Search results for ""manchester university press""

Based on 15 years of ethnographic fieldwork, the book understands the increasing violence seen in cities as a product of the emergence of transnational illegal markets since the 1970's, followed by the suppression of unskilled workers, in many places racialised young men from poor neighbourhoods. The book gives flesh and blood to these transformations through a careful study of Sao Paulo's case in Brazil. The first part of the book is based on the trajectories of three families, featuring young men affiliated with illegal markets such as drug dealing and car theft, although in very different situations. The clash between the everyday life patterns of these black families, compared to Sao Paulo’s white middle classes, gives plausibility to the city’s social conflict, most violent after the 80’s, when transnational markets arrive and incarceration grows. Sao Paulo’s case offers more: this conflict is 70% less lethal in 2017 than it was in the 2000, mostly due to the actions of the PCC (the main criminal group in Brazil, a transnational one) discussed in the second part of the book. The “world of crime” is stronger , yet at the same time homicide rates are falling. The final argument demonstrates that informality, illegality and criminal violence are produced entangling legal and illegal markets and formal/informal institutions, not only in Sao Paulo.

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Mundane Methods is an innovative and original collection which will make a distinctive methodological and empirical contribution to research on the everyday. Bringing together a range of interdisciplinary approaches it provides a practical, hands-on approach for scholars interested in studying the mundane and exploring its potential. Divided into three key themes this volume explores methods for studying: materials and memories, emotions and senses, and mobilities and motion; with encounters, relationships, practices, spaces, temporalities and imaginaries cross-cutting throughout. In doing so, it draws on the work of a range of established and up-and-coming scholars researching the everyday, including human geographers, sociologists, anthropologists, urban planners, cartographers, and fashion historians. With empirical examples, practical tips, ethical considerations, and exercises.

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The volume contributes to a new articulation of theatre and performance studies via Foucault’s critical thought. With cutting edge studies by established and emerging writers in areas such as dramaturgy, film, music, cultural history and journalism, the volume aims to be accessible for both experienced researchers and advanced students encountering Foucault’s work for the first time. The introduction sets out a thorough and informative assessment of Foucault’s relevance to theatre and performance studies and to our present cultural moment – it rereads his profound engagement with questions of truth, power and politics, in light of previously unknown writings and lectures set in relation to current political and cultural concerns. Unique to this volume is the discovery of a ‘theatrical’ Foucault - the profound affinity of his thinking with questions of performativity. This discovery makes accessible the ‘performance turn’ to readers of Foucault, while opening up ways of reading Foucault’s oeuvre ‘theatrically’.

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Queer lives give rise to a vast array of objects: the things we fill our houses with, the gifts we share with our friends, the commodities we consume at work and at play, the clothes and accessories we wear, and the analogue and digital technologies we use to communicate with one another. But what makes an object queer? The sixty-three chapters in Queer Objects consider this question in relation to lesbian, gay and transgender communities across time, cultures and space. In this unique international collaboration, well-known and newer writers traverse world history to write about items ranging from ancient Egyptian tomb paintings and Roman artefacts to political placards, snapshots, sex toys and the smartphone. Fabulous, captivating, transgressive.

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Why has China’s ‘transition’ to a market economy not catalysed corresponding political transformation? In an era of deepening synergy between authoritarian politics and capitalist economics, this book offers a novel perspective on this central dilemma of contemporary Chinese development, shedding light on how the Chinese Communist Party achieved rapid economic growth while preserving political stability. Drawing on extensive fieldwork and over sixty interviews with policymakers, bankers and former party and state officials, the book delves into the role of China’s state-owned banking system since 1989, showing how political control over capital has been central to the country’s experience of capitalist development. It challenges existing state-market paradigms of political economy and reveals the Eurocentric assumptions underpinning liberal perspectives towards Chinese authoritarian resilience.

