Search results for ""ARC""

Born in 1920 on the edge of Tunis’s Jewish quarter, the French-Jewish-Tunisian sociologist, philosopher, and novelist Albert Memmi has been a central figure in colonial and postcolonial studies. Often associated with the anticolonial struggles of the 1950s and 1960s, Memmi’s career has spanned fifty years, more than twenty book-length publications, and hundreds of articles that are distilled in this collection.The Albert Memmi Reader presents Memmi’s insights on the legacies of the colonial era, critical theories of race, and his distinctive story. Memmi’s novels and essays feature not only decolonial struggles but also commentary on race, the psychology of dependence, and what it means to be Jewish. This reader includes selections from his classic works, such as The Pillar of Salt and The Colonizer and the Colonized, as well as previously untranslated pieces that punctuate Memmi’s literary life and career, and illuminate the full arc of the life of one of the great thinkers of the twentieth century. Selections from his later works speak directly to contemporary issues in European, African, and Middle Eastern studies, such as racism, immigration and European identity, and the struggles of postcolonial states, including Israel/Palestine.

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Unsettled Solidarities examines contemporary Asian and Indigenous cross-representations within different settler states in the Américas. Quynh Nhu Le looks at literary works by both groups alongside public apologies, interviews, and hemispheric race theories to trace cross-community tensions and possibilities for solidarities amidst the uneven imposition of racialization and settler colonization.Contrasting texts such as Maxine Hong Kingston’s China Men with Gerald Vizenor’s Hiroshima Bugi, and Karen Tei Yamashita’s Through the Arc of the Rain Forest with Leslie Marmon Silko’s Almanac of the Dead, among others, Le reveals how settler colonialism persists through the liberal ideological structuring or incorporation of critical and political resistance. She illuminates the tense collisions of Asian and Indigenous movements from the heroic/warrior traditions, reparations and redress, and transnational/cross-racial mobilization against global capital to mixed-race narratives. Reading these tensions as formed through the unstable grammatical and emotional economies of liberalism, Le frames settler colonialism as a process that is invoked and yet ruptured by Asian and Indigenous peoples. In analyzing Asian/Indigenous crossings in the United States, Canada, Mexico, and Brazil, Unsettled Solidarities conveys the logics and instabilities that connect these settler empires.

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Haunting’s consequences for the literary imagination.Reading is a weirdly phantasmic trade: animating words to revive absent voices, rehearing the past, fantasizing a future. In Romantic Shades and Shadows, Susan J. Wolfson explores spectral language, formations, and sensations, defining an apparitional poetics in the finely grained textures of writing and their effects on present reading. Framed by an introductory chapter on writing and apparition and an afterword on haunted reading, the book includes chapters of sustained, revelatory close attention to the particular, often peculiar, literary imaginations of William Wordsworth, William Hazlitt, Percy Bysshe Shelley, Lord Byron, W. B. Yeats, and John Keats. Wolfson also explores the work of Samuel Taylor Coleridge (a self-confessed Ghost-Theorist), Mary Shelley, and other writers of the Long Romantic era, canonical as well as less familiar. All are encountered in freshly pointed ways on an arc of investigation that builds with generative force.Romantic Shades and Shadows is written with a lucidity, wit, and accessibility that will appeal to general readers, and with a critical sophistication and scholarly expertise that will engage advanced students, critics, and professional peers.

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A synthesis of current knowledge on collisional and convergent plate boundaries worldwide Major mountain belts on Earth, such as the Alps, Himalayas, and Appalachians, have been built by compressional tectonic processes during continent-continent and arc-continent collisions. Understanding their formation and evolution is important because of the hazards associated with convergent and collisional plate boundaries, and because these mountain belts contain resources such as precious metals, rare earth elements, oil, gas, and coal. Compressional Tectonics: Plate Convergence to Mountain Building reviews our present-day knowledge of the tectonic evolution of the Alpine-Himalayan and Appalachian belts. Volume highlights include: Overview of terminology relating to compressional and contractional tectonics Discussion of subduction zone dynamics Debates over the timing of the collision and convergence of particular subduction and suture zones Examples of the different stages in the development of orogenic belts This book is one of a set of three in the collection Tectonic Processes: A Global View. The American Geophysical Union promotes discovery in Earth and space science for the benefit of humanity. Its publications disseminate scientific knowledge and provide resources for researchers, students, and professionals.

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This book argues that the British government's repression of the 1790s rivals the French Revolution as the most important historical event for our understanding the development of Romantic literature. Romanticism has long been associated with both rebellion and escapism, and much Romantic historicism traces an arc from the outburst of democratic energy in British culture triggered by the French Revolution to a dwindling of enthusiasm later in the 1790s, when things in France turned violent. Writers such as Wordsworth and Coleridge can then be seen as "apostates" who turned from radical politics to a poetics of transcendence. Bugg argues instead for a poetics of silence, and his book is set against the backdrop of the so-called Gagging Acts and other legislation of William Pitt, which in literature manifests itself stylistically as silence, stuttering, fragmentation, and encoding. Mining archives of unpublished documents, including manuscripts, diaries, and letters, where authors were more candid, as well as rereading the work of both major and minor figures, a number of whom were subject to prison sentences, Five Long Winters offers a new way of approaching the literature of the Romantic era.

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Do you think you know who first thought of the theory of evolution? Have you ever wondered who created the oldest university in the world? Is Joan of Arc is the only rebel girl who led an army that you've heard of?If so, then you need this stunningly illustrated treasure trove of iconic and hidden amazing Muslim heroes!You'll find people you might know, like Malala Yousafzai, Sir Mo Farah and Muhammad Ali, as well as some you might not, such as: Hasan Ibn Al-Haytham: the first scientist to prove theories about how light travels, hundreds of years before Isaac Newton. Sultan Razia: a fearsome female ruler. G. Willow Wilson: the comic book artist who created the first ever Muslim Marvel character. Ibtihaj Muhammad: the Olympic and World Champion fencer and the first American to compete in the games wearing a hijab. Noor Inayat Khan: the Indian Princess who became a British spy during WWII.There are so many more amazing Muslim men and women who have changed our world, from pirate queens to athletes, to warriors and mathematicians. Who will your next hero be?

