Search results for ""author wendy"

In September 1868, the remains of Jacob and Nancy Jane Young were found lying near the banks of Indiana's White River. It was a gruesome scene. Part of Jacob's face had been blown off, apparently by the shotgun that lay a few feet away. Spiders and black beetles crawled over his wound. Smoke rose from his wife's smoldering body, which was so badly burned that her intestines were exposed, the flesh on her thighs gone, and the bones partially reduced to powder. Suspicion for both deaths turned to Nancy Clem, a housewife who was also one of Mr. Young's former business partners. In The Notorious Mrs. Clem, Wendy Gamber chronicles the life and times of this charming and persuasive Gilded Age confidence woman, who became famous not only as an accused murderess but also as an itinerant peddler of patent medicine and the supposed originator of the Ponzi scheme. Clem's story is a shocking tale of friendship and betrayal, crime and punishment, courtroom drama and partisan politicking, get-rich-quick schemes and shady business deals. It also raises fascinating questions about women's place in an evolving urban economy. As they argued over Clem's guilt or innocence, lawyers, jurors, and ordinary citizens pondered competing ideas about gender, money, and marriage. Was Clem on trial because she allegedly murdered her business partner? Or was she on trial because she engaged in business? Along the way, Gamber introduces a host of equally compelling characters, from prosecuting attorney and future U.S. president Benjamin Harrison to folksy defense lawyer John Hanna, daring detective Peter Wilkins, pioneering "lady news writer" Laura Ream, and female-remedy manufacturer Michael Slavin. Based on extensive sources, including newspapers, trial documents, and local histories, this gripping account of a seemingly typical woman who achieved extraordinary notoriety will appeal to true crime lovers and historians alike.

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This essential resource helps educators tackle the most common and challenging dilemmas that arise in today’s classroom—such as diversity, privilege, and intersectionality. This book examines common challenges that arise for educators teaching social justice and diversity-related courses and offers best practices for addressing them. Contributors cover issues such as the many roles instructors play, inside and outside of college and university classrooms, for example, in handling personal threats, responsibly incorporating current events related to social justice into classroom discussion, navigating one's own stigmatized or privileged identities, dealing with bias in teaching evaluations, and engaging in self-care. The authors' backgrounds offer unique perspectives from which to approach such complex subject matter; several contributors are feminist or intersectional scholars with the experience and expertise to address the pedagogical dilemmas that often arise in teaching social justice. Many of the issues discussed arise from the authors' own experiences as teachers in the current social climate; however, they also are verified by research on quality teaching in general and teaching about diversity specifically.

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While significant research has been produced in the field of disability studies, little attention has been paid to experiences of chronic illness. Working Bodies emphasizes the workplace as an important site for understanding such experiences, as employment status has an enormous impact on social and economic standing in Canadian society. The essays in this collection examine the perspectives of both workers and employers, painting a disturbing picture of the challenges that people with chronic illness face in an already demanding labour market. The focus on the Canadian workplace allows for an in-depth understanding of this context and for meaningful comparisons between populations and across workplace environments. Contributors include scholars and practitioners in disability studies, health sciences, geography, occupational therapy, sociology, and labour relations, their expert knowledge ranging from the imperatives of employers, to lived experiences of chronic illness, to the application of workplace policy. By combining research-based chapters with personal reflections on work and chronic illness, Working Bodies grounds itself in existing scholarship while opening up new avenues of discussion. Contributors include Terri Aversa, Andrea Black, Keri Cameron (McMaster University), Nicolette Carlan (University of Waterloo), Vera Chouinard (McMaster University), Valorie A, Crooks (Simon Fraser University), Julie Devaney, Le-Ann Dolan, Adam Gilgoff, Nancy Hutchinson (Queen's University), Vicki Kristman (Lakehead University), Terry Krupa (Queen's University), Rosemary Lysaght (Queen's University), Margaret Oldfield (University of Toronto), Michelle Owen (University of Winnipeg), Melissa Popiel, Wendy Porch, William S. Shaw (University of Massachusetts), Corinne Stevens, Iffath Syed (York University), Joan Versnel (Dalhousie University), and Kelly Williams-Whitt (University of Lethbridge).

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Oliver Wendell Holmes, Jr, has been called the greatest jurist and legal scholar in the history of the English-speaking world. In this collection of his speeches, opinions and letters, Richard Posner reveals the fullness of Holmes' achievements as judge, historian, philosopher and master of English style. Thematically arranged, the volume covers a variety of subjects from aging and death to themes in politics, personalities, and law. Posner's substantial introduction firmly places this wealth of material in its biographical and historical context.

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Obsession. Intrigue. Revenge. Get ready for one of the most twisty thrillers this year!‘I’ve been yearning for something to give me Girl on the Train vibes. . . this is that book.’ Lisa Jewell'I’m certain this will be one of my favourite thrillers of 2024 already!’ Prima'Utterly gripping from first to last ... I guarantee you’ll be absolutely hooked.' The Guardian'Totally unpredictable. I couldn’t turn the pages fast enough' Claire Douglas'A thrill-ride of a novel - dark, riveting and twisty' Lucy Clarke‘Razor-sharp plotting, great writing ... a pitch-perfect legal thriller’ Harriet Tyce'A deeply satisfying read' Her Honour Judge Wendy Joseph KC___________A woman falls to her death from a London bank's twenty-fifth-floor roof terrace.You're arrested for her murder.You tell the police that you only met the victim the previous night at your office party. She was threatening to jump from the roof, but you talked her down.You've got nothing to do with this tragedy.You're clearly being framed.So why do the police keep picking holes in your story?And why doesn't your lawyer seem to believe you?It soon becomes obvious that you're keeping secrets.But who are you trying to protect? And why?Get ready for one of the most gripping psychological thrillers of the year, perfect for fans of Gillian McAllister, Lisa Jewell and Paula Hawkins.___________Readers are loving The Woman on the Ledge . . .***** 'It’s been awhile since I have read a good PSYCHOLOGICAL THRILLER, and even longer since I read a great one-but this ORIGINAL gem is pretty great!'***** 'ONE OF THE BEST PSYCHOLOGICAL THRILLERS I HAVE READ THIS YEAR!!! WHAT A BRILLIANTLY WRITTEN MASTERPIECE!!!'***** 'This has the best dynamics of a book that I have read in awhile. What a talented author!'***** 'I definitely recommend this one to anyone who enjoys an intense, twisted, thought-provoking and engaging Psychological Thriller.'***** 'All I can say is that this is not a book to be missed.'___________More love for The Woman on the Ledge:'A deliciously clever book. Jaw-dropping. Absolutely outstanding' Andrea Mara'A twist-a-minute thrill ride!' Lisa Gardner'Had me turning the pages through the night' Heidi Perks'A gripping thriller with a great premise and a twist I didn’t see coming' John Marrs'The best thriller I've read in ages' Laura Pearson‘Wonderfully twisty, fabulously unexpected and immensely satisfying’ Alex Marwood'The best kind of plot-twisty story ... I devoured it!' Sabine Durrant'Breathtaking storytelling ... Stunning!’ Jane Fallon'WOW! I absolutely loved it' Stu Cummins'A clever idea and an even cleverer plot.' Belfast Telegraph‘So full of twists and turns it will make your head hurt – in a good way!’ Fabulous, Sun on Sunday‘A tense novel’ Bella‘A twisty tale that will keep you on your toes’ Heat‘A dark and compelling legal thriller.’ Woman & Home

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"This is an excellent textbook that should be compulsory reading for any undergraduate student of Social Psychology. Wendy Stainton Rogers has done a remarkable job of synthesising theories within these broad approaches. She has used her vast experience in distance learning to write a book that draws students in and has them reading, simply because the material is so very interesting. Although Stainton Rogers outlines the British Psychological Society's requirements for an undergraduate course in Social Psychology at the beginning of the book, this textbook is relevant far beyond the context of the United Kingdom."Catriona Macleod, Professor of Psychology, Rhodes University, South AfricaIn the brave new world of Facebook and Twitter, our social, political and personal worlds are all profoundly changing. To be relevant to our lives today, Social Psychology needs to be transformed. This popular book has been radically revised to do just that.Extensively updated and expanded, this new edition contains a broad grounding in traditional experimental work and a thorough treatment of the different 'logics of inquiry' adopted for empirical research. The book also: Introduces two completely new chapters, one on relationships and another on prejudiceUpdates and reformulates all the other material, introducing chapters on quantitative and qualitative methods, critical psychology and valuesIncludes a wide array of critical approaches - community, feminist, postcolonial, psychoanalytic social psychologiesAddresses social psychology from an international perspective, drawing on work from Africa, Australia, Europe, North and South America, New Zealand, Asia Includes section summaries, further reading, online resources and questionsShowcases the work of a new and vibrant generation of social psychologists Covers the BPS recommendations for the social psychology syllabusThe book breaks new ground in the topics it covers and in the innovative approach it takes to assessing them. For students and their teachers alike, the book brings a 'breath of fresh air', making it not just a valuable resource, but an intriguing and enjoyable read.

