Search results for ""author john c."

It's time for a new Thanksgiving tradition. After the pies, after the contented sighs, keep the reverence for the day going with this singularly stunning puzzle. Straight from the collection of John Derian, the artist and designer whose work with printed images of the past transports the viewer to another time and place, Crested Turkey is a nineteenth-century chromolithographic portrait that confirms the wonder and wisdom behind Benjamin Franklin's famous remark that in comparison with the bald eagle, the wild turkey is a much more respectable and courageous creature. And so handsome too!Featuring: 1,000 interlocking pieces Mini-poster (6 3/4 x 9 3/8) for reference or framing Completed puzzle size: 18 7/8 x 26 3/8

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The Knights of St John evolved during the Crusades from a monastic order providing hostels for Christian pilgrims visiting the Holy Land. The need to provide armed escorts to the pilgrims began their transformation into a Military Order. Their fervour and discipline made them an elite component of most Crusader armies and Hospitaller Knights (as they were also known) took part in most of the major engagements, including Hattin, Acre and Arsuf. After the Muslims had reconquered the Crusader Kingdoms, the Order continued to fight from a new base, first in Rhodes and then in Malta. Taking to the sea, the Hospitallers became one of the major naval powers in the Mediterranean, defending Christian shipping from the Barbary Pirates (and increasingly turning to piracy themselves as funding from their estates in Europe dried up). They provided a crucial bulwark against Islamic expansion in the Mediterranean, obstinately resisting a massive siege of Malta by the Ottoman Turks in 1565\. The Order remained a significant power in the Mediterranean until their defeat by Napoleon in 1798.

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Beast: John Bonham and the Rise of Led Zeppelin is the first-ever biography of the iconic John Bonham, considered by many to be one of the greatest (if not THE greatest) rock drummer of all time. Bonham first learned to play the drums at the age of five, and despite never taking formal lessons, began drumming for local bands immediately upon graduating from secondary school. By the late 1960s, Bonham was looking for a more solid gig in order to provide his growing family with a more regular income. Meanwhile, following the dissolution of the popular blues rock band The Yardbirds, lead guitarist Jimmy Page sought the company of new bandmates to help him record an album and tour Scandinavia as the New Yardbirds. A few months later, Bonham was recruited to join the band who would eventually become known as Led Zeppelin-and before the year was out, Bonham and his three bandmates would become the richest rock band in the world.In their first year, Led Zeppelin released two albums and completed four US and four UK concert tours. As their popularity exploded, they moved from ballrooms and smaller clubs to larger auditoriums, and eventually started selling out full arenas. Throughout the 1970s, Led Zeppelin reached new heights of commercial and critical success, making them one of the most influential groups of the era, both in musical style and in their approach towards the workings of the entertainment industry. They added extravagant lasers, light shows, and mirror balls to their performances; wore flamboyant and often glittering outfits; traveled in a private jet airliner and rented out entire sections of hotels; and soon become the subject of frequently repeated stories of debauchery and destruction while on tour. In 1977, the group performed what would be their final live appearance in the US, following months of rising fervor and rioting from their fandom. And in September of 1980, Bonham-plagued by alcoholism, anxiety, and the after-effects of years of excess-was found dead by his bandmates.To this day, Bonham is posthumously described as one of the most important, well-known, and influential drummers in rock, topping best of lists describing him as an inimitable, all-time great. As Adam Budofsky, managing editor of Modern Drummer, explained, "If the king of rock 'n' roll was Elvis Presley, then the king of rock drumming was certainly John Bonham."

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Looking for a comprehensive chronicle of the films of legendary director, screenwriter, and producer John Hughes? You re holding it in your hands. Covering the entirety of Hughes s career, from his earliest features through to his mainstream box-office successes, John Hughes FAQ explores the key factors that contributed to his legendary status in the world of cinema. While Hughes has become especially well known for the eight films that he directed between 1984 and 1991 including Sixteen Candles (1984), The Breakfast Club (1985), and Ferris Bueller s Day Off (1986) he made a considerably greater contribution to cinema through the dozens of high-profile screenplays that he developed for production throughout the 80s and 90s. John Hughes FAQ investigates many different aspects of Hughes s prolific career in film discussing his distinctive flair for creating entertaining and engaging characters, his enthusiasm for new technology and eventful road trips, and his insightful social commentary on class and culture. Considering the entire sweep of Hughes s work behind the camera, John Hughes FAQ focuses not only on the popular classics of his filmography but also on many of his movies that have achieved a certain cultural prominence over the passing years.

