Search results for ""sublime""

A NPR Best Book of 2023A Shelf Awareness Best Nonfiction Book of 2023An August 2023 Indie Next Pick, selected by booksellersA Vogue Most Anticipated Book of 2023A WBUR Summer Reading RecommendationA Next Big Idea Club's August 2023 Must-Read BookAn astonishing, vital book about Antarctica, climate change, and motherhood from the author of Rising, finalist for the Pulitzer Prize in General Nonfiction.In 2019, fifty-seven scientists and crew set out onboard the Nathaniel B. Palmer. Their destination: Thwaites Glacier. Their goal: to learn as much as possible about this mysterious place, never before visited by humans, and believed to be both rapidly deteriorating and capable of making a catastrophic impact on global sea-level rise.In The Quickening, Elizabeth Rush documents their voyage, offering the sublime—seeing an iceberg for the first time; the staggering waves of the Drake Passage; the torqued, unfamiliar contours of Thwaites—alongside the workaday moments of this groundbreaking expedition. A ping-pong tournament at sea. Long hours in the lab. All the effort that goes into caring for and protecting human life in a place that is inhospitable to it. Along the way, she takes readers on a personal journey around a more intimate question: What does it mean to bring a child into the world at this time of radical change?What emerges is a new kind of Antarctica story, one preoccupied not with flag planting but with the collective and challenging work of imagining a better future. With understanding the language of a continent where humans have only been present for two centuries. With the contributions and concerns of women, who were largely excluded from voyages until the last few decades, and of crew members of color, whose labor has often gone unrecognized. The Quickening teems with their voices—with the colorful stories and personalities of Rush’s shipmates—in a thrilling chorus.Urgent and brave, absorbing and vulnerable, The Quickening is another essential book from Elizabeth Rush.

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Explore spectacular visual timelines that tell the story of science, from fossils to quantum physics, and discover exactly how science has changed the world - one discovery at a time.SI Timelines of Science takes you on an astonishing journey through history, showing how dedication, disasters, and eureka moments have brought us antibiotics, electricity, space exploration, and so much more!Packed with fascinating facts, amazing images, and some seriously staggering science, this science history book shows how thousands of years of human endeavor have expanded our knowledge and shaped our lives. Find out why the fruitless search for a potion of eternal life led to the birth to chemistry. See how the invention of magnifying lenses opened new windows into the cosmos and microcosmos. And learn how happy accidents led to the discovery of X-rays, batteries, pulsars, and even the big bang.Dive deep into the pages of this sublime science book to discover: Timeline features show how scientific ideas developed over time Easy-to-read explanations of general science topics, such as the life cycle of a star or the history of Earth’s changing climate Supporting boxes explain modern scientific concepts, adding educational value and aiding understanding Feature spreads highlight specific breakthroughs, with the story presented as running text in a newspaper-style layout Biographies showcase the lives of key men and women who reshaped scientific thought SI Timelines of Science is not just about science – it’s also a book about people! The stories of discovery are told through the lives of extraordinary men and women who often dared to challenge conventional wisdom in their trailblazing pursuit of scientific truth. Filled with dazzling illustrations, spectacular photography, and easy-to-follow storytelling, Timelines of Science is guaranteed to capture the imagination of children and adults of all ages and abilities.A must-have volume for children 9+ interested in science, technology, and invention, doubling up as the perfect gift to for budding scientists, SI Timelines of Science is sure to delight.

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Prince Siegfried chances upon a flock of swans while out hunting. When one of the swans turns into a beautiful woman, Odette, he is enraptured. But she is under a spell that holds her captive, allowing her to regain her human form only at night. The evil spirit Von Rothbart, arbiter of Odette’s curse, disguises his daughter Odile as Odette to trick Siegfried into breaking his vow of love. Fooled, Siegfried declares his love for Odile, and so dooms Odette to suffer under the curse forever. Swan Lake was Tchaikovsky’s first score for the ballet. Given its status today as arguably the best-loved and most admired of all classical ballets, it is perhaps surprising that at its premiere in 1877 Swan Lake was poorly received. It is thanks to the 1895 production by Marius Petipa and Lev Ivanov that Swan Lake has become part of not only ballet consciousness but also wider popular culture. That success is secured not only by the sublime, symphonic sweep of Tchaikovsky’s score but also by the striking choreographic contrasts between Petipa’s royal palace scenes and the lyric lakeside scenes created by Ivanov. Swan Lake has had a special role in the repertory of The Royal Ballet since 1934. Since then there has been a succession of productions, the most recent of which was overseen by Anthony Dowell. This 2019 Season sees a new production with additional choreography by ROH Artist-in-Residence Liam Scarlett. Scarlett, while remaining faithful to the Petipa-Ivanov text, will bring fresh eyes to the staging of this classic ballet, in collaboration with his long-term designer John Macfarlane. This beautifully produced new Royal Ballet branded book with photographs by Bill Cooper is a collection of exclusive photographs which shines the spotlight on Swan Lake. These exquisite photos feature some of the finest dancers on stage today and give an exclusive insight into the Royal Ballet’s work.

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Nominated for the Costa Children's Book Award'The Noughts & Crosses series are still my favourite books of all time and showed me just how amazing story-telling could be' STORMZY'Malorie's Noughts & Crosses series is the first time I saw myself in a book . . . they were pacey, exciting, rich. What Malorie Blackman has always done so brilliantly is put the minority front and centre, both in society and politics.' CANDICE CARTY-WILLIAMS 'The most original book I've ever read' BENJAMIN ZEPHANIAH'Malorie Blackman is absolutely amazing ... [Noughts & Crosses] really spoke to me, especially as a woman of dual heritage.' ZAWE ASHTON'Crossfire is searing, political and furious. Malorie's world building is sublime and the way the Noughts & Crosses series holds a mirror up to society is unrivalled' JUNO DAWSON_____Years have passed since the love between Sephy - a Cross - and Callum - a Nought - destroyed their world and changed their families and society forever. Society appears to be very different now. For the first time ever, a Nought Prime Minister - Tobey Durbridge - is in power. Race and class don't divide people anymore. But things are never really that easy. Because Tobey's just been framed for murder, and the only way to free himself is to turn to his oldest friend - Callie-Rose. Their families divisions run deep, and when two young people are kidnapped, their lives and everything they've fought for are put in the firing line. And when you're playing a game as dangerous as this one, it won't be long before someone gets caught in the crossfire...Crossfire is the long-awaited new novel in legendary author Malorie Blackman's ground-breaking Noughts & Crosses series.'Rich in moral and social issues, it is devastating about racial attitudes' THE SUNDAY TIMES, CHILDREN'S BOOK OF THE WEEK'It chillingly echoes the tempestuous taste of the world today while offering the intensity of a thriller' I NEWSPAPER

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The Oxford Book of English Short Stories , edited by A. S. Byatt, herself the author of several collections of short stories, is the first anthology to specifically take the English short story as its theme. The 37 stories featured here are selected from the nineteenth and twentieth centuries, ranging from Dickens, Trollope, and Hardy to J. G. Ballard, Angela Carter, and Ian McEwan, though many draw ingeniously from the richness of earlier English literary writing. There are all sorts of threads of connection and contrast running through these stories. Their subjects vary from the sublime to the ridiculous, from the momentous to the trivial, from the grim to the farcical. There is English empiricism, English pragmatism, English starkness, English humour, English satire, English dandyism, English horror, and English whimsy. There are examples of social realism, from rural poverty to blitzed London; ghost stories and tales of the supernatural; surreal fantasy and science fiction. There are stories of sensibility, precisely delineated, from Hardy's reluctant bride to the shocked heroine of Elizabeth Taylor's The Blush, from H. E. Bates's brilliant fusion of class, sex, death, and landscape, to D. H. Lawrence's exploration of a consciousness slowly detaching itself from its world. There are exuberant stories by Saki and Waugh, Wodehouse and Firbank, with a particularly English range from high irony to pure orchestrated farce. The very range and scope of the collection celebrates the eccentric differences and excellences of English short stories. Some of A. S. Byatt's choices clearly take their place in the grand tradition of story-telling, while others are more unusual. Many break all the rules of unity of tone and narrative, appearing to be one kind of story before unexpectedly turning into another. They pack together comedy and tragedy, farce and delicacy, elegance and the grotesque, with language as various as the subject matter. As A. S. Byatt explains: 'My only criterion was that those stories I selected should be startling and satisfying, and if possible make the hairs on the neck prickle with excitement, aesthetic or narrative'.

