Search results for ""author fell"

An enthralling and comprehensive look into the contemporary state of one of the wealthiest—and most misunderstood—family dynasties in the world, perfect for fans of Succession and House of Gucci. The Gettys are one of the wealthiest—and most misunderstood—family dynasties. Oil magnate J. Paul Getty, once the richest man in the world, is the patriarch of an extraordinary cast of sons, grandchildren, and great-grandchildren. While some have been brought low by mental illness, drug addiction, and one of the most sensational kidnapping cases of the 20th century, many of Getty’s heirs have achieved great success. In addition to Mark Getty, a cofounder of Getty Images, and Anne G. Earhart, an award-winning environmentalist, others have made significant marks in a variety of fields, from music and viniculture to politics and LGBTQ rights. Now, across four continents, a new generation of lively, unique, and even outrageous Gettys is emerging—and not coasting on the dynasty’s still-immense wealth. August Getty designs extravagant gowns worn by Katy Perry, Cher, and other stars; his sibling, Nats—a fellow LGBTQ rights activist who announced his gender transition following his wedding to transgender icon Gigi Gorgeous—produces a line of exclusive streetwear. Their fascinating cousins include Balthazar, a multi-hyphenate actor-director-DJ-designer; and Isabel, a singer-songwriter and MBA candidate. A far-flung yet surprisingly close-knit group, the ascendant Gettys are bringing this iconic family onto the global stage in the 21st century. Through extensive research, including access to J. Paul Getty’s diaries and love letters, and fresh interviews with family members and friends, Growing Up Getty offers an enthralling and revealing look into the benefits and burdens of being part of today’s world of the ultra-wealthy.

Read more less

'A multiple biography with overlapping chronology is a tricky feat and Buruma pulls it off magnificently.' Ben Macintyre, The TimesOn the face of it, the three characters here seem to have little in common - aside from the fact that each committed wartime acts that led some to see them as national heroes, and others as villains. All three were mythmakers, larger-than-life storytellers, for whom the truth was beside the point. Felix Kersten was a plump Finnish pleasure-seeker who became Heinrich Himmler's indispensable personal masseur - Himmler calling him his 'magic Buddha'. Kersten presented himself after the war as a resistance hero who convinced Himmler to save countless people from mass murder. Kawashima Yoshiko, a gender fluid Manchu princess, spied for the Japanese secret police in China, and was mythologized by the Japanese as a heroic combination of Mata Hari and Joan of Arc. Friedrich Weinreb was a Hasidic Jew in Holland who took large amounts of money from fellow Jews in an imaginary scheme to save them from deportation, while in fact betraying some of them to the German secret police. Sentenced after the war as a traitor and a con artist, he is still regarded by supporters as the 'Dutch Dreyfus'. All three figures have been vilified and mythologized, out of a never-ending need, Ian Buruma argues, to see history, and particularly war, and above all World War II, as a neat tale of angels and devils. In telling their often-self-invented stories, The Collaborators offers a fascinating reconstruction of what in fact we can know about these fantasists and what will always remain out of reach. It is also an examination of the power and credibility of history: truth is always a relative concept but perhaps especially so in times of political turmoil, not unlike our own.

Read more less

This hefty photographic portrait of Rome brings together hundreds of photographs from the 1840s through to today to explore the extraordinary history, beauty, and art of this incomparable cultural capital. From sepia and black and white to color, these outstanding images dating from the 1840s to the present day allow us — through the eyes of such photographers as Giacomo Caneva, Pompeo Molins, Giuseppe Primoli, Alfred Eisenstaedt, Carlo Bavagnoli, Henri Cartier-Bresson, Pasquale De Antonis, Peter Lindbergh, Slim Aarons, and William Klein — to discover Rome in its many compelling guises: as the center of the Roman Empire, as one of the cradles of the Renaissance, as a favorite destination for travelers and a rich patchwork of varied neighborhoods, as the seat of the Roman Catholic Church, a stage for politics, and as the perfect backdrop for film and fashion shoots. Reaching back into illustrious archives, some of the book’s early images offer us a privileged Grand Tour glimpse of some of Rome’s most treasured landmarks, revealing the Colosseum, Roman Forum, and Spanish Steps almost void of crowds. Later pictures survey the city’s contrasts—from the luxurious homes and leisure activities of the privileged to street stalls and laundry lines in the working class districts of Trastevere and Testaccio. Some documentary-style shots show us the dark power of Mussolini, the city bedecked with his own iconography and imagery of strength, athleticism, and the fatherland. As color photography comes in, the city transitions from a neo-realismo aesthetic to postwar recovery and hedonism: all the glamorous gowns, exotic celebrities, and Via Veneto café culture immortalized by Fellini. Many famous faces are here, including Louis Armstrong, Elizabeth Taylor, Audrey Hepburn, Marcello Mastroianni, Sophia Loren, Pier Paolo Pasolini, Anna Magnani, and Valentino.

Read more less

‘Before I ever thought of a project, I began photographing whatever struck me as beautiful, amazing, worth telling about … In all of my work, testimonies have been an important element of the projects.’ Born in Finland, Sirkka-Liisa Konttinen studied in London, founding the Amber Film & Photography Collective with her fellow students, and then moved to North East England in the 1960s. She has been based in Newcastle ever since, deeply rooted in the local community. Focusing on two of her photographic series – Byker (1969–83) and Writing in the Sand (1978–98) – this book captures a working class neighbourhood and reveals the devastating impact that the redevelopment of Newcastle’s East End had on the community, but also the moments of joy of the group outings to the beach. Konttinen’s love for this part of the world is at the heart of these moving but never sentimental pictures. Her photographs and Amber’s films were inscribed in the British section of the UNESCO Memory of the World Register in 2011. The Tate Photography Series is a celebration of international photography in the Tate collection and an introduction to some of the greatest photographers at work today. With the direct involvement of living photographers in collaboration with photography curators, these books showcase the best and most notable images taken across the globe, from city streets to seashores, moving across landscapes and through subcultures, in a visual travelogue of our world. Each book contains a new conversation between curator and photographer and is prefaced with a short introduction. The theme for the first four titles is Community and Solidarity. Also available in this series are: Liz Johnson Artur (978-1-84976-801-6) Sabelo Mlangeni (978-1-84976-802-3) Sheba Chhachhi (978-1-84976-803-0)

Read more less

'Dizzying and fragrant . . . truly a captivating achievement!' Aimee Nezhukumatathil'If you read this book you will be changed . . . this book feels like an actual elixir' Kiese Laymon'A fascinating tale of discovery, wonder, and revolution' Matthew StanleyTwo friends in a Parisian perfume shop make a discovery that will transform our understanding of the world and the origins of life on Earth forever.Set amidst the unforgettable sights and smells of 18th and 19th Century Paris, Elixir tells the story of Edouard Laugier and Auguste Laurent, the son of a perfumer and a fellow aspiring chemist, who met on the Left Bank while pursuing their passion for science. Spurned by the scientific establishment, the pair ended up working out of Edouard's family perfume shop, Laugier père et fils. By day they prepared the revitalizing elixirs and rejuvenating eaux it was famous for, but by night using the ingredients of the perfumery and the principles of alchemy, they pursued the secret of life itself.Elixir reads like a novel, brimming with eccentric characters, experimental daring, and the romance of the Bohemian salon. It is the story of a long-standing scientific puzzle and the struggle to gain acceptance for a new way of thinking about the building blocks of living matter long after those who discovered it were both dead. Yet this is also a story of hope and determination. For while the scientific establishment ridiculed their work at the time, teenage lab assistant Louis Pasteur took it seriously and over the course of an exceptional career, was able to show that their work pointed to a deep, inexplicable asymmetry in the molecular arrangement of living things - an unexplained asymmetry which remains one of science's great mysteries.

Read more less

For the twentieth anniversary of the start of the Matthew Bartholomew series, Sphere is delighted to reissue all of the medieval monk's cases with beautiful new series-style covers.------------------------------------The winter of 1353 has been appallingly wet, there is a fever outbreak amongst the poorer townspeople and the country is not yet fully recovered from the aftermath of the plague. The increasing reputation and wealth of the Cambridge colleges are causing dangerous tensions between the town, Church and University. Matthew Bartholomew is called to look into the deaths of three members of the University of who died from drinking poisoned wine, and soon he stumbles upon criminal activities that implicate his relatives, friends and colleagues - so he must solve the case before matters in the town get out of hand...It's August, 1354, and physician-monk Matthew Bartholomew jumps at the chance to travel to Ely with his friend and colleague Brother Michael, as it will give him a unique opportunity to study in the richly stocked library of the Benedictine priory. Michael has been summoned to the city by his bishop, but it isn't until they arrive that they discover the reason - the bishop has been accused of murder. The charge seems ludicrous, but Michael takes the investigation seriously and energetically sets about his task. At the same time Bartholomew comes across an underground movement of rebellion against the church and the tithes they demand from the laity, and the two men also learn that there has been a spate of burglaries which are being blamed on a band of travellers. Then a fellow of the priory is murdered almost under their noses. Can this death be connected to the others? Are all the killings linked to the burgeoning rebellion in the city?

Read more less

Grand Hotel. My One and Only. Nine. The Best Little Whorehouse in Texas. A Day in Hollywood/A Night in the Ukraine. The Will Rogers Follies. For two decades, Tommy Tune was the maestro presiding over a string of glittering Broadway musicals that took the tradition of complete musical staging by a director-choreographer into a new era defined by spectacle and technology. He was last in a grand lineage led by Jerome Robbins, Gower Champion, Bob Fosse, and Michael Bennett, but also provided a link to a new generation of choreographers-turned-directors like Susan Stroman, Jerry Mitchell, and Casey Nicholaw. Unlike his fellow director-choreographers, Tune also maintained a successful performing career. His nine Tony Awards (plus a tenth, for Lifetime Achievement) were earned across four categories, not only for choreography and direction, but also as both featured and lead actor in a musical, for Seesaw and My One and Only--a distinction no one else can claim. Tune took the musical forward by looking backward, bringing satiric energy and contemporary style to a trove of show business antecedents--from clog dancing to showgirl formations, from precision kick lines to Fred Astaire and Ginger Rogers-style ballroom glides. He did the same with his concert and cabaret performances, drawing on classics from the Gershwins, Irving Berlin, and Cole Porter and performing them not as nostalgia but as vital, immediate statements of personal philosophy. Everything is Choreography: The Musical Theater of Tommy Tune is the first full scale book about the career of this prodigious artist. It celebrates and examines with a critical eye his major projects, and summons for readers a glorious period of dance, performance, and theatrical imagination.

