the main body of the text and the maps are essentially taken from Blome’s 1694 edition. A mere reading of Strype’s Survey will reinforce the claim that the work is full of information about the late Stuart capital: the economics, politics, religion, architecture, and moral life of his day. Maps and plates of Strype’s Survey retain vivid visual details and, more than any other previous attempts, successfully remap the prosperous state of London. Pre-Fire maps were pictorial bird’s-eye views, in which buildings and landmarks are privileged over topographical accuracy, but alleys and yards are often obscured. The two-dimensional maps were published by John Ogilby and William Morgan after the fire in 1677. A large number of illustrations in Strype’s new edition show the details of the capital’s parishes and wards, including important historical buildings within and without the City both in two dimensions and bird’s-eye views.Strype’s Survey of London was priced at six guineas, and some 700 copies were published. Now the original is rarely found and the condition of the copies in the British Library or the ones in some other big libraries are not sound enough for reprint use. The present reprint is from my personal unspoiled copy of the 1720 edition. All texts and visual images derive from this copy. The work was originally published in two volumes: Volume 1 contains Books 1–3 and Volume 2 contains Books 4–6, plus appendices. This reprinted edition consists of three volumes: Volume 1 (Books 1, 2), Volume 2 (Books 3, 4), and Volume 3 (Books 5, 6). The texts are in the original fount and all illustrations and maps are inserted as foldouts.

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Emily Andersen has been making photographic portraits of the international avant-garde since graduating from the Royal College of Art in the early 1980s. Having started out by finding her way into some pretty cool-sounding private parties in London and New York, she began convincing artists and musicians to pose for her – from Nan Goldin to Nico. Over the past thirty-five years, she has built up a remarkable and beautiful portfolio that includes many high-profile writers, poets, film directors, actors and architects, with Peter Blake, Michael Caine, Derek Jarman, Zaha Hadid, Arthur Miller, Helen Mirren, Michael Nyman and Eduardo Paolozzi among those featured in this new publication devoted to her black-and-white portraits.In addition to celebrities, Andersen has documented many interesting and inspiring figures who are celebrated and respected within their fields, offering an invaluable insight into the lives of people who have made significant contributions to the wider cultural and creative life of the USA, Britain and Europe over the current and recent generations. An illuminating essay by critic Jonathan P. Watts not only explores the lives of some of Andersen’s many sitters and the photographs she has taken of them, but also get to grips with ideas such as the nature of portraiture, photojournalism and the limitations of the documentary photograph, framing them within debates of the late 1980s onwards. ‘While all of these portraits may not be recognisably activist images’, asserts Watts, ‘they’re rooted in the belief of a micro-politics of everyday lives and relationships.’ Readers can discover more about the background, circumstances and dynamics of many of the shoots by means of notes prepared by Andersen herself to accompany each image, which are regularly entertaining and thought-provoking as well as informative.Beyond capturing the essence of these figures and of the times in which they are living, Andersen has a particular talent for entering into their private lives and private spaces, often being invited into her sitters’ own homes. By photographing family members and friends, she gets an angle on them that is often deeply personal, sensitive and honest. Creating works that are carefully composed and choreographed and yet regularly informal and relaxed, there is always, somehow, a sense that Andersen is more interested in encouraging her subjects to speak through her images than in imposing her own impressions upon them. It is also fascinating to note how Andersen is often keen to document the young children of celebrities, especially girls, and has made a substantial body of work of fathers and daughters. She is always interested to know what these young women grew up to be, and sometimes returns to photograph the same people years, if not decades, later.Andersen has been commissioned for innumerable magazines and newspapers including the New Musical Express (NME), The Face, Elle Deco, Domus, The Times, The Guardian, The Independent, The Sunday Telegraph and The Economist, and has been commissioned by publishers such as Quadrille, Simon and Schuster, Oxford University Press, Hachette, Random House and Harper Collins. Her works have been exhibited internationally in venues including The Photographers’ Gallery, London; The Institute of Contemporary Art, London; The Scottish National Portrait Gallery, Edinburgh; The Barber Institute of Fine Arts, University of Birmingham; Massachusetts Museum of Contemporary Art; Jehangir Art Gallery, Mumbai; and China Arts Museum, Shanghai. A winner of the John Kobal prize for portraiture, she has a number of works in The National Portrait Gallery, London and in other public collections including The British Library, London, and The Contemporary Art Society, London. Andersen is a senior lecturer in photography at Nottingham Trent University.Designed by Melanie Mues of Mues Design, London, with reprography by DPM, London, and printed by EBS, Verona, this stunning hardback monograph has been released in both a trade edition published by Anomie and as an artist’s limited edition of fifty signed and numbered copies, accompanied by an original print.The cover image is of the Chilean-French filmmaker Alejandro Jodorowsky and his son, Axel, in London in 1989.

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