Search results for ""Author Albert"

The essays in North of Everything examine the state of Canadian film during a period of critical change. Their focus ranges from the conventional cinema to the avant garde, NFB documentaries to DIY videotapes. This comprehensive volume presents essays on established and emerging filmmakers and includes discussions of Canadian film institutions, history, and policy.

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Polish historians and political leaders have often used the term gente Rutheni, natione Poloni to characterize figures of Ruthenian/Ukrainian descent who viewed themselves as part of a Polish political or national community. The duality and hybridity of these figures' identity have excluded them from traditional Polish and Ukrainian national narratives. Adam Świątek has given us the first fully encompassing work examining the persons, organizations, and ideologies of this group from the end of the eighteenth to the beginning of the twentieth century. Based on a thorough examination of sources and literature, his monograph provides a nuanced account of how the concept and group were transformed and functioned in Habsburg Galicia. The volume is essential reading for all those interested in Polish-Ukrainian relations and those who wish to study varying national identities and historical concepts in the Galician crownland over the long nineteenth century. By undertaking an examin

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Dissonant Methods is an innovative collection that probes how, by approaching teaching creatively, postsecondary instructors can resist the constrictions of neoliberalism. Based on the foundations of Scholarship of Teaching and Learning, whereby educators are asked to explore teaching as scholarship, these essays offer concrete and practical meditations on resistant and sustainable teaching. The contributors seek to undermine forms of oppression frequently found in higher education, and instead advance a vision of the university that upholds ideals such as critical thinking, creativity, and inclusivity. Essential reading for faculty and graduate students in the humanities, Dissonant Methods offers urgent, galvanizing ideas for anyone currently teaching in a college or university. Contributors: Kathy Cawsey, Kit Dobson, Ada S. Jaarsma, Rachel Jones, Kyle Kinaschuk, Namrata Mitra, Guy Obrecht, Katja K. Pettinen, Kaitlin Rothberger, Ely Shipley, Martin Shuster

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As the world turns its attention to the reconstruction of Afghanistan and Iraq following recent conflicts in these countries, the issue of post-conflict peacebuilding takes centre stage. This collection presents a timely and original overview of the field of peace studies and offers fresh analytical tools which promote a critical reconceptualization of peace and conflict, while also making specific reference to peacebuilding strategies employed in recent international conflicts.

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Born in 1833 at Fort Edmonton, Johnny Grant experienced and wrote about many historical events in the Canada-US northwest, and died within sight of the same fort in 1907. Grant was not only a fur trader; he was instrumental in early ranching efforts in Montana and played a pivotal role in the Riel Resistance of 1869-70. Published in its entirety for the first time, Grant's memoir-with a perceptive introduction by Gerhard Ens-is an indispensable primary source for the shelves of fur trade and Métis historians.

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Son of Catharine Parr Traill and nephew of Susanna Moodie, William Edward Traill, better known as Willie, came by his literary talent naturally. He found employment with the Hudson’s Bay Company in what was to become the Canadian West. His letters home are a rich and detailed portrait of domestic life in the fur trade of the Northwest between 1864 and 1893. At turns gritty then deeply touching but always fascinating and informative, the Willie Traill letters throw open a window on the joys and heartbreaking challenges of family life in the service of the fur trade. Foreword by Michael Peterman.

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That Audible Slippage invokes a poetics of active listening and environmental sound to investigate the ways in which we interact with the world, balancing perception and embodiment alongside a hypnagogic terrain of grief and mortality. Audibility is a primary theme of this collection—what can be heard, what is obstacled, and what remains unheard. Many of the poems included in the collection try to hold spaces open for the slipperiness of the heard and unheard and the not-yet heard and their associated problems: error, insufficiency, loss, incompleteness, and other affects such as fear and avoidance. “A Branch of Happen,” the opening section of award-winning poet Margaret Christakos’ collection, explores interior listening to both the self as sensation machine and the collaged external soundscape we both hear and fail to hear within the assailing violences and inequities of the news. A second suite, “Heart is a Guest Whippet Resting on a Firm Trunk,” is troubled by memories of deceased loved-ones amid the North Saskatchewan River valley and the many-layered history of amiskwaciwâskahikan (Edmonton). The fragmentary “Listening Line Notebook” multiplies the treatment of listening as a situated perceptual, sensory, and ethical process. A final long poem called “The Incubation” navigates ideas of being asleep and awake, altered and attuned, as well as spiritually dis/located in time and space. Poised within and beyond both established and emergent traditions of ecocriticism, contemporary feminisms, and experimental lyric, this intriguing and probing work of sound-illuminated poems welcomes readers into its overlapping worlds with grace.

