Search results for ""manifest.""

According to the popular maxim, a nation at war reveals its true character. In this incisive work, Chris Gilbert examines the long history of US war politics through the lens of political cartoons to provide new, unique insights into American cultural identity.Tracing the comic representation of American values from the First World War to the War on Terror, Gilbert explores the power of humor in caricature to expose both the folly in jingoistic virtues and the sometimes-strange fortune in nationalistic vices. He examines the artwork of four exemplary American cartoonists—James Montgomery Flagg, Dr. Seuss, Ollie Harrington, and Ann Telnaes—to craft a trenchant image of Americanism. These examinations animate the rhetorical, and indeed comic, force of icons like Uncle Sam, national symbols like the American Eagle, political stooges like President Donald J. Trump, and more, as well as the power of political cartoons to comment on issues of race, class, and gender on the home front. Throughout, Gilbert portrays a US culture rooted in and riven by ideas of manifest destiny, patriotism, and democracy for all, yet plagued by ugly forms of nationalism, misogyny, racism, and violence.Rich with examples of hilarious and masterfully drawn caricatures from a diverse range of creators, this unflinching look at the evolution of our conflicted national character illustrates how American cartoonists use farce, mockery, and wit to put national character in the comic looking glass.

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In Shakespeare and Abraham, Ken Jackson illuminates William Shakespeare’s dramatic fascination with the story of Abraham’s near sacrifice of his son Isaac in Genesis 22. Themes of child killing fill Shakespeare’s early plays: Genesis 22 informed Clifford’s attack on young Rutland in 3 Henry 6, Hubert’s providentially thwarted murder of Arthur in King John, and Aaron the Moor’s surprising decision to spare his son amidst the filial slaughters of Titus Andronicus, among others. However, the playwright’s full engagement with the biblical narrative does not manifest itself exclusively in scenes involving the sacrifice of children or in verbal borrowings from the famously sparse story of Abraham. Jackson argues that the most important influence of Genesis 22 and its interpretive tradition is to be found in the conceptual framework that Shakespeare develops to explore relationships among ideas of religion, sovereignty, law, and justice. Jackson probes the Shakespearean texts from the vantage of modern theology and critical theory, while also orienting them toward the traditions concerning Abraham in Jewish, Pauline, patristic, medieval, and Reformation sources and early English drama. Consequently, the playwright’s “Abrahamic explorations” become strikingly apparent in unexpected places such as the “trial” of Shylock in The Merchant of Venice and the bifurcated structure of Timon of Athens. By situating Shakespeare in a complex genealogy that extends from ancient religion to postmodern philosophy, Jackson inserts Shakespeare into the larger contemporary conversation about religion in the modern world.

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ARE YOU READY TO CHANGE YOUR LIFE? . . . DISCOVER THE LIFE-CHANGING BOOK FROM THE MULTI-MILLION COPY BESTSELLER OF THE POWER OF NOW'A wake-up call for the entire planet. A New Earth helps us to stop creating our own suffering and obsessing over the past and what the future might be and to put ourselves in the now' OPRAH WINFREY'My No. 1 guru will always be Eckhart Tolle' CHRIS EVANS THE BOOK THAT INSPIRED THE CHART-TOPPING PODCAST OPRAH & ECKHART TOLLE: A NEW EARTH _________Do you feel unhappy or unfulfilled? Tired and stressed? Lacking focus and energy?Then you need Eckhart Tolle's A New Earth. In this ground-breaking classic, he gives you the spiritual framework to:- Understand yourself better - Manage, manifest and achieve your goals - Reach your full potential - Channel conflict into something positive - Change negative habits - Live in the momentOpen your mind and follow Eckhart Tolle's guidance to happiness and health in the modern world. A New Earth is waiting for you. _________'Life-changing' Caroline Hirons 'I'm gonna have to listen to [this podcast] several times! Too good!' Fearne Cotton on the 'Oprah and Eckhart Tolle: A New Earth' podcast 'This book changed my life. It's a brilliant and very practical spiritual guide that teaches the way to inner peace: how to live in the moment and get beyond the ego' Santa Montefiore, bestselling author of The Secret Hours

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Our bodies need the right amount of blood flow to keep our hearts pumping, our legs moving and our brains functioning. Good circulation is clearly critical to our existence. Over our lifetime, our veins absorb a lot of wear and tear - excess weight, sedentary lifestyles, dietary indiscretions, pregnancy and other factors can cause veins to swell and bulge, break and leak, while contributing to spider and varicose veins, haemorrhoids, leg ulcers and many other vein problems. By middle age, half of us will manifest some type of vein condition. Standard treatments include lubricants, warm baths and other less effective procedures or laser surgery and sclerotherapy injections, which, although highly successful, come with side effects. Yet a safe, natural and effective solution is right under our nose. In the rind of the trillions of sweet oranges we consume each year, there is a little known vein-protecting, anti-inflammatory bioflavonoid called diosmin. Backed by clinical research, this citrus bioflavonoid has been recommended by European doctors to treat circulatory and vascular conditions for more than thirty years! HEALTH BENEFITS DERIVED FROM SWEET ORANGES discusses the eight most common vein complications: varicose veins, haemorrhoids, diabetes, leg ulcers, ankle swelling, capillary fragility, leg cramps and phlebitis (inflammation of a vein) For each condition the reader will learn what causes it, what damages it inflicts on the vein, its physical signs and symptoms and nitty-gritty details from clinical studies proving the diosmin promotes strong veins, healthy legs and sound circulation.

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An examination of the history and waning culture of zar in Egypt, and the world in which Muslim women negotiate relations with spiritsZar is both a possessing spirit and a set of reconciliation rites between the spirits and their human hosts: living in a parallel yet invisible world, the capricious spirits manifest their anger by causing ailments for their hosts, which require ritual reconciliation, a private sacrificial rite practiced routinely by the afflicted devotees. Originally spread from Ethiopia to the Red Sea and the Arabian Gulf through the nineteenth-century slave trade, in Egypt zar has incorporated elements from popular Islamic Sufi practices, including devotion to Christian and Muslim saints. The ceremonies initiate devotees—the majority of whom are Muslim women—into a community centered on a cult leader, a membership that provides them with moral orientation, social support, and a sense of belonging. Practicing zar rituals, dancing to zar songs, and experiencing trance restore their well-being, which had been compromised by gender asymmetry and globalization.This new ethnographic study of zar in Egypt is based on the author’s two years of multi-sited fieldwork and firsthand knowledge as a participant, and her collection and analysis of more than three hundred zar songs, allowing her to access levels of meaning that had previously been overlooked. The result is a comprehensive and accessible exposition of the history, culture, and waning practice of zar in a modernizing world.

