Search results for ""author victoria"

To save her home, she faces a difficult choice.When Rose Hamilton’s mother died in childbirth, her father, a farmer on the royal Sandringham estate, turned his back on the daughter whose birth killed his beloved wife. Rose’s one joy is Orchards, her father’s beloved farm. When he collapses, it is left to Rose to manage their land and do battle with their landlord Bertie, the lecherous Prince of Wales, who quickly turns vindictive. Faced with more family tragedy, Rose is left with a choice to make – either she must marry in order to stay on at Orchards, or leave the farm.Reliable Basil Pooley has been in love with Rose for years, though Rose has never returned his feelings. But Geoffrey Devlin, a man she has both loved and hated in equal measure since she was a girl, is an impossibility. Will she be forced into a marriage with somebody she does not love, or can she find a way to save her beloved home?An engaging saga set in Victorian Norfolk, perfect for fans of Rosie Harris and Iris Gower.

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Articles on religion and the religious during the Victorian period, showing its unity and disunity. The major themes of Catholic historiography and the history of education during the Victorian era unite the essays collected here, as is fitting for a volume honouring the work in these fields of Professor Vincent Alan McClelland.There is a particular emphasis upon the life and work of Cardinal Manning; other figures and topics considered include Father Randal Lythgoe, Cardinal Newman, the English Benedictine contribution to the British Empire, modern Scottish Catholic history, and Victorian Christianity in its various forms, as in the essays on Methodism and the Church of Ireland.

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A spellbinding concoction of crime, history and horror, perfect for fans of Sherlock Holmes and Jonathan Creek'A hugely entertaining Victorian mystery' NEW YORK TIMES'I enjoyed this - properly creepy and Gothic' IAN RANKIN_______New Year's Day, 1889.In Edinburgh's lunatic asylum, a patient escapes as a nurse lays dying. Leading the manhunt are legendary local Detective 'Nine-Nails' McGray and Londoner-in-exile Inspector Ian Frey. Before the murder, the suspect was heard in whispered conversation with a fellow patient - a girl who had been mute for years.What made her suddenly break her silence? And why won't she talk again? Could the rumours about black magic be more than superstition?McGray and Frey track a devious psychopath far beyond their jurisdiction, through the worst blizzard in living memory, into the shadow of Pendle Hill - home of the Lancashire witches - where unimaginable danger awaits . . ._______Praise for The Strings of Murder:'This is wonderful. A brilliant, moving, clever, lyrical book - I loved it' Manda Scott'One of the best debuts so far this year - a brilliant mix of horror, history, and humour. Genuinely riveting with plenty of twists, this will keep you turning the pages. It's clever, occasionally frightening and superbly written. Everything you need in a mystery thriller' Crime Review

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In Victorian Britain scientific medicine encompassed an array of activities, from laboratory research and the use of medical technologies through the implementation of sanitary measures that drained canals and prevented the adulteration of milk and bread. Although most practitioners supported scientific medicine, controversies arose over where decisions should be made, in the laboratory or in the clinic, and by whom-medical practitioners or research scientists. In this study, Terrie Romano uses the life and eclectic career of Sir John Burdon Sanderson (1829-1905) to explore the Victorian campaign to make medicine scientific. Sanderson, in many ways a prototypical Victorian, began his professional work as a medical practitioner and Medical Officer of Health in London, then became a pathologist and physiologist and eventually the Regius Professor of Medicine at Oxford. His career illustrates the widespread support during this era for a medicine based on science. In Making Medicine Scientific, Romano argues this support was fueled by the optimism characteristic of the Victorian age, when the application of scientific methods to a range of social problems was expected to achieve progress. Dirt and disease as well as the material culture of experimentation -from frogs to photographs-represent the tangible context in which Sanderson lived and worked. Romano's detailed portrayal reveals a fascinating figure who embodied the untidy nature of the Victorian age's shift from an intellectual system rooted in religion to one based on science.

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This book broadens the discussion of pottery and china in the Victorian era by situating them in the national, imperial, design reform, and domestic debates between 1840 and 1890. Largely ignored in recent scholarship, Ceramics in the Victorian Era: Meanings and Metaphors in Painting and Literature argues that the signification of a pot, a jug, or a tableware pattern can be more fully discerned in written and painted representations. Across five case studies, the book explores a rhetoric and set of conventions that developed within the representation of ceramics, emerging in the late-18th century, and continuing in the Victorian period. Each case study begins with a textual passage exemplifying the outlined theme and closes with an object analysis to demonstrate how the fusing of text, image, and object are critical to attaining the period eye in order to better understand the metaphorical meanings of ceramics. Essential reading not only for ceramics scholars, but also those of material culture, the book mines the rich and diverse archive of Victorian painting and literature, from the avant-garde to the sentimental, from the well-known to the more obscure, to shed light on the at once complex and simple implications of ceramics’ agencies at this time.