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Micheline Maylor’s The Bad Wife is an intimate, first-hand account of how to ruin a marriage. This is a story of divorce, love, and what should have been, told in a brave and unflinching voice. Pulling the reader into a startling web of sensuality, guilt, resentment, and pleasure, this collection asks: what if you set off a bomb in your own house? What if you lose love and destroy everything you ever knew? These poems have a disarming immediacy, full of surprising imagery, dark humour, and the bold thoughts of a vibrant and flawed protagonist. Balancing a need for wildness and the space to dwell, The Bad Wife explores the taut confines of those vivid, earthly pleasures that we all know and sometimes can’t escape. I forgot the oath: Do no harm. -from “Yesterday, I Went to the Market”

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In Camouflaged Aggression in Organizations, Alexander Abdennur unveils his theory of two modes of aggression in organizations: confrontational and camouflaged. Focusing on camouflaged aggression, he describes patterns of behaviour and shows how these intersect with personality and sociocultural factors. He defines the effects of non-confrontational aggression in terms of organizational and mental health. In discussing prevention and control of this harmful behaviour, Abdennur recommends a cognitive approach to manage workplace hostility in businesses, the public sector, and not-for-profit organizations. Professionals, professors, and students of psychology, organizational behaviour, and criminology will find this a necessary and insightful resource.

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Alice Major observes the comedy and the tragedy of this human-dominated moment on Earth. Major’s most persistent question—“Where do we fit in the universe?”—is made more urgent by the ecological calamity of human-driven climate change. Her poetry leads us to question human hierarchies, loyalties, and consciousness, and challenges us to find some humility in our overblown sense of our cosmic significance. Now, welcome to the Anthropocene you battered, tilting globe. Still you gleam, a blue pearl on the necklace of the planets. This home. Clouds, oceans, life forms span it from pole to pole, within a peel of air as thin as lace lapped round an apple. Fair and fragile bounded sphere, yet strangely tough— this world that life could never love enough. And yet its loving-care has been entrusted to a feckless species, more invested in the partial, while the total goes unnoticed. — from “Welcome to the Anthropocene”

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Mary Schäffer was a photographer, writer, botanical painter, and mapmaker from Philadelphia, well known for her travels in the Canadian Rockies and Japan at the turn of the twentieth century. In Searching for Mary Schäffer, Colleen Skidmore takes up Schäffer’s own resonant themes—women and wilderness, travel and science—to ask new questions, tell new stories, and reassess the persona of Mary Schäffer imagined in more recent times. Public and private archival collections in the United States and Canada set the stage for this engrossing exploration of Schäffer’s creative, collaborative, and competitive enterprise amid the cultural complexities of Philadelphia’s science and photography communities, and the scientific, tourist, and Indigenous societies of the Rocky Mountains of Canada. “In this impressive book, Colleen Skidmore uses her considerable skills as a social historian of photography to shed new light on the remarkable life of Mary Schäffer. She knows the stories, the characters, and presents a social history that is fresh and convincing. Skidmore’s conclusion is brilliant and will certainly serve as a catalyst for further research and study of Mary Schäffer.” Donna Livingstone, President and CEO, Glenbow Museum

