Search results for ""ideals""

Around the world, blue-collar politics have become associated with resistance to the multicultural. While this may also be true in Edinburgh, Scotland, a closer look reveals the growth of liberal democratic ideals in the working-class population, which has a much different goal: How can this European city keep the entrepreneurial forces of globalization from commodifying what is distinctly theirs?In Tenement Nation, Christa Ballard Tooley explores the battle for a neighborhood called the Canongate in Edinburgh's Old Town. Tooley's insightful study of the working-class Canongate community as they negotiate gentrification plans offers a complex view of class and nation. The threat of the Canongate's redevelopment motivated many throughout Edinburgh to lend their support to the residents' campaign. Against such development projects, alliances formed between upper-class heritage supporters and working-class urban residents, all of whom turned to institutions such as the European Union and UNESCO for support in restricting commercial development. Tenement Nation explores these negotiations between socioeconomic classes and even nationalities to show what Tooley calls a "working-class cosmopolitanism" in pursuit of social, economic, and political inclusion.

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The contributors to this volume treat pluralism as a concept that is historically and ideologically produced or, put another way, as a doctrine that is embedded within a range of political, civic, and cultural institutions. Their critique considers how religious difference is framed as a problem that only pluralism can solve. Working comparatively across nations and disciplines, the essays in After Pluralism explore pluralism as a "term of art" that sets the norms of identity and the parameters of exchange, encounter, and conflict. Contributors locate pluralism's ideals in diverse sites--Broadway plays, Polish Holocaust memorials, Egyptian dream interpretations, German jails, and legal theories--and demonstrate its shaping of political and social interaction in surprising and powerful ways. Throughout, they question assumptions underlying pluralism's discourse and its influence on the legal decisions that shape modern religious practice. Contributors do more than deconstruct this theory; they tackle what comes next. Having established the genealogy and effects of pluralism, they generate new questions for engaging the collective worlds and multiple registers in which religion operates.

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Voices of the Magi explores the popular Catholic musical ensembles of southeastern Brazil known as folias de reis (companies of kings). Composed predominantly of low-income workers, the folias reenact the journey of the Wise Men to Bethlehem and back to the Orient, as they roam from house to house, singing to bless the families they visit in exchange for food and money. These gifts, in turn, are used to prepare a festival on Kings' Day, January 6, to which all who contributed are invited. Focusing on urban folias, Suzel Ana Reily shows how participants use the ritual journeys and musical performances of the folias to create sacred spheres distinct from, yet intimately related to, their everyday world. Reily calls this practice "enchantment" and argues that it allows the folia communities to temporarily make the social ideals of mutual reciprocity and equality embodied in their religious beliefs a reality. The contrast between their ritual experiences and the daily lives of these impoverished workers, in turn, reinforces the religious convictions of these devotees of the music of the Magi.

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How have the weapons of the nuclear age changed the rules of international politics? Can co-operation replace coercion as an instrument of security? This book compares the biographies of four dissident intellectuals who grappled with these questions throughout their careers - Louise Weiss, Leo Szilard, E.P. Thompson, and Danilo Dolci. Though they shared a revulsion for the "balance of terror," they possessed sharply divergent visions of a post-Cold War peace, from the Gandhi-like non-violence of Dolci to Szilard's relentless quest for US-Soviet joint diplomacy. Weiss, a French journalist and realpolitiker, believed that a united European military power would break the Cold War impasse; Szilard, a physicist and father of the atomic bomb, pressed for co-operative diplomacy between the superpowers; Thompson, a British historian, mobilized millions in the grassroots campaign for European Nuclear Disarmament; and Dolci, an Italian poet, experimented with conflict resolution through education and non-violence. By comparing the ideals, successes, and failures of these activists, this book illustrates the problematic boundary between "realism" and utopianism" in the nuclear age.

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Philanthropy has long been associated with images of industrial titans and wealthy families. In Pittsburgh, long a center for industry, the shadows of Carnegie, Mellon, Frick, and others loom especially large, while the stories of working-class citizens who uplifted their neighbors remain untold. For the first time, these two portraits of Pittsburgh philanthropy converge in a rich historic tapestry. The Gift of Belief reveals how Pittsburghers from every strata, creed, and circumstance organized their private resources for the public good. The industrialists and their foundations are here but stand alongside lesser known philanthropists equally involved in institution building, civic reform, and community empowerment. Beginning with sectarian philanthropy in the nineteenth century, moving to scientific philanthropy in the early twentieth century and Pittsburgh Renaissance-era institution-building, and concluding with modern entrepreneurship, twelve authors trace how Pittsburgh aligned with, led, or lagged behind the national philanthropic story and explore how ideals of charity and philanthropy entwined to produce distinctive forms of engagement that has defined Pittsburgh's civic life.

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This book showcases some unusual costume designs from more than two centuries of European fashion history ranging from Neo-Classicism and Biedermeier to the late 20th century and including cutting-edge creations by European fashion designers as well as aspiring young stars on the fashion firmament. These fashion designs show how ideals of beauty change, often defined by prevailing fashions and shaping the female silhouette in spectacular ways. Focusing on the aspect of moulding femininity , texts and more than two hundred illustrations not only trace the basic lines on which fashion history has developed but shed a sharp light on the relationship between the female body and the dress clothing it. Besides numerous historical costumes the book shows creations from fashion designers such as Azzedine Alaïa, Walter van Beirendonck, Comme des Garçons, Dior, Jean Paul Gaultier, Romeo Gigli, Eva Gronbach, Hermès, Ja! Jungs, Karl Lagerfeld für Chanel, Yves Saint Laurent, Moschino, Thierry Mugler, Dries van Noten, Paco Rabanne, Darja Richter, Strenesse Gabriele Strehle, A.F. Vandevorst, Vivienne Westwood, and others.