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In the exciting second Warriors story arc, the wild cats of the forest have lived in peace and harmony for many moons – but new prophecies from their warrior ancestors speak of a mysterious destiny and grave danger for the clans. Now the time has come for a new generation of heroes to arise, as the quest to save the warrior cats begins… Darkness, air, water, and sky will come together and shake the forest to its roots… The wild cats of the forest have lived in peace and harmony for many moons – but a doom that will change everything is coming. Strange messages from their warrior ancestors speak of terrifying new prophecies, danger, and a mysterious destiny. All the signs point to young warrior Brambleclaw as the cat with the fate of the forest in his paws. But why would the son of wicked cat Tigerstar be chosen to be a hero? And who are the other cats mentioned in the prophecy? All Brambleclaw knows for sure is that the strength and courage of the greatest warriors will be needed now, as the quest to save the Clans begins…

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'[A] clever, cosmic, moving and funny parenting physics and poetry adventure . . . It's wonderful' Max Porter via Twitter'Clear, nimble and dexterous' Ocean Vuong'It's a magical book. An incantation to be fully present, fully concerned, fully alive' Luke KennardIn this highly original book-length lyric essay, a father and poet reflects on how his daughter's birth at a time of great global uncertainty inspired him to rediscover with fresh urgency the importance of language as a realm of 'intimacy, overlap, hope and trust'. Poetry can uniquely offer an understanding of the world which brings its complexity within reach - yet does not seek to reduce or explain that complexity away. Poetry is a form through which we might reckon with this uncertain world, learn to inhabit our precarious life more fluently and, in turn, offer what we learn to our children.From Joan of Arc to the unfathomable gravity of supermassive black holes, from metaphor to quantum mechanics, Not Even This is a moving, thought-provoking work, full of delights. Jack Underwood is open and attentive to the questions that the world and his daughter continue to present: thrilling, terrifying, fundamental.

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One of England's forgotten heroes is brought back to life in this epic and thrilling high-octane adventure, perfect for fans of Bernard Cornwell and Conn Iggulden. "The story moves at a wonderful pace...great swathes of bloodletting and a kickass arc...Great stuff." -- FALCATATIMES.COM"Exciting and enthralling... fast paced action, strong believable characters; this is an excellent exemplar of the historical novel. Recommended." -- HISTORICAL NOVELS REVIEW"I thoroughly enjoyed this book from the start..."- ***** Reader review. "I'm off to read the next instalment now..." - ***** Reader review.*******************************************************************THE LAST ENGLISHMAN. THE FIRST FREEDOM FIGHTER. THE FORGOTTEN HERO.1062. King Edward has no heirs and, across the sea in Normandy, William the Bastard is preparing to seize the throne.As the King's court is rife with squabbling and scheming, the nation's hopes of resisting the Normans lie with one man: the warrior Hereward.But Hereward has been outlawed and is on the run. Can he keep his freedom and his life in order to save the land he loves?Hereward is the first book in James Wilde's six book Hereward series. His story continues in Hereward: The Devil's Army.

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Children Can Explore Scripture Through God's Animal MenagerieYour family will love this unique board book! Using colorful, engaging artwork, From Eden to Bethlehem introduces little ones to the coming messiah - from fall to prophecy to Incarnation - using the animals of the Bible to tell the story.Children will delight in the beautiful illustrations and learning about key animals in the Old and New Testaments. The creatures featured in From Eden to Bethlehem follow the narrative arc of Scripture and help children understand Jesus's coming as the central story of the Bible.You will appreciate the artistic design, theologically sound content, and helping your little one gain a greater understanding of the animal kingdom, as well as the coming/establishing of God's kingdom on earth.***Baby Believer primers are designed to grow with children, from early infancy through elementary school. In addition to basic Bible theology, Baby Believer board books are filled with quotations from the Bible, creeds, hymns, church fathers, and other articles of faith to help reinforce the content and provide intellectual handholds for older children who possess a greater capacity for learning and memorization.

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Milepost 27 showcases the poet's examination of the effects of climate change. From the bone altar of a Native American shaman who prays over disturbed land honoring deceased ancestors to the phantom forests of New Mexico where a ponderosa forest once thrived, Stablein has an eye for surreal environments, especially the drought-parched firescapes that have become increasingly common across the globe.A number of Stablein's poems recall her post-Beat travels to Asia in the 60s where she studied art for six years. With a keen eye for detail, her poems evoke the rich cultural and spiritual life of people she met and places she lived, "from New York to Nepal; from Juarez to Varanasi; from Kathmandu to farflung rivers and seashores."Her most poignant poems evoke her grief after the unexpected, accidental death of her son. From despair to acceptance, the arc of the book weaves up and down, in, out and around the familiar American obsession with the open road. Ultimately her lonesome journeys down the Jornado del Muerto adn the Route 66 caminos give way to acceptance, appreciation, and joy.

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For visual artists or any creative person looking to push their art to thrive in unexpected ways, this beautifully illustrated guided journal challenges you to experiment both within and outside the box. Using the premise that the creative journey is nonlinear and subject to change at any given moment, The Opposite Is Also True presents pairs of advice that intentionally contradict themselves. Dedicate a workspace or work anywhere; learn from a mentor or teach yourself; make something every day or take a break. Divided into three sections--Pack Your Kit, Find Your Path, and Look Around--each tackles practicalities as well as the abstract in inspirational advice, quotes, and exercises to open your mind. Following each dual entry are two related pages with opposite calls to action and plenty of space to execute them--like making a tidy pencil sketch on one side or pouring your thoughts out in bold permanent marker on the other. Use this book when your usual process isn't working and you need a little nudge, or challenge a comfortable creative routine with alternate possibilities. The advice within can relate to a tiny brushstroke or the whole arc of your career.

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This is a seminal three-volume work, that covers the history of women throughout the world, from earliest times to the present. Marilyn French, internationally bestselling author of The Women's Room, has spent over two decades with a team of researchers and historians examining women's roles and activities in various civilizations and societies throughout the ages. This volume investigates the role of women in society from feudal times up to the French Revolution. She begins with Europe and Japan, two countries vastly different in culture and tradition, yet similar in their male-dominated aggression and competitiveness. In all these different countries in all these different times, Marilyn French keeps asking the question: How did it happen that women had no power and no independence, that they suffered constant abuse and yet they nourished the family unit and preserved their culture and society? Along the way she provides vivid portraits of exceptional women such as Eleanor of Aquitaine, Joan of Arc, Sor Juana Ines le la Cruz, Mary Ingles, and Harriet Jacobs. In its breadth and its scope, this is a fascinating story peopled by remarkable women.