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Gisèle Villeneuve’s short stories test the elastic pull between passion and terror. For inspiration, Villeneuve turned to her personal history to examine what lures urban dwellers outdoors, to test themselves against peaks and valleys. Using the overarching metaphor of mountain climbing, she plays with form, language, and narrative to reveal our fears, our loves, our passions. Rising Abruptly is a perfect companion for anyone who likes to travel, loves a climber, or simply glories in the allure of the mountains. "Even the unassuming day trips deliver their moments. The whiteouts. The going off route. Scrambling back down on rock coated with verglas. Neither of us liking it one bit, but resolutely descending. Focusing on the moment that could change everything with one misstep. The four-hour scramble that begins on a sunny summer morning, stretching into the night to a seventeen-hour epic. There are such days, and they can happen an hour’s drive from Calgary on a relatively small mountain. Back to comfort, talking up a storm. Doing the post-mortem. Watching the tempest, still so real in our minds, relief and excitement printed on our windburned faces. Together, building story, across time and across silences. Back to comfort then acquires a whole new meaning when you bear the land deep in the bone." From “Assiniboine Crossroads”

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Flora Annie Steel (1847–1929) was a contemporary of Rudyard Kipling and rivaled his popularity as a writer during her lifetime, but her legacy faded due to gender-biased politics. She spent 22 years in India, mainly in the Punjab. This collection is the first to focus entirely on this “unconventional memsahib” and her contribution to turn-of-the-century Anglo-Indian literature. The eight essays draw attention to Steel’s multifaceted work—ranging from fiction to journalism to letter writing, from housekeeping manuals to philanthropic activities. These essays, by recognized experts on her life and work, will appeal to interdisciplinary scholars and readers in the fields of British India and Women’s Studies. Contributors: Amrita Banerjee, Helen Pike Bauer, Ralph Crane, Gráinne Goodwin, Alan Johnson, Anna Johnston, Danielle Nielsen, LeeAnne M. Richardson, Susmita Roye

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Lisa Martin’s new poetry collection seeks the kind of lyric truth that lives in paradox, in the dwelling together of seeming opposites such as life and death, love and loss, faith and doubt, joy and sorrow. Here readers will find a range of moods, tones, and subjects, as well as both traditional and contemporary forms—from sonnets to prose poems. This is a collection imbued with the light of an enduring, if troubled, faith. With its focus on spirit, ethics, and how to live well, Believing is not the same as Being Saved offers a tender meditation on the moments that make a life. There’s a way of speaking as if the difference matters, as if the road home is finite—everything begins and ends somewhere, like your hand in mine, or how last light fractures in the limbs of pine—while beyond my window, a coyote follows a trail into the dusk that only it can see. — from "Map for the road home"

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“Of all the crimes to which Palestinians have been subjected through a century of bitter tragedy, perhaps none are more cruel than the silencing of their voices. The suffering has been most extreme, criminal, and grotesque in Gaza, where Ghada Ageel was one of the victims from childhood. This collection of essays is a poignant cry for justice, far too long delayed.” —Noam Chomsky There are more than two sides to the conflict between Palestine and Israel. There are millions. Millions of lives, voices, and stories behind the enduring struggle in Israel and Palestine. Yet, the easy binary of Palestine vs. Israel on which the media so often relies for context effectively silences the lived experiences of people affected by the strife. Ghada Ageel sought leading experts—Palestinian and Israeli, academic and activist—to gather stories that humanize the historic processes of occupation, displacement, colonization, and, most controversially, apartheid. Historians, scholars and students of colonialism and Israel-Palestine studies, and anyone interested in more nuanced debate, will want to read this book. Foreword by Richard Falk. Contributors: Yasmeen Abu-Laban, Ghada Ageel, Huwaida Arraf, Abigail B. Bakan, Ramzy Baroud, Samar El-Bekai, James Cairns, Edward C. Corrigan, Susan Ferguson, Keith Hammond, Rela Mazali, Sherene Razack, Tali Shapiro, Reem Skeik, Rafeef Ziadah.

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Censorship and book burning are still present in our lives. Lawrence Hill shares his experiences of how ignorance and the fear of ideas led a group in the Netherlands to burn the cover of his widely successful novel, The Book of Negroes, in 2011. Why do books continue to ignite such strong reactions in people in the age of the Internet? Is banning, censoring, or controlling book distribution ever justified? Hill illustrates his ideas with anecdotes and lists names of Canadian writers who faced censorship challenges in the twenty-first century, inviting conversation between those on opposite sides of these contentious issues. All who are interested in literature, freedom of expression, and human rights will enjoy reading Hill's provocative essay.