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"Alcibiades attempted to seduce Socrates, he wanted to make him, and in the most openly avowed way possible, into someone instrumental and subordinate to what? To the object of Alcibiades's desire – ágalma, the good object.I would go even further. How can we analysts fail to recognize what is involved? He says quite clearly: Socrates has the good object in his stomach. Here Socrates is nothing but the envelope in which the object of desire is found.It is in order to clearly emphasize that he is nothing but this envelope that Alcibiades tries to show that Socrates is desire's serf in his relations with Alcibiades, that Socrates is enslaved to Alcibiades by his desire. Although Alcibiades was aware that Socrates desired him, he wanted to see Socrates's desire manifest itself in a sign, in order to know that the other – the object, ágalma – was at his mercy.Now, it is precisely because he failed in this undertaking that Alcibiades disgraces himself, and makes of his confession something that is so affectively laden. The daemon of Αἰδώς (Aidós), Shame, about which I spoke to you before in this context, is what intervenes here. This is what is violated here. The most shocking secret is unveiled before everyone; the ultimate mainspring of desire, which in love relations must always be more or less dissimulated, is revealed – its aim is the fall of the Other, A, into the other, a."Jacques Lacan

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Enhance your life through the power and energy of crystals with The Witch’s Complete Guide to Crystals. Cultivate your creativity and manifest your heart’s desires by using crystals like citrine and labradorite. Use rose quartz, also known as the “love stone,” to help channel love energy or amethyst to create a dream spell. Learn how to use crystals and crystal tools to amplify intentions and bring healing, energy, and positive changes to your life!The Witch’s Complete Guide to Crystals includes: Descriptions of individual crystals and their purposes Crystal spells and crystal tools How to use the energy of moon phases and the Wheel of the Year to enhance and amplify crystal spellwork How to build crystal altars and crystal grids for manifesting intentions Explore different ways to use crystals for everyday rituals in your sacred space. Discover today’s top trending mind, body, spirit topics with the Witch’s Complete Guide series from Chartwell Books. From personal care to reading the tarot, these engaging lifestyle guides give modern witches the expert insight and spiritual know-how they need while practicing their craft. Whether you want to explore the stars or the magic of crystals, or make it a priority to incorporate self-care into your daily routine, these brightly colored books have the tools you need to succeed. Other books in the series include: The Witch’s Complete Guide to Self-Care, The Witch’s Complete Guide to Astrology, and The Witch’s Complete Guide to Tarot.

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In nahezu allen bekannten Liturgien der Alten Kirche ist die Taufeucharistie Ziel und Höhepunkt der Initiation. Und spätestens ab dem 2. Jahrhundert ist die Taufe die notwendige Bedingung für die Teilnahme an der Eucharistie und an den gemeindlichen Mählern. Dieser Befund setzt bestimmte Entwicklungen und Homogenisierungsprozesse in der Auffassung wie auch im rituellen Vollzug von Taufe und Herrenmahl voraus, die in den Taufgottesdiensten des 4. und 5. Jahrhunderts manifest werden. In der vorliegenden, exegetisch wie liturgiegeschichtlich angelegte Untersuchung rekonstruiert Hans-Ulrich Weidemann die Vorgeschichte dieser gegenseitigen Zuordnung von Taufe und Kultmahl auf dem Hintergrund der pluralen frühchristlichen Mahlpraxis. Im Zuge dessen werden die vorkonstantinischen Taufeucharistien, aber auch die komplexe Zuordnung von Taufe und Mahlgemeinschaft in den neutestamentlichen Texten untersucht.Zunächst wertet er die wichtigsten Quellen aus dem 2. und 3. Jh. aus: die Didache, das Zeugnis Justins, die apokryphen Petrus-, Paulus- und Thomasakten, die Pseudoclementinen, das Zeugnis Tertullians sowie die sogenannte Traditio Apostolica. Dabei wird der plurale Befund zur Taufeucharistie und zur postbaptismalen Mahlpraxis erhoben, und die Initiation mit den weiteren Angaben zur Mahl- und Eucharistiepraxis der jeweiligen Zeugnisse in Beziehung gesetzt. Im zweiten Teil analysiert er jene neutestamentlichen Textpassagen, in denen von postbaptismalen Mählern erzählt wird oder in denen Taufe und Eucharistie inhaltlich zueinander in Beziehung gesetzt werden: die Apostelgeschichte des Lukas, den ersten Korinther- und den Galaterbrief des Apostels Paulus sowie den Hebräerbrief.

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What if you took it a step further and set specific goals for living your best life? What if that process could be creative, exciting, and lead to actual change?Everyone wants to accomplish their goals and live the life of which they dream. But in today's busy age, how do we make that happen?This interactive book helps readers live an intentional life by determining their priorities and tapping into their creativity to create beautiful and functional vision boards and manageable action plans to achieve their goals.Through guided worksheets, vision board templates and samples, and planning pages, author Carrie Lindsey inspires readers to get clear on what they really want and then make it happen. Getting your life in order has never been so much fun! What would happen if you set aside a little time to write down what makes you excited and what drags you down? Use the guided worksheets to establish your priorities Create vision boards that make your goals concrete and attainable Discover strategies to manifest the life of your dreams Change is hard, but it's worth it. And with this book, it's also a heck of a lot of fun. Readers also have access to a private Facebook group full of members who are working towards living their dreams.

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Tracing the history of U.S. Indian policy from the eighteenth century to the present, this book explores how the Euro-American ethos of Manifest Destiny fueled a devastating campaign of ethnic cleansing against Native Americans. After decimating the Indian population through organized massacres, the U.S. government forcibly removed the survivors from their homelands to live on reservations. Physical genocide gave way to attempts at cultural eradication through policies designed to Christianize and civilize the Indians. These policies included the traumatic separation of children from their families for indoctrination and abuse in remote boarding schools. Treaties and policies are linked to the concept of federal paternalism and its relationship to pervasive health and social problems endemic in Indian country, including substance abuse and addiction. The book is divided into three main parts. Part I covers the US government's treatment of Indians from the colonial era to the present. Part II describes how the Cherokees' aboriginal concept of blood vengeance gave way to justice models based on the Protestant ethic. Part II also discusses governmental restrictions of religious expression by Indians. Part III delves into the judicial system within Indian country, looking at tribal courts, the Navajo court system, law enforcement, and corrections. An epilogue covers the incompleteness of social justice in Indian country, as reflected in problems such as the misuse of Indian money by the federal government. A Burnham Publishers book

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George Washington was the unanimous choice of his fellow founders for president, and he is remembered to this day as an exceptional leader, but how exactly did this manifest itself during his lifetime? In George Washington, Nationalist, acclaimed author Edward J. Larson reveals the fascinating backstory of Washington’s leadership in the political, legal, and economic consolidation of the new nation, spotlighting his crucial role in forming a more perfect union.The years following the American Revolution were a critical period in American history, when the newly independent states teetered toward disunion under the Articles of Confederation. Looking at a selection of Washington’s most pivotal acts—including conferring with like-minded nationalists, establishing navigational rights on the Potomac, and quelling the near uprising of unpaid revolutionary troops against the Confederation Congress—Larson shows Washington’s central role in the drive for reform leading up to the Constitutional Convention. His leadership at that historic convention, followed by his mostly behind-the-scenes efforts in the ratification process and the first federal election, and culminating in his inauguration as president, complete the picture of Washington as the nation’s first citizen. This important and deeply researched book brings Washington’s unique gift for leadership to life for modern readers, offering a timely addition to the growing body of literature on the Constitution, presidential leadership, executive power, and state-federal relations.