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Over the past thirty years, Swiss architect Peter Zumthor has expressed himself on numerous occasions and in a range of contexts about his work and his self-conception as an architect. Many of these statements have been recorded on film. Christoph Schaub, Swiss film director and internationally renowned author of documentaries on architects and architecture, has composed a biographic film collage from this rich legacy of interviews and conversations, lectures, and public talks. It spans Zumthor's entire career from early days in the 1980s until today, including conversations with Schaub recorded for this compilation. This portrait also introduces us to Zumthor as a persona that has changed over three decades, yet still remained much the same man. Authentic, abiding, and passionately he responds to questions about his positions. His statements reveal sensitivity and consistency; they demonstrate a person following his inner compass and ideals. Christoph Schaub has conceived this biographic collage in collaboration with Atelier Peter Zumthor to coincide with the exhibition Dear to Me, curated by Zumthor, at Kunsthaus Bregenz in autumn 2017. DVD has English subtitles.

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Dean Rusk compared his position as secretary of state in the 1960s to a soldier in a foxhole, defending America against the communist alliance. Author Thomas W. Zeiler writes that the foxhole really represented the universalist ideals Rusk cherished, beliefs that were overrun by the Cold War, by the realism of the two presidents he served, and ultimately by the Vietnam War. With an eye closely on Rusk's liberal internationalism, Dean Rusk uses the secretary of state as a foil to explain to students the accomplishments of United States leadership in the world and the pitfalls the nation encountered due to the tensions between realpolitik and liberal ideology. Through the career of Rusk, the book reflects on the uses and abuses of predominant power in diplomacy, and interprets well-known events and issues in the comparative framework of idealism and realism. In explaining Rusk's policies and decisions, it also analyzes the evolving uses and interpretations of Wilsonianism, the major ideology shaping twentieth-century American diplomacy. Dean Rusk follows the course of the Cold War, the defining international conflict of the last 50 years.

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What is democracy? How does it work? What are its strengths – and its shortcomings? Two-thirds of the world’s population, in over 100 countries, live under governments that claim to be democratic. Yet few of those governments live up to the ideals of democracy, or respect its key principles and institutions. Here, author Eamonn Butler defines democracy, explains its purposes, and shows the difference between genuine democracy and the many sham versions that currently exist. He outlines the history of democracy and the benefits it brings. But he also points out the many myths about it that blind us to its limitations. And he explains why it’s important to have a clear understanding of democracy – and how easily it can be lost or abused when people do not properly understand it. Importantly, he asks why so many people today have become disillusioned with democratic politics – and what, if anything, can be done about it.This lucid and fascinating book provides a straightforward introduction to democracy, enabling anyone to understand it – even if they’ve never experienced it.

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"I find myself talking to you about all the great joys, all the agonies, all my thoughts..." Letter to Eva Konikova, 1946 Out of the thousands of letters Tove Jansson wrote a cache remains that she addressed to her family, her dearest confidantes, and her lovers, male and female. Into these she spilled her innermost thoughts, defended her ideals and revealed her heart. To read these letters is both an act of startling intimacy and a rare privilege. Penned with grace and humour, Letters from Tove offers an almost seamless commentary on Tove Jansson's life as it unfolds within Helsinki's bohemian circles and her island home. Spanning fifty years between her art studies and the height of Moomin fame, we share with her the bleakness of war; the hopes for love that were dashed and renewed, and her determined attempts to establish herself as an artist. Vivid, inspiring and shining with integrity, Letters from Tove shows precisely how an aspiring and courageous young artist can evolve into a very great one.

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Admiral John "Black Jack" Geary fears the greatest threat to humanity may be itself in this gripping continuation of the New York Times bestselling series. As far from explored space as any human has ever been, Geary and the Alliance fleet are on their own, protecting a diplomatic mission in territory belonging to an alien species with still-unknown motives. His already complex and dangerous mission is further imperiled by deadly challenges from other human factions seeking to harm or exploit the aliens. When another alien species whose technology is far more advanced than humanity's arrives, the stakes are raised to the highest possible level.Only the most serious danger comes from an unexpected source. When presented with orders to carry out actions he believes not only are mistaken but would be contrary to the ideals of the Alliance, Geary has to finally decide whether he must invoke the power that his long-revered name holds, all the while knowing that this might endanger his entire fleet, tear apart the Alliance, and destroy everything he has fought for.

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Challenging cliches of Japanism as a feminine taste, Bachelor Japanists argues that Japanese aesthetics were central to contests over the meanings of masculinity in the West. Christopher Reed draws attention to the queerness of Japanist communities of writers, collectors, curators, and artists in the tumultuous century between the 1860s and the 1960s. Reed combines extensive archival research; analysis of art, architecture, and literature; the insights of queer theory; and an appreciation of irony to explore the East-West encounter through three revealing artistic milieus: the Goncourt brothers and other japonistes of late-nineteenth-century Paris; collectors and curators in turn-of-the-century Boston; and the mid-twentieth-century circles of artists associated with Seattle's Mark Tobey. The result is a groundbreaking integration of well-known and forgotten episodes and personalities that illuminates how Japanese aesthetics were used to challenge Western gender conventions. These disruptive effects are sustained in Reed's analysis, which undermines conventional scholarly investments in the heroism of avant-garde accomplishment and ideals of cultural authenticity.