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This poetic historical novel, set between the world wars, tells the story of an American couple and their adopted son, Lightfoot. Fos, a chemist intrigued with constellations, bioluminescence and x-rays, returns from the war in France and falls in love with Opal, the daughter of a glassblower on the Outer Banks of N.C. They move to Knoxville, where Fos and an army buddy have a photography studio, and travel to summer fairs with Fos's x-ray machine. When Opal inherits a farm on the Clinch River, they move again, and live happily with Lightfoot, who had been abandoned, until the property is claimed for a TVA dam. In 1941, Fos gets a job at the Oak Ridge Laboratory-Site X in the government's race to build the bomb. Their lives proceed from innocence and fascination with "things that glow" to the day in Aug. 1945 when the atomic bomb is dropped over Hiroshima. But when Opal falls ill with radiation poisoning, Fos's great faith in science deserts him. Marianne's writing is powerful and hypnotic, and the lives of her characters beautifully follow the arc of 20th century American life and belief.

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A monumentalizing portrayal of a peasant bowed over by brutal toil, "Man with a Hoe" (ca. 1860–62) by Jean-François Millet (1814–1875) is arguably the most art historically significant painting in the J. Paul Getty Museum’s collection of nineteenth-century European art. This volume situates the painting in the arc of Millet’s career and traces its fascinating and contentious reception, from its scandalous debut at the 1863 Paris Salon to the years following its acquisition by American collectors in the 1890s. The essays examine the painting’s tumultuous public life, beginning in France, where critics attacked it on aesthetic and political grounds as a radical realist provocation; through its transformative movement in the art market during the remaining years of the artist’s life and following his death; to its highly publicized arrival in California as a celebrated masterpiece. In the United States it was enlisted to serve philanthropic interests, became the subject of a popular poem, and once again became embroiled in controversy, in this case one that was strongly inflected by American racial politics. This is the first publication dedicated to the work since its acquisition by the Getty Museum in 1985

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Gottfried Helnwein is known for his hyper-realistic images and his photo portraits of celebrities such as Mick Jagger, Michael Jackson, Andy Warhol, Arnold Schwarzenegger, Marilyn Manson and the band Rammstein. In his provocative images, he articulates themes of violence and abuse in ways that are as compelling as they are shocking. In particular, children, whose innocence, naivety and tenderness he brings into focus, are projection surfaces for him. From Wagner and Nietzsche, a stringent arc develops to Hitler’s propaganda machinery, the staged epic mass marches of the SS, and leads in Helnwein’s case not least to his great Carl Barks admiration, whereby he himself fits Mickey Mouse into the context of Nazi rule. This book is dedicated for the first time to this level of reflection in Helnwein’s work and first summarises those dark paintings in which the image is developed out of blackness and deep blue (as a romantic keynote) and leads over to the atrocities of the Nazi regime, in that in particular the experiments on imprisoned persons and those segregated into psychiatric wards underpin the racial ideology. Text in English and German.

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Nigel Barley travels to the island of Sulawesi in Indonesia to live among the Torajan people, known for their spectacular buildings and elaborate ancestor cults. At last he is following his own advice to students, to do their anthropological fieldwork `somewhere where the inhabitants are beautiful, friendly, where you would like the food and there are nice flowers. With his customary wit and delight in the telling detail, he takes the reader deep into this complex but adaptable society. The mutual warmth of his friendships allows Barley to reverse the habitual patterns of anthropology. He becomes host to four Torajan carvers in London, invited to build a traditional rice barn at the Museum of Mankind. The observer becomes the observed, and it is Barley s turn to explain the absurd complexities of an English city to his bemused but tolerant guests in a magnificent, self critical finale. Not a Hazardous Sport provides a magnificent end to a trilogy of anthropological journeys that began with The Innocent Anthropologist and A Plague of Caterpillars (both published by Eland). A postscript, penned thirty years after these adventures had been concluded, confirms the rich arc of this storyline of role reversals.

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'I have a dream', 'Government of the people, by the people, for the people', 'This was their finest hour', 'Tear down this wall', 'Give me liberty, or give me death', 'Free at last!'. They are the great words of history, inspiring war and peace, outrage and justice, rebellion and freedom.Great Speeches in Minutes presents the key extracts of 200 of the orations that changed the world, from antiquity to the modern day. Each is accompanied by an explanation of the historic context of the speech and its momentous consequences. Includes the speeches of: Buddha, Socrates, Alexander the Great, Cicero, Julius Caesar, Jesus, Augustine of Hippo, Muhammad, Joan of Arc, Martin Luther, Elizabeth I, Oliver Cromwell, George Washington, Thomas Jefferson, Napoleon Bonaparte, Simon Bolivar, Elizabeth Cady Stanton, Abraham Lincoln, Emmeline Pankhurst, Patrick Pearse, Vladimir Lenin, David Lloyd George, Albert Einstein, Mahatma Gandhi, Franklin D Roosevelt, Adolf Hitler, Winston Churchill, John F. Kennedy, Martin Luther King, Malcolm X, Nelson Mandela, Lyndon B Johnson, Muhammad Ali, Mother Teresa, Margaret Thatcher, Mikhail Gorbachev, Václav Havel, Pope John Paul II, George W. Bush, Barack Obama, and many more.

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The leading critic Francis Mulhern uncovers a hidden history in the fiction of the past century, identifying a central new genre: the condition of culture novel. Reading across and against the grain of received patterns of literary association, tracing a line from Hardy and Forster, through Woolf, Waugh and Bowen, to Barstow, Fowles, Rendell, Naipaul, Amis, Kureishi and Smith, he elucidates the recurring topics and narrative logics of the genre, showing how culture emerges as a special ground of social conflict, above all between classes. The narrative evaluations of culture's ends-the aspirations and the destinies of those whose lives are the subject of these novels-grow steadily darker over time, and the writing itself grows more introverted.A concluding discussion elicits the characteristics of the English condition of culture novel, in an international setting, and closes in, finally, on the central conundrum of the genre: its uncanny reprise, in its own plane, of the historical arc of the modern labour movement in Britain, from its beginnings in the late nineteenth century through its post-war heyday to the seemingly inexorable decline of recent decades.