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As indelible components of the history of the United States, race and racism have permeated nearly all aspects of life: cultural, economic, political, and social. In this first anthology on race in early cinema, fourteen scholars examine the origins, dynamics, and ramifications of racism and Eurocentrism and the resistance to both during the early years of American motion pictures. Any discussion of racial themes and practices in any arena inevitably begins with the definition of race. Is race an innate and biologically determined "essence" or is it a culturally constructed category? Is the question irrelevant? Perhaps race exists as an ever-changing historical and social formation that, regardless of any standard definition, involves exploitation, degradation, and struggle. In his introduction, Daniel Bernardi writes that "early cinema has been a clear partner in the hegemonic struggle over the meaning of race" and that it was steadfastly aligned with a Eurocentric world view at the expense of those who didn't count as white.The contributors to this work tackle these problems and address such subjects as biological determinism, miscegenation, Manifest Destiny, assimilation, and nativism and their impact on early cinema. Analyses of The Birth of a Nation, Romona, Nanook of the North and Madame Butterfly and the directorial styles of D. W. Griffith, Oscar Micheaux, and Edwin Porter are included in the volume.

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The Nature and Tasks of a Personalist Psychology explores the findings and tenets of personalist psychology. This collection of essays offers philosophies of the human person, of science, and of psychological practice. Pursuing a dialogue between philosophers and psychologists, this collection confronts a broad range of issues, including religious ones, which are often held as taboo for psychologists. Section One, Systematic Contributions, contains chapters addressing the issue of whether humans are intrinsically good or bad, tracing the concept of person back to its Trinitarian roots, and arguing that human beings mature as persons only in relation to parents and friends. Section Two, Critical Studies, contains chapters which discuss the superego or authoritarian conscience, explore how the role of theory affects the lives of real human beings, and analyze Alfred Adler's insights into the human condition. The chapters in Section Three, Introduction to Systems, introduce the reader to a number of general characteristics to certain psychological or anthropological theories, allowing the reader to see different ways in which a personalist psychology might become manifest. This volume provides a foundation for personalist psychology. Co-published with the Institute for Personalist Psychology. Contributors: Annemarie Buchholz-Kaiser, William R. Coulson, John F. Crosby, James M. DuBois, Keith A. Houde, Josef Seifert, Philip M. Sutton, Fr. Adrian van Kaam, Paul C. Vitz.

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What does the path taken by a ray of light share with the trajectory of a thrown baseball and the curve of a wheat stalk bending in the breeze? Each is the subject of a different study yet all are optimal shapes; light rays minimize travel time while a thrown baseball minimizes action. All natural curves and shapes, and many artificial ones, manifest such "perfect form" because physical principles can be expressed as a statement requiring some important physical quantity to be mathematically maximum, minimum, or stationary. Perfect Form introduces the basic "variational" principles of classical physics (least time, least potential energy, least action, and Hamilton's principle), develops the mathematical language most suited to their application (the calculus of variations), and presents applications from the physics usually encountered in introductory course sequences. The text gradually unfolds the physics and mathematics. While other treatments postulate Hamilton's principle and deduce all results from it, Perfect Form begins with the most plausible and restricted variational principles and develops more powerful ones through generalization. One selection of text and problems even constitutes a non-calculus of variations introduction to variational methods, while the mathematics more generally employed extends only to solving simple ordinary differential equations. Perfect Form is designed to supplement existing classical mechanics texts and to present variational principles and methods to students who approach the subject for the first time.

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The Media does not know what democracy is. Indeed our societies have, for the most part, forgotten the meaning of democracy. Democracy is not a state form. Democracy is a mode of foundationless existential living. As such it needs the kind of attention which our self-satisfied media institutions, riven with complacent journalistic practices and corrupted by institutional privilege, are incapable of. We need to sweep away The Media to allow existential democracy to manifest itself. This will also entail the destruction of key aspects of the academic institution of Media and Cultural Studies, which has evidently failed to radically change the nature of media institutions and practices which was its avowed aim. It has failed because of the epistemological and ontological assumptions that underpin it and which were ultimately drawn from the failed project of structuralism. The images we create arise from chaos. Images of value are in Castoriadis' expression 'windows upon the chaos'. The Media Against Democracy is engaged in rethinking the possibilities for aesthetic engagement with this chaos, proposing an existential-anarchic critique of media. Through our images and sounds we need to learn to understand ontological chaos, only then can we know that whatever we create, when we try to explain to each other how we should live, has no authority other than what we can accord it.

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Meticulously woven by hand with wool, silk, and gilt-metal thread, the tapestry collection of the Sun King, Louis XIV of France, represents the highest achievements of the art form. Intended to enhance the king's reputation by visualizing his manifest glory and to promote the kingdom's nascent mercantile economy, the royal collection of tapestries included antique and contemporary sets that followed the designs of the greatest artists of the Renaissance and Baroque periods, including Raphael, Giulio Romano, Rubens, Vouet, and Le Brun. Ranging in date from about 1540 to 1715 and coming from weaving workshops across northern Europe, these remarkable works portray scenes from the bible, history, and mythology. As treasured textiles, the works were traditionally displayed in the royal palaces when the court was in residence and in public on special occasions and feast days. They are still little known, even in France, as they are mostly reserved for the decoration of elite state residences and ministerial offices. This catalogue accompanies an exhibition of fourteen marvelous examples of the former royal collection that will be displayed exclusively at the J. Paul Getty Museum at the Getty Center from December 15, 2015, to May 1, 2016. Lavishly illustrated, the volume presents for the first time in English the latest scholarship of the foremost authorities working in the field.

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2020 Choice Outstanding Academic Title The 1848 Treaty of Guadalupe Hidalgo, which transferred more than a third of Mexico’s territory to the United States, deferred full U.S. citizenship for Mexican Americans but promised, “in the mean time,” to protect their property and liberty. Erin Murrah-Mandril demonstrates that the U.S. government deployed a colonization of time in the Southwest to insure political and economic underdevelopment in the region and to justify excluding Mexican Americans from narratives of U.S. progress. With In the Mean Time, Murrah-Mandril contends that Mexican American authors challenged modern conceptions of empty, homogeneous, linear, and progressive time to contest U.S. colonization. Taking a cue from Latina/o and borderlands spatial theories, Murrah-Mandril argues that time, like space, is a socially constructed, ideologically charged medium of power in the Southwest. In the Mean Time draws on literature, autobiography, political documents, and historical narratives composed between 1870 and 1940 to examine the way U.S. colonization altered time in the borderlands. Rather than reinforce the colonial time structure, early Mexican American authors exploited the internal contradictions of Manifest Destiny and U.S. progress to resist domination and situate themselves within the shifting political, economic, and historical present. Read as decolonial narratives, the Mexican American cultural productions examined in this book also offer a new way of understanding Latina/o literary history.

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John C. Frémont was the most celebrated explorer of his era. In 1842, on the first of five expeditions he would lead to the Far West, Frémont and a small party of men journeyed up the Kansas and Platte Rivers to the Wind River Range in Wyoming. At the time, virtually this entire region was known as the Great Desert, and many Americans viewed it and the Rocky Mountains beyond as natural barriers to the United States. After Congress published Frémont’s official report of the expedition, however, few doubted the nation should expand to the Pacific. The first in-depth study of this remarkable report, Sight Unseen argues that Frémont used both a radical form of art and an imaginary map to create an aesthetic desire for expansion. He not only redefined the Great Desert as a novel and complex environment, but on a summit of the Wind River Range, he envisioned the Continental Divide as a feature that would unify rather than impede a larger nation. In addition to provoking the great migration to Oregon and providing an aesthetic justification for the National Park system, Frémont’s report profoundly altered American views of geography, progress, and the need for a transcontinental railroad. By helping to shape the very notion of Manifest Destiny, the report became one of the most important documents in the history of American landscape.