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Shakespeare’s London 1613 offers for the first time a comprehensive ‘biography’ of this crucial year in English history. The book examines political and cultural life in London, including the Jacobean court and the city, which together witnessed an exceptional outpouring of cultural experiences and transformative political events. The royal family had to confront the sudden death of Prince Henry, heir apparent to the throne, which provoked unparalleled grief. Meanwhile, an unprecedented number of plays performed at court helped move the country away from sadness to the happy occasion of Princess Elizabeth’s marriage to a German prince. Shakespeare’s productions dominated London’s cultural landscape, while other playwrights, writers and printers produced an extraordinary number of books. Readers interested in literature, cultural history, and the royal family will find in this book a rich and accessible account of this monumental year.

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Exoticisation Undressed is an innovative ethnography that makes visible the many layers through which our understandings of indigenous cultures are filtered and their inherent power to distort and refract understanding. The book focuses in detail on the clothing practices of the Emberá in Panama, an Amerindian ethnic group, who have gained national and international visibility through their engagement with indigenous tourism. The very act of gaining visibility while wearing indigenous attire has encouraged among some Emberá communities a closer identification with an indigenous identity and a more confident representational awareness. The clothes that the Emberá wear are not simply used to convey messages, but also become constitutive of their intended messages. By wearing indigenous-and-modern clothes, the Emberá-who are often seen by outsiders as shadows of a vanishing world-reclaim their place as citizens of a contemporary nation.

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A thorough and scholarly study of Spenser and Shakespeare and their contrary artistry, covering themes of theology, psychology, the depictions of passion and intellect, moral counsel, family hierarchy, self-love, temptation, folly, allegory, female heroism, the supernatural and much more. Renaissance psychologies examines the distinct and polarised emphasis of these two towering intellects and writers of the early modern period. It demonstrates how pervasive was the influence of Spenser on Shakespeare, as in the "playful metamorphosis of Gloriana into Titania" in A Midsummer Night's Dream and its return from Spenser's moralizing allegory to the Ovidian spirit of Shakespeare's comedy. It will appeal to students and lecturers in Spenser studies, Renaissance poetry and the wider fields of British literature, social and cultural history, ethics and theology.

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This book explores how different publics make sense of and evaluate anti-terrorism powers within the UK, and the implications of this for citizenship and security. Drawing on primary empirical research, the book argues that whilst white individuals are not unconcerned about the effects of anti-terrorism, ethnic minority citizens (including, but not only those identifying as Muslim) believe that anti-terrorism powers have impacted negatively on their citizenship and security. This book thus offers the first systematic engagement with ‘vernacular’ or ‘everyday’ understandings of anti-terrorism policy, citizenship and security. It argues that while transformations in anti-terrorism frameworks impact on public experiences of security and citizenship, they do not do so in a uniform, homogeneous, or predictable manner. At the same time, public understandings and expectations of security and citizenship themselves shape how developments in anti-terrorism frameworks are discussed.

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This is a comprehensive study of one of the most influential literary groups in post-independence Ireland: the writers and editors of the literary magazine The Bell. Seán O'Faoláin and the generation of writers that matured in the shadows of W. B. Yeats and James Joyce dominated the literary landscape in Ireland in the build-up to, and during, the Second World War. This is their story, as told through the history of one journal: The Bell. Working with previously unpublished archival material, this study looks to illuminate the relationships, disputes and loves of the contributors to Ireland's most important 'little magazine' under the guiding influence of its founding editor, Seán O'Faoláin. In doing so, it sheds new light on O'Faoláin's early influences and his attitude towards the Church and the state in Ireland.

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This study analyses concepts and representations of the soul in the poetry of William Shakespeare and John Donne. It shows how the soul becomes a linking element between the genres of poetry and drama, and how poetry becomes dramatic whenever the soul is at its focus. This double movement can be observed in Shakespeare’s The Rape of Lucrece and Donne’s Holy Sonnets: in these texts, the connection between interiority and performance, psychology and religious self-care can be found, which is central to the understanding of early modern drama and its characteristic development of the soliloquy. The study thus offers a new reading of the poems by Shakespeare and Donne by analysing them, in different ways, as staged dialogues within the soul. It contributes to research on the soliloquy as much as on concepts of inwardness during the early modern period. The book is aimed at readers studying early modern literature and culture.

