Search results for ""author nicholas""

This deluxe, full-colour coffee table book, now updated to include up to season 10, dissects the show season by season, tracing the Winchester brothers as they travel across the U.S. It is illustrated with behind-the-scenes photos, exclusive production art, posters, maps, blueprints, and other elements. Packed with exclusive cast and crew interviews, plus a foreword from the show's creator, this is the ultimate visual guide for Supernatural.

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From the Introduction: "Stoic philosophy, of which Epictetus (c. a.d. 50–130) is a representative, began as a recognizable movement around 300 b.c. Its founder was Zeno of Cytium (not to be confused with Zeno of Elea, who discovered the famous paradoxes). He was born in Cyprus about 336 b.c., but all of his philosophical activity took place in Athens. For more than 500 years Stoicism was one of the most influential and fruitful philosophical movements in the Graeco-Roman world. The works of the earlier Stoics survive only in fragmentary quotations from other authors, but from the Renaissance until well into the nineteenth century, Stoic ethical thought was one of the most important ancient influences on European ethics, particularly because of the descriptions of it by Cicero, through surviving works by the Stoics Seneca, Marcus Aurelius, and also Epictetus--and also because of the effect that it had had in antiquity, and continued to have into the nineteenth century, on Christian ethical views. Nowadays an undergraduate or graduate student learning about ancient philosophy in a university course may well hear only about Plato and Aristotle, along perhaps with the presocratics; but in the history of Western thought and education this situation is somewhat atypical, and in most periods a comparable student would have learned as much or more about Stoicism, as well as two other major ancient philosophical movements, Epicureanism and Scepticism. In spite of this lack of explicit acquaintance with Stoic philosophers and their works, however, most students will recognize in Epictetus various ideas that are familiar through their effects on other thinkers, notably Spinoza, in our intellectual tradition."

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The Picture of Dorian Gray altered the way Victorians understood the world they inhabited. It heralded the end of a repressive Victorianism, and after its publication, literature had—in the words of biographer Richard Ellmann—“a different look.” Yet the Dorian Gray that Victorians never knew was even more daring than the novel the British press condemned as “vulgar,” “unclean,” “poisonous,” “discreditable,” and “a sham.” Now, more than 120 years after Wilde handed it over to his publisher, J. B. Lippincott & Company, Wilde’s uncensored typescript is published for the first time, in an annotated, extensively illustrated edition.The novel’s first editor, J. M. Stoddart, excised material—especially homosexual content—he thought would offend his readers’ sensibilities. When Wilde enlarged the novel for the 1891 edition, he responded to his critics by further toning down its “immoral” elements. The differences between the text Wilde submitted to Lippincott and published versions of the novel have until now been evident to only the handful of scholars who have examined Wilde's typescript.Wilde famously said that Dorian Gray “contains much of me”: Basil Hallward is “what I think I am,” Lord Henry “what the world thinks me,” and “Dorian what I would like to be—in other ages, perhaps.” Wilde’s comment suggests a backward glance to a Greek or Dorian Age, but also a forward-looking view to a more permissive time than his own, which saw Wilde sentenced to two years’ hard labor for gross indecency. The appearance of Wilde’s uncensored text is cause for celebration.

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Vedic astrology arises out of ancient cosmology and is intimately linked to spiritual practices. Renowned and popular vedic astrologer Komilla Sutton teaches this ancient tradition to students all around the world through her webinars and books. This is her first and best-selling book, and it is aimed at beginners as well as astrologers think of moving from tropical to vedic astrology.

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"Father Christmas needs a wee.He's been drinking drinks since half past three . . ."At each different house that he visits Father Christmas drinks and eats all the goodies left out for him. Before long he really, really, really needs a wee. So much so that he even forgets to leave the presents behind. But he dashes back, delivers all the pressies and flies home at high speed to avoid an embarassing accident . . . there's just one tiny problem . . . he's lost his house key!Find out what happens and whether Father Christmas ever gets to relieve himself in this brilliant and fabulously funny counting book from the talented author/illustrator Nicholas Allan!