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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.

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With all the heated debates around religion and homosexuality today, it might be hard to see the two as anything but antagonistic. But in this book, Dominic Janes reveals the opposite: Catholic forms of Christianity, he explains, played a key role in the evolution of the culture and visual expression of homosexuality and male same-sex desire in the nineteenth and twentieth centuries. He explores this relationship through the idea of queer martyrdom-closeted queer servitude to Christ-a concept that allowed a certain degree of latitude for the development of same-sex desire. Janes finds the beginnings of queer martyrdom in the nineteenth-century Church of England and the controversies over Cardinal John Henry Newman's sexuality. He then considers how liturgical expression of queer desire in the Victorian Eucharist provided inspiration for artists looking to communicate their own feelings of sexual deviance. After looking at Victorian monasteries as queer families, he analyzes how the Biblical story of David and Jonathan could be used to create forms of same-sex partnerships. Finally, he delves into how artists and writers employed ecclesiastical material culture to further queer self-expression, concluding with studies of Oscar Wilde and Derek Jarman that illustrate both the limitations and ongoing significance of Christianity as an inspiration for expressions of homoerotic desire. Providing historical context to help us reevaluate the current furor over homosexuality in the Church, this fascinating book brings to light the myriad ways that modern churches and openly gay men and women can learn from the wealth of each other's cultural and spiritual experience.

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_______________________________________An edge-of-your-seat legal thriller from the undisputed master of the courtroom drama.Ray Atlee teaches law at the University of Virginia. His ailing father, Judge Atlee, was once a loved - and feared - titan, towering over local law and politics in the ancestral Atlee home of Clanton, Mississippi. And now, entering his last days, he calls Ray home to discuss the family estate.Newly single and far from happy, Ray reluctantly heads south to meet his father. He never does. The Judge dies too soon, but leaves behind a shocking secret which Ray believes only he knows; a secret that could destroy Clanton's very foundations.And it soon becomes clear that Ray's wrong.He's not the only one who knows._______________________________________‘A master at the art of deft characterisation and the skilful delivery of hair-raising crescendos' – Irish Independent'John Grisham is the master of legal fiction' – Jodi Picoult'The best thriller writer alive' – Ken Follett‘John Grisham has perfected the art of cooking up convincing, fast-paced thrillers’ – Telegraph ‘Grisham is a superb, instinctive storyteller’ – The Times‘Grisham's storytelling genius reminds us that when it comes to legal drama, the master is in a league of his own.’ – Daily Record‘Masterful – when Grisham gets in the courtroom he lets rip, drawing scenes so real they're not just alive, they're pulsating’ – Mirror‘A giant of the thriller genre’ – TimeOut

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Only once in history has a British Prime Minister been assassinated. At 5.00 p.m. on Monday, 11 May 1812, John Bellingham made his way to the Houses of Parliament carrying concealed weapons. At 5.15 p.m., as the Prime Minister, the Rt Hon. Spencer Perceval, was making his way across the lobby leading to the House of Commons, Bellingham shot him dead at point-blank range. Bellingham was immediately arrested and put on trial two days later: refusing to plead insanity, he was convicted and hanged before the week was out. Bellingham was neither a revolutionary nor a religious fanatic, but a successful young entrepreneur. What had driven him to commit such a heinous crime? In a story of suspense, revenge and personal tragedy, David C. Hanrahan tells the interwoven stories of Perceval and Bellingham, detailing not just the events of May 1812, but also the two men's histories, and what led one to take the other's life.