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This book recounts a little-known history of the estimated 2,000 babies born to black GIs and white British women in the second world war. The African-American press named these children 'brown babies'; the British called them 'half-castes'. Black GIs, in this segregated army, were forbidden to marry their white girl-friends. Nearly half of the children were given up to children's homes but few were adopted, thought 'too hard to place'. There has been minimal study of these children and the difficulties they faced, such as racism in a (then) very white Britain, lack of family or a clear identity. The book will present the stories of over fifty of these children, their stories contextualised in terms of government policy and attitudes of the time. Accessibly written, with stories both heart-breaking and uplifting, the book is illustrated throughout with photographs. -- .

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The university is under threat. For forty years this indispensable democratic institution has been systematically betrayed by governments and the political class, who have redirected it from its proper social and cultural functions through a relentless programme of financialisation. Taking his cue from Julien Benda’s classic polemical essay of 1927, Thomas Docherty exposes the forces behind modern university ‘reform’. He demonstrates that the sector has been politicised and now works explicitly to advance a market-fundamentalist ideology that drives an ever-widening wedge between ordinary citizens and the privileged and wealthy. Against this, the intellectual and the university have an urgent duty to extend democracy and social justice. Looking to the future, Docherty concludes the book with seven hypotheses towards a manifesto and calls on intellectuals everywhere to assist in the survival of the species.

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Zygmunt Bauman was one of the most important social theorists of recent decades. He did major work on the Holocaust, the postmodern and much else, up to fifty-eight books in English on almost as many topics. In this book, Australian sociologist Peter Beilharz, Bauman’s collaborator for thirty years, recounts the details of their relationship, simultaneously charting the changes that have occurred in academic life from the 1980s to today. Friendship was one of the bonds that made Bauman and Beilharz’s intellectual collaboration possible. Though the two were worlds apart in terms of biography and place, their work together was defined by a certain kind of intimacy. Separated by a generation, they collaborated for a generation together. This book follows their story in touching detail while puzzling over Bauman’s rich yet contested legacy.

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Tattoos in crime and detective narratives examines representations of the tattoo and tattooing in literature, television and film, from two periods of tattoo renaissance (1851-1914, and c1955 to present). It makes an original contribution to understandings of crime and detective genre and the ways in which tattoos act as a mimetic device that marks and remarks these narratives in complex ways. With a focus on tattooing as a bodily narrative, the book incorporates the critical perspectives of posthumanism, spatiality, postcolonialism, embodiment and gender studies. The grouped essays examine the first tattoo renaissance, the rebirth of the tattoo in contemporary culture through literature, children's literature, film and television. The collection has a broad appeal, and will be of interest to all literature and media scholars, but in particular those with an interest in crime and detective narratives and skin studies.

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This is the first book to survey the ‘hidden half’ of prehistoric societies as revealed by archaeology – from Australopithecines to advanced Stone Age foragers, from farming villages to the beginnings of civilisation. Prehistoric children can be seen in footprints and finger daubs, in images painted on rocks and pots, in the signs of play and the evidence of first attempts to learn practical crafts. The burials of those who did not reach adulthood reveal clothing, personal adornment, possession and status in society, while the bodies themselves provide information on diet, health and sometimes violent death. This book demonstrates the extraordinary potential for the study of childhood within the prehistoric record, and will suggest to those interested in childhood what can be learnt from the study of the deep past.

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Young Arabs are too often reduced to the figures of the potential terrorist, the migrant or the exotic icon of the revolution. But the reality is much richer.Coming from both sides of the Mediterranean, the researchers in this book travel off the beaten track by exploring how young Arabs spend their free time. The case studies take in a wide range of countries, including Morocco, Egypt, Syria, Iraq and Saudi Arabia, and all manner of activities, from football to rap music, café culture to sex work. Drawn with sensitivity and humour, Arab youths presents an exceptional portrait of a generation that is much talked about but rarely listened to.This book gives a voice to young men and women who, as heirs of plural traditions, animated by new ideas and influenced by various cultural movements, are inventing the future of their societies in the midst of radical change.

