Search results for ""author alexander""

As a mother, wife, employer and editor of the Review of Applied Ethics, Isabel Dalhousie is aware that to be human is to be responsible. So when a neighbour brings her a new and potentially dangerous puzzle to solve, once again Isabel feels she has no option but to shoulder the burden.A masterpiece painting has been stolen from Duncan Munrowe, old-fashioned philanthropist, father to two discontented children, and a very wealthy man. As Isabel enters into negotiations with the shadowy figures who are in search of a ransom, a case where heroes and villains should be clearly defined turns murky: the list of those who desire the painting - or the money - lengthens, and hasty judgement must be avoided at all cost. Morals, it turns out, are like Scottish clouds: complex, changeable and tricky to get a firm grip on; they require a sharp observational eye, a philosophical mindset, and the habit of kindness. Fortunately for those around her, Isabel Dalhousie is in possession of all three.

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As well as its advantages, there are drawbacks to the enlightened village that is twenty-first-century Edinburgh, where every Saturday night ears burn at dinner parties across the city, and anyone requiring the investigative abilities of a philosophical soul knows where to find her.Jillian McKinlay -- wife of a trustee of an illustrious school -- is the latest petitioner; she asks Isabel to look into a poison-pen letter that makes insinuations about applicants for the position of principal. Isabel''s niece Cat has another new boyfriend who seems too good to be true. And when a pretty cellist with a tragic story takes a fancy to her husband-to-be, Isabel finds herself contemplating an act of heroic and alarming self-sacrifice.

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''A book so astonishing that I immediately reread it, fearful it might disappear'' Patti SmithThe war is over but Alexander Jessiersky, a wealthy Austrian aristocrat and industrialist, is haunted by guilt over the neighbour he inadvertently sent to a concentration camp, Count Luna. What''s more, he is convinced that Luna survived - and is out to get his revenge. So begins a wild, weird cat-and-mouse chase that takes him and his shadowy nemesis through windswept valleys, eerie houses and, eventually, Rome''s catacombs, as an increasingly paranoid Jessiersky asks himself: will Luna stop at nothing to exact his bloody vengeance? Crazed, raging and darkly comic, Count Luna is a reckoning with postwar guilt, and an irresistible tale of the uncanny.''Like Kafka ... Lernet-Holenia weaves his most intimate hopes and dreams ... with exquisitely imagined detail'' Chicago Tribune

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This new collection is a fascinating journey into the heart of each of us – from the author of The No.1 Ladies' Detective Agency and the 44 Scotland Street series. In I Think of You, the reader travels through literary Edinburgh in summer, heartbreak in a rain-drenched glen in the Highlands, a voyage on the Argo in Ancient Greece, and from Dallas to Helsinki and home again. Throughout this collection, the author explores various themes of love, kindness and friendship, as well as the philosophy of food, the idiosyncrasies of language and the importance of canonical hours. Each poem is a journey of the soul that interrogates what it is to love and to be alive.

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Itchy Coo and Black & White Publishing are delighted to present a new case for the young Precious Ramotswe, translated into Scots for the very first time. Well before Precious Ramotswe founded her Number One Ladies Detective Agency, as an eight-year-old girl she was already solving mysteries. Here, in this delightful, new, enchanting tale for children, we see how the young Precious became the crafty and intuitive private investigator we know and love. In The Mischief at Meerkat Brae, Precious befriends a new boy to her school called Pontsho and his sister Teb, and when she goes to their home for the first time, she discovers that they have an unusual pet, a very clever meerkat called Kosi. Then, when Pontsho and Teb become very upset when their cow goes missing, Precious decides to use her detective skills to solve the mystery but soon finds that all is not quite as simple as it seems on Meerkat Brae...

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In Feenin, Alexander Ghedi Weheliye traces R&B music’s continuing centrality in Black life since the late 1970s. Focusing on various musical production and reproduction technologies such as auto-tune and the materiality of the BlackFem singing voice, Weheliye counteracts the widespread popular and scholarly narratives of the genre’s decline and death. He shows how R&B remains a thriving venue for the expression of Black thought and life and a primary archive of the contemporary moment. Among other topics, Weheliye discusses the postdisco evolution of house music in Chicago and techno in Detroit, Prince and David Bowie in relation to appropriations of Blackness and Euro-whiteness in the 1980s, how the BlackFem voice functions as a repository of Black knowledge, the methods contemporary R&B musicians use to bring attention to Black Lives Matter, and the ways vocal distortion technologies such as the vocoder demonstrate Black music’s relevance to discussions of humanism and posthumanism. Ultimately, Feenin represents Weheliye’s capacious thinking about R&B as the site through which to consider questions of Blackness, technology, history, humanity, community, diaspora, and nationhood.