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The fifth volume of the John Baldessari Catalogue Raisonné compiles the approximately 367 works made by the influential American conceptual artist (b. 1931) from 2005 through 2010. During these years, the artist undertook a number of series, including the shaped erasures of “Blockage”; the word-and-image juxtapositions of “Prima Facie”; the explorations of the face in “Nose and Ears, Etc.” and “Raised Eyebrows/Furrowed Foreheads”; and the muted, spare “Sediment” works on canvas. Catalogue entries allow readers to trace the shifts and developments in Baldessari’s work during these years, a time of continued experimentation and aesthetic distillation that is further explored in a conversation between Baldessari and fellow artist David Salle. A critical essay by Hannah B. Higgins provides a close reading of selected works and gives a historical context for understanding Baldessari’s art from this period. Published in association with Marian Goodman Gallery

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This book brings together John Creedy's most important essays on the history of economic analysis. The book contributes to our understanding of the development of economics by looking at the subject and some of its major players including Pareto, Edgeworth, Marshall and Wicksell, from an historical perspective. It reveals how learning about a subject and its past is critical to understanding current debates.

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The locals call it ‘the Coffin Road’, a lonely highway winding through the backwoods of Maine, said to be the haunt of all who have died there. Not the best place for your car to break down! ALEX is the dazed survivor of an auto-wreck, assisted by OWEN, a young African-American recovery driver with his own reasons to fear these eerie backroads. But with a storm closing in, floodwaters have blocked the road back to town, forcing Alex and Owen to take the long, treacherous route back through the Coffin Road. They are pursued by a malevolent specter with a crooked neck. Who is he? And why does he want to own Alex body and soul? What other secrets lay hidden in these woods? Alex and Owen must journey through this shadow world and unravel its many mysteries before the Coffin Road buries them forever!

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After almost twenty-seven years of his pontificate, what was John Paul II's legacy regarding the ministerial priesthood? What answers did he give to the questions still surrounding this reality today? Nilson Leal de Sá, CB, examines the pontiff's twenty-seven letters of Holy Thursday addressed annually to the priests. Unlike some papal documents, which are drafted by many hands, these letters to priests were born of a personal initiative, wherein the pope spoke ab imo pectore (from the depths of his heart), giving a little of himself and his thought. Cardinal Georges-Marie Cottier, theologian emeritus of the Pontifical House and a connoisseur of the texts of the Holy Father, has confirmed that "the Letters of Holy Thursday were written by John Paul II himself."Leal de Sá has sought in the diversity of the letters of Holy Thursday the major points of the thought of John Paul II on this important topic. The first chapter dwells on the sources of his teaching and emphasizes his use of the Word of God, Tradition, and the conciliar Magisterium. These foundations are the basis of the second chapter, which highlights the priestly identity in the life of the Church. Finally, the third chapter elucidates the specific mission of the priest.The Priesthood, Mystery of Faith presents itself as a real and stimulating synthesis of John Paul II's thought about the ministerial priesthood in a systematic way. It renews us in the appreciation of the inestimable gift that God makes to the whole Church through the sacrament of the Holy Orders.

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The Royal Navy of Nelson's time was not short of heroes, nor of outstanding achievements, but even in this crowded field the career of Captain John Quilliam stands out - so often the right man in the right place at the right time, he was justly described by a contemporary as 'a favourite of fortune'. Born on the Isle of Man 250 years ago, Quilliam has until now evaded detailed study of his extraordinary life. Indeed, while celebrated as a Manx hero, in the wider world beyond the Island one of the most important men on the quarter deck of HMS Victory at the Battle of Trafalgar remains largely unrecognised. Trafalgar, however, was not even the high point of Quilliam's professional journey. From the lowest rung of the ladder in the dockyard at Portsmouth he climbed to become Victory's First Lieutenant, having already survived two of the bloodiest sea-battles of the era at Camperdown and Copenhagen. In the process he won a share in undreamed of wealth through the seizure of one of the largest hauls of Spanish gold ever taken by the Georgian navy. Promoted Post-Captain, Quilliam reached the apogee of his profession, commanding frigates in the Baltic and on the Newfoundland station in the War of 1812. There, in a bizarre twist worthy of a novel by O'Brian or Forester, he defeated an accusation of shirking an engagement with the American super-frigate President in a Court Martial brought by his own First Lieutenant. This first full biography of a far-from-ordinary naval officer is itself an unusual collaboration between three writers, each interested in different aspects of Quilliam's career, but united by a belief that it deserves a wider audience.