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THE TIMES BIOGRAPHY OF THE DECADE WINNER OF THE 2013 SAMUEL JOHNSON PRIZE FOR NON-FICTION WINNER OF THE 2013 COSTA BOOK AWARDS BIOGRAPHY OF THE YEAR The story of Gabriele D’Annunzio, poet, daredevil – and Fascist. In September 1919 Gabriele D’Annunzio, successful poet and occasional politician, declared himself Commandante of the city of Fiume in modern day Croatia. His intention – to establish a utopia based on his fascist and artistic ideals. It was the dramatic pinnacle to an outrageous career. Lucy Hughes-Hallett charts the controversial life of D’Annunzio, the debauched artist who became a national hero. His evolution from idealist Romantic to radical right-wing revolutionary is a political parable. Through his ideological journey, culminating in the failure of the Fiume endeavour, we witness the political turbulence of early 20th century Europe and the emergence of fascism. In ‘The Pike’, Hughes-Hallett addresses the cult of nationalism and the origins of political extremism – and at the centre of the book stands the charismatic D’Annunzio: a figure as deplorable as he is fascinating.

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Mrs Gereth, widowed chatelaine of Poynton, is fighting to keep her house with its priceless objets d'art from her son Owen and his lovely, utterly philistine fiancée. When she discovers that her young friend and sympathizer Fleda Vetch is secretly in love with Owen, she thrusts her into the battle-line. The power struggle that ensues between the three women leaves Owen vacillating. What is at stake is not the mere possession of tables and chairs; it is, for Fleda, a conflict between aesthetic ideals, ethical imperatives, and her innermost feelings, in which she risks betraying, and being betrayed by, all that she holds most dear. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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WINNER OF THE WOMEN'S PRIZE FOR FICTIONSHORTLISTED FOR THE MAN BOOKER PRIZESUNDAY TIMES TOP TEN BESTSELLERFrom the acclaimed author of Swing Time, White Teeth and Grand Union, discover a brilliantly funny and deeply moving story about love and familyWhy do we fall in love with the people we do? Why do we visit our mistakes on our children? What makes life truly beautiful?Set between New England and London, On Beauty concerns a pair of feuding families - the Belseys and the Kipps - and a clutch of doomed affairs. It puts low morals among high ideals and asks some searching questions about what life does to love. For the Belseys and the Kipps, the confusions - both personal and political - of our uncertain age are about to be brought close to home: right to the heart of family.'I didn't want to finish, I was enjoying it so much' Evening Standard'Thrums with intellectual sass and know-how' Literary Review'Filled with humour, generosity and contemporary sparkle' Daily Telegraph 'Satirical, wise and sexy' Washington Post

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'The British spy thriller at its unputdownable best' ObserverSELECTED FOR BBC 2 BETWEEN THE COVERS________________________________Nat, a veteran of Britain's Secret Intelligence Service, thinks his years as an agent runner are over. But MI6 have other plans. To tackle the growing threat from Moscow Centre, Nat is put in charge of The Haven, a defunct substation of London General with a rag-tag band of spies. His weekly badminton session with the young, introspective, Brexit-hating Ed, offers respite from the new job. But it is Ed, of all unlikely people, who will take Nat down the path of political anger that will ensnare them all. _______________________________'A rich, beautifully written book studded with surprises. Narrative is a black art, and Le Carré is its grandmaster' Spectator 'Blisteringly contemporary' Economist 'Subtle, wry and seamless, it's an utter joy, from first page to last' Daily Mail'A very classy entertainment about political ideals and deception . . . laced with fury at the senseless vandalism of Brexit and of Trump' Guardian'A fine piece of storytelling' Times

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The first detailed study of “Neo-Antique” architecture applies an archaeological lens to the study of New York City’s structures Since the city’s inception, New Yorkers have deliberately and purposefully engaged with ancient architecture to design and erect many of its most iconic buildings and monuments, including Grand Central Terminal and the Soldiers’ and Sailors’ Memorial Arch in Brooklyn, as well as forgotten gems such as Snug Harbor on Staten Island and the Gould Memorial Library in the Bronx. Antiquity in Gotham interprets the various ways ancient architecture was re-conceived in New York City from the eighteenth century to the early twenty-first century. Contextualizing New York’s Neo-Antique architecture within larger American architectural trends, author Elizabeth Macaulay-Lewis applies an archaeological lens to the study of the New York buildings that incorporated these various models in their design, bringing together these diverse sources of inspiration into a single continuum. Antiquity in Gotham explores how ancient architecture communicated the political ideals of the new republic through the adaptation of Greek and Roman architecture, how Egyptian temples conveyed the city’s new technological achievements, and how the ancient Near East served many artistic masters, decorating the interiors of glitzy Gilded Age restaurants and the tops of skyscrapers. Rather than classifying neo-classical (and Greek Revival), Egyptianizing, and architecture inspired by the ancient Near East into distinct categories, Macaulay-Lewis applies the Neo-Antique framework that considers the similarities and differences—intellectually, conceptually, and chronologically—among the reception of these different architectural traditions. This fundamentally interdisciplinary project draws upon all available evidence and archival materials—such as the letters and memos of architects and their patrons, and the commentary in contemporary newspapers and magazines—to provide a lively multi-dimensional analysis that examines not only the city’s ancient buildings and rooms themselves but also how New Yorkers envisaged them, lived in them, talked about them, and reacted to them. Antiquity offered New Yorkers architecture with flexible aesthetic, functional, cultural, and intellectual resonances—whether it be the democratic ideals of Periclean Athens, the technological might of Pharaonic Egypt, or the majesty of Imperial Rome. The result of these dialogues with ancient architectural forms was the creation of innovative architecture that has defined New York City’s skyline throughout its history.