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New recruits. New technology. New threats. SHADO is nearly fully operational, but the alien menace is intensifying at a greater rate than the fledgling organisation can cope with. Under ever-increasing pressures, Straker is repeatedly put to the test. Facing unimaginable weaponry, warring factions, and near-insurmountable personal strain - can the man leading the fight to defend Earth survive? Contains three new stories; 2.1 Lost in Action. An unexpected confrontation at 30,000 feet leads to a civilian casualty. With no other options, Straker must recruit this stubborn but brave pilot to join SHADO. Meanwhile, Straker’s team orders the early activation of Moonbase - without his consent. It’s just in time. Now, the nascent organisation is being put to the ultimate test, and SHADO’s latest recruit will have put his life on the line. 2.2 Assassination Time. In the wake of loss, SHADO’s problems are brought into sharp focus by a series of unexpected and inexplicable events. A new threat from the aliens emerges - one that the organisation is illequipped to deal with. With few options left, Straker must follow his instincts and put SHADO’s survival in the hands of a traitor. 2.3 Breaking Point. SHADO faces a severe security breach, swiftly followed by the most intense and highlycoordinated alien threat it has ever seen. Straker now faces unimaginable pressures from every angle. The strain on him, and his organisation, reach impossible levels. Mistakes will be made. Lives will be lost. Could this be the end? Based on the original tv series created by Gerry and Sylvia Anderson. UFO © ITC Entertainment Group Limited 1970. Licensed by ITV Ventures Limited. All rights reserved. CAST: Barnaby Kay (Commander Ed Straker), Jeany Spark (Lieutenant-Colonel Virginia Lake), Hywel Morgan (Paul Foster), Samuel Clemens (Colonel Alec Freeman), Nicholas Briggs (Dave Jansen / Richard Craven / Dr Schroeder / Jeff Randolph), Wayne Forester (SID / Gallison / Melville Hopkins / Radley), Charlotte Harris (Mary Straker / Captain Georgia Maxwell / Miss Ealand), Lynsey Murrell (Lieutenant Gay Ellis), George Naylor (Johnnie Straker / Lieutenant Ford). Other parts played by members of the cast.

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The Doctor and Dodo explore two contrasting eras on Earth, in stories set in modern-day Camden Town and a post-war seaside town. 1. The Demon Song by Bob Ayres (2 parts). Managing to land the TARDIS in Dodo's far-flung future - the 2020s - the Doctor detects a haunting melody on the streets of Camden. People are going missing, and one of them is Dodo! 2. The Incherton Incident by Nicholas Briggs (4 parts). Something intercepts the TARDIS in space. Attempting to escape its grip, the Doctor inadvertently drags it through time to coastal England in 1947. As the nation recovers from World War Two, an alien force threatens total destruction. CAST: Stephen Noonan (The Doctor), Lauren Cornelius (Dodo Chaplet), Rosie Baker (Helen Fletcher / Dr Lia Halloran), George Fletcher (Paul Carter), Genevieve Gaunt (Virginia Hancock / Professor Dalton), Richard James (Policeman / Old Man / Sergeant Ballard / Private Roberts), Thomas Michaelson (Captain John Andrews), Henry Nott (Daniel De’ath), Bhavnisha Parmar (Archana “Archie” Pawar), Antoinette Tagoe (Grace Adichie), Paksie Vernon (Sanderson). Other parts played by members of the cast.

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Three brand new adventures featuring Christopher Eccleston as the Ninth Doctor. 1.1 Sphere of Freedom. On the Sphere of Freedom, the Doctor is about to shut down an evil Immersive Games business empire. He’s assisted by a valiant galley chef called Nova. But his plan spectacularly fails… And who exactly is Audrey? 1.2 Cataclysm. Nova is dislocated in time while the Time Eddies are out of control. Meanwhile, the Doctor is about to face the end of the universe. Or is that just the Battle of Waterloo? 1.3 Food Fight. The TARDIS is starting to get a little crowded! Audrey finds herself haunted by a ghostly Doctor. Cast: Christopher Eccleston (The Doctor), Camilla Beeput (Nova), Jayne McKenna (Audrey), Clare Corbett (Ravager), Ben Lee (Lieutenant Farraday), Anjella MacKintosh (AI/President/Café Owner), Jamie Parker (Captain Halloran), Dan Starkey (Marcus Aurelius Gallius). Other parts played by members of the cast.

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As the people of Moonbase Alpha continue their odyssey through space on their wandering Moon, the longterm influences of their recent alien encounters start to impact upon their course. But first, an infinity of possibilities opens up for them, with terrifying consequences. Contains three new stories: 3.1 Skull in the Sky by Marc Platt. There’s a deluge upon the Moon that will change everything forever. The Alphans must adapt and relationships will change. Then, above them, a portent of doom arrives. 3.2 The Godhead Interrogative by Nicholas Briggs. Dashka Kano has been working on translating the alien script on Zantor’s artefact. She’s beginning to make progress when one hundred objects are detected, advancing towards the Moon. Dashka’s skills will be tested to the limit by the force of an ancient civilisation. 3.3 Dragon’s Domain by Nicholas Briggs. Dr Helena Russell relates a tale of hope, terror and tragedy. The Alphans discover a potential means to enact the will of their referendum and return to Earth. But the Ultra mission will be a journey into unimaginable horror. CAST: Mark Bonnar (Commander John Koenig), Maria Teresa Creasey (Dr Helena Russell), Timothy Bentinck (Space Commissioner Simmons), Clive Hayward (Professor Victor Bergman), Susan Hingley (Sandra Benes), Lara Lemon (Monique Bouchere), Glen McCready (Alan Carter), Christopher Naylor (Godhead / Alien Captain), Amaka Okafor (Dashka Kano). Other parts played by members of the cast.