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'[A] masterly novel' - The Sunday Times'Strong echoes of George Smiley' - Financial Times'A novel of real quality. Top brass' - The Times Thriller of the Month*****Beware of Russians bearing gifts.Defectors are not always welcome.Is the information they bring worth the cost of protecting them for the rest of their lives? Is it even genuine? Might they be double agents? These are some of the questions facing MI6 when a Russian agent hands himself in to them in Denmark.As a team begins to assess his value, his former employers in the Kremlin develop a brutal plan to show that no defector will ever be safe.And they know where to find him. Which means there must be a mole in MI6.So it is that the cavaliers of Six find themselves being interrogated by nondescript Jonas Merrick of Five - the man called back from retirement and his beloved caravan, the man the young guns call the Eternal Flame because 'he never goes out.'But while he may be grey, Jonas is also ruthless. As he quietly works through the suspects in London, and violent mayhem breaks out in Denmark, Jonas plans not just to unmask a traitor, but to hit back at the Russians with deadly force.First encountered in The Crocodile Hunter, Jonas Merrick is set to become one of the great figures of modern spy fiction.*****Readers love THE FOOT SOLDIERS:'I was completely gripped by the plot and interdepartmental jealousies and rivalries. I couldn't put it down!'*****'A book that fans of the George Smiley series will love' *****'A brilliant, suspenseful and contemporary thriller . . . A wonderfully complex and unputdownable tale of defectors, traitors, internal politics . . . and assassination'*****'Seymour continues to carry the flame for the espionage genre, and his sublime creation, Jonas Merrick, a 21st-century George Smiley . . . is slowly but surely becoming a classic literary creation'****

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Karl Rahner's seemingly inscrutable theology of freedom can be summarized simply: human freedom makes manifest (or fails to make manifest) God's eternal decision to create, to save creation, and thereby to share Godself. Freedom is something real, a substantive freedom for: for saying ""yes"" to God's merciful self-giving. This freedom most often comes to light not in extraordinary triumphs of spirit, but amid small acts whereby common sinners and downtrodden people travel a pilgrim journey, gradually finding ways to form and to express a life that reflects –however dimly? God's refulgent light. Freedom Made Manifest explicates Rahner's theology of freedom by elucidating its configuration and sources. Much of its inquiry centers on the fundamental option: each human person's eternal decision made, paradoxically, in time, as a definitive answer to God's personally-tailored call to salvation. This idea stems from three principal sources: Catholic conversations with transcendental-idealist philosophy, penitential theology and practice, and Ignatian spirituality. Rahner's unique redeployment of these sources inflects the fundamental option with theologies of concupiscence, mercy and forgiveness (especially as ecclesially mediated), and devotion to Jesus Christ. Awareness of these inflections can show how Rahner's theology of freedom may assist in theological reflection on freedom's susceptibility to injury and trauma. To these clarifications the author adds a major emendation, arguing that Rahner's theology of freedom is most adequately interpreted as a theological aesthetic of freedom, attentive to freedom's depth dimension in the heart of each person, through which and out of which God's free decision to self-reveal is expressed or concealed. Following upon Karl Rahner's Theological Aesthetics (CUA Press, 2014), which introduced Rahner's ""Catholic sublime,"" and anticipating a volume on ""world,"" this volume contributes to theological-aesthetic thinking not at the stratospheric level of being's transcendentals, but within the sensed (aesthetic) friction of everyday existence.

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In Plato's Republic, Socrates contends that philosophers make the best rulers because only they behold with their mind's eye the eternal and purely intelligible Forms of the Just, the Noble, and the Good. When, in addition, these men and women are endowed with a vast array of moral, intellectual, and personal virtues and are appropriately educated, surely no one could doubt the wisdom of entrusting to them the governance of cities. Although it is widely—and reasonably—assumed that all the Republic’s philosophers are the same, Roslyn Weiss argues in this boldly original book that the Republic actually contains two distinct and irreconcilable portrayals of the philosopher. According to Weiss, Plato’s two paradigms of the philosopher are the "philosopher by nature" and the "philosopher by design." Philosophers by design, as the allegory of the Cave vividly shows, must be forcibly dragged from the material world of pleasure to the sublime realm of the intellect, and from there back down again to the "Cave" to rule the beautiful city envisioned by Socrates and his interlocutors. Yet philosophers by nature, described earlier in the Republic, are distinguished by their natural yearning to encounter the transcendent realm of pure Forms, as well as by a willingness to serve others—at least under appropriate circumstances. In contrast to both sets of philosophers stands Socrates, who represents a third paradigm, one, however, that is no more than hinted at in the Republic. As a man who not only loves "what is" but is also utterly devoted to the justice of others—even at great personal cost—Socrates surpasses both the philosophers by design and the philosophers by nature. By shedding light on an aspect of the Republic that has escaped notice, Weiss’s new interpretation will challenge Plato scholars to revisit their assumptions about Plato’s moral and political philosophy.

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THE NEW YORK OBSERVER: ONE OF THE TOP 10 BOOKS FOR FALL It’s no wonder that New York has always been a magnet city for writers. Manhattan is one of the most walkable cities in the world. While many novelists, poets, and essayists have enjoyed long walks in New York, not all of them have had favorable impressions. Addressing an endlessly appealing subject, Walking New York is a study of twelve American writers and several British writers who walked the streets of New York and wrote about their impressions of the city in fiction, nonfiction, and poetry. Seen through the eyes of Walt Whitman, Herman Melville, William Dean Howells, Jacob Riis, Henry James, Stephen Crane, Theodore Dreiser, James Weldon Johnson, Alfred Kazin, Elizabeth Hardwick, Colson Whitehead, and Teju Cole, almost all the works in Walking New York are about Manhattan, with only Whitman and Kazin writing about Brooklyn. Though the writers were often irritated, disturbed, and occasionally shocked by what they saw on their walks, they were still fascinated by the city William Dean Howells called “splendidly and sordidly commercial” and Cynthia Ozick called “faithfully inconstant, magnetic, man-made, unnatural—the synthetic sublime.” In this idiosyncratic guidebook to New York, celebrated writers ruminate on questions that are still hotly debated to this day: the pros and cons of capitalism and the impact of immigration. Many imply that New York is a bewildering text that is hard to make sense of. Returning to New York after an absence of two decades, Henry James loathed many things about “bristling” New York, while native New Yorker Walt Whitman both celebrated and criticized “Mannahatta” in his writings. Combining literary scholarship with urban studies, Walking New York reveals how this crowded, dirty, noisy, and sometimes ugly city gave these “restless analysts” plenty of fodder for their craft.

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In the mid-nineteenth century, French colonial leaders in Algeria started southward into the Sahara, beginning a fifty-year period of violence. Lying in the shadow of the colonization of northern Algeria, which claimed the lives of over a million people, French empire in the Sahara sought power through physical force as it had elsewhere; yet violence in the Algerian Sahara followed a more complicated logic than the old argument that it was simply a way to get empire on the cheap. A Desert Named Peace examines colonial violence through multiple stories and across several fields of research. It presents four cases: the military conquests of the French army in the oases and officers' predisposition to use extreme violence in colonial conflicts; a spontaneous nighttime attack made by Algerian pastoralists on a French village, as notable for its brutality as for its obscure causes; the violence of indigenous forms of slavery and the colonial accommodations that preserved it during the era of abolition; and the struggles of French Romantics whose debates about art and politics arrived from Paris with disastrous consequences. Benjamin Claude Brower uses these different perspectives to reveal the unexpected causes of colonial violence, such as France's troubled revolutionary past and its influence on the military's institutional culture, the aesthetics of the sublime and its impact on colonial thinking, the ecological crises suffered by Saharan pastoralists under colonial rule, and the conflicting paths to authority inherent in Algerian Sufism. Directly engaging a controversial history, A Desert Named Peace offers an important backdrop to understanding the Algerian war for independence (1954-1962) and Algeria's ongoing internal war, begun in 1992, between the government and armed groups that claim to fight for an Islamist revolution.

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Michelangelo's (1475–1564) "Taddei Tondo," in the collection of the Royal Academy in London, offers a fascinating insight into the master's technical and experimental skill. Joshua Reynolds, the Academy's first president, considered that Michelangelo represented everything that an artist should aspire to, combining technical brilliance with sublime poetical imagination, and the Tondo shows this in scintillating relief. Expertly researched and written by the renowned Renaissance art historian Alison Cole, this book moves through the life of the "Tondo," from Michelangelo's rivalry with Leonardo to the marble's arrival at the Royal Academy and its use in the RA Schools. Finishing with a fresh look at the Tondo's role in revealing Michelangelo's technical experimentalism, Cole explores the importance of finish and what constitutes a finished work of art. Lavishly illustrated and including new photos of the Tondo, this is an enriching exploration of a lesser-known side of the great Renaissance. AUTHOR: Alison Cole is a Renaissance art historian who currently works as a writer and strategic consultant in the arts, digital and cultural sector. She has served on the executive boards of institutions such as Arts Council England, the Southbank Centre and The Art Fund. She is the author of 'Virtue and Magnificence: Art of the Italian Renaissance Courts' (1995) and has written several books on art history in association with major galleries. Her latest book, published by Laurence King, is a revised and expanded edition of 'Art of the Italian Renaissance Courts'. SELLING POINTS: . A new examination of the Taddei Tondo, the only Michelangelo marble in Britain . Authoritatively written by the renowned Renaissance art historian Alison Cole . Accompanied by new photographs of the tondo taken at its home in the Royal Academy Collections 50 colour images

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The city of Fontainebleau, situated on the banks of the Detroit River, is undergoing growing pains and strange things are happening. There's something poisonous in the water, something menacing in the sky, and the soil, laced with an ancient curse, is yielding up unidentified bones along with corn. In this collection of linked stories (part surreal picaresque, part dark comedy, and part murder mystery) magic meets the mundane as misfits and miscreants struggle to free themselves from untenable situations. A girl with mermaid syndrome disappears into a field, a fugitive boy dreams of finding anonymity in Toronto while his abandoned pregnant girlfriend hallucinates his second coming, and a nostalgic chambermaid finds her memories vanish when she puts on a stranger's wig. There's a rash of killings in the city that attract a lovesick police officer. No one knows who's responsible for the crimes, but the city has plenty of candidates, like the crazy son of a judge who murdered a man in Disney World and the grieving vandal who's obsessed with the idea of cutting a woman in half. Then there are the abusive husbands, snuff film producers, inconspicuous con women, and pederasts who live secret double lives. Are the characters in this oddly probable world masters or victims of their own fate? How do their lives intersect? Is it likely that destruction will ultimately prevail over this desolate land, or will consciousness, like a flaming firebird, lead at least some of the city's inhabitants to self-acceptance, redemption, or escape? Praise: "A darkly engrossing and artfully composed sequence of stories from a contemporary master of the form - Sonik's fearsome prose shines sublime light on the plain-sight secrets of modern life." -Lee Henderson, author of The Man Game and The Road Narrows as You Go