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THE ELEVENTH BOOK IN THE BELOVED NO. 1 LADIES' DETECTIVE AGENCY SERIESThe one with the difficult aunt . . .The no. 1 lady detectives of Botswana travel to a safari lodge in the Okavango Delta to carry out a delicate mission on behalf of a former guest. It is a beautiful place full of dangerous, untamed creatures - some of them human. As Mma Ramotswe investigates, it becomes clearer that there is another mystery right under her nose that needs solving: Mma Makutsi is troubled by her fiance Phuti Radiphuti's reluctance to set a date for their wedding.In such matters at least Mma Ramotswe is on familiar terrain.

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Since 2013, the Annual Review of Comparative and International Education has covered significant developments in the intersecting fields of comparative education, international education, and comparative and international education. Reflecting on ten prolific years of publication, both volumes of the 2022 Annual Review together present discussions on education trends and directions, conceptual and methodological developments, research-to-practice, area studies and regional developments, and diversification of the field of education. Featuring authors from around the world, they tell the story of comparative and international education as an academic and professional field and address both the functions and ethics of education across vastly different cultures, communities, organizations, and outcomes. Part A explores comparative education trends and directions, and conceptual and methodological developments. The Annual Review of Comparative and International Education serves as an important reference, a source of knowledge, a record of the skills and how they are implemented, and a figurative mirror helping scholars and professionals alike reflect on their own practice and what it means both to the field and to each other.

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Since 2013, the Annual Review of Comparative and International Education has covered significant developments in the intersecting fields of comparative education, international education, and comparative and international education. The Annual Review of Comparative and International Education 2021, Part B, begins with several chapters exploring conceptual and methodological developments in comparative and international education, followed by studies exploring research-to-practice, and new developments in comparative and international education. Topics covered in this volume include major theoretical and methodological developments such as critical realism, the effects of the coronavirus pandemic, and an exploration of white diaspora, anti-blackness and universities in the Global South; research-to-practice reports on education in emergency settings, surveillance studies, the needs of refugee and immigrant students; and new developments involving the internationalisation of community college careers, and educator acculturation in overseas schools. With contributions from leading scholars and professionals across the field of comparative and international education, this edition will be of use to education researchers and professionals alike.

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Returning to the world of Shadows of the Short Days, it's time to go beyond Reykjavík to Hrímland's remote islands . . .CHANGE DOES NOT ALWAYS HAPPEN FOR THE BETTER.War on the mainland is draining Reykjavík. For some, the remote islands off Hrímland's coast are their only hope of survival.Elka, a recovering addict, has fled there with her son Sölvi. In their village they find a new life - all thanks to the Deep, a peculiar power their neighbours praise for the booming fishing industry. Everything seems perfect, but Sölvi does not trust the people who take his mother in.Kari is a professor of sorcery, recruited for a career-making venture - an excavation of an ancient power. He must go deep into the magical wasteland, find what is buried there, and turn the tide of the war forever. But the world might not be ready for the storm he will unearth . . .* * * * * * * * * *'A marvellous, quirky, original fantasy' Joanne Harris, Sunday Times bestselling author of The Strawberry Thief on Shadows of the Short Days'One of the most ambitious, intense, original and thrilling debuts I've read in a long time' Grimdark Magazine on Shadows of the Short Days'Fresh and exciting: full of dark, demonic, revolutionary shenanigans' Peter Newman, author of The Vagrant on Shadows of the Short Days'A beautiful unique story! The characters are endearing and the world making fascinating' Netgalley reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'An original and fascinating fantasy series . . . Great world building and characters. Highly recommended' Netgalley reviewer, ⭐ ⭐ ⭐ ⭐ ⭐