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Physically frail, badly educated girls, brought up to lead useless lives as idle gentlewomen, married to dominant husbands, and relegated to "separate spheres" of life—these phrases have often been used to describe Victorian upper-middle-class women. M. Jeanne Peterson rejects such formulations and the received wisdom they embody in favor of a careful examination of Victorian ladies and their lives. Focusing on a network of urban professional families over three generations, this book examines the scope and quality of gentlewomen's education, their physical lives, their relationship to money, their experience of family illness and death, and their relationships to men (brothers and friends as well as fathers and husbands). Peterson also examines the prominent place of work in the lives of these "leisured" Victorian ladies, both single and married. Far from idle, the mothers, wives, and daughters of Victorian clergymen, doctors, lawyers, university dons, and others were accomplished and productive members of society who made substantial public and private contributions to virtually every sphere of Victorian life.

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Here is a bold new vision of Victorian culture: a study of myths of womanhood that shatters the usual generalizations about the squeezed, crushed, and ego-less Victorian woman.Through copious examples drawn from literature, art, and biography, Nina Auerbach reconstructs three central paradigms: the angel/demon, the old maid, and the fallen woman. She shows how these animate a pervasive Victorian vision of a mobile female outcast with divine and demonic powers. Fear of such disruptive, self-creating figures, Auerbach argues, produces the approved ideal of the dutiful, family-bound woman. The awe they inspire associates them with characters in literature, the only vehicles of immortality in whom most Victorians could unreservedly believe.Auerbach looks at a wonderful variety of sources: Svengali, Dracula, and Freud; poets and major and minor novelists Carlyle, John Stuart Mill, and Ruskin; lives of women, great and unknown; Anglican sisterhoods and Magdalen homes; bardolatry and the theater; Pre-Raphaelite paintings and contemporary cartoons and book illustrations. Reinterpreting a medley of fantasies, she demonstrates that female powers inspired a vivid myth central to the spirit of the age.

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On May 11, 1857, Hindu and Muslim sepoys massacred British residents and native Christians in Delhi, setting off both the whirlwind of similar violence that engulfed Bengal in the following months and an answering wave of rhetorical violence in Britain, where the uprising against British rule in India was often portrayed as a clash of civilization and barbarity demanding merciless retribution. Although by twentieth-century standards the number of victims was small, the Victorian public saw "the Indian Mutiny" of 1857-59 as an epochal event. In this provocative book, Christopher Herbert seeks to discover why. He offers a view of this episode--and of Victorian imperialist culture more generally--sharply at odds with the standard formulations of postcolonial scholarship. Drawing on a wealth of largely overlooked and often mesmerizing nineteenth-century texts, including memoirs, histories, letters, works of journalism, and novels, War of No Pity shows that the startling ferocity of the conflict in India provoked a crisis of national conscience and a series of searing if often painfully ambivalent condemnations of British actions in India both prior to and during the war. Bringing to light the dissident, disillusioned, antipatriotic strain of Victorian "mutiny writing," Herbert locates in it key forerunners of modern-day antiwar literature and the modern critique of racism.

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'A Victorian Tragedy', for the first time, describes how the landmark court case of Banks v Goodfellow (1870) came about, what happened to the protagonists and how an enlightened judgment provided a practical definition of testamentary capacity that has since been used throughout the common law world law. This fascinating story is set against the backdrop of the mid-Victorian world and how it affected the lives of those caught up in the case. Set in the Lake District, around Keswick, the central issue was the mental illness of the testator, John Banks, and how he coped with living in a world that often derided his paranoia – “From the appearance of the man anyone would take him for a person out of his mind” as a local clergyman put it. The lives of John’s relatives were scarred, and often ended early, by other illnesses common at that time, but these lives also interweave with 19th century issues of emigration, marriage reform and early mortality. Extensive use is made of original court papers and contemporary newspaper reports, both from the national and local press, to present the picture that was placed before the court of how John Banks was affected by his insane delusions. The conduct of the Assize court hearing is explained, together with how the court and jury dealt with the radically opposed evidence from either side. 'A Victorian Tragedy; covers this case in detail not previously dealt with before and offers a different approach to re-evaluate an important case in the context of its time and the treatment of the insane in the 19th century. While the book will undoubtedly appeal to lawyers, the book’s portrayal of a mid-Victorian family and the treatment of the insane will also be of interest to the more general reader.

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Though underexplored in contemporary scholarship, the Victorian attempts to turn aesthetics into a science remains one of the more fascinating aspects of that era. As mind and emotion were increasingly understood in terms of biology, aesthetic experience began to be thought of less as abstract judgment and more as an interaction between the nervous system and the materiality of art. In The Outward Mind, Benjamin Morgan approaches this period of innovation as an important origin point for current attempts to understand art or beauty using the tools of the sciences. Moving chronologically from natural theology in the early nineteenth century to laboratory psychology in the early twentieth, Morgan draws on little-known archives of Victorian intellectuals such as William Morris, Walter Pater, John Ruskin, and others, to argue that scientific studies of mind and emotion transformed the way that nineteenth-century writers and artists understood the experience of beauty and effectively redescribed aesthetic judgment as a biological adaptation. Looking beyond the Victorian period to humanistic critical theory today, he also shows how the historical relationship between science and aesthetics could be a vital resource for rethinking aspects of contemporary literary and cultural criticism such as materialism, empathy, practice, and form. At a moment when the tumultuous relationship between the sciences and the humanities is the subject of ongoing debate, Morgan argues for the importance of understanding the arts and sciences as being incontrovertibly intertwined.

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Though underexplored in contemporary scholarship, the Victorian attempts to turn aesthetics into a science remains one of the more fascinating aspects of that era. As mind and emotion were increasingly understood in terms of biology, aesthetic experience began to be thought of less as abstract judgment and more as an interaction between the nervous system and the materiality of art. In The Outward Mind, Benjamin Morgan approaches this period of innovation as an important origin point for current attempts to understand art or beauty using the tools of the sciences. Moving chronologically from natural theology in the early nineteenth century to laboratory psychology in the early twentieth, Morgan draws on little-known archives of Victorian intellectuals such as William Morris, Walter Pater, John Ruskin, and others, to argue that scientific studies of mind and emotion transformed the way that nineteenth-century writers and artists understood the experience of beauty and effectively redescribed aesthetic judgment as a biological adaptation. Looking beyond the Victorian period to humanistic critical theory today, he also shows how the historical relationship between science and aesthetics could be a vital resource for rethinking aspects of contemporary literary and cultural criticism such as materialism, empathy, practice, and form. At a moment when the tumultuous relationship between the sciences and the humanities is the subject of ongoing debate, Morgan argues for the importance of understanding the arts and sciences as being incontrovertibly intertwined.

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From tabloid exposes of child prostitution to the grisly tales of Jack the Ripper, narratives of sexual danger pulsated through Victorian London. Expertly blending social history and cultural criticism, Judith Walkowitz shows how these narratives reveal the complex dramas of power, politics, and sexuality that were being played out in late nineteenth-century Britain, and how they influenced the language of politics, journalism, and fiction. Victorian London was a world where long-standing traditions of class and gender were challenged by a range of public spectacles, mass media scandals, new commercial spaces, and a proliferation of new sexual categories and identities. In the midst of this changing culture, women of many classes challenged the traditional privileges of elite males and asserted their presence in the public domain. An important catalyst in this conflict, argues Walkowitz, was W. T. Stead's widely read 1885 article about child prostitution. Capitalizing on the uproar caused by the piece and the volatile political climate of the time, women spoke of sexual danger, articulating their own grievances against men, inserting themselves into the public discussion of sex to an unprecedented extent, and gaining new entree to public spaces and journalistic practices. The ultimate manifestation of class anxiety and gender antagonism came in 1888 with the tabloid tales of Jack the Ripper. In between, there were quotidian stories of sexual possibility and urban adventure, and Walkowitz examines them all, showing how women were not simply figures in the imaginary landscape of male spectators, but also central actors in the stories of metropolotian life that reverberated in courtrooms, learned journals, drawing rooms, street corners, and in the letters columns of the daily press. A model of cultural history, this ambitious book will stimulate and enlighten readers across a broad range of interests.

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The year 2023 sees the 150th anniversary of the death of William Harry Rogers. Rogers was one of the finest artist-designers of the Victorian period in Britain, someone to be considered in the same company as Pugin, William Burges, Owen Jones and Christopher Dresser. His designs won several prize medals at the Great Exhibition of 1851, the event which provides a ubiquitous reference point for cultural histories of the nineteenth century. He subsequently specialised in designing the appearances of books and his work in this field in the 1850s and 1860s was unrivalled, with many of his designs appearing also in the USA. The present book is the first to be devoted to Rogers and aims to be definitive, containing comprehensive accounts of his work and his life in Soho and the then village of Wimbledon. It includes many new discoveries, and hundreds of colour illustrations.

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Levine shows how Darwin's ideas affected nineteenth-century novelists—from Dickens and Trollope to Conrad. "Levine stands in our day as the premier critic and commentator on Victorian prose."—Frank M. Turner, Nineteenth-Century Literature. "Magnificently written, with a care and delicacy worthy of its subject."—Nina Auerbach, University of Pennsylvania

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By connecting Fenian and anarchist violence found in popular fiction from the 1880s to the early 1900s with the avant-garde writing of British modernism, Deaglan O Donghaile demonstrates that Victorian popular fiction and modernism were directly influenced by the explosive shocks of late nineteenth-century terrorism.

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The Political Poetess challenges familiar accounts of the figure of the nineteenth-century Poetess, offering new readings of Poetess performance and criticism. In performing the Poetry of Woman, the mythic Poetess has long staked her claims as a creature of "separate spheres"--one exempt from emerging readings of nineteenth-century women's political poetics. Turning such assumptions on their heads, Tricia Lootens models a nineteenth-century domestic or private sphere whose imaginary, apolitical heart is also the heart of nation and empire, and, as revisionist histories increasingly attest, is traumatized and haunted by histories of slavery. Setting aside late Victorian attempts to forget the unfulfilled, sentimental promises of early antislavery victories, The Political Poetess restores Poetess performances like Julia Ward Howe's "Battle Hymn of the Republic" and Emma Lazarus's "The New Colossus" to view--and with them, the vitality of the Black Poetess within African-American public life. Crossing boundaries of nation, period, and discipline to "connect the dots" of Poetess performance, Lootens demonstrates how new histories and ways of reading position poetic texts by Felicia Dorothea Hemans, Elizabeth Barrett Browning, Dinah Mulock Craik, George Eliot, and Frances E. W. Harper as convergence points for larger engagements ranging from Germaine de Stael to G.W.F. Hegel, Virginia Woolf, Elizabeth Bishop, Alice Walker, and beyond.

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A tragic death, a murder trial and a 170-year-old mystery – but what really happened? Shortly after Maria Kirwan died in a lonely inlet on Ireland’s Eye, it was decided that she had drowned accidentally during a day spent with her husband on the picturesque island. This inquest verdict appeared to conclude the melancholy events that consumed the fishing village of Howth, Co Dublin, in September 1852. But not long afterwards, suspicion fell upon Maria’s husband, William Burke Kirwan, as whispers of unspeakable cruelty, an evil character and a secret life rattled through the streets of Dublin. Investigations led to William’s arrest and trial for murder. The story swelled into one of the most bitterly divisive chapters in the dark annals of Irish criminal history. Yet questions remain: does the evidence stand up? What role did the heavy hand of Victorian moral outrage play? Was William really guilty of murder, or did the ever present ‘moral facts’ fill in gaps where hard proof was absent? Now, this compelling modern analysis revisits the key evidence, asking sober questions about the facts, half-facts and fantasies buried within the yellowed pages of the Ireland’s Eye case files.

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“The queen of living history” (Lucy Worsley) dazzles anglophiles and history lovers alike with this immersive account of how English women sparked a worldwide revolution—from their own kitchens. Wielding the same wit and passion as seen in How to Be a Victorian, Ruth Goodman shows that the hot coal stove provided so much more than morning tea. As Goodman traces the amazing shift from wood to coal in mid-sixteenth century England, a pattern of innovation emerges as the women stoking these fires also stoked new global industries: from better soap to clean smudges to new ingredients for cooking. Laced with irresistibly charming anecdotes of Goodman’s own experience managing a coal-fired household, The Domestic Revolution shines a hot light on the power of domestic necessity.

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This poetry collection includes verse ranging from the tear-jerking "Green Eye of the Yellow God" to the rarely-printed, bawdy "Eskimo Nell". Much borrowed and rarely returned, this is a very popular book for reading aloud in very good company, preferably after a dram or twa. You are guaranteed a warm welcome if you arrive at a gathering with this little volume in your pocket.

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In the quarter of a century between 1830 and 1855, the railway locomotive developed from the small sisters of Rocketto the broad gauge monsters of Daniel Gooch, with a boiler pressure nearly three times that of Rocketand weighing in at nearly 40 tons (eight times the weight of Rocket). There was a marked increase in loads, speeds and reliability as the railways spread across the country from their cradle in the North West, with several thousands of miles of track being laid. In this book, Anthony Dawson charts the rise and development of the steam locomotive in this crucial period in the development of the railways. Drawing on first-hand accounts, and using case studies based on specific classes of locomotive and their working replicas, he charts the development of the locomotive from Rocket, through the Planet and Patentee classes of Robert Stephenson, Edward Bury's 'coppernobs' and finally Firefly and Iron Duke on Brunel's broad gauge. This is a fascinating and well-illustrated insight into a period of engineering ingenuity and genius.

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December 1864. As a cold winter wind scours the Worcestershire countryside, an excursion train comes through a tunnel in the Malvern Hills to be confronted by a blockage on the line ahead. The driver manages to slow the train down so that the impact is minimised, but the passengers are alarmed. The first person to alight is Cyril Hubbleday, the man in charge of the excursion to the delightful spa town of Great Malvern. He walks to the front of the locomotive and as he is talking to the driver, fireman and guard, Hubbleday is shot dead by a sniper. Christmas is coming all too soon and Inspector Robert Colbeck and Sergeant Victor Leeming are under pressure to solve the case quickly. However, with a number of disputes and enemies in the shadows behind the seasonal excursion and the investigation hampered by heavy snow, the hunt for a cold-blooded killer is far from straightforward.

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Part biography, part detective novel, part love story, and part meditation on archival research, Love Among the Archives is an experiment in writing a life. This is the story of two literary critics’ attempts to track down Sir George Scharf, the founding director of the National Portrait Gallery in London, famous in his day and strangely obscure in our own.

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2011 marks the centenary of the death of Edward Whymper, one of the most important figures in the history of mountaineering. His ascent of the Matterhorn in 1865, and the deaths of four members of his party on the way down, attracted attention throughout the world, bringing him praise and criticism in equal measure. In later years, he largely devoted his life to lecturing and writing guidebooks, touring Britain, Europe and America. Whymper was an early member of the Alpine Club and in the club's archives is a set of magic lantern slides he used to illustrate his lectures. Based on extensive research, former AC Archivist Peter Berg has combined these images with extracts from Whymper's books and diaries and writings by his contemporaries, to recreate the lecture 'My Scrambles amongst the Alps', first given in 1895. These pictures, mostly not seen for 100 years and never been published as a set before, give us a unique glimpse of the mountain world at the end of the 19th century. We visit the Zermatt valley and its peaks, passes and glaciers, experience Whymper's many attempts to climb the Matterhorn, explore the Mont Blanc region, including the ill-fated building of an observatory on the summit, and share some of the joys and sorrows of mountaineering. Setting the lecture in context, is a foreword by the distinguished mountaineer and former AC President, Stephen Venables.

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Until this century, married women had no legal right to hold, use, or dispose of property. Since the ownership of property is a critical measure of social status, the married women's property acts of the nineteenth century were important landmarks in the legal emancipation of women. Reform campaigns represented the first organized attempts by women in Upper Canada to challenge their status in society. Ironically, emancipation was not the first goal of reformers: their demands reflected a concern with protection from economic instability. The laws granting women new rights and privileges were designed to force men to behave more responsibly and to mitigate the worst hardships imposed upon wives by abusive or negligent husbands. The most detailed and complete account of married women's property law reform yet written for any North American jurisdiction, this fascinating study will be of interest to those in the areas of law, women's studies, and nineteenth-century social history.

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1863. Young student, Bernard Pomeroy, flies into a panic when he receives a letter in the early hours of the morning. Leaving a note for a friend with a porter at Corpus Christi College, he rushes for the next train leaving Cambridge. However, shortly after disembarking at his destination, the undergraduate lies dead on the platform. Summoned by the master of the college, Inspector Colbeck and Sergeant Leeming begin to investigate Pomeroy's untimely demise. But it seems that Pomeroy had ruffled many feathers during his short tenure at the University. With academic disputes, sporting rivalry and a clandestine romance in play, the Railway Detective will have to disentangle the many threads of Pomeroy's life in order to answer the truth of his death.

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Biography of Joseph Jenkins (1818-98) who left his family and successful farm in Wales to travel Australia as a farm labourer. His self-improvement through reading led to prizes for his poetry, and his diary is one of the most celebrated sources of information about life in rural Australia then.

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October 1854. As an autumnal evening draws to a close, crowds of passengers rush onto the soon to depart London to Brighton Express. A man watches from shadows nearby, grimly satisfied when the train pulls out of the station. Chaos, fatalities and unbelievable destruction are the scene soon after when the train derails on the last leg of its journey. What led to such devastation, and could it simply be a case of driver error? Detective Inspector Colbeck, dubbed the 'railway detective' thinks not. But digging deep to discover the target of the accident takes time, something Colbeck doesn't have as the killer prepares to strike again.

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December 1864. As a cold winter wind scours the Worcestershire countryside, an excursion train comes through a tunnel in the Malvern Hills to be confronted by a blockage on the line ahead. Although a disastrous derailment is averted, the passengers are alarmed. Cyril Hubbleday, the man in charge of the excursion, alights to investigate further, but the angry altercation with the driver is cut short by a shot from a sniper, straight through Hubbleday's head. Christmas is coming all too soon and Inspector Robert Colbeck and Sergeant Victor Leeming are under pressure to solve the case quickly. However, with enemies in the shadows behind the seasonal trip, and with strong criticism from the local constabulary, the hunt for a cold-blooded killer is far from straightforward.