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In this book, the most prolific contemporary African American scholar and cultural theorist Molefi Kete Asante leads the reader on an informative journey through the mind of Maulana Karenga, one of the key cultural thinkers of our time. Not only is Karenga the creator of Kwanzaa, an extensive and widespread celebratory holiday based on his philosophy of Kawaida, he is an activist-scholar committed to a "dignity-affirming" life for all human beings. Asante examines the sources of Karenga's intellectual preoccupations and demonstrates that Karenga's concerns with the liberation narratives and mythic realities of African people are rooted in the best interests of a collective humanity. The book shows Karenga to be an intellectual giant willing to practice his theories in order to manifest his intense emotional attachment to culture, truth and justice. Asante's enlightening presentation and riveting critique of Karenga's works reveal a compelling account of a thinker whose contributions extend far beyond the Academy. Although Karenga began his career as a student activist, a civil rights leader, a Pan Africanist, and a culturalist, he ultimately succeeds in turning his fierce commitment to truth toward dissecting political, social, and ethical issues. Asante carefully analyzes Karenga's important works on Black Studies, but also his earlier works on culture and his later works on ethics, such as The Husia, and Odu Ifa: The Ethical Teachings.

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Many of the most celebrated African American artists have created works that visually manifest Christian motifs and themes, yet this component of the history of African American art is often subsumed by attention to racial identity. This volume constructs a vivid new history of African American art by exploring biblical and Christian subjects and themes in the work of such noted artists as Romare Bearden, Edmonia Lewis, Archibald Motley, Henry O. Tanner, and James VanDerZee.Focusing on the work of artists who came to maturity between the Civil War and the Civil Rights Era, the contributors show how engaging with religious themes has served to express an array of racial, political, and socio-economic concerns for African American artists. Through a close analysis of aesthetic techniques and choices, each author considers race but does not assume it as a predominant factor. Instead, the contributors assess artworks’ formal, iconographic, and thematic participation in the history of Christianity and the visual arts. In doing so, this collection refuses to lay a single claim on black religiosity, culture, or art, but rather explores its diversity and celebrates the complexity of African American visual expression.In addition to the editors, the contributors are Kirsten Pai Buick, Julie Levin Caro, Jacqueline Francis, Caroline Goeser, Amy K. Hamlin, Kymberly N. Pinder, Richard J. Powell, Edward M. Puchner, Kristin Schwain, James Smalls, Carla Williams, and Elaine Y. Yau.

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No country feels China's rise more deeply than Japan. Through intricate case studies of visits by Japanese politicians to the Yasukuni Shrine, conflicts over the boundaries of economic zones in the East China Sea, concerns about food safety, and strategies of island defense, Sheila A. Smith explores the policy issues testing the Japanese government as it tries to navigate its relationship with an advancing China. Smith finds that Japan's interactions with China extend far beyond the negotiations between diplomats and include a broad array of social actors intent on influencing the Sino-Japanese relationship. Some of the tensions complicating Japan's encounters with China, such as those surrounding the Yasukuni Shrine or territorial disputes, have deep roots in the postwar era, and political advocates seeking a stronger Japanese state organize themselves around these causes. Other tensions manifest themselves during the institutional and regulatory reform of maritime boundary and food safety issues. Smith scrutinizes the role of the Japanese government in coping with contention as China's influence grows and Japanese citizens demand more protection. Underlying the government's efforts is Japan's insecurity about its own capacity for change and its waning status as the leading economy in Asia. For many, China's rise means Japan's decline, and Smith suggests how Japan can maintain its regional and global clout as confidence in its postwar diplomatic and security approach diminishes.

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It's not what you say, but how you say it. Solving problems with words is the essence of politics, and finding the right words for the moment can make or break a politician's career. Yet very little has been said in political science about the elusive element of tone. In "Political Tone", Roderick P. Hart, Jay P. Childers, and Colene J. Lind analyze a range of texts - from speeches and debates to advertising and print and broadcast campaign coverage - using a sophisticated computer program, Diction, that parses their content for semantic features like realism, commonality, and certainty, as well as references to religion, party, or patriotic terms. Beginning with a look at how societal forces like diversity and modernity manifest themselves as political tones in the contexts of particular leaders and events, the authors proceed to consider how individual leaders have used tone to convey their messages: How did Bill Clinton's clever dexterity help him recover from the Monica Lewinsky scandal? How did Barack Obama draw on his experience as a talented community activist to overcome his inexperience as a national leader? And how does Sarah Palin's wandering tone indicate that she trusts her listeners and is open to their ideas? By focusing not on the substance of political arguments but on how they were phrased, "Political Tone" provides powerful and unexpected insights into American politics.

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Radical Islam is an enduring global challenge that presents a national and international security threat. Instigation by hate preachers, inadequate government, societal attention, religious and reciprocal radicalization have allowed this threat to manifest into terrorist violence. Extremist ideologies have infiltrated religious, educational, and digital spaces and thus, terrorism’s shadow continues to shroud the safety and stability of countries and communities worldwide today.On 21 April 2019, the world’s most dangerous threat movement, the Islamic State, mounted one of its deadliest attacks in Sri Lanka. The surge of fear, suspicion, and prejudice following what is now known as ‘Sri Lanka’s Easter Sunday Massacre’ fragmented the country, imbuing hatred and anger against the Muslim community. Years later, the radicalization pipeline remains intact, and the threat persists. With the global expansion of the Islamic State and al-Qaeda, will the world witness attacks of a similar or greater scale in the future?Equal parts treatise and reference material, this book answers this question by tracing the genesis, threat trajectory, and aftermath of the bombings and the personalities behind them. With unprecedented access to accounts from Islamic State detainees, affected families, intelligence specialists, and investigators, the book reflects on lessons learned and provides insight into how such attacks are organized and what measures can be taken to prevent or respond to these threats effectively.