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In What We Made, Tom Finkelpearl examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. He suggests social cooperation as a meaningful way to think about this work and provides a framework for understanding its emergence and acceptance. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media. Issues discussed include the experiences of working in public and of working with museums and libraries, opportunities for social change, the lines between education and art, spirituality, collaborative opportunities made available by new media, and the elusive criteria for evaluating cooperative art. Finkelpearl engages the art historians Grant Kester and Claire Bishop in conversation on the challenges of writing critically about this work and the aesthetic status of the dialogical encounter. He also interviews the often overlooked co-creators of cooperative art, "expert participants" who have worked with artists. In his conclusion, Finkelpearl argues that pragmatism offers a useful critical platform for understanding the experiential nature of social cooperation, and he brings pragmatism to bear in a discussion of Houston's Project Row Houses.Interviewees. Naomi Beckwith, Claire Bishop, Tania Bruguera, Brett Cook, Teddy Cruz, Jay Dykeman, Wendy Ewald, Sondra Farganis, Harrell Fletcher, David Henry, Gregg Horowitz, Grant Kester, Mierle Laderman Ukeles, Pedro Lasch, Rick Lowe, Daniel Martinez, Lee Mingwei, Jonah Peretti, Ernesto Pujol, Evan Roth, Ethan Seltzer, and Mark Stern

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Science explosions! Theater! Mystery! Friendship! Fifth grader Kate the Chemist uses STEM knowledge to do incredible things! Kate the Chemist is a ten-year-old science problem solver. There's no problem Kate can't fix! When her best friend, Birdie, is cast as the lead unicorn in their school's musical Dragons vs. Unicorns, and Kate is chosen to be the assistant director, they agree this is going to be the best musical EVER! Kate is a natural assistant director; like all good scientists, she's smart and organized, but she also comes up with great ideas. But when everything starts going wrong with the musical and Kate realizes someone is sabotaging the show, will her special science sleuthing skills help save the day--and the show? Help young Kate the Chemist as she solves science problems in her community, starting with the school musical: Dragons vs. Unicorns! From Kate the Chemist, chemistry professor and science entertainer as seen on The Late Show with Stephen Colbert, The Wendy Williams Show, and The Today Show, comes a clever and fun middle grade series that is the perfect introduction to STEM for young readers!Make Your Own Unicorn Glue! Experiment Inside! Praise for Kate the Chemist: Dragons vs. Unicorns:"Proves that science and fun go together like molecules in a polymer."--School Library Journal"It's a great introduction to the basics of Chemistry that is readily accessible to a variety of ages . . . . The way the everyday chemistry is blended in is done seamlessly, and has [me and my ten-year-old son] noticing how we are all doing a little bit of science everyday." --GeekMom.com

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Dictionary: A book with a Beginning, a Middle and an End - but not in that order.This Septic Isle is a dictionary that re-defines 21st Century Britain in the wickedest and wittiest way imaginable. In an age where Spin is King, this super-cynical, irreverant reference book finally tells it like it is, not like it isn't and never will be.With 2,000 entries, ranging from razor-sharp satire to the downright silly, This Septic Isle is the perfect antidote to our irascible era. Politics, pop culture, sport, the Internet, TV, food, the environment, journalism, sex, PR, consumerism, war, religion, Royalty, terrorism, traffic - no subject is safe. No sacred cow is spared a jaunt to the slaughterhouse.Conservation - Process by which dwindling areas of natural beauty are preserved for future generations to buildDead - Not answering one's mobile phone or responding to emailsEmpathy - The shared understanding between two people on the same pay gradeEpidemic - The rapid and uncontrollable spread of anything contagious through newspapers Part-time employee - Full-time employee with a smoking habit, a FaceBook page and an ebay accountRefrigerator - Device for keeping salad and vegetables chilled before throwing them away unusedThreatening letters - MRSA, ASBO, OHMS, GBH, HIV, etc.Wendy House - Play home now banned from schools for giving children unrealistic expectations of future home ownershipXenophobia - The Englishman's hatred of foreigners - from the Latin words 'xenos' and 'phobos'Mike Barfield's updated definitions put the spin in the bin and prove there's one area in which beleaguered Britons can still proudly claim to lead the world: laughing at their problems.

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**NOW A MAJOR TV DRAMA SERIES**'A gentle comic crime story' The Guardian'Poised and perceptive' Sunday Times'a beautiful piece of writing with a great story and fantastic, full bodied characters. All this with glorious West Cork as its setting...irresistible.' Kathy Burke'... a deftly plotted story as moving as it is compelling' Sunday Mirror'Deeply accomplished ... brilliantly observed' Good Housekeeping'... one of the more authentic debuts I've read in recent years ... in such an understated manner, eschewing linguistic eccentricity ... in favour of genuine characters and tender feeling ... this is a fine novel' John Boyne, Irish Times'It's funny and wonderfully perceptive' Wendy Holden'It is beautiful and yet devastatingly sad' Daily Express'Strenuously charming ... surprisingly tender' Metro 'Heartwarming and observant' StylistThe remote Irish village of Duneen has known little drama; and yet its inhabitants are troubled. Sergeant PJ Collins hasn't always been this overweight; mother of two Brid Riordan hasn't always been an alcoholic; and elegant Evelyn Ross hasn't always felt that her life was a total waste. So when human remains are discovered on an old farm, suspected to be that of Tommy Burke - a former love of both Brid and Evelyn - the village's dark past begins to unravel. As the frustrated PJ struggles to solve a genuine case for the first time in his life, he unearths a community's worth of anger and resentments, secrets and regret.Darkly comic, touching and at times profoundly sad. Graham Norton employs his acerbic wit to breathe life into a host of lovable characters, and explore - with searing honesty - the complexities and contradictions that make us human.

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Hailed as “the definitive biography of Wendell Willkie” (Irwin F. Gellman), The Improbable Wendell Willkie offers an “engrossing and enlightening appraisal” (Ira Katznelson) of a prominent businessman and Wall Street attorney presidential candidate who could have saved America’s sclerotic political system. Although Willkie lost to FDR in 1940, acclaimed historian David Levering Lewis demonstrates that the story of this Hoosier- born corporate chairman’s life is “a powerful reminder of practical bipartisanship, visionary internationalism, and committed civil liberties and civil rights” (Katrina vanden Heuvel). Popular for his downhome mid-western charm and unaffected candor, Willkie possessed a supple intellect and a concealed disdain for political opportunism that, had he not died prematurely, would have revolutionized American politics with its advocacy of bipartisanship and social responsibility. “Meticulously researched and brilliantly written” (Douglas Brinkley), The Improbable Wendell Willkie “brings the now largely unknown Willkie to a new generation” (The New Yorker), reclaiming the legacy of an American icon.

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New perspectives on Christopher Isherwood as a searching and transnational writer “Perhaps I had traveled too much, left my heart in too many places,” muses the narrator of Christopher Isherwood’s novel Prater Violet (1945), which he wrote in his adopted home of Los Angeles after years of dislocation and desperation. In Isherwood in Transit, James J.Berg and Chris Freeman bring together diverse Isherwood scholars to understand the challenges this writer faced as a consequence of his travel. Based on a conference at the Huntington Library, where Isherwood’s recently opened papers are held, Isherwood in Transit considers the writer not as an English, continental, or American writer but as a transnational one, whose identity, politics, and beliefs were constantly transformed by global connections and engagements arising from journeys to Germany, Japan, China, and Argentina; his migration to the United States; and his conversion to Vedanta Hinduism in the 1940s.Approaching Isherwood’s rootlessness and restlessness from various perspectives, these essays show that long after he made a new home in California and became an American citizen, Christopher Isherwood remained unsettled, although his wanderings became spiritual and personal rather than geographic.Contributors: Barrie Jean Borich, DePaul U; Jamie Carr, Niagara U; Robert L. Caserio, Penn State U, University Park; Lisa Colletta, American U of Rome; Lois Cucullu, U of Minnesota; Jaime Harker, U of Mississippi; Carola M. Kaplan, California State U, Pomona; Calvin W. Keogh, Central European U, Budapest; Victor Marsh; Wendy Moffat, Dickinson College; Xenobe Purvis; Bidhan Roy, California State U, Los Angeles; Katharine Stevenson, U of Texas at Austin; Edmund White.