Read more less

' How to Grow Plants from Seeds is a great little book - a hand-holding, step-by-step guide with clear pictures and instructions. It demystifies the process and covers flowers as well as vegetables and herbs. A most useful present for anyone wanting to get started on sowing seeds.' Country Living'Whether you want to grow a cutting garden or a harvest of fresh produce, discover the basic rules for success.' The Garden How To Grow Plants From Seeds does away, once and for all, with the idea that there's something difficult about growing direct from seed. There's no need to rely on the professionals to raise seedlings for you: seeds are not only cheap to buy and environmentally friendly but, if you follow a few basic rules, they're also fantastically rewarding, not least because a single packet will usually leave you with plenty of spares to swap with fellow enthusiasts.Whether you're a novice or an experienced gardener, if you want to nurture an impressive cutting garden or aim to have a bounteous harvest of fruit and vegetables, here's what you need to know, presented in a straightforward and accessible way. You'll discover the basic rules for different seeds, their sowing preferences (Indoor, under cover or direct- to-plot? Surface-sow or cover up? Water or spray?), how long they take to germinate, and how to prick out, pot on and raise your infant plants to become sturdy, productive adults.The book opens with a basic primer showing how seeds work, to give every grower the best chance at success. This is followed by extensive chapters on raising food and flowers from seed with plenty of detailed plant profiles included, and finally there's a guide to collecting seeds from your plants and how to save and swap - so that you, too, can become a seed evangelist.

Read more less

In this explosive first-person account of swapping the White House for the Big House, Donald Trump aims to Make Prison Great Again.MARCH 31It's been two weeks since they put me in The Hole. Very unfair! No-one is treated as unfairly as Trump. Many people say that solitary confinement is a kind of torture. I'm not so sure. I'm getting to spend a lot of time with my favourite person in the world. I say to him: "Mr President, remember when you met Bo Derek at the PGA Tour Championship? She had the hots for you, believe me." And he'll reply: "I agree, Mr President. Also, I was a better golfer than anyone in the tournament.And that's without cheating, which I would never do, believe me."So I'm doing amazing. Incredibly well. Some would say I'm the best Hole Guy ever. Not like those losers who go nuts...Of course the verdict was VERY UNFAIR - they were meant to be a jury of his peers, but none of them were billionaires. Still, the trial got AMAZING ratings. Now locked up in Smallhand State Prison, our presidential protagonist goes full Samuel Pepys and attempts the first BESTSELLER to be written entirely on toilet paper.Life inside is tough for Trump: he experiences withdrawal symptoms from social media and is no longer able to watch Fox News all day. But he soon realises that incarceration isn't a punishment, it's an OPPORTUNITY, and attempts to conquer the clink as he once conquered AMERICA. Can Donald rise to become prison kingpin, smuggling McDonald's Filet-O-Fish and tutoring fellow inmates in the Art of the Deal?Interspersed with reports from Smallhand's resident psychologist, Trump: The Prison Diaries is a satirical riot - The Apprentice meets The Shawshank Redemption. So brace yourself, because orange is the new orange.

Read more less

Based on the popular and revolutionary PBS multiplatform documentary project, an inspiring and striking photographic portrait that brilliantly captures the tumultuous, historic year that was 2020, offering an intimate look at the heart and soul of our national life and what it means to be an American today, revealed through the stories of ordinary people from sea to shining sea.Everyone has a story . . . In January 2020, in celebration of its 50th anniversary, PBS launched an ambitious national storytelling project, American Portrait, inviting people across the country to participate in a national conversation about what it means to be an American today. The multiplatform experience, including a television series that will air on PBS stations nationwide in January 2021, has created a communal voice through the individual stories of participants—each one a unique stitch in the beautiful, diverse quilt that is America. A vivid yet nuanced snapshot of who we are, this visually striking companion volume features more than 400 entries and photographs, all which began with an answer to a simple cue: My American story started when . . .You don’t know what it’s like to . . .My greatest challenge is . . . The tradition I carry on is . . . I was raised to believe . . . What keeps me up at night is . . .I took a risk when . . .When I step outside my door . . . Most days I feel . . . Told by people of all ages, orientations, and walks of life, these unique stories of joy, adversity, love, sacrifice, grief, sharing, triumph, and grace, centered on the themes of family, work, fun, faith, and community, illuminate the struggles, hopes, dreams, and convictions of Americans today. The more we share with our fellow citizens, the more we can see a real, complex, and fascinating representation of our country that is far richer and deeper than headlines and elections tell us. As intriguing, thoughtful, and distinct as the nation it embodies, American Portrait is a photographic manifestation of Walt Whitman’s immortal words, “I am large. I contain multitudes”—and a vital and ultimately hopeful reminder that what we all share is much greater and enduring than what may divide us.

Read more less

Based on the popular and revolutionary PBS multiplatform documentary project, an inspiring and striking photographic portrait that brilliantly captures the tumultuous, historic year that was 2020, offering an intimate look at the heart and soul of our national life and what it means to be an American today, revealed through the stories of ordinary people from sea to shining sea.Everyone has a story . . . In January 2020, in celebration of its 50th anniversary, PBS launched an ambitious national storytelling project, American Portrait, inviting people across the country to participate in a national conversation about what it means to be an American today. The multiplatform experience, including a television series that will air on PBS stations nationwide in January 2021, has created a communal voice through the individual stories of participants—each one a unique stitch in the beautiful, diverse quilt that is America. A vivid yet nuanced snapshot of who we are, this visually striking companion volume features more than 400 entries and photographs, all which began with an answer to a simple cue: My American story started when . . .You don’t know what it’s like to . . .My greatest challenge is . . . The tradition I carry on is . . . I was raised to believe . . . What keeps me up at night is . . .I took a risk when . . .When I step outside my door . . . Most days I feel . . . Told by people of all ages, orientations, and walks of life, these unique stories of joy, adversity, love, sacrifice, grief, sharing, triumph, and grace, centered on the themes of family, work, fun, faith, and community, illuminate the struggles, hopes, dreams, and convictions of Americans today. The more we share with our fellow citizens, the more we can see a real, complex, and fascinating representation of our country that is far richer and deeper than headlines and elections tell us. As intriguing, thoughtful, and distinct as the nation it embodies, American Portrait is a photographic manifestation of Walt Whitman’s immortal words, “I am large. I contain multitudes”—and a vital and ultimately hopeful reminder that what we all share is much greater and enduring than what may divide us.

Read more less

Featuring the collection of the National Gallery of Art in Washington, DC, Belle is an enthralling adventure through three hundred years of art! Belle, a painted butterfly, has been quietly hovering over a beautiful white poppy in a seventeenth-century Dutch painting that has been her home for three hundred years. Suddenly and unexpectedly there is a sudden whoosh of air and she finds herself flying out of her picture into the void So begins the adventures of Belle, the red admiral butterfly in Jan Davidsz de Heem's Vase of Flowers. Accidentally dislodged, when her painting was being taken by museum staff to be examined by the Conservation Department, Belle and her sidekick Brimstone, a fellow butterfly who was ejected from the painting at the same time, must find their way back home. When their painting rolls into an elevator without them, their journey through the art museum begins. Because they are made of paint, they discover that they can blend into any of the other paintings in the museum, no matter what the subject or period. The characters travel through the museum galleries, morphing into and out of paintings by multiple artists and in many styles, while searching for their home painting. At the same time they must avoid becoming lunch for a painted bird in hot pursuit after being inadvertently released from another painting by an awkward bump from Brimstone! Belle and Brimstone tell their story as it happens with all the scary encounters and comic incidents that have them hiding out in unlikely places in the paintings they encounter. They dash and dart as the predatory bird flies after them, chasing them from room to room. Successful and safe in the end Brimstone is up for more adventures. Belle is not so sure! Maybe it will be safer if they stay put in their painting from now on. Can you find them? While the story is an adventure story written for young readers it will also enchant younger listeners. Featuring the collection of the National Gallery of Art, this tale is a fanciful romp through three hundred years of art history, inviting young people to delve into the world of art through the paintings of de Heem, Vermeer, Chardin, Goya, Rembrandt, Elisabeth Vigée-LeBrun, Mary Cassatt, Renoir, Monet, Tissot, Picasso, Derain, Marc, Matisse, Georgia O'keeffe, Rothko, Pollock, Lichtenstein and many others. As an added bonus Belle has taken the trouble to create Belle's Amazing, Astonishingly Magical Journal and illustrated it with her comments on each painting and ideas on where to hide when being chased! Let Belle and Brimstone be your guides and docents and mind out for that Bird! Mary Lee Corlett, an art historian and research associate at the National Gallery of Art in Washington, D.C., owes her love of art to her father, whose mechanical drawings and plans always seemed magical to her as a child, and to an inspired teacher who introduced her to the wonderful ideas and concepts that underlie all great art. As a child she drew and painted but later when, thinking she would like to teach art, she enrolled in college and attended studio art classes and studied education, she discovered that the art history classes were more exciting than her own studio work. Her first job after collecting her BA was as a teaching assistant in the Education department at the Cleveland Museum of Art, doing art projects in Mini-Masters classes of 4-5 year olds. She then moved to Washington and worked at the National Portrait Gallery before assuming her current position. She still draws and paints but her daughter has forsaken paint brush and easel for flute and music stand. They still visit the galleries together and walk through all the amazing, astonishing and magical rooms full of wonderful paintings and sculptures just to check that Belle and Brimstone are safe and sound! Phyllis Saroff is a professional artist who can't remember when she didn't draw pictures. Inspired in First Grade by an older girl drawing pictures for a story she had written Phyllis started to illustrate her own stories. Her father would bring home large stacks of used accordion-fold computer paper from his lab. It was printed on one side with his equations, and the other side was blank. The blank side was Phyllis' side. He let her leave her drawings all over the house, on the coffee table, the dining room table and the kitchen table. His daughter only had to get them out of the way to set the table for dinner. He thought each drawing was a masterpiece; each one greater than the last. He bought art supplies for every birthday and when she was eleven he bought her a small drafting table which she still uses in her studio. She now sells her paintings in galleries and illustrates books for a living and her 97 year-old father still thinks every one of her drawings is a masterpiece.