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Dean Rusk compared his position as secretary of state in the 1960s to a soldier in a foxhole, defending America against the communist alliance. Author Thomas W. Zeiler writes that the foxhole really represented the universalist ideals Rusk cherished, beliefs that were overrun by the Cold War, by the realism of the two presidents he served, and ultimately by the Vietnam War. With an eye closely on Rusk's liberal internationalism, Dean Rusk uses the secretary of state as a foil to explain to students the accomplishments of United States leadership in the world and the pitfalls the nation encountered due to the tensions between realpolitik and liberal ideology. Through the career of Rusk, the book reflects on the uses and abuses of predominant power in diplomacy, and interprets well-known events and issues in the comparative framework of idealism and realism. In explaining Rusk's policies and decisions, it also analyzes the evolving uses and interpretations of Wilsonianism, the major ideology shaping twentieth-century American diplomacy. Dean Rusk follows the course of the Cold War, the defining international conflict of the last 50 years.

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Kierkegaard, a poet of ideals and practitioner of the indirect method, also had a direct and polemical side. He revealed this in several writings throughout his career, culminating in The Moment, his attack against the established ecclesiastical order. Kierkegaard was moved to criticize the church by his differences with Bishop Mynster, Primate of the Church of Denmark. Although Mynster saw in Kierkegaard a complement to himself and his outlook, Kierkegaard challenged Mynster to acknowledge the emptying and estheticizing of Christianity that had occurred in modern Christendom. For three years Kierkegaard was silent, waiting. When Mynster died, he was memorialized as "an authentic truth-witness" in the "holy chain of truth-witnesses that stretches through the ages from the days of the apostles." This struck Kierkegaard as blasphemous and inspired him to write a series of articles in Faedrelandet, which he followed with ten numbers of the pamphlet The Moment. This volume includes the articles from Faedrelandet, all numbers of The Moment, and several other late pieces of Kierkegaard's writing.

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Drawing on extensive research in Russian archives, Robert Croskey examines how Alexandra Tolstoy, the youngest daughter of Russian writer Lev (Leo) Tolstoy, sought to preserve the work of her father after the Bolshevik Revolution in October 1917. Best known as the founder and lifelong president of the Tolstoy Foundation in New York, where she worked to assist Russian emigres, Alexandra Tolstoy was determined to maintain her family's estate at Iasnaia Poliana as a museum and living memorial to her father's ideals; in addition, she was involved with the Tolstoy museums in Moscow and in preparing her father's manuscripts for publication. Croskey shows how Tolstoy's daughter drew upon patronage networks to sustain Iasnaia Poliana as ideologically hostile winds blew around her, and how and why a precarious accommodation with the Bolshevik government broke down. The story culminates with her emigration from Soviet Russia in 1929, when she was forty-five. The Legacy of Tolstoy interweaves Alexandra Tolstoy's life with events in Soviet history and illuminates Lev Tolstoy's legacy during the Soviet period.

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Are we free, whether we know it or not? Or is our sense of freedom merely an illusion? Rudolf Steiner tackles this age-old problem in a new way. He shows that by taking account of our own activity of thinking, we can know the reasons for our actions. And if these reasons are taken from our world of ideals, then our actions are free, because we alone determine them. But this freedom cannot be settled for us by philosophical argument. It is not simply granted to us. If we want to become free, we have to strive through our own inner activity to overcome our unconscious urges and habits of thought. In order to do this we must reach a point of view that recognises no limits to knowledge, sees through all illusions, and opens the door to an experience of the reality of the spiritual world. Then we can achieve the highest level of evolution. We can recognise ourselves as free spirits. This special reprint, featuring the acclaimed translation by Michael Wilson, is being made available in response to public demand.

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For too long, cooperatives have been considered marginal players in the global economy, and as unrealistic venues for the aspirations of new and experienced members of the labour force. This marginalization shows in business, municipal and legal discussions, and curricula, where cooperative structures are rarely mentioned, let alone presented as viable options. Cooperatives at Work presents a range of success stories in employee ownership and worker owned-and-governed cooperatives. The authors further show how such firms embody important and highly contested ideals of democracy, shared equity, and social transformation. Throughout this volume, the authors present a range of practical lessons, strategies, and resources based on their pioneering, international research. This latest volume in The Future of Work series has a strong ethical stream, consistent with yearnings for more inspired forms of business revealed in many public opinion polls. The book is future-oriented, using contemporary as well as historical examples to teach lessons that are not necessarily time-bound. It is essential for anyone seeking a window onto the future of cooperative entrepreneurial practice and grassroots democracy.

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‘Defying Vichy takes us into the heart of the French Resistance: the Dordogne region (in) this moving account of the darkest and brightest period in French history.’ – Matthew Cobb, author of The ResistanceVichy France under Marshal Pétain was an authoritarian regime that sought to perpetuate a powerful place for France in the world alongside Germany. It echoed the right-wing ideals of other fascist states and was a perfect instrument for Hitler, who drew more and more power and resources from a beaten France whose people suffered. Resistance was an unknown until a small number sought to make a stand in whatever way they could. Each would play their part in destabilising the Vichy state, all the while rejecting the Nazi occupation of their eternal France.The Dordogne was one of many hotbeds of early refusal and its dramatic stories are here told against the backdrop of the rise and fall of Vichy France. These stories, like so many others of often ordinary people – men and women, young and old – tell of a period of betrayal, refusal and heroism.