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Form and resistance are the essence of all architectural work. This is especially clear in the interaction between the effect and construction method of façades. They orchestrate the transition between interior and exterior worlds, they manifest the underlying approach and the way buildings behave towards their surroundings. In their articulation of engineering and aesthetics, supporting and loads, proportion and practicality, and rhythm and materiality, they reflect both varying production methods and social value systems. The architect Lando Rossmaier worked with students at the University of Lucerne to study the range of architectural means of construction and expression with respect to Swiss townhouse façades. This anthology presents a selection of around 80 buildings with sensitively developed tectonics, dating from the 20th-century to the present day, all of which have formed a backdrop for an urban way of life for decades. Like a manual, the effect is demonstrated using a photographic portrait and a description of the construction method, using detailed tectonic isometrics. The collection is supplemented by ten projects by contemporary Swiss architects, with essays on their understanding of tectonics. Text in German. Articles: Dr. Bettina Köhler, Roger Boltshauser, Buol & Zünd Architekten, Edelaar Mosayebi Inderbitzin Architekt*innen, Enzmann Fischer Partner Architekten, Joos & Mathys Architekten, Käferstein & Meister Architekten, Knapkiewicz & Fickert Architekten, Loeliger Strub Architektur, Lütjens Padmanabhan Architekt*innen, Bosshard Vaquer Architekten, Caruso St John Architects

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Uri Geller would love to write a book revealing himself as a trickster. It would be an instant bestseller: people around the world would be thrilled to know that he really did fool the CIA and Mossad, and scientists at the Stanford Research Institute and the University of London. But he can't do it, because he knows that his psychic powers are real – just as yours are, too! This is a guide to releasing your PSI-FORCE and using it for whatever purpose you want. Your psi-force will help you excel at sport, outsmart your boss, win at games, make friends, attract a lover, overcome illness and depression, come to terms with disaster, be a financial success, and, above all, be happy and content. But you must learn to channel your psychic powers your way. Uri will teach you how to get the best out of your particular talent using the dynamic force that is in you already, just waiting to be awakened. The book is packed full of tests to assess your own psychic potential and progress, as well as step-by-step guidance to connecting with and using psi-force, from reading the intentions and thoughts of others to out-psyching your boss and bank manager to drawing on psi-force to manifest your desired outcomes.

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What is it about free-market ideas that give them tenacious staying power in the face of such manifest failures as persistent unemployment, widening inequality, and the severe financial crises that have stressed Western economies over the past forty years? Fred Block and Margaret Somers extend the work of the great political economist Karl Polanyi to explain why these ideas have revived from disrepute in the wake of the Great Depression and World War II, to become the dominant economic ideology of our time.Polanyi contends that the free market championed by market liberals never actually existed. While markets are essential to enable individual choice, they cannot be self-regulating because they require ongoing state action. Furthermore, they cannot by themselves provide such necessities of social existence as education, health care, social and personal security, and the right to earn a livelihood. When these public goods are subjected to market principles, social life is threatened and major crises ensue.Despite these theoretical flaws, market principles are powerfully seductive because they promise to diminish the role of politics in civic and social life. Because politics entails coercion and unsatisfying compromises among groups with deep conflicts, the wish to narrow its scope is understandable. But like Marx's theory that communism will lead to a "withering away of the State," the ideology that free markets can replace government is just as utopian and dangerous.

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Rule the world and take control of your emotional and mental health from where you sit, stand, and sleep. Chapter by chapter, learn how to tackle it all—relationships, clutter, health, communities, inner balance, and more—by looking within your immediate environment to make direct connections in your life.The Holistic Home is based on an original lifestyle concept focused on creating a dynamic, healthy, and thoughtful space within yourself and your home by combining three planes of action—mind, body, and spirit—that result in profound change.The condition of the mind affects the psychology of how you dwell: subconscious influences, decorating with intention, and allowing your emotional issues and challenges to manifest in your space. The physical aspects of your design space, such as furniture positioning, design elements, sustainability, wellness, and organization, are representative of your relationship with your body. And finally, the spirit refers to all the invisible energies within you and your home—feng shui, atmosphere, and the soul of your home.Years ago, author and holistic feng shui expert Laura Benko was diagnosed with a rare cancer. Around that time, a book serendipitously fell on her head. She took this as a much-needed sign to devote the next decade of her life to research and hundreds of transformative holistic design consultations. Her clients’ real-life, inspiring stories, along with specific actions and tips, have become the foundation for The Holistic Home.

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For decades now, serial killers have taken center stage in the news and entertainment media. The coverage of real-life murderers such as Ted Bundy and Jeffrey Dahmer has transformed them into ghoulish celebrities. Similarly, the popularity of fictional characters such as Hannibal “The Cannibal” Lecter or Dexter demonstrates just how eager the public is to be frightened by these human predators.But why is this so? Could it be that some of us have a gruesome fascination with serial killers for the same reasons we might morbidly stare at a catastrophic automobile accident? Or it is something more? In Why We Love Serial Killers, criminology professor Dr. Scott Bonn explores our powerful appetite for the macabre, while also providing new and unique insights into the world of the serial killer, including those he has gained from his correspondence with two of the world’s most notorious examples, David Berkowitz (“Son of Sam”) and Dennis Rader (“Bind, Torture, Kill”). In addition, Bonn examines the criminal profiling techniques used by law enforcement professionals to identify and apprehend serial predators, he discusses the various behaviors—such as the charisma of the sociopath— that manifest themselves in serial killers, and he explains how and why these killers often become popular cultural figures.Groundbreaking in its approach, Why We Love Serial Killers is a compelling look at how the media, law enforcement agencies, and public perception itself shapes and feeds the “monsters” in our midst.

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Thomas Jefferson was a figure both central and polarizing in his own time, and despite the passage of two centuries he remains so today. Author of the Declaration of Independence and the Virginia Statute for Religious Freedom, yet at the same time a slaveholder who likely fathered six children by one of his slaves, Jefferson has been seen as an embodiment of both the best and the worst in America’s conception and in its history.In Monticello in Mind, poet Lisa Russ Spaar collects fifty contemporary poems--most original to this anthology--that engage the complex legacy of Thomas Jefferson and his plantation home at Monticello. Many of these poems wrestle with the history of race and freedom at the heart of both Jefferson’s story and America’s own. Others consider Jefferson as a figure of Enlightenment rationalism, who scrupulously excised evidence of the supernatural from the gospels in order to construct his own version of Jesus’s moral teachings. Still others approach Jefferson as an early colonizer of the West, whose purchase of the Louisiana territory and launch of the Lewis and Clark expedition anticipated the era of Manifest Destiny.Featuring a roster of poets both emerging and established--including Lucille Clifton, Rita Dove, Claudia Emerson, Terrance Hayes, Robert Hass, Yusef Komunyakaa, Tracy K. Smith, Natasha Tretheway, Charles Wright, and Kevin Young--this collection offers an aesthetically and culturally diverse range of perspectives on a man whose paradoxes still abide at the heart of the American experiment

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Classical Athenian literature often speaks of democratic politics in sexual terms. Citizens are urged to become lovers of the polis, and politicians claim to be lovers of the people. Victoria Wohl argues that this was no dead metaphor. Exploring the intersection between eros and politics in democratic Athens, Wohl traces the private desires aroused by public ideology and the political consequences of citizens' most intimate longings. Love among the Ruins analyzes the civic fantasies that lay beneath (but not necessarily parallel to) Athens's political ideology. It shows how desire can disrupt politics and provides a deeper--at times disturbing--insight into the democratic unconscious of ancient Athens. The Athenians imagined the perfect citizen as a noble and manly lover. But this icon conceals a multitude of other possible figures: sexy tyrants, potent pathics, and seductive perverts. Through critical re-readings of canonical texts, Wohl investigates these fantasies, which seem so antithetical to Athens's manifest ideals. She examines the interrelation of patriotism and narcissism, the trope of politics as prostitution, the elite suspicion of political pleasure, and the status of perversion within Athens's sexual and political norms. She also discusses the morbid drive that propelled Athenian imperialism, as well as democratic Athens's paradoxical fascination with the joys of tyranny. Drawing on contemporary critical theory in original ways, Wohl sketches the relationship between citizen psyche and political life to illuminate the complex, frequently contradictory passions that structure democracy, ancient and modern.