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It is 1942, and with the country still at war, the girls who work for Joe Lyons are praying for their loved ones to return home safely.Happily married, Rose is busy with staffing problems at the teashop with many women taking on war work. Rose dreams of her husband’s return while trying to keep everyone happy.Lily has her own worries when the father of her daughter appears back in her life with no explanation. Katie longs for a family of her own – just as a handsome airman arrives on the scene.At Sea View Guest House, Flora – wary of a relationship and marriage – is fearful of letting her feelings for John Bentley develop further. Especially as she has her guests to be mindful of . . .Anya is torn, having given birth to a beautiful baby boy who is the spitting image of his father, who has been taken as a prisoner of war. Presented with a chance to save him, Anya confides in her friends, leaving her son in their care. With the uncertainty of the future, can the Teashop girls overcome their personal battles?The Teashop Girls at War is the third instalment in the Teashop Girls series.

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Five commentaries on the four gospels and Acts presented in an elegant slipcase editionBest-loved titles from the influential People''s Bible Commentary seriesMakes scholarly insights accessible to a non-academic audienceLimited edition to commemorate BRF's centenary 100 years of helping people understand the Bible and apply it to everyday lifeSupports BRF's centenary theme of Sharing the Story' of God's work as shown in the Bible

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The smartphones in our pockets and computers like brains. The vagaries of game theory and evolutionary biology. Nuclear weapons and self-replicating spacecrafts. All bear the fingerprints of one remarkable, yet largely overlooked, man: John von Neumann. Born in Budapest at the turn of the century, von Neumann is one of the most influential scientists to have ever lived. A child prodigy, he mastered calculus by the age of eight, and in high school made lasting contributions to mathematics. In Germany, where he helped lay the foundations of quantum mechanics, and later at Princeton, von Neumann’s colleagues believed he had the fastest brain on the planet—bar none. He was instrumental in the Manhattan Project and the design of the atom bomb; he helped formulate the bedrock of Cold War geopolitics and modern economic theory; he created the first ever programmable digital computer; he prophesized the potential of nanotechnology; and, from his deathbed, he expounded on the limits of brains and computers—and how they might be overcome. Taking us on an astonishing journey, Ananyo Bhattacharya explores how a combination of genius and unique historical circumstance allowed a single man to sweep through a stunningly diverse array of fields, sparking revolutions wherever he went. The Man from the Future is an insightful and thrilling intellectual biography of the visionary thinker who shaped our century.

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Known primarily for his allegorical work, The Pilgrim’s Progress, John Bunyan was also a preacher, a gifted theologian and interpreter of Scripture. Academically, he was not a learned man, but when it came to practical and experiential mastery of the Scriptures and their theology, he was as gifted as anyone. His writings have a beauty and practicality not often found. He teaches that the greater the Christian’s understanding of truth, the stronger their own passion for Jesus will be, and the greater their worship and doxology will become. Jacob Tanner’s enlightening biography traces Bunyan’s life from his humble beginnings to his calling home to the Celestial City. From his debaucherous youth to glimpses of grace and eventual calling to ministry. There are lessons here for any twenty–first century Christian. He can teach men to be mature, fathers to be loving, husbands to be faithful, pastors to be tender, saints to suffer well, Christians to be steadfast. One of his greatest lessons to modern Christians is how to live faithfully for Christ in a world that is antagonistic to God.