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'A masterpiece.' New Yorker'Wholly riveting, brilliantly researched.' Evening Standard'A meticulous investigation into the seeds of disaster... fascinating, uncomfortable reading.' Sunday Times In 1968, Donald Crowhurst was trying to market a nautical navigation device he had developed, and saw the Sunday Times Golden Globe round the world sailing race as the perfect opportunity to showcase his product. Few people knew that he wasn't an experienced deep-water sailor. His progress was so slow that he decided to short-cut the journey, while falsifying his location through radio messages from his supposed course.Everyone following the race thought that he was winning, and a hero's welcome awaited him at home in Britain. But on 10 July 1968, eight months after he set off, his wife was told that his boat had been discovered drifting in mid-Atlantic. Crowhurst was missing, assumed drowned, and there was much speculation that this was one of the great mysteries of the sea. In this masterpiece of investigative journalism, Nicholas Tomalin and Ron Hall reconstruct one of the greatest hoaxes of our time. From in-depth interviews with Crowhurst's family and friends and telling excerpts from his logbooks, Tomalin and Hall develop a tale of tragic self-delusion and public deception, a haunting portrait of a complex, deeply troubled man and his journey into the heart of darkness.

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There is a definite and growing interest and awareness amongst the general public of the competing arguments around faith, God and society. The book is divided into two sections. Section One tackles issues of ultimate concern and the place of God in the modern world, whilst Section Two considers the role of faith in public life. The contributors bring a range of different voices – both religious and secular – to the conversation. Section One: Examining God - Richard Harries discusses the challenge to faith from atheism, whilst Dan Cohn-Sherbok thinks about God from a post-holocaust point of view, Daphne Hampson wonders how God might be reconceived in a post-patriarchal context. David Jasper reflects on the role of the arts in leading us to spiritual reflection, and Mona Siddiqui offers a comparison between Muslim and Christian notions of divine love. Section Two: The role of faith in contemporary society - James Jones argues for ‘kingdom values’ in public life, Catherine Pepinster advocates an incarnational engagement with social concerns, Roger Trigg asserts that the Christian values that have shaped our political assumptions cannot be ignored. Estelle Morris defends the place of faith schools in a secular society, and finally Tony Bayfield highlights the need for a truly ‘public square’ where both religious and secular voices can be heard.

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How do you prove that you're Muslim? This is not a question that most believers ever have to ask themselves, and yet for members of India's Ahmadiyya Muslim Community, it poses an existential challenge. The Ahmadis are the minority of a minority—people for whom simply being Muslim is a challenge. They must constantly ask the question: What evidence could ever be sufficient to prove that I belong to the faith? In Far from the Caliph's Gaze Nicholas H. A. Evans explores how a need to respond to this question shapes the lives of Ahmadis in Qadian in northern India. Qadian was the birthplace of the Ahmadiyya community's founder, and it remains a location of huge spiritual importance for members of the community around the world. Nonetheless, it has been physically separated from the Ahmadis' spiritual leader—the caliph—since partition, and the believers who live there now and act as its guardians must confront daily the reality of this separation even while attempting to make their Muslimness verifiable. By exploring the centrality of this separation to the ethics of everyday life in Qadian, Far from the Caliph's Gaze presents a new model for the academic study of religious doubt, one that is not premised on a concept of belief but instead captures the richness with which people might experience problematic relationships to truth.

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In addition to their obvious roles in American politics, race and gender also work in hidden ways to profoundly influence the way we think - and vote - about a vast array of issues that don't seem related to either category. As Nicholas J. G. Winter reveals in "Dangerous Frames", politicians and leaders often frame these seemingly unrelated issues in ways that prime audiences to respond not to the policy at hand but instead to the way its presentation resonates with their deeply held beliefs about race and gender.Winter shows, for example, how official rhetoric about welfare and Social Security has tapped into white Americans' racial biases to shape their opinions on both issues for the past two decades. Similarly, the way politicians presented health care reform in the 1990s divided Americans along the lines of their attitudes toward gender. Combining cognitive and political psychology with innovative empirical research, "Dangerous Frames" ultimately illuminates the emotional underpinnings of American politics.