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During WW2 there was a rumour that German spies were landing by parachute in Britain, dressed as nuns...'Spy-masterful storytelling' Sunday Post'Delightfully old-fashioned and prudent of prose, McCall Smith unspools his tales' Daily Mail'[Adds] another treasure to McCall Smith's already glittering library' New York Journal of BooksConradin Muller was an unusual spy. He was recruited in Hamburg in June 1943, much against his will, and sent on his first, and only, mission in late September that year. He failed to send a single report back to Germany, and when the War came to an end in May 1945, he fell to his knees and wept with relief.From a highly reluctant German spy who is drawn to an East Anglian nunnery as his only means of escape, to the strange tale of one of the Cambridge spy ring's adventures with a Russian dwarf, these are Alexander McCall Smith's intriguing and typically inventive stories from the world of espionage.

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The twenty-third book in the perennially adored The No. 1 Ladies' Detective Agency series.Grace Makutsi's husband, Phuti, is in a bind. An international firm is attempting to undercut his prices in the office furniture market. Phuti has always been concerned with quality and comfort, but this new firm seems interested only in profits. To make matters worse, they have a slick new advertising campaign that seems hard to beat. Nonetheless with Mma Ramotswe's help, Phuti comes up with a campaign that may just do the trick.Meanwhile, Mma Makutsi is approached by an old friend who has a troubled son. Grace and Phuti agree to lend a hand, but the boy proves difficult to reach, and the situation is more than they can handle on their own. It will require not only all of their patience and dedication, but also the help of Mma Ramotswe and the formidable Mma Potokwani in order to help the child.Faced with more than her fair share of domestic problems, Mma Makutsi deals with it all with her usual grace. That, along with the kindness, generosity, and good sense that the No. 1 Ladies' Detective Agency is known for, assure us that in the end, all these matters will be set right.

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As summer blooms in Edinburgh's gardens and Bertie Pollock's birthday appears on the horizon, all at 44 Scotland Street is not cake and sunshine. Newlywed Angus Lordie has been booked by his bride into what he must not call the loony bin; Bruce's first encounter with hot wax brings more anguish than he bargained for; and Bertie's birthday dreams of scout camp and a penknife look set to be replaced by a game of Royal Weddings and a gender-neutral doll. But fate, an amorous Bedouin and the Dubai Tourist Authority conspire to transport Bertie's mother Irene to a warmer - if not a better - place, and once again in Scotland Street the triumph of human kindness over adversity gives cause for celebration.

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With a failed marriage behind her, La -- short for Lavender -- moves to the Suffolk countryside on the eve of the Second World War to nurse her broken heart. Lonely and at a loss, a friend encourages her to bring the villagers and the men from the local airbase together by forming an amateur orchestra. One of her musician recruits is Feliks, a handsome and enigmatic Polish refugee. A friendship begins to blossom between the two, and La finds her feelings stirring to life again.Poignant, tender and inspiring, La's Orchestra Saves the World celebrates the power of love and friendship in the shadow of the collective tragedy of war, as well as the extraordinary healing power of music.

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Poor put-upon Bertie is still struggling to escape his overbearing mother's influence, his yoga lessons and his pink bedroom while wondering why new baby brother Ulysses looks uncomfortably like his psychotherapist. The insufferably handsome Bruce has returned from London to land, on his feet and rent-free, in the arms of heiress Julia Donald. But all is not well among the residents of 44 Scotland Street: Angus's dog and constant companion Cyril is under threat of execution, victim of a miscarriage of justice, while pretty, indecisive Pat and hopeless romantic Matthew are on the verge of making the most terrible mistake of their lives . . . Big Lou finds a new man, Matthew and Pat edge their relationship towards something more permanent - although this development is not without complications, when a glimpse of someone who just might be her handsome, caddish ex-flatmate Bruce sets Pat's pulse racing - and Domenica's friendship with Antonia is tested to the limit when an assortment of her belongings mysteriously appear in Antonia's new flat.

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Even down to its well-set Georgian townhouses, Edinburgh is a hymn to measure and harmony. But on Scotland Street, domestic accord is in short supply. Matthew and Elspeth welcome three new arrivals, though the joys of multiple parenthood are somewhat lost due to sleep deprivation and the difficulties of telling their brood apart. Angus and Domenica are to marry, and Domenica has ambitious and disturbing plans for their living arrangements, especially when it appears that Antonia, in Italy recuperating from Stendhal Syndrome, may not return. And little Bertie, feeling blue, puts himself up for adoption on eBay. Can Edinburgh's most deliciously dysfunctional residents forsake discord and learn to dance to the same happy tune?