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Discover the signature sartorial and literary style of fifty men and women of letters, including Maya Angelou; Truman Capote; Colette; Bret Easton Ellis; Allen Ginsberg; Patti Smith; Karl Ove Knausgaard; and David Foster Wallace; in this unique compendium of profiles-packed with eighty black-and-white photographs, excerpts, quotes, and fast facts-that illuminates their impact on modern fashion. Whether it's Zadie Smith's exotic turban, James Joyce's wire-framed glasses, or Samuel Beckett's Wallabees, a writer's attire often reflects the creative and spiritual essence of his or her work. As a non-linear sensibility has come to dominate modern style, curious trendsetters have increasingly found a stimulating muse in writers-many, like Joan Didion, whose personal aesthetic is distinctly "out of fashion." For decades, Didion has used her work, both her journalism and experimental fiction, as a mirror to reflect her innermost emotions and ideas-an originality that has inspired Millennials, resonated with a new generation of fashion designers and cultural tastemakers, and made Didion, in her eighties, the face of Celine in 2015. Legendary Authors and the Clothes They Wore examines fifty revered writers-among them Samuel Beckett; Quentin Crisp; Simone de Beauvoir; T.S. Eliot; F. Scott and Zelda Fitzgerald; Malcolm Gladwell; Donna Tartt; John Updike; Oscar Wilde; and Tom Wolfe-whose work and way of dress bears an idiosyncratic stamp influencing culture today. Terry Newman combines illuminating anecdotes about authors and their work, archival photography, first-person quotations from each writer and current designers, little-known facts, and clothing-oriented excerpts that exemplify their original writing style. Each entry spotlights an author and a signature wardrobe moment that expresses his or her persona, and reveals how it influences the fashion world today. Newman explores how the particular item of clothing or style has contributed to fashion's lingua franca-delving deeper to appraise its historical trajectory and distinctive effect. Legendary Authors and the Clothes They Wore is an invaluable and engaging look at the writers we love-and why we love what they wear-that is sure to captivate lovers of great literature and sophisticated fashion.

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Imitating Authors is a major study of the theory and practice of imitatio (the imitation of one author by another) from antiquity to the present day. It extends from early Greek texts right up to recent fictions about clones and artificial humans, and illuminates both the theory and practice of imitation. At its centre lie the imitating authors of the English Renaissance, including Ben Jonson and the most imitated imitator of them all, John Milton. Imitating Authors argues that imitation was not simply a matter of borrowing words, or of alluding to an earlier author. Imitators learnt practices from earlier writers. They imitated the structures and forms of earlier writing in ways that enabled them to create a new style which itself could be imitated. That made imitation an engine of literary change. Imitating Authors also shows how the metaphors used by theorists to explain this complex practice fed into works which were themselves imitations, and how those metaphors have come to influence present-day anxieties about imitation human beings and artificial forms of intelligence. It explores relationships between imitation and authorial style, its fraught connections with plagiarism, and how emerging ideas of genius and intellectual property changed how imitation was practised. In refreshing and jargon-free prose Burrow explains not just what imitation was in the past, but how it influences the present, and what it could be in the future. Imitating Authors includes detailed discussion of Plato, Roman rhetorical theory, Virgil, Lucretius, Petrarch, Cervantes, Ben Jonson, Milton, Pope, Wordsworth, Mary Shelley, and Kazuo Ishiguro.

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John Fahey is to the solo acoustic guitar what Jimi Hendrix was to the electric: the man whom all subsequent musicians had to listen to. Fahey made more than 40 albums between 1959 and his death in 2001, most of them featuring only his solo steel-string guitar. He fused elements of folk, blues, and experimental composition, taking familiar American sounds and recontextualizing them as something entirely new. John Fahey’s real story has never been told—until now. Journalist Steve Lowenthal has spent years researching Fahey’s life and music, talking with his producers, his friends, his peers, his wives, his business partners, and many others. He describes Fahey’s battles with stage fright, alcohol, and prescription pills; how he ended up homeless and mentally unbalanced; and how, despite his troubles, he managed to found a record label that won Grammys and remains critically revered. This portrait of a troubled and troubling man in a constant state of creative flux is not only a biography but also the compelling story of a great American outcast.

