Search results for ""author art, culture"

The life of Howard Johnson, nicknamed “Stretch” because of his height (6'5"), epitomizes the cultural and political odyssey of a generation of African Americans who transformed the United States from a closed society to a multiracial democracy. Johnson’s long-awaited memoir traces his path from firstborn of a multiclass/multiethnic” family in New Jersey to dancer in Harlem’s Cotton Club to communist youth leader and, later, professor of Black studies. A Dancer in the Revolution is a powerful statement about Black resilience and triumph amid subtle and explicit racism in the United States. Johnson’s engaging, beautifully written memoir provides a window into everyday life in Harlem—neighborhood life, arts and culture, and politics—from the 1930s to the 1970s, when the contemporary Black community was being formed. A Dancer in the Revolution explores Johnson’s twenty-plus years in the Communist Party and illuminates in compelling detail how the Harlem branch functioned and flourished in the 1930s and ’40s. Johnson thrived as a charismatic leader, using the connections he built up as an athlete and dancer to create alliances between communist organizations and a cross-section of the Black community. In his memoir, Johnson also exposes the homoerotic tourism that was a feature of Harlem’s nightlife in the 1930s. Some of America’s leading white literary, musical, and artistic figures were attracted to Harlem not only for the community’s artistic creativity but to engage in illicit sex—gay and straight—with their Black counterparts. A Dancer in the Revolution is an invaluable contribution to the literature on Black political thought and pragmatism. It reveals the unique place that Black dancers and artists hold in civil rights pursuits and anti-racism campaigns in the United States and beyond. Moreover, the life of “Stretch” Johnson illustrates how political activism engenders not only social change but also personal fulfillment, a realization of dreams not deferred but rather pursued and achieved. Johnson’s journey bears witness to critical periods and events that shaped the Black condition and American society in the process.

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This volume's contributors offer a new critical language through which to explore and assess the historical, juridical, geopolitical, and cultural dimensions of drone technology and warfare. They show how drones generate particular ways of visualizing the spaces and targets of war while acting as tools to exercise state power. Essays include discussions of the legal justifications of extrajudicial killings and how US drone strikes in the Horn of Africa impact life on the ground, as well as a personal narrative of a former drone operator. The contributors also explore drone warfare in relation to sovereignty, governance, and social difference; provide accounts of the relationships between drone technologies and modes of perception and mediation; and theorize drones’ relation to biopolitics, robotics, automation, and art. Interdisciplinary and timely, Life in the Age of Drone Warfare extends the critical study of drones while expanding the public discussion of one of our era's most ubiquitous instruments of war. Contributors. Peter Asaro, Brandon Wayne Bryant, Katherine Chandler, Jordan Crandall, Ricardo Dominguez, Derek Gregory, Inderpal Grewal, Lisa Hajjar, Caren Kaplan, Andrea Miller, Anjali Nath, Jeremy Packer, Lisa Parks, Joshua Reeves, Thomas Stubblefield, Madiha Tahir

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How relevant is classical music today? The genre seems in danger of becoming nothing more than a hobby for the social elite. Yet Kent Nagano has another world in mind – one where everyone has access to classical music. In Classical Music: Expect the Unexpected the world-famous classical conductor tells the deeply personal story of his own engagement with the masterpieces and great composers of classical music, his work with the world's major orchestras, and his tireless commitment to bringing his music to everybody. Narrating his first childhood encounters with music's power to overcome social and ethnic boundaries, he celebrates an art form that has always taken part in debates about human values and societal developments. The constantly declining relevance of classical music in these disrupted times, he argues, not only impoverishes society from a cultural perspective but robs it of inspiration, wit, emotional depth, and a sense of community. Getting to grips with classical music's existential crisis, Nagano contends that it is too crucial to humanity's survival to be allowed to silently disappear from our everyday reality. In this moving autobiography, Kent Nagano makes a compelling plea for classical music that is as exhilarating as it is thought-provoking.

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'Post-black' refers to an emerging trend within black arts to find new and multiple expressions of blackness, unburdened by the social and cultural expectations of blackness of the past and moving beyond the conventional binary of black and white. Reflecting this multiplicity of perspectives, the plays in this collection explode the traditional ways of representing black families on the American stage, and create new means to consider the interplay of race, with questions of class, gender, and sexuality. They engage and critique current definitions of black and African-American identity, as well as previous limitations placed on what constitutes blackness and black theatre. Written by the emerging stars of American theatre such as Eisa Davis and Marcus Gardley, the plays explore themes as varied as family and individuality, alienation and gentrification, and reconciliation and belonging. They demonstrate a wide-range of formal and structural innovations for the American theatre, and reflect the important ways in which contemporary playwrights are expanding the American dramatic canon with new and diverse means of representation. Edited by two leading US scholars in black drama, Harry J. Elam Jr (Stanford) and Douglas A. Jones Jr (Princeton), this cutting edge anthology gathers together some of the most exciting new American plays, selected by a rigorous academic backbone and explored in depth by supporting critical material.

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With its world-class art galleries, atmospheric tapas bars and historic plazas buzzing with local life, Spain's capital is the perfect European city break.Make the most of your trip to this dynamic city with DK Eyewitness Top 10. Planning is a breeze with our simple lists of ten, covering the very best that Madrid has to offer and ensuring that you don't miss a thing. Best of all, the pocket-friendly format is light and easily portable; the perfect companion while out and about.Inside DK Eyewitness Top 10 Madrid you will find: - Up-to-date information with insider tips and advice for staying safe.- Top 10 lists of Madrid's must-sees, including the Palacio Real, Museo Nacional del Prado, Museo - Nacional Thyssen-Bornemisza and Museo Nacional Centro de Arte Reina SofíaMadrid's most interesting areas, with the best places for sightseeing, food and drink, and shopping.- Themed lists, including the best museums and galleries, parks and gardens, tapas bars, children's attractions and much more.- Easy-to-follow itineraries, perfect for a day trip, a weekend, or a week.- A laminated pull-out map of Madrid, plus 7 full-colour area maps.Looking for more on Madrid's culture, history and attractions? Try our DK Eyewitness Madrid.About DK Eyewitness: At DK Eyewitness, we believe in the power of discovery. We make it easy for you to explore your dream destinations. DK Eyewitness travel guides have been helping travellers to make the most of their breaks since 1993. Filled with expert advice, striking photography and detailed illustrations, our highly visual DK Eyewitness guides will get you closer to your next adventure. We publish guides to more than 200 destinations, from pocket-sized city guides to comprehensive country guides. Named Top Guidebook Series at the 2020 Wanderlust Reader Travel Awards, we know that wherever you go next, your DK Eyewitness travel guides are the perfect companion.

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Overlooking one of the world's most spectacular harbours, Sydney is blessed with ocean beaches, lush tropical gardens, and a balmy climate that makes the great outdoors irresistible.Make the most of your trip to this dazzling city with DK Eyewitness Top 10. Planning is a breeze with our simple lists of ten, covering the very best that Sydney has to offer and ensuring that you don't miss a thing. Best of all, the pocket-friendly format is light and easily portable; the perfect companion while out and about. DK Eyewitness Top 10 Sydney is your ticket to the trip of a lifetime. Inside DK Eyewitness Top 10 Sydney you will find: - Top 10 lists of Sydney's must-sees, including Sydney Opera House, Art Gallery NSW, Darling Harbour and Bondi Beach- Sydney's' most interesting areas, with the best places for sightseeing, food and drink, and shopping- Themed lists, including the best beaches, museums, art galleries, parks and gardens and much more- Easy-to-follow itineraries, perfect for a day trip, a weekend, or a week- A laminated pull-out map of Sydney, plus eight full-colour area mapsLooking for more on Australia's culture, history and attractions? Try our DK Eyewitness Australia.About DK Eyewitness: At DK Eyewitness, we believe in the power of discovery. We make it easy for you to explore your dream destinations. DK Eyewitness travel guides have been helping travellers to make the most of their breaks since 1993. DK Eyewitness travel guides have been helping travelers to make the most of their breaks since 1993.Filled with expert advice, striking photography and detailed illustrations, our highly visual DK Eyewitness guides will get you closer to your next adventure. We publish guides to more than 200 destinations, from pocket-sized city guides to comprehensive country guides. Named Top Guidebook Series at the 2020 Wanderlust Reader Travel Awards, we know that wherever you go next, your DK Eyewitness travel guides are the perfect companion.