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you can't stop it. everyone's expendable, James. everyone's replaceable. even you. especially you. In a penetrating, violent, sexy, and often hilarious apocalypse, a world-famous superspy meets his demise at the hands of an audacious, painstaking poet. Kimmy Beach fuses popular culture and narrative poetry to astonishing effect in this, her fifth book. Feasting on the tropes, traps, and types of the James Bond mythos and doubling back on the incendiary narrative of Nikos Kazantzakis' The Last Temptation of Christ, Beach and her cast of loved-and-left Bond Girls dismantle the man and his mysteries. Fans of Beach's tenacious poetry and readers seeking redemption in explosive narrative and fearless wit will love The Last Temptation of Bond.

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Jenna Butler draws on her own experiences of her grandmother's disappearance into senile dementia to reassemble a sensual world in longpoem form that positively crackles with imagery and rhythm. Identities and memories flow and flicker as she strings together fragments of narrative into stories that comprise one woman's life. It entwines her disappearing life with that of the persona of the woman's granddaughter through a choreographed confusion of identities: of she's and I's. Few poets could execute this with convincing solemnity, while simultaneously recovering the dignity of the sufferer and her loved ones. Butler does. Poetry lovers, critics and scholars, and readers who crave a deft style charged with honest emotion should read Wells.

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"On our way home, we stopped in Vegreville for one last look at the Pysanka-and, posing in front of it while my dad pulled out his camera, I wanted to cry. Are we doomed? Click. Is this all we are? Click. How do we drag ourselves out from under the shadow of the giant egg? Click." Conceived in a fervent desire for fresher, sexier images of Ukrainian culture in Canada, and concluding with a new reading of enduring cultural stereotypes, Leaving Shadows is the first Canadian book-length monograph on English Ukrainian writing, with substantive analysis of the writing of Myrna Kostash, Andrew Suknaski, George Ryga, Janice Kulyk Keefer, Vera Lysenko, and Maara Haas.

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It's a matter of knowing winter. Snowbird travels south, seeks warmth, and begins waiting. Robert Kroetsch's new collection, The Snowbird Poems, is a brilliant flight of departure. Beached where he watches a drowning horizon, teased by romance, Snowbird lets his responses become a message in a bottle to the lost and for the found. Appearing at first wearing bifocals and drinking from a fake coconut, Snowbird goes on to retrieve the footprint of story from the ocean of memory.

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Noted Canadian journalist Peter Stursberg traces his family's history in China through the Opium Wars, the Boxer Rebellion, and the Second World War. Captain Samuel Lewis Shaw arrived in China in the 1830s. He eventually settled in the port of Foochow, married a young Japanese woman, and started a family. A century later, virtually all foreigners were kicked out of the country. No Foreign Bones in China reveals a cultural history through the eyes of one British colonial family.

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Governor-General's award-winning poet E.D. Blodgett continues his series of meditations on love, living, and loss. This intelligent collection offers more of Blodgett's lush imagery and deep questioning within the apostrophe form. A lovely offering from one of Canada's leading writers.

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As Germany approaches the twenty-first century, it faces a variety of political, economic and social problems that put the recently united country to the test. Experiencing a dual crisis, Germany's challenge is to manage both the transformation to a postindustrial society and the effects of unification. International scholars address the different aspects of the predicaments Germany finds itself in, and reflect concerns and questions that have been raised about the future of the German model in the broadest sense.

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Kasia Van Schaik’s debut story collection follows the journey of Charlotte Ferrier, a child of divorce raised by a single mother in a small town in British Columbia after moving from South Africa. Mother and daughter wait out the end of a bad year in a Mexican hotel; a friendship is tested as forest fires demolish Charlotte’s town; a childhood friend disappears while travelling through Europe; and a girl on the beach examines the memories of dying jellyfish. The stories traverse the most intimate and transforming moments of female experience in a world threatened by ecological crisis. Longlisted for the Scotiabank Giller Prize 2023.