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Winner of the 2022 John Hurt Fisher Award from the John Gower Society First comprehensive catalogue of the manuscripts of one of the most important medieval works, with full descriptions of their features. The Confessio Amantis is John Gower's major work in English, written around the time that his acquaintance Geoffrey Chaucer was writing the Canterbury Tales. Extant manuscripts are numerous. At the end of the nineteenth century G. C. Macaulay had described the forty manuscripts then known to survive in the introduction to his edition, but some of these descriptions were very brief, and of course the other nine of whose existence he was then unaware were not included. This descriptive catalogue of all of the surviving manuscripts containing the Confessio is the first work to bring together extensive detailed descriptions of its forty-nine complete manuscripts and numerous fragments and excerpts; it will enable scholars of Middle English literature and manuscript studies to compare features across the corpus of surviving manuscripts or read detailed descriptions of individual manuscripts. Each description in this catalogue covers the manuscript's contents, artwork, physical qualities such as size, material, collation, foliation, etc., as well as additions by later users and provenance. There is also a lengthy introduction giving an overview of the corpus, and appendices for reference to the current whereabouts of the manuscripts, fragments and excerpts, and listing Gower's Latin and French works that appear in some of the manuscripts. Eight colour illustrations provide context for discussions of the miniatures and illuminated borders of some manuscripts.

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__________________***NOW A MAJOR NETFLIX SERIES***A gripping true-crime story of a shocking miscarriage of justice, from international bestselling thriller author John Grisham.In the baseball draft of 1971, Ron Williamson was the first player chosen from Oklahoma. Signing with Oakland, he said goodbye to his small home town and left for California to pursue his dreams of glory.Six years later he was back, his dreams broken by a bad arm and bad habits - drinking, drugs and women. He began to show signs of mental illness. Unable to keep a job, he moved in with his mother and slept 20 hours a day on her sofa.In 1982, a 21 year-old cocktail waitress, Debra Sue Carter, was raped and murdered, and for five years the crime went unsolved. Finally, desperate for someone to blame, police came to suspect Ron Williamson and his friend Dennis Fritz. The two were finally arrested in 1987 and charged with murder.With no physical evidence, the prosecution's case was built on junk science and the testimony of jailhouse snitches and convicts. Dennis Fritz was found guilty and given a life sentence.Ron Williamson was sent to Death Row.But as Grisham methodically lays out, there was no case against him. Ron Williamson was wrongly condemned to die. If you believe that in America you are innocent until proven guilty, this book will shock you. If you believe in the death penalty, this book will disturb you. If you believe the criminal justice system is fair, this book will infuriate you.__________________In 2018, THE INNOCENT MAN was adapted by Netflix into a gripping six-part true crime series.__________________‘A master at the art of deft characterisation and the skilful delivery of hair-raising crescendos' – Irish Independent'John Grisham is the master of legal fiction' – Jodi Picoult'The best thriller writer alive' – Ken Follett‘John Grisham has perfected the art of cooking up convincing, fast-paced thrillers’ – Telegraph‘Grisham is a superb, instinctive storyteller’ – The Times‘Grisham's storytelling genius reminds us that when it comes to legal drama, the master is in a league of his own.’ – Daily Record‘Masterful – when Grisham gets in the courtroom he lets rip, drawing scenes so real they're not just alive, they're pulsating’ – Mirror‘A giant of the thriller genre’ – TimeOut

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Once notorious but now largely forgotten, the political idealist and radical John Baxter Langley was typical of the well-educated and ethical Victorians who struggled to create a fairer, more equal society. Through a long and wide-ranging career of political agitation he was a journalist, editor and owner of several newspapers, was prominent in the call for franchise reform, and opposed religious legislation that prevented Sunday entertainment and education for working men and women. Langley was also integral to the founding of a trade union, campaigned for an end to public executions and built affordable housing in Battersea. Internationally, he condemned the Second Opium War, exposed British brutality in India and worked covertly for Lincoln’s administration. He was a fellow-traveller for many other key radicals of the day, while his founding of the ‘Church of the Future’ garnered the support of Charles Darwin, James Martineau and John Stuart Mill. Through a chronological narrative of Langley's activities, this book provides an overview of many of the most significant political causes of the mid- to late nineteenth century. These include electoral reform, feminism, slavery, racism, trade unionism, workers' rights, the free press, leisure, prostitution, foreign relations and espionage. A neglected but important figure in the history of nineteenth-century radicalism, this work gives John Baxter Langley the attention he deserves and reveals the breadth of his legacy.