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Rebirth of the Blues is the third instalment in Neil Fitzsimon's acclaimed trilogy on Chelsea FC. The book considers one of the most exciting eras in the club's history - 1977 to 1985. It was a period when Chelsea narrowly escaped relegation into the Third Division in 1983, before being resurrected under the management of John Neal when the likes of Kerry Dixon, Pat Nevin and others catapulted the club to new glories. The next year, Chelsea took the Second Division by storm with their new brand of quicksilver flowing football to make a triumphant return to the top flight as champions. But Rebirth of the Blues is more than just a chronicle of football history. It's a gripping memoir of a Chelsea fan growing up in the late 1970s to mid-80s and his experiences of living through the political unrest of Thatcherite Britain when excess and greed were seen as ideals to be admired. Fitzsimon recalls his tentative first steps with girlfriends, the changing face of the music scene and what it was like to be single and one of the lads.

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Few in history can match the revolutionary career of the Marquis de Lafayette. Over fifty incredible years at the heart of the Age of Revolution, he fought courageously on both sides of the Atlantic. He was a soldier, statesman, idealist, philanthropist, and abolitionist.As a teenager, Lafayette ran away from France to join the American Revolution. Returning home a national hero, he helped launch the French Revolution, eventually spending five years locked in dungeon prisons. After his release, Lafayette sparred with Napoleon, joined an underground conspiracy to overthrow King Louis XVIII, and became an international symbol of liberty. Finally, as a revered elder statesman, he was instrumental in the overthrow of the Bourbon Dynasty in the Revolution of 1830.From enthusiastic youth to world-weary old age, from the pinnacle of glory to the depths of despair, Lafayette never stopped fighting for the rights of all mankind. His remarkable life is the story of where we come from, and an inspiration to defend the ideals he held dear.

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In a novel of breathtaking reach and inspired imagination, the Booker Prize-winning author of Schindler's Ark tells the stories of two men who have much in common. What separates them is 42,000 years.Shade lives with his second wife amid their clan on the shores of a bountiful lake. A peaceable man, he knows that when danger threatens, the Hero ancestors will call on him to kill, or sacrifice himself, to save his people.Over 40,000 years later, Shade's remains are unearthed near the now dry Lake Learned in New South Wales. The sensational discovery fascinates Shelby Apple, a documentary film maker who tracks the controversies it provokes about who the continent's first inhabitants were and where Shade's bones belong.Shelby goes on to follow his own heroes to the battlefields of Eritrea and the Rift Valley where Homo sapiens sprang from. When he, too, faces mortality and looks back on his passions, ideals and sorely tested marriage, Learned Man stands as an enduring spirit, a fellow player in the long, ever-evolving story of humankind.

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The international refugee regime is fundamentally broken. Designed in the wake of World War II to provide protection and assistance, the system is unable to address the record numbers of persons displaced by conflict and violence today. States have put up fences and adopted policies to deny, deter, and detain asylum seekers. People recognized as refugees are routinely denied rights guaranteed by international law. The results are dismal for the millions of refugees around the world who are left with slender prospects to rebuild their lives or contribute to host communities. T. Alexander Aleinikoff and Leah Zamore lay bare the underlying global crisis of responsibility. The Arc of Protection adopts a revisionist and critical perspective that examines the original premises of the international refugee regime. Aleinikoff and Zamore identify compromises at the founding of the system that attempted to balance humanitarian ideals and sovereign control of their borders by states. This book offers a way out of the current international morass through refocusing on responsibility-sharing, seeing the humanitarian-development divide in a new light, and putting refugee rights front and center.

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Richard Drake presents a new interpretation of Charles Austin Beard's life and work. The foremost American historian and a leading public intellectual in the first half of the twentieth century, Beard participated actively in the debates about American politics and foreign policy surrounding the two world wars. In a radical change of critical focus, Charles Austin Beard places the European dimension of Beard's thought at the center, correcting previous biographers' oversights and presenting a far more nuanced appreciation for Beard's life. Drake analyzes the stages of Beard's development as a historian and critic: his role as an intellectual leader in the Progressive movement, the support that he gave to the cause of American intervention in World War I, and his subsequent revisionist repudiation of Wilsonian ideals and embrace of non-interventionism in the lead-up to World War II. Charles Austin Beard shows that, as Americans tally the ruinous costs—both financial and moral—of nation-building and informal empire, the life and work of this prophet of history merit a thorough reexamination.

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The flow of migrants from south to north and east to west carries with it growing concerns about the economic integration, political incorporation, and social inclusion of newcomers and their children. But what happens when a group of people deliberately excludes themselves from mainstream society? How can social policies, human services, and communities best understand and respond to them? In Out of Place, Luann Good Gingrich explores social inclusion and exclusion in relation to the approximately 60,000 Low German-speaking Mennonites who have migrated from traditionally self-sufficient and agrarian colonies in Latin America to rural areas of Canada. By examining the free-market principles that organize the human services industry the author exposes the inherent conflict that arises when this "market logic" is imposed on a group that does not embrace these ideals. The author's innovative approach to social policy and human services which emphasizes the relationship between dominant and subordinate cultures, encourages us to find new ways to authentically engage with difference and bridge the gaps that divide us.