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Women of letters writes a new history of English women's intellectual worlds using their private letters as evidence of hidden networks of creative exchange. The book argues that many women of this period engaged with a life of the mind and demonstrates the dynamic role letter-writing played in the development of ideas. Until now, it has been assumed that women's intellectual opportunities were curtailed by their confinement in the home. This book illuminates the household as a vibrant site of intellectual thought and expression. Amidst the catalogue of day-to-day news in women's letters are sections dedicated to the discussion of books, plays and ideas. Through these personal epistles, Women of letters offers a fresh interpretation of intellectual life in the late seventeenth and early eighteenth centuries, one that champions the ephemeral and the fleeting in order to rediscover women's lives and minds.This book is relevant to United Nations Sustainable Development Goal 5, Gender equality.

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Is lobbying, particularly by ‘lobbyists for hire’, resulting in a distortion of the democratic process? Does business, with its highly sophisticated and well-resourced lobbying operations, have an undue influence on decisions by politicians? The book assess the impact of lobbying on the UK political system, the extent to which it shapes the political decision-making process and the extent to which this influence is beneficial or malign. The book outlines various lobbying groups and their methods of persuasion, plus the weakness of political action groups and social media when faced with the might of the lobbying industry. The book is ideal reading for anyone seeking an introduction to lobbying.

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This anthology, the first of its kind, presents thirty-two texts on contemporary prints and printmaking written from the mid-1980s to the present by authors from across the world. The texts range from history and criticism to creative writing. More than a general survey, they provide a critical topography of artistic printmaking during the period. The book is directed at an audience of international stakeholders in the field of contemporary print, printmaking and printmedia, including art students, practising artists, museum curators, critics, educationalists, print publishers and print scholars. It expands debate in the field and will act as a starting point for further research.

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This is a book about the conflict between history and poetry – and historians and poets – in Atlantic World society from the end of the seventeenth century to the present day. Blending historiography and theory, it proceeds by asking: what is the point of poetry as far as historians are concerned? The focus is on W. H. Auden’s Cold War-era history poems, but the book also looks at other poets from the seventeenth century onwards, providing original accounts of their poetic and historical educations. An important resource for those teaching undergraduate and postgraduate courses in historiography and history and theory, Poetry for historians will also be of relevance to courses on literature in society and the history of education. General readers will relate it to Steedman’s Landscape for a Good Woman (1987) and Dust (2001), on account of its biographical and autobiographical insights into the way history operates in modern society.

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Counterpractice highlights a generation of women who used art to define a culture of experimental thought and practice during the period of the French women’s movement or Mouvement de Libération des Femmes (1970–81). It considers women’s art in relation to some of the most exciting thinkers to have emerged from the French literature and philosophy of the 1970s – Hélène Cixous, Luce Irigaray and Julia Kristeva – forcing a timely reconsideration of the full spectrum of revolutionary practices by women in the years following the events of May ’68. Lavishly illustrated with over 200 images, the book also features an illuminating foreword by art historian Griselda Pollock.

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This novel is one of Anthony Burgess’s most accessible and entertaining works. By turns bawdy, raucous, tender and bittersweet, and full of music and songs, this is a warm and affectionate portrait of the working-class Lancashire of the 1920s and 1930s that he knew from his own early life. The Pianoplayers is a funny, moving, autobiographical novel that brings to life the world of silent cinemas and music-halls of 1920s Manchester and Blackpool. Fully annotated and with a new introduction, this is an authoritative text for a new generation of readers.Part of the forthcoming Irwell Edition of the Works of Anthony Burgess, this book offers an opportunity to reappraise an unjustly neglected novel important to our understanding of Burgess’s wider oeuvre. The 2017 Burgess centenary makes this a key moment for reflection on the life and work of a major figure in twentieth century letters.