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Alexander McCall Smithis the author of the highly successfulNo. 1 Ladies' Detective Agencyseries, which has sold over twenty-five million copies. Since then he has devoted his time to the writing of fiction and has seen his various series of books translated into over forty-six languages and become bestsellers throughout the world. These include the44 Scotland Streetnovels, first published as a serial novel in theScotsman, theIsabel Dalhousienovels, theVon Igelfeldseries and theCorduroy Mansionsnovels.

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In the hilarious new novel in the best-selling Detective Varg series, Ulf Varg will need to resolve both a sensitive crime and his own delicate dilemma in the hopes of preserving the peace.The Department of Sensitive Crimes is downsizing in light of a recent downturn of sensitive crime, and staff members are wondering who among them will be transferred elsewhere. As the bickering between colleagues intensifies, Ulf tries his best to stay above the fray. But when Anna, a longtime friend and coworker, appears to blame him for an old case that went sideways, it seems she may be putting her own job prospects above their friendship.In the midst of all this, Ulf embarks on an important inquiry: a man's cabin has mysteriously disappeared and Ulf is tasked with finding out what happened. How exactly does one steal a house? And, more to the point, how does one track down a stolen house? Meanwhile, a promising veterinary treatment for deafness in dogs has been announced, and Ulf's dog, Martin, might be the perfect patient.This latest novel is another masterful, farcical installment in the series that defines the genre that Alexander McCall Smith is singlehandedly championing: Scandi blanc.

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In the latest entertaining and hilarious Professor Dr Dr Moritz-Maria Von Igelfeld novel, our hopelessly out-of-touch hero is forced to confront uppity librarians, the rector of the university and a possible hostile takeover, all while trying to remain studiously above it all.Professor Dr Dr Moritz-Maria von Igelfeld and his colleagues at the University of Regensburg's Institute of Romance Philology pride themselves on their unwavering commitment to intellectual excellence. They know it is their job to protect a certain civilized approach to the scholarly arts. So when a new deputy librarian, Dr. Hilda Schreiber-Ziegler, threatens to drag them all down a path of progressive inclusivity, they are determined to stop her in the name of scholarship - even if that requires von Igelfeld to make the noble sacrifice of running for director of the Institute. Alas, politics is never easy, and in order to put his best foot forward, von Igelfeld will be required to take up a visiting fellowship at Oxford and cultivate the attentions of a rather effusive young American scholar. Still, von Igelfeld has always heeded the clarion call of duty, especially when it comes with a larger office.

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For seven-year-old Bertie Pollock, life in Edinburgh's most celebrated fictional street has just got immeasurably better. The enforced absence of his endlessly pushy mother Irene - currently consciousness-raising in a Bedouin harem (don't ask) - has manifold and immediate blessings: no psychotherapy, no Italian lessons and no yoga classes. Bliss.For Scotland Street's grown-ups, life throws up some new dilemmas. Matthew makes a discovery that could make him even richer but also leaves him worried. Pat makes one that could make her poorer and her father miserable - unless that uber-narcissist, Bruce, can help her out. And the Duke of Johannesburg, we discover, isn't exactly who he says he is.From what happens behind Edinburgh Airport's luggage carousel to Machiavellian manoeuvrings at the Association of Scottish Nudists, Alexander McCall Smith guides us through the brighter, lighter and frankly unexpected side of Edinburgh life. As ever with his 44 Scotland Street series, his readers will make their own discovery: that its blend of wit and wisdom mark it out as a comedic tour de force.