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An inspiring anthology of writings by trailblazing women astronomers from around the globeThe Sky Is for Everyone is an internationally diverse collection of autobiographical essays by women who broke down barriers and changed the face of modern astronomy. Virginia Trimble and David Weintraub vividly describe how, before 1900, a woman who wanted to study the stars had to have a father, brother, or husband to provide entry, and how the considerable intellectual skills of women astronomers were still not enough to enable them to pry open doors of opportunity for much of the twentieth century. After decades of difficult struggles, women are closer to equality in astronomy than ever before. Trimble and Weintraub bring together the stories of the tough and determined women who flung the doors wide open. Taking readers from 1960 to today, this triumphant anthology serves as an inspiration to current and future generations of women scientists while giving voice to the history of a transformative era in astronomy.With contributions by Neta A. Bahcall, Beatriz Barbuy, Ann Merchant Boesgaard, Jocelyn Bell Burnell, Catherine Cesarsky, Poonam Chandra, Xuefei Chen, Cathie Clarke, Judith Gamora Cohen, France Anne Córdova, Anne Pyne Cowley, Bożena Czerny, Wendy L. Freedman, Yilen Gómez Maqueo Chew, Gabriela González, Saeko S. Hayashi, Martha P. Haynes, Roberta M. Humphreys, Vicky Kalogera, Gillian Knapp, Shazrene S. Mohamed, Carole Mundell, Priyamvada Natarajan, Dara J. Norman, Hiranya Peiris, Judith Lynn Pipher, Dina Prialnik, Anneila I. Sargent, Sara Seager, Gražina Tautvaišienė, Silvia Torres-Peimbert, Virginia Trimble, Meg Urry, Ewine F. van Dishoeck, Patricia Ann Whitelock, Sidney Wolff, and Rosemary F. G. Wyse.

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Dr. Watson was the chronicler of every Sherlock Holmes adventure published in The Strand magazine between 1887 and 1927. He reported them with honesty in the bluff, army-style of a military doctor, so frank in their account of human behaviour that they were too risque for the morals of Victorian England. George Newnes, the editor, purged each story before its publication. Newnes also replaced Watson's jocular illustrations with Sidney Paget's more innocuous portrayals. Newnes deleted everybody's backgrounds but in these accounts Watson reveals Holmes's family: his father, Professor Julian Cornelius Bortzoy Holmes; his wife, Wendy; his sister, Rachel, as well as Mycroft. Watson also exposes Mrs. Hudson's property empire and he tells us how Professor Moriarty became "the Napoleon of crime." Some of this new material is shocking, even by today's standards! Book 12 synopsis, Dr. Watson returns from a night out with The Strand magazine to find Sherlock Holmes manufacturing a brand new halucinogenic narcotic with his chemistry set. When professional nanny, Miss Violet Hunter, consults the great detective about a job offer in Winchester, Sherlock Holmes believes that his standard of client has hit rock bottom. Nevertheless, he finds her extremely attractive and when she asks for his help in her new position he answers her call without a second thought. After an intoxicating lunch in Winchester, Holmes and Watson supplement their wine intake with ‘chimps’ – the tablet form of the new narcotic – so when they reach the home of Miss Hunter’s employer they are orbiting Jupiter! They experience a myriad of mind-boggling spectacles, uncover a dainty secret about their client and use the Manstopper revolver without the respect it deserves.

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Neoliberalism has been a buzzword in literary studies for well over a decade, but its meaning remains ambiguous and its salience contentious. In Neoliberalism and Contemporary Literary Culture, Mitchum Huehls and Rachel Greenwald Smith offer a wide-ranging exploration of contemporary literature through the lens of neoliberalism's economic, social, and cultural ascendance. Bringing together accessible and provocative essays from top literary scholars, this innovative collection examines neoliberalism's influence on literary theory and methodology, literary form, literary representation, and literary institutions. A four-phase approach to the historical emergence of neoliberalism from the early 1970s to the present helps to clarify the complexity of the relationship between neoliberalism and literary culture. Layering that history over the diverse changes in a US-Anglo literary field that has moved away from postmodern forms and sensibilities, the book argues that many literary developments-including the return to realism, the rise of the memoir, the embrace of New Materialist theory, and the pursuit of aesthetic autonomy-make more coherent sense when viewed in light of neoliberalism's ever-increasing expansion into the cultural sphere. The essays gathered here engage a diverse range of theorists, including Michel Foucault, Wendy Brown, Giorgio Agamben, Bruno Latour, Maurice Merleau-Ponty, Gary Becker, and Eve Sedgwick to address the reciprocal relationship between neoliberalism and conceptual fields such as biopolitics, affect, phenomenology, ecology, and new materialist ontology. These theoretical perspectives are complemented by innovative readings of contemporary works of literature by writers such as Jennifer Egan, Ben Lerner, Gillian Flynn, Teju Cole, Jonathan Franzen, Chimamanda Ngozi Adichie, Salvador Plascencia, E. L. James, Lisa Robertson, Kenneth Goldsmith, and many others. Neoliberalism and Contemporary Literary Culture is essential reading for anyone invested in the ever-changing state of literary culture.

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For many inside and outside the legal academy, the right place to look for law is in constitutions, statutes, and judicial opinions. This book looks for law in the “wrong places”—sites and spaces in which no formal law appears. These may be geographic regions beyond the reach of law, everyday practices ungoverned or ungovernable by law, or works of art that have escaped law’s constraints. Looking for Law in All the Wrong Places brings together essays by leading scholars of anthropology, cultural studies, history, law, literature, political science, race and ethnic studies, religion, and rhetoric, to look at law from the standpoint of the humanities. Beyond showing law to be determined by or determinative of distinct cultural phenomena, the contributors show how law is itself interwoven with language, text, image, and culture. Many essays in this volume look for law precisely in the kinds of “wrong places” where there appears to be no law. They find in these places not only reflections and remains of law, but also rules and practices that seem indistinguishable from law and raise challenging questions about the locations of law and about law’s meaning and function. Other essays do the opposite: rather than looking for law in places where law does not obviously appear, they look in statute books and courtrooms from perspectives that are usually presumed to have nothing to say about law. Looking at law sideways, or upside down, or inside out defamiliarizes law. These essays show what legal understanding can gain when law is denied its ostensibly proper domain. Contributors: Kathryn Abrams, Daniel Boyarin, Wendy Brown, Marianne Constable, Samera Esmeir, Daniel Fisher, Sara Ludin, Saba Mahmood, Rebecca McLennan, Ramona Naddaff, Beth Piatote, Sarah Song, Christopher Tomlins, Leti Volpp, Bryan Wagner

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“The innovative essays in this volume . . . demonstrat[e] the potential of the perspective of the affects in a wide range of fields and with a variety of methodological approaches. Some of the essays . . . use fieldwork to investigate the functions of affects—among organized sex workers, health care workers, and in the modeling industry. Others employ the discourses of microbiology, thermodynamics, information sciences, and cinema studies to rethink the body and the affects in terms of technology. Still others explore the affects of trauma in the context of immigration and war. And throughout all the essays run serious theoretical reflections on the powers of the affects and the political possibilities they pose for research and practice.”—Michael Hardt, from the forewordIn the mid-1990s, scholars turned their attention toward the ways that ongoing political, economic, and cultural transformations were changing the realm of the social, specifically that aspect of it described by the notion of affect: pre-individual bodily forces, linked to autonomic responses, which augment or diminish a body’s capacity to act or engage with others. This “affective turn” and the new configurations of bodies, technology, and matter that it reveals, is the subject of this collection of essays. Scholars based in sociology, cultural studies, science studies, and women’s studies illuminate the movement in thought from a psychoanalytically informed criticism of subject identity, representation, and trauma to an engagement with information and affect; from a privileging of the organic body to an exploration of nonorganic life; and from the presumption of equilibrium-seeking closed systems to an engagement with the complexity of open systems under far-from-equilibrium conditions. Taken together, these essays suggest that attending to the affective turn is necessary to theorizing the social.Contributors. Jamie “Skye” Bianco, Grace M. Cho, Patricia Ticineto Clough, Melissa Ditmore, Ariel Ducey, Deborah Gambs, Karen Wendy Gilbert, Greg Goldberg, Jean Halley, Hosu Kim, David Staples, Craig Willse , Elizabeth Wissinger , Jonathan R. Wynn