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Women’s transgressive behaviors and perspectives are challenging societal norms in the Arab world, giving rise to anxiety and public debate. Simultaneously, however, other Arab women are unwillingly finding themselves labeled “bad” as authority figures attempt to redirect scrutiny from serious social ills such as patriarchy and economic exploitation, or as they impose new restrictions on women’s behavior in response to uncertainty and change in society. Bad Girls of the Arab World elucidates how both intentional and unintentional transgressions make manifest the social and cultural constructs that define proper and improper behavior, as well as the social and political policing of gender, racial, and class divisions.The works collected here address the experiences of women from a range of ages, classes, and educational backgrounds who live in the Arab world and beyond. They include short pieces in which the women themselves reflect on their experiences with transgression; academic articles about performance, representation, activism, history, and social conditions; an artistic intervention; and afterwords by the acclaimed novelists Laila al-Atrash and Miral al-Tahawy. The book demonstrates that women’s transgression is both an agent and a symptom of change, a site of both resistance and repression. Showing how transnational forces such as media discourses, mobility and confinement, globalization, and neoliberalism, as well as the legacy of colonialism, shape women’s badness, Bad Girls of the Arab World offers a rich portrait of women’s varied experiences at the boundaries of propriety in the twenty-first century.

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Mexican and Mexican American women have written about Texas and their lives in the state since colonial times. Edited by fellow Tejanas Inés Hernández-Ávila and Norma Elia Cantú, Entre Guadalupe y Malinche gathers, for the first time, a representative body of work about the lives and experiences of women who identify as Tejanas in both the literary and visual arts.The writings of more than fifty authors and the artwork of eight artists manifest the nuanced complexity of what it means to be Tejana and how this identity offers alternative perspectives to contemporary notions of Chicana identity, community, and culture. Considering Texas-Mexican women and their identity formations, subjectivities, and location on the longest border between Mexico and any of the southwestern states acknowledges the profound influence that land and history have on a people and a community, and how Tejana creative traditions have been shaped by historical, geographical, cultural, linguistic, social, and political forces. This representation of Tejana arts and letters brings together the work of rising stars along with well-known figures such as writers Gloria Anzaldúa, Emma Pérez, Alicia Gaspar de Alba, Carmen Tafolla, and Pat Mora, and artists such as Carmen Lomas Garza, Kathy Vargas, Santa Barraza, and more. The collection attests to the rooted presence of the original indigenous peoples of the land now known as Tejas, as well as a strong Chicana/Mexicana feminism that has its precursors in Tejana history itself.

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Honorable Mention, Barbara T. Christian Literary Award, Caribbean Studies Association, 2017In the wake of the 1959 Cuban Revolution, a key state ideology developed: racism was a systemic cultural issue that ceased to exist after the Revolution, and any racism that did persist was a result of contained cases of individual prejudice perpetuated by US influence. Even after the state officially pronounced the end of racism within its borders, social inequalities tied to racism, sexism, and homophobia endured, and, during the economic liberalization of the 1990s, widespread economic disparities began to reemerge.Cuban Underground Hip Hop focuses on a group of self-described antiracist, revolutionary youth who initiated a social movement (1996–2006) to educate and fight against these inequalities through the use of arts-based political activism intended to spur debate and enact social change. Their “revolution” was manifest in altering individual and collective consciousness by critiquing nearly all aspects of social and economic life tied to colonial legacies. Using over a decade of research and interviews with those directly involved, Tanya L. Saunders traces the history of the movement from its inception and the national and international debates that it spawned to the exodus of these activists/artists from Cuba and the creative vacuum they left behind. Shedding light on identity politics, race, sexuality, and gender in Cuba and the Americas, Cuban Underground Hip Hop is a valuable case study of a social movement that is a part of Cuba’s longer historical process of decolonization.

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In Body, Movement, and Culture, Sally Ann Ness provides an original interpretive account of three forms of sinulog dancing practiced in Cebu City in the Philippines: a healing ritual, a dance drama, and a "cultural" exhibition dance. Ness's examination of these dance forms yields rich insights into the cultural predicament of this Philippine city and the way in which kinesthetic and visual symbols interact to create meaning. Ness scrutinizes the patterns of movement, the use of the body and of objects, and the shaping of space common to all three versions of the sinulog. She then relates these elements to the fundamental ways the culture bearers of Cebu City experience their world. For example, she shows how each of the dance forms functions to reinforce class distinctions and to establish a code of authenticated "cultural" action. At the same time, Ness demonstrates, the dances manifest and actualize widely applied notions about the nature of "devotion," "sincerity," "naturalness," and "beauty." Throughout the text, Ness provides a close analysis of movement that is all too often missing from anthropological studies of dance. Most significantly, she works to relate the movements used in dance to everyday movement and to interpret the attitudes and values that are embodied in both choreographed and quotidian movement. Important and illuminating, Body, Movement, and Culture is of particular interest to students and scholars of anthropology, folklore, dance, and Asian studies.

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“Alcibiades attempted to seduce Socrates, he wanted to make him, and in the most openly avowed way possible, into someone instrumental and subordinate to what? To the object of Alcibiades’ desire – ágalma, the good object.I would go even further. How can we analysts fail to recognize what is involved? He says quite clearly: Socrates has the good object in his stomach. Here Socrates is nothing but the envelope in which the object of desire is found.It is in order to clearly emphasize that he is nothing but this envelope that Alcibiades tries to show that Socrates is desire’s serf in his relations with Alcibiades, that Socrates is enslaved to Alcibiades by his desire. Although Alcibiades was aware that Socrates desired him, he wanted to see Socrates’ desire manifest itself in a sign, in order to know that the other – the object, ágalma – was at his mercy.Now, it is precisely because he failed in this undertaking that Alcibiades disgraces himself, and makes of his confession something that is so affectively laden. The daemon of Αἰδώς (Aidós), Shame, about which I spoke to you before in this context, is what intervenes here. This is what is violated here. The most shocking secret is unveiled before everyone; the ultimate mainspring of desire, which in love relations must always be more or less dissimulated, is revealed – its aim is the fall of the Other, A, into the other, a.”Jacques Lacan

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In the fourth century a new narrative genre captured the imagination of the faithful—the moving accounts of the lives of Christian saints. Willing to die gruesome deaths or endure constant suffering, saints conveyed a powerful message: God was still present in the world. He continues to manifest His powers and communicate His messages through His special friends—the saints. What kind of Christianity do we find in these stories? In this original and provocative work, Aviad Kleinberg argues that the saints’ stories of medieval Europe were more than edifying entertainment; they retain an alternative theology, often quite different from the formal theology of the Church. By telling and retelling the story of virtue and salvation, by expanding the religious imagination of the West, they were shaping and reshaping Christianity itself.In this study of stories from the fourth through the fourteenth centuries, we meet the tender Perpetua bidding farewell to her infant son, Simeon Stylites turning himself into a rotting corpse, Francis of Assisi finding joy in suffering, and Fra Ginepro playing the fool, for Christ. We meet holy anchorites, headstrong virgins, fearless dragon slayers, and scheming politicians. Kleinberg unveils the inner contradictions, the subversive ideas, and the deadly power games that lay behind the making of the Western imagination. People, ideas, and passions—often relegated to the back pews—take center stage in this daring book. This is a story of how stories change lives.