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Digital materiality (digimat) proposes a set of basic principles for how we understand the world through digital processes. Digital instruments may seem forbiddingly complex but they are based on simple mechanical principles which operate today on the subatomic scale, creating challenges for conventional human epistemology. This short book sets out a methodical materialist understanding of digital technologies, where they come from, how they work, and what they do. This analysis starts from the classical materialism of the Greek physicist-philosophers, engages with the humanist and historical materialism of the flourishing of Enlightenment arts and sciences, and extrapolates from post-humanist new materialism informed by quantum physics. There can be no future without a present and that present is always, persistently material. Readers of this book must grapple with the mattering of digital material, especially the awe-inspiring epistemological schism between the infinitesimal, lightspeed reality of digital data and conventional, empirical human epistemologies which provide the vocabularies and cultural metaphors we must have recourse to in the attempt to discuss, communicate and decypher these phenomena. The obsolescent figure of anthropos (human being) will provide a central foil and subject for this challenge to understand our digital tools and their seemingly irrepressible reproduction. The future of humanity is at stake!

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“The West will begin to understand Africa when it realizes it’s not talking to a child—it’s talking to its mother.”So writes Jeff Pearce in the introduction to his fascinating, groundbreaking work, African Ideas: How a Continent and Its People Changed the World.We learn early on in school how Europe and Asia gave us important literature, science, and art, and how their nations changed the course of history. But what about Africa? There are plenty of books that detail its colonialism, corruption, famine, and war, but few that discuss the debt owed to African thinkers and innovators. In African Ideas, we meet Zera Yacob, an Ethiopian philosopher who developed the same critical approach and several of the same ideas as René Descartes. We consider how Somalis traded with China, and we meet the African warrior queens who still inspire national pride. We explore how Liberia’s Edward Wilmot Blyden deeply influenced Marcus Garvey, and we sneak into the galleries and theaters of 1920s Paris, where African art and dance first began to make huge impacts on the world. Relying on meticulous research, Pearce brings to life a rich intellectual legacy and profiles modern innovators like acclaimed griot Papa Susso and renowned economist George Ayittey from Ghana. From the ancient Nubians to a Nigerian superstar in modern painting and sculpture, from the father of sociology in the Maghreb to how the Mau Mau in Kenya influenced Malcom X, African Ideas is bold, engaging, and takes the reader on a journey of thousands of years up to the present day. Past works have reinforced misconceptions about Africa, from its oral traditions and languages to its resistance to colonial powers. Other books have treated African achievements as a parade of honorable mentions and novelties. This book is different—refreshingly different. It tells the stories behind the milestones and provides insights into how great Africans thought, and how they passed along what they learned. Provocative and entertaining, African Ideas at last gives the continent its due, and it should change the way we learn about the interactions of cultures and how we teach the history of the world.

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In 1900, as the first metro rolled from west to east across Paris, from Porte Maillot to Porte de Vincennes, photography had already been around for half a century. Turnofthe- century technological advances had created smaller, lighter cameras--the first Kodaks--which introduced the practice to a wider market. As Parisians fell in love with their new mode of transport, photography became a more widespread pastime. All genres and photographic practices are represented in this overview, from photojournalism to photo stories, street photography, fashion photography, architectural photography and industrial photography. The major figures of photography all snapped the Paris metro from the humanists - Doisneau, Henri-Cartier Bresson, Brassaï, Boubat, Izis, Kollar, Ronis, and more – to photojournalists such as Robert Capa, William Klein, and van der Keuken, not forgetting the scores of great international photographers who have passed through Paris. This ambitious work is a magnificent and charming hybrid: a history of the fascinating development of the Paris metro--long a cultural symbol of France, Art Nouveau and urban technological innovation--in all its diversity, alongside a history of photography in Paris from the early 20th century to the present day.

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This leading practitioner reference and text--now in a revised and expanded fourth edition--provides the knowledge needed to use state-of-the-art cognitive tests with individuals of all ages, from preschoolers to adults. The volume examines major theories and tests of intelligence (in chapters written by the theorists and test developers themselves) and presents research-based approaches to test interpretation. Contributors address critical issues in evaluating culturally and linguistically diverse students, gifted students, and those with intellectual disability, sensory–motor impairments, traumatic brain injuries, and learning difficulties and disabilities. The fourth edition highlights the use of cognitive test results in planning school-based interventions. New to This Edition *Complete coverage of new or updated tests: WPPSI-IV, WISC-V, WISC-V Integrated, WJ IV, ECAD, CAS2, RIAS-2, KABC-II Normative Update, and UNIT2. *Chapters on cutting-edge approaches to identifying specific learning disabilities and reading disorders. *Chapters on brain imaging, neuropsychological intervention in schools, adult intellectual development, and DSM-5 criteria for learning disorders. *Updated chapters on theories of intelligence, their research base, and their clinical utility in guiding cognitive and neuropsychological assessment practice.

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We live in an age when reality TV shows climax in a tearful finale. But feeling sad – genuinely sad – is still taboo. Yet, sadness happens to us all, sometimes in heartbreakingly awful ways. If we don’t know how to be sad, it can be isolating for those experiencing it and baffling for those trying to help others through dark times. Today, most of us know intellectually that ‘sad’ is normal. But we’re not always brilliant at allowing for it, in practice. Sadness is going to happen, so we might as well know how to ‘do it’ right. And it’s time to start facing our problems and talking about them. Positive psychology may have become more accepted in mainstream culture, but rates of depression have continued to rise. We’re trying so hard to be happy. But studies show that we could all benefit from learning the art of sadness and how to handle it, well. We cannot avoid sadness so we might as well learn to handle it. Helen Russell, while researching two previous books on happiness, found that today most of us are terrified of sadness. Many of us are so phobic to averse to negative emotions that we don’t recognise them.

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An elegant new take on the classic family encyclopedia, filled with beautiful images and clear, accessible text.Packed with facts and illustrations, this landmark book offers a reliable, visually stunning, and family-friendly alternative to online information sources. This fully illustrated encyclopedia is the antidote to the internet. It's expertly written and beautifully presented reference for a world overloaded with unreliable information. From quantum physics to the square of the hypotenuse, Ancient Rome to the depths of the oceans, this is your one-stop knowledge shop for the digital age - clear, simple, accurate and unbiased. This book is a comprehensive guide to a huge range of human knowledge, and includes over 4,000 images to bring information vividly to life. Its format is accessible to a wide range of readers, so it's ideal for a variety of ages, for home study - or simply for browsing for fun. Parents and teachers can be confident that children won't see any unwanted content. The Visual Encyclopedia is the ultimate easy-to-read family guide to science, nature, space, history, art, technology, leisure, culture, and more. The information is organized thematically for simple navigation, and clear signposting makes it easy to follow connections between subjects. For family, for study, for the simple pleasure of discovery, here is a trustworthy source of knowledge and enjoyment.