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Winner of the 2022 Levis Reading PrizeFinalist for the National Book Critics Circle's 2021 John Leonard Prize for Best First BookA Publishers Weekly “Top Ten Pick” for Fall 2021 Poetry TitlesA Library Journal “Poetry Title to Watch” for 2021A Chicago Review of Books “Must-Read Book of September 2021”Selected by Sally Keith as a winner of the 2020 National Poetry Series, this debut collection is a ruminative catalogue of overgrowth and the places that haunt us.With Devon Walker-Figueroa as our Virgil, we begin in the collection’s eponymous town of Philomath, Oregon. We drift through the general store, into the Nazarene Church, past people plucking at the brambles of a place that won’t let them go. We move beyond the town into fields and farmland—and further still, along highways, into a cursed Californian town, a museum in Florence. We wander with a kind of animal logic, like a beast with “a mind to get loose / from a valley fallowing / towards foul,” through the tense, overlapping space between movement and stillness.An explorer at the edge of the sublime, Walker-Figueroa writes in quiet awe of nature, of memory, and of a beauty that is “merely existence carrying on and carrying on.” In her wanderings, she guides readers toward a kind of witness that doesn’t flinch from the bleak or bizarre: A vineyard engulfed in flames is reclaimed by the fields. A sow smothers its young, then bears more. A neighbor chews locusts in his yard.For in Philomath, it is the poet’s (sometimes reluctant) obligation “to keep an eye / on what is left” of the people and places that have impacted us. And there is always something left, whether it is the smell of burnt grapes, a twelfth-century bronze, or even a lock of hair.

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A brilliant scholar of the gospels offers a stunning new translation of the Gospel of John that captures and illuminates the influence and voice of Mary the mother of Jesus—a voice which suffuses and transfigures the original with a mother's deep and universal compassion and wisdom.A New Light on John’s Gospel The Gospel according to John has always been recognized as different from the “synoptic” accounts of Matthew, Mark, and Luke. But what explains the difference? In this new translation and verse-byverse commentary, Michael Pakaluk suggests an answer and unlocks a twothousand-year-old mystery. Mary’s Voice in the Gospel according to John reveals the subtle but powerful influence of the Mother of Jesus on the fourth Gospel. In his dying words, Jesus committed his Mother to the care of John, the beloved disciple, who “from that hour . . . took her into his own home.” Pakaluk draws out the implications of that detail, which have been overlooked for centuries. In Mary’s remaining years on earth, what would she and John have talked about? Surely no subject was as close to their hearts as the words and deeds of Jesus. Mary’s unique perspective and intimate knowledge of her Son must have shaped the account of Jesus’ life that John would eventually compose. With the same scholarship, imagination, and fidelity that he applied to Mark’s Gospel in The Memoirs of St. Peter, Pakaluk brings out the voice of Mary in John’s, from the famous prologue about the Incarnation of the Word to the Evangelist’s closing avowal of the reliability of his account. This remarkably fresh translation and commentary will deepen your understanding of the most sublime book of the New Testament.

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Understanding your approach to dating, relationships, and sex through the lens of your Enneagram personality type Sex can take us from the sacred sublime to the darkest aspects of humanity. It can carry us on the wings of pure pleasure, or crush and potentially destroy us. No act in the human experience, barring the essential survival needs of food and water, can have more of an effect on us. In Sex and the Enneagram, Ann Gadd explores relationships and sex through the lens of the Enneagram, its nine personality types, and the subtypes of the wings and Instinctual Triads. The author introduces the Enneagram system and provides a full chapter devoted to each type. She examines each type’s approach to sex, their fantasies, and levels of integration in relation to love and sex, as well as each type’s approach to issues such as pornography, sexual problems, and dating sites and whether some types make better lovers. The author explains the Enneagram Passions and Virtues of each type in relation to sex, divorce, wing influences, and gender and explains how the 27 Sub or Instinctual types and the Hornevian Triads of the Enneagram system affect our sexuality. Most importantly, Gadd looks at how we can heal ourselves sexually so we can create more fulfilling, transforming intimacy for ourselves and our partners. Through understanding ourselves and our partners sexually, with the help of the Enneagram, Gadd hopes to bring us to deeper levels of compassion and understanding for each other. Sex then can be an expression enhancing our love for each other, rather than simply a physical act. By understanding your own and your lover’s Enneagram type, intimate giving and receiving can be an empowering process to embody our love for ourselves and others.

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An evocative chronicle of the power of solitude in the natural worldI’m often asked, but have no idea why I chose Iceland, why I first started going, why I still go. In truth I believe Iceland chose me.—from the introductionContemporary artist Roni Horn first visited Iceland in 1975 at the age of nineteen, and since then, the island’s treeless expanse has had an enduring hold on Horn’s creative work. Through a series of remarkable and poetic reflections, vignettes, episodes, and illustrated essays, Island Zombie distills the artist’s lifelong experience of Iceland’s natural environment. Together, these pieces offer an unforgettable exploration of the indefinable and inescapable force of remote, elemental places, and provide a sustained look at how an island and its atmosphere can take possession of the innermost self.Island Zombie is a meditation on being present. It vividly conveys Horn’s experiences, from the deeply profound to the joyful and absurd. Through powerful evocations of the changing weather and other natural phenomena—the violence of the wind, the often aggressive birds, the imposing influence of glaciers, and the ubiquitous presence of water in all its variety—we come to understand the author’s abiding need for Iceland, a place uniquely essential to Horn’s creative and spiritual life. The dramatic surroundings provoke examinations of self-sufficiency and isolation, and these ruminations summon a range of cultural companions, including El Greco, Emily Dickinson, Judy Garland, Wallace Stevens, Edgar Allan Poe, William Morris, and Rachel Carson. While brilliantly portraying nature’s sublime energy, Horn also confronts issues of consumption, destruction, and loss, as the industrial and man-made encroach on Icelandic wilderness.Filled with musings on a secluded region that perpetually encourages a sense of discovery, Island Zombie illuminates a wild and beautiful Iceland that remains essential and new.

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'Daisy Waugh's featherlight satires are as refreshing and uplifting as a glass of chilled vintage champagne. . . Imagine Agatha Christie on laughing gas' TimesThe Todes are back, and they're taking on Hollywood . . .When Hollywood wants to do a remake of the film that made Tode Hall famous, India and Egbert are delighted. They envisage a summer of free money and star-studded dinner parties ahead . . . But the Hall is soon overrun by wardrobe trucks and catering tents, and lusty, insecure actors squabbling about nudity clauses. When the movie's producers threaten to sue over the exact colour of Tode Hall's rolling lawns, India and Egbert realise that having a film crew on their doorstep isn't such a breeze after all. With so many egos in one place things were bound to end badly, but no one would have predicted quite so literal a backstabbing . . .'A glorious satire on aristocratic manners and mores, with a smidgeon of murder thrown in, Waugh's hilarious and entirely original twist on the country house murder mystery is 'a perfect antidote to all the real-life craziness going on' Daily MailPraise for the Todes 'Witty, well-written and determinedly entertaining . . . the perfect book for the staycation' Catholic Herald'I couldn't put it down' Santa Montefiore'A delightful treat' The Lady'Deliciously entertaining' Andrew Wilson'An irresistible champagne bubble of pleasure and laughter' Rachel Johnson'A perfect antidote to wintry gloom' The Literary Review'What a triumph!' Antonia Fraser'A masterclass in how to write a rollicking good read' Sarah Vine'A jolly farce that never takes itself too seriously' Red Magazine'Fizzles, crackles and sparkles' Elizabeth Buchan'A work of sublime silliness' Simon Brett'An effervescent madcap whodunnit' Metro'A marvellous rollicking read' Mary Killen'She's skewered her targets brilliantly' Imogen Edwards-Jones'This contemporary take on a golden age mystery is simply wonderful.' Belfast Telegraph

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"This kind of story is the reason why people are in love with the highlands and the mythical men and women who once roamed the moors."—Kerrigan Byrne, USA Today bestselling authorWhen a Highland laird decides to marry, nothing can stand in his way…not even the bride.No one ever accused Kerr MacAlister of being a nice man. Everyone would agree, however, that when the laird makes a promise, nothing can stop him. Which is why everyone knows Isobel MacKinnon will end up his wife.Isobel spent most of her childhood in love with the tall, dark, and sexy Scot. It wasn't until she was fifteen and failed to entice Kerr into kissing her that things turned sour. Now, Kerr is the one trying to entice her, but Isobel won't be swayed...no matter how tempting he might be.Then Kerr discovers she may be eloping with someone else, and he has a choice to make—is this Highlander's fate to steal her away himself, to a place where both love and danger lurk, or let her go and face losing her forever?Readers will fall in love with this Scottish Highlander Romance with:Enemies (or friends?) to loversA bantering band of Scottish brothersA lass who never loses (unless it's her heart)Praise for Alyson McLayne's Highland romances:"The Highlands sizzle in this sublime tale. Wit, humor, and passion make Highland Thief a must-read romance."—Kathryn Le Veque, USA Today bestselling author"Alyson's writing takes my breath away...Kerr and Isobel's story is second chance romance at its best, and the angst is turned all the way up to 100! I started this book and didn't put it down until the ride was over."—Kerrigan Byrne, USA Today bestselling author"Suffused with witty banter, adventure, and passion!"—Eliza Knight, USA Today bestselling author, for Highland Promise