Read more less

Freedom Is an Endless Meeting offers vivid portraits of American experiments in participatory democracy throughout the twentieth century. Drawing on meticulous research and more than one hundred interviews with activists, Francesca Polletta challenges the conventional wisdom that participatory democracy is worthy in purpose but unworkable in practice. Instead, she shows that social movements have often used bottom-up decision making as a powerful tool for political change.Polletta traces the history of democracy in early labor struggles and pre-World War II pacifism, in the civil rights, new left, and women's liberation movements of the sixties and seventies, and in today's faith-based organizing and anti-corporate globalization campaigns. In the process, she uncovers neglected sources of democratic inspiration—Depression-era labor educators and Mississippi voting registration workers, among them—as well as practical strategies of social protest. But Freedom Is an Endless Meeting also highlights the obstacles that arise when activists model their democracies after familiar nonpolitical relationships such as friendship, tutelage, and religious fellowship. Doing so has brought into their deliberations the trust, respect, and caring typical of those relationships. But it has also fostered values that run counter to democracy, such as exclusivity and an aversion to rules, and these have been the fault lines around which participatory democracies have often splintered. Indeed, Polletta attributes the fragility of the form less to its basic inefficiency or inequity than to the gaps between activists' democratic commitments and the cultural models on which they have depended to enact those commitments. The challenge, she concludes, is to forge new kinds of democratic relationships, ones that balance trust with accountability, respect with openness to disagreement, and caring with inclusiveness.For anyone concerned about the prospects for democracy in America, Freedom Is an Endless Meeting will offer abundant historical, theoretical, and practical insights. "This is an excellent study of activist politics in the United States over the past century. . . . Assiduously researched, impressively informed by a great number of thoughtful interviews with key members of American social movements, and deeply engaged with its subject matter, the book is likely to become a key text in the study of grass-roots democracy in America."—Kate Fullbrook, Times Literary Supplement"Polletta's portrayal challenges the common assumption that morality and strategy are incompatible, that those who aim at winning must compromise principle while those who insist on morality are destined to be ineffective. . . . Rather than dwell on trying to explain the decline of 60s movements, Polletta shows how participatory democracy has become the guiding framework for many of today's activists."—Richard Flacks, Los Angeles Times Book Review "In Freedom Is an Endless Meeting, Francesca Polletta has produced a remarkable work of historical sociology. . . . She provides the fullest theoretical work of historical sociology. . . . She provides the fullest theoretical picture of participatory democracy, rich with nuance, ambiguity, and irony, that this reviewer has yet seen. . . . This wise book should be studied closely by both academics and by social change activists."—Stewart Burns, Journal of American History

Read more less

***Unmissable, hilarious and kind, this is the first novel from Kathryn Wallace, who blogs as I Know, I Need to Stop Talking***"SAM! AVA! Get downstairs, NOW. Have you done your TEETH? HAIR? SHOES? Come on, come on, come on, we're going to be bastarding late again. No, I haven't seen Lego Optimus Prime, and nor do I give a shit about his whereabouts. Sam, will you stop winding your sister up and take this model of the Shard that I painstakingly sat up and created for you last night so that I wouldn't be in trouble with your teacher. I mean, so that you wouldn't be in trouble with your teacher. No, it doesn't smell of 'dirty wine'. Well, maybe it does a little bit. Look, Sam, I haven't got time to argue. Just hold your nose and get in the car, okay? AVA! TEETH! HAIR! SHOES!" Gemma is only just holding it together - she's a single parent, she's turning 40 and her seven-year-old daughter has drawn a cruelly accurate picture which locates Gemma's boobs somewhere around her knees. So when her new next-door neighbour, Becky, suggests that Gemma should start dating again, it takes a lot of self-control not to laugh in her face. But Becky is very persuasive and before long Gemma finds herself juggling a full-time job, the increasingly insane demands of the school mums' Facebook group and the tricky etiquette of a new dating world. Not only that, but Gemma has to manage her attraction to her daughter's teacher, Tom, who has swapped his life in the City for teaching thirty six to seven year olds spelling, grammar, basic fractions - and why it's not ok to call your classmate a stinky poo-bum...It's going to be a long year - and one in which Gemma and Becky will learn a really crucial lesson: that in the end, being a good parent is just about being good enough.Readers love this hilarious, fast paced slice of family life:***** Utterly hysterical - NetGalley Reader***** Brilliant... Funny, touching and modern... just amazing - NetGalley Reader***** I have been a mum at the school gates and the observations in this book are spot on. I shall be recommending it to all the school mums I know - NetGalley Reader**** A perfect read to snort with laughter over whilst lying in a bath with a glass of bubbles (if you can get the kids to stay out of the bathroom for long enough)! - NetGalley Reader**** Kathryn Wallace has Absolutely Smashed It with this novel. I loved it and couldn't put it down... had me properly laughing out loud several times - NetGalley Reader**** This will make you giggle about life as a parent where we are all spinning plates of different sizes and at different speeds. I would recommend wholeheartedly to fellow friends who are also spinning their own plates! - NetGalley Reader***** A hilariously, honest, open, recognisable and highly relatable story - NetGalley Reader***** A light hearted but honest look at mummies, yummy mummies and can't quite manage everything mummies - NetGalley Reader

Read more less

In December 1788, in the northern Peruvian city of Trujillo, fifty-one-year-old Spanish Bishop Baltasar Jaime Martínez Compañón stood surrounded by twenty-four large wooden crates, each numbered and marked with its final destination of Madrid. The crates contained carefully preserved zoological, botanical, and mineral specimens collected from Trujillo's steamy rainforests, agricultural valleys, rocky sierra, and coastal desert. To accompany this collection, the Bishop had also commissioned from Indian artisans nine volumes of hand-painted images portraying the people, plants, and animals of Trujillo. He imagined that the collection and the watercolors not only would contribute to his quest to study the native cultures of Northern Peru but also would supply valuable information for his plans to transform Trujillo into an orderly, profitable slice of the Spanish Empire. Based on intensive archival research in Peru, Spain, and Colombia and the unique visual data of more than a thousand extraordinary watercolors, The Bishop's Utopia recreates the intellectual, cultural, and political universe of the Spanish Atlantic world in the late eighteenth century. Emily Berquist Soule recounts the reform agenda of Martínez Compañón—including the construction of new towns, improvement of the mining industry, and promotion of indigenous education—and positions it within broader imperial debates; unlike many of his Enlightenment contemporaries, who elevated fellow Europeans above native peoples, Martínez Compañón saw Peruvian Indians as intelligent, productive subjects of the Spanish Crown. The Bishop's Utopia seamlessly weaves cultural history, natural history, colonial politics, and art into a cinematic retelling of the Bishop's life and work.

Read more less

The forgotten story of the nineteenth-century freethinkers and twentieth-century humanists who tried to build their own secular religionIn The Church of Saint Thomas Paine, Leigh Eric Schmidt tells the surprising story of how freethinking liberals in nineteenth-century America promoted a secular religion of humanity centered on the deistic revolutionary Thomas Paine (1737–1809) and how their descendants eventually became embroiled in the culture wars of the late twentieth century.After Paine’s remains were stolen from his grave in New Rochelle, New York, and shipped to England in 1819, the reverence of his American disciples took a material turn in a long search for his relics. Paine’s birthday was always a red-letter day for these believers in democratic cosmopolitanism and philanthropic benevolence, but they expanded their program to include a broader array of rites and ceremonies, particularly funerals free of Christian supervision. They also worked to establish their own churches and congregations in which to practice their religion of secularism.All of these activities raised serious questions about the very definition of religion and whether it included nontheistic fellowships and humanistic associations—a dispute that erupted again in the second half of the twentieth century. As right-wing Christians came to see secular humanism as the most dangerous religion imaginable, small communities of religious humanists, the heirs of Paine’s followers, were swept up in new battles about religion’s public contours and secularism’s moral perils.An engrossing account of an important but little-known chapter in American history, The Church of Saint Thomas Paine reveals why the lines between religion and secularism are often much blurrier than we imagine.

Read more less

In his fascinating new book, based on the Conway Lectures he delivered at Notre Dame in 2016, William Courtenay examines aspects of the religious life of one medieval institution, the University of Paris, in the thirteenth and fourteenth centuries. In place of the traditional account of teaching programs and curriculum, however, the focus here is on religious observances and the important role that prayers for the dead played in the daily life of masters and students. Courtenay examines the university as a consortium of sub-units in which the academic and religious life of its members took place, and in which prayers for the dead were a major element. Throughout the book, Courtenay highlights reverence for the dead, which preserved their memory and was believed to reduce the time in purgatory for deceased colleagues and for founders of and donors to colleges. The book also explores the advantages for poor scholars of belonging to a confraternal institution that provided benefits to all members regardless of social background, the areas in which women contributed to the university community, including the founding of colleges, and the growth of Marian piety, seeking her blessing as patron of scholarship and as protector of scholars. Courtenay looks at attempts to offset the inequality between the status of masters and students, rich and poor, and college founders and fellows, in observances concerned with death as well as rewards and punishments in the afterlife. Rituals for the Dead is the first book-length study of religious life and remembrances for the dead at the medieval University of Paris. Scholars of medieval history will be an eager audience for this title.

Read more less

How should changes in plasma creatinine be interpreted?What is a fractional excretion, and how does measuring it help in clinical practice?Is it helpful to diagnose a triple acid-base disturbance, or is it just a mental exercise?Focusing on the areas that are particularly challenging for trainees, Dr. David Leehey presents 20 of the most perplexing and clinically relevant nephrology questions faced by medical students, residents, and nephrology fellows and attendings. His three decades of teaching experience provide real-world perspective on topics such as complex acid base disturbances, sodium concentration disorders, and the utility of urine anion and osmolal gaps. This concise title is an excellent teaching and learning tool for anyone who needs expert insight on this often-difficult subspecialty of medicine. Provides accurate, concise answers to 20 of today’s most difficult questions in nephrology. Pays particular attention to the principal concepts involved with each challenging nephrology question. Includes questions that involve controversy in treatment, such as the use of bicarbonate to treat metabolic acidosis and phosphorus binders to treat hyperphosphatemia. Now with the print edition, enjoy the bundled interactive eBook edition, which can be downloaded to your tablet and smartphone or accessed online and includes features like: Complete content with enhanced navigation Powerful search tools and smart navigation cross-links that pull results from content in the book, your notes, and even the web Cross-linked pages, references, and more for easy navigation Highlighting tool for easier reference of key content throughout the text Ability to take and share notes with friends and colleagues Quick reference tabbing to save your favorite content for future use

Read more less

Since the deployment of the first atomic weapons, people everywhere have lived with the possibility that everything they hold dear their lives, their families, their careers and even the human species itself could be extinguished in a few moments of devastation. Such consequences would be so overwhelming that, for many, the only defense is a hope it will never happen. Yet as the number of countries with atomic and nuclear weapons has risen and an international black market actively trades nuclear materials, action is likely to prove a far stronger deterrent than hope. To be effective, that action would have to address the real source of the danger. Does it lie in the awesome destructive power of modern weapons? Is it the damaging effects of the radiation that would creep across continents? Or does the actual cause lie elsewhere? In a message of compelling urgency, L. Ron Hubbard not only answers these questions, but also shows how to resolve the situation at its very core. For the most fundamental danger of all lies not in the weapons themselves, but in the barbarity that would drive men to deploy them against their fellows. To assist both individuals and governments not only to maintain stability, but to defeat their real enemies disease, the elements and Man s own unreason Mr. Hubbard sets out a humanitarian program vital to all. Applied broadly, it could raise Man to a high enough level of understanding that individuals could live their lives free not only from war and the fear of war, but free even from the possibility that a war could ever again occur.