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Cervical cancer is the third leading cause of death among women in Venezuela, with poor and working-class women bearing the brunt of it. Doctors and public health officials regard promiscuity and poor hygiene—coded indicators for low class, low culture, and bad morals—as risk factors for the disease. Drawing on in-depth fieldwork conducted in two oncology hospitals in Caracas, Marked Women is an ethnography of women's experiences with cervical cancer, the doctors and nurses who treat them, and the public health officials and administrators who set up intervention programs to combat the disease. Rebecca G. Martínez contextualizes patient-doctor interactions within a historical arc of Venezuelan nationalism, modernity, neoliberalism, and Chavismo to understand the scientific, social, and political discourses surrounding the disease. The women, marked as deviant for their sexual transgressions, are not only characterized as engaging in unhygienic, uncultured, and promiscuous behaviors, but also become embodiments of these very behaviors. Ultimately, Marked Women explores how epidemiological risk is a socially, culturally, and historically embedded process—and how this enables cervical cancer to stigmatize women as socially marginal, burdens on society, and threats to the "health" of the modern nation.

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Additive Manufacturing for Construction reveals additive manufacturing technologies for building and construction applications. It introduces digital and multiuse technologies for civil applications and informs the reader of their design properties and uses. The book explores on-site and off-site construction techniques, and features design strategies in additive manufacturing which will eliminate production difficulties and minimise assembly costs, from both the academic and the industrial perspectives. The unique capabilities of additive manufacturing technologies for large-scale applications combined with 'design for manufacturing' strategies are shown, allowing the reader to understand efficient structural shapes and forms which can provide appropriate level of structural performance with reduced use of materials and resources. This book gathers knowledge of multidisciplinary investigations into one book to answer challenges and difficulties faced by the construction industry and includes: extrusion-based concrete additive manufacturing particle bed additive manufacturing shotcrete additive manufacturing wire-and-arc metal additive manufacturing simulation modelling of concrete 3D printing Additive Manufacturing for Construction is of interest to those in academia and industry including architects, civil engineers, material engineers, manufacturing and industrial engineers, mechatronic engineers and construction experts with an interest/professional requirement to know about large-scale additive manufacturing technologies.

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Praise for Karen Tei Yamashita:"It's a stylistically wild ride, but it's smart, funny and entrancing." —NPR"Fluid and poetic as well as terrifying." —New York Times Book ReviewWith delightful plays of voice and structure, this is literary fiction at an adventurous, experimental high point." —Kirkus"Magnificent. . . . Intriguing." —Library Journal"This powerful, deeply felt, and impeccably researched fiction is irresistibly evocative." —Publishers Weekly (starred review)Scintillations is an excursion through the Japanese internment using archival materials from the Yamashita family as well as a series of epistolary conversations with composite characters representing a range of academic specialties. Historians, anthropologists, classicists—their disciplines, and Yamashita's engagement with them, are a way for her explore various aspects of the internment and to expand its meaning beyond her family, and our borders, to ideas of debt, forgiveness, civil rights, Orientalism, and community.Karen Tei Yamashita is the author of Through the Arc of the Rain Forest, Brazil-Maru, Tropic of Orange, Circle K Cycles, I Hotel, and Anime Wong, all published by Coffee House Press. I Hotel was selected as a finalist for the National Book Award and awarded the California Book Award, the American Book Award, the Asian/Pacific American Librarians Association Award, and the Association for Asian American Studies Book Award.

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For centuries, the bustling port city of Salonica was home to the sprawling Levy family. As leading publishers and editors, they helped chronicle modernity as it was experienced by Sephardic Jews across the Ottoman Empire. The wars of the twentieth century, however, redrew the borders around them, in the process transforming the Levys from Ottomans to Greeks. Family members soon moved across boundaries and hemispheres, stretching the familial diaspora from Greece to Western Europe, Israel, Brazil, and India. In time, the Holocaust nearly eviscerated the clan, eradicating whole branches of the family tree. In Family Papers, the prize winning Sephardic historian Sarah Abrevaya Stein uses the family’s correspondence to tell the story of their journey across the arc of a century and the breadth of the globe. They wrote to share grief and to reveal secrets, to propose marriage and to plan for divorce, to maintain connection. They wrote because they were family. And years after they frayed, Stein discovers, what remains solid is the fragile tissue that once held them together: neither blood nor belief, but papers. With meticulous research and care, Stein uses the Levys' letters to tell not only their history, but the history of Sephardic Jews in the twentieth century.

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Technology mediates how we know and experience cities, and the nature of this mediation has always been deeply political. Today, the production and deployment of data is at the forefront of projects to grasp and reshape urban life. Ways of Knowing Cities considers the role of technology in generating, materializing, and contesting urban epistemologies—tracing an arc from ubiquitous sites of “smart” urbanism, to discrete struggles over infrastructural governance, to forgotten histories of segregation now naturalized in urban algorithms, to exceptional territories of border policing. Bringing together architects, urbanists, artists, and scholars of critical migration studies, media theory, geography, anthropology, and literature, the essays stage a deeply interdisciplinary conversation, interrogating the ways in which certain ways of knowing are predicated on the erasure of others. In this opening, the book engages the information systems that structure urban space and social life in it, historically and in the present moment, to imagine alternative practices and generate new critical perspectives on spatial research.Ways of Knowing Cities includes texts by Eve Blau, Simone Browne, Maribel Casas-Cortes, Wendy Chun, Sebastian Cobarrubias, Beth Coleman, V. Mitch McEwen, Orit Halpern, Charles Heller, Shannon Mattern, Leah Meisterlin, Tinashe Mushakavanhu, Nontsikelelo Mutiti, Dietmar Offenhuber, Lorenzo Pezzani, Anita Say Chan, and Matthew W. Wilson.