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Traherne's voice can be heard as never before. THE TABLET Thomas Traherne (1637-1674), a clergyman of the Church of England during the Restoration, was little known until the early twentieth century, when his poetry and Centuries of Meditations were first printed. There have beensince only miscellaneous publications of his poetry and devotional writings fully edited, a gap which The Works of Thomas Traherne will remedy by bringing together Traherne's extant works, including his notebooks, in a definitive, printed edition for the first time. Volume IV makes available a single manuscript book held at the Bodleian Library, Oxford, never before published, the Church's Year-Book, Meditations and Devotions from the Resurrection to All Saints' Day, a work of celebration for the establishment and subsequent expansion of the universal Church and for the re-established Church of England. Also included is the anonymous devotional book that servedas the key to the initial identification of Traherne's manuscripts, A Serious and Pathetical Contemplation of the Mercies of GOD, in Several Most Devout and Sublime Thanksgivings for the Same, first printed in 1699 and commonly referred to as the "Thanksgivings". Both are works of universal appeal, learning and insight that show Traherne to be engaged in the central issues of his age and are essential reading for students not only of Traherne but also of seventeenth-century theological, liturgical and devotional literature. Printed in the Appendix is Meditations on the Six Days of the Creation, a work of questionable attribution to Traherne, as well as William T. Brooke's account of the discovery of Traherne's manuscripts, "The Story of the Traherne MSS. By their finder", held at the Bodleian Library, Oxford, and published for the first time.

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*Shortlisted for the Rathbones Folio Prize 2020**Winner of non-fiction book of the year at the Irish Book Awards*An extraordinarily intimate book of essays that chart the experiences that have made Sinéad Gleeson the woman and the writer she is today, for readers of The Last Act of Love and I Am, I Am, I Am.'Utterly magnificent. Raw, thought-provoking and galvanising; this is a book every woman should read.' – Eimear McBride, author of A Girl Is a Half-formed Thing.I have come to think of all the metal in my body as artificial stars, glistening beneath the skin, a constellation of old and new metal. A map, a tracing of connections and a guide to looking at things from different angles. How do you tell the story of a life in a body, as it goes through sickness, health, motherhood? How do you tell that story when you are not just a woman but a woman in Ireland? In the powerful and daring essays in Constellations Sinéad Gleeson does that very thing. All of life is within these pages, from birth to first love, pregnancy to motherhood, terrifying sickness, old age and loss to death itself.Throughout this wide-ranging collection she also turns her restless eye outwards delving into work, art and our very ways of seeing. In the tradition of some of our finest life writers, and yet still in her own spirited, generous voice, Sinéad takes us on a journey that is both uniquely personal and yet universal in its resonance. Here is the fierce joy and pain of being alive.'Breathtaking and sublime.' – Nina Stibbe'Absolutely extraordinary and life-enhancing.' – Daisy Buchanan, author of How to be Grown-up.

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THE NEW YORK OBSERVER: ONE OF THE TOP 10 BOOKS FOR FALL It’s no wonder that New York has always been a magnet city for writers. Manhattan is one of the most walkable cities in the world. While many novelists, poets, and essayists have enjoyed long walks in New York, not all of them have had favorable impressions. Addressing an endlessly appealing subject, Walking New York is a study of twelve American writers and several British writers who walked the streets of New York and wrote about their impressions of the city in fiction, nonfiction, and poetry. Seen through the eyes of Walt Whitman, Herman Melville, William Dean Howells, Jacob Riis, Henry James, Stephen Crane, Theodore Dreiser, James Weldon Johnson, Alfred Kazin, Elizabeth Hardwick, Colson Whitehead, and Teju Cole, almost all the works in Walking New York are about Manhattan, with only Whitman and Kazin writing about Brooklyn. Though the writers were often irritated, disturbed, and occasionally shocked by what they saw on their walks, they were still fascinated by the city William Dean Howells called “splendidly and sordidly commercial” and Cynthia Ozick called “faithfully inconstant, magnetic, man-made, unnatural—the synthetic sublime.” In this idiosyncratic guidebook to New York, celebrated writers ruminate on questions that are still hotly debated to this day: the pros and cons of capitalism and the impact of immigration. Many imply that New York is a bewildering text that is hard to make sense of. Returning to New York after an absence of two decades, Henry James loathed many things about “bristling” New York, while native New Yorker Walt Whitman both celebrated and criticized “Mannahatta” in his writings. Combining literary scholarship with urban studies, Walking New York reveals how this crowded, dirty, noisy, and sometimes ugly city gave these “restless analysts” plenty of fodder for their craft.

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What are the chances? This is the question we ask ourselves when we encounter the strangest and most seemingly impossible coincidences, like the woman who won the lottery four times or the fact that Lincoln's dreams foreshadowed his own assassination. But, when we look at coincidences mathematically, the odds are a lot better than any of us would have thought.In Fluke , mathematician Joseph Mazur takes a second look at the seemingly improbable, sharing with us an entertaining guide to the most surprising moments in our lives. He takes us on a tour of the mathematical concepts of probability, such as the law of large numbers and the birthday paradox, and combines these concepts with lively anecdotes of flukes from around the world. How do you explain finding your college copy of Moby Dick in a used bookstore on the Seine on your first visit to Paris? How can a jury be convinced beyond a reasonable doubt that DNA found at the scene of a heinous crime did not get there by some fluke? Should we be surprised if strangers named Maria and Francisco, seeking each other in a hotel lobby, accidentally meet the wrong Francisco and the wrong Maria, another pair of strangers also looking for each other? As Mazur reveals, if there is any likelihood that something could happen, no matter how small, it is bound to happen to someone at some time.In Fluke , Mazur offers us proof of the inevitability of the sublime and the unexpected. He has written a book that will appeal to anyone who has ever wondered how all of the tiny decisions that happen in our lives add up to improbable wholes. A must-read for math enthusiasts and storytellers alike, Fluke helps us to understand the true nature of chance.

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Light and Dark, Natsume Soseki's longest novel and masterpiece, although unfinished, is a minutely observed study of haute-bourgeois manners on the eve of World War I. It is also a psychological portrait of a new marriage that achieves a depth and exactitude of character revelation that had no precedent in Japan at the time of its publication and has not been equaled since. With Light and Dark, Soseki invented the modern Japanese novel. Recovering in a clinic following surgery, thirty-year-old Tsuda Yoshio receives visits from a procession of intimates: his coquettish young wife, O-Nobu; his unsparing younger sister, O-Hide, who blames O-Nobu's extravagance for her brother's financial difficulties; his self-deprecating friend, Kobayashi, a ne'er-do-well and troublemaker who might have stepped from the pages of a Dostoevsky novel; and his employer's wife, Madam Yoshikawa, a conniving meddler with a connection to Tsuda that is unknown to the others. Divergent interests create friction among this closely interrelated cast of characters that explodes into scenes of jealousy, rancor, and recrimination that will astonish Western readers conditioned to expect Japanese reticence. Released from the clinic, Tsuda leaves Tokyo to continue his convalescence at a hot-springs resort. For reasons of her own, Madam Yoshikawa informs him that a woman who inhabits his dreams, Kiyoko, is staying alone at the same inn, recovering from a miscarriage. Dissuading O-Nobu from accompanying him, Tsuda travels to the spa, a lengthy journey fraught with real and symbolic obstacles that feels like a passage from one world to another. He encounters Kiyoko, who attempts to avoid him, but finally manages a meeting alone with her in her room. Soseki's final scene is a sublime exercise in indirection that leaves Tsuda to "explain the meaning of her smile."

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‘So tense and gripping, I NEVER saw that ending coming!’ NetGalley review ⭐⭐⭐⭐⭐‘Finished this in the space of two nights!’ NetGalley review ⭐⭐⭐⭐⭐‘That ending and that reveal!! I did not see that coming’ NetGalley review ⭐⭐⭐⭐⭐ He says he loves you. He says you’re the only one. He’s just another liar… Denise, Petra, and Anna all have their reasons for being alone.But they’re not ready to share them. David is the answer to all their problems.But they’ve only met him online. Each woman wants her happy ending.But only one of them can get it. One of these women will end up dead.But which one? And will you ever work out who killed them? A gripping, suspenseful debut thriller with a killer twist, perfect for fans of Adele Parks and Liane Moriarty. Readers are LOVING Just Another Liar: ‘Just sublime – I love when you hate a villain!’ NetGalley review ⭐⭐⭐⭐⭐ ‘When a book gives you flutters you know it’s good!’ NetGalley review ⭐⭐⭐⭐⭐ ‘Characters that stay in your mind long after you read, skin-crawling bad guys and smart twists’ CAROLINE CORCORAN ‘Very intense and absolutely brilliant. I really couldn’t put this down’ NetGalley review ⭐⭐⭐⭐⭐ ‘There's not many books I would happily read again, but this is one of them!’ NetGalley review ⭐⭐⭐⭐⭐ 'An original, twisty and suspenseful debut’ ROZ WATKINS ‘Oh God, can I have some more books like this one?!’ NetGalley review ⭐⭐⭐⭐⭐ ‘Unputdownable – unique and original!’ NetGalley review ⭐⭐⭐⭐⭐ ‘One of the best books I’ve read’ NetGalley review ⭐⭐⭐⭐⭐

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From the beloved star of Gilmore Girls and the New York Times bestselling author of Talking as Fast as I Can comes a candid, insightful, and wildly entertaining essay collection about her years in show business, featuring stories that range from the sublime to the ridiculous.Lauren Graham has graced countless television screens with her quick wit and larger-than-life personality, earning a reputation as a pop culture icon who always has something to say - and fast. Now Graham shares personal stories about her career in entertainment, from her early days navigating Los Angeles as a struggling actress in a red Volkswagen, to her first appearance on late-night TV, to the challenges of ageing gracefully in Hollywood. With her signature sense of humour and down-to-earth storytelling, she tells all and never spares a detail (as long as she hasn't forgotten it).In 'R.I.P. Barneys New York' she writes about an early job as a salesperson at the legendary department store (and the time she inadvertently shoplifted); in 'Ryan Gosling Cannot Confirm' she attempts to navigate the unspoken rules of Hollywood hierarchies; in 'Ne Oublie' she warns us about the perils of coming from an extremely forgetful family; and in 'Actor-y Factory' she recounts what a day in the life of an actor looks like (unless you're Brad Pitt). She also welcomes back her alter ego Old Lady Jackson to share some more homespun wisdom ('Buy wrapping paper in January when it goes on sale') and reveal the easiest recipe for orange marmalade you'll ever find (which isn't actually easy, because easy recipes for marmalade are a total time suck and just another internet lie).Filled with surprising anecdotes, sage advice, and laugh-out-loud observations, these all-new, original essays showcase the winning charm and wry humour that have delighted Graham's millions of fans.