Read more less

Selected as a Doody's Core Title for 2022!Derived from Sam W. Wiesel and Todd J. Albert’s four-volume Operative Techniques in Orthopaedic Surgery, this single-volume resource contains a comprehensive, authoritative review of operative techniques in trauma surgery. In one convenient place, you’ll find the entire Trauma section, as well as relevant chapters from the Hand, Wrist, and Forearm; Oncology; Shoulder and Elbow; and Sports Medicine sections of Operative Techniques in Orthopaedic Surgery. Superb full-color illustrations and step-by-step explanations help you master surgical techniques, select the best procedure, avoid complications, and anticipate outcomes. Written by global experts from leading institutions, Operative Techniques in Orthopaedic Trauma Surgery, Third Edition, clearly demonstrates how to perform the techniques, making this an essential daily resource for residents, fellows, and practitioners. Includes new procedures and comprehensive updates throughout with visually stunning, consistently rendered medical illustrations and intraoperative photographs that present how to perform each technique step by step. Provides new procedural videos and a newly streamlined eBook for on-the-go reference. Uses consistent, easy-to-follow chapter templates and extensive bulleted lists and tables for quick reference and review. Discusses each clinical problem using the same concise format: definition, anatomy, physical exams, pathogenesis, natural history, physical findings, imaging and diagnostic studies, differential diagnosis, nonoperative management, surgical management, pearls and pitfalls, postoperative care, outcomes, and complications. Enrich Your eBook Reading ExperienceRead directly on your preferred device(s), such as computer, tablet, or smartphone.Easily convert to audiobook, powering your content with natural language text-to-speech.

Read more less

Text in German. Erdmut Bramke, who was born in 1940 in Kiel and died in 2002 in Stuttgart, is one of the few 20th-century artists whose work consistently expressed a purely painterly position. She worked only with colour and structures. The use of acrylic colours enabled her to create unique colour constellations. Her unusual palate of colours and novel shades of colour were a constant surprise. In her stylistic idiom she emphasised flowing lines, interspersed colour shadowing with linear structures and experimented with images produced by dip-ping the image body in colour and also by using different materials. Her works are represented in many public and private collections, including the Staatsgalerie Stuttgart, the Kunstmuseum Stuttgart, the Ulmer Museum, the Kunstmuseum Bonn, the Bundeskunsthalle, also in Bonn, and the Kunsthalle Kiel. Erdmut Bramke studied painting from 1961 to 1967 at the academies in Berlin and Stuttgart. Her teachers were Heinz Trökes and K R H Sonderborg. Repeated study periods in France and Italy took her creative work into constantly new directions. Particularly important for her artistic development was the time she spent as a stipendiary fellow at the Villa Massimo in Rome in 1979/80 and at the Cité Internationale des Arts in Paris in 1986. The present catalogue raisonné of the artists freelance work was commissioned by the Freunde der Staatsgalerie Stuttgart, as prescribed by the terms of the bequest of Erdmut Bramke her artistic design of buildings will follow in a later volume. Volume one is devoted to the paintings. It is introduced by essays of six people in her circle who focus on Bramkes importance for painting in the latter half of the 20th century. Volume two presents the sizable uvre of her works on paper, which must be accorded equal weight in the artists work. Reprinted in both volumes are contemporary texts from catalogues, newspaper articles and talks by Reinhard Döhl, Eugen Gomringer, Karin von Maur and others that show how the artists work was received during her lifetime. Until her retirement, Ulrike Gauß was the head of the Graphische Sammlung of the Staatsgalerie Stuttgart, Susanne Grötz is a freelance art historian and exhibition curator, Carolin Jörg teaches artistic design at the Hochschule Augsburg.

Read more less

Maung is used to being hunted. As the last "dream warrior," a Burmese military unit whose brains are more machine than grey matter, everyone wants him dead—punished for the multiple atrocities his unit committed during war. But when an alien race makes its presence known on Earth and threatens to annihilate mankind, it gives Maung a chance to escape. Maung abandons his family on Earth to hide in the farthest reaches of the Solar System. There he finds love, his fellow Burmese countrymen exiled to labor on a prison asteroid, and the horrors of a war long since finished. Maung also discovers a secret weapon system - one lost for almost a generation and which may help his people redeem themselves while at the same time saving the human race. War will come. But with Maung's discoveries and 100 years to prepare, maybe the Earth can be ready . . . About Tyger Burning: “Fans of space opera will enjoy this first book of what promises to be an epic series, as Maung battles human enemies on Earth and alien invaders from the stars.”—Arlan Andrews About T.C. McCarthy: "McCarthy perfectly catches the attitudes of veterans among themselves and toward civilians—laymen, better—when they get back to the World."—David Drake ''Compelling . . . Recalling the work of Remarque, Willi Heinrich, and especially Michael Herr, McCarthy's delirious narrative avoids cliche and raises intriguing questions about what it means to be human.''—Publishers Weekly (starred review) on Germline "It's not just good . . .it's the mil-sf book I wish I could send back in time to beat out Forever War for a Hugo. I never would have guessed McCarthy was an analyst . . . I was sure he'd been on the pointy end for a long time."—Ernest Lilley, SF Revu ''The highly detailed, brutal depiction of futuristic warfare brilliantly complements the intimate narrative, which examines the insanity of war and those personally affected by it. Breathtaking and heartrending, this is the future of military science fiction.''—Publishers Weekly (starred review) "A well written novel that makes you consider the costs of war in very personal terms."—SF Signal

Read more less

Change is inevitable. This is the only constant in our lives. Yet, change is also something that we fear. We seek comfort in the familiar, in routines and in conventions. We are afraid of things that we don't know or we don’t understand. We fear change because we don’t know how change will affect us. Change, however, is necessary for progress. Sometimes, change happens naturally due to circumstances beyond our control, and sometimes we initiate change because we can or because we must. In 2020, we experienced the biggest change of our lifetimes. For a brief moment in history, the world came to a halt. Then, everything changed. Many things that we used to take for granted no longer applied. We experienced major disruptions to our daily lives. As if in some kind of perfect storm, so many things happened all at once – global pandemic, social inequalities, climate change, racial injustices, riots and unrests, gender struggles and rapid advances of new technologies. This book started to take shape in the midst of it all, and in a way, it is a time capsule of how we experienced the birth of what became known as the 'new normal'. Designers are the kind of people who thrive in times of change. In fact, it is their job to create change. The nature of their job is such that they have to take an existing situation and change it into a better, or a more preferred situation. Some do this by relying on their imagination and personal experiences, and some use evidence-based research to inform their work. Regardless of this, many share the belief that they can somehow make the world a better place – on a micro or a macro level. During this period of massive change, Gjoko Muratovski invited ten highly influential design figures – including iconic design leaders such as Carole Bilson, Karim Rashid, Bruce Mau, Steven Heller and Don Norman – to reflect on the state of things today. In return, each one of them shares a highly personal account on why change is good. The book also features a foreword written by the president of the World Design Organisation (WDO), Srini Srinisavan, and a conclusion by one of the greatest design philosophers of our time, Ken Friedman. By looking to the past and reflecting on the present, these designers project very personal images of the future that they would like to see. The conversations are very broad, and they cover highly diverse topics. From the effects of the pandemic, to issues of race and gender, notions of beauty, technology and industry, to global and local economies, politics, power, privilege and the importance of community. A 'must-read' for anyone interested in how designers and design can change the world. Gjoko Muratovski is a university executive, award-winning designer and innovation consultant working with leading organisations, Fortune 500 companies and governments from around the world, and a fellow of the Design Research Society.

Read more less

In this first biography of David Henry Lewis, Ben Lowings examines his lifetime of adventure forensically yet sympathetically, and unlocks the secrets of his determination. This British-born New Zealander was the first person to sail a catamaran around the world, the first — in Ice Bird — to reach Antarctica solo under sail, and the first to make known to Westerners how ancient navigators reached — and could reach again — the Pacific islands. His many voyages resulted in thirteen books published and translated worldwide; many were bestsellers — We, the Navigators has not been out of print since first publication in 1972. David Lewis’s achievements have been acknowledged with a series of awards, including that of Distinguished Companion of the New Zealand Order of Merit. But the price of David Lewis’s adventures had ultimately to be paid by others in the succession of families he created, then broke apart; and many of his actions brought him into conflict with the feelings of friends and contemporaries. We may legitimately ask 'was it really all worth it?' For the first time his six marriages are revealed, through more than a year of original research in Britain, Australia and New Zealand — including interviews with all surviving family members, as well as friends and fellow voyagers. Events thinly-sketched or omitted in his own writings, such as his father’s own failings, are investigated. His kayaking, mountain-climbing and sailing were struggles all the more difficult because of a fractured backbone, shattered elbow and impaired vision. David Lewis’s early years get the comprehensive documentation they deserve — in his own memoir he jumps straight from child to fully-fledged explorer. Inaccuracies are corrected in his tale of kayaking four hundred miles home from school. As playboy medical student, British paratrooper fighting in Normandy, and political activist in Palestine, Jamaica and London, he grappled with academic and colonial prejudice, and fought anti-Semitism and inequality; all is examined. As a general practitioner in the East End’s impure 1950s air he worked where the new National Health Service was most needed. Professional frustrations and marital disappointments were not soothed by weekend sailing. He would join a pioneering single-handed yacht race to America in 1960, leaving his first daughter to find him on board in Plymouth to say farewell only at the last minute. In 1964 he would race again, but this time in a catamaran, and then, with Fiona, his new wife, and their daughters, girdle the earth in it. For the first time, their circumnavigation is described in part from Fiona’s perspective. Media accounts and passages from his many books build up a picture of a consistently experimental, and utterly untypical, middle aged man. Every word in the Antarctic logbook of Ice Bird — scrawled with freezing hands — is closely compared with literary sources, National Geographic articles and his commercially successful book-length account. A new critical appreciation shows the white heat at the core of his being. He has abandoned his children again, and been drugged by ocean solitude. But in the act of writing he is earning his place among humanity. To hell with the frozen hands.

Read more less

Das vorliegende Lehrbuch zur Mechanik und Wärmelehre richtet sich an Studierende der Physik im ersten Semester. Die Vorlesungsinhalte werden hier anschaulich, übersichtlich und leicht verständlich in zwölf Kapiteln dargestellt: Das Buch beginnt mit der Mechanik des Massenpunktes, Bezugssystemen und spezielle Relativitätstheorie. Es werden Systeme von Massenpunkten und die Dynamik starrer ausgedehnter Körper behandelt. Anschließend wird das Verhalten von festen und flüssigen realen Körpern und Gasen diskutiert. Strömende Flüssigkeiten und Gase, Auftrieb und die Physik des Fliegens werden im nächsten Kapitel besprochen. Nach der Vakuum-Physik wird die Wärmelehre eingeführt. Das Buch endet mit mechanischen Schwingungen und Wellen, nichtlinearer Dynamik und Chaos. Für das Verständnis notwendige Teilaspekte der Mathematik werden im Anhang aufgeführt. Ganz im Stil der bekannten Reihe zur Experimentalphysik von Professor Demtröder wird auch die Mechanik und Wärmelehre möglichst quantitativ präsentiert. Wichtige Formeln und Merksätze sind hervorgehoben und der Lernstoff direkt anhand von Beispielen verständlich gemacht. Über 160 Übungsaufgaben werden ausführlich gelöst und Zusammenfassungen unterstützen Studierende beim strukturierten Lernen. In der neunten Auflage des beliebten Lehrbuches erwartet Leserinnen und Leser jetzt zusätzlich: o Wichtige und grundlegende Aufgaben werden in Videos klar und verständlich besprochen und ausführlich an der Tafel gelöst. o Kurze Fragen am Anfang der Kapitel stimmen auf das jeweilige Themengebiet ein und machen neugierig, beispielsweise: Woher wissen wir, dass die Lichtgeschwindigkeit konstant und unabhängig von der Bewegung des Beobachters ist? Was ist ein Trägheitsmoment eines Körpers und wie unterscheidet es sich von der Masse des Körpers? Wovon hängt es ab, ob Materie fest, flüssig oder gasförmig ist? Wie kommt eine Seifenblase zustande? o Ein neues Layout präsentiert den Inhalt noch übersichtlicher. o Ausgesuchte Abbildungen stehen als Vorlesungsfolien für Dozentinnen und Dozenten zur Verfügung. Der Autor Wolfgang Demtröder studierte an den -Universitäten in Münster, Tübingen und Bonn die Fächer Physik, Mathematik und Musikwissenschaft. Dort promovierte er bei dem späteren Nobelpreisträger Prof. Wolfgang Paul. Er arbeitete an der Universität Freiburg als wissenschaftlicher Mitarbeiter, wo er auch habilitiert wurde und forschte als Visiting Fellow am Joint Institute for Astrophysics in Boulder, Colorado und erhielt 1970 einen Ruf als ordentlicher Professor an die Universität Kaiserslautern. Er forschte unter anderem auf dem Gebiet der hochauflösenden Laserspektroskopie kleiner Moleküle. Bekannt ist der Autor vor allem für sein Standardwerk über Laserspektroskopie und seine beliebte und bekannte Lehrbuchreihe Experimentalphysik I-IV.