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“A Native American rejoinder to Richard White and Jesse Amble White’s California Exposures.”—Kirkus Reviews Rewriting the history of California as Indigenous. Before there was such a thing as “California,” there were the People and the Land. Manifest Destiny, the Gold Rush, and settler colonial society drew maps, displaced Indigenous People, and reshaped the land, but they did not make California. Rather, the lives and legacies of the people native to the land shaped the creation of California. We Are the Land is the first and most comprehensive text of its kind, centering the long history of California around the lives and legacies of the Indigenous people who shaped it. Beginning with the ethnogenesis of California Indians, We Are the Land recounts the centrality of the Native presence from before European colonization through statehood—paying particularly close attention to the persistence and activism of California Indians in the late twentieth and early twenty-first centuries. The book deftly contextualizes the first encounters with Europeans, Spanish missions, Mexican secularization, the devastation of the Gold Rush and statehood, genocide, efforts to reclaim land, and the organization and activism for sovereignty that built today’s casino economy. A text designed to fill the glaring need for an accessible overview of California Indian history, We Are the Land will be a core resource in a variety of classroom settings, as well as for casual readers and policymakers interested in a history that centers the native experience.

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Among global environments, the undersea is unique in the challenges it poses – and the opportunities it affords – for sensation, perception, inquiry, and fantasy. The Aesthetics of the Undersea draws case studies in such potencies from the subaqueous imaginings of Western culture, and from the undersea realities that have inspired them. The chapters explore aesthetic engagements with underwater worlds, and sustain a concern with submarine "sense," in several meanings of that word: when submerged, faculties and fantasies transform, confronting human subjects with their limitations while enlarging the apparent scope of possibility and invention. Terrestrially-established categories and contours shift, metamorphose, or fail altogether to apply. As ocean health acquires an increasing share of the global environmental imaginary, the histories of submarine sense manifest ever-greater importance, and offer resources for documentation as well as creativity.The chapters deal with the sensory, material, and formal provocations of the underwater environment, and consider the consequences of such provocations for aesthetic and epistemological paradigms. Contributors, who hail from the United States, United Kingdom and Australia, include scholars of literature, art, new media, music and history. Cases studies range from baroque and rococo fantasies to the gothic, surrealism, modernism, and contemporary installation art. By juxtaposing early modern and Enlightenment contexts with matters of more recent – and indeed contemporary – importance, The Aesthetics of the Undersea establishes crucial relations among temporally remote entities, which will resonate across the environmental humanities.

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When Philadelphia naturalist Samuel George Morton died in 1851, no one cut off his head, boiled away its flesh, and added his grinning skull to a collection of crania. It would have been strange, but perhaps fitting, had Morton’s skull wound up in a collector’s cabinet, for Morton himself had collected hundreds of skulls over the course of a long career. Friends, diplomats, doctors, soldiers, and fellow naturalists sent him skulls they gathered from battlefields and burial grounds across America and around the world.With The Skull Collectors, eminent historian Ann Fabian resurrects that popular and scientific movement, telling the strange—and at times gruesome—story of Morton, his contemporaries, and their search for a scientific foundation for racial difference. From cranial measurements and museum shelves to heads on stakes, bloody battlefields, and the “rascally pleasure” of grave robbing, Fabian paints a lively picture of scientific inquiry in service of an agenda of racial superiority, and of a society coming to grips with both the deadly implications of manifest destiny and the mass slaughter of the Civil War. Even as she vividly recreates the past, Fabian also deftly traces the continuing implications of this history, from lingering traces of scientific racism to debates over the return of the remains of Native Americans that are held by museums to this day.Full of anecdotes, oddities, and insights, The Skull Collectors takes readers on a darkly fascinating trip down a little-visited but surprisingly important byway of American history.

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'The king is dead. Long live the king'! In early modern Europe, the king's body was literally sovereign - and the right to rule was immediately transferrable to the next monarch in line upon the king's death. In "The Royal Remains", Eric L. Santner argues that this carnal dimension of sovereignty hasn't disappeared from politics. Instead, it has migrated to a new location - the life of the people - where something royal continues to linger in the way we obsessively track and measure the vicissitudes of our flesh. Santner demonstrates the ways in which democratic societies have continued many of the rituals and practices associated with kingship in displaced, distorted, and, usually, unrecognizable forms. He proposes that those strange mental activities Freud first lumped under the category of the unconscious - which often manifest themselves in peculiar physical ways - are really the uncanny second life of these royal remains, now animated in the body politic of modern neurotic subjects. Pairing Freud with Kafka, Carl Schmitt with Hugo von Hofmannsthal, and Ernst Kantorowicz with Rainer Maria Rilke, Santner generates brilliant readings of multiple texts and traditions of thought en route to reconsidering the sovereign imaginary. Ultimately, "The Royal Remains" locates much of modernity-from biopolitical controversies to modernist literary experiments - in this transition from subjecthood to secular citizenship. This major new work will make a bold and original contribution to discussions of politics, psychoanalysis, and modern art and literature.

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Many people who've experienced trauma tend to blame themselves. This tendency to self-blame often begins in childhood and is carried into adulthood, and can manifest in a number of emotional and behavioral problems such as anxiety, depression, addiction, and feelings of guilt and shame. You've probably tried to quiet your critical inner voice through avoidance and distraction, only to have the negative self-talk return time and time again to sabotage your self-esteem and interfere with your day-to-day life. Fortunately, you possess the power to forgive yourself and discover your inner strength.With this workbook as your guide, you'll learn proven-effective skills that integrate self-forgiveness with acceptance and commitment therapy (ACT), compassion-focused therapy (CFT), functional analytic psychotherapy (FAP), and relational frame theory (RFT). You'll develop the self-compassion and self-acceptance needed to overcome the sense of shame and guilt that's keeping you from a meaningful, purposeful life. You'll also gain a new perspective on your life's story, empowering you to get in touch with your values and make an ongoing commitment to self-forgiveness-even in the face of new challenges.Forgiving yourself does not mean the pain of the past will go away forever, but it can significantly reduce the burden you've placed on yourself. If you're ready to replace self-blame with self-empowerment and self-reliance, this book will be your guide on a journey toward healing and joy.

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America’s top psychic medium reflects on his life of speaking to Spirit and the lessons he’s learned along the way—from both the living and the dead.Matt Fraser is just an ordinary guy…who happens to talk to dead people. Born into a psychic family, Matt carries on the legacy passed down from his late Grandmother Mary by connecting people to their dearly departed loved ones and delivering messages from the other side. His sold-out live group readings, television appearances, and private readings have allowed him to bring hope and healing to fans from around the world. But people who are not in the habit of talking with the dead have a hard time imagining what his day-to-day life is like. Based on the questions he gets, they seem to think he spends most of his time sitting cross-legged in a trance, maybe hovering a few inches off the ground, leaving his physical body behind as he journeys across the veil to the spirit realm. But it’s not like that at all. Now, in When Heaven Calls, Matt opens up about it’s really like to be a psychic medium—including how he discovered his spiritual gift, what it’s like to connect with souls on the other side, what communicating with the dead has taught him about embracing life, and how you can tap into your own intuitive awareness to manifest your dreams, goals, and desires.