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The ultimate resource to looking your best during and after cancer treatment, from a veteran beauty industry insider. Like many women who receive the shattering diagnosis of cancer, Caitlin Kiernan was concerned about her health and her future, but also about how the treatment would affect how she felt and looked - would she lose her hair? Would she lose her nails? How would she look after a double mastectomy?But unlike other women who battle cancer, Kiernan has spent her entire career as a beauty editor, beauty director (most recently for Life & Style Weekly), and now beauty producer. As someone who works in the public eye and in the fashion industry, Kiernan had to quickly learn how to look her best even when she was feeling her worst. So she called on her list of extensive contacts and beauty insiders - from hair professionals to top medical doctors (at institutions like Memorial Sloan Kettering and Mt Sinai Hospital) to style mavens and even celebrities (including Wendy Williams and Hoda Kotb) - to gather the best and most useful beauty tips for cancer treatment.The result is Pretty Sick: the ultimate guide to beauty during (and after) cancer treatment, covering skin care, hair care (and wig shopping), nail care, makeup, an explanation of breast cancer surgical options, style advice for life post mastectomy, and much, much more. Illustrated with charming line drawings and peppered with advice from celebrities and cancer survivors, Pretty Sick will be a welcome and trusted resource during treatment, helping women to look their best even when they don't feel their best.

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In the spirit of Wendy Mogel's The Blessing of a Skinned Knee and Po Bronson and Ashley Merryman's Nurture Shock, New York Times "Your Money" columnist Ron Lieber delivers a taboo-shattering manifesto that explains how talking openly to children about money can help parents raise modest, patient, grounded young adults who are financially wise beyond their years. For Ron Lieber, a personal finance columnist and father, good parenting means talking about money with our kids. Children are hyper-aware of money, and they have scores of questions about its nuances. But when parents shy away from the topic, they lose a tremendous opportunity-not just to model the basic financial behaviors that are increasingly important for young adults but also to imprint lessons about what the family truly values. Written in a warm, accessible voice, grounded in real-world experience and stories from families with a range of incomes, The Opposite of Spoiled is both a practical guidebook and a values-based philosophy. The foundation of the book is a detailed blueprint for the best ways to handle the basics: the tooth fairy, allowance, chores, charity, saving, birthdays, holidays, cell phones, checking accounts, clothing, cars, part-time jobs, and college tuition. It identifies a set of traits and virtues that embody the opposite of spoiled, and shares how to embrace the topic of money to help parents raise kids who are more generous and less materialistic. But The Opposite of Spoiled is also a promise to our kids that we will make them better with money than we are. It is for all of the parents who know that honest conversations about money with their curious children can help them become more patient and prudent, but who don't know how and when to start.

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The consummate guide to the ultimate sabertooth.Few animals spark the imagination as much as the sabertooth cat Smilodon. With their incredibly long canines, which hung like fangs past their jaws, these ferocious predators were first encountered by humans when our species entered the Americas. We can only imagine what ice age humans felt when they were confronted by a wild cat larger than a Siberian tiger.Because Smilodon skeletons are perennial favorites with museum visitors, researchers have devoted themselves to learning as much as possible about the lives of these massive cats. This volume, edited by celebrated academics, brings together a team of experts to provide a comprehensive and contemporary view of all that is known about Smilodon. The result is a detailed scientific work that will be invaluable to paleontologists, mammalogists, and serious amateur sabertooth devotees. The book • covers all major aspects of the animal's natural history, evolution, phylogenetic relationships, anatomy, biomechanics, and ecology • traces all three Smilodon species across both North and South America• brings together original, unpublished research with historical accounts of Smilodon's discovery in nineteenth-century BrazilThe definitive reference on these iconic Pleistocene mammals, Smilodon will be cited by researchers for decades to come. Contributors: John P. Babiarz, Wendy J. Binder, Charles S. Churcher, Larisa R. G. DeSantis, Robert S. Feranec, Therese Flink, James L. Knight , Margaret E. Lewis, Larry D. Martin, H. Gregory McDonald, Julie A. Meachen, William C. H. Parr, Ashley R. Reynolds. Kevin L. Seymour, Christopher A. Shaw, C. S. Ware, Lars Werdelin, H. Todd Wheeler, Stephen Wroe, M. Aleksander Wysocki

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In What We Made, Tom Finkelpearl examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. He suggests social cooperation as a meaningful way to think about this work and provides a framework for understanding its emergence and acceptance. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media. Issues discussed include the experiences of working in public and of working with museums and libraries, opportunities for social change, the lines between education and art, spirituality, collaborative opportunities made available by new media, and the elusive criteria for evaluating cooperative art. Finkelpearl engages the art historians Grant Kester and Claire Bishop in conversation on the challenges of writing critically about this work and the aesthetic status of the dialogical encounter. He also interviews the often overlooked co-creators of cooperative art, "expert participants" who have worked with artists. In his conclusion, Finkelpearl argues that pragmatism offers a useful critical platform for understanding the experiential nature of social cooperation, and he brings pragmatism to bear in a discussion of Houston's Project Row Houses.Interviewees. Naomi Beckwith, Claire Bishop, Tania Bruguera, Brett Cook, Teddy Cruz, Jay Dykeman, Wendy Ewald, Sondra Farganis, Harrell Fletcher, David Henry, Gregg Horowitz, Grant Kester, Mierle Laderman Ukeles, Pedro Lasch, Rick Lowe, Daniel Martinez, Lee Mingwei, Jonah Peretti, Ernesto Pujol, Evan Roth, Ethan Seltzer, and Mark Stern

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"Will appeal to fans of other ­STEM-infused series like Emily ­Calandrelli’s 'Ada Lace' and Asia Citro’s 'Zoey and Sassafras.'"--School Library Journal The fourth installment of the Kate the Chemist fiction series that shows kids that everyone can be a scientist! Perfect for fans of the Girls Who Code series.When Kate's brother Liam is having a science-themed birthday party the very same day that the science club in Kate's school is planning a special rocket launch experiment, Kate isn't sure how she'll manage to do it all: be a great big sister AND a great science club member. But with a little help from chemistry--and her friends--Kate figures out a way to be in two places at once. That is, until she is late to pick up the ice cream cake, which means Liam won't have a birthday cake for his party! Will science be able to save the day?From Kate the Chemist, chemistry professor and science entertainer as seen on The Late Show with Stephen Colbert, The Wendy Williams Show, and The Today Show, comes a clever and fun middle grade series that is the perfect introduction to STEM for young readers!Make Your Own Rocket! Experiment Inside! Praise for Dragons vs. Unicorns:"Proves that science and fun go together like molecules in a polymer."--School Library Journal"It's a great introduction to the basics of Chemistry that is readily accessible to a variety of ages . . . . The way the everyday chemistry is blended in is done seamlessly, and has [me and my ten-year-old son] noticing how we are all doing a little bit of science every day." --GeekMom.com

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Amy Sargeant's compelling and meticulous study of Joseph Losey's The Servant (1963) sets the film in the context of a long tradition of fictional depictions of the master-servant relationship, from Shakespeare to Cervantes, Henry James, Dorothy L. Sayers and P.G. Wodehouse. Sargeant points out that while many of these relationships are played for comic effect, that of the 'young master' Tony (James Fox) and his manservant Barrett (Dirk Bogarde) unfolds in a far more sinister manner, with Barrett coming to dominate and humiliate the hapless Tony. Sargeant's reading pays particular attention to the contribution not only of Losey and Harold Pinter, who adapted the screenplay from Robin Maugham's novella, but also of the cinematographer Douglas Slocombe, designer Richard Macdonald and costume designer Beatrice 'Bumble' Dawson. She analyses the performances of Sarah Miles as Barrett's lover Vera and Wendy Craig as Tony's fiancee Susan, as well as those of Fox and Bogarde, and gives careful consideration to how the film uses architectural form, interior design and decoration, and clothing to establish character and relationships. In the context of the collapse of the British Empire, and a beleaguered Establishment beset by spy and sex scandals, the film can be read, Sargeant argues, as a metaphor for the 'state of the nation' in the early 1960s. Finally, Sargeant considers the film's critical and commercial reception in Britain, Europe and the United States - its release, how it was received as one of a number of 'emigre' films, and Losey's surprising denial of a homoerotic intent in the Tony-Barrett relationship. In her new foreword to this edition, Amy Sargeant considers contemporary resonances of the film's depiction of a twisted master-servant relationship in recent TV and cinema including The Crown, Downton Abbey and The Trial of Christine Keeler.