Read more less

This expert volume in the Diagnostic Pathology series is an excellent point-of-care resource for practitioners at all levels of experience and training. Covering the full range of nonneoplastic and neoplastic conditions of blood and bone marrow, it incorporates the most recent scientific and technical knowledge in the field to provide a comprehensive overview of all key issues relevant to today's practice. Richly illustrated and easy to use, the third edition of Diagnostic Pathology: Blood and Bone Marrow is a visually stunning, one-stop resource for every practicing pathologist, hematopathologist, oncologist, hematologist, resident, student, or fellow as an ideal day-to-day reference or as a reliable training resource. Provides practicing pathologists with key details about new entities, newly recognized causes of morphologic change in blood and bone marrow abnormalities, and new strategies for appropriate workup of neoplastic processes-all with a focus on key tests and key differential diagnostic considerations Helps pathologists recognize unique blood and bone marrow findings that can be an indicator for specific exposures, such as new medications, new targeted therapies, or toxins Integrates updated technologies, newly recognized disorders, complications/features in blood and bone marrow, new targeted therapies, and the increased use of homeopathic remedies Contains new chapters covering SARS-CoV-2 infection features in blood and bone marrow, myelodysplastic syndrome (MDS) mimics, blood and bone marrow findings linked to targeted therapies, blood and bone marrow findings linked to other medications, and more Updates all existing chapters and contains expanded information on T-cell neoplasms in blood and bone marrow and intravascular large B-cell lymphoma in blood and bone marrow Includes details from the World Health Organization (WHO) fifth edition Classification of Haematolymphoid Tumours and the very latest 2023 International Consensus Classification (ICC) publications, reflecting new and renamed diagnostic entities, tumor classification changes and updates, and terminology changes and updates Discusses molecular testing strategies based on specific neoplasms and specific differential diagnostic consideration Clearly delineates numerous genetic disorders often found in blood and bone marrow Features more than 2,500 superb images, including histology and gross pathology photographs, full-color illustrations and graphics, clinical photographs and radiologic images, and many new tables and charts/algorithms Employs consistently templated chapters, bulleted content, key facts, a variety of tables, annotated images, pertinent references, and an extensive index for quick, expert reference at the point of care Includes the enhanced eBook version, which allows you to search all text, figures, and references on a variety of devices

Read more less

The landscape of contemporary art has changed dramatically during the last hundred years. We have seen a painting of a single black square on a white ground, Kazimir Malevich's Black Square (1915), and a hand-signed porcelain urinal, Marcel Duchamp's Fountain (1917). Mid-century brought us the Abstract Expressionist "drip" paintings ofJackson Pollock. In Piero Manzoni's Artist's Shit (1961), we got a series of 90 sealed tin cans purportedly containing Manzoni's own excrement. A decade later, with Chris Burden's Shoot (1971), we saw a performance in which the artist was voluntarily shot in the arm with a rifle. More recently, Damien Hirst exhibited a shark floating in a glass tank of formaldehyde and fellow British artist Tracey Emin-in her autobiographical installation The History of Painting (1999)-displayed, among other items, her own used tampons.It is no wonder, then, that the art-viewing public is perplexed. What's going on here? Do today's renowned artists-like earlier masters such as Giotto, Michelangelo, Rembrandt, and Matisse-represent the highest achievements of civilization? Or something else entirely? Have viewers always felt this way; or is their confusion a sign of something new-something exclusive to the experience of today's contemporary art?In The Art of Looking, renowned art critic Lance Esplund shows that works of Modern and contemporary art are not as indecipherable as they might seem to be. Nor do they represent a dramatic break from the past. He situates more recent movements in the tradition of art and examines the threads that tie the art of the past to that of the present. For instance, Esplund elucidates the similarities between Picasso and El Greco; between the ancient Egyptian Pyramids and sculptor Richard Serra's monumental Torqued Ellipses. The Art of Looking will open the eyes of viewers who think that contemporary art is obtuse, nonsensical, and irrelevant, as well as the eyes of those who think that the art of the past has nothing to say to our present.As our expert guide, Esplund has curated a personalized selection of moving and important works, using them as examples to walk the reader through the formal, emotional, and metaphoric experience of art, illuminating how an artist builds and explores a theme. Eager to democratize a genre that can feel inaccessible, Esplund empowers viewers to trust their own eyes, guts, and common sense. With The Art of Looking, readers will have the confidence to evaluate and appreciate galleries and museums for themselves, whether they are looking at a Greco-Roman statue, a Byzantine Madonna, a Rembrandt portrait, a Marina Abramovic performance, or one of Richard Serra's monumental sculptures.

Read more less

An affectionate but meticulously researched history of one of the most beautiful and best-loved corners of England – Crosthwaite Parish, nestling deep within the mountains and valleys of the Lake District. 'A unique contribution to English history' Hunter Davies 'A delightful, refreshingly written book, attentive to social detail and telling the only story that matters – history' Simon Jenkins 'A wonderful book' Margaret Drabble 'A completely fresh perspective on the Lakes and Lake Poets... I hugely enjoyed it' Andrew Marr Bounded by the peaks of Scafell, Skiddaw and Helvellyn, and embracing such well-known landmarks as Borrowdale, Derwentwater and Keswick, it lies within the heart of the Lake Poets' landscape and its rugged terrain excites passion in all those who know it. The Parish also boasts a remarkable history. Its 90 square miles were governed, from medieval times, by eighteen annually chosen 'customary tenants'; ancestors of the people who later prompted Wordsworth's portrayal of the area as 'a perfect Republic of Shepherds and agriculturalists'. His fellow poet Robert Southey lived within the Parish for forty years, was an active parishioner and rests in St Kentigern's churchyard. Here he is given his rightful position as a Lake Poet. In the nineteenth century, the Victorian state killed off the old parish system, sweeping away the egalitarian rule of the Eighteen Men. But a degree of redemption was at hand. Canon Rawnsley, vicar of Crosthwaite from 1883, pledged to defend the Lake District for future generations. So the Parish was at the heart of the creation of the National Trust and blazed a trail for a wider movement to preserve the English landscape. Writing with a historian's rigour and bearing aloft the banner of the Lake District statesmen, Philippa Harrison has produced a magisterial and fascinating record of a parish with a unique social, cultural and aesthetic resonance in English history.

Read more less

New insight gained into this exciting period of English history through focusing on the activities of Swein Forkbeard and, after his death in 1014, the Danish warlord Thorkell the Tall. From the battle of Maldon in 991 during the reign of Æethelred (the Unready), England was invaded by Scandinavian armies of increasing size and ferocity. Swein Forkbeard, king of Denmark, played a significant part in these invasions, which culminated in the domination of England and the long reign of his son, Cnut. This analysis of the invasions demonstrates beyond doubt that Æthelred was no indolent and worthless king who bribed invading Vikings to goaway: his relationship with the Scandinavian armies was more complex and more interesting than has been supposed. It is equally apparent that Swein was more than a marauding Viking adventurer: he was a sophisticated politician who laid the foundations for a great northern empire which was ruled by his descendents for many years after his death. New insight into this exciting period of English history is gained by focusing on the activities of Swein Forkbeard and, after his death in 1014, the Danish warlord Thorkell the Tall, both outstanding warriors and political leaders of what is sometimes called 'the Second Viking Age'. Many factors leading to the invasions and conquest are investigated through a critical analysis of the chronology of events, an explanation of the economic background, plotting the itineraries of the Scandinavian armies, and a fresh examination ofthe sources, including the Anglo-Saxon Chronicle, the Encomium, and John of Worcester's Chronicle. IAN HOWARD has a PhD from Manchester University and is a Fellow of the Institute of Chartered Accountants in England and Wales. After a career in industry and commerce, he has returned to full-time research and has produced several papers covering a variety of aspects of early medieval history.

Read more less

The new geological epoch we call the Anthropocene is not just a scientific classification. It marks a radical transformation in the background conditions of life on Earth, one taken for granted by much of who we are and what we hope for. Never before has a species possessed both a geological-scale grasp of the history of the Earth and a sober understanding of its own likely fate. Our situation forces us to confront questions both philosophical and of real practical urgency. We need to rethink who “we” are, what agency means today, how to deal with the passions stirred by our circumstances, whether our manner of dwelling on Earth is open to change, and, ultimately, “What is to be done?” Our future, that of our species, and of all the fellow travelers on the planet depend on it. The real-world consequences of climate change bring new significance to some very traditional philosophical questions about reason, agency, responsibility, community, and man’s place in nature. The focus is shifting from imagining and promoting the “good life” to the survival of the species. Deep Time, Dark Times challenges us to reimagine ourselves as a species, taking on a geological consciousness. Drawing promiscuously on the work of Nietzsche, Heidegger, Foucault, Derrida, Deleuze, and other contemporary French thinkers, as well as the science of climate change, David Wood reflects on the historical series of displacements and de-centerings of both the privilege of the Earth, and of the human, from Copernicus through Darwin and Freud to the declaration of the age of the Anthropocene. He argues for the need to develop a new temporal phronesis and to radically rethink who “we” are in respect to solidarity with other humans, and responsibility for the nonhuman stakeholders with which we share the planet. In these brief, lively chapters, Wood poses a range of questions centered on our individual and collective political agency. Might not human exceptionalism be reborn as a sort of hyperbolic responsibility rather than privilege?