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In 1922 Robert Allerton—described by the Chicago Tribune as the “richest bachelor in Chicago”—met a twenty-two-year-old University of Illinois architecture student named John Gregg, who was twenty-six years his junior. Virtually inseparable from then on, they began publicly referring to one another as father and son within a couple years of meeting. In 1960, after nearly four decades together, and with Robert Allerton nearing ninety, they embarked on a daringly nonconformist move: Allerton legally adopted the sixty-year-old Gregg as his son, the first such adoption of an adult in Illinois history.An Open Secret tells the striking story of these two iconoclasts, locating them among their queer contemporaries and exploring why becoming father and son made a surprising kind of sense for a twentieth-century couple who had every monetary advantage but one glaring problem: they wanted to be together publicly in a society that did not tolerate their love. Deftly exploring the nature of their design, domestic, and philanthropic projects, Nicholas L. Syrett illuminates how viewing the Allertons as both a same-sex couple and an adopted family is crucial to understanding their relationship’s profound queerness. By digging deep into the lives of two men who operated largely as ciphers in their own time, he opens up provocative new lanes to consider the diversity of kinship ties in modern US history.

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From the iconic Number One bestseller Ian Rankin, comes one of the must-read books of the year: A SONG FOR THE DARK TIMES 'Genius ... Only great novels capture the spirit of the age. This is one of them.'THE TIMES* * * * *'He's gone...'When his daughter Samantha calls in the dead of night, John Rebus knows it's not good news. Her husband has been missing for two days.Rebus fears the worst - and knows from his lifetime in the police that his daughter will be the prime suspect.He wasn't the best father - the job always came first - but now his daughter needs him more than ever. But is he going as a father or a detective?As he leaves at dawn to drive to the windswept coast - and a small town with big secrets - he wonders whether this might be the first time in his life where the truth is the one thing he doesn't want to find...PRAISE FOR A SONG FOR THE DARK TIMES:'Magnificent ... utterly unputdownable and an immersive pleasure' MARIAN KEYES'This is Rankin at his best, Rebus at his best, storytelling that meets the moment and transcends all genres and expectations' MICHAEL CONNELLY'An outstanding addition to one of the finest bodies of work in crime fiction' MICK HERRON'Rankin remains the king of the castle' THE TIMES'Typically compelling' DAILY TELEGRAPH'Masterly storytelling' SUNDAY EXPRESS'Excellent' LIZ NUGENT'The best that the crime genre can offer' FT'Rankin grows better with time . . . Rebus grows ever more compelling' DAILY MAIL* * * * *PRAISE FOR THE ICONIC NUMBER ONE BESTSELLER:'Ian Rankin is a genius'LEE CHILD'A master storyteller'GUARDIAN'Rebus is one of British crime writing's greatest characters: alongside Holmes, Poirot and Morse'DAILY MAIL'Great fiction, full stop'THE TIMES'One of Britain's leading novelists in any genre'NEW STATESMAN'Rankin is a phenomenon'SPECTATOR'Worthy of Agatha Christie at her best'SCOTSMAN'The king of crime fiction'SUNDAY EXPRESS

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John Ashbery is known foremost as a poet, but he has been creating collages for nearly as long as he s been writing poetry. He began working in the medium when he was an undergraduate at Harvard, more than seventy years ago. Now, for the first time ever, this volume compiles a comprehensive selection of Ashbery s collage work, accompanied by a selection of collage-related poems. Like his poetry, Ashbery s collage work combines art historical and pop culture references, creating often humorous juxtapositions. Ashbery s approach to poetry and collage is quite similar and here, in an extensive interview with poet, critic, and longtime friend John Yau, Ashbery delves into his creative process and the parallels between creating in the two media. The subtitle They Knew What They Wanted is taken from one of Ashbery s collage-poems, which is featured in this volume along with many others. With about seventy-five collages, exploring how Ashbery s visual art has evolved over the years, this book is a must-have for the many lovers of Ashbery s poetry, and for all those wishing to learn more about his creative output.

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