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What if you had your own life coach in your back pocket, ready to help you navigate the inevitable "oy veys" that pop up in work and life?Now you do. In her book, "Oy Vey" Isn't a Strategy: 25 Solutions for Personal and Professional Success, professional coach, speaker, and writer Deborah Grayson Riegel offers practical, insightful and applicable tips and tools - along with a generous sprinkling of Jewish wisdom - to use at work and at home to help you: Get to Know Yourself Get Along with Others Get More Done Get a New Perspective From accountability and communication skills to time management and handling stress, each chapter takes the reader from those "Oy!" moments, when they recognize how their own limiting, ineffective or self-defeating behaviors stand in the way of success, to their new "Aha!" realization when they learn what shifts in attitude and action can make all the difference.In the middle, readers will experience the "Hmm…" that comes from learning the Jewish perspective on each topic, and, of course, the "Ha-ha" moments when Deborah uses her real life stories as a comedian, wife, mom to twins, professional coach, and a speaker to thousands of professionals in Jewish non-profit and corporate arenas to infuse each chapter with humor and levity, without glossing over the real challenges we all face.Deborah's Oy Vey Isn't a Strategy will do for professional and personal development what Wendy Mogel's best-selling book, The Blessing of a Skinned Knee did for parenting: give readers practical, applicable, and realistic solutions steeped in Jewish wisdom and real-life wit.

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Cutting-edge and fresh new outlooks on medieval literature, emphasising the vibrancy of the field. New Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces the range of European cultures, capaciously defined. Essays in this volume investigate a range of writers from late antiquity to the fifteenth century. They explore encounters between humans and animals in French romance; reflect on what contemporary sound studies can offer to Anglo-French poetry; trace how the reception of Trojan history is influenced by late medieval military practices; attend to the complex multilingualism of a devotional poetry that tests the limits of both language and theology; analyse the ways in which Christ's sexuality upsets religious typology inlate medieval drama; document the lines of national and European affinities found in French poetic manuscripts; and argue for why we should study "ugly" manuscripts of practical instruction not only for what they teach us but alsofor their insights into medieval literacy. Texts discussed include romances such as Chrétien de Troyes's Yvain and Béroul's Tristan; the theologian John of Howden's adaptation of the Philomela legend in his Rossignos; Chaucer's Troilus and Criseyde read alongside siege chronicles of the Hundred Years War; Bruder Hans's quadrilingual Ave Maria; the York Corpus Christi Plays; the poetry of Charles d'Orléans; and a group oflate medieval manuscripts which include herbals, account books, and medical treatises. KELLIE ROBERTSON is Professor of English and Comparative Literature at the University of Maryland; WENDY SCASE is Geoffrey Shepherd Professor of Medieval English Literature at the University of Birmingham; LAURA ASHE is Professor of English at the University of Oxford and Fellow and Tutor at Worcester College, Oxford; PHILIP KNOX Is University Lecturer inEnglish and Fellow of Trinity College, Cambridge, Contributors: Lukas Hadrian Ovrom, Terrence Cullen, Steven Rozenski, Tison Pugh, Rory G. Critten, Daniel Wakelin.

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Four new stories from the Second Doctor's era. The Death of the Daleks by George Mann. There is a creature loose on the war-torn planet of Tersimmon. It has just destroyed an entire race, and following its arrival, others are dying too. Only one person will defend this killer, this murderer, this destroyer: because Jamie McCrimmon knows the Doctor isn't himself... The Phantom Piper by Martin Day. Life in the colony world of Sora is idyllic, thanks to a device implanted in all citizens which helps memory recall. As a human visitor, Jamie receives one too. But soon the Doctor has concerns about his friends which lead to the office of local scientist Dr Hunter, and into the past of James Robert McCrimmon... The Prints of Denmark by Paul Morris. The man Zoe travels through time and space with is a comical little man, eager to make a difference. To make things better. He's a man who loves the Earth, its history, its potential, and is happy to help things along when he can. And now Zoe is the only one standing between him and changing Earth unrecognisably; for the Monk, the play's the thing... The Deepest Tragedian by Penelope Faith. Zoe is brilliant. Zoe loves to prove it, helping the Doctor and Jamie in their travels, coming to the rescue with a realisation or solving a puzzle. But she's about to meet a puzzle that's difficult to solve. A puzzle with a face. A puzzle with a heart. A puzzle that spells doom for the Doctor... CAST: Frazer Hines (Jamie McCrimmon), Wendy Padbury (Zoe Heriot), Lisa Bowerman (Narl), Nicholas Briggs (The Daleks), Nigel Fairs (The Announcer), Rufus Hound (The Monk), Simone Lahbib (Roisin Hunter / Jamie's Grandmother), Emma Samms (Anya), Richard Unwin (Tom Waugh). Other parts played by members of the cast.

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An inspiring anthology of writings by trailblazing women astronomers from around the globeThe Sky Is for Everyone is an internationally diverse collection of autobiographical essays by women who broke down barriers and changed the face of modern astronomy. Virginia Trimble and David Weintraub vividly describe how, before 1900, a woman who wanted to study the stars had to have a father, brother, or husband to provide entry, and how the considerable intellectual skills of women astronomers were still not enough to enable them to pry open doors of opportunity for much of the twentieth century. After decades of difficult struggles, women are closer to equality in astronomy than ever before. Trimble and Weintraub bring together the stories of the tough and determined women who flung the doors wide open. Taking readers from 1960 to today, this triumphant anthology serves as an inspiration to current and future generations of women scientists while giving voice to the history of a transformative era in astronomy.With contributions by Neta A. Bahcall, Beatriz Barbuy, Ann Merchant Boesgaard, Jocelyn Bell Burnell, Catherine Cesarsky, Poonam Chandra, Xuefei Chen, Cathie Clarke, Judith Gamora Cohen, France Anne Córdova, Anne Pyne Cowley, Bożena Czerny, Wendy L. Freedman, Yilen Gómez Maqueo Chew, Gabriela González, Saeko S. Hayashi, Martha P. Haynes, Roberta M. Humphreys, Vicky Kalogera, Gillian Knapp, Shazrene S. Mohamed, Carole Mundell, Priyamvada Natarajan, Dara J. Norman, Hiranya Peiris, Judith Lynn Pipher, Dina Prialnik, Anneila I. Sargent, Sara Seager, Gražina Tautvaišienė, Silvia Torres-Peimbert, Virginia Trimble, Meg Urry, Ewine F. van Dishoeck, Patricia Ann Whitelock, Sidney Wolff, and Rosemary F. G. Wyse.