Read more less

Demystifying the “Poet Laureate of Depression” Pleasure-loving, sarcastic, stubborn, determined, erotic, deeply sad--Jane Kenyon’s complexity and contradictions found expression in luminous poems that continue to attract a passionate following. Dana Greene draws on a wealth of personal correspondence and other newly available materials to delve into the origins, achievement, and legacy of Kenyon’s poetry and separate the artist’s life story from that of her husband, the award-winning poet Donald Hall. Impacted by relatives’ depression during her isolated childhood, Kenyon found poetry at college, where writers like Robert Bly encouraged her development. Her graduate school marriage to the middle-aged Hall and subsequent move to New Hampshire had an enormous impact on her life, moods, and creativity. Immersed in poetry, Kenyon wrote about women’s lives, nature, death, mystical experiences, and melancholy--becoming, in her own words, an “advocate of the inner life.” Her breakthrough in the 1980s brought acclaim as “a born poet” and appearances in the New Yorker and elsewhere. Yet her ongoing success and artistic growth exacerbated strains in her marriage and failed to stave off depressive episodes that sometimes left her non-functional. Refusing to live out the stereotype of the mad woman poet, Kenyon sought treatment and confronted her illness in her work and in public while redoubling her personal dedication to finding pleasure in every fleeting moment. Prestigious fellowships, high-profile events, residencies, and media interviews had propelled her career to new heights when leukemia cut her life short and left her husband the loving but flawed curator of her memory and legacy. Revelatory and insightful, Jane Kenyon offers the first full-length biography of the elusive poet and the unquiet life that shaped her art.

Read more less

"A column by Glenn Garvin on Dec. 20 stated that the National Science Foundation 'funded a study on Jell-O wrestling at the South Pole.' That is incorrect. The event took place during off-duty hours without NSF permission and did not involve taxpayer funds." Corrections such as this one from the Miami Herald have become a familiar sight for readers, especially as news cycles demand faster and faster publication. While some factual errors can be humorous, they nonetheless erode the credibility of the writer and the organization. And the pressure for accuracy and accountability is increasing at the same time as in-house resources for fact-checking are dwindling. Anyone who needs or wants to learn how to verify names, numbers, quotations, and facts is largely on their own. Enter The Chicago Guide to Fact-Checking, an accessible, one-stop guide to the why, what, and how of contemporary fact-checking. Brooke Borel, an experienced fact-checker, draws on the expertise of more than 200 writers, editors, and fellow checkers representing the New Yorker, Popular Science, This American Life, Vogue, and many other outlets. She covers best practices for fact-checking in a variety of media from magazine articles, both print and online, to books and documentaries and from the perspective of both in-house and freelance checkers. She also offers advice on navigating relationships with writers, editors, and sources; considers the realities of fact-checking on a budget and checking one's own work; and reflects on the place of fact-checking in today's media landscape. "If journalism is a cornerstone of democracy, then fact-checking is its building inspector," Borel writes. The Chicago Guide to Fact-Checking is the practical and thoroughly vetted guide that writers, editors, and publishers need to maintain their credibility and solidify their readers' trust.

Read more less

Norway, 1942: She has lost everything to the Nazis. But now she fights back… War rages, and, under cover of darkness, Rumi Orlstad and her fellow resistance fighters smuggle British agents, fugitives and supplies across the North Sea into Nazi-occupied territory. One night, when he braves a storm to complete an ill-fated mission, Rumi’s fiancé is lost to the dangerous waters. Broken-hearted, she withdraws from the clandestine group, vowing never to let her loved ones put themselves in the line of fire again. But months later, Rumi stumbles across a Nazi secret that lays Hitler’s plans for Norway bare, and she knows she has no choice but to risk her life for her country once more… Readers of The Tattooist of Auschwitz and anything by Fiona Valpy will love this heartbreaking tale of the sacrifices ordinary people made to keep friends, family, strangers – and hope – alive. What readers are saying about The Resistance Girl: ‘A standout story of the unsung heroes of WWII.’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘Such brave, strong, authentic characters. Five stars!’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘Another fantastic novel from Mandy Robotham. The characters leap off the page. Absolutely loved it!’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘Such a unique WWII read. Gripping and fascinating.’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘Compelling, gripping and emotional. Five stars!’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘Mandy Robotham is a born storyteller.’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘Enlightening, engaging, suspenseful and well-written. Highly recommend!’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘Exciting, suspenseful, tragic and romantic… I couldn’t stop reading.’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘Wow! Powerful and captivating.’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ’A truly unforgettable story. Highly recommended.’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘I couldn’t put this book down! A whole new perspective on life during the war.’ NetGalley Reviewer, ⭐⭐⭐⭐⭐ ‘I was holding my breath, and even shed a tear or two. A wonderful read!’ NetGalley Reviewer, ⭐⭐⭐⭐⭐

Read more less

Algorithms serve an important purpose in the field of psychopharmacology as heuristics for avoiding the biases and cognitive lapses that are common when prescribing for many conditions whose treatment is based on complex data. Unique in the field, this title compiles twelve papers from the Psychopharmacology Algorithm Project at the Harvard South Shore Psychiatry Residency Training Program and presents practical ways to adopt evidence-based practices into the day-to-day treatment of patients. Psychopharmacology Algorithms is a useful resource for practicing psychiatrists, residents, and fellows, as well as psychiatric nurse practitioners, psychiatric physician assistants who prescribe, advanced practice pharmacists who prescribe, and primary care clinicians. Teachers of psychopharmacology may find it particularly valuable. Researchers in clinical psychopharmacology may find it helpful in identifying important practice areas that are in need of further study. Contains ten updated psychopharmacology treatment algorithms designed to assist with the clinical use of psychiatric medications, each complete with extensive critical evaluation of the evidence supporting the rationales for each treatment step and the advantages and disadvantages of various alternatives to the recommended treatments. Provides introductory material explaining the usefulness of algorithms as clinical tools and how to make best use of the algorithms in the book. Papers focusing on inpatient psychopharmacology, and on residency training in psychopharmacology using the algorithms are included Annual updates to the accompanying eBook are planned. Prepared by David N. Osser, MD, general editor of the Psychopharmacology Algorithm Project at the Harvard South Shore Program and its website psychopharm.mobi, Associate Professor of Psychiatry at Harvard Medical School, and an editorial board member of several psychiatric and psychopharmacology journals and the Model Curriculum for Psychopharmacology of the American Society of Clinical Psychopharmacology. Enrich Your eBook Reading Experience Read directly on your preferred device(s), such as computer, tablet, or smartphone. Easily convert to audiobook, powering your content with natural language text-to-speech.

Read more less

In Saint Louis, it is the summer of 1920 and the day is the Sabbath, but there is little rest for the Jews from Krimsk and less reverence for the wondrous Krimsker Rebbe, who led them to the New World seventeen years before. The rebbe's former hasidim have embraced America to discover that the vision of "gold in the streets" evokes larceny in the heart. Matti Sternweiss, the ungainly, studious child wonder in Krimsk, now the cerebral catcher for the St. Louis Browns, is scheming to fix Saturday's game against the pennant-contending Detroit Tigers. It is an American Sabbath: Prohibition, bookies, the criminal syndicate, the Hiberian fellowship of the police brass, hometown blondes, a bootlegging rabbi, and big league baseball. It is also Krimsk in America: Boruch Levi, the successful junkman, confiscates his zany, crippled brother-in-law Barasch's sizable bets; Barasch's lusty wife, Malka, has her own connubial reasons for wanting to stop the gambling; the chief of police fatefully inspires his loyal disciple, Boruch Levi, to bring Matti before the Krimsker Rebbe on the Sabbath in order to preserve the purity of the national pastime. Recluse and wonder-worker, messianist and pragmatist, the Krimsker Rebbe navigates the muddy Mississippi River, haunted by a recurring prophetic vision of Pharaoh's blood-red Nile. In the final, decisive innings, with Matti crouched behind home plate, it will come down to Ty Cobb versus the kabbalah. Richly imagined, populated with robust, complex characters, Big League Dreams is a profoundly original, inspiring, and comic creation. It is the second volume in the series Small Worlds, which follows the people of Krimsk and their descendants in America, Russia, Poland, and Israel. In each volume Allen Hoffman draws on his deep knowledge of Jewish religion and history to evoke the finite yet infinite "small worlds" his characters inhabit.

Read more less

THE GOOD AUDITION GUIDES: Helping you select and perform the audition piece that is best suited to your performing skills As an actor at any level – whether you are doing theatre studies at school, taking part in youth theatre, preparing for drama-school showcases, or attending professional acting workshops – you will often be required to prepare a duologue with a fellow performer. Your success is often based on locating and selecting a fresh, dynamic scene suited to your specific performing skills, as well as your interplay as a duo. Which is where this book comes in. This collection features twenty-five fantastic duologues for two women, almost all written since the year 2000 by some of our most exciting dramatic voices, offering a wide variety of character types and styles of writing. Playwrights featured include Alexi Kaye Campbell, Helen Edmundson, Vivienne Franzmann, Sam Holcroft, Anna Jordan, Chloë Moss, Rona Munro, Lynn Nottage, Evan Placey and Jessica Swale, and the plays themselves were premiered at the very best theatres across the UK including the National Theatre, Manchester Royal Exchange, Shakespeare's Globe, and the Almeida, Bush, Soho, Royal Court and Tricycle Theatres. Drawing on her experience as an actor, director and teacher at several leading drama schools, Trilby James equips each duologue with a thorough introduction including the vital information you need to place the piece in context (the who, what, when, where and why) and suggestions about how to perform the scene to its maximum effect (including the characters' objectives). The collection also features an introduction on the whole process of selecting and preparing a duologue, and how to present it to the greatest effect. The result is the most comprehensive and useful contemporary duologue book of its kind now available. 'Sound practical advice... a source of inspiration for teachers and students alike' Teaching Drama Magazine on The Good Audition Guides

Read more less

A fascinating account of the life of one of the most famous women of the Victorian era. For more than a decade in the second half of the nineteenth century Georgina Weldon (1837-1914) was one of the most famous women in England. Weldon was an exceptional self-publicist, intelligent and utterly convinced that she was always in the right. A semi-professional singer, she came to prominence as a friend of the composer Charles Gounod. Her husband's unsuccessful attempt to have her carried off to a lunatic asylum caused a public scandal, and her subsequent efforts to drag her enemies through the law courts were widely reported. Weldon's resistance to being certified insane and her unceasing legal claims for defamation and/or loss of earnings contributed to changes in laws relating to private asylums and vexatious litigation. Weldon sang in drawing rooms and concert halls, and on the music hall stage. She lectured on women's rights and law reform. The most notorious female plaintiff, and probably the first married women to represent herself in court, she advised many of her fellow litigants at a time when women were not permitted to practise law professionally. Her campaigns brought her notoriety and two gaol sentences. Joanna Martin expertly retells the story of that notorious Victorian eccentric who suffered many bouts of delusion and was an ardent supporter of spiritualism. Martin's account manages to negotiate a biography situated between crazed behaviour and the pursuit of admirable causes. Weldon's story offers a wide canvas introducing phenomena such as celebrity culture and major and marginal characters of Dickensian quality. This biography of Weldon, based on primary sources including Weldon's own diaries and letters, therefore touches upon a wide variety of issues; Victorian society, nineteenth-century's women's history, the context of a social and cultural history of madness and marriage (law), and nineteenth-century British musical culture.