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We all want to believe that if we visualize something long enough, it will eventually happen. But according to Sherianna Boyle, this approach to manifesting is destined to fall flat if you’re not taking your emotions into account. “When it comes to manifesting our reality, how we feel is more important than what we want,” she explains. “If our emotions aren’t moving, manifesting just won’t happen—at least not in the way we want.” Energy in Action explores how emotional mastery is the missing piece to manifesting we’ve all been looking for. By applying her emotional detoxing and Cleanse Method®, Sherianna shows you how to create from an inner space of discernment, insight, intuition, and levelheadedness. She offers the exact tools that she and her clients use to keep their emotions flowing so they can realize their most joyful and connected lives. Part I explains how to consciously move your emotions to align with thirteen Universal Laws. Part II includes a chapter for each Law and gives you tools for making sure you’re connected to them, as well as companion Cleanses to clear reactivity and manifest fully. There are many powerful books about manifesting and the laws of attraction, but what’s needed most is a relatable and practicable guide for how to move the energy of your emotions to truly realize your best life. Energy in Action meets this critical need.

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An Unabridged Reading of the Bestselling Book The Honeymoon Effect: A state of bliss, passion, energy, and health resulting from a huge love. Your life is so beautiful that you can’t wait to get up to start a new day and you thank the Universe that you are alive. Think back on the most spectacular love affair of your life—the Big One that toppled you head over heels. For most, it was a time of heartfelt bliss, robust health, and abundant energy—a first-hand experience of Heaven on Earth. Imagine what it would be like if you could maintain the Honeymoon Effect throughout your whole life. Dr. Bruce H. Lipton describes how the Honeymoon Effect was not a chance event or a coincidence, but a personal creation. Here Dr. Lipton reveals how we manifest the Honeymoon Effect and the reasons why we lose it. This knowledge empowers listeners to create the honeymoon experience again, this time in a way that ensures a happily-ever-after relationship that even a Hollywood producer would love. With authority, eloquence, and an accessible style, Lipton covers the influence of quantum physics (good vibrations), biochemistry (love potions), and psychology (the conscious and subconscious minds) in creating and sustaining loving relationships. He also asserts that we can learn from the example of the harmonious relationships of our 50 trillion cells to create a “super organism” called "humanity," which can heal our planet.

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As a city that seems to float between Europe and Asia, removed by a lagoon from the tempos of terra firma, Venice has long seduced the Western imagination. Since the 1797 fall of the Venetian Republic, fantasies about the sinking city have engendered an elaborate series of romantic cliches, provoking conflicting responses: some modern artists and intellectuals embrace the resistance to modernity manifest in Venice's labyrinthine premodern form and temporality, whereas others aspire to modernize by "killing the moonlight" of Venice, in the Futurists' notorious phrase. Spanning the history of literature, art, and architecture-from John Ruskin, Henry James, and Ezra Pound to Manfredo Tafuri, Italo Calvino, Jeanette Winterson, and Robert Coover-Killing the Moonlight tracks the pressures that modernity has placed on the legacy of romantic Venice, and the distinctive strains of aesthetic invention that resulted from the clash. In Venetian incarnations of modernism, the anachronistic urban fabric and vestigial sentiment that both the nation-state of Italy and the historical avant-garde would cast off become incompletely assimilated parts of the new. Killing the Moonlight brings Venice into the geography of modernity as a living city rather than a metaphor for death, and presents the archipelago as a crucible for those seeking to define and transgress the conceptual limits of modernism. In strategic detours from the capitals of modernity, the book redrafts the confines of modernist culture in both geographical and historical terms.

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Monuments for Posterity challenges the common assumption that Stalinist monuments were constructed with an immediate, propagandistic function, arguing instead that they were designed to memorialize the present for an imagined posterity. In this respect, even while pursuing its monument-building program with a singular ruthlessness and on an unprecedented scale, the Stalinist regime was broadly in step with transnational monument-building trends of the era and their undergirding cultural dynamics. By integrating approaches from cultural history, art criticism, and memory studies, along with previously unexplored archival material, Antony Kalashnikov examines the origin and implementation of the Stalinist monument-building program from the perspective of its goal to "immortalize the memory" of the era. He analyzes how this objective affected the design and composition of Stalinist monuments, what cultural factors prompted the sudden and powerful yearning to be remembered, and most importantly, what the culture of self-commemoration revealed about changing outlooks on the future—both in the Soviet Union and beyond its borders. Monuments for Posterity shifts the perspective from monuments' political-ideological content to the desire to be remembered and prompts a much-needed reconsideration of the supposed uniqueness of both Stalinist aesthetics and the temporal culture that they expressed. Many Stalinist monuments still stand prominently in postsocialist cityscapes and remain the subject of continual heated political controversy. Kalashnikov makes manifest monuments' intentional attempts to seduce us—the "posterity" for whom they were built.

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At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. The colonial experience of the twentieth century (1910-1945) decidedly shaped the culture and identity of Korea, yet the precise manner as to how South Korean postcolonial cinema depicts this troubling past has not received sufficient scholarly attention. Parameters of Disavowal seeks to break this hiatus. It approaches the subject of the colonial past in South Korean cinema as a particular kind of postcolonial knowledge-production that responds to the repercussions of Cold War geopolitics while also subscribing to the precept of anticolonial nationalism. It also advances beyond manifest readings of anticolonial messages by examining how postcolonial cinema not only posits, but also constructs Korean national history through disavowals and elisions of the very past they wish to represent. In particular, this book focuses on how South Korean films have created ways of seeing and imagining the colonial past by privileging certain Korean sites as spaces generating unique meanings and values contrary to the assumed total domination of the colonial power. These films thereby inscribe colonial power within parameters of disavowal, ultimately rendering it delimited, incomplete, and flawed. This unique cinematic mode of visualization, the author argues, has shaped historical thinking about Korea's colonial past and demands further investigation of the relationship between politics and aesthetics in cinema.

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Want to know more about American military history? U.S. Military History For Dummies presents concise and revealing accounts of all of the nation's armed conflicts from the French and Indian War to Iraq. It explains how the U.S. military is organized and how its branches operate, both independently and together. This straightforward guide examines the causes for each of America's wars and reveals how these conflicts have shaped the nation's borders, society, politics, culture, and future. You'll meet heroes, cowards, patriots, and traitors; relive great battles; and get a taste of what combat is really like, as you discover: How the French/Indian war sowed the seeds of the Revolutionary War Why America's battle for independence didn't end at Yorktown Early U.S. wars against Indians, tax cheats, and pirates The War of 1812: guaranteeing U.S. sovereignty "Manifest Destiny" wars that stretched America from sea to shining sea Why the American Civil War could not be avoided The Spanish American War and the U.S. as an emerging global power Why World War I failed to "make the world safe for democracy" How World War II changed America's role in the world Korea and Vietnam: hot wars during the Cold War Featuring important insights on technological, political, and social changes that transformed the way America fights its wars U.S. Military History For Dummies is your key to understanding the evolution of the most powerful military force in history.

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