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Embrace the power of storytelling with Little Stories of Your Life. Start telling your own story, find your creative self and be more mindful.Combining the wellbeing benefits of mindfulness, creativity and daily photography, this book shows you how to use words and photographs to capture precious little moments and how to share these in order to connect with others.Each chapter explores the different ways you can tell your own stories, considers why you might choose to tell them and helps you to create a patchwork of tiny tales about your life, however small they might be. Throughout the book, Laura shares her own personal stories and research that shows you how to tune out of the bigger picture and focus on the everyday. There are exercises to gently guide you through how to journal and harness your inner creativity, as well as tips on improving your photography, photo challenges and writing prompts to get you started.It’s easy to feel that our own lives are not enough, but real lives are not defined by bright, exciting events: we don’t need a grand narrative arc. It’s the stretches of time in between that matter, the tiny moments and the daily choices that make us who we are.

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The Romantic Rhetoric of Accumulation provides an account of the long arc of dispossession from the British Romantic period to today. Lenora Hanson glimpses histories of subsistence (such as reproductive labor, vagrancy and criminality, and unwaged labor) as figural ways of living that are superfluous—simultaneously more than enough to live and less than what is necessary for capitalism. Hanson treats rhetorical language as an archive of capital's accumulation through dispossession, in works by S.T. Coleridge, Edmund Burke, Mary Robinson, William Wordsworth, Benjamin Moseley, Joseph Priestley, and Alexander von Humboldt, as well as in contemporary film and critical theory. Reading riots through apostrophe, enclosure through anachronism, superstition and witchcraft through tautology, and the paradoxical coincidence of subsistence living with industrialization, Hanson shows the figural to be a material record of the survival of non-capitalist forms of life within capitalism. But this survival is not always-already resistant to capitalism, nor are the origins of capital accumulation confined to the Romantic past. Hanson reveals rhetorical figure as entwined in deeply ambivalent ways with the circuitous, ongoing process of dispossession. Reading both historically and rhetorically, Hanson argues that rhetorical language records histories of dispossession and the racialized, gendered distribution of the labor of subsistence. Romanticism, they show, is more contemporary than ever.

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In Red Modernism, Mark Steven asserts that modernism was highly attuned-and aesthetically responsive-to the overall spirit of communism. He considers the maturation of American poetry as a longitudinal arc, one that roughly followed the rise of the USSR through the Russian Revolution and its subsequent descent into Stalinism, opening up a hitherto underexplored domain in the political history of avant-garde literature. In doing so, Steven amplifies the resonance among the universal idea of communism, the revolutionary socialist state, and the American modernist poem. Focusing on three of the most significant figures in modernist poetry-Ezra Pound, William Carlos Williams, and Louis Zukofsky-Steven provides a theoretical and historical introduction to modernism's unique sense of communism while revealing how communist ideals and references were deeply embedded in modernist poetry. Moving between these poets and the work of T. S. Eliot, Langston Hughes, Muriel Rukeyser, Gertrude Stein, Wallace Stevens, and many others, the book combines a detailed analysis of technical devices and poetic values with a rich political and economic context. Persuasively charting a history of the avant-garde modernist poem in relation to communism, beginning in the 1910s and reaching into the 1940s, Red Modernism is an audacious examination of the twinned history of politics and poetry.

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Provides a comprehensive survey of twentieth-century prison writing from around the world Analyses texts from the UK, USA, Australia, Kenya, South Africa, Egypt, Ireland, Germany, and the USSR Texts by male and female writers considered with structural balance Approaches texts chronologically within an historical sequence of social and institutional changes Brings a specifically literary approach to material generally approached sociologically and criminologically Tracking the evolutionary arc of prison writing across the twentieth century in an international and comparative framework, this study proposes an integrated account of the major shifts and movements in this relatively neglected genre of autobiography. Dwelling on works memoirs, novellas, poems by actual detainees, the book offers a close stylistic analysis of 12 important texts to show how prison writing moved away from the confessional and self-scrutinizing modes of an earlier tradition, to espouse openly political sentiments and solidarities. Looking at works by Oscar Wilde, Rosa Luxemburg, Ezra Pound, Primo Levi, Bobby Sands, Angela Davis, Ng?g? wa Thiong'o, and Behrouz Boochani (among others), the book shows how themes such as the annihilation of experience, dehumanization, sensory deprivation, brutality, and numbing routine are woven into distinctive textual artefacts that give evidence of an abiding human resilience in the face of raw state power.

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In Romantic Interactions, Susan J. Wolfson examines how interaction with other authors-whether on the bookshelf, in the embodied company of someone else writing, or in relation to literary celebrity-shaped the work of some of the best-known (and less well-known) writers in the English language. Working across the arc of Long Romanticism, from the 1780s to the 1840s, this lively study involves writing by women and men, in poetry and prose. Combining careful readings with sophisticated literary, historical, and cultural criticism, Wolfson reveals how various writers came to define themselves as "author." The story unfolds not only in deft textual analyses but also by provocatively placing writers in dialogue with what they were reading, with one another, and with the community of readers (and writers) their writings helped bring into being: Mary Wollstonecraft and Charlotte Smith in the Revolution-roiled 1790s; William Wordsworth and Dorothy Wordsworth in the society of the Lake District; Lord Byron, a magnet for writers everywhere, inspired, troubled, but always arrested by what he (and his scandal-ridden celebrity) represented. This fresh, informative account of key writers, important texts, and complex cultural currents promises keen interest for students and scholars, literary critics, and cultural historians.

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Independent Catholics are not formally connected to the pope in Rome. They practice apostolic succession, seven sacraments, and devotion to the saints. But without a pope, they can change quickly and experiment freely, with some affirming communion for the divorced, women's ordination, clerical marriage, and same-sex marriage. From their early modern origins in the Netherlands to their contemporary proliferation in the United States, these "other Catholics" represent an unusually liberal, mobile, and creative version of America's largest religion.In The Other Catholics, Julie Byrne shares the remarkable history and current activity of independent Catholics, who number at least two hundred communities and a million members across the United States. She focuses in particular on the Church of Antioch, one of the first Catholic groups to ordain women in modern times. Through archival documents and interviews, Byrne tells the story of the unforgettable leaders and surprising influence of these understudied churches, which, when included in Catholic history, change the narrative arc and total shape of modern Catholicism. As Pope Francis fights to soften Roman doctrines with a pastoral touch and his fellow Roman bishops push back with equal passion, independent Catholics continue to leap ahead of Roman reform, keeping key Catholic traditions but adding a progressive difference.