Read more less

Captain John Alexander served in the Royal Engineers and was posted to the 17th Indian Division, known as the Black Cats, which was sent into Burma against the Japanese as part of the 14th Army. John’s unit was 60 Indian Field Company. After the capture of Hong Kong and the fall of Singapore in February 1942 the Japanese army advanced into Burma, catching the Allies ill-equipped and unprepared. Rangoon fellin March, thus beginning a long fighting retreat by the Allies through thick jungle to the northwest frontier with India. But the Allies regrouped and fought back, and in 1944 fierce fighting, culminating in the battles of the Admin Box, Kohima and Imphal, caused the Japanese forces to begin to withdraw. At the beginning of 1945 the 14th Army launched a successful offensive pushing the Japanese southwards before them. Mandalay was retaken and then Rangoon in May 1945. The Japanese Army finally surrendered on 15 August 1945. Many histories of the Burma Campaign have been written, and the terrible conditions of jungle warfare against a brutal enemy are well known. John Alexander returned home on leave before the end of the conflict with his body weakened by fever, jungle sores and dysentery, and his mind affected by what we now call PTSD. But he also brought back with him a collection of ‘souvenirs’ from the campaign – artefacts that range from Japanese currency and cigarettes to letters, swords, a bayonet, sketches, and his own diaries, letters and decorations. This book will be a reflection on the personal stories behind this terrible and often forgotten war, looking at the conflict both from a British and a Japanese perspective. Through an examination of these artefacts, the horror and humanity of the combatants who took part in this far-away conflict will be vividly brought to life.

Read more less

A woman terrified by the threats of a jilted suitor is denied police protection. A workman collapses on the job and the employer is slow to help him. A bully in a bar begins to carry out threats of serious injury to a customer, after the bartender’s lackadaisical response. Springing from varied areas of human activity, such cases occupy an important area of the legal battleground called modern tort law. They also provide the basis for a fascinating legal analysis by Marshall S. Shapo. Tort law is an important social mediator of events surrounding personal injuries. It impinges on many other areas of the law—those dealing with crime, constitutional protections against government officials and agencies, and property rights. Since litigated tort cases often involve brutal treatment or accidents inflicting severe physical harm, this area of the law generates much emotion and complex legal doctrine. Shapo cuts through the emotion and the complexity to present a view of these problems that is both legally sound and intuitively appealing. His emphasis is on power relationships between private citizens and other individuals, as well as between private persons and governments and officials. He undertakes to define power in a meaningful way as it relates to many tort issues faced by ordinary citizens, and to make this definition precise by constant reference to concrete cases. His particular focus is on an age-old problem in tort law: the question of when a person has a duty to aid another in peril. In analyzing a large number of cases in this category, Shapo develops an analysis that blends considerations of economic efficiency and humanitarian concern. Recognizing that economic considerations are significant in judicial analysis of these cases, he emphasizes elements that go beyond a simple concern with efficiency, especially the ability of one person to control another’s actions or exposure to risk. These considerations of power and corresponding dependence provide the basis for Shapo’s study of the duties of both private citizens and governments to prevent injury to others. Calling on a broad range of legal precedents, he also refers to social science research dealing with the behavior of bystanders when fellow citizens are under attack. Beyond his application of a power-based analysis to litigation traditionally based in tort doctrine, Shapo offers some speculative suggestions on the possible applicability of his views to several controversial areas of welfare law: medical care, municipal services, and educational standards. This book was written with a view to readership by interested citizens as well as legal scholars, judges, and practicing attorneys.

Read more less

Exploring Lincoln's Evolving Views of Citizenship At its most basic level, citizenship is about who belongs to a political community, and for Abraham Lincoln in nineteenth-century America, the answer was in flux. The concept of 'fellow citizens,' for Lincoln, encompassed different groups at different times. In this first book focused on the topic, Mark E. Steiner analyzes and contextualizes Lincoln's evolving views about citizenship over the course of his political career. As an Illinois state legislator, Lincoln subscribed to the by-then-outmoded belief that suffrage must be limited to those who met certain obligations to the state. He rejected the adherence to universal white male suffrage that had existed in Illinois since statehood. In 1836 Lincoln called for voting rights to be limited to white people who had served in the militia or paid taxes. Surprisingly, Lincoln did not exclude women, though later he did not advocate giving women the right to vote and did not take women seriously as citizens. The women at his rallies, he believed, served as decoration. For years Lincoln presumed that only white men belonged in the political and civic community, and he saw immigration through this lens. Because Lincoln believed that white male European immigrants had a right to be part of the body politic, he opposed measures to lengthen the time they would have to wait to become a citizen or to be able to vote. Unlike many in the antebellum north, Lincoln rejected xenophobia and nativism. He opposed black citizenship, however, as he made clear in his debates with Stephen Douglas. Lincoln supported Illinois's draconian Black Laws, which prohibited free black men from voting and serving on juries or in the militia. Further, Lincoln supported sending free black Americans to Africa-the ultimate repudiation and an antithesis of citizenship. Yet, as president, Lincoln came to embrace a broader vision of citizenship for African Americans. Steiner establishes how Lincoln's meetings at the White House with Frederick Douglass and other black leaders influenced his beliefs about colonization, which he ultimately disavowed, and citizenship for African Americans, which he began to consider. Further, the battlefield success of black Union soldiers revealed to Lincoln that black men were worthy of citizenship. Lincoln publicly called for limited suffrage among black men, including military veterans, in his speech about Reconstruction on April 11, 1865. Ahead of most others of his era, Lincoln showed just before his assassination that he supported rights of citizenship for at least some African Americans.

Read more less

ABLAZE is proud to present its bestselling line of UNCENSORED Robert E. Howard Cimmerian graphic novels, now available in a handsome slipcase box edition, collecting Volumes 1-4. Each Cimmerian volume contains two complete stories, plus bonus material, including the original prose stories, in one epic hardcover collection! VOLUME 1 - Featuring "QUEEN OF THE BLACK COAST" & "RED NAILS" QUEEN OF THE BLACK COAST - Conan seeks refuge on a merchant ship, after being pursued for killing a judge. But soon after setting sail, the Cimmerian and his new companions face a threat: the legendary Belit, self-proclaimed Queen of the Black Coast! Soon finding himself smitten by the lovely Belit, Conan agrees to joins up with her and her crew to brutally pillage and sail the poisonous river Zarkheba, encountering ancient ruins, lost treasure, and winged, vicious monstrosities! RED NAILS - Conan finds himself in the Darfar region, whose territory is almost entirely covered by a huge forest. Here Conan pledges himself a mercenary, promising his sword to the highest bidder, fighting alongside fellow mercenary and fierce female warrior Valeria. After a clash against a terrible dragon, the two go to a strange fortified city, apparently deserted...but the duo will quickly discover that a civilization lives hidden inside, and that the citadel hides a heavy secret. VOLUME 2 - Featuring "PEOPLE OF THE BLACK CIRCLE" & "THE FROST-GIANT'S DAUGHTER" PEOPE OF THE BLACK CIRCLE - The king has just died in the kingdom of Vendhya, struck down by the spells of the black prophets of Yimsha. The king’s sister, Yasmina, decides to avenge him…and contacts Conan, then chief of the Afghuli tribe. But several of Conan’s warriors have just been killed by the men of the kingdom of Vendhya, further complicating the matter. The princess thought she could use the Cimmerian, but rather it is she who will serve his interests... THE FROST-GIANT'S DAUGHTER - Conan, the only survivor of a ferocious battle, sits in the midst of a bloodstained snow field. When the fight is over, the Cimmerian suddenly finds himself overcome with deep weariness and disgust. Until the moment he meets a redheaded woman of supernatural beauty, blinding like the glow of the sun on the snow. Moved by a burning desire, Conan decides to follow her but finds himself caught in a trap, attacked by two titans. In his ardor, he was not suspicious…he did not imagine for a second that his bride was none other than Ymir's own daughter: the frost-giant! VOLUME 3 - Featuring "IRON SHADOWS IN THE MOON" & "THE MAN-EATERS OF ZAMBOULA" IRON SHADOWS IN THE MOON: A young woman in danger is pursued by her vile master. Conan, whose family has just been wiped out by this same master, puts an end to the beauty's pursuer, and saves her with a blow of his sword. Bound by fate, the couple decide to hit the road together. Their journey takes them to an island where they discover strange ruins inhabited by dark magic. Their paradise-like refuge soon turns into a suffocating nightmare where shadows lurk. Who knows the extent of the dangers that lie there? They will quickly learn that on an island, the biggest threat does not always come from the outside... THE MAN EATERS OF ZAMBOULA - The Cimmerian finds himself in the land of a thousand and one nights! A crossroads of beliefs, languages & cultures, the mythical trading city of Zamboula is also the scene of many dark legends. Upon paying the city a visit, Conan is warned of the dangers of Aram Baksh's home. It is said that most of the foreigners who stay there disappear under obscure circumstances...and it is precisely there that the Cimmerian is spending the night. But by lifting the veil on these mysterious cases of kidnappings, the Cimmerian will discover another secret, even more terrible, linked to the whole of the city of Zamboula... A story imbued with orientalism and macabre witchcraft, The Man-Eaters of Zamboula offers writer/artist Gess the opportunity to deliver his vision of Robert E. Howard's hero in a comic book story of exotic and dark beauty. VOLUME 4 - Featuring "BEYOND THE BLACK RIVER" & "HOUR OF THE DRAGON" BEYOND THE BLACK RIVER: The Picte country is an obscure jungle where the border between civilization and barbarism is thin. Only one thing symbolizes it: the Black River, which it is claimed that no white man was able to cross and come back alive. None, except Conan. It is in the heart of this green hell that the Cimmerian meets Balthus, a young voluntary peasant whom he saves at the last minute from the clutches of fierce Pictish warriors. Together, they will try to lend a hand to the colonists who have established themselves here, on these hostile lands, in the last bastion of civilization. With a dozen men, they will have to find the powerful sorcerer Zogar Sag before he succeeds in uniting the clans and initiating his bloody invasion… HOUR OF THE DRAGON: Under the funeral vaults of the mausoleum belonging to the ancient and cruel Emperor Xaltotun of Python, three men devoured by ambition come to offer to the inert body of the deceased sovereign the heart of Ahriman, a source of immor-tality which once belonged to him. Taken away at the cost of his life. In exchange for this offering, the three men claim a single thing: the world. However, there is only one person able to stand in their way, a Cimmerian who seized the throne of Aquilonia: Conan!