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This Cotswolds, Stratford-upon-Avon & Oxford guidebook is perfect for independent travellers planning a longer trip. It features all of the must-see sights and a wide range of off-the-beaten-track places. It also provides detailed practical information on preparing for a trip and what to do on the ground. And this Cotswolds, Stratford-upon-Avon & Oxford travel guidebook is printed on paper from responsible sources, and verified to meet the FSC's strict environmental and social standards. This Cotswolds, Stratford-upon-Avon & Oxford guidebook covers: Cheltenham, South Cotswolds, Central Cotswolds, Stratford-Upon-Avon, Oxfordshire Cotswolds, Banbury, North Oxfordshire, Oxford.Inside this Cotswolds, Stratford-upon-Avon & Oxford travel book, you'll find:- A wide range of sights - Rough Guides experts have hand-picked places for travellers with different needs and desires: off-the-beaten-track adventures, family activities or chilled-out breaks- Itinerary examples - created for different time frames or types of trip- Practical information - how to get to the Cotswolds, Stratford-upon-Avon & Oxford, all about public transport, food and drink, shopping, travelling with children, sports and outdoor activities, tips for travellers with disabilities and more- Author picks and things not to miss in the Cotswolds, Stratford-upon-Avon & Oxford - Blenheim Palace, Lower Slaughter, Kelmscott Manor, Tetbury, Cheltenham, Stroud farmers' market, Gloucester Cathedral, Cotswold Farm Park, Bibury, Cirencester, Stratford-upon-Avon, Oxford, Broadway, Rollright Stones, Chipping Campden - Insider recommendations - tips on how to beat the crowds, save time and money, and find the best local spots- When to go to the Cotswolds, Stratford-upon-Avon & Oxford - high season, low season, climate information and festivals - Where to go - a clear introduction to the Cotswolds, Stratford-upon-Avon & Oxford with key places and a handy overview - Extensive coverage of regions, places and experiences - regional highlights, sights and places for different types of travellers, with experiences matching different needs- Places to eat, drink and stay - hand-picked restaurants, cafes, bars and hotels- Practical info at each site - hours of operation, websites, transit tips, charges- Colour-coded mapping - with keys and legends listing sites categorised as highlights, eating, accommodation, shopping, drinking and nightlife - Background information for connoisseurs - history, culture, art, architecture, film, books, religion, diversity- Free download of the eBook - available after purchase of the printed guidebook to the Cotswolds, Stratford-upon-Avon & Oxford - Fully updated post-COVID-19The guide provides a comprehensive and rich selection of places to see and things to do in the Cotswolds, Stratford-upon-Avon & Oxford, as well as great planning tools. It's the perfect companion, both ahead of your trip and on the ground.

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#1 New York Times Bestseller A People Magazine Top Ten Book of the Year 'A sensational memoir ...brilliantly well written. Carly Simon is incapable of writing a boring sentence ...you can forgive anything for the unparalleled brilliance of her writing' - Lynn Barber, Sunday Times 'Hugely affecting memoir ...heartfelt and remarkable' - Fiona Sturges, Independent Carly Simon is a household name. She was the staple of the '70s and '80s Billboard charts and was famously married to James Taylor with whom she has two children. She has had a career that has spanned four decades, resulting in thirteen top 40 hits, including the Number 1 song 'You're So Vain', numerous Grammy Awards, a Golden Globe and an Academy Award. She was the first artist in history to win a Grammy Award, an Academy Award and a Golden Globe Award for her song 'Let the River Run' (from the film Working Girl). Boys in the Trees is a rhapsodic, beautifully composed memoir of a young woman's coming of age amongst the glamorous literati and intelligentsia of Manhattan (her father was Richard Simon, co-founder of publishing giant Simon & Schuster), a reflection on a life begun amidst secrets and shame, and a powerful story of the strength to leave that all behind and forge a path of art, music and love in the Golden Age of folk and rock. At once an insider's look into a life in the spotlight, a lyric reflection on a particular time in our culture's history, and a beautiful memoir about the pains and joys of love and art, Boys in the Trees is the story Carly Simon has long been waiting to tell the world. Praise for the US edition: 'One of the best celebrity memoirs of the year' Hollywood Reporter 'Intelligent and captivating' People 'Compelling' Rolling Stone

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Showing The Great Diversity of Black Masculinities Black Masculinities explores the broad spectrum and diversity of Black masculinities through the medium of contemporary photography. Seen through the lenses of 22 Black (or) People of Color (BPoC) from around the world, the stereotypic entanglement of Black identity and masculinity is deconstructed and charged with a new set of values. Embedded in a long history of slavery, racism and oppression, the topos of Black masculinity continues to be subtly represented as aggressive, hypersexual and violent to this day. This richly illustrated book breaks down and visualizes the common mechanisms of representation in visual culture through carefully edited images and a textual contextualization. It acts as an introductory index and platform for BPoC photographers, who have been underrepresented at all levels of art production since the beginnings of photography, and makes their work visible. For all of us. FEATURED PHOTOGRAPHERS: Kemka Ajoku, Kwaku Alston, Namafu Amutse, Eric Asamoah, Nuits Balnéaires, Arielle Bobb-Willis, Braylen Dion, Kofi Duah, Yannis Davy Guibinga, Jabari Jacobs, Kelvin Konadu, Jude Lartey, Naomi Mukadi, Maganga Mwagogo, Lakin Ogunbanwo, Ruby Okoro, Rogers Ouma, Micha Serraf, Ngadi Smart, Isaac West, Jozef Wright, Ussi’n Yala

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Who is Yogi Bear's girlfriend? What links gazpacho soup with revenge? List the nine activities which are traditionally forbidden in public swimming pools. What does the Mona Lisa have in her left hand? List the ten ways in which a batsman may be dismissed in a game of cricket. What links the words "almost" and "biopsy"? On the Tip of My Tongue will take you from the natural world to notorious ships and novelty records, from the arts to advertising slogans and airport codes, from science and sport to scandals and space shuttles, from historical events to Hogwarts and Hitchcock and from popular culture to platonic solids and poker hands. It's a quiz book with a difference. As well as attempting to answer thousands of brain-twisting questions, you'll be asked to recall as many items as you can from a list, and to solve the hidden links between groups of questions. While you're struggling to find the right responses, you'll also be reading anecdotes, comments and curious facts. It can be played with family, friends, enemies - or on your own. But however you want to play it, you're sure to suffer the hopeless frustration of finding the next answer is ... On the Tip of My Tongue.

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If Greek tragedies are meant to be so tragic, why do they so often end so well? Here starts the story of a long and incredible misunderstanding. Out of the hundreds of tragedies that were performed, only 32 were preserved in full. Who chose them and why? Why are the lost ones never taken into account? This extremely unusual scholarly book tells us an Umberto Eco-like story about the lost tragedies. By arguing that they would have given a radically different picture, William Marx makes us think in completely new ways about one of the major achievements of Western culture. In this very readable, stimulating, lively, and even sometimes funny book, he explores parallels with Japanese theatre, resolves the enigma of catharsis, sheds a new light on psychoanalysis. In so doing, he tells also the story of the misreadings of our modernity, which disconnected art from the body, the place, and gods. Two centuries ago philosophers transformed Greek tragedies into an ideal archetype, now they want to read them as self-help handbooks, but all are equally wrong: Greek tragedy is definitely not what you think, and we may never understand it, but this makes it matter all the more to us.

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Set in early twentieth-century Spain, Hidden Path is a lyrical coming-of-age novel told from the perspective of a woman painter who struggles to find her way with art and with the women she loved. The novel is narrated in the first-person, following María Luisa as she reflects on her life from the turn of the twentieth century through the outset of the Second Spanish Republic (1931-1939). She recalls growing from an imaginative tomboy into a docile wife and mother before claiming her independence as a portrait painter in Madrid’s bohemian and queer circles. Along the way, she introduces us to a lively cast of characters who both hinder and encourage her efforts to blaze her own path. The poetic and sensuous language of María Luisa’s private reveries comingles with agile dialogue as the protagonist leads us through her life. Best known in Spain as a writer of children’s literature, Elena Fortún left this manuscript unpublished at the time of her death in 1952, as its semi-autobiographical content risked provoking homophobic backlash under the dictatorship of Francisco Franco. The first Spanish edition appeared in 2016 and was hailed as Fortún’s adult masterpiece, a previously unknown complement to her children’s saga Celia and Her World. This edition, with Jeffrey Zamostny’s sensitive and nuanced translation, marks the novel’s first time appearing in any language aside from Spanish; it is also the first of Fortún’s works to appear in English. With an insightful foreword by scholar Nuria Capdevila-Argüelles, this volume will be an influential contribution to women’s studies, LGBT histories, and Spanish literature and culture.