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Painting with Fire shows how experiments with chemicals known to change visibly over the course of time transformed British pictorial arts of the long eighteenth century--and how they can alter our conceptions of photography today. As early as the 1670s, experimental philosophers at the early Royal Society of London had studied the visual effects of dynamic combustibles. By the 1770s, chemical volatility became central to the ambitious paintings of Sir Joshua Reynolds, premier portraitist and first president of Britain's Royal Academy of Arts. Valued by some critics for changing in time (and thus, for prompting intellectual reflection on the nature of time), Reynolds's unstable chemistry also prompted new techniques of chemical replication among Matthew Boulton, James Watt, and other leading industrialists. In turn, those replicas of chemically decaying academic paintings were rediscovered in the mid-nineteenth century and claimed as origin points in the history of photography. Tracing the long arc of chemically produced and reproduced art from the 1670s through the 1860s, the book reconsiders early photography by situating it in relationship to Reynolds's replicated paintings and the literal engines of British industry. By following the chemicals, Painting with Fire remaps familiar stories about academic painting and pictorial experiment amid the industrialization of chemical knowledge.

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More than seven decades after the founding of Israel, the momentum to establish a Jewish state has led to remarkable achievements in the nation's 'hardware': stable structures in government, the military, and the economy. At the same time, the 'operating system,' the guidelines that accommodate human diversity and enable coexistence, is still riddled with weaknesses. Arye Carmon diagnoses the critical vulnerabilities at the heart of Israeli democracy and the obstacles to forming a sustainable national consciousness. The author merges touching narratives about his own life in Israel with insightful ruminations on the Jewish diaspora and the arc of Israel's history, illuminating the conflicts between Jewish identities and between democratic values and the halacha - the collective body of Jewish religious laws.There is no consensus on the characteristics that define Israel as a state that is both Jewish and democratic. Rather, the struggle between a secular and a religious Jewish identity, amid voices promoting ethnocentric nationalism, threatens to sever the ties that strengthen democracy.This cultural fragility has far-reaching implications for Israeli institutions and deepens societal rifts. Israel lacks a constitution to bind its democracy and a bill of rights to safeguard the freedoms of its citizens, enable the inclusion of diverse outlooks and beliefs, and underpin the norms of its civil society.

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283 itineraries have been chosen from the most beautiful and imposing peaks of 43 mountain groups, divided into two volumes. The first volume is dedicated to the western valleys, and describes 133 ascents picked from 19 mountain groups to the west of the Adige valley: Sesvenna Group, Venoste and Passirie Alps, Tessa Group, Alpi Breonie di Ponente, The Sarentino Mountains, Ortles Group, Gavia Group, Cevedale Group, Maddalene Chain, Mendola Chain, Adamello Group, Presanella Group, Brenta Group, Cadria Group, Garda Mountains, Dolomiti Bresciane, Tremalzo Group, Monte Baldo and Pizzocolo Group. All the itineraries described have been selected for their beautiful views and for their difficulty. Few itineraries offer mountaineering difficulties higher than II grade, but not all the ascents are just hikes: some require a good knowledge of progressing on glaciers, the use of a ferrata set as well as being able to scramble on rocks. Finally; there are opportunities for almost all seasons: in both volumes we find itineraries which run along the Alpine Arc with high altitude and ice, to be tackled during summer time, as well as itineraries which lie in mountain groups closer to the Po Valley, therefore possible to visit late autumn or even during dry winters.

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"Fiercely satirical. . . . Yamashita presents [an] intricate plot with mordant wit." —New York Times Book Review "A stunner. . . . An exquisite mystery novel. But this is a novel of dystopia and apocalypse; the mystery concerns the tragic flaws of human nature." —Library Journal (starred review) "Brilliant. . . . An ingenious interpretation of social woes." —Booklist (starred review) "Yamashita handles her eccentrics and the setting of their adventures with panache. David Foster Wallace meets Gabriel Garcia Marquez." —Publishers Weekly Irreverently juggling magical realism, film noir, hip hop, and chicanismo, Tropic of Orange takes place in a Los Angeles where the homeless, gangsters, infant organ entrepreneurs, and Hollywood collide on a stretch of the Harbor Freeway. Hemmed in by wildfires, it's a symphony conducted from an overpass, grandiose, comic, and as diverse as the city itself. Karen Tei Yamashita is the author of Through the Arc of the Rain Forest, Brazil-Maru, Tropic of Orange, Circle K Cycles, I Hotel, and Anime Wong, all published by Coffee House Press. I Hotel was selected as a finalist for the National Book Award and awarded the California Book Award, the American Book Award, the Asian/Pacific American Librarians Association Award, and the Association for Asian American Studies Book Award.

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Post-glacial is a collection of poems by Robert Kroetsch selected by his former student David Eso. The book features Kroetsch's iconic collection, Completed Field Notes, alongside rare work gathered from different stages of Kroetsch's career. The book contains an afterword by Aritha van Herk.Kroetsch's poetry evolved from short lyric poetry in the 1960s to postmodern long poems in the 1970s and 80s. Kroetsch's work in the 1990s and 2000s was marked by the production of experimental chapbooks. Yet it is in the 2000s that Kroetsch's celebrated The Hornbooks of Rita K and his final collection, Too Bad, were published. Post-glacial presents the material in a thematic arc that follows daily, seasonal, and biographical topics. The collection moves from moods of morning, spring, and youth to shades of darkness, winter, and mourning.In the introduction, Eso charts Kroetsch's early attempts at poetry in his teenage and undergraduate years. Eso takes the title Post-glacial from the poem ""Lonesome Writer Diptych"" and proposes the term as an alternative to ""postmodernism,"" a term often used by critics to describe Kroetsch's work. Post-glacial emphasizes the poet's interest in landscape, ecology, history, the presence of absence, and the endurance of a living past.

