Search results for ""author michel"

We Are Here boldly exemplifies Native American contemporary art as important, relevant, and deserving of a place in the contemporary art cannon. The five Eiteljorg Fellowship artists honored in this volume are among the Native artists creating some of the richest and most alarming art in the world. Powerful stories infused with Native history and experiences are expressed in glass, photography, performance art, and other media. Alan Michelson's (Mohawk) glass depictions of buried history are elegant and haunting. Bonnie Devine's (Ojibwa) intricate and powerful works unfold stories of difficult experiences. Skawennati's (Mohawk) time-travelling Indian superhero in TimeTravellerTM showcases misinterpretation and abuse of Indigenous art and people. Duane Slick (Meskwaki-Ho-Chunk) creates unnerving work that captures stories on canvas. Anna Tsouhlarkis (Navajo/ Creek/Greek) uses new media to reflect on science and the culture of time.

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The Renaissance in the 19th Century examines the Italian Renaissance revival as a Pan-European critique: a commentary on and reshaping of a nineteenth-century present that is perceived as deeply problematic. The revival, located between historical nostalgia and critique of the contemporary world, swept the humanistic disciplines—history, literature, music, art, architecture, collecting.The Italian Renaissance revival marked the oeuvre of a group of figures as diverse as J.-D. Ingres and E. M. Forster, Heinrich Geymüller and Adolf von Hildebrand, Jules Michelet and Jacob Burckhardt, H. H. Richardson and R. M. Rilke, Giosuè Carducci and De Sanctis. Though some perceived the Italian Renaissance as a Golden Age, a model for the present, others cast it as a negative example, contrasting the resurgence of the arts with the decadence of society and the loss of an ethical and political conscience. The triumphalist model had its detractors, and the reaction to the Renaissance was more complex than it may at first have appeared.Through a series of essays by a group of international scholars, volume editors Lina Bolzoni and Alina Payne recover the multidimensionality of the reaction to, transformation of, and commentary on the connections between the Italian Renaissance and nineteenth-century modernity. The essays look from within (by Italians) and from without (by foreigners, expatriates, travelers, and scholars), comparing different visions and interpretations.

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Titian is the artist who best illustrates the revolution and triumph of colour, and hence the very art of the 16th century and beyond. The work of Titian (c. 1490-1576) represents the point of arrival for a whole pictorial tradition: his early emphasis on colour developed into the art of a mature and then elderly painter seeking to explore night and darkness, to dim hues, and to push the use of liquid and dusky tones to the very limit. A prolific painter and the head of a well-organised workshop, Titian was at the same time capable of perfectly meeting new tastes. By renewing and setting the standard for the official images and aesthetics of the ruling class of his day, he became the first truly European artist, praised to high heaven by his admirers. Particularly revealing is Ludovico Dolce's panegyric: 'the greatness and the power of Michelangelo, the sweetness and beauty of Raphael and the very colours of Nature herself'. Highly sought after by collectors, disputed by royal courts and pontiffs, the master from Cadore created works that are now on display in museums across the world. This volume exceptionally brings together some of Titian's greatest masterpieces, including his large altarpieces, in such a way as to illustrate the whole span of his career.

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Nickelodeon's Teenage Mutant Ninja Turtles hit the mean streets of New York, ready to battle bots and eat pizza! Kids ages 4 to 6 will love this Step 2 Step into Reading leveled reader. Step 2 Readers use basic vocabulary and short sentences to tell simple stories. For children who recognize familiar words and can sound out new words with help. Jump into action with Nickelodeon's Teenage Mutant Ninja Turtles! These four ninja brothers stand together to protect their city—and their planet—from the forces of evil! Join Leonardo, Raphael, Michelangelo, and Donatello for non-stop ninjutsu action as they face off against mutants, aliens, and even Shredder himself!

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This is a fascinating re-evaluation of the life and works of a hugely talented yet controversial artist. The young Michelangelo Merisi da Caravaggio (1571-1610) created a major stir in late-sixteenth-century Rome with the groundbreaking naturalism and highly charged emotionalism of his paintings. "Caravaggio" is a sumptuously illustrated and engagingly written volume that takes a fresh look at Caravaggio's life and works, uncovering evidence that the efforts of Caravaggio's contemporaries to disparage his character and his artwork often sprang from their own cultural biases or a desire to promote the artistic achievements of his rivals, and that contrary to repeated claims, Caravaggio lacked neither education nor piety, but was an extremely accomplished technician who developed a successful marketing strategy.

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Hands down, the funniest book of the decade! From the twisted imagination of Roman Dirge, the Michelangelo of the macabre comes this, his latest magnificent masterpiece - I CAN COUNT TO TEN, the first non-children's book for adults. Roman Dirge's unique brand of humor spawned the subgenre for cute girl gothic horror/humor.

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The Teenage Mutant Ninja Turtles come to the big screen in a major summer 2023 theatrical event!Producer Seth Rogen and his partners at Point Grey Pictures take Leonardo, Michelangelo, Raphael, and Donatello back to their DNA in this animated boys-to-men origin story. Boys and girls ages 7 to 11 will thrill to this junior novel featuring eight pages of exciting full-color images.