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If I had been present at the Creation," the thirteenth-century Spanish philosopher-king Alfonso X is said to have stated, Many faults in the universe would have been avoided." Known as El Sabio , the Wise," Alfonso was renowned by friends and enemies alike for his sparkling intellect and extraordinary cultural achievements. In The Wise King , celebrated historian Simon R. Doubleday traces the story of the king's life and times, leading us deep into his emotional world and showing how his intense admiration for Spain's rich Islamic culture paved the way for the European Renaissance. In 1252, when Alfonso replaced his more militaristic father on the throne of Castile and León, the battle to reconquer Muslim territory on the Iberian Peninsula was raging fiercely. But even as he led his Christian soldiers onto the battlefield, Alfonso was seduced by the glories of Muslim Spain. His engagement with the Arabic-speaking culture of the South shaped his pursuit of astronomy, for which he was famed for centuries, and his profoundly humane vision of the world, which Dante, Petrarch, and later Italian humanists would inherit. A composer of lyric verses, and patron of works on board games, hunting, and the properties of stones, Alfonso is best known today for his Cantigas de Santa María (Songs of Holy Mary), which offer a remarkable window onto his world. His ongoing struggles as a king and as a man were distilled,in art, music, literature, and architecture,into something sublime that speaks to us powerfully across the centuries. An intimate biography of the Spanish ruler in whom two cultures converged, The Wise King introduces readers to a Renaissance man before his time, whose creative energy in the face of personal turmoil and existential threats to his kingdom would transform the course of Western history.

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This charming volume reminds us that self-care is as available as a glance out the window' – The New York Times ‘A confident celebration of our ever-changing skies... I defy anyone who reads it not to start taking furtive peeks out the window.’ – Robert Leigh-Pemberton, The Daily Telegraph 'A gorgeous celebration of the wonder of clouds’ – The People’s Friend It's more important than ever to engage with the natural world. The sky is the most dramatic and evocative aspect of nature and looking up at the clouds is always good for the soul. Ever-changing and ephemeral, clouds reflect the shifting moods of the atmosphere in limitless compositions and combinations. Gavin Pretor-Pinney started the Cloud Appreciation Society in 2005. Since then, he's been encouraging people to 'look up, marvel at the ephemeral beauty, and always remember to live life with your head in the clouds.' Membership to the Society now includes over 50k cloudspotters. Together, they capture and share the most remarkable skies, from sublime thunderstorms and perfect sunsets to hilarious object shaped clouds. A Cloud A Day is a beautifully illustrated book containing 365 skies selected by the Cloud Appreciation Society. There are photographs by sky enthusiasts around the world, satellite images and photographs of clouds in space, as well as skies depicted by great artists over the centuries. The clouds are accompanied by enlightening explanations, fascinating snippets of cloud science, poetry and uplifting quotations. The perfect dip-in-and-out book for anyone who wants to de-stress and reconnect with nature, A Cloud A Day will inspire you to open your eyes to the everyday beauty above and to spend a moment each day with your head in the clouds.

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Perfect for fans of Maggie Alderson and Marian Keyes's Making It Up As I Go Along. Musings, style tips and thoughts on being a woman from one of Australia's leading fashion experts.'Like chatting to a - hilarious - best friend, who happens to be an A-list fashion insider.' -Maggie Alderson'It's possible to both love fashion and see through it at the same time . . . Kirstie Clements is a very wise woman.' -Laura Brown, Editor-in-Chief, InStyleKirstie Clements has seen trends come and go, from the sublime to the ridiculous, but she knows real style when she sees it. This is about how to spot those wardrobe gems, from a classic loafer that makes you feel comfortable in your own skin, to a beautiful winter coat to take you through more than one season. Why Did I Buy That? is for those with an interest in style and fashion who want to know what to wear, what to buy and how to age stylishly in these changing times.Sharing personal stories, musings on fashion trends and thoughts on everything from gender to selfies, Why Did I Buy That? is about how to successfully edit your wardrobe and lifestyle, how to live decadently on a budget and how to spend your money more wisely. Oh, and how to kick ass in your career with a well-chosen blazer. It's also for those of us who want to look good in our thirties and beyond without becoming a slave to fashion (or the surgeon's knife). Including loads of clever style hints and tips and a foreword by Brooke Boney, Why Did I Buy That? will take you by the hand and help you confidently navigate the often-challenging world of fashion trends and impulse buys. Seasonal updates allowed.

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The Times Best Food Books of 2022 "Rahul Mandal is a brilliant baker with the eye of an artist." - Nigella Lawson"Rahul is a scientist of extraordinary talent, both in baking and explaining how it's done." - Dame Prue Leith"Rahul's book is an absolutely spectacular one with so much detail and knowledge behind every recipe. So many delicious frostings, fillings, sponges and everything you need to make a showstopping cake! I can't wait to try something out!" - Jane Dunn, author of Jane's Patisserie"Impressive, phenomenal, and magical! Rahul takes cakes to another level in this book. I'm always blown away by his work!" - Eloise Head, author of Fitwaffle's Baking It Easy"The hardest part of opening up this stunning book is remembering that I'm already married so Rahul can't make my wedding cake. It's a truly inspiring collection of recipes that will become staples in any baker's kitchen, whether novice or seasoned." - Jake Cohen, author of Jew-IshCreate sensational showstopping cakes with this collection of dazzlingly delicious bakes from GBBO winner Rahul Mandal.From advice on stacking a tier cake to piping flowers, creating the perfect flavour pairing and avoiding a curdled cake batter or buttercream, Rahul shares his scientific knowhow on achieving sublime bakes - as well as advice on how to fix things when they go wrong. Featuring everything from mirror glaze, meringue, genoise and caramel to drip, fault-line and geode cakes, these are jaw-droppingly beautiful bakes that will wow family and friends every time.Winner of The Great British Bake Off 2018, Rahul won hearts as he quietly baked his way to glory with some of the most spectacular creations the show has ever seen. A research scientist at the University of Sheffield, he continues to spend his spare time baking and writes a regular column for The Times magazine.

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'Stylish, deft...an absolutely fascinating novel' Guardian'Haunting, mesmerising, and so deeply intelligent' Kamila Shamsie, author of Women's Prize for Fiction winning Home Fire'Powerful...compelling and profoundly moving' Irish Times'Heartbreaking, sweetly logical and tentatively hopeful' SpectatorHeartbroken after a long, painful love affair, a man drives a haulage lorry from England to France. Travelling with him is a secret passenger - his daughter. Twenty-something, unkempt, off the rails.With a week on the road together, father and daughter must restore themselves and each other, and repair a relationship that is at once fiercely loving and deeply scarred.As they journey south, down the motorways, through the service stations, a devastating picture reveals itself: a story of grief, of shame, and of love in all its complex, dark and glorious manifestations.______________What readers are saying:***** 'The prose is sublime and deeply moving . . . a stunning novel'***** 'Beautifully written, lyrical and unsettling in its exploration of human frailties, family, love, and loss, grief'**** 'A haunting, tragic and highly original story of a father and daughter travelling across England and France in a haulage truck, and discovering more about their relationship and past in all its raw candour'MORE PRAISE FOR WE ARE NOT IN THE WORLD:'Unusual, utterly original and mysterious . . . a must read' Elaine Feeney'...the book stays with you, a haunting presence you cannot - and do not want to - escape...astounding.' Ruth Gilligan Extraordinary...achingly sad and tender and sexy, and the writing is very beautiful.' Louise Kennedy'Wonderful, wrenching . . . full of enormous feelings very precisely rendered' Sara Baume'Elusive, unsettling, beautiful, haunting. This is a complex, devastating study of human relations; a portrait of intense love and damage in equal measure.' Lisa Harding'A whirlpool of memories, regrets and hopes' Tim Pears'An uncanny ability to turn the seemingly insignificant into something monumental' Jan Carson

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From the author of the BBC 2 Between the Covers hit, The Fine Art of Invisible Detection'The world's greatest storyteller' Guardian'One of the finest crime writers of any generation' Daily Mail'Our finest practitioner of the double-cross plotting' Mick Herron______________________________________Umiko Wada never set out to be a private detective, let alone become the one-woman operation behind the Kodaka Detective Agency. But so it has turned out, thanks to the death of her former boss, Kazuto Kodaka, in mysterious circumstances.Keen to avoid a similar fate, Wada chooses the cases she takes very carefully. A businessman who wants her to track down his estranged son offers what appears to be a straightforward assignment. Soon she finds herself pulled into a labyrinthine conspiracy with links to a twenty-seven-year-old investigation by her late employer and to the chaos and trauma of the dying days of the Second World War.As Wada uncovers a dizzying web of connections between then and now, it becomes clear that someone has gone to extraordinary lengths to keep the past buried. Soon those she loves most will be sucked into the orbit of one of the most powerful men in Tokyo. And he will do whatever it takes to hold on to his power...The Fine Art of Uncanny Prediction is another tour de force from the cunning mind of master storyteller Robert Goddard. Spanning seventy years, it takes the reader on a head-spinning journey of twist and counter-twist which keep you guessing until the final pages.__________________________________Readers love the Umiko Wada series:***** 'Guaranteed and satisfying escapism'***** 'Twists and turns right up to the last page'***** 'Edge-of-the-seat stuff'***** 'Fresh and inventive'***** 'The master of twists and suspense ... sublime'***** 'Scintillating and wickedly twisty'

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From the beloved star of Gilmore Girls and the New York Times bestselling author of Talking as Fast as I Can comes a candid, insightful, and wildly entertaining essay collection about her years in show business, featuring stories that range from the sublime to the ridiculous.Lauren Graham has graced countless television screens with her quick wit and larger-than-life personality, earning a reputation as a pop culture icon who always has something to say - and fast. Now Graham shares personal stories about her career in entertainment, from her early days navigating Los Angeles as a struggling actress in a red Volkswagen, to her first appearance on late-night TV, to the challenges of ageing gracefully in Hollywood. With her signature sense of humour and down-to-earth storytelling, she tells all and never spares a detail (as long as she hasn't forgotten it).In 'R.I.P. Barneys New York' she writes about an early job as a salesperson at the legendary department store (and the time she inadvertently shoplifted); in 'Ryan Gosling Cannot Confirm' she attempts to navigate the unspoken rules of Hollywood hierarchies; in 'Ne Oublie' she warns us about the perils of coming from an extremely forgetful family; and in 'Actor-y Factory' she recounts what a day in the life of an actor looks like (unless you're Brad Pitt). She also welcomes back her alter ego Old Lady Jackson to share some more homespun wisdom ('Buy wrapping paper in January when it goes on sale') and reveal the easiest recipe for orange marmalade you'll ever find (which isn't actually easy, because easy recipes for marmalade are a total time suck and just another internet lie).Filled with surprising anecdotes, sage advice, and laugh-out-loud observations, these all-new, original essays showcase the winning charm and wry humour that have delighted Graham's millions of fans.

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FINALIST: 2022 PULITZER PRIZE IN BIOGRAPHYA NEW STATESMAN AND SPECTATOR BOOK OF THE YEAR 2021'A revelation. Such a revolutionary literary discovery seems unlikely to be on offer again. It's that good' Sunday Times 'A masterpiece of literary biography. Zenith has produced a work in some ways as astonishing as those of Pessoa himself' John Gray, New StatesmanFor many thousands of readers Fernando Pessoa's The Book of Disquiet is almost a way of life. Ironic, haunting and melancholy, this completely unclassifiable work is the masterpiece of one of the twentieth century's most enigmatic writers. Richard Zenith's Pessoa at last allows us to understand this extraordinary figure. Some eighty-five years after his premature death in Lisbon, where he left over 25,000 manuscript sheets in a wooden trunk, Fernando Pessoa (1888-1935) can now be celebrated as one of the great modern poets. Setting the story of his life against the nationalistic currents of European history, Zenith charts the heights of Pessoa's explosive imagination and literary genius. Much of Pessoa's charm and strangeness came from his writing under a variety of names that he used not only to conceal his identity but also to write in wildly varied styles with different imagined personalities. Zenith traces the back stories of virtually all of these invented others, called 'heteronyms', demonstrating how they were projections, spin-offs or metamorphoses of Pessoa himself. Zenith's monumental work confirms the power of Pessoa's words to speak prophetically to the disconnectedness of modern life. It is also a wonderful book about Lisbon, the city which Pessoa reinvented and through which his different selves wandered.'Definitive and sublime' New York Times 'Completely superb and magisterial. Finally, this extraordinary poet gets the great biography he deserves. Unsurpassable' William Boyd

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** A SUNDAY TIMES AND IRISH TIMES BESTSELLER **** Chosen as a Spectator, Irish Times and Irish Independent Book of the Year **THE NEW NOVEL FROM THE INTERNATIONALLY BESTSELLING AUTHOR OF FOSTER, ANTARCTICA AND WALK THE BLUE FIELDSWINNER OF THE ORWELL PRIZE FOR POLITICAL FICTION AND THE KERRY GROUP IRISH NOVEL OF THE YEAR. SHORTLISTED FOR THE RATHBONES FOLIO PRIZE AND THE IRISH NOVEL OF THE YEAR AT THE DALKEY LITERARY AWARDS'A single one of Keegan's grounded, powerful sentences can contain volumes of social history. Every word is the right word in the right place, and the effect is resonant and deeply moving.' Hilary Mantel (Winner of the Booker Prize 2009 and 2012)'This is a tale of courage and compassion, of good sons and vulnerable young mothers. Absolutely beautiful.' Douglas Stuart (Winner of the Booker Prize 2020)'Marvellous-exact and icy and loving all at once.' Sarah Moss'A haunting, hopeful masterpiece.' Sinéad Gleeson** A BBC TWO BETWEEN THE COVERS BOOK CLUB PICK****CHOSEN AS A BBC RADIO 4 BOOK AT BEDTIME**It is 1985, in an Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal and timber merchant, faces into his busiest season. As he does the rounds, he feels the past rising up to meet him - and encounters the complicit silences of a people controlled by the Church. The long-awaited new work from the author of Foster, Small Things Like These is an unforgettable story of hope, quiet heroism and tenderness.'Astonishing. Claire Keegan makes her moments real - and then she makes them matter.' Colm Tóibín'A true gift of a book. a sublime Chekhovian shock.' Andrew O'Hagan'A moral tale that is unsentimental and deeply affecting, because true and right.' David Hayden

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'This six-book series looks likely to become a landmark in historical fiction' THE TIMES'With characteristic verve and stunning period detail, this novel will captivate you and break your heart. Utterly sublime' TRACY BORMANAlison Weir, historian and author of the Sunday Times-bestselling Six Tudor Queens series, relates one of the most tragic stories in English history: Katheryn Howard, Henry VIII's fifth queen.'Conveys the heart-rending pathos of a young woman executed, whose only real crime was her naïveté and her desire to be loved... It is a profoundly moving story that lingers long after the last page is turned' ELIZABETH FREMANTLE'Alison's sensitively drawn novel will change everyone's preconceptions' SUSAN RONALD...A NAIVE YOUNG WOMAN AT THE MERCY OF HER AMBITIOUS FAMILY.At just nineteen, Katheryn Howard is quick to trust and fall in love.She comes to court. She sings, she dances. She captures the heart of the King.But Henry knows nothing of Katheryn's past - one that comes back increasingly to haunt her. For those who share her secrets are waiting in the shadows, whispering words of love... and blackmail.The fifth of Henry's queens.Her story.Acclaimed, bestselling historian Alison Weir draws on extensive research to recount the tale of a vivacious young woman used by powerful men for their own gain. HISTORY TELLS US SHE DIED TOO SOON.THIS MESMERISING NOVEL BRINGS HER TO LIFE.PRAISE FOR THE SIX TUDOR QUEENS SERIES:'Weir is excellent on the little details that bring a world to life' Guardian'Alison Weir makes history come alive as no one else' Barbara Erskine'Well researched and engrossing' Good Housekeeping'Utterly gripping and endlessly surprising' Tracy Borman 'Hugely enjoyable . . . Alison Weir knows her subject and has a knack for the telling and textural detail' Daily Mail

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Aquinas on Transubstantiation treats one of the most frequently misunderstood and misrepresented teachings of Thomas Aquinas - Eucharistic transubstantiation. The study interprets Aquinas’s teaching as an exercise of “holy teaching” (sacra doctrina) that intends to show theologically and back up philosophically the simple yet profound thesis that “transubstantiation” affirms nothing but the truth of Christ’s words at the Last Supper - “This is my body,” “This is my blood.”Yet in order to achieve a contemporary ressourcement of this simple yet profound truth, it is necessary to probe the depths of Thomas Aquinas’s philosophical interpretation of it. For Thomas Aquinas, in regarding the truth of Eucharistic conversion, it is faith that preserves the human intellect from missing or dismissing the mystery announced in Christ’s words. Faith, however, is not intellectually blind, a faith that, as is often erroneously held, is commanded by arbitrary divine dictates to which the will submits in blind obedience. Rather, Aquinas takes faith is sustained, but not constituted, by an intellectual contemplation of the proposed mystery of faith, by faith seeking understanding.Thomas Aquinas unfolds this exercise of understanding guided by faith in the medium of a metaphysical contemplation that affords a profound intellectual appreciation of this central mystery of faith - precisely as mystery. Thomas’s metaphysical contemplation of Eucharistic conversion gestures toward the blinding light of superintelligibility, experienced as the unique darkness that surrounds this sublime mystery of faith.A ressourcement in Thomas Aquinas’s doctrine of transubstantiation also affords a renewed appreciation of the Church’s affirmation of transubstantiation as the most apt term for the interpretation of the mystery of Eucharistic conversion and a greater precision of what is centrally at stake in this mystery in the ongoing ecumenical conversation of this most central Christian teaching. A doctrinally sound, ecumenically informed, and philosophically reflected contemporary Catholic theology cannot afford to ignore or dismiss Aquinas’s surpassing account of Eucharistic conversion.

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“Best Beaches by Lonely Planet is the perfect coffee table book to dip into when the mood takes you” - The West Australian From dazzling coves with sprawling coastlines to mystical shores with azure waters, Lonely Planet's experts present 100 of the most incredible beaches in the world plus the reasons why each is so unique and special.Explore our planet's most exceptional and unexpected beaches through an impeccable combination of aerial and ground photography. Discover essential information on how to reach each utopia, and find handy 'top 5' themed lists detailing the best beaches for wildlife, sunsets, people watching, and more.Inside Lonely Planet's Best Beaches: 100 extraordinary beaches around the world including the location of each beach and how to get there Stunning photography throughout that captures the extreme beauty and scenery of each place Expert knowledge and insider tips so you can make the most of your adventure 'Top 5 beaches' lists including: best family-friendly beaches; best beaches to snorkel; most remote beaches; most unexpected best beaches; beaches worth the crowd; best beaches to see nature Featuring beaches from: Oceania: Fiji, Samoa, Cook Islands, French Polynesia, New Zealand, Australia; Africa: South Africa, Zanzibar, Mauritius, Madagascar, Seychelles; Asia: India, Maldives, Indonesia, Vietnam, Philippines, Sri Lanka, Thailand, Japan; Middle East: Qatar, Egypt, Yemen; Europe: Croatia, Wales, Iceland, France, Spain, Germany, Greece, Italy, Montenegro, Norway, England, Ireland, Denmark Portugal, Scotland, Turkiye, Americas: Brazil, Ecuador, Costa Rica, Dominican Republic, Mexico, Peru, Antarctica, Colombia, Jamaica, St Lucia, Panama, Barbados, Canada, USA, Puerto Rico This definitive guide to our planet's best beaches is the perfect gift for adventurers, armchair travellers, and beach photography collectors. Use this sublime compendium to inspire an out-of-this-world trip or to simply relax and unwind as you marvel at our world's many natural wonders.

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A darkly funny, sharply observed, and deeply moving novel about the surprises and struggles of life in contemporary Delhi _____________________ 'A beautiful novel exploring tensions in modern India' OBSERVER 'Confirms Anjum Hasan as one of the most important writers of our time' WILLIAM DALRYMPLE Alif is a middle-aged, mild-mannered history teacher, living in contemporary Delhi, at a time in India’s history when Muslims are seen either as hapless victims or live threats. Though his life's passion is the history he teaches, it's the present that presses down on him: his wife is set on a bigger house and a better car while trying to ace her MBA exams; his teenage son wants to quit school to get rich; his supercilious colleagues are suspicious of a Muslim teaching India's history; and his old friend Ganesh has just reconnected with a childhood sweetheart with whom Alif was always rather enamored himself. And then the unthinkable happens. While Alif is leading a school field trip, a student goads him, and in a fit of anger, Alif twists his ear. His job suddenly on the line, Alif finds his life rapidly descending into chaos. Meanwhile, his home city, too, darkens under the spreading shadow of violence. In this darkly funny, sharply observed, and shockingly moving novel, Anjum Hasan deftly and delicately explores the life of Muslims in India and the force and consequence of remembering your people’s history in an increasingly indifferent milieu. 'Hasan's eye is sharp and her aim is unerring. This is a work of sublime elegance' SHRUTI SWAMY, author of The Archer 'Told in a subdued, sad, ironical tenor, it is compassionate without being sentimental' GEETANJALI SHREE, author of the International Booker Prize-winning Tomb of Sand 'Extremely timely … History's Angel helps us view the erasures of the past through a living lens with sensitivity and nuance' DAISY ROCKWELL

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Europeans in the nineteenth century were fascinated with the wild and the primitive. So compelling was the craving for a first-hand experience of wilderness that it provided a lasting foundation for tourism as a consumer industry. In this book, Patricia Jasen shows how the region now known as Ontario held special appeal for tourists seeking to indulge a passion for wild country or act out their fantasies of primitive life. Niagara Falls, the Thousand Islands, Muskoka, and the far reaches of Lake Superior all offered the experiences tourists valued most: the tranquil pleasures of the picturesque, the excitement of the sublime, and the sensations of nostalgia associated with Canada's disappearing wilderness.Jasen situates her work within the context of recent writings about tourism history and the semiotics of tourism, about landscape perception and images of 'wildness' and 'wilderness,' and about the travel narrative as a literary genre. She explores a number of major themes, including the imperialistic appropriation and commercialization of landscape into tourist images, services, and souvenirs. In a study of class, gender, and race, Jasen finds that by the end of the century, most workers still had little opportunity for travel, while the middle classes had come to regard holidays as a right and a duty in light of Social Darwinist concerns about preserving the health of the 'race.' Women travellers have been disregarded or marginalized in many studies of the history of tourism, but this book makes their presence known and analyses their experience. It also examines, against the backdrop of nineteenth-century racism and expansionism, the major role played by Native people in the tourist industry.The first book to explore the cultural foundations of tourism in Ontario, Wild Things also makes a major contribution to the literature on the wilderness ideal in North America.

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An evocative chronicle of the power of solitude in the natural worldI’m often asked, but have no idea why I chose Iceland, why I first started going, why I still go. In truth I believe Iceland chose me.—from the introductionContemporary artist Roni Horn first visited Iceland in 1975 at the age of nineteen, and since then, the island’s treeless expanse has had an enduring hold on Horn’s creative work. Through a series of remarkable and poetic reflections, vignettes, episodes, and illustrated essays, Island Zombie distills the artist’s lifelong experience of Iceland’s natural environment. Together, these pieces offer an unforgettable exploration of the indefinable and inescapable force of remote, elemental places, and provide a sustained look at how an island and its atmosphere can take possession of the innermost self.Island Zombie is a meditation on being present. It vividly conveys Horn’s experiences, from the deeply profound to the joyful and absurd. Through powerful evocations of the changing weather and other natural phenomena—the violence of the wind, the often aggressive birds, the imposing influence of glaciers, and the ubiquitous presence of water in all its variety—we come to understand the author’s abiding need for Iceland, a place uniquely essential to Horn’s creative and spiritual life. The dramatic surroundings provoke examinations of self-sufficiency and isolation, and these ruminations summon a range of cultural companions, including El Greco, Emily Dickinson, Judy Garland, Wallace Stevens, Edgar Allan Poe, William Morris, and Rachel Carson. While brilliantly portraying nature’s sublime energy, Horn also confronts issues of consumption, destruction, and loss, as the industrial and man-made encroach on Icelandic wilderness.Filled with musings on a secluded region that perpetually encourages a sense of discovery, Island Zombie illuminates a wild and beautiful Iceland that remains essential and new.

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In the mid-nineteenth century, French colonial leaders in Algeria started southward into the Sahara, beginning a fifty-year period of violence. Lying in the shadow of the colonization of northern Algeria, which claimed the lives of over a million people, French empire in the Sahara sought power through physical force as it had elsewhere; yet violence in the Algerian Sahara followed a more complicated logic than the old argument that it was simply a way to get empire on the cheap. A Desert Named Peace examines colonial violence through multiple stories and across several fields of research. It presents four cases: the military conquests of the French army in the oases and officers' predisposition to use extreme violence in colonial conflicts; a spontaneous nighttime attack made by Algerian pastoralists on a French village, as notable for its brutality as for its obscure causes; the violence of indigenous forms of slavery and the colonial accommodations that preserved it during the era of abolition; and the struggles of French Romantics whose debates about art and politics arrived from Paris with disastrous consequences. Benjamin Claude Brower uses these different perspectives to reveal the unexpected causes of colonial violence, such as France's troubled revolutionary past and its influence on the military's institutional culture, the aesthetics of the sublime and its impact on colonial thinking, the ecological crises suffered by Saharan pastoralists under colonial rule, and the conflicting paths to authority inherent in Algerian Sufism. Directly engaging a controversial history, A Desert Named Peace offers an important backdrop to understanding the Algerian war for independence (1954-1962) and Algeria's ongoing internal war, begun in 1992, between the government and armed groups that claim to fight for an Islamist revolution.

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'Infused with wisdom and a deep love of nature... a how-to book for finding peace of mind' SagaThis is a story about the rain, a boy, an angry dog and a gardener, and how some of them find peace and freedom...In Spring Rain, writer and gardener Marc Hamer shares his path from difficult beginnings to contentment, by way of family gardens.As a young boy in a violent home, Marc found refuge in his small back garden. Here he kindled a lifelong love of nature and learning by observing the plants and insects in his private kingdom and reading the old encyclopaedias he found in the shed.Marc has always found the answers to life's questions in the natural world, whether as a child watching ants, as a young man living rough in the countryside, or as a professional gardener creating places of calm and restoration for others. Now in his sixties, he is finally creating a garden for himself, at his home in Cardiff. In this beautiful and moving memoir, he considers what he has learned, from the spring of youth to his autumn years, and reflects on how we reconcile our childhoods with where we end up.With line drawings by the author, Spring Rain encourages us back in tune with the natural world and offers both consolation and a guide to a happier life.PRAISE FOR MARC HAMER:'Wisdom...patterned with Hamer's gifts for observation, compression, and tone' New Yorker'A sublime meditation on life, love, nature and family, woven with the wisdom of age gained through a life well lived' Lee Schofield, author of Wild Fell'Wholly original... on how to live, how to be calm and content with only a little, in a quietly humming garden' Daily Mail

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Spindrift is a collection of true seagoing anecdotes about the experiences of three brothers, each of whom served aboard U.S. Navy ships during his service. One of the authors was a Torpedoman Second Class on U.S.S. Barbero, a guided missile diesel submarine in the early 1950s. The second author served as a seagoing Marine Corporal aboard the aircraft carrier, U.S.S. Wasp during the 1960s. The third author, a career Naval Aviator, served aboard a number of aircraft carriers over a 33 year career ultimately retiring as a Rear Admiral. The three authors present to the reader three different perspectives and three different writing styles about three different periods in the history of the U.S. Navy. The perspectives are the submarine service, the seagoing Marine Corps aspects of life aboard an anti-submarine warfare aircraft carrier and the attack carrier Navy. The book is divided into four parts: the first deals with life aboard diesel submarines in the 1950s as well as nuclear-powered submarine operations in the 1970s. The torpedoman, Dan and his aviator brother, Paul provide the anecdotes in this part. Part II deals with surface ships operations over a thirty year period (1952-1982) and is written exclusively by brother, Paul, the aviator. Part III deals with aspects of aircraft carrier operations over the same thirty year period and is written by the Marine, Bob and his aviator brother, Paul. Part IV deals with women in Naval Aviation and the anecdotes contained therein come from the experiences of the aviator. The subject matter of the anecdotes ranges from the sublime to the ridiculous … interspersing humor with adventure, and excitement with introspection. The underlying theme of the stories stresses the notion that the sea services seem to contain more than their share of genuine, all-American characters.

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Sebastião Salgado’s masterpiece Genesis is the result of an epic eight-year expedition to rediscover the mountains, deserts, and oceans, the animals and peoples that have so far escaped the imprint of modern society—the land and life of a still pristine planet. The Genesis project, along with the Salgados’ Instituto Terra, is dedicated to showing the beauty of our planet, reversing the damage done to it, and preserving it for the future. On over 30 trips—by foot, light aircraft, boats, canoes, and even balloons, through extreme temperatures and in sometimes dangerous conditions—Salgado has created a collection of images showing us nature, animals, and indigenous peoples in such intense beauty it takes our breath away. The reach is truly global. Through Salgado’s lens, one discovers the animal species and volcanoes of the Galápagos; the penguins, sea lions, cormorants, and whales of the South Atlantic; Brazilian alligators and jaguars; and African lions, leopards, and elephants. We travel over icebergs in the Antarctic, the volcanoes of Central Africa, the ravines of the Grand Canyon, and the glaciers of Alaska. We encounter the Stone Age Korowai people of West Papua, nomadic Dinka cattle farmers in Sudan, Nenets and their reindeer herds in the Arctic Circle, as well as the Mentawai jungle communities on islands west of Sumatra. In characteristic monochrome, Salgado’s painterly notes are perfectly tuned to these sublime scenes, capturing sweeping aerial panoramas as much as the most intricate details and textures, from a reptilian skin to the fur coat of the Nenet people of northern Siberia. The exquisitely reproduced images are arranged not by theme but rather conceived as a journey around the globe, immersing them in Salgado’s vision of the Earth’s mesmerizing scale, order, and beauty.

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From the author of the BBC 2 Between the Covers hit, The Fine Art of Invisible Detection'The world's greatest storyteller' Guardian'One of the finest crime writers of any generation' Daily Mail'Our finest practitioner of the double-cross plotting' Mick Herron______________________________________Umiko Wada never set out to be a private detective, let alone become the one-woman operation behind the Kodaka Detective Agency. But so it has turned out, thanks to the death of her former boss, Kazuto Kodaka, in mysterious circumstances.Keen to avoid a similar fate, Wada chooses the cases she takes very carefully. A businessman who wants her to track down his estranged son offers what appears to be a straightforward assignment. Soon she finds herself pulled into a labyrinthine conspiracy with links to a twenty-seven-year-old investigation by her late employer and to the chaos and trauma of the dying days of the Second World War.As Wada uncovers a dizzying web of connections between then and now, it becomes clear that someone has gone to extraordinary lengths to keep the past buried. Soon those she loves most will be sucked into the orbit of one of the most powerful men in Tokyo. And he will do whatever it takes to hold on to his power...The Fine Art of Uncanny Prediction is another tour de force from the cunning mind of master storyteller Robert Goddard. Spanning seventy years, it takes the reader on a head-spinning journey of twist and counter-twist which keep you guessing until the final pages.__________________________________Readers love the Umiko Wada series:***** 'Guaranteed and satisfying escapism'***** 'Twists and turns right up to the last page'***** 'Edge-of-the-seat stuff'***** 'Fresh and inventive'***** 'The master of twists and suspense ... sublime'***** 'Scintillating and wickedly twisty'

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'A magical, fairy-filled read with a twisty plot and main character you'll adore' A.F. Steadman, author of the internationally bestselling Skandar and the Unicorn ThiefNobody knows what lies inside the Knoll nor what form the Fae have taken after all these years . . . dare to face the unknown and rescue Goblyn Wood. Are you ready to enter the Hollow Hills . . . ? When Hazel ventured into Goblyn Wood, she discovered that she was part fairy, and that the mysterious fae were stealing magic. Now, on a mission to help the fairies of Goblyn Wood and rescue her friend Pete, she needs to travel to the fae dominion. But soon Hazel discovers a plot that goes beyond the fae. Can she find her inner strength and become the hero that Goblyn Wood needs?The adventure continues in this spectacularly imaginative fantasy world by Waterstones prize-shortlisted author Anna Kemp perfect for fans of Nevermoor and Podkin One-Ear! Praise for Into Goblyn Wood: 'A fabulously rich adventure into a magical landscape, with that most important theme of all: believing in ourselves and the potential we hold.' Sarah Lean, author of the bestselling The Last Bear 'An absolutely sparkling adventure. The perfect book to curl up with as we're stepping into autumn' Alex Foulkes, author of Rules for Vampires 'A beautiful story, beautifully told. Into Goblyn Wood gives readers a wonderful world to lose themselves inside, and to keep daydreaming about for a long time afterwards!' Sylvia Bishop, author of The Bookshop Girl 'Anna Kemp’s world building is sublime . . . It’s unpredictable, perfectly paced and totally gripping... This is a truly brilliant book - fantasy at its finest. I could not put it down and cannot wait to read the next book in the series' Netgalley reviewer

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Bestselling phenomenon Simon McCleave is back with a gripping, atmospheric new crime thriller series set on the Isle of Anglesey. ‘Knocked my socks off. McCleave knows how to leave you gasping for air. Absolutely thrilling!’ International million-copy bestseller, Helen Fields The beautiful Isle of Anglesey has been rocked by the brutal murders of three female students at a local college. DI Laura Hart is called in to track down the murderer – who the papers have dubbed the Anglesey Ripper – before he strikes again. She quickly identifies a suspect but just as she is about to pounce, he slips through her fingers. Laura and the Beaumaris CID must pursue the serial killer across the island in an increasingly dangerous game of cat and mouse – but he’s always one step ahead of them. And soon, the hunters will become the hunted… An explosive, edge-of-your-seat read that’s perfect for fans of LJ Ross, Ann Cleeves and Elly Griffiths. Readers love Simon McCleave’s Angelsey Series! ‘This book was awesome! Suspense, intrigue, action, and great police work!’⭐⭐⭐⭐⭐ ‘Another fantastic page-turner… cleverly written and could easily be a TV show!’ ⭐⭐⭐⭐⭐ ‘Twists and turns aplenty within a well-paced, exciting narrative. A superlative and atmospheric thriller’ ⭐⭐⭐⭐⭐ ‘Excellent’ ⭐⭐⭐⭐⭐ ‘A gripping and sublime crime thriller topped with plenty of action and exciting storylines.’ ⭐⭐⭐⭐⭐ ‘This was an excellent read. Thoroughly recommended. It made me want to visit North Wales.’ ⭐⭐⭐⭐⭐ ‘Fantastic. I really enjoyed this book’ ⭐⭐⭐⭐⭐ ‘Do yourself a favour and get a copy of The Dark Tide – you will not be disappointed.’ ⭐⭐⭐⭐⭐

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NEW YORK TIMES BESTSELLERCasual, effortless, chic: these are not words you’d use to describe most desserts. But before Alison made recipes so perfect that they go by one name – The Cookie, The Pasta, The Lemon Cake – she was a restaurant pastry chef who spent most of her time learning to make things the hard way. She studied flavour, technique, and precision, then distilled her knowledge to pare it all down to create dessert recipes that feel special and approachable, impressive and doable. In Sweet Enough, Alison has written the book for people who think they don’t have the time or skill to pull off dessert. Here, the desserts you want to make right away, you can make right away. Alison shows you how to make simple yet sublime sweets with her trademark casualness, like how to make jam in the oven, then turn that jam into a dessert – swirled into ice cream or folded into easy one-bowl cake batter (opening a jar of jam is more than fine, too). She waxes poetic on the virtues of frozen fruit and teaches you the best way to throw your own Sundae Party. There are effortless cakes that take just minutes to get into a pan. And there are new, instant classics with a signature Alison twist, like Salted Lemon Pie, Raspberries and Sour Cream, Toasted Rice Pudding, or a Caramelised Maple Tart. Requiring little more than your own two hands and a few mixing bowls, the recipes are geared towards those without fancy equipment or specialty ingredients. Whether you’re a dedicated baker or, better yet, someone who doesn’t think they are a baker, Sweet Enough lets you finish any dinner, any party, or any car ride to a dinner party with a little something wonderful and sweet.

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