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"The Children of Light and the Children of Darkness", first published in 1944, is considered one of the most profound and relevant works by the influential theologian Reinhold Niebuhr, and certainly the fullest statement of his political philosophy. Written during the prolonged world war between totalitarian and democratic forces, Niebuhr's book takes up the still timely question of how democracy as a political system can best be defended. Most proponents of democracy, Niebuhr claimed, were "children of light," who had optimistic but naive ideas about how society could be rid of evil and governed by enlightened reason. They needed, he believed, to absorb some of the wisdom and strength of the "children of darkness," whose ruthless cynicism and corrupt, anti-democratic politics should otherwise be repudiated. He argued for a prudent, liberal understanding of human society that took the measure of every group's self-interest and was chastened by a realistic understanding of the limits of power. It is in the foreword to this book that he wrote, "Man's capacity for justice makes democracy possible; but man's inclination to injustice makes democracy necessary." This edition includes a new introduction by the theologian and Niebuhr scholar Gary Dorrien in which he elucidates the work's significance and places it firmly into the arc of Niebuhr's career.

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A stunning debut novel of a young American woman who becomes a spy in Paris during World War II. May 1940: Fleeing a glamorous Manhattan life built on lies, Claire Harris arrives in Paris with a romantic vision of starting anew. But she didn't anticipate the sight of Nazi soldiers marching under the Arc de Triomphe. Her plans smashed by the German occupation, the once-privileged socialite's only option is to take a job in a flower shop under the tutelage of a sophisticated Parisian florist. In exchange for false identity papers, Claire agrees to aid the French Resistance. Despite the ever-present danger, she comes to love the enduring beauty of the City of Light, exploring it in the company of Thomas Grey, a mysterious Englishman working with the Resistance. Claire's bravery and intelligence make her a talented operative, and slowly her values shift as she witnesses the courageous spirit of the Parisians. But deception and betrayal force her to flee once more--this time to fight for the man she loves and what she knows is right. Claire just prays she has the heart and determination to survive long enough to one day see Paris again...

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A Time Machine to the Early Days of Video Art And Right Back into the Future John Sanborn became one of the most prominent protagonists of the American video art scene in the 1970s and 1980s. His work ranges from the beginnings of experimental video art to MTV music videos, interactive art, and digital media art. Consulting with Apple and Adobe, he contributed to shaping the possibilities of new image tools and was instrumental to the dawning of the digital image revolution in California. This monograph brings together a collection of works that spans over four decades of exploring sound, music, cultural identity, memory, mythologies, and the human compulsion to tell stories. Essays by video art experts, contributions by his friends and companions, and a conversation between Sanborn and acclaimed media artist Dara Birnbaum explore the tension between mass media and contemporary art. Sanborn himself traces the unique arc of his career and talks about a journey that took him from museums and alternative spaces to television networks, Hollywood and Silicon Valley before returning to the art world. Few other artists working with media can claim to have delved into so many visual territories.

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"One of the swimmers plunged underwater with a flick of his long, dolphin-like tail. The other followed, sending an arc of spray shooting upwards, tail slapping against the choppy waves."In the quiet Scottish seaside village of Dunlyre, Finn is enduring a winter holiday with his annoying new stepmother, wishing things could go back to how they were, while Sage is enjoying her new home, wishing things would stay as they are. Finn has seen mysterious swimmers in the Firth late at night. Then, from the clifftop, first Sage, then Finn, hears an eerie song. Could the local legend of merfolk living amid the waves actually be true? When the new friends meet the magical sea-people, they are amazed and impressed, but the merfolk are hiding a secret. The two human children must put aside their own problems and help in the battle against the young merfolk's ancient underwater enemy before the last of their kind are lost forever.From the author of the much-loved Guardians of the Wild Unicorns, Secrets of the Last Merfolk is an exciting fantasy adventure that reimagines the mythical sea-people as powerful, proud and fearless.

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How Americans learned to wait on time for racial change What if, Joseph Darda asks, our desire to solve racism—with science, civil rights, antiracist literature, integration, and color blindness—has entrenched it further? In The Strange Career of Racial Liberalism, he traces the rise of liberal antiracism, showing how reformers' faith in time, in the moral arc of the universe, has undercut future movements with the insistence that racism constitutes a time-limited crisis to be solved with time-limited remedies. Most historians attribute the shortcomings of the civil rights era to a conservative backlash or to the fracturing of the liberal establishment in the late 1960s, but the civil rights movement also faced resistance from a liberal "frontlash," from antiredistributive allies who, before it ever took off, constrained what the movement could demand and how it could demand it. Telling the stories of Ruth Benedict, Kenneth Clark, W. E. B. Du Bois, John Howard Griffin, Pauli Murray, Lillian Smith, Richard Wright, and others, Darda reveals how Americans learned to wait on time for racial change and the enduring harm of that trust in the clock.

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How Americans learned to wait on time for racial change What if, Joseph Darda asks, our desire to solve racism—with science, civil rights, antiracist literature, integration, and color blindness—has entrenched it further? In The Strange Career of Racial Liberalism, he traces the rise of liberal antiracism, showing how reformers' faith in time, in the moral arc of the universe, has undercut future movements with the insistence that racism constitutes a time-limited crisis to be solved with time-limited remedies. Most historians attribute the shortcomings of the civil rights era to a conservative backlash or to the fracturing of the liberal establishment in the late 1960s, but the civil rights movement also faced resistance from a liberal "frontlash," from antiredistributive allies who, before it ever took off, constrained what the movement could demand and how it could demand it. Telling the stories of Ruth Benedict, Kenneth Clark, W. E. B. Du Bois, John Howard Griffin, Pauli Murray, Lillian Smith, Richard Wright, and others, Darda reveals how Americans learned to wait on time for racial change and the enduring harm of that trust in the clock.