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Champion of British pub food and Michelin-starred chef, Tom Kerridge has collected all of his best ideas, tips and tricks in this essential classic cookbook. ‘A publican with star quality’ The Telegraph ‘Tom raises the bar on pub grub’ Metro ‘The talk of taverns up and down the country’ Independent _______ ‘My main goal is to show how achievable fantastic pub food can be to prepare – right in your own kitchen... the important thing is chillaxo relaxo, be inspired and feel good about whatever you prepare. Remember, proper food is the result of treating quality ingredients lovingly and with respect. They won't let you down!’ Tom Kerridge’s idea of food heaven isn’t fussy gastronomy; it’s hearty comfort food with Michelin star magic. In this cookbook Tom proves that everyone can make proper pub food, and the only place he wants to see a foam is on the head of a pint of beer! Over 100 recipes reveal his secrets for making real food truly amazing, including perfected dishes from his childhood and special treats he serves at his own one-of-a-kind pub, The Hand & Flowers. These recipes are simply the best version you’ll ever have of the dishes everyone loves the most. With standout recipes including . . . · Treacle-cured beef with roast potatoes and Yorkshire puddings · Flash-fried sirloin steaks with mustard seed dressing · Slow-roasted shoulder of lamb with boulangère potatoes · Hot salt-beef bagels with pickled vegetables · Pork pie with piccalilli · Fish and chips with pea purée and tartare sauce · Smoked haddock fishcakes with fried egg and cheese sauce · Pork scratchings · Smoky bacon crisps · Steamed ginger puddings with vanilla custard · Apple and toffee crumble tart ‘Every chef says their cooking is about making ingredients taste even more of themselves ­­­– Kerridge really does it’ Diana Henry _______ Tom Kerridge’s new book, Pub Kitchen, is out in September.

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‘To read through A Barthes Reader is finally to be left with the image of Barthes as one of the great public teachers of our time’ New RepublicEdited by Susan Sontag, A Roland Barthes Reader offers a definitive selection of works by the French intellectual Roland Barthes, including seminal essays, such as 'Introduction to the Structural Analysis of Narratives' as well as his more unusual works, such as 'The World of Wrestling'.'At last, with A Barthes Reader, we have a sort of Michelin guide to one of the most beguiling minds of our era. Smartly introduced by Susan Sontag, the Reader samples Barthes' achievement over three decades' Newsweek

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Perhaps the most imaginative writer on art in the sixteenth century, Giovan Paolo Lomazzo was also an ambitious painter, well-informed critic, and sarcastic wit: he proved a lively adversary for Vasari, Dolce, and even Aretino. His greatest contribution to the history of art is his special treatment of expression and, in its more mature form, self-expression. The image of the Temple of Painting embodies all his essential thoughts about art. Housing statues of Michelangelo, Gaudenzio Ferrari, Polidoro da Caravaggio, Leonardo, Raphael, Mantegna, and Titian—paradigms of style and, for Lomazzo, the seven greatest painters in the world—it guides the novice in the discovery of a unique style that matches his own temperament. Idea of the Temple of Painting (1590), written as a pithy introduction to the encyclopedic Trattato dell’arte della pittura, demonstrates why art is all about expressing an individual style, or maniera. Neither spontaneous nor unconscious, style reflects the rational process of adapting all the elements of painting into a harmonious whole. This treatise also represents a rare historical document. Presiding over an original confraternity of artists and humanists, Lomazzo actively participated in the Milan art scene, which is vividly brought to life by his personal commentaries. This is the first translation of any of his treatises into English.

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Essays examining the way in which the sea has shaped medieval and later ideas of what it is to be English. Local and imperial, insular and expansive, both English yet British: geographically and culturally, the sea continues to shape changing models of Englishness. This volume traces the many literary origins of insular identity from local communities to the entire archipelago, laying open the continuities and disruptions in the sea's relationship with English identity in a British context. Ranging from the beginnings of insular literature to Victorian medievalisms, the subjects treated include King Arthur's struggle with muddy banks, the afterlife of Edgar's forged charters, Old English homilies and narratives of migration, Welsh and English ideas about Chester, Anglo-Norman views of the sea in the Vie de St Edmund and Waldef, post-Conquest cartography, The Book of Margery Kempe, the works of the Irish Stopford Brooke, and the making of an Anglo-British identity in Victorian Britain. SEBASTIAN SOBECKI is Professor of Medieval English Literature and Culture at the Rijksuniversiteit Groningen. Contributors: Sebastian Sobecki, Winfried Rudolf, Fabienne Michelet, Catherine A.M. Clarke, Judith Weiss, Kathy Lavezzo, Alfred Hiatt, Jonathan Hsy, Chris Jones, Joanne Parker, David Wallace

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PETER WOLLEN taught film at UCLA. He wrote a number of books, including the BFIFilm Classic on Singin' in the Rain, published in 1992 and reprinted in a new edition in2012. He is the co-writer (with Mark Peploe) of Michelangelo Antonioni's The Passenger(Professione: Reporter) (1974). D. N. RODOWICK is William R. Kenan, Jr. Professor of Visual and EnvironmentalStudies, and Director, Carpenter Center for the Visual Arts, at Harvard University.

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Josh Emett, holder of three Michelin stars and best known for opening Gordon Ramsay s restaurant at the London Hotel in New York, has collected the most important classic recipes from the world s most acclaimed chