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Obstetric anaesthesia is a specialized practice and covers the entire range of pain relief throughout normal labor as well as general anaesthesia for special procedures such as caesarian section. While there is a specialist group based at main teaching centers who practice obsteric anaesthesia exclusively, the majority of anaesthetists are based at smaller hospitals where there is no such specialist. Consequently, it is essential that all anaesthetists are familiar with the anaesthetic requirements of normal labor, and of all but the most extreme cases of abnormal labor. While this book is written for the specialist in obstetric anaesthesia, it is also ideal for trainee anaesthetists. It provides enough information for the final FRCA examination, but also contains sufficient detail on the various clinical problems that may present at any stage in their future career. The underlying principle is that the anaesthetist must understand the physiology of labor in normal and abnormal situations as well as the interventions of his obstetric colleagues in order to practice safely and effectively. The book will replace J. Selwyn Crawford's text, which presented a personal view, backed by his extensive research experience of obstetric anaesthesia.

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On the island of Ponape in the South Pacific, the cold light of a full moon washes over the crumbling ruins of an ancient, vanished civilization. Unleashed from the depths is the Dweller, a glittering, enigmatic force of monstrous terror and radiant beauty that stalks the South Pacific, claiming all in its path. An international expedition led by American Walter Goodwin races to save those who have fallen victim to the Dweller. The dark mystery behind the malevolent force is Muria, a forgotten, mythic world deep within the earth that is home to a legendary people intent on reclaiming what was theirs long ago. This commemorative edition of The Moon Pool features an introduction by Robert Silverberg, a review of the first edition, and a glossary of the Murian language.

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Part of Pluto's 21st birthday series Get Political, which brings essential political writing in a range of fields to a new audience. A. Sivanandan is a highly influential thinker on race, racism, globalisation and resistance. Since 1972, he has been the director of the Institute of Race Relations and the editor of Race & Class, which set the policy agenda on ethnicity and race in the UK and worldwide. Sivanandan has been writing for over forty years and this is the definitive collection of his work. The articles selected span his entire career and are chosen for their relevance to today's most pressing issues. Included is a complete bibliography of Sivanandan’s writings, and an introduction by Colin Prescod (chair of the IRR), which sets the writings in context. This book is highly relevant to undergraduate politics students and anyone reading or writing on race, ethnicity and immigration.

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Plotinus (204/5-270 CE) was the first and greatest of Neoplatonic philosophers. His writings were edited by his disciple Porphyry, who published them many years after his master's death in six sets of nine treatises each (the Enneads).Plotinus regarded Plato as his master, and his own philosophy is a profoundly original development of the Platonism of the first two centuries of the Christian era and the closely related thought of the Neopythagoreans, with some influences from Aristotle and his followers and the Stoics, whose writings he knew well but used critically. He is a unique combination of mystic and Hellenic rationalist. His thought dominated later Greek philosophy and influenced both Christians and Moslems, and is still alive today because of its union of rationality and intense religious experience.In his acclaimed edition of Plotinus, Armstrong provides excellent introductions to each treatise. His invaluable notes explain obscure passages and give reference to parallels in Plotinus and others.

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The preeminent orator of ancient Athens.Demosthenes (384–322 BC), orator at Athens, was a pleader in law courts who later became also a statesman, champion of the past greatness of his city and the present resistance of Greece to Philip of Macedon’s rise to supremacy. We possess by him political speeches and law-court speeches composed for parties in private cases and political cases. His early reputation as the best of Greek orators rests on his steadfastness of purpose, his sincerity, his clear and pungent argument, and his severe control of language. In his law cases he is the advocate, in his political speeches a castigator not of his opponents but of their politics. Demosthenes gives us vivid pictures of public and private life of his time. The Loeb Classical Library edition of Demosthenes is in seven volumes.

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Antiquity’s satirist supreme.Lucian (ca. AD 120–190), the satirist from Samosata on the Euphrates, started as an apprentice sculptor, turned to rhetoric and visited Italy and Gaul as a successful traveling lecturer before settling in Athens and developing his original brand of satire. Late in life he fell on hard times and accepted an official post in Egypt.Although notable for the Attic purity and elegance of his Greek and his literary versatility, Lucian is chiefly famed for the lively, cynical wit of the humorous dialogues in which he satirizes human folly, superstition, and hypocrisy. His aim was to amuse rather than to instruct. Among his best works are A True Story (the tallest of tall tales about a voyage to the moon), Dialogues of the Gods (a "reductio ad absurdum" of traditional mythology), Dialogues of the Dead (on the vanity of human wishes), Philosophies for Sale (great philosophers of the past are auctioned off as slaves), The Fisherman (the degeneracy of modern philosophers), The Carousal or Symposium (philosophers misbehave at a party), Timon (the problems of being rich), Twice Accused (Lucian's defense of his literary career) and (if by Lucian) The Ass (the amusing adventures of a man who is turned into an ass).The Loeb Classical Library edition of Lucian is in eight volumes.

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'Stallings's new translation of Hesiod's Works and Days - witty, gritty, and unsettlingly relevant - is not to be missed' TLS, Books of the YearSHORTLISTED FOR THE 2019 RUNICMAN AWARDA new verse translation of one of the foundational ancient Greek works by the award-winning poet A. E. Stallings.Hesiod was the first self-styled 'poet' in western literature, revered by the ancient Greeks. Ostensibly written to chide and educate his lazy brother, Works and Days tells the story of Pandora's jar and humanity's place in a fallen world. Blending the cosmic and the earthy, and mixing myth, lyrical description, personal asides, astronomy, proverbs and down-to-earth advice on rural tasks and rituals, it is also a hymn to honest toil as man's salvation. This vibrant new verse translation by award-winning poet A. E. Stallings conveys the clarity and unexpected humour of a founding work of classical literature.

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The faculty at the University of Houston's program in Futures Studies share their comprehensive, integrated approach to preparing foresight professionals and assisting others doing foresight projects. Provides an essential guide to developing classes on the future or even establishing whole degree programs.

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Occasionally zany zoological lore.Aelian (Claudius Aelianus), a Roman born ca. AD 170 at Praeneste, was a pupil of the rhetorician Pausanias of Caesarea, and taught and practiced rhetoric. Expert in Attic Greek, he became a serious scholar and studied history under the patronage of the Roman empress Julia Domna. He apparently spent all his life in Italy where he died after AD 230.Aelian’s On the Characteristics of Animals, in 17 books, is a collection of facts and beliefs concerning the habits of animals drawn from Greek authors and some personal observation. Fact, fancy, legend, stories, and gossip all play their part in a narrative that is meant to entertain. If there is any ethical motive, it is that the virtues of untaught yet reasoning animals can be a lesson to thoughtless and selfish mankind. The Loeb Classical Library edition of this work is in three volumes.The Historical Miscellany (LCL 486) is of similar nature. In 14 books, it consists mainly of historical and biographical anecdotes and retellings of legendary events. Some of Aelian’s material is drawn from authors whose works are lost.Aelian’s Letters—portraying the affairs and country ways of a series of fictitious writers—offer engaging vignettes of rural life. These are available in LCL 383.

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No poet has been more wilfully contradictory than John Donne, whose works forge unforgettable connections between extremes of passion and mental energy. From satire to tender elegy, from sacred devotion to lust, he conveys an astonishing range of emotions and poetic moods. Constant in his work, however, is an intensity of feeling and expression and complexity of argument that is as evident in religious meditations such as 'Good Friday 1613. Riding Westward' as it is in secular love poems such as 'The Sun Rising' or 'The Flea'. 'The intricacy and subtlety of his imagination are the length and depth of the furrow made by his passion,' wrote Yeats, pinpointing the unique genius of a poet who combined ardour and intellect in equal measure.

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Composed in the early thirteenth century, Wolfram von Eschenbach's Parzival is the re-creation and completion of the story left unfinished by its initiator Chrétien de Troyes. It follows Parzival from his boyhood and career as a knight in the court of King Arthur to his ultimate achievement as King of the Temple of the Grail, which Wolfram describes as a life-giving Stone. As a knight serving the German nobility in the imperial Hohenstauffen period, the author was uniquely placed to describe the zest and colour of his hero's world, with dazzling depictions of courtly luxury, jousting and adventure. Yet this is not simply a tale of chivalry, but an epic quest for spiritual education, as Parzival must conquer his ignorance and pride and learn humility before he can finally win the Holy Grail.

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Is that a little boat, or a huge ship? Is that a small house, or a small house being hoisted by a giant crane? Each spread of this cleverly designed board book reveals a surprising size opposite that makes for a novel way for toddlers to learn about words and concepts. Here's a lift-the-flap board book that's bigger—and smaller—than the average concept book.

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La monographie consacree par Sr Afifa Gaith aux idees de deux intellectuels chretiens arabes du 20e siecle est divisee en trois grandes parties, qui traitent successivement de la place de Dieu, du Christ et de l'Eglise dans leur pensee. Se fondant sur leurs oeuvres completes et se referant a une bibliographie impressionnante, l'auteur nous presente un examen tres approfondi de toutes les parties composantes de la religion chretienne vecue par ces deux penseurs de l'Orient. Cet ouvrage constitue la premiere etude scientifique d'une pensee religieuse trop longtemps negligee, mais extremement importante pour comprendre les idees et les valeurs, et donc le comportement des milieux chretiens orientaux, sous l'inspiration de leurs grands philosophes et intellectuels.

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Suffering in Babylon comprises a series of studies on Ludlul bel nemeqi. Part One examines the modern scholarship surrounding the poem’s textual reconstruction and translation. Ludlul exists today as a composite text, pieced together over the last 180 years from dozens of cuneiform tablets and fragments from various archaeological sites. With these disparate sources, Assyriologists have reconstructed three quarters of the poem’s original text, which is here translated anew with extensive epigraphic and philological notes. Part Two explores the historical contexts of the poem and its reception among first-millennium scribes. Whether the poem’s protagonist is the historical Subsi-mesrê-Sakkan or not, his experiences as described in the poem provide insight into the worldview and concerns of the ancient scholars among whom the poem’s author was counted, likely from the ranks of the exorcists. The protagonist’s experience with divine revelation sheds light on those scholars’ divinatory worldview. The anatomical and pathological vocabulary used to describe his suffering compares well to the vocabulary in exorcism texts. The ritual failures he experiences reflect the poem’s institutional agenda. And the structure and language of his first person account shows intertextual connections with incantation prayers, a genre distinctive to exorcism. The poem’s subsequent incorporation into various scribal curricula and tablet collections demonstrates the poem’s cultural stature among first-millennium scribes, who wrote a commentary on Ludlul and used the text in the creation of others. Part Three offers a comparative study that bridges the ancient and modern scholarly horizons. Drawing on both ancient and modern scholarship, it compares the protagonist’s experience of the alû demon with the clinical condition known today as sleep paralysis. The book’s underlying goal is to illustrate the potential of a multi-perspectival approach to Akkadian literature that acknowledges the contexts of both ancient and modern scholars involved in producing meaningful readings of this ancient literary gem.

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The Forts of North Omdurman volume presents research aimed at establishing when and why a group of nine forts were built in Upper Nubia (modern Sudan). These defences resemble late Roman fortlets commonly found in the Egyptian Eastern Desert and elsewhere in the Roman Empire. The nine forts were irregularly positioned within a 550km section of the Middle Nile Valley, a land which was never subject to Roman authority. Excavations were conducted at the three southernmost forts situated on the outskirts of modern Omdurman. The methodology chosen was designed to define the possible chronological limits of the defences and to identify the remains left by the first settlers. The chapters include a detailed analysis of the forts’ architecture, stratigraphy, pottery, beads, plaster, animal and plant remains supplemented by a series of radiocarbon dates. The result is a new insight into the dynamic beginnings of the forts and the challenges faced by the rulers of the medieval Kingdom of Alwa in the 6th and 7th centuries AD.

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Le discours en style direct est un procédé narratif qui, dans les récits bibliques, contribue de façon significative à caractériser les personnages. Que l’un de ceux-ci prononce un discours plus ou moins long dans l’interaction d’un dialogue ou dans un monologue public, le contenu de ses paroles, la manière dont il y présente les faits, la situation ou les autres protagonistes, la rhétorique et le ton qu’il emploie, la finalité qu’il poursuit et le résultat qu’il obtient, tout cela contribue puissamment à son portrait construit par le récit. Lorsqu’un autre personnage lui adresse la parole ou parle de lui, d’autres éléments de caractérisation peuvent en être déduits en étudiant les mêmes paramètres. De façon plus particulière, les monologues intérieurs jouent un rôle déterminant dans la caractérisation car ils reflètent plus authentiquement le personnage, et cela qu’ils accompagnent ou non un discours adressé à d’autres. Assimilés à ces monologues, les mots confiés à un(e) confident(e) ou à Dieu dans une prière sont tout aussi significatifs. Quant au «discours indirect libre», il fournit de précieux éléments de caractérisation dans la mesure où il reflète le point de vue du personnage. La trentaine de contributions publiées dans cet ouvrage cherchent à préciser les contours et les traits principaux de ce procédé narratif multiforme, en particulier dans les deux testaments bibliques, y compris le corpus paulinien.

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La réalité d’une école néoplatonicienne latine fait débat depuis de nombreuses années. Les interrogations se bousculent donc à son sujet. A-t-elle vraiment existé, structurée par une tendance doctrinale et des représentants conscients d’y appartenir, ou n’y eut-il que des auteurs d’expression latine dispersés, qui se sont référés, chacun à sa manière, avec des objectifs et des résultats différents, aux penseurs néoplatoniciens grecs ? Les multiples emprunts faits à ces derniers que l’on peut y repérer trahissent-ils une adhésion plus ou moins profonde au système qui les sous-tend, ou ne sont-ils que la manifestation d’une réception superficielle et d’une pure instrumentalisation ? Peut-on concevoir un tel mouvement en dehors du commentarisme strict ? Le néoplatonisme chrétien serait-il le seul à avoir constitué une tradition, renvoyant le courant païen à la nébuleuse évoquée ? C’est à ce genre de questions, et à certaines autres, que le présent recueil s’efforce de répondre, en parcourant, sous divers éclairages, plus de mille ans d’histoire de la pensée occidentale.

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Les écrits anti-sarrasins de Pierre le Vénérable ont d’emblée été voulus comme des ouvrages de controverse, ancrés dans le sillage de la traduction latine que leur responsable commanda du Coran et de documents symptomatiques de la religion coranique, dont l’objectif affiché ne souffre aucune nuance : informer pour réfuter, pourfendre, extirper le mal d’une confession hérésio-diabolique. L’entreprise témoigne d’un authentique effort, sans précédent aucun, de connaissance et d’analyse, honnête et perspicace dans la mesure de la fidélité de sa latinisation, pour rendre inattaquable le dossier à charge qu’il constitue dans le procès sans véritable plaidoirie de la foi musulmane. Il s’agit d’acculturer pour rejeter et exclure, de transmettre pour démettre. Visible et identifiable, l’ennemi n’en est que plus vincible. L’orthodoxie porte en son nom sa rigidité ; il faut y céder sans dévier et veiller à éradiquer la moindre plaie qui peut l’entamer plus avant, afin d’endiguer en même temps tout autre dessein hégémonique.

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This volume surveys the brief accounts of Israelite history written in Hebrew, Aramaic, and Greek between the third century BCE and the first century CE and found in compositions that did not enter the Hebrew biblical canon. Engaging in a detailed discussion of study cases and collective analysis of over forty texts, it demonstrates the affinities this category exhibits with “biblical” summaries and the influence it betrays of Hellenistic and early-Roman period literary conventions. Inter alia, the novel features it displays and new topics with which it deals, the focus it places on individual figures, and the interest it displays in the temporal axis of history reflect a process of cross-fertilization. The reviews of Israelite history that date from this period are thus hybrid artifacts that blend the conventions governing the “biblical” historical summaries with those of other literary models—such as genealogies, lists of examples, and apocalyptic historiography.

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The 12th Origeniana conference took place at the Hebrew University of Jerusalem, Israel, in June 2017. The theme of the conference was Origen’s Legacy in the Holy Land – A Tale of Three Cities: Jerusalem, Caesarea and Bethlehem. The present volume contains a large selection from the papers that were given at the conference. Many of the papers discuss various aspects and new perspectives of Origen’s career and legacy in the Holy Land in the broad sense. As was the case also in previous conferences, there was an opportunity to deliver papers on other aspects of current Origen research. The volume contains five sections: Jerusalem and the Holy Land: Historical and Mystical Geography; The School of Caesarea and Eusebius; Origen’s Latin Legacy: Rufinus and Jerome; Tradition, Innovation, and Heritage: Origen’s Exegesis and Theology; and The Origenist Legacy: From Evagrius to Balthasar.

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Dans sa longue carrière de bibliste et d’enseignant, le Prof. Roland Meynet s.j. s’est illustré non seulement par le développement et la promotion d’une méthode d’exégèse dont l’originalité et la fécondité sont à présent bien reconnues, mais aussi par un souci constant, hérité de son maître Paul Beauchamp, de dégager la théologie des textes qu’il étudie en recourant à cette méthode. Une des thématiques au c÷ur de ses intérêts théologiques est le rapport de filiation entre les êtres humains et Dieu. Les textes réunis dans ce recueil d’hommage au Prof. Meynet éclairent, chacun à leur façon, cette réalité aussi riche que variée qu’est la filiation. Sans prétendre faire le tour de cette vaste thématique, ils en développent des aspects essentiels, en particulier dans ses composantes théologiques – lien de filiation entre le Christ et son Père, la filiation des croyants disciples du Christ et fils de Dieu – sans oublier pour autant la filiation humaine et ce qui s’y joue de l’identité et du devenir humain. Caractéristique originale de cet ouvrage, la thématique y est explorée non seulement dans la Bible – en particulier le Nouveau Testament – mais aussi dans d’autres grands textes de la culture occidentale ou universelle, comme par exemple la Règle de St Benoît ou les sages chinois Confucius et Laozi, mais aussi des écrits musulmans ou bouddhistes. L’exploration de ces textes recourt régulièrement à la méthode systématisée par R. Meynet, la rhétorique sémitique.

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This book explores the broad anthropological foundations of spirituality including science, psychology, philosophy, and theology. Human spirituality is an essential topic in both present-day humanistic and scientific debates. Reflection on spirituality leads us to the conclusion that we are formed both as a vessel to receive the grace and presence of God, as well as to be the bearers of God’s image, which is expressed most fully in acts of self-transcendence. In such an approach, the human being emerges as homo theomorphicus et theophoricus. This approach to our nature, finds an equivalent perspective in our spirituality, resulting in a discovery of its receptive-responsive nature. We associate spiritual receptivity with “God-shape-ness”, our state of being formed in the image or likeness of God, that is, theomorphism; our responsiveness engenders “God-bearing-ness”, that is, theophorism. This book is the fruit of extended and intensive research by the author who happens to be a believer. Hence, the last part of it is theological but in its earlier parts it remains faithful to scientific methodology, venturing through neuroscience, psychology and philosophy.

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At the time the expectations related to the Council were rather high. At its convocation Pope John XXIII expressed clearly that he expected nothing less than a new Pentecost from it. In the very last speech of the first session of the Council, Christopher Butler OSB stated: `the theology of the Church is in some way being reborn’ and he reminded the council fathers to see: `we have the opportunity to show to the eyes of the whole world that are turned upon us a new vision of the unchanging Christ’. What has become of this vision, what has become of the spirit and the letter of the Council more than fifty years after its closure? In this volume we have identified several areas where the question of the interpretation of the Council seems by no means settled. They regard divine revelation and human freedom, mission and dialogue, education and vocation, lay and ordained ministry in the Church. In light of the developments since the Council which rise new questions, the interpretation of both, the forgotten and unforgotten documents of Vatican II continues in critical reflection and fruitful discussion of still unresolved but all the more pressing issues.

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Rather than being an event of an aesthetic, sublime or revelatory character, art can be rather understood simply as a habitual productive activity, taking an equal part in the design of quotidian reality as any other tool. The habitual approach to art carries with it several consequences regarding the understanding of the history of art and the theory of artistic production. This habitual approach has its origins in the Scholastic conception of the habitus of art, leaning on the Aristotelian definition of Poiesis. But the habitual approach had also its long history, passing through French Spiritualism in the 19th century, and several other stations in the 20th century. The essay follows Erwin Panofsky’s concept of "mental habit" as a methodological instrument in the history of art. After exposing the principles of a habitual approach to the history of art, the essay continues to follow Panofsky’s essay Gothic Architecture and Scholasticism, trying to trace what was Panofsky in fact conceiving under this term. In the conclusion, the essay suggests some guiding principles for conceiving of a habitus-oriented theory of art, energized by the scholastic approach to the habitus of art and by the method of habitus in the science of history.

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