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In Domestic Contradictions, Priya Kandaswamy analyzes how race, class, gender, and sexuality shaped welfare practices in the United States alongside the conflicting demands that this system imposed upon Black women. She turns to an often-neglected moment in welfare history, the advent of the Freedmen's Bureau during Reconstruction, and highlights important parallels with welfare reform in the late twentieth century. Kandaswamy demonstrates continuity between the figures of the “vagrant” and “welfare queen” in these time periods, both of which targeted Black women. These constructs upheld gendered constructions of domesticity while defining Black women's citizenship in terms of an obligation to work rather than a right to public resources. Pushing back against this history, Kandaswamy illustrates how the Black female body came to represent a series of interconnected dangers—to white citizenship, heteropatriarchy, and capitalist ideals of productivity —and how a desire to curb these threats drove state policy. In challenging dominant feminist historiographies, Kandaswamy builds on Black feminist and queer of color critiques to situate the gendered afterlife of slavery as central to the historical development of the welfare state.

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Michael Awkward’s Philadelphia Freedoms captures the energetic contestations over the meanings of racial politics and black identity during the post-King era in the City of Brotherly Love. Looking closely at four cultural moments, he shows how racial trauma and his native city’s history have been entwined. He introduces each of these moments with poignant personal memories of the decade in focus and explores representation of African American freedom and oppression from the 1960s to the 1990s. Philadelphia Freedoms explores NBA players’ psychic pain during a playoff game the day after Martin Luther King, Jr.'s assassination; themes of fatherhood and black masculinity in the soul music produced by Philadelphia International Records; class conflict in Andrea Lee’s novel Sarah Phillips; and the theme of racial healing in Oprah Winfrey’s 1997 film, Beloved. Awkward closes his examination of racial trauma and black identity with a discussion of candidate Barack Obama’s speech on race at Philadelphia’s Constitution Center, pointing to the conflict between the nation’s ideals and the racial animus that persists even into the second term of America’s first black president.

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'Doyle is as good as everyone – from John Boyne to Colm Tóibín – says he is' Daily Mail A young man in a dark depression roams the vast, formless landscape of a Dublin industrial park where he meets a vagrant in the grip of a dangerous ideology. A woman fleeing a break-up finds herself taking part in an unusual sleep experiment. A man obsessed with Nietzsche clings desperately to his girlfriend’s red shoes. And whatever happened to Killian Turner, Ireland’s vanished literary outlaw? Lost and isolated, the characters in these masterful stories play out their fragmented relationships in a series of European cities, always on the move; from rented room to darkened apartment, hitchhiker's roadside to Barcelona nightclub. Rob Doyle, a shape-shifting drifter, a reclusive writer, also stalks the book's pages. Layering narratives and splicing fiction with non-fiction, This is the Ritual tells of the ecstatic, the desperate and the uncertain. Immersive, at times dreamlike, and frank in its depiction of sex, the writer's life, failed ideals and the transience of emotions, it introduces an unmistakable new literary voice.

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Data-gathering technology is more sophisticated than ever, as are the ethical standards for using this data. This second edition shows how to navigate this complex environment. Data Ethics provides a practical framework for the implementation of ethical principles into information management systems. It shows how to assess the types of ethical dilemmas organizations might face as they become more data-driven. This fully updated edition includes guidance on sustainability and environmental management and on how ethical frameworks can be standardized across cultures that have conflicting values. There is also discussion of data colonialism, the challenge of ethical trade-offs with ad-tech and analytics such as Covid-19 tracking systems and case studies on Smart Cities and Demings Principles. As the pace of developments in data-processing technology continues to increase, it is vital to capitalize on the opportunities this affords while ensuring that ethical standards and ideals are not compromised. Written by internationally regarded experts in the field, Data Ethics is the essential guide for students and practitioners to optimizing ethical data standards in organizations.

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In The Left Side of History Kristen Ghodsee tells the stories of partisans fighting behind the lines in Nazi-allied Bulgaria during World War II: British officer Frank Thompson, brother of the great historian E.P. Thompson, and fourteen-year-old Elena Lagadinova, the youngest female member of the armed anti-fascist resistance. But these people were not merely anti-fascist; they were pro-communist, idealists moved by their socialist principles to fight and sometimes die for a cause they believed to be right. Victory brought forty years of communist dictatorship followed by unbridled capitalism after the fall of the Berlin Wall in 1989. Today in democratic Eastern Europe there is ever-increasing despair, disenchantment with the post-communist present, and growing nostalgia for the communist past. These phenomena are difficult to understand in the West, where “communism” is a dirty word that is quickly equated with Stalin and Soviet labor camps. By starting with the stories of people like Thompson and Lagadinova, Ghodsee provides a more nuanced understanding of how communist ideals could inspire ordinary people to make extraordinary sacrifices.

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We Are Left without a Father Here is a transnational history of working people's struggles and a gendered analysis of populism and colonialism in mid-twentieth-century Puerto Rico. At its core are the thousands of agricultural workers who, at the behest of the Puerto Rican government, migrated to Michigan in 1950 to work in the state's sugar beet fields. The men expected to earn enough income to finally become successful breadwinners and fathers. To their dismay, the men encountered abysmal working conditions and pay. The migrant workers in Michigan and their wives in Puerto Rico soon exploded in protest. Chronicling the protests, the surprising alliances that they created, and the Puerto Rican government's response, Eileen J. Suárez Findlay explains that notions of fatherhood and domesticity were central to Puerto Rican populist politics. Patriarchal ideals shaped citizens' understandings of themselves, their relationship to Puerto Rican leaders and the state, as well as the meanings they ascribed to U.S. colonialism. Findlay argues that the motivations and strategies for transnational labor migrations, colonial policies, and worker solidarities are all deeply gendered.