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Visually stunning and deeply insightful, 80s Sound and Vision is THE defining book of an unforgettable decade, capturing the raw energy, creativity and flamboyance of the era through its fashion and music. With images by renowned photographer Sheila Rock, this personal journey offers a sumptuous visual account including many rare images from the photographer’s archive, alongside those originally featured in seminal publications such as The Face, Rolling Stone and Vogue. Rock’s compelling first hand narrative shot across a decade primarily in London but also LA, San Francisco and Tokyo, takes us to a time when the real catwalk happened on the street; when style was the first and last word and when youth made their own identity, culture, music and entertainment. Here are the burgeoning roots of gender fluidity and an index of impressive talents that bubbled out of the suburbs and art schools to energise and invigorate a grey place with positivity and possibility. This lavish compendium is a who’s who of the artists, designers, stylists, hairdressers, models and performers, who made the 1980s their own. Alongside many notable stars (David Bowie, Brian Ferry, Naomi Campbell, Judy Blame, Leigh Bowery) are documented the equally relevant style gangs and subcultures who lived by their own rules (New Romantics, Goths, Mods and Metal Heads) and the ‘it’ hang outs and clubs (Billy’s, Blitz, Le Beat Route) where a new sensibility was created and paraded. 80s Sound and Vision is a unique chronicle of an extraordinary time and bears witness to the powerful explosion of imagination and innovation that shaped a decade.

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Tchaikovsky has long intrigued music-lovers as a figure who straddles many borders--between East and West, nationalism and cosmopolitanism, tradition and innovation, tenderness and bombast, masculine and feminine. In this book, through consideration of his music and biography, scholars from several disciplines explore the many sides of Tchaikovsky. The volume presents for the first time in English some of Tchaikovsky's own writings about music, as well as three influential articles, previously available only in German, from the 1993 Tubingen conference commemorating the centennial of Tchaikovsky's death. Tchaikovsky's distinguished biographer, Alexander Poznansky, reveals new findings from his most recent archival explorations in Kiln, Tchaikovsky's home. Poznansky makes accessible for the first time the full text of perviously censored letters, clarifying issues about the composer's life that until now have remained mere conjecture. Leon Botstein examines the world of realist art that was so influential in Tchaikovsky's day, while Janet Kennedy describes how interpretations of Tchaikovsky's ballet Sleeping Beauty act as a barometer of the aesthetic and even political climate of several generations. Natalia Minibayeva elucidates the First Orchestral Suite as a workshop for Tchaikovsky's composition of large-scale works, including symphony, opera, and ballet, while Susanne Dammann discusses the problematic Fourth Symphony as a work perfectly poised between East and West. Arkadii Klimovitsky considers Tchaikovsky's role as a link between Russia's Golden and Silver Ages. The extensive interaction between music and literature in this period forms the basis for Rosamund Bartlett's essay on creative parallels between Tchaikovsky and Chekhov. Richard Wortman describes the political climate at the end of Tchaikovsky's life, including Alexander III's mania for re-creating seventeenth-century Russian culture. Caryl Emerson, Kadja Gronke, and Leslie Kearney examine a number of issues raised by Tchaikovsky's operas. Marina Kostalevsky translates Nikolai Kashkin's 1899 review of Tchaikovsky's controversial opera Orleanskaia Deva (The Maid of Orleans). The book concludes with examples of theoretical writing by Tchaikovsky and Rimsky-Korsakov, authors of Russia's first two systematic books on music theory. Lyle Neff translates and provides commentary on compositional issues that Tchaikovsky discusses in personal correspondence, as well as Rimsky-Korsakov's analysis of his own opera Snegurochka (The Snow Maiden). Tchaikovsky and His World will change how we understand the life, works, and intellectual milieu of one of the most important and beloved composers of the nineteenth century. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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This thematic encyclopedia examines contemporary and historical Saudi Arabia, with entries that fall under such themes as geography, history, government and politics, religion and thought, food, etiquette, media, and much more. The Kingdom of Saudi Arabia, known for its petroleum reserves and leadership role in the Middle East, is explored in this latest addition to the Understanding Modern Nations series. Organized into thematic chapters, Modern Saudi Arabia covers both history and contemporary daily life. Chapter topics include: Geography; History; Government and Politics; Economy; Religion and Thought; Social Classes and Ethnicity; Gender, Marriage, and Sexuality; Education; Language; Etiquette; Literature and Drama; Art and Architecture; Music and Dance; Food; Leisure and Sports; and Media and Popular Culture. Each chapter contains an overview of the topic and alphabetized entries on examples of each theme. A detailed historical timeline spans from prehistoric times to the present. Special appendices are also included, offering profiles of a typical day in the life of representative members of Saudi society, a glossary, key facts and figures about Saudi Arabia, and a holiday chart. This volume will be useful for readers looking for specific topical information and for those who want to read entire chapters to gain a deeper perspective on aspects of modern Saudi Arabia.

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Fifteen years into a successful career as a college professor, Ilana Blumberg encounters a crisis in the classroom that sends her back to the most basic questions about education and prompts a life-changing journey that ultimately takes her from East Lansing to Tel Aviv. As she explores how civic and religious commitments shape the culture of her humanities classrooms, Blumberg argues that there is no education without ethics. When we know what sort of society we seek to build, our teaching practices follow. In vivid classroom scenes from kindergarten through middle school to the university level, Blumberg conveys the drama of intellectual discovery as she offers novice and experienced teachers a pedagogy of writing, speaking, reading, and thinking that she links clearly to the moral and personal development of her students. Writing as an observant Jew and as an American, Blumberg does not shy away from the difficult challenge of balancing identities in the twenty-first century: how to remain true to a community of origin while being a national and global citizen. As she negotiates questions of faith and citizenship in the wide range of classrooms she traverses, Blumberg reminds us that teaching - and learning - are nothing short of a moral art, and that the future of our society depends on it.

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In Black Power TV, Devorah Heitner chronicles the emergence of Black public affairs television starting in 1968. She examines two local shows, New York's Inside Bedford-Stuyvesant and Boston's Say Brother, and the national programs Soul! and Black Journal. These shows offered viewers radical and innovative programming: the introspections of a Black police officer in Harlem, African American high school students discussing visionary alternatives to the curriculum, and Miriam Makeba comparing race relations in the United States to apartheid in South Africa. While Inside Bedford-Stuyvesant and Say Brother originated from a desire to contain Black discontent during a period of urban uprisings and racial conflict, these shows were re-envisioned by their African American producers as venues for expressing Black critiques of mainstream discourse, disseminating Black culture, and modeling Black empowerment. At the national level, Soul! and Black Journal allowed for the imagining of a Black nation and a distinctly African American consciousness, and they played an influential role in the rise of the Black Arts Movement. Black Power TV reveals how regulatory, activist, and textual histories are interconnected and how Black public affairs television redefined African American representations in ways that continue to reverberate today.

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The popularity of the soundtrack to the motion picture "O Brother, Where Art Thou?" brought an extraordinary amount of attention to bluegrass, but it also drew its share of criticism from some aficionados who felt the album's inclusion of more modern tracks misrepresented the genre. This soundtrack, these purists argued, wasn't bluegrass, but "roots music," a new and, indeed, more overarching category concocted by journalists and marketers. Why is it that popular music genres like these and others are so passionately contested? And how is it that these genres emerge, coalesce, change, and die out? "In Genre in Popular Music", Fabian Holt provides new understanding as to why we debate music categories, and why those terms are unstable and always shifting. To tackle the full complexity of genres in popular music, Holt embarks on a wide-ranging and ambitious collection of case studies. Here he examines not only the different reactions to "O Brother", but also the impact of rock and roll's explosion in the 1950s and 1960s on country music and jazz, and how the jazz and indie music scenes have intermingled to expand the borders of their respective genres. Throughout, Holt finds that genres are an integral part of musical culture - fundamental both to musical practice and experience and to the social organization of musical life.

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The definitive history of Jews in New York and how they transformed the city Jewish New York reveals the multifaceted world of one of the city’s most important ethnic and religious groups. Jewish immigrants changed New York. They built its clothing industry and constructed huge swaths of apartment buildings. New York Jews helped to make the city the center of the nation’s publishing industry and shaped popular culture in music, theater, and the arts. With a strong sense of social justice, a dedication to civil rights and civil liberties, and a belief in the duty of government to provide social welfare for all its citizens, New York Jews influenced the city, state, and nation with a new wave of social activism. In turn, New York transformed Judaism and stimulated religious pluralism, Jewish denominationalism, and contemporary feminism. The city’s neighborhoods hosted unbelievably diverse types of Jews, from Communists to Hasidim. Jewish New York not only describes Jews’ many positive influences on New York, but also exposes their struggles with poverty and anti-Semitism. These injustices reinforced an exemplary commitment to remaking New York into a model multiethnic, multiracial, and multireligious world city. Based on the acclaimed multi-volume set City of Promises: A History of the Jews of New York winner of the National Jewish Book Council 2012 Everett Family Foundation Jewish Book of the Year Award, Jewish New York spans three centuries, tracing the earliest arrival of Jews in New Amsterdam to the recent immigration of Jews from the former Soviet Union.