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How did the Victorians engage with the ancient world? Victorian Culture and Classical Antiquity is a brilliant exploration of how the ancient worlds of Greece and Rome influenced Victorian culture. Through Victorian art, opera, and novels, Simon Goldhill examines how sexuality and desire, the politics of culture, and the role of religion in society were considered and debated through the Victorian obsession with antiquity. Looking at Victorian art, Goldhill demonstrates how desire and sexuality, particularly anxieties about male desire, were represented and communicated through classical imagery. Probing into operas of the period, Goldhill addresses ideas of citizenship, nationalism, and cultural politics. And through fiction--specifically nineteenth-century novels about the Roman Empire--he discusses religion and the fierce battles over the church as Christianity began to lose dominance over the progressive stance of Victorian science and investigation. Rediscovering some great forgotten works and reframing some more familiar ones, the book offers extraordinary insights into how the Victorian sense of antiquity and our sense of the Victorians came into being. With a wide range of examples and stories, Victorian Culture and Classical Antiquity demonstrates how interest in the classical past shaped nineteenth-century self-expression, giving antiquity a unique place in Victorian culture.

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Contents: I. Religion, evolution, and the novel; 1. 1888 and a look backwards; 2. George Eliot, Walter Pater, and Samuel Butler: three types of search; II. George Eliot: the search for a religious tradition; 1. George Eliot and science; 2. George Eliot and the "higher criticism"; 3. George Eliot, Matthew Arnold, and tradition; III. Middlemarch: the balance of a progress; 1. "Heart" and "mind": two forms of progress; 2. "Modes of religion" (a); 3. Modes of religion" (b); 4. The "metaphysics" of Middlemarch; IV. Daniel Deronda: tradition as synthesis and salvation; 1. Middlemarch and the two "worlds" of Daniel Deronda; 2. Hebraism as nationality; 3. Hebraism as religious belief; V. Walter Pater: the search for a religious atmosphere; 1. Pater's "imaginary portraits"; 2. Pater's "religion of sanity"; VI. The "atmospheres" of Marius the Epicurean; 1. The pilgrimage of Marius (a); 2. The pilgrimage of Marius (b); 3. The Christian death of a pagan; VII. Samuel Butler: the search for a religious crossing; 1. The creation of a faith (1859-1872); 2. The consolidation of a faith (1873-1886); VIII. Reality and Utopia in The way of all flesh; 1. The "past selves" of Ernest Pontifex; 2. The conversion of Ernest Pontifex; 3. The creed of Ernest Pontifex; Appendixes; Index Originally published in 1965. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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On 2 August 1876, a young policeman named Constable Nicholas Cock was shot dead while walking ‘the beat’ at Whalley Range, Manchester. A few months later, on the evening of 29 November 1876, Arthur Dyson, an engineer, was murdered in his own backyard at Banner Cross, Sheffield. Charles Peace was Victorian Britain’s most infamous cat burglar and murderer. He was a complex character: ruthless, devious, dangerous, charming, intelligent and creative. Mrs Katherine Dyson identified him as the murderer of her husband, and as the police searched the country for him, Peace was living a life of luxury under another identity in London. One of these murders became the most notorious and scandalous case of the Victorian age, with a tale of illicit romance and a nationwide hunt for Britain’s most wanted man; the other was to become a landmark in British legal history. Although no one suspected a link between them, these two sensational murder cases would, in the end, turn out to be tied together in a way that shocked Victorian society to its core.

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This monograph investigates the promotion and consumption of high musical culture among leisured society in Victorian London, by focusing on the activities of the concert manager John Ella and his Musical Union. This monograph investigates the promotion and consumption of high musical culture among leisured society in Victorian London, by focusing on the activities of the concert manager John Ella and his Musical Union [1845-81], an eminent, long-lived institution for chamber music, much fêted across Europe in its day. It combines a biography of Ella with a social-economic history of the Musical Union, its players, repertoire and audiences, and sets them against the gradually shifting contexts for London concerts, chamber music and cultural life. Ella's extraordinary life story, which began in provincial, artisan-class obscurity and ended in the upper echelons of London society, shapes thenarrative. Such themes as entrepreneurship, concert management, taste shaping, music appreciation and elite social networks are discussed throughout, as is the curious interplay between the desire to 'sacralize' chamber music, especially Beethoven's, on the one hand, and the need to survive amid the increasing commercial imperatives of London concert life on the other. CHRISTINA BASHFORD is Assistant Professor of Musicology at the University of Illinois at Urbana-Champaign.