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You Might Be Sorry You Read This is a stunning debut, revealing how breaking silences and reconciling identity can refine anger into something both useful and beautiful. A poetic memoir that looks unflinchingly at childhood trauma (both incestuous rape and surviving exposure in extreme cold), it also tells the story of coming to terms with a hidden Indigenous identity when the poet discovered her Métis heritage at age 38. This collection is a journey of pain, belonging, hope, and resilience. The confessional poems are polished yet unpretentious, often edgy but humorous; they explore trauma yet prioritize the poet’s story. Honouring the complexities of Indigenous identity and the raw experiences of womanhood, mental illness, and queer selfhood, these narratives carry weight. They tell us “You need / only be the simple / expression of the divine / intent / that is your life.” There is a lifetime in these poems.

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Social Justice Poetry Spoken-word poet Valerie Mason-John unsettles readers with potent images of ongoing trauma from slavery and colonization. Her narratives range from the beginnings of the African Diaspora to the story of a stowaway on the Windrush, from racism and sexism in Trump’s America to the wide impact of the Me Too movement. Stories of entrapment, sexual assault, addictive behaviours, and rave culture are told and contrasted to the strengthening and forthright voice of Yaata, Supreme Being. I Am Still Your Negro is truth that needs to be told, re-told, and remembered. Foreword by George Elliott Clarke. I was your Negro Captured and sold I am still your negro Arrested and killed —from “I Am Still Your Negro”

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Why couldn’t I occupy the world as those model-looking women did, with their flowing hair, pulling their tiny bright suitcases as if to say, I just arrived from elsewhere, and I already belong here, and this sidewalk belongs to me? When her marriage suddenly ends, and a diary documenting her beloved Opa’s escape from Nazi-occupied Netherlands in the summer of 1942 is discovered, Naomi Lewis decides to retrace his journey to freedom. Travelling alone from Amsterdam to Lyon, she discovers family secrets and her own narrative as a second-generation Jewish Canadian. With vulnerability, humour, and wisdom, Lewis’s memoir asks tough questions about her identity as a secular Jew, the accuracy of family stories, and the impact of the Holocaust on subsequent generations.

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Scholar and diplomat Brian L. Evans gives us the first English-language biography of Chester A. Ronning (1894-1984): diplomat, politician, educator, and one of Canada's major public figures. This fascinating story depicts Ronning, the man who received many honours, and deepens readers' knowledge of Canada's post-World War II diplomacy and Canada-China relations. Ronning was an extraordinary Canadian who combined Chinese sensibility with Norwegian calm practicality and American drive. His life journey was entwined with the history of China over many decades. Based on written materials, historical documents, and many hours of interviews with Ronning, his friends, and fellow politicians, The Remarkable Chester Ronning offers both a thorough and entertaining biography and a lens through which to view international politics.

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Melissa Morelli Lacroix explores the love and longing, loss and pain, grief and healing found in the music of Frédéric Chopin, Clara Schumann, and Claude Debussy in a series of poetic cycles that respond to each composer’s work. Lacroix writes with her ear finely tuned to the music of death and decay, to the harmonies and discords of music, nature, and human desire. Always, in A Most Beautiful Deception, we find the chords of love and devotion being torn apart by the deterioration of the body. Lacroix uses her research into the composers’ lives to add layers and nuance, thus creating a complex triangle between the reader, the music, and the poet. Woven almost imperceptibly into these accounts of three composers and their respective fights against the decay of the body and the mind, lies the thread of the poet’s own relationships and loss.

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Canadians have always been obsessed with the idea of their own identities. Stories that tell us who we are provide a reassuring sense of identity for the individual and the nation. Hockey. Maple Leaves. Beavers. But collective stories tend to be haunted by a fear that a shared narrative might be nothing more than an elaborate artifice. This fear has long been a source of gothic inspiration for Canadian writers. A haunted Canadian self returns again and again. Polite. Friendly. Not American. With examples of gothic discourse from Canadian fiction, autobiography, film, poetry, and drama, Justin Edwards analyzes the ghost at the heart of the nation. A major contribution to cultural and literary studies, Gothic Canada unearths two centuries of Canadian gothic writings to reveal uncanny traditions of trauma, repression, and monstrosity.