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Architectures of survival is an original and innovative work of history that investigates the relationship between air war and urbanism in modern Britain. It asks how the development of airpower and the targeting of cities influenced perceptions of urban spaces and visions of urban futures from the interwar period into the Cold War, highlighting the importance of war and the anticipation of war in modern urban history. Airpower created a permanent threat to cities and civilians, and this book considers how architects, planners and government officials reframed bombing as an ongoing urban problem, rather than one contingent to a particular conflict. It draws on archival material from local and national government, architectural and town planning journals and cultural texts, to demonstrate how cities were recast as targets, and planning for defence and planning for development became increasingly entangled.

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This book analyses how three artists – Adrian Piper, Nancy Spero and Mary Kelly – worked with the visual dimensions of language in the 1960s and 1970s. These artists used text and images of writing to challenge female stereotypes, addressing viewers and asking them to participate in the project of imagining women beyond familiar words and images of subordination. The book explores this dimension of their work through the concept of ‘the other woman’, a utopian wish to reach women and correspond with them across similarities and differences. To make the artwork’s aspirations more concrete, it places the artists in correspondence with three writers – Angela Davis, Valerie Solanas, and Laura Mulvey – who also addressed the limited range of images through which women are allowed to become visible.

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Fashion studies is a burgeoning field that often highlights the contributions of genius designers and high-profile brands with little reference to what goes on behind the scenes in the supply chain. This book pulls back the curtain on the global fashion system of the past 200 years to examine the relationship between the textile mills of Yorkshire – the firms that provided the entire Western world with warm wool fabrics – and their customers. It is a microhistory of a single firm, Abraham Moon and Sons Ltd, that sheds light on important macro questions about British industry, government policies on international trade, the role of multi-generational family firms and the place of design and innovation in business strategy. It is the first book to connect Yorkshire tweeds to the fashion system. Written in lively, accessible prose, this book will appeal to anyone who works in fashion or who wears fashion. There is nothing like it – and it will raise the bar for historical studies of global fashion. Here you’ll find intriguing stories about a tweed theft from the Leeds Coloured Cloth Hall, debates on tariffs and global trade, the battle against synthetic fibres and the reinvention of British tweeds around heritage marketing. You won’t be bored.

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This edition of Anne Clifford’s (1590–1676) diaries and memoirs is the first to include all of her autobiographical writing. Clifford was a prominent noble woman who writes about her experiences in the courts of Elizabeth, James and Charles I. She tells the story of her decades long battle to secure her inheritance of the Clifford lands of the north, which included taking on powerful men like James I. She describes the challenges she faced when she finally inherited the Clifford lands, torn by civil war, poverty and neglect. Her writings about her life reveal her joys and griefs, including the loss of children. Anne Clifford was vulnerable and determined, charitable and canny. Her diaries and memoirs provide a window into the life and thoughts of this indomitable woman.

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Debating medieval Europe serves as an entry point for studying and teaching medieval history. Rather than simply presenting foundational knowledge or introducing sources, it provides the reader with frameworks for understanding the distinctive historiography of the period, digging beneath the historical accounts provided by other textbooks to expose the contested foundations of apparently settled narratives. It opens a space for discussion and debate, as well as providing essential context for the sometimes overwhelming abundance of specialist scholarship.Volume I addresses the early Middle Ages, covering the period c. 450–c. 1050. The chapters are organised chronologically, and cover such topics as the Carolingian Order, England and the ‘Atlantic Archipelago’, the Vikings and Ottonian Germany. It features a highly distinguished selection of medieval historians, including Paul Fouracre and Janet L. Nelson.

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This book discusses how and why American modernist writers turned to Ireland at various stages during their careers. By placing events such as the Celtic Revival and the Easter Rising at the centre of the discussion, it shows how Irishness became a cultural determinant in the work of American modernists. It is the first study to extend the analysis of Irish influence on American literature beyond racial, ethnic or national frameworks. Through close readings and archival research, American literature and Irish culture, 1910–55 provides a balanced and structured approach to the study of the complexities of American modernist writers’ responses to Ireland. Offering new readings of familiar literary figures – including Fitzgerald, Moore, O’Neill, Steinbeck and Stevens – it makes for essential reading for students and academics working on twentieth-century American and Irish literature and culture, and transatlantic studies.