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The sixth book in a new arc in the New York Times–bestselling Amelia Bedelia chapter book series featuring young Amelia Bedelia and her friends! These chapter books focus on school and friendship stories and are perfect for fans of Ivy + Bean and Clementine. An excellent choice for readers who are ready to read independently.Amelia Bedelia + Good Friends = Super Fun Stories to Read and ShareAmelia Bedelia and her friends learn about the solar system and their place in the universe in the sixth book in the Amelia Bedelia & Friends chapter book series. But with Amelia Bedelia involved, there are sure to be more than a few funny mix-ups along the way.A funny chapter book series about friendship, perfect for fans of Ivy + Bean, Clementine, and Junie B. Jones. The Amelia Bedelia books have sold more than 35 million copies since we first met the iconic character in 1963! All the chapter books include “Two Ways to Say It,” Amelia Bedelia’s guide to the idioms used in the story. Illustrated in black-and-white throughout, this book also includes a craft project to do at home.Come join the fun!

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tender gravity charts Marybeth Holleman’s quest for relationship to the more-than-human world, navigating her childhood in North Carolina to her life in Alaska, with deep time in remote land and seascapes. Always the focus is on what can be found by attention to the world beyond her own human skin, what can be found there as she negotiates loss—the loss of beloved places, wild beings, her younger brother. “do not think,” she says to her mother, “that i love a bear more than my brother. / think instead that i cannot distinguish / the variations in / the beat of a heart.” Inevitably, solace is found in the wild world: “step back toward that joy-sap rising, step back / into the only world that is.” In a narrative arc of seeking, falling, and finding, we hear in Holleman’s exquisitely attentive immersion clear reverberations of Mary Oliver, of Linda Hogan, of Walt Whitman. These poems of grief and celebration pulse in and out, reaching to the familiar moon and out to orphan stars of distant galaxies, then pull close to a small brown seabird and an on-the-knees view of a tiny bog plant.

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From Joan of Arc to Britney Spears, the figure of the virgin has been the subject of considerable scholarly and popular interest. Yet virginity itself is a paradoxical condition, both perfect and monstrous, present and absent, often visible only insofar as it is under threat. Medieval Virginities traces some of the specific manifestations of virginity in late medieval culture. It shows how virginity is represented in medical, legal, hagiographical and historical texts, as well as how the seductive but dangerous figure of the virgin affects the aims and objectives of these texts. Because virginity is so often thought of as self-identical and ahistorical, Medieval Virginities aims to theorize and historicize its various manifestations and to demonstrate how representations and discussions of virginity continuously shift and change. The variety of subjects and disciplines represented here testify both to the elusiveness of virginity and to its lasting appeal and importance. Medieval Virginities shows how virginity's inherent ambiguity highlights the problems, contradictions and discontinuities lurking within medieval ideologies. It will be essential reading for anyone interested in questions of gender identity, conceptions of the body, subjectivity, truth and representation in medieval culture.

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Widely considered the greatest genius of all time, Albert Einstein revolutionised our understanding of the cosmos with his general theory of relativity and helped to lead us into the atomic age. Yet in the final decades of his life he was also ignored by most working scientists, his ideas opposed by even his closest friends. This stunning downfall can be traced to Einstein's earliest successes and to personal qualities that were at first his best assets. Einstein's imagination and self-confidence served him well as he sought to reveal the universe's structure, but when it came to newer revelations in the field of quantum mechanics, these same traits undermined his quest for the ultimate truth. David Bodanis traces the arc of Einstein's intellectual development across his professional and personal life, showing how Einstein's confidence in his own powers of intuition proved to be both his greatest strength and his ultimate undoing. He was a fallible genius. An intimate and enlightening biography of the celebrated physicist, Einstein's Greatest Mistake reveals how much we owe Einstein today - and how much more he might have achieved if not for his all-too-human flaws.

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An intimate, moving book written with the immediacy and directness of one who still struggles with the effects of mental and chronic illness, The Collected Schizophrenias cuts right to the core. Schizophrenia is not a single unifying diagnosis, and Esmé Weijun Wang writes not just to her fellow members of the “collected schizophrenias” but to those who wish to understand it as well. Opening with the journey toward her diagnosis of schizoaffective disorder, Wang discusses the medical community’s own disagreement about labels and procedures for diagnosing those with mental illness, and then follows an arc that examines the manifestations of schizophrenia in her life. In essays that range from using fashion to present as high-functioning to the depths of a rare form of psychosis, and from the failures of the higher education system and the dangers of institutionalisation to the complexity of compounding factors such as PTSD and Lyme disease, Wang’s analytical eye, honed as a former lab researcher at Stanford, allows her to balance research with personal narrative. An essay collection of undeniable power, The Collected Schizophrenias dispels misconceptions and provides insight into a condition long misunderstood.

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In the exciting second Warriors story arc, the wild cats of the forest have lived in peace and harmony for many moons—but new prophecies from their warrior ancestors speak of a mysterious destiny and grave danger for the clans. The final title in this thrilling feline fantasy adventure. Soon after the cats reached their new home by the lake, ThunderClan's medicine cat Leafpool received an ominous warning from StarClan: Before there is peace, blood will spill blood, and the lake will run red. As the Clan slowly recovers from a devastating badger attack, Leafpool can't help but wonder… do her prophetic dreams mean there are even worse dangers still in store for the warrior cats? At the same time, shadows of the past continue to haunt the forest as some old friends struggle to find their place, others appear to be lost forever, and an old enemy finds a new way to resurface in a quest for dark revenge. A sinister path is unfolding, and the time is coming for certain warriors to make the choices that will determine their destiny . . . and the destiny of all the Clans.

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Acclaimed poet George Ella Lyon returns with a brilliant new collection that traces the course of a woman's life from girlhood to mature female wisdom. From the introductory poem, "Little Girl Who Knows Too Much," readers embark on a journey from youth, with its darker moments and denials of voice and story, to a place of strength and power with the poems themselves as a guide.The collection follows the narrator as she reconnects with her body and recovers memories of violence from early childhood as well as the wilderness of adolescence and of young wife- and motherhood. Gradually, a wider vision appears to her, and she turns to the Great Mother in all her manifestations -- writers, teachers, singers, Earth Herself--to reach new regions of self-knowledge and inner strength. In so doing, the narrator reaches beyond her personal experience and begins a healing process that situates her story within the larger human story.Alternately witty, charming, tender, thought-provoking, and bracing, Back to the Light expresses a vision of breathtaking breadth and depth. Following the arc of a woman's life, the collection traces the cycles of growth and change the narrator experiences in becoming more herself and finding the spirit to persevere while lyrically demonstrating the power of poetry to help and heal.

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