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A vivid and extraordinarily wide-ranging collection of writings by an eminent historian of Spain and its empire When J. H. Elliott published Spain and Its World, 1500–1700 some twenty years ago, one of many enthusiasts declared, “For anyone interested in the history of empire, of Europe and of Spain, here is a book to keep within reach, to read, to study and to enjoy" (Times Literary Supplement). Since then Elliott has continued to explore the history of Spain and the Hispanic world with originality and insight, producing some of the most influential work in the field. In this new volume he gathers writings that reflect his recent research and thinking on politics, art, culture, and ideas in Europe and the colonial worlds between 1500 and 1800.The volume includes fourteen essays, lectures, and articles of remarkable breadth and freshness, written with Elliott’s characteristic brio. It includes an unpublished lecture in honor of the late Hugh Trevor-Roper. Organized around three themes—early modern Europe, European overseas expansion, and the works and historical context of El Greco, Velázquez, Rubens, and Van Dyck—the book offers a rich survey of the themes at the heart of Elliott’s interests throughout a career distinguished by excellence and innovation.

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Whether you want to sunbathe on Shoal Bay in Anguilla, shop in St. Barth, or visit the Loterie Farm in St. Martin, the local Fodor’s travel experts in St. Maarten/St. Martin, St. Barth & Anguilla are here to help! Fodor’s InFocus St. Maarten/St. Martin, St. Barth & Anguilla guidebook is packed with maps, carefully curated recommendations, and everything else you need to simplify your trip-planning process and make the most of your time. This new edition has been fully-redesigned with an easy-to-read layout, fresh information, and beautiful color photos. Fodor’s St. Maarten/St. Martin, St. Barth & Anguilla travel guide includes: AN ILLUSTRATED ULTIMATE EXPERIENCES GUIDE to the top things to see and do MULTIPLE ITINERARIES to effectively organize your days and maximize your time MORE THAN 7 DETAILED MAPS to help you navigate confidently COLOR PHOTOS throughout to spark your wanderlust! HONEST RECOMMENDATIONS FROM LOCALS on the best sights, restaurants, hotels, nightlife, shopping, performing arts, activities, side-trips, and more PHOTO-FILLED “BEST OF” FEATURES on “Anguilla's Best Beaches,” “Best Restaurants in St. Maarten/St. Martin,” “Best Luxury Shops in St. Barth,” and more TRIP-PLANNING TOOLS AND PRACTICAL TIPS including when to go, getting around, beating the crowds, and saving time and money HISTORICAL AND CULTURAL INSIGHTS providing rich context on the local people, politics, art, architecture, cuisine, music, geography, and more SPECIAL FEATURES on “How to Decide Between St. Maarten and St. Martin” and "Family Travel" LOCAL WRITERS to help you find the under-the-radar gems UP-TO-DATE COVERAGE ON: Phillipsburg, Cupecoy, Maho, Oyster Pond, Pelican Key, Simpson Bay, Marigot, French Cul de Sac, Grand Case, Baie Orientale, Gustavia, St.-Jean, Shoal Bay, and more Planning on visiting other Caribbean destinations? Check out Fodor’s Essential Caribbean, Fodor's InFocus Turks & Caicos Islands, Fodor's Aruba, and Fodor's St. Lucia & Barbados. *Important note for digital editions: The digital edition of this guide does not contain all the images or text included in the physical edition. ABOUT FODOR'S AUTHORS: Each Fodor's Travel Guide is researched and written by local experts. Fodor’s has been offering expert advice for all tastes and budgets for over 80 years. For more travel inspiration, you can sign up for our travel newsletter at fodors.com/newsletter/signup, or follow us @FodorsTravel on Facebook, Instagram, and Twitter. We invite you to join our friendly community of travel experts at fodors.com/community to ask any other questions and share your experience with us!

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Whether you want to take a boat down the Rhine, go to Oktoberfest in Munich, or explore the Black Forest, the local Fodor’s travel experts in Germany are here to help! Fodor’s Essential Germany guidebook is packed with maps, carefully curated recommendations, and everything else you need to simplify your trip-planning process and make the most of your time. This new edition has been fully-redesigned with an easy-to-read layout, fresh information, and beautiful color photos. Fodor’s “Essential” guides have been named by Booklist as the Best Travel Guide Series of 2020! Fodor’s Essential Germany travel guide includes: AN ILLUSTRATED ULTIMATE EXPERIENCES GUIDE to the top things to see and do MULTIPLE ITINERARIES to effectively organize your days and maximize your time MORE THAN 55 DETAILED MAPS to help you navigate confidently COLOR PHOTOS throughout to spark your wanderlust! HONEST RECOMMENDATIONS on the best sights, restaurants, hotels, nightlife, shopping, performing arts, activities, side-trips, and more PHOTO-FILLED “BEST OF” FEATURES on “What to Eat in Germany,” “German Beer and Wine,” “Best Historic Sights,” “Best Small Towns,” and more TRIP-PLANNING TOOLS AND PRACTICAL TIPS including when to go, getting around, beating the crowds, and saving time and money HISTORICAL AND CULTURAL INSIGHTS providing rich context on the local people, politics, art, architecture, cuisine, music, geography and more SPECIAL FEATURES on “Celebrating Oktoberfest,” “The Fairy Tale Castles of King Ludwig,” and “Wine Tasting in the Mosel Valley LOCAL WRITERS to help you find the under-the-radar gems GERMAN LANGUAGE PRIMER with useful words and essential phrases UP-TO-DATE COVERAGE ON: Berlin, Frankfurt, Heidelberg, Munich, Hamburg, Kiel, the Black Forest, Dresden, Regensburg, Cologne, Stuttgart, Nuremberg, Leipzig, Dusseldorf, Hanover, Bremen, and more. Planning on visiting other destinations in Central Europe? Check out Fodor’s Essential Switzerland, Fodor's Essential Austria, Fodor's Essential France, and Fodor's Inside Berlin. *Important note for digital editions: The digital edition of this guide does not contain all the images or text included in the physical edition. ABOUT FODOR'S AUTHORS: Each Fodor's Travel Guide is researched and written by local experts. Fodor’s has been offering expert advice for all tastes and budgets for over 80 years. For more travel inspiration, you can sign up for our travel newsletter at fodors.com/newsletter/signup, or follow us @FodorsTravel on Facebook, Instagram, and Twitter. We invite you to join our friendly community of travel experts at fodors.com/community to ask any other questions and share your experience with us!

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At the Same Time contains sixteen illuminating essays by Susan Sontag.With a preface by David Rieff.The sixteen essays gathered here represent the last pieces written by Susan Sontag in the years before her ddath in 2004. Reflecting on literature, photography and art, post 9/11 America and political activism, these essays encompass the themes that dominated Sontag's life and work, revealing why she remains one of the twentieth century's preeminent writers and thinkers.'These sixteen pieces brim over with vitality . . . every one of them opening up fresh lines of thought' John Gray, New Statesman'One of America's greatest public intellectuals' Observer'Excellent and essential' Financial Times'Reads like a greatest-hits album - a little politics, something on photography, some lit. crit. - of Sontag's passions' Daily Telegraph'Sontag's clear thinking . . . shines like a spotlight in dark places' The TimesOne of America's best-known and most admired writers, Susan Sontag was also a leading commentator on contemporary culture until her death in December 2004. Her books include four novels and numerous works of non-fiction, among them Regarding the Pain of Others, On Photography, Illness as Metaphor, At the Same Time, Against Interpretation and Other Essays and Reborn: Early Diaries 1947-1963, all of which are published by Penguin. A further eight books, including the collections of essays Under the Sign of Saturn and Where the Stress Falls, and the novels The Volcano Lover and The Benefactor, are available from Penguin Modern Classics.