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In the 2000s, new technologies transformed the experiences of movie-going and movie-making, giving us the first generation of stars to be just as famous on the computer screen as on the silver screen.Shining in Shadows examines a wide range of Hollywood icons from a turbulent decade for the film industry and for America itself. Perhaps reflecting our own cultural fragmentation and uncertainty, Hollywood’s star personas sent mixed messages about Americans’ identities and ideals. Disheveled men-children like Will Ferrell and Jack Black shared the multiplex with debonair old-Hollywood standbys like George Clooney and Morgan Freeman. Iconic roles for women ranged from Renee Zellweger’s dithering romantics to Tina Fey’s neurotic professionals to Hilary Swank’s vulnerable boyish characters. And in this age of reality TV and TMZ, stars like Jennifer Aniston and “Brangelina” became more famous for their real-life romantic dramas—at the same time that former tabloid fixtures like Johnny Depp and Robert Downey Jr. reinvented themselves as dependable leading men. With a multigenerational, international cast of stars, this collection presents a fascinating composite portrait of Hollywood stardom today.

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Through careful research and colorful accounts, historian Paul A. Gilje discovers what liberty meant to an important group of common men in American society, those who lived and worked on the waterfront and aboard ships. In the process he reveals that the idealized vision of liberty associated with the Founding Fathers had a much more immediate and complex meaning than previously thought. In Liberty on the Waterfront: American Maritime Culture in the Age of Revolution, life aboard warships, merchantmen, and whalers, as well as the interactions of mariners and others on shore, is recreated in absorbing detail. Describing the important contributions of sailors to the resistance movement against Great Britain and their experiences during the Revolutionary War, Gilje demonstrates that, while sailors recognized the ideals of the Revolution, their idea of liberty was far more individual in nature—often expressed through hard drinking and womanizing or joining a ship of their choice. Gilje continues the story into the post-Revolutionary world highlighted by the Quasi War with France, the confrontation with the Barbary Pirates, and the War of 1812.

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Offering a unique vantage point from which to view black women’s body image and Caribbean migration, Romance with Voluptuousness illuminates how first- and second-generation immigrant black Caribbean women engage with a thick body aesthetic while living in the United States. Using personal accounts, Romance with Voluptuousness examines the ways in which black women with heritage in the English-speaking Caribbean participate in, perpetuate, and struggle with the voluptuous beauty standard of the black Caribbean while living in the hegemony of thinness cultivated in the United States. It highlights how black Caribbean women negotiate issues of body image deriving from both Caribbean and American pressures to maintain a particular body shape and contend with discourses and practices surrounding the body that aim to marginalize and exclude them from economic, social, and political spaces. By focusing on diasporic Caribbean women’s “romance” with voluptuousness, Kamille Gentles-Peart explores the transnational flow of beauty ideals and examines how ideas about beauty in the Caribbean diaspora help to shape the experiences of Caribbean black women in the United States.

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Kierkegaard, a poet of ideals and practitioner of the indirect method, also had a direct and polemical side. He revealed this in several writings throughout his career, culminating in The Moment, his attack against the established ecclesiastical order. Kierkegaard was moved to criticize the church by his differences with Bishop Mynster, Primate of the Church of Denmark. Although Mynster saw in Kierkegaard a complement to himself and his outlook, Kierkegaard challenged Mynster to acknowledge the emptying and estheticizing of Christianity that had occurred in modern Christendom. For three years Kierkegaard was silent, waiting. When Mynster died, he was memorialized as "an authentic truth-witness" in the "holy chain of truth-witnesses that stretches through the ages from the days of the apostles." This struck Kierkegaard as blasphemous and inspired him to write a series of articles in Faedrelandet, which he followed with ten numbers of the pamphlet The Moment. This volume includes the articles from Faedrelandet, all numbers of The Moment, and several other late pieces of Kierkegaard's writing.

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Buddhism in medieval Korea is characterized as “State Protection Buddhism,” a religion whose primary purpose was to rally support (supernatural and popular) for and legitimate the state. In this view, the state used Buddhism to engender compliance with its goals. A closer look, however, reveals that Buddhism was a canvas on which people projected many religious and secular concerns and desires. This study is an attempt to specify Buddhism’s place in Koryo and to ascertain to what extent and in what areas Buddhism functioned as a state religion. Was state support the main reason for Buddhism’s dominance in Koryo? How actively did the state seek to promote religious ideals? What was the strength of Buddhism as an institution and the nature of its relationship to the state? What role did Confucianism, the other state ideology, play in Koryo? This study argues that Buddhism provided most of the symbols and rituals, and some of the beliefs, that constructed an aura of legitimacy, but that there was no single ideological system underlying the Koryo dynasty’s legitimating strategies.

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As the death penalty clings to life in many states and dies off in others, this first-of-its-kind ethnography takes readers inside capital trials across the United States. Sarah Beth Kaufman draws on years of ethnographic and documentary research, including hundreds of hours of courtroom observation in seven states, interviews with participants, and analyses of newspaper coverage to reveal how the American justice system decides who deserves the most extreme punishment. The “super due process” accorded capital sentencing by the United States Supreme Court is the system’s best attempt at individuated sentencing. Resources not seen in most other parts of the criminal justice system, such as jurors and psychological experts, are required in capital trials, yet even these cannot create the conditions of morality or justice. Kaufman demonstrates that capital trials ultimately depend on performance and politics, resulting in the enactment of deep biases and utter capriciousness. American Roulette contends that the liberal, democratic ideals of criminal punishment cannot be enacted in the current criminal justice system, even under the most controlled circumstances.