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“The innovative essays in this volume . . . demonstrat[e] the potential of the perspective of the affects in a wide range of fields and with a variety of methodological approaches. Some of the essays . . . use fieldwork to investigate the functions of affects—among organized sex workers, health care workers, and in the modeling industry. Others employ the discourses of microbiology, thermodynamics, information sciences, and cinema studies to rethink the body and the affects in terms of technology. Still others explore the affects of trauma in the context of immigration and war. And throughout all the essays run serious theoretical reflections on the powers of the affects and the political possibilities they pose for research and practice.”—Michael Hardt, from the forewordIn the mid-1990s, scholars turned their attention toward the ways that ongoing political, economic, and cultural transformations were changing the realm of the social, specifically that aspect of it described by the notion of affect: pre-individual bodily forces, linked to autonomic responses, which augment or diminish a body’s capacity to act or engage with others. This “affective turn” and the new configurations of bodies, technology, and matter that it reveals, is the subject of this collection of essays. Scholars based in sociology, cultural studies, science studies, and women’s studies illuminate the movement in thought from a psychoanalytically informed criticism of subject identity, representation, and trauma to an engagement with information and affect; from a privileging of the organic body to an exploration of nonorganic life; and from the presumption of equilibrium-seeking closed systems to an engagement with the complexity of open systems under far-from-equilibrium conditions. Taken together, these essays suggest that attending to the affective turn is necessary to theorizing the social.Contributors. Jamie “Skye” Bianco, Grace M. Cho, Patricia Ticineto Clough, Melissa Ditmore, Ariel Ducey, Deborah Gambs, Karen Wendy Gilbert, Greg Goldberg, Jean Halley, Hosu Kim, David Staples, Craig Willse , Elizabeth Wissinger , Jonathan R. Wynn

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For many inside and outside the legal academy, the right place to look for law is in constitutions, statutes, and judicial opinions. This book looks for law in the “wrong places”—sites and spaces in which no formal law appears. These may be geographic regions beyond the reach of law, everyday practices ungoverned or ungovernable by law, or works of art that have escaped law’s constraints. Looking for Law in All the Wrong Places brings together essays by leading scholars of anthropology, cultural studies, history, law, literature, political science, race and ethnic studies, religion, and rhetoric, to look at law from the standpoint of the humanities. Beyond showing law to be determined by or determinative of distinct cultural phenomena, the contributors show how law is itself interwoven with language, text, image, and culture. Many essays in this volume look for law precisely in the kinds of “wrong places” where there appears to be no law. They find in these places not only reflections and remains of law, but also rules and practices that seem indistinguishable from law and raise challenging questions about the locations of law and about law’s meaning and function. Other essays do the opposite: rather than looking for law in places where law does not obviously appear, they look in statute books and courtrooms from perspectives that are usually presumed to have nothing to say about law. Looking at law sideways, or upside down, or inside out defamiliarizes law. These essays show what legal understanding can gain when law is denied its ostensibly proper domain. Contributors: Kathryn Abrams, Daniel Boyarin, Wendy Brown, Marianne Constable, Samera Esmeir, Daniel Fisher, Sara Ludin, Saba Mahmood, Rebecca McLennan, Ramona Naddaff, Beth Piatote, Sarah Song, Christopher Tomlins, Leti Volpp, Bryan Wagner

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An invigorating annual for those who are interested in medieval textual cultures and open to ways in which diverse post-modern methodologies may be applied to them. Alcuin Blamires, Review of English Studies New Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces both the British Isles and Europe. Essays in this volume trace institutional histories, examining the textual and memorial practices of religious institutions across the British Isles; explore language games that play with meaning in Anglo-French poetry; examine the interplay of form and matter in Italian song; position Old Norse sagas in an ecocritical and a postcolonial framework; consider the impact of papal politics on Middle English poetry; and read allegorical poetry as a privileged site for asking fundamental questions about the nature of the mind. Texts discussed include lives of St Aebbe of Coldingham, with a focus on the twelfth-century Latin Vita and its afterlives; a range of Latin and vernacular works associated with institutional houses, including the Vie de Edmund le rei by Denis Piramus and the Ecclesiastical History of Orderic Vitalis; both the didactic and lyrical writings of Walter de Bibbesworth; the trecento Italian caccia, especially examples by Vincenzo da Rimini and Lorenzo Masini;Bárðar saga, Egils saga, and other Old Norse works that reveal the traces of encounters with a racial other; John Gower's Confessio Amantis, in striking juxtaposition with late-medieval accounts of ecclesiastical crisis; and Alain Chartier's Livre de l'Espérance. PHILIP KNOX Is University Lecturer in English and Fellow of Trinity College, Cambridge; KELLIE ROBERTSON is Professor of English and Comparative Literature at theUniversity of Maryland; WENDY SCASE is Geoffrey Shepherd Professor of Medieval English Literature at the University of Birmingham; LAURA ASHE is Professor of English at the University of Oxford and Fellow and Tutor at Worcester College, Oxford. Contributors: Daisy Delogu, Thomas Hinton, Thomas O'Donnell, Daniel Remein, Jamie L. Reuland, Zachary Stone, Christiania Whitehead.

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The Changing Role of Health Care Managers A valuable guide that helps health care managers redefine theirresponsibilities so they can function more effectively in thisdramatically evolving industry. The authors identify and describethe ten key role shifts that are part of making the transition to a new, more dynamicstyle of leadership. Filled with questionnaires and step-by-stepguidelines, this hands-on tool offers sound insights andnuts-and-bolts advice.

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A richly-detailed and compelling historical saga for fans of Dilly Court, Sheila Newberry and Rosie Goodwin! Una Kelly has grown up to be a rough-and-tumble grifter, able to filch a pocketbook in five seconds flat. But when another con-woman pins her for a murder she didn’t commit, Una is forced to flee. Running from the police, Una lies her way into an unlikely refuge: the nursing school at Bellevue Hospital. Based on Florence Nightingale’s nursing principles, Bellevue is the first school of its kind in the country. Where once nurses were assumed to be ignorant and unskilled, Bellevue prizes discipline, intellect, and moral character, and only young women of good breeding need apply. At first, Una balks at her prim classmates and the doctors’ endless commands. Yet life on the streets has prepared her for the horrors of injury and disease found on the wards, and she slowly gains friendship and self-respect. Just as she finds her footing, Una’s suspicions about a patient’s death put her at risk of exposure, and will force her to choose between her instinct for self-preservation, and exposing her identity in order to save others… Readers love this book: ‘Definitely a book worth reading…I loved the plot and got caught up in it’ Mary ‘Different to anything I've read recently…Great characters and a gripping story, this book had it all’ Wendy ‘So much more than your usual historical saga…Great storyline and I really enjoyed the character of Una and her fight to better herself from humble beginnings’ Angela ‘The cover says that lovers of Dilly Court would enjoy this book…I for one did…as well as enjoyable I also found myself learning a lot too!!!’ Liza

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This release features a recreation of the first ever cast of Doctor Who, as seen on BBC TV in 2013's celebratory 'An Adventure in Space and Time' with David Bradbury then appearing as the Doctor in 2017's Peter Capaldi finale. Contains two stories; 5.1 For the Glory of Urth by Guy Adams. The TARDIS has barely landed in an alien sewer when a distant scream sends Susan racing to give aid, and the crew split up. Trying to reunite, the travellers find themselves in something resembling a monastery led by a man half-way between an Abbot and a warlord. They discover that they are in 'Urth', a barbaric place clinging on to its former glory. It's somewhere its populace are never allowed to leave, somewhere keeping many secrets from its people. And today those secrets will be revealed...5.2 The Hollow Crown by Sarah Grochala. When the TARDIS lands in Shoreditch, 1601, the Doctor suggests going to see a play at the Globe Theatre and his friends readily agree. But this is a turbulent time. There is violence in the streets, plots against the Queen, and rebellion is in the air. At the centre of it all stands the most famous playwright in British history - William Shakespeare - who is having troubles of his own. As tensions mount and wheels turn within wheels, the travellers are about to discover if the play really is the thing... Cast: David Bradley (The Doctor), Claudia Grant (Susan), Jemma Powell (Barbara Wright), Jamie Glover (Ian Chesterton), Nicholas Asbury (William Shakespeare), Wendy Craig (Queen Elizabeth I), Liane-Rose Bunce (Lady Penelope Rich/Hawker), Ian Conningham (Robert Devereaux, Earl of Essex/Lord Cecil), Lauren Cornelius (Judith Shakespeare), Susie Emmett (Sissy Cruciatu), Amanda Hurwitz (Mummy Martial/Computer Voice), Phil Mulryne (Bruddle Medicus/Guard 2), Phyllida Nash (Brooskin), Clive Wood (Daddy Dominus/Clubwell/Guard 1). Other parts played by members of the cast

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As Chicago grew into the world-class city it is today, its civic leaders took exceptional care in their cultivation of the arts. The establishment of the Art Institute, the widespread support of wealthy patronage, and the activity of numerous organizations including the Chicago Architectural Club, the Urban League, and the Chicago Women's Club, combined to make Chicago home to many painters. Since rising from the ashes in 1873, Chicago has supported generation after generation of inspired artists who painted land and cityscapes, and honored their patrons with portraits. The full length and breadth of their amazing work can at last be appreciated in the Powell and Barbara Bridges Collection. Susan C. Larsen provides a profile of the collectors and introduces the Bridges Collection, featuring an impressive range of canvases by Charles Francis Browne, Alice Kellogg Tyler, Frank Peyraud, Alfred Juergens, and other notable painters. Formerly the private treasure of the Bridges, Chicago Painting makes all 78 paintings of their remarkable collection available, in full color, to art lovers the world over. Wendy Greenhouse offers a host of insights into the lives and work of the artists who worked prior to the turn of the last century. She surveys the "conservative" Chicago painters who resisted the avant-garde, showing that while the European avant-garde did exert an influence, excellent work continued to be done in traditional genres such as portraits and landscapes. Painters the quality of Junius Sloan, Lucie Hartrath, George Peter Alexander Healy, Louis Betts, Ralph Clarkson, and Daniel Folger Bigelow are represented here. Finally, Susan Weiniger guides us into the Modernist era Chicago painters--Gertrude Abercrombie, Frances Strain, Frederic Tellander, Rudolph Weisenborn, and others--whose works show conclusively that Chicago did more than import avant-garde painting. Chicago Painting 1895 to 1945 also includes updated biographies of 49 painters and commentary on each painting.