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From traditional seaside holiday treats like candy floss, ice cream and fish ’n’ chips, to the British fascination for baking, the Victorian era has shaped British culinary heritage. Victoria’s austere attitude after an age of Regency indulgence generated enormous cultural change. Excess and gluttony were replaced with morally upright values, and Victoria’s large family became the centre of the cultural imagination, with the power to begin new traditions. If Queen Victoria’s family sat down to turkey on Christmas day, so did the rest of the nation. Food was a significant part of the Victorians’ lives, whether they had too much of it or not enough. The destitute were fed gruel in the workhouses – the words of Dickens’s Oliver are forever imprinted on our minds: ‘Please, sir, I want some more.’ The burgeoning street traders spilling over from the previous century devolved into a whole new culture of ‘mudlarks’, trotter boilers and food slop traders, to name but a few. Wealthy Victorians gorged with the newly emerging trend for breakfast, lunch and tea. Public dining became de rigeur, and the outdoor ‘pique-nique’, introduced a new way of eating. Victorians also struggled against many of these trends, with the belief that denial of food was a moral good. This was the era of educating and training in food management, combined with the old world of superstition and tradition, that changed British society forever.

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The estranged grandson of a wealthy collector of human curiosities becomes fascinated with teenaged twin sisters, leading them into a web of dark obsessions. A dazzlingly dark gothic novel from the bestselling author of The Somnambulist. 'Makes skilful use of the tropes of Victorian gothic fiction… a story of society’s outsiders seeking acceptance and redemption' Sunday Times Book of the Month ‘Mysterious, sometimes shocking, full of surprises and twists … brimming with Victorian wonders!’ Sean Lusk ‘A magical, macabre masterpiece’ A.J. West ‘Fascinating and immersive’ Anna Mazzola ________________________________Victorian England. A world of rural fairgrounds and glamorous London theatres. A world of dark secrets and deadly obsessions… Twin sisters Keziah and Tilly Lovell are identical in every way, except that Tilly hasn't grown a single inch since she was five. Coerced into promoting their father's quack elixir as they tour the country fairgrounds, at the age of fifteen the girls are sold to a mysterious Italian known as ‘Captain’. Theo is an orphan, raised by his grandfather, Lord Seabrook, a man who has a dark interest in anatomical freaks and other curiosities … particularly the human kind. Resenting his grandson for his mother’s death in childbirth, when Seabrook remarries and a new heir is produced, Theo is forced to leave home without a penny to his name. Theo finds employment in Dr Summerwell’s Museum of Anatomy in London, and here he meets Captain and his theatrical ‘family’ of performers, freaks and outcasts. But it is Theo’s fascination with Tilly and Keziah that will lead all of them into a web of deceits, exposing the darkest secrets and threatening everything they know… Exploring universal themes of love and loss, the power of redemption and what it means to be unique, The Fascination is an evocative, glittering and bewitching gothic novel that brings alive Victorian London – and darkness and deception that lies beneath… ________________________________ ‘Essie Fox follows in the footsteps of Angela Carter and AS Byatt with an adult fairy tale that delves into the darkest compulsions of human nature … an opium trance of a novel, a vivid fantasmagoria’ Noel O’Reilly ‘Deliciously dark, full of twists and surprises’ Liz Hyder ‘Filled with gothic darkness and glorious hope’ Liz Fenwick ‘Rich, dark and heady … a glorious gothic carnival’ Kate Griffin ‘Truly unexpected and original’ Kate Forsyth ‘Beautifully researched, full of horrors and delights … a chilling, thrilling slice of Victorian gothic’ Bridget Walsh ‘A cast of characters Dickens would be proud of’ Frances Quinn ‘A dizzying potion of a novel’ Polly Crosby ‘A twisty, gothic treat … wild and wonderful cast of characters’ Rebecca John ‘Rich in peril, tempered with strange, theatrical beauty’ Kate Mascarenhas ‘A wonderful, captivating carnival’ Elizabeth Fremantle ‘Haunting and emotive’ Gill Paul ‘A gorgeously gothic slice of Victoriana’ Katherine Clements ‘Beautifully controlled … exceptional storytelling, exquisitely told’ Nydia Hetherington ‘A beautiful, haunting tale peopled by a thrilling set of living, breathing characters … very fine historical fiction’ Emma Carroll ‘So inventive and surprising … beautiful writing, unforgettable characters’ Juliet West ‘A sumptuous, gothic treat that will reel you in and not let you go until the final page. Bravo!’ Caroline Green ‘Essie Fox is the mistress of gothic Victoriana … utterly beguiling and rendered in exquisite detail … a wonderful, captivating carnival of a novel’ Elizabeth Fremantle ‘Wonderfully vivid and touching … extraordinary’ Adele Geras ‘I loved this story of a group of wonderful “others” fighting to find their place and purpose in a glittering, but unforgiving, Victorian England’ Marika Cobbold ‘Atmospheric, gripping and ultimately uplifting’ Karen Coles ‘Richly detailed, beautifully written … a fascinating read’ Michael J Malone ‘The very best kind of gothic’ Lianne Dillsworth ‘Masterful’ Louise Swanson ‘A kaleidoscopic, twisting, devilish novel guaranteed to dazzle and delight. I was utterly beguiled’ Dan Bassett, Bookseller

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The dramatic history of planet Earth and the rocky road to understanding the past A probing account of the history of the earth and an introduction to the many eccentric characters that have attempted to understand its origins. Full of fascinating anecdotes about 19th century explorers and natural philosophers who first carved up Earth's history just as others were carving up the globe. Unravels the fascinating history of rock strata and the implications they have had on accepted theories on the Earth's life. Considers the future of the earth, and what a repeat of some of the catastrophic events of the earth's past, such as major earthquakes and asteroid collisions, could mean for life today.