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Fran Kaye looks at a variety of public arts institutions, including the Glenbow, Banff Centre, and 25th Street Theatre, to see how each has participated in creating its audiences. She examines prairie literature and visual arts that illustrate the development of a distinctive regional prairie culture.

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This revised edition of Spoken Cree by C. Douglas Ellis is the first of three levels in a complete Cree language course, based on the "N" and "L" dialects spoken west of James Bay. Level I introduces the student to Cree by focussing on typical day-to-day situations. Each of the 18 units include basic conversation, a discussion of Cree grammar, drills, conversation practice and vocabulary list and a review section. The complete collection of sound files to accompany this manual can be downloaded from http://spokencree.org/. Spoken Cree III is available from the School of Linguistics and Language Studies, Carleton University.

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Early in the pandemic, medical personnel were our front lines. What was that like? Through stories, art, and poetry, Canadian health-care workers from across the country recount their experiences of the COVID-19 pandemic. The contributors to The COVID Journals share the determination and fear they felt as they watched the crisis unfold, giving us an inside view of their lives at a time when care itself was redefined from moment to moment. Their narratives, at turns tender, angry, curious, and sometimes even joyful, highlight challenges and satisfactions that people will continue to explore and make sense of for years to come. Contributors: Ewan Affleck, Sarah-Taïssir Bencharif, Manisha Bharadia, Christopher Blake, Candace de Taeye, Arundhati Dhara, Paul Dhillon, Liam Durcan, Monika Dutt, Sarah Fraser, David Gratzer, Jillian Horton, Andrew Howe, Monica Kidd, Jaime Lenet, Pam Lenkov, Suzanne Lilker, Jennifer Moore, Shane Neilson, Kacper Niburski, Elizabeth Niedra, Margaret Nowaczyk, Tolu Oloruntoba, Rory O’Sullivan, Jordan Pelc, Nick Pimlott, Angela E. Simmonds, Tanas Sylliboy, Helen Tang, Bobby Taylor, Tharshika Thangarasa, Diana Toubassi, Shan Wang, Marisa Webster, Chadwick Williams, Dolly Williams, Jiameng Xu.

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Conrad Kain is a titan amongst climbers in Canada and is well-known in mountaineering circles all over the world. His letters to Amelie Malek-a life-long friend-offer a candid view into the deepest thoughts of the Austrian mountain guide, and are a perfect complement to his autobiography, Where the Clouds Can Go. The 144 letters provide a unique and personal view of what it meant to immigrate to Canada in the early part of the twentieth century. Kain's letters are ordered chronologically with annotations, keeping the sections in English untouched, while those in German have been carefully translated. Historians and mountain culture enthusiasts worldwide will appreciate Kain's genius for description, his passion for nature, his opinions, and his musings about his life. Foreword by Chic Scott. Epilogue by Don Bourdon.

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As the South African War reached its grueling end in 1902, colonial interests at the highest levels of the British Empire hand-picked teachers from across the Commonwealth to teach the thousands of Boer children living in concentration camps. Highly educated, hard working, and often opinionated, E. Maud Graham joined the Canadian contingent of forty teachers. Her eyewitness account reveals the complexity of relations and tensions at a controversial period in the histories of both Britain and South Africa. Graham presents a lively historical travel memoir, and the editors have provided rich political and historical context to her narrative in the Introduction and generous annotations. This is a rare primary source for experts in Colonial Studies, Women’s Studies, and Canadian, South African, and British Imperial History. Readers with an interest in the South African War will be intrigued by Graham’s observations on South African society at the end of the Victorian era.

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In this groundbreaking contribution to the field of culture and medicine, twenty-five professionals in medicine, nursing, and the social sciences have contributed fourteen papers on the influence of culture in health care. The topics range from the perception of skills of international medical graduates, to conflicting expectations of patient care of various cultural groups, to cultural issues at the end of life. Health care educators, practitioners, sociologists, policy makers, and learners at all levels will find this book makes a significant foray into an underexplored sector of research. [Video at http://www.youtube.com/watch?v=LSJCuGeE5M0]