Read more less

David Lowenthal transposes present society onto that in the novel, 1984, and illustrates “how the quest for a perfect society led instead to the worst––in the course of revolting against which the true ends of life are established.” It is more than suspicion: the year 2021 is 1984. What many understand by instinct, Lowenthal here articulates in clear terms using the political prophesy of this no longer futuristic literature. To be one without truthful unity? This is the picture of human brotherhood ushering in the only thing worse than inequality––enslavement. There is no positive political message in 1984, argues Lowenthal, but there is positive moral message that is nearly always overlooked by commentators. “Through the movement of the novel, Orwell tries to impress on the passions, hearts and minds of his readers the most valuable lessons concerning the right and wrong way to live. With the decline of Christianity’s influence in forming the moral sense of the West and the concomitant increase in power hunger, wielding instruments born of modern enlightenment, what mankind most needed was moral guidance, conveyed not abstractly, through philosophy, but in such a way as to grip the whole soul.” But can Orwell be trusted as a guide to the goodness in human nature? Lowenthal says he can be, and more. He gives us a sketch of the intellectual process that compels Orwell to ultimately outgrow Marxism, his detection and rejection of totalitarian regimes (above all in Communism), and in what way the principles of liberalism of his day were given warning labels by a writer who was not a formally educated political philosopher. Laced with relativism, any current of thought that does not acknowledge the proper ends of man will be effaced by the next master of the masses. Lowenthal echoes Orwell when he says, “we have abandoned inculcating good citizenship, higher ideals and a sense of personal worth in the schools, encouraging instead an aimless low-level conformist ‘individuality’ just waiting to be harnessed together and directed. Given these conditions, can we be sure we have left the conditions to the horrors of 1984 far behind as mere fiction?” Orwell and Lowenthal are unlikely co-collaborators, unless one perceives how much alike in their exhortations to fellow man they are. The steady tenor of their hard warning is made possible by a hope-soaked confidence that, in utter sobriety, is repulsed by anything that threatens human freedom and dignity. This book is required reading for anyone who believes in the return of socialism. Indeed, any recent university graduate should be debriefed by Lowenthal before entering the real world.

Read more less

“Dr Charlotte R. Pennington has pulled off a remarkable trifecta of being clear, concise, and comprehensive in covering the origins of the open science movement and practical advice for adopting the behaviors”Professor Brian Nosek, Executive Director, Center for Open Science; University of Virginia, US“My hope is that every psychology student will finish their degree with a heavily annotated, well-thumbed copy of this important and timely book!”Dr Madeleine Pownall, University of Leeds, UK“This book should be on the reading list for all university science degrees and on all library bookshelves. It is concise, accessible, and remarkably interactive, with brilliant use of examples and learning activities. Is there a better instruction manual on how to do science properly? If there is, I haven’t seen it.”Professor Chris Chambers, Cardiff University, UK“This book will equip future generations with the tools necessary to improve our disciplines, and thereby represents a significant ray of hope for the future. Essential and timely.”Dr Emma Henderson, University of Surrey, UK A Student’s Guide to Open Science explores the so-called “replication crisis” in psychology (the inherent difficulties in replicating or reproducing research results to test the robustness of findings) while delving into the ways that open science can address the crisis by transforming research practice.Students will develop a fundamental understanding of the origins and drivers of the crisis and learn how open science practices can enhance research transparency, replication, and reproducibility.With a handy, digestible guide for students and researchers alike on how to implement open science practices within their own workflow, as well as pedagogic teaching and learning activities that can be re-used by educators, Pennington’s new book is an essential guide to navigating the replication crisis.Key features of this book include:• An overview of landmark events that will mark the history of the replication crisis.• Case studies of classic psychological studies undergoing replication.• Test yourself activities to reinforce learning of key concepts, including an open science crossword!• Top tips for adopting open science practices, including study preregistration, Registered Reports, and open materials, code, and data.• Useful illustrations to aid understanding and facilitate revision. New concepts and practices can often feel overwhelming, but this book aims to help students and educators pick what they want from the ‘open science buffet’ and return to the table to fill up their plates again and again. Remember, we are all students of open science and will be for many years to come!Dr Charlotte R. Pennington is a Lecturer in Psychology at Aston University, Birmingham, UK and a Fellow of the Higher Education Academy. She is an expert in open science and advocates for the teaching of this within higher education pedagogy.

Read more less

The Civil War forced America finally to confront the contradiction between its founding values and human slavery. At the center of this historic confrontation was Abraham Lincoln. By the time this Illinois politician had risen to the office of president, the dilemma of slavery had expanded to the question of all African Americans’ future. In this fascinating new book Paul Escott considers the evolution of the president’s thoughts on race in relation to three other, powerful – and often conflicting – voices.Lincoln’s fellow Republicans Charles Sumner and Montgomery Blair played crucial roles in the shaping of their party. While both Sumner and Blair were opposed to slavery, their motivations reflected profoundly different approaches to the issue. Blair’s antislavery stance stemmed from a racist dedication to remove African Americans from the country altogether. Sumner, in contrast, opposed slavery as a crusader for racial equality and a passionate abolitionist. Lincoln maintained close personal relationships with both men as he wrestled with the slavery question. In addition to these antislavery voices, Escott also weaves into his narrative the other extreme, of which Lincoln was politically aware: the virulent racism and hierarchical values that motivated not only the Confederates but surprisingly many Northerners and which were embodied by the president’s eventual assassin, John Wilkes Booth.Sumner, Blair, and violent racists like Booth each represent forces with which Lincoln had to contend as he presided over a brutal civil war and faced the issues of slavery and equality lying at its root. Other books and films have provided glimpses of the atmosphere in which the president created his Emancipation Proclamation. Lincoln’s Dilemma evokes more fully and brings to life the men Lincoln worked with, and against, as he moved racial equality forward.

Read more less

User-friendly pediatric orthopaedic surgery reference distills clinical practice into essential facts! This third edition of Handbook of Pediatric Orthopaedics by the renowned Paul Sponseller builds on prior editions with recent updates and treatment guidelines on pediatric bone and joint disorders. This compact handbook is a succinct, how-to manual covering a diverse spectrum of pediatric orthopaedic procedures. The book is organized by nine chapters, six of which are dedicated to specific disorder categories. An introductory chapter on anatomy and normal childhood development features norms for osseous and motor development, innervation, growth patterns, predictions, and new guidelines for assessing growth at the pelvis, foot, and hand. Expanded content on skeletal growth, development, and systemic disorders and skeletal syndromes reflects the latest knowledge, such as imaging parameters, clinical treatment standards, and an algorithm for DDH treatment. Cutting-edge advances in the treatment of cerebral palsy, myelodsplasia, and spinal muscular atrophy are detailed in the chapter dedicated to neuromuscular disorders. Pediatric trauma content includes important updates on forearm and femur fractures, an outlined approach to each fracture, and a diagram showing how to reduce each type of Monteggia fracture. Key Features A how-to bulleted guide that walks readers through common procedures including blocks, traction, special casts, aspiration, and arthrograms Height and weight multipliers, bone age diagrams, a Lenke classification chart, and the most common lab values are handy clinical references for day-to-day practice Clear, concise drawings, bulleted text, charts, graphs, and diagrams enhance clinical understanding This is a must-have orthopaedic surgery manual for orthopaedic residents, fellows, and practitioners who treat childhood musculoskeletal disorders. Its compact size also makes it an ideal lab coat companion for medical students during orthopaedic rotations.

Read more less

"Let's go!" With that, the boyish, grinning Yuri Gagarin launched into space on April 12, 1961, becoming the first human being to exit Earth's orbit. The twenty-seven-year-old lieutenant colonel departed for the stars from within the shadowy world of the Soviet military-industrial complex. Barbed wires, no-entry placards, armed guards, false identities, mendacious maps, and a myriad of secret signs had hidden Gagarin from prying outsiders—not even his friends or family knew what he had been up to. Coming less than four years after the Russians launched Sputnik into orbit, Gagarin's voyage was cause for another round of capitalist shock and Soviet rejoicing. The Cosmonaut Who Couldn't Stop Smiling relates this twentieth-century icon's remarkable life while exploring the fascinating world of Soviet culture. Gagarin's flight brought him massive international fame—in the early 1960s, he was possibly the most photographed person in the world, flashing his trademark smile while rubbing elbows with the varied likes of Nehru, Castro, Queen Elizabeth II, and Italian sex symbol Gina Lollobrigida. Outside of the spotlight, Andrew L. Jenks reveals, his tragic and mysterious death in a jet crash became fodder for morality tales and conspiracy theories in his home country, and, long after his demise, his life continues to provide grist for the Russian popular-culture mill. This is the story of a legend, both the official one and the one of myth, which reflected the fantasies, perversions, hopes and dreams of Gagarin's fellow Russians. With this rich, lively chronicle of Gagarin's life and times, Jenks recreates the elaborately secretive world of space-age Russia while providing insights into Soviet history that will captivate a range of readers.

Read more less

A distinctive and unrivaled examination of North American Eastern Orthodox Christians and their encounter with the rights revolution in a pluralistic American society. From the civil rights movement of the 1950s to the “culture wars” of North America, commentators have identified the partisans bent on pursuing different “rights” claims. When religious identity surfaces as a key determinant in how the pursuit of rights occurs, both “the religious right” and “liberal” believers remain the focus of how each contributes to making rights demands. How Orthodox Christians in North America have navigated the “rights revolution,” however, remains largely unknown. From the disagreements over the rights of the First Peoples of Alaska to arguments about the rights of transgender persons, Orthodox Christians have engaged an anglo-American legal and constitutional rights tradition. But they see rights claims through the lens of an inherited focus on the dignity of the human person. In a pluralistic society and culture, Orthodox Christians, both converts and those with family roots in Orthodox countries, share with non-Orthodox fellow citizens the challenge of reconciling conflicting rights claims. Those claims do pit “religious liberty” rights claims against perceived dangers from outside the Orthodox Church. But internal disagreements about the rights of clergy and people within the Church accompany the Orthodox Christian engagement with debates over gender, sex, and marriage as well as expanding political, legal, and human rights claims. Despite their small numbers, North American Orthodox remain highly visible and their struggles influential among the more than 280 million Orthodox worldwide. Orthodox Christians and the Rights Revolution in America offers an historical analysis of this unfolding story.

Read more less

A distinctive and unrivaled examination of North American Eastern Orthodox Christians and their encounter with the rights revolution in a pluralistic American society. From the civil rights movement of the 1950s to the “culture wars” of North America, commentators have identified the partisans bent on pursuing different “rights” claims. When religious identity surfaces as a key determinant in how the pursuit of rights occurs, both “the religious right” and “liberal” believers remain the focus of how each contributes to making rights demands. How Orthodox Christians in North America have navigated the “rights revolution,” however, remains largely unknown. From the disagreements over the rights of the First Peoples of Alaska to arguments about the rights of transgender persons, Orthodox Christians have engaged an anglo-American legal and constitutional rights tradition. But they see rights claims through the lens of an inherited focus on the dignity of the human person. In a pluralistic society and culture, Orthodox Christians, both converts and those with family roots in Orthodox countries, share with non-Orthodox fellow citizens the challenge of reconciling conflicting rights claims. Those claims do pit “religious liberty” rights claims against perceived dangers from outside the Orthodox Church. But internal disagreements about the rights of clergy and people within the Church accompany the Orthodox Christian engagement with debates over gender, sex, and marriage as well as expanding political, legal, and human rights claims. Despite their small numbers, North American Orthodox remain highly visible and their struggles influential among the more than 280 million Orthodox worldwide. Orthodox Christians and the Rights Revolution in America offers an historical analysis of this unfolding story.

Read more less