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In 1982, the United Kingdom and Argentina fought a war over an historical disagreement over the colonial 'ownership' or rights over the Falkland Islands. Within months of the Argentinian defeat, General Edgardo Calvi, then the Argentine Head of the Army Joint Chief of Staff, was instructed to undertake a wide-ranging and formal inquiry to investigate the performance of the Argentine Army during the Falklands.Calvi concluded that while the Army had the motivation, it lacked the organisation, equipment, training, and ability to oppose an army capable of operating in a variety of environments. The war exposed political, military, and public weaknesses in a period of considerable internal unrest during the seven years of the Dirty War. Several senior officers who fought in the Falklands were imprisoned for offenses committed during the Dirty War. Secrecy and political disagreements isolated the Service chiefs of staff from the logistic and operational planning. This book tells the story of the Falklands War from the Argentine Army perspective, written by a British soldier who served there in collaboration with Argentine historians and veterans. It adds an illuminating perspective on this conflict whose impact is still felt 40 years on.

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Inspired by Voltaire's two-year stay in England (1726-8), this is one of the key works of the Enlightment. Exactly contemporary with Gulliver's Travels and The Beggar's Opera, Voltaire's controversial pronouncements on politics, philosophy, religion, and literature have place the Letters among the great Augustan satires. Voltaire wrote most of the book in English, in which he was fluent and witty, and it fast became a bestseller in Britain. He re-wrote it in French as the Lettres philosophiques, and current editions in English translate his French. This edition restores for the modern reader Voltaire's own English text, allowing us to appreciate him as a stylist at first hand. It is the only critical edition of the original text and, as well as providing an introduction and notes, it includes intriguing accounts of Voltaire by contemporary English ovservers. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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In this fascinating history of two turbulent centuries in an apparently idyllic place, Shakespeare effortlessly weaves the history of this unique island with a kaleidoscope of stories featuring a cast of unlikely characters from Errol Flynn to the King of Iceland, a village full of Chatwins and, inevitably, a family of Shakespeares. But what makes this more than a personal quest is Shakespeare''s discovery that, despite the nineteen century purges, the Tasmanian Aborigines were not, as previously believed, entirely wiped out.

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Symbol of Divine Light presents an overview of the history and significance of the lamp in Islamic culture and other traditions. In addition to describing the numerous variants from different historical periods, it also includes an exploration of the famous Koranic Verse of Light and the symbolism of its constituent elements. Containing more than 200 stunning illustrations, this is the definitive study of the history and meaning of the mosque lamp.

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An enthralling detective story based on the true life story of BBC reporter James Mossman. A brilliant man kills himself mid-career, leaving behind a cryptic suicide note. Based on the remarkable life of the star BBC correspondent James Mossman during his last years, 1963 to 1971, Nicholas Wright's play The Reporter searches for the truth behind his bewildering suicide. What lies beneath the surface? Or is the surface ultimately all there is? The Reporter was first staged at the National Theatre, London, in 2007.

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New poems by a Universalist poet on the human path and condition, scientific understanding of the universe, Europe and body-spirit.

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Narrates the story of the first year of the Libyan Revolution, identifies its aims and considers if they have been achieved.

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In 1999, while working as his Literary Secretary, the Earl of Burford, a descendant of the 3rd Earl of Southampton (Shakespeare’s patron) and of the 17th Earl of Oxford and heir to the Dukedom of St Albans, made a selection of Nicholas Hagger’s poems that celebrates places in England, conveys his mystical awareness of the unity of the universe and places him in the visionary tradition of William Blake, the poet of `Jerusalem’ and “England’s green and pleasant land”. Soon after Visions of England was completed the Earl of Burford came to international attention when he leapt onto the Woolsack of the House of Lords in a principled protest against the Blair Government’s plan to abolish hereditary peers’ voting rights, which led to 92 remaining in the Lords. A few months later he left Nicholas Hagger’s employ and the selection was buried under papers for nearly 20 years. In 2018 Nicholas Hagger came across Visions of England while preparing papers to send to his archive. It now seemed as if the selection had been made with Brexit in mind. The places are full of English history and culture, and the poems are prophetic in their anticipation of England’s new spirit of independence. These poems convey Englishness with a freshness and vividness that startle. The Earl of Burford is a prominent lecturer and biographer, and his selection is noteworthy for the metaphysical perspective he brings out in Nicholas Hagger’s profound poems whose traditional qualities constantly surprise and delight.

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This book answers the question, How do we go about inventing great characters that our readers will care about, root for, love, hate or fear?

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An environmental fable that illustrates the awesome power of a hug.

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