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Examining various cultural products-music, cartoons, travel guides, ideographic treaties, film, and especially the literary arts-the contributors of these thirteen essays invite readers to conceptualize citizenship as a narrative construct, both in Canada and beyond. Focusing on indigenous and diasporic works, along with mass media depictions of Indigenous and diasporic peoples, this collection problematizes the juridical, political, and cultural ideal of universal citizenship. Readers are asked to envision the nation-state as a product of constant tension between coercive practices of exclusion and assimilation. Narratives of Citizenship is a vital contribution to the growing scholarship on narrative, nationalism, and globalization. Contributors: David Chariandy, Lily Cho, Daniel Coleman, Jennifer Bowering Delisle, Aloys N.M. Fleischmann, Sydney Iaukea, Marco Katz, Lindy Ledohowski, Cody McCarroll, Carmen Robertson, Laura Schechter, Paul Ugor, Nancy Van Styvendale, Dorothy Woodman, and Robert Zacharias.

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Dr. John E. Foster spent many years researching and interpreting the Metis, continually re-examining his own thinking about the fur trade and the West, trying to find new lines of inquiry across disciplinary boundaries, and, playing with ideas that re-imagined the Canadian West. In From Rupert's Land to Canada, in tribute to John's work, his friends and colleagues further explore themes related to "Native History and the Fur Trade," "Metis History," and the "Imagined West". Contributors include Michael Payne, Nicole St-Onge, Jan Grabowski, Jennifer Brown, Heather Rollason, Frits Pannekoek, Heather Devine, Gerhard Ens, Gerry Friesen, Ted Binnema, Ian MacLaren, Rod Macleod, Tom Flanagan and Glen Campbell.

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Canadian Performance Documents and Debates provides insight into performance activities from the seventeenth century to the early 1970s, and probes important yet vexing questions about Canada as a country and a concept. The volume collects playscripts and archival material to explore what these documents tell us about the values, debates, and priorities of artists and their audiences from the past 400 years. Analyses throughout rethink the significance of theatre, dance, opera, circus, and other performance genres and events. This landmark collection challenges readers to reconsider Canadian theatre and performance history. Foreword by Jerry Wasserman. Contributors: Clarence S. Bayne, Kym Bird, Justin A. Blum, Amy Bowring, Jill Carter, Jenn Cole, Cynthia Cooper, Heather Davis-Fisch, Moira J. Day, Ray Ellenwood, Alan Filewod, Howard Fink, Liza Giffen, J. Paul Halferty, James Hoffman, Erin Hurley, John D. Jackson, Stephen Johnson, Sasha Kovacs, Sylvain Lavoie, Louis Patrick Leroux, Allana C. Lindgren, Denyse Lynde, Erin Joelle McCurdy, Wing Chung Ng, Glen F. Nichols, M. Cody Poulton, VK Preston, Daniel J. Ruppel, Jordan Stanger-Ross, Paul J. Stoesser, Christl Verduyn, Anthony J. Vickery, Anton Wagner

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Rural communities, often the first indicators of economic downturns, play an important role in planning for development and sustainability. Increasingly, these communities are compelled to reimagine the paths that lead not only to economic success, but also to the cultural, social, environmental, and institutional pillars of sustainability. As the contributors to this volume demonstrate, there are many examples of such innovation and creativity, and many communities that seek out new ways to build the collaboration, capacity, and autonomy necessary to survive and flourish. Contributors: Don Alexander, Kirstine Baccar, Michael Barr, Mary A. Beckie, Moira J. Calder, Meredith Carter, Yolande E. Chan, Sean Connelly, Jon Corbett, Anthony Davis, Jeff A. Dixon, David J.A. Douglas, Roger Epp, Kelly Green, Lars K. Hallström, Greg Halseth, Casey Hamilton, Karen Houle, Glen T. Hvenegaard, Melanie Irvine, Bernie Jones, Robert Keenan, Rhonda Koster, Ryan Lane, Sean Markey, Shelly McMann, L. Jane McMillan, Morgan E. Moffitt, Karen Morrison, Karsten Mündel, Craig Pollett, Kerry Prosper, Mark Roseland, Laura Ryser, Claire Sanders, Jennifer Sumner, Kelly Vodden, Marc von der Gonna, Shayne Wright.

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