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Rescaling the state provides a theoretically-informed and empirically-rich account of the process of devolution undertaken in the UK since 1997, focusing in particular on the devolution of economic governance. Using case studies from England, Scotland, Northern Ireland and Wales, the book examines the purported reasons for, and the unintended consequences of, devolution. As well as comparing policy and practice across the four devolved territories, the book also explores the pitfalls and instances of good practice associated with devolution in the UK.Rescaling the state is an important text for all social scientists – particularly political scientists, sociologists, anthropologists and human geographers – interested in the devolution of power in the UK and, indeed, all instances of contemporary state restructuring. It is also a significant book for all policy-makers interested in understanding the increasing complexity of the policy landscapes of economic governance in the UK.With a new preface for the 2017 paperback edition

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This book concerns the post-illness experiences of about a hundred occupationally sick workers who suffer from the incurable diseases of pneumoconiosis or heavy metal poisoning in contemporary China. In exploring their struggles and conflicts in their private and social lives, at and away from home, the author hopes to show how the sufferers structure their own lives, their freedoms, rights, and constraints, and how they think and feel about their actions of acquiescence, compromise, resistance, and protest within the existing power relations. Informed by a framework that connects governmentality and the lifeworld of the victim, the books endeavors to shed new empirical and theoretical light on how the socially marginalized encounter and understand domination in everyday life in the specific context of China now and in the foreseeable future.

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This book examines the working lives of musicians over the past 120 years via the history of the Musicians' Union. The union has been at the centre of all major agreements covering the employment of musicians across the UK's music industries for this period and its role to date has largely been ignored by historians of the music profession, the music industries and trade unions. This book remedies that oversight, providing fresh insight to musicians' working lives, the industries in which they work and wider British social life. It explores a history of confrontation, coercion and compromise played out across the nation's studios, performance spaces and airwaves.

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The Twice-Chang’d Friar is one of four early seventeenth-century plays preserved in a manuscript miscellany in the library of the Newdigate family of Arbury Hall, Nuneaton (Arbury Hall MS A414). The play, which appears to have been written by family member and drama lover John Newdigate III, is thought to be unique to this manuscript. This edition makes the play available in print for the first time. The Twice Chang’d Friar is an Italianate city comedy based on a tale from Boccaccio’s Decameron. It tells the story of Albert, a friar who seduces Lisetta, a beautiful Venetian merchant’s wife by persuading her that he is the incarnation of Cupid. Albert’s plot is eventually uncovered by Lisetta’s brothers, whom he escapes by disguising himself in a bear’s skin. The play is a fascinating example of an amateur manuscript drama, of interest to all scholars and students of early modern drama.

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Revisiting divisions of labour is a reflection on the making of a modern sociological classic text and its enduring influence on the discipline and beyond. Ray Pahl's 1984 book is distinctive in the sustained impact it has had on how sociologists think about, research and report on the changing nature of work and domestic life. In this timely revisiting of a landmark project, excerpts from the original are interspersed with contributions from leading researchers reflecting on the book and its effects in the ensuing three decades. The book will be of interest to researchers, students and lecturers in sociology and related disciplines.

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This book provides a concise set of thirteen essays looking at various aspects of the British left, movements of protest and the cumulative impact of the First World War. There are three broad areas this work intends to make a contribution to; the first is to help us further understand the role the Labour Party played in the conflict, and its evolving attitudes towards the war; the second strand concerns the notion of work, and particularly women’s work; the third strand deals with the impact of theory and practice of forces located largely outside the United Kingdom. Through these essays this book aims to provide a series of thirteen bite-size analyses of key issues affecting the British left throughout the war, and to further our understanding of it in this critical period of commemoration.