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Explore the Victorians who lived in a time of great progress and change. Find out how factories and towns grew incredibly fast, and the British Empire reached its largest size. Discover the advances in transport, industry and architecture, and learn about the lives of both rich and poor.Read about Queen Victoria's long life and reign, the great Victorian buildings, ideas and inventions. Discover the working conditions in the mines and factories and a day in the life of a Victorian schoolchild. The Explore! series delves into the most fascinating topics around for children at Key Stage 2, looking at the topic through a variety of subjects including design and technology, geography, art, literacy and numeracy.

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'An enthralling read' -- DAILY MAILIn the gripping new novel by the author of The Fourteenth Letter, a lawyer in Victorian London must find a man he got off a murder charge - and who seems to have killed again . . . Victorian London, 1882.Five years ago, crusading lawyer Cage Lackmann successfully defended Moses Pickering against a charge of murder. Now, a body is found bearing all the disturbing hallmarks of that victim - and Pickering is missing. Cage's reputation is in tatters, and worse, he is implicated in this new murder by the bitter detective who led the first failed case. Left with no other alternative, Cage must find Pickering to prove his innocence. Did Cage free a brutal murderer? Or is there something more sinister at work?PRAISE FOR CLAIRE EVANS'A darkly brilliant romp packed with intrigue and romance . . . curl up and prepare to become immersed'Heat'Exuberant plotting and witty prose. Great fun'The Times'Claire Evans has created a cast of deliciously sinister and mysterious characters. A hugely satisfying read'Good Housekeeping'If you enjoyed Kate Mosse's Labyrinth or Jessie Burton's The Miniaturist, then chances are you're going to love this new thriller' Hello Magazine

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Venture into the woods alongside a pioneering female mycologist. This one-of-a-kind, keepsake volume celebrates the timeless fascination of fungi.Very little is known about M. F. Lewis—not even her first name. Mysterious, prolific, and deeply enamored with the world of mushrooms, she left us a treasure trove of mycological illustrations. For over forty years, from 1860 to 1902, Lewis rambled across England and Wales, recording an astonishing biodiversity of fungi. Her delicately drawn, boldly colored images evoke the strange and powerful beauty of this kingdom. This handsome volume collects hundreds of Lewis's watercolors, contextualized by a foreword from mycologist Dr. Patricia Ononiwu Kaishian. It's a must-have for today's mushroom lovers who are curious about the history of mycology and for any admirer of vintage botanical illustration who wants to discover something different.FASCINATING FUNGI: Mushrooms are having a real moment, but they've always captured our imaginations, even in Victorian times. Lewis's gorgeous artwork offers the modern mushroom fan a new way to appreciate their favorite kingdom. VINTAGE AESTHETIC: This lovely clothbound volume evokes the magic of uncovering a treasure in a jumbled vintage bookstore. FEMINIST HISTORY: While little is known of the elusive M. F. Lewis, we can celebrate the legacy that she and other female naturalists of the 19th century left for women in science and art today. ARTFUL SCIENCE: Lewis's illustrated field notes showcase the intersection of art and science at its best.Perfect for: Mushroom hunters, eaters, and admirers Fans of cottagecore and goblincore aesthetics Collectors of vintage books and vintage botanical illustration Collectors of Victorian ephemera Readers of feminist history Environmentalists, scientists, and artists

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How did the emigration of nineteenth-century Britons to colonies of settlement shape Victorian literature? Philip Steer uncovers productive networks of writers and texts spanning Britain, Australia, and New Zealand to argue that the novel and political economy found common colonial ground over questions of British identity. Each chapter highlights the conceptual challenges to the nature of 'Britishness' posed by colonial events, from the gold rushes to invasion scares, and traces the literary aftershocks in familiar genres such as the bildungsroman and the utopia. Alongside lesser-known colonial writers such as Catherine Spence and Julius Vogel, British novelists from Dickens to Trollope are also put in a new light by this fresh approach that places Victorian studies in a colonial perspective. Bringing together literary formalism and British World history, Settler Colonialism in Victorian Literature describes how what it meant to be 'British' was re-imagined in an increasingly globalized world.

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