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Big Sur embodies much of what has defined California since the mid twentieth century. A remote, inaccessible, and undeveloped pastoral landscape until 1937, Big Sur quickly became a cultural symbol of California and the West, as well as a home to the ultra-wealthy. This transformation was due in part to writers and artists such as Robinson Jeffers and Ansel Adams, who created an enduring mystique for this coastline. But Big Sur's prized coastline is also the product of the pioneering efforts of residents and Monterey County officials who forged a collaborative public/private preservation model for Big Sur that foreshadowed the shape of California coastal preservation in the twenty-first century. Big Sur's well-preserved vistas and high-end real estate situate this coastline between American ideals of development and the wild. It is a space that challenges the way most Americans think of nature, its relationship to people, and what in fact makes a place "wild." This book highlights today's complex and ambiguous intersections of class, the environment, and economic development through the lens of an iconic California landscape.

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A wide-ranging, insightful history of culture in West Germany—from literature, film, and music to theater and the visual arts After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period’s progressive ideals. In this moment of cultural stasis, how could West Germany’s artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen’s innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past—and eventually allow democracy to reemerge.

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During the Ming-Qing transition (roughly from the 1570s to the 1680s), literati-officials in China employed public forms of writing, art, and social spectacle to present positive moral images of themselves and negative images of their rivals. The rise of print culture, the dynastic change, and the proliferating approaches to Confucian moral cultivation together gave shape to this new political culture. Confucian Image Politics considers the moral images of officials—as fathers, sons, husbands, and friends—circulated in a variety of media inside and outside the court. It shows how power negotiations took place through participants’ invocations of Confucian ethical ideals in political attacks, self-expression, self-defense, discussion of politically sensitive issues, and literati community rebuilding after the dynastic change. This first book-length study of early modern Chinese politics from the perspective of critical men’s history shows how images—the Donglin official, the Fushe scholar, the turncoat figure—were created, circulated, and contested to serve political purposes. The open access publication of this book was made possible by a grant from the James P. Geiss and Margaret Y. Hsu Foundation.

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Suicide and martyrdom are closely intertwined with Korean social and political processes. In this first book-length study of the evolving ideals of honorable death and martyrdom from the Chosŏn Dynasty (1392–1910) to contemporary South Korea, interdisciplinary essays explore the changing ways in which Korean historical agents have considered what constitutes a sociopolitically meaningful death and how the surviving community should remember such events. Among the topics covered are the implications of women’s chaste suicides and men’s righteous killings in the evolving Confucian-influenced social order of the latter half of the Chosŏn Dynasty; changing nation-centered constructions of sacrifice and martyrdom put forth by influential intellectual figures in mid-twentieth-century South Korea, which were informed by the politics of postcolonial transition and Cold War ideology; and the decisive role of martyrdom in South Korea’s interlinked democracy and labor movements, including Chun Tae-il’s self-immolation in 1970, the loss of hundreds of lives during the Kwangju Uprising of 1980, and the escalation of protest suicides in the 1980s and early 1990s.

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"This collection offers a treasure trove of primary sources of interest to students of women's history. Carefully introduced and annotated, these documents illustrate the diversity of Russian women's lives." —Barbara Alpern Engel"There is no other work that offers such a wide variety of documents and such a successful combination of literary and historical materials." —Ann Hibner KoblitzThis rich anthology of source materials makes available for the first time in any language a multitude of primary sources on the lives of Russian women from the reign of Peter the Great to the Bolshevik revolution. The selections are drawn from a wide variety of documents, published and unpublished, including memoirs, diaries, legal codes, correspondence, short fiction, poetry, ethnographic observations, and folklore. Primacy is given to sources produced by women and previously unavailable in English translation. Organized thematically, the documents focus on women's family life, work and schooling, public activism, creative self-expression, and sexuality and spirituality, as well as on the cultural ideals and legal framework which constrained women of all social classes.

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Over the past two centuries Western culture has largely valorized a particular kind of “good” music—highly serious, wondrously deep, stylistically authentic, heroically created, and strikingly original—and, at the same time, has marginalized music that does not live up to those ideals. In Good Music, John J. Sheinbaum explores these traditional models for valuing music. By engaging examples such as Handel oratorios, Beethoven and Mahler symphonies, jazz improvisations, Bruce Springsteen, and prog rock, he argues that metaphors of perfection do justice to neither the perceived strengths nor the assumed weaknesses of the music in question. Instead, he proposes an alternative model of appreciation where abstract notions of virtue need not dictate our understanding. Good music can, with pride, be playful rather than serious, diverse rather than unified, engaging to both body and mind, in dialogue with manifold styles and genres, and collaborative to the core. We can widen the scope of what music we value and reconsider the conventional rituals surrounding it, while retaining the joys of making music, listening closely, and caring passionately.

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In this study of Hollywood gangster films, Jonathan Munby examines their controversial content and how it was subjected to continual moral and political censure. Beginning in the early 1930s, these films told compelling stories about ethnic urban lower-class desires to "make it" in an America dominated by Anglo-Saxon Protestant ideals and devastated by the Great Depression. By the late 1940s, however, their focus shifted to the problems of a culture maladjusting to a new peacetime sociopolitical order governed by corporate capitalism. The gangster no longer challenged the establishment; the issue was not "making it," but simply "making do". Combining film analysis with archival material from the Production Code Administration (Hollywood's self-censoring authority), Munby shows how the industry circumvented censure, and how its altered gangsters (influenced by European filmmakers) fueled the infamous inquisitions of Hollywood in the postwar 40s and 50s by the House Committee on Un-American Activities. Ultimately, this study suggests that one rethinks ideas about crime and violence in depictions of Americans fighting against the status quo.

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