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This Handbook provides a comprehensive guide to the topical and methodological breadth and diversity of the interdisciplinary field of environmental studies. The chapters, each written by leading experts in the field, illustrate cutting-edge quantitative, qualitative and mixed methodologies used in environmental studies research. The Handbook will make an ideal primary or supplemental textbook for graduate research and methods courses. It will also be an excellent resource for environmental studies students, faculty and researchers.'- Robin Leichenko, Rutgers University, US'Usually a book with a title like this is bought by libraries, used occasionally by desperate researchers seeking a new analysis tool. This book is not like that - although between the covers you will find everything need for such emergencies. Rather this is a walk through magic and mystery of environmental science, from cultural aspects to green economy, virtual water to the latest in gaming. Buy and use it for emergencies by all means, but it's a great read too!'- Peter Bridgewater, Centre for Museums and Heritage, The Australian National University'An up-to-date collection of methods and applications for analyzing environmental problems ranging from energy return on energy invested to international trade in virtual water and much else. The book will be of both academic and practical value to ecological economists, geographers, and environmental scientists. Highly recommended.'- Herman E. Daly, University of Maryland, USThis Handbook presents methods to advance the understanding of interdependencies between the well-being of human societies and the performance of their biophysical environment. It showcases applications to material and energy use; urbanization and technological transition; economic growth and social vulnerabilities; development and governance of social and industrial networks; and the role of history, culture, and science itself in carrying out analysis and guiding policy as well as the role of theory, data, and models in guiding decisions.Unique features include:- in-depth presentation of methods and applications in environmental studies- diverse examples of research methods complemented by a wide geographic and thematic range of applications- a careful balance between a review of the state of the art in environmental studies and an exploration of new developments in research methods and applications- strong emphasis on historic, social, and cultural issues together with the life sciences needed to fully assess environmental change- accessibility to a wide readership.Academics and students interested in broadening their knowledge of methods and applications in environmental studies will find this book to be a valuable resource. It will also be of great use to practitioners in environmental agencies looking to gain an insight into particular research methods.Contributors: L. Alçada-Almeida, P. Antunes, E.B. Barbier, A.M.Bassi, C.R. Binder, R. Boyd, L.K. Campbell, J.J.T. Connolly, C. Court, L.C. Dias, A. Drachen, K. Feng, D.R. Fisher, H. Folmer, H. Ghadimi, B. Gill, S. Gößling-Reisemann, C.A.S. Hall, D. Hardy, C. Hartefeld, K. Hubacek, M.E. Ibarrarán, R. Jackson, H.W. Kua, S. Locke, M. Olazabal, M. Paolisso, M. Patterson, M. Popp, D. Reckien, M. Ruth, R. Santos, R. Schoell, J. Schubert, L. Shi, S. Silva, H. Smith, K. Stave, E.S. Svendsen, C. Taiapa, D.S.K. Thomas, P. Von Mouche, N. Videira, J. Zhu, T. Zimmermann

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The three essays in Image, written by leading philosophers of religion, explore the modern power of the visual at the intersection of the human and the technological. Modern life is steeped in images, image-making, and attempts to control the world through vision. Mastery of images has been advanced by technologies that expand and reshape vision and enable us to create, store, transmit, and display images. The three essays in Image, written by leading philosophers of religion Mark C. Taylor, Mary-Jane Rubenstein, and Thomas A. Carlson, explore the power of the visual at the intersection of the human and the technological. Building on Heidegger’s notion that modern humanity aims to master the world by picturing or representing the real, they investigate the contemporary culture of the image in its philosophical, religious, economic, political, imperial, and military dimensions, challenging the abstraction, anonymity, and dangerous disconnection of contemporary images. Taylor traces a history of capitalism, focusing on its lack of humility, particularly in the face of mortality, and he considers art as a possible way to reconnect us to the earth. Through a genealogy of iconic views from space, Rubenstein exposes the delusions of conquest associated with extraterrestrial travel. Starting with the pressing issues of surveillance capitalism and facial recognition technology, Carlson extends Heidegger’s analysis through a meditation on the telematic elimination of the individual brought about by totalizing technologies. Together, these essays call for a consideration of how we can act responsibly toward the past in a way that preserves the earth for future generations. Attending to the fragility of material things and to our own mortality, they propose new practices of imagination grounded in love and humility.

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Pragmatism—a pluralistic philosophy with kinships to phenomenology, Gestalt psychology, and embodied cognitive science—is resurging across disciplines. It has growing relevance to literary studies, the arts, and religious scholarship, along with branches of political theory, not to mention our understanding of science. But philosophies and sciences of mind have lagged behind this pragmatic turn, for the most part retaining a central-nervous-system orientation, which pragmatists reject as too narrow.Matthew Crippen, a philosopher of mind, and Jay Schulkin, a behavioral neuroscientist, offer an innovative interdisciplinary theory of mind. They argue that pragmatism in combination with phenomenology is not only able to give an unusually persuasive rendering of how we think, feel, experience, and act in the world but also provides the account most consistent with current evidence from cognitive science and neurobiology. Crippen and Schulkin contend that cognition, emotion, and perception are incomplete without action, and in action they fuse together. Not only are we embodied subjects whose thoughts, emotions, and capacities comprise one integrated system; we are living ecologies inseparable from our surroundings, our cultures, and our world. Ranging from social coordination to the role of gut bacteria and visceral organs in mental activity, and touching upon fields such as robotics, artificial intelligence, and plant cognition, Crippen and Schulkin stress the role of aesthetics, emotions, interests, and moods in the ongoing enactment of experience. Synthesizing philosophy, neurobiology, psychology, and the history of science, Mind Ecologies offers a broad and deep exploration of evidence for the embodied, embedded, enacted, and extended nature of mind.

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Today’s nerds are loud, proud . . . and thirsty. They’ve stepped away from their action figure collections and toward the infinitely diverse collection of like-minded folk who are as turned on by cosplay as they are by foreplay. But as knowledgeable as they are, nerds aren’t always experts when it comes to the logistics of sex. Enter The Con-a-Sutra: A Guide to Full Frontal Nerdity. This book is much more than The Idiot’s Guide to Mensa Sex and light years ahead of a collection of IKEA “put tab Blaarf into slot Numdoggal” instruction sheets. Accompanied by classic comic book inspired art, noted fictional sexpert Professor Balls Xxxavier literally and figuratively illustrates the modern nerd’s wildest fantasies through a series of hilarious (if occasionally unachievable) sexual positions. Written to be inclusive of LGBTQ nerds, The Con-a-Sutra recognizes that nerds come in all body types, gender identities, and sexual orientations. Whether you prefer “The Splash Page,” “Wookiee Nookiee,” or “The Wayne Manner,” there is something here for everyone—even if only a hysterical and reference-packed break from your favorite smutty fanfic. From viral fan artists to passionate gamers, and from talented cosplayers to bookworms with overflowing comic collections, nerds are found in every demographic of modern society, making this the perfect gift for your boyfriend, girlfriend, husband, wife, brother, sister, office-mate, nerd-in-law, or any of the millions of people who proudly belong to a pop culture fandom. A comical compendium of con-friendly coitus, The Con-a-Sutra lets you boldly go where no nerd has gone before.

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More than a decade after the Fukushima Daiichi nuclear disaster, what we are witnessing is not a Second Nuclear Age – there is no post-atomic – but an uncanny, quiet return of the nuclear threat that so vividly animated the Cold War era. The renewed threat of nuclear proliferation, public complacency regarding weapons stockpiles, and the lack of a single functioning long-term repository after seventy years and thousands of tonnes of nuclear waste reveals the industry’s capacity for self-reinvention abetted by an ever-present capacity to forget. More than “fabulously textual,” as Jacques Derrida described it, the protean, unbound, and unending materiality of the nuclear is here to stay: resistance is crucial.Toxic Immanence introduces contemporary interdisciplinary perspectives that resist and decolonize the nuclear. Contributors highlight the prevalence and irrationality of slow violence and colonial governance as elements of the contemporary nuclear age. They propose a reappraisal of Cold War-era anti-nuclear art as well as pop culture representations of nuclear disaster, while decolonizing pedagogies advance the role of education in communicating and understanding the lethality of nuclear complexes. Collectively, the essays develop a robust critical discourse across fields of nuclear knowledge and integrate the work of the nuclear humanities with environmental justice and Indigenous rights activism. This reach across ways of knowing extends artistically: the poetry and photography included in this volume offer visions of past and present nuclear legacies.Conceived as a critical reflection on the potential of nuclear humanities, Toxic Immanence offers intellectual strategies for resisting and abolishing the global nuclear regime.