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Hailed in Sacred Scripture as the “beginning of wisdom” (Ps 111:10), the “fear of the Lord” is seldom mentioned and little understood today. A gift of the Spirit and a moral virtue or disposition, the “fear of the Lord” also frequently entails emotional experiences of differing kinds: compunction, dread, reverence, wonderment, and awe. Starting with the Bible itself, this collection of seventeen essays explores the place of holy fear in Christian spirituality from the early church to the present and argues that this fear is paradoxically linked in various ways to fear’s seeming opposite, love. Indeed, the charged dynamic of love and fear accounts for different experiences and expressions of Christian life in response to changing historical circumstances and events. The writings of the theologians, mystics, philosophers, saints, and artists studied here reveal the relationship between the fear and the love of God to be profoundly challenging and mysterious, its elements paradoxically conjoined in a creative tension with each other, but also tending to oscillate back-and-forth in the history of Christian spirituality as first one, then the other, comes to the fore, sometimes to correct a perceived imbalance, sometimes at the risk of losing its companion altogether. Given this historical pattern, clearly evident in these chronologically arranged essays, the palpable absence of a discourse of holy fear from the mainstream theological landscape should give us pause and invite us to consider if and how—under what aspect, in which contexts—a holy fear, inseparable from love, might be regained or discovered anew within Christian spirituality as a remedy both for a crippling anxiety and for a presumptive recklessness. This book will be of interest to students and scholars of Christian spirituality, theology, biblical studies, religious studies, and religion and literature. Contributors: Ann W. Astell, Pieter G. R. de Villiers, Donna R. Hawk-Reinhard, John Sehorn, Catherine Rose Cavadini, Joseph Wawrykow, Robert Boenig, Ralph Keen, Wendy M. Wright, Ephraim Radner, Julia A. Lamm, Cyril O’Regan, Brenna Moore, Maj-Britt Frenze, and Todd Walatka

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After decades in which American popular culture dominated global media and markets, Japanese popular culture—primarily manga and anime, but also toys, card and video games, and fashion—has exploded into a worldwide phenomenon. From Pokémon and the Power Rangers to Paranoia Agent and Princess Mononoke, Japanese popular culture is consumed by an eager and exponentially increasing audience of youths, teenagers, and adults. Mechademia, a new annual edited by Frenchy Lunning, begins an innovative and fresh conversation among scholars, critics, and fans about the complexity of art forms like Superflat, manga, and anime. The inaugural volume, Mechademia 1 engages the rise of Japanese popular culture through game design, fashion, graphic design, commercial packaging, character creation, and fan culture. Promoting dynamic ways of thinking, along with state-of-the-art graphic design and a wealth of images, this cutting-edge work opens new doors between academia and fandom.The premiere issue features the interactive worlds that anime and manga have created, including the origins of cosplay (the manga and anime costume subculture), Superflat, forgotten images from a founding manga artist, video game interactivity, the nature of anime fandom in America, and the globalization of manga. Contributors: Anne Allison, Duke U; William L. Benzon; Christopher Bolton, Williams College; Vern L. Bullough, California State U, Northridge; Martha Cornog; Patrick Drazen; Marc Hairston; Mari Kotani; Thomas LaMarre; Antonia Levi, Portland State U; Thomas Looser, NYU; Susan Napier, U of Texas, Austin; Michelle Ollie; Timothy Perper; Sara Pocock; Brian Ruh; Takayuki Tatsumi, Keio U, Tokyo; Toshiya Ueno, Wako U, Tokyo; Theresa Winge, U of Northern Iowa; Mark J. P. Wolf, Concordia U; Wendy Siuyi Wong, York U.Frenchy Lunning is professor of liberal arts at the Minneapolis College of Art and Design.

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“One of the most unique books you'll read this year” Buzzfeed “A strikingly different trilogy opener” Kirkus Reviews Twins destined to bring about devastation. . . Since the beginning of Mu there has been a prophecy. Twins born of fire and water will lay waste to the island. For the sake of Mu’s inhabitants, no twins can survive. Or else a catastrophe of volcano and tsunami will annihilate them all. Kaori and Kairi are forbidden twins, two halves of a whole, the first to survive on the ancient island of Mu. One was born of fire, the other of water. As the twins are pulled in opposing directions, and hatred reaches a boiling point between the two, many will die in the crossfire. Will Kaori and Kairi unwittingly enact the prophecy and destroy the island of Mu or can one twin stop the other from bringing about destruction. . . ? The Mu Chronicles is a visionary YA fantasy trilogy exploring the origin of gender and desire in an epic queer fusion of Japanese folklore and Egyptian mythology. What readers are saying: “An interesting and original debut which left me begging for more” Caleb, NetGalley reader review “An ambitious take on an epic YA fantasy series exploring gender fluidity … a political commentary … If you’re looking for an atypical YA read, this might be the one for you” Clara, NetGalley reader review “This is a really unique YA fantasy novel. I just loved what it was trying to do. Whilst it might not be for everyone I do think it’s worth a go for the unique style … there’s a certain beauty to the story and the way it’s constructed” Gabrielle, NetGalley reader review “This storyline was very interesting and flowed nicely, I will definitely recommend reading this book!” Michelle, NetGalley reader review “The use of neopronouns is lovely to see and was not at all hard to process” Luca, NetGalley reader review “I really enjoyed the twins story … both fascinating characters I was willing to find their own strength and courage in such a world” Wendy, NetGalley reader review

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A second series of adventures from Big Finish begins, featuring Christopher Eccleston as the Ninth Doctor. Time and again, the Doctor finds himself returning to his favourite planet. Dropping in on history or the present-day, whether it's kings, commuters or ordinary people, he's never met anyone who wasn't important... 1.1 Station to Station by Robert Valentine. A deserted railway platform can be the loneliest place on Earth. But when Saffron is stranded at Underbridge station, she meets echoes of the past - and a fellow lost traveller. And the Doctor knows that something is hunting them... 1.2 The False Dimitry by Sarah Grochala. Moscow: 1605: the old Tsar is dead - but some blame unnatural forces. Perhaps the mysterious Doctor in the palace can help? A successor advances on the Kremlin with an army, preparing the country for war. But Tsarevich Dimitry is not what he seems... 1.3 Auld Lang Syne by Tim Foley. Every December, Mandy Litherland gathers the family at Foulds House to see in the New Year. Not everyone appreciates her efforts. At least the caretaker seems friendly - if a little weird. Mandy hopes she'll see him again next year - but perhaps she already has... CAST: Christopher Eccleston (The Doctor), Alexander Arnold (Dimitry Ivanovich), Sean Baker (Witherow), John Banks (Tsar Boris Fyodorovich Godunov/Captain Mikhail Mikhailovich Zubov), Ian Bartholomew (The Grimminy-Grue/Gordon), Katy Brittain (Oksana Vladimirovna Kuznetsova/Robot), Leah Brotherhead (Mandy Litherland), Wendy Craig (Great Aunt Bette), Patricia England (Mrs Hodkin), Indigo Griffiths (Saffron Windrose), Greig Johnson (Frank), Jack Myers (Aleksander (Sasha) Petrovich Kuznetsov), Hayley Tamaddon (Auntie Sue). Other parts played by members of the cast.