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This book maps the work of adult educators, teachers, researchers and graduate students from North America, Europe and Africa who use the arts in their university classroom teaching, their research and in service. It is written specifically for graduate students, and educators working in higher education, communities, schools, and practitioners who want to learn how to better integrate the arts in their practice to critically and creativity communicate, teach, make meaning, uncover, and involve. The book contextualises the place and role of the arts in society, adult education, higher education and knowledge creation, outlines current arts-based theories and methodologies and provides examples of visual and performing arts practices to critically and creatively see, explore, represent, learn and discover the potential of the human aesthetic dimension in higher education teaching and research.

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This is a highly anticipated examination of the popular film and fiction consumed by Britons in the 1920s and 1930s. Departing from a prevailing emphasis on popular culture as escapist, Christine Grandy offers a fresh perspective by noting the enduring importance of class and gender divisions in the narratives read and watched by the working and middle classes between the wars. This compelling study ties contemporary concerns about ex-soldiers, profiteers, and working and voting women to the heroes, villains and love-interests that dominated a range of films and novels. Heroes and happy endings further considers the state’s role in shaping the content of popular narratives through censorship. An important and highly readable work for scholars and students interested in cultural and social history, as well as media and film studies, this book is sure to shift our understanding of the role of mass culture in the 1920s and 1930s.

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This edited collection surveys how non-Western states have responded to the threats of domestic and international terrorism in ways consistent with and reflective of their broad historical, political, cultural and religious traditions. It presents a series of eighteen case studies of counterterrorism theory and practice in the non-Western world, including countries such as China, Japan, India, Pakistan, Egypt and Brazil. These case studies, written by country experts and drawing on original language sources, demonstrate the diversity of counter-terrorism theory and practice and illustrate how the world ‘sees’ and responds to terrorism is different from the way that the United States, the United Kingdom and many European governments do. This volume – the first ever comprehensive account of counter-terrorism in the non-Western world – will be of interest to students, scholars, students and policymakers responsible for developing counter-terrorism policy.

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This volume in the Critical Theory and Contemporary Society series explores the arguments between critical theory and epistemology in the twentieth and twenty-first centuries. Focusing on the first and second generations of critical theorists and Luhmann’s systems theory, the book examines how each approaches epistemology. It opens by looking at twentieth-century epistemology, particularly the concept of lifeworld (Lebenswelt). It then moves on to discuss structuralism, poststructuralism, critical realism, the epistemological problematics of Foucault’s writings and the dialectics of systems theory. The aim is to explore whether the focal point for epistemology and the sciences remain that social and political interests actually form a concrete point of concern for the sciences as well.

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The Arab-Israeli conflict cannot be properly understood without considering the larger context of the Cold War. This book provides a comprehensive analysis of Israel's relationships with the United States and the Soviet Union from 1948 to 1967, showing how the fledgling state had to manoeuvre between the two superpowers in order to survive. Collating information from hundreds of sources, many of them unavailable to the general public, it will be of great interest to students and scholars in international relations and political history, but also to the general reader, providing as it does a wide perspective of both Israel and the Arab countries and their interaction with the superpowers.

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This is the first book to gather the key writings of the distinguished political theorist Norman Geras into a single volume, providing a comprehensive overview of the thinking of one of the most important Marxist philosophers in the post-war era. Among the essays included here are 'The Controversy about Marx and Justice', 'The Duty to Bring Aid', 'Primo Levi and Jean Amery: Shame' and the contentious 'Euston Manifesto', which lays down a set of central principles for the democratic left in the twenty-first century. The reader is rounded out with several posts from Geras's much-loved and widely read 'Normblog', as well as companion essays by Alan Johnson and Terry Glavin, which explore how Geras's philosophical concerns led to his more recent, trenchant critiques of the direction of left-wing politics.

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This book explores the life courses of children born of war in different twentieth-century conflicts, including the Second World War, the Vietnam War, the Bosnian War, the Rwandan Genocide and the LRA conflict. It investigates both governmental and military policies vis-à-vis children born of war and their mothers, as well as family and local community attitudes, building a complex picture of the multi-layered challenges faced by many children born of war within their post-conflict receptor communities. Based on extensive archival research, the book also uses oral history and participatory research methods which allow the author to add the voices of the children born of war to historical analysis.