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Shortlisted, Marilyn Gaull Book Award Techno-Magism explores how British Romantic literature abuts and is organized around both print and non-print media. The book explores not only the print, pictorial art, and theater of early nineteenth-century England and Europe but also communicative technologies invented after the British Romantic period, such as photography, film, video, and digital screens. This proleptic abutting points to one way we can understand the implicit exceptionality wagered by reading Romanticism through media studies and media theory. Techno-Magism argues that both media studies and the concept of mediation in general can benefit from a more robust confrontation with, or recovery of, the arguments of deconstruction, an unavoidable consequence of thinking about the relationship between Romanticism and media. The book thinks that relationship through the catachrestic practice of a techno-magism, a technics of inscription always outside the causalities of a dialectical economy. The book further pursues two interrelated ideas: the structural incommensurability of the cut and the unapologetic presentism of the constellation. Marked by its late capitalist moment of composition, the book explores the continuity between the social character of Romantic and post-Romantic media, in terms of commodity culture, revolution, and the ecological devastation of the anthropocene.

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Devising Theatre and Performance is a hands-on guide for artists, students and teachers of performance at any stage of their practice. It offers a wide range of creative prompts and pathways enriched with critical thinking tools and questions, a hybrid approach Hill and Paris call ‘Curious Methods’. This is a welcome addition to the field, created and curated by two experienced artists who have operated at the international interface of academia and professional practice for over three decades. The collection is packed with fun, creative, thoughtful exercises distilled from over twenty years of running interdisciplinary artist workshops and teaching both devising and performance making. As well providing numerous exercises and suggestions for devising, composing and editing original works, this book offers tools for giving and receiving feedback, critical reflection and framing artistic work within academic research contexts. Readers can choose to dip in and out, to follow the book as a course or to work section by section, focusing on organizing principles such as working from the body, working with site, working with objects or performance activism. The book includes a detailed production workbook and a practice-based research workbook you can tailor to your own projects. The 'Curious Methods' approach encourages users to take the time and space their practice deserves while offering tools, nourishment and encouragement and inviting them to take risks beyond their comfort zones. The exercises are carefully described so that they can easily be tested out by readers, and are well contextualized in relation to vivid examples from contemporary performance practice and relevant political contexts. This compelling approach goes beyond many other books on theatre devising, which merely provide performance recipes; they do so by repeatedly highlighting the vital cultural relevance and potential personal impact of the experiments that they invite us to undertake. The primary audience for this important new book will be academics, instructors and students in courses on devised theatre, improvisation, performance art, experimental performance and practice-based research. It will be essential for classroom use, for students of theatre and performance and live art – undergraduate, postgraduate and Ph.D., teachers and all those needing strategies for getting started. It will also appeal to readers from the broader arts, humanities and social sciences who are seeking resources for integrating creative methods into their research.

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How can memory be mobilized for social justice? How can images and monuments counter public forgetting? And how can inherited family and cultural traumas be channeled in productive ways? In this deeply personal work, acclaimed art historian Dora Apel examines how memorials, photographs, artworks, and autobiographical stories can be used to fuel a process of “unforgetting”—reinterpreting the past by recalling the events, people, perspectives, and feelings that get excluded from conventional histories. The ten essays in Calling Memory into Place feature explorations of the controversy over a painting of Emmett Till in the Whitney Biennial and the debates about a national lynching memorial in Montgomery, Alabama. They also include personal accounts of Apel’s return to the Polish town where her Holocaust survivor parents grew up, as well as the ways she found strength in her inherited trauma while enduring treatment for breast cancer. These essays shift between the scholarly, the personal, and the visual as different modes of knowing, and explore the intersections between racism, antisemitism, and sexism, while suggesting how awareness of historical trauma is deeply inscribed on the body. By investigating the relations among place, memory, and identity, this study shines a light on the dynamic nature of memory as it crosses geography and generations.

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Beginning with a historical account of why animal stories pose endemic critical challenges to literary and cultural theory, Animal Stories argues that key creative developments in narrative form became inseparable from shifts in animal politics and science in the past century. Susan McHugh traces representational patterns specific to modern and contemporary fictions of cross-species companionship through a variety of media—including novels, films, fine art, television shows, and digital games—to show how nothing less than the futures of all species life is at stake in narrative forms.McHugh’s investigations into fictions of people relying on animals in civic and professional life—most obviously those of service animal users and female professional horse riders—showcase distinctly modern and human–animal forms of intersubjectivity. But increasingly graphic violence directed at these figures indicates their ambivalent significance to changing configurations of species.Reading these developments with narrative adaptations of traditional companion species relations during this period— queer pet memoirs and farm animal fictions—McHugh clarifies the intercorporeal intimacies—the perforations of species boundaries now proliferating in genetic and genomic science—and embeds the representation of animals within biopolitical frameworks.

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Social Movements cleverly translates the art of collective action and mobilization by excluded groups to facilitate understanding social change from below. Students learn the core components of social movements, the theory and methods used to study them, and the conditions under which they can lead to political and social transformation. This fully class-tested book is the first to be organized along the lines of the major subfields of social movement scholarship—framing, movement emergence, recruitment, and outcomes—to provide comprehensive coverage in a single core text. Features include: use of real data collected in the U.S. and around the world the emphasis on student learning outcomes case studies that bring social movements to life examples of cultural repertoires used by movements (flyers, pamphlets, event data on activist websites, illustrations by activist musicians) to mobilize a group topics such as immigrant rights, transnational movement for climate justice, Women's Marches, Fight for $15, Occupy Wall Street, Gun Violence, Black Lives Matter, and the mobilization of popular movements in the global South on issues of authoritarian rule and neoliberalism With this book, students deepen their understanding of movement dynamics, methods of investigation, and dominant theoretical perspectives, all while being challenged to consider their own place in relation to social movements.

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A definitive new biography, deftly interweaving an account of Turner’s early life with profound scholarly and aesthetic appreciation of his work A complex figure, and divisive during his lifetime, Joseph Mallord William Turner (1775–1851) has long been considered Britain’s greatest painter. An artist of phenomenal invention, complexity, and industry, Turner is now one of the world’s most popular painters. This comprehensive new account of his early life draws together recent scholarship, corrects errors in the existing literature, and presents a wealth of new findings. In doing so, it furnishes a more detailed understanding than ever before of the connections between Turner’s life and art. Taking a strictly chronological approach, Eric Shanes addresses Turner’s intellectual complexity and depth, his technical virtuosity, his personal contradictions, and his intricate social and cultural relations. Shanes draws on decades of familiarity with his subject, as well as newly discovered source material, such as the artist’s principal bank records, which shed significant light on his patronage and sales. The result, written in a warm, engaging style, is a comprehensive and magnificently illustrated volume which will fundamentally shape the future of Turner studies.

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Planting design is, rather obviously, a complex topic, spanning as it does art, science, social need, and morality - especially during these days of increasing planetary environmental threat. Although certainly not denying the importance of scientifically appropriate practices, the symposium “The Aesthetics of [Contemporary] Planting Design” addressed planting design today, proposing a renewed concern for the cultural and aesthetic aspects of the landscapes that result. This book, which has been developed from the original presentations at the symposium, presents the thoughts of a select international group of landscape architects and historians who discuss the subject of planting design through the lens of their own work as well as the work of others, both contemporary and historical. They suggest that, as in real estate, the most important factor in selecting plants is “location, location, location.” Certainly the Californian situation is far more forgiving than the aridity and other restrictive environmental conditions endemic to the Sonoran desert, or the frost and short growing seasons of Nordic lands that direct Scandinavian landscape architects to rely on native birches, pines, rowan, and moss. Most of us would agree that there are plants sensible for each climatic zone. Addressing environmental conditions is but the first step in the equation, however. There are also the issues of combination and composition.