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The bestselling author of the No. 1 Ladies Detective Agency Series brings his trademark warmth and wisdom to his novel chronicling the lives of the residents of 44 Scotland Street that's 'as charming as the bohemian street in which it's set' (Scottish Daily Record)The story revolves around the comings and goings at No. 44 Scotland Street, a fictitious building in a real street in Edinburgh. Immediately recognisable are the Edinburgh chartered surveyor, stalwart of the Conservative Association, who dreams of membership of Scotland's most exclusive golf club. We have the pushy Stockbridge mother, and her prodigiously talented five-year-old son, who is making good progress with the saxophone and with his Italian. Then there is Domenica Macdonald who is that type of Edinburgh lady who sees herself as a citizen of a broader intellectual world.In McCall Smith's hands such characters retain charm and novelty, simultaneously arousing both mirth and empathy. 44 Scotland Street is vintage McCall Smith, tackling issues of trust and honesty, snobbery and hypocrisy, love and loss, but all with great lightness of touch. Clever, elegant and funny, this is a novel that provides huge entertainment but which is underpinned by the moral dilemmas of everyday life and the characters' struggles to resolve them.

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This study is the evaluation of more than 1000 stelae dating to the late Middle Kingdom and Second Intermediate Period (1800 to 1550 BC). The stelae are grouped into workshops. The place of production for these workshops is discussed.

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After his first meeting with General Alexander in August 1942, Lieutenant-General Sir Brian Horrocks wrote that: By repute he was Winston Churchills fire brigade chief par excellence: the man who was always dispatched to retrieve the most desperate situations. Churchill was indeed in need of a fire brigade chief. Allied forces had been chased back across the desert by Rommel. Alexander bought a new hope to the Desert Rats: he instilled them with his own confidence and thought of victory. Under his command, Montgomery was ready to fight and win the battle of El Alamein. Even as his generals drove the enemy from North Africa, Alexander was planning far ahead for Sicily and Operation Husky: the first major seaborne invasion by either side during the war. It was said that before El Alamein the Allies never knew victory, and after El Alamein never knew defeat: much of the credit belongs to Alexander. For decades his contribution to the British efforts in both wars has been overlooked. Here, however, is a comprehensive edition of his personal and candid memoirs, which includes judgments on such men as Montgomery, Patton and Churchill. He also details his role in leading the withdrawal of the 1st Infantry Division at Dunkirk, his dealings with Stilwell in Burma and the bombing of the Monte Cassino abbey.

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For better or worse, television has been the dominant medium of communication for fifty years. Yet it is a relatively recent invention, one that required passionate inventors, determined businessmen, government regulators, and willing consumers. This volume covers the history of television from nineteenth-century European conceptions of transmitting moving images electrically to the death of television as a discrete system in a digital age. Alexander B. Magoun highlights key events in the evolution of TV, as well as the dynamic individuals who ignited the industry, such as Vladimir Zworykin and David Sarnoff. He also covers the development of cable and satellite television, the use of television in wartime, and the "tube's" changing face. Based on the latest research, this crisply written, sometimes provocative survey includes a glossary, timeline, and bibliography for further reading.

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Winner of the 2009 International Conference on Romanticism's Jean-Pierre Barricelli Award for the best book in Romanticism studies As the mental faculty that mediates between self and world, mind and body, the senses and the intellect, imagination is indispensable for modern models of subjectivity. From René Descartes's Meditations to the aesthetic and philosophical systems of the Romantic period, to think about the subject necessarily means to address the problem of imagination. In close readings of Descartes, Kant, Fichte, Hardenberg (Novalis) and Coleridge, and with a sustained return to the origins of the discourse about imagination in Greek antiquity, Alexander Schlutz demonstrates that neither the unity of the subject itself, nor the unity of the philosophical systems that are based on it, can be conceptualized without recourse to imagination. Yet, philosophers like Descartes and Kant must deny imagination any such foundational role because of its dangerous connection to the body, the senses and the unruly passions, which threatens the desired autonomy of the rational subject. The modern subject is simultaneously dependent upon and constructed in opposition to imagination, and the resulting ambivalence about the faculty is one of the fundamental conditions of modern models of subjectivity. Schlutz's readings of the Romantic poet-philosophers Coleridge and Hardenberg highlight that also their texts are not free of fears about the faculty's disruptive potential and its connection to the body. While imagination is now openly enlisted to produce the aesthetic unity of subjectivity, it still threatens to unravel and destroy a subject that needs to keep the body and its desires at bay in order to secure its rational and moral autonomy. The dark abyss of a self not in control of its thoughts, feelings, and desires is not overcome by the philosophical glorification of the subject's powers of imagination.

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