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Born into a civil service family in India in 1907, Helen Muspratt was a lifelong communist, a member of the Cambridge intellectual milieu of the 1930s, and a working mother at a time when such a role was unusual for women of her class. She was also a pioneering photographer, creating an extraordinary body of work in many different styles and genres. In partnership with Lettice Ramsey she made portraits of many notable figures of the 1930s in the fields of science and culture. Her experimental photography, using techniques such as solarisation and multiple exposure, bears comparison with the innovations of Man Ray and Lee Miller. This book reproduces some of Helen Muspratt's most important photographic images, including documentary records of the Soviet Union and the Welsh valleys. The accompanying text by Jessica Sutcliffe is an intimate and revealing memoir of her mother that offers a fascinating insight into her life, work and politics.

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Engendering an avant-garde is the first book to comprehensively examine the origins of Vancouver photo-conceptualism in its regional context between 1968 and 1990. Employing discourse analysis of texts written by and about artists, feminist critique and settler-colonial theory, the book discusses the historical transition from artists’ creation of ‘defeatured landscapes’ between 1968–71 to their cinematographic photographs of the late 1970s and the backlash against such work by other artists in the late 1980s. It is the first study to provide a structural account for why the group remains all-male. It accomplishes this by demonstrating that the importation of a European discourse of avant-garde activity, which assumed masculine social privilege and public activity, effectively excluded women artists from membership.

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This volume looks at a range of texts and practices that address race and its relationship with television. The chapters explore television policy and the management of race, how transnationalism can diminish racial diversity, historical questions of representation, the myth of a multicultural England and more. They also provide analyses of programmes such as Doctor Who, Shoot the Messenger, Desi DNA, Survivors and Top Boy, all of which are considered in the context of the broadcast environments that helped to create them. While efforts have been made to put diverse portrayals on screen, there are still significant problems with the stories being told.

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This book offers new insight into the end of the British Empire in the Middle East. It takes a fresh look at the relationship between Britain and the Gulf rulers at the height of the British Empire, and how its effects are still felt internationally today.Over the last four decades, the Persian Gulf region has gone through oil shocks, wars and political changes, and yet the basic entities of the southern Gulf states have remained largely in place. How did this resilient system come about for such seemingly contested societies? Drawing on extensive multi-archival research in the British, American and Gulf archives, this book illuminates a series of negotiations between British diplomats and the Gulf rulers that inadvertently led Bahrain, Qatar and the UAE to take their current shapes. The story addresses the crucial question of self-determination versus 'better together', a dilemma pertinent to anyone interested in the transformation of the modern world.

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The ascent of globalisation tells the sweeping historical drama of the development of globalisation, from the Second World War to the present day. The story is told through the richly detailed accounts of eighteen remarkable men and women, describing how these architects reshaped the modern world, for better or worse. Profiling their lives, ideas and struggles reveals fresh insights into the nature of globalisation. The book also examines their legacies, shedding new light on many of the problems the world faces today: the global financial crisis, the political and economic malaise afflicting Europe, the numerous failures of the United Nations, the unchecked power of corporations and the inability of governments to cooperate on critical issues such as climate change.

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How did skilled nursing practice develop to become an essential part of the modern health system? This book provides some important answers to this question. It traces the history and development of nursing practice in Europe and North America, exploring two broad categories of nursing work: the ‘hands-on’ clinical work of nurses in hospitals and the work of nurses in public health, which involved health screening, health education and public health crisis management. The book contains rich case studies of nursing practice across diverse settings in the nineteenth and twentieth centuries. As well as examining ‘what nurses did’, it explores the significance and meaning of nursing work, for nurses themselves, their patients and their communities, and examines developments in practice against a backdrop of social, cultural, political and economic drivers and constraints.This book will be of interest to academics and clinical nurses alike. It is also an ideal textbook for undergraduate nursing programmes, providing students with rich accounts of the history of their own disciplinary practice.

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