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"Five thousand years have now elapsed since the creation of the world, and still it is undecided whether or not there has even been an instance of the spirit of any person appearing after death. All argument is against it; but all belief is for it." --Samuel Johnson Ghosts are woven into the very fabric of life. In Britain, every town, village, and great house has a spectral resident, and their enduring popularity in literature, art, folklore, and film attests to their continuing power to fascinate, terrify, and inspire. Our conceptions of ghosts--the fears they provoke, the forms they take--are connected to the conventions and beliefs of each particular era, from the marauding undead of the Middle Ages to the psychologically charged presences of our own age. The ghost is no less than the mirror of the times. Organized chronologically, this new cultural history features a dazzling range of artists and writers, including William Hogarth, William Blake, Henry Fuseli, Dante Gabriel Rossetti, John Everett Millais, Susan Hiller and Jeremy Deller; John Donne, William Shakespeare, Samuel Pepys, Daniel Defoe, Percy and Mary Shelley, Emily Bronte, Charles Dickens, Wilkie Collins, Henry James, Thomas Hardy, Muriel Spark, Hilary Mantel, and Sarah Waters.

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The reputation of the oak is based not on superlatives but on personality. In human terms, it is not a celebrity, but a reliable citizen. Its enduring legacy is evident in place- and surnames, in landmarks and buildings and as a sturdy staple of engineering material. More than any other tree, the oak has been a symbol of strength and durability. Venerated in pagan societies, elements of its worship were absorbed by other religions: Celtic mythology, for example, where it is believed to be a gateway between worlds; or Norse, where it is sacred to Thor, god of thunder, as the tree most often struck by lightning. The oak has been adopted by many countries as a national symbol, particularly in western Europe and the United States. Several individual oaks are of great historical importance, such as the Royal Oak within which King Charles II of England hid to escape the Roundheads, and the Charter Oak in Hartford, Connecticut, which became a symbol of American independence. In Oak, Peter Young illuminates and examines this magnificent and ubiquitous tree, tracing its biological history in its many manifestations, natural and cultural. Much-loved internationally, the oak is to be found in works of art, folk-tales, poems and songs. Oak narrates the biography of the tree that since time immemorial has been a symbol of loyalty and strength, generosity and renewal.

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In traditional semantics, the human body tends to be ignored in the process of constructing meaning. Horst Ruthrof argues, by contrast, that the body is an integral part of this hermeneutic activity. Strictly language-based theories, and theories which conflate formal and natural languages, run into problems when they describe how we communicate in cultural settings. Semantics and the Body proposes that language is no more than a symbolic grid which does not signify at all unless it is brought to life by non-linguistic signs. Ruthrof reviews and analyses various 'orthodox' theories of meaning, from the views of Gottlob Frege at the beginning of the twentieth century to those of theorists in the postmodern period, then offers an alternative approach of his own. His theory features 'corporeal semantics,' and holds that meaning has ultimately to do with the body and that the meaning of linguistic expressions is indeterminate without the aid of visual, tactile, olfactory, and other bodily signs. This approach also remedies what Ruthrof sees also as a loss of interpretive will in the postmodern era. Pedagogy in many fields could be enriched by a systemic integration of non-verbal semiosis into the linguistically dominated syllabus. Those involved in discourse analysis, literature, art criticism, film theory, pedagogy, and philosophy will find the implications of Ruthrof's study considerable.

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"Andrew and Evelyn Rothstein have given teachers a model for teaching the structure of our language with fun and interesting strategies that can be used at all grade levels. They show teachers how to take grammar instruction from a stand-alone subject to an integral part of a complete literacy program."—Kim Whitling, Fifth-Grade Inclusion TeacherFranklinville Central School, NYBuild strong grammar skills to help students become better readers, writers, and communicators!With today′s diverse and standards-driven classroom environment, teachers are eager for a new approach to grammar instruction—one that builds understanding of the structure and nuances of English. This practical guide points the way to fun, engaging, and effective grammar teaching for Grades K–12.Designed for classroom teachers, this resource covers grammar fundamentals that support vocabulary and writing skills. Readers will discover teaching strategies that encourage creativity and critical thought, based on a realistic approach to children′s language development. This guide provides: Clear explanations of grammatical terms as a refresher for teachers Easy-to-implement classroom activities, including examples and word play from children′s literature Appropriate techniques for a broad audience of students, with specific suggestions for English language learners Background on the development of English as a global language, promoting students′ respect for diverse cultures A teaching approach that supports the National Council of Teachers of English standards for English language arts Help your students develop a deep understanding of English grammar and build a solid foundation for academic achievement and lifelong communications skills.

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This book gathers for the first time an extensive selection of American artist—or “builder and demolisher,” as he describes himself—Mark Bradford's gorgeous, searing and heavily textured “merchant posters.” The original printed posters, collected by Bradford from around his Central Los Angeles neighborhood, are brightly colored local advertisements that target the area's vulnerable lower-income residents. For Bradford, they serve as both the formal and conceptual underpinnings of his works on paper, décollages/collages that engage with the pressures of the cityscape. “The sheer density of advertising creates a psychic mass, an overlay that can sometimes be very tense or aggressive,” he notes; “If there's a 20-foot wall with one advertisement for a movie about war, then you have the repetition of the same image over and over—war, violence, explosions, things being blown apart. As a citizen, you have to participate in that every day. You have to walk by until it's changed.” Eagerly anticipated, this is the first large-scale publication by a major publisher about the work of this important and increasingly influential artist. Artist and writer Malik Gaines considers Bradford's play with signs in relation to literary and performative theories of African-American forms; writer and cultural critic Ernest Hardy addresses social issues, in Los Angeles and more broadly, raised by Bradford's source material; Heidi Zuckerman Jacobson examines the language in the work as it relates to Concrete poetry; and Dia Art Foundation Director Philippe Vergne looks at the surface of the work and Bradford's processes of mining and excavation.

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National Jewish Book Awards Finalist for the Nahum N. Sarna Memorial Award for Scholarship, 2018.Hasidism, a movement of religious awakening and social reform, originated in the mid-eighteenth century. After two and a half centuries of crisis, upheaval, and renewal, it remains a vibrant way of life and a compelling aspect of Jewish experience. This book explores the profound intellectual and religious issues that the hasidic masters raised in their Torah commentary, and brings to the fore the living qualities of their sermons (derashot). Ora Wiskind-Elper addresses a spectrum of topics: creation, revelation, and redemption; hermeneutics, epistemology, psychology, Romanticism, poetry and poetics, art history, Hebrew fiction, cultural history, and tropes of Jewish suffering and hope. Fully engaged in the texts and their spirituality, she brings them to bear on postmodernist challenges to traditional spiritual and religious sensibilities. This is a comprehensive study, unique in pedagogy, clarity, and originality. It uses the full range of critical scholarship on hasidism as a social and ideological movement. At the same time, it maintains a strong focus on hasidic Torah commentary as a conveyor of theology and value. Each of its chapters presents a fundamentally new approach. Wiskind-Elper’s translations are in themselves an innovative moment in the tradition and spiritual history of the passages she offers.

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Some people are naturally creative and others aren't, right? Wrong. In this classic book on creativity, James Adams takes a unique approach to generating ideas and solving problems that has captivated, inspired, and guided thousands of people from all walks of life to new heights of creativity-whether you are a writer with writers block, or a businesswoman struggling to come up with a new organizational structure. More than three decades after its original publication, Conceptual Blockbusting has never been more relevant, powerful, or fresh. Integrating insights from the worlds of psychology, engineering, management, art, and philosophy, Adams identifies the key blocks (perceptual, emotional, cultural, environmental, intellectual, and expressive) that prevent us from realizing the full potential of our fertile minds. Employing unconventional exercises and other interactive elements, Adams shows individuals, teams, and organizations how to overcome these blocks, embrace alternative ways of thinking about complex problems, and celebrate the joy of creativity. Completely revised and updated with the latest cognitive science and addressing new subjects such as changes in technology, creativity in large groups, and sustaining creativity over time, Conceptual Blockbusting will introduce a new generation of readers to a world of new possibilities.

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