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The New Walford highlights the best resources to use when undertaking a search for accurate and relevant information, saving you precious time and effort. For those looking for a selective and evaluative reference resource that really delivers on its promise, look no further. In addition to print sources, The New Walford naturally covers an extensive range of e-reference sources such as digital databanks, digital reference services, electronic journal collections, meta-search engines, networked information services, open archives, resource discovery services and websites of premier organizations in both the public and private sectors. But rather than supplying a list of all available known resources as a web search engine might, The New Walford subject specialists have carefully selected and evaluated available resources to provide a definitive list of the most appropriate and useful. With an emphasis on quality and sustainability the subject specialists have been careful to assess the differing ways that information is framed and communicated in different subject areas. As a result the resource evaluations in each subject area are prefaced by an introductory overview of the structure of the relevant literature. This ensures that The New Walford is clear, easy-to-use and intuitive. Editorial Board Chair: Ray Lester Peter Clinch; Helen Edwards; Heather Dawson; Susan Tarrant Subject Specialists Wendy Buckle; Patricia Budgen; Peter Chapman; Sheila Corrall; Jonathan Cowley; Heather Dawson; Gillian Dwyer; Tracey Ellis; Gwyneth Price; Lynne Seddon; Angela Upton Compiled by leading subject specialists from internationally renowned organizations, Volume 2 covers 15 broad subject groupings: Social Sciences (generic) Psychology Sociology Social Work & Social Welfare Politics Government Law Finance, Accountancy & Taxation Industries & Utilities Business & Management Education & Learning Sport Media & Communications Information & Library Sciences Tools for Information Professionals.

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New perspectives on Christopher Isherwood as a searching and transnational writer “Perhaps I had traveled too much, left my heart in too many places,” muses the narrator of Christopher Isherwood’s novel Prater Violet (1945), which he wrote in his adopted home of Los Angeles after years of dislocation and desperation. In Isherwood in Transit, James J.Berg and Chris Freeman bring together diverse Isherwood scholars to understand the challenges this writer faced as a consequence of his travel. Based on a conference at the Huntington Library, where Isherwood’s recently opened papers are held, Isherwood in Transit considers the writer not as an English, continental, or American writer but as a transnational one, whose identity, politics, and beliefs were constantly transformed by global connections and engagements arising from journeys to Germany, Japan, China, and Argentina; his migration to the United States; and his conversion to Vedanta Hinduism in the 1940s.Approaching Isherwood’s rootlessness and restlessness from various perspectives, these essays show that long after he made a new home in California and became an American citizen, Christopher Isherwood remained unsettled, although his wanderings became spiritual and personal rather than geographic.Contributors: Barrie Jean Borich, DePaul U; Jamie Carr, Niagara U; Robert L. Caserio, Penn State U, University Park; Lisa Colletta, American U of Rome; Lois Cucullu, U of Minnesota; Jaime Harker, U of Mississippi; Carola M. Kaplan, California State U, Pomona; Calvin W. Keogh, Central European U, Budapest; Victor Marsh; Wendy Moffat, Dickinson College; Xenobe Purvis; Bidhan Roy, California State U, Los Angeles; Katharine Stevenson, U of Texas at Austin; Edmund White.

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Edited by Richard Grusin of the Center for 21st Century Studies, this is the first book to name and characterize—and therefore consolidate—a wide array of current critical, theoretical, and philosophical approaches to the humanities and social sciences under the concept of the nonhuman turn. Each of these approaches is engaged in decentering the human in favor of a concern for the nonhuman, understood by contributors in a variety of ways—in terms of animals, affectivity, bodies, materiality, technologies, and organic and geophysical systems.The nonhuman turn in twenty-first-century studies can be traced to multiple intellectual and theoretical developments from the last decades of the twentieth century: actor-network theory, affect theory, animal studies, assemblage theory, cognitive sciences, new materialism, new media theory, speculative realism, and systems theory. Such varied analytical and theoretical formations obviously diverge and disagree in many of their assumptions, objects, and methodologies. However, they all take up aspects of the nonhuman as critical to the future of twenty-first-century studies in the arts, humanities, and social sciences.Unlike the posthuman turn, the nonhuman turn does not make a claim about teleology or progress in which we begin with the human and see a transformation from the human to the posthuman. Rather, the nonhuman turn insists (paraphrasing Bruno Latour) that “we have never been human,” that the human has always coevolved, coexisted, or collaborated with the nonhuman—and that the human is identified precisely by this indistinction from the nonhuman. Contributors: Jane Bennett, Johns Hopkins U; Ian Bogost, Georgia Institute of Technology; Wendy Hui Kyong Chun, Brown U; Mark B. N. Hansen, Duke U; Erin Manning, Concordia U, Montreal; Brian Massumi, U of Montreal; Timothy Morton, Rice U; Steven Shaviro, Wayne State U; Rebekah Sheldon, Indiana U.

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Living on your own doesn't mean losing out on interesting and healthy food. Nor does it haveto involve the often unreliable business of quartering recipes! Here is a collection of simple,delicious meals - specially designed for one - that will ensure you enjoy your everyday eating.You'll find useful tips for shopping and stocking your food cupboard and delicious recipes foreverything from snacks to main courses with fish, meat and vegetables. Quick, easy andeconomical, the recipes are designed to make everyday cooking exciting, and to keep your diethealthy and balanced.Some recipes just don't work in small quantities, and that could include some of yourfavourites. A unique feature of this book is the inclusion of really tasty recipes - such ascasseroles, roasts and cakes - that show you how to create four differentmeals from one singlecooking session.So you can try:Braised Tender Lamb, then reinvent it as Lamb with Mediterranean Couscous, Lamb withCrisp Courgettes and Parsnip-topped Lamb Or treat yourself to: Roast Lemon-infused Chicken, then enjoy Chicken Filo Parcels, Sweet and Sour Chickenand Chicken with Pancetta Or simply enjoy just-for-one treats such as:Caramelised Onion and Goats' Cheese PuffsSalmon Steak with Summer Vegetable Parcels Spinach and Avocado Salad with PancettaHoney-drenched Tunisian Almond CakeAuthor Wendy Hobsonhas spent a career working in and around cooking. She has written several books - including Classic 1000 Cake & Bake Recipes, Classic 1000 Recipesand The Kitchen Companion - and edited manymore. She loves being able to cook in small quantities to please herself as well as in larger amounts to share with family and friends Contents: KEY POINTS - Includes a healthy, balanced range of dishes; economical, quick and easy. - Good range of recipes from snacks to desserts. - Also includes ideas pages: quick suggestions for ways to cook when you don't need a complete recipe. - A special feature is the bulk-cook option: cook a normal quantity, divide into four, freeze what you don't need, then make the remaining portions into completely different meals. - Because of the way they are designed, the recipes are easy to double-up - or more - if you are cooking for friends.

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In a work that fundamentally recasts the history of colonial America, Wendy Warren shows how the institution of slavery was inexorably linked with the first century of English colonization of New England. While most histories of slavery in early America confine themselves to the Southern colonies and the Caribbean, New England Bound forcefully widens the historical aperture to include the entirety of English North America, integrating the famed "city on a hill" of seventeenth-century Puritan New England into the cruel Atlantic system from its very beginnings. Using original research culled from dozens of archives, Warren conclusively links the growth of the northern colonies to the Atlantic slave trade, showing how seventeenth-century New England’s fledgling economy derived its vitality from the profusion of ships that coursed through its ports, passing through on their way to and from the West Indian sugar colonies. What’s more, leading New England families like the Winthrops and Pynchons invested heavily in the West Indies, owning both land and human property, the profits of which eventually wended their way back north. That money, New England Bound shows, was the tragic fuel for the colonial wars of removal and replacement of New England Indians that characterized the initial colonization of the region. Warren painstakingly documents the little-known history of how Native Americans were systematically sold as slaves to plantations in the Caribbean, even in the first decades of English colonization. And even while New England Bound explains the way in which the Atlantic slave trade drove the colonization of New England, it also brings to light, in many cases for the first time ever, the lives of the thousands of reluctant Indian and African slaves who found themselves forced into the project of building that city on a hill. We encounter enslaved Africans working side jobs as con artists, enslaved Indians who protested their banishment to sugar islands, enslaved Africans who set fire to their owners’ homes and goods, and enslaved Africans who saved their owners’ lives. In Warren’s meticulous, compelling, and hard-won recovery of such forgotten lives, the true variety of chattel slavery in the Americas comes to light, and New England Bound becomes the new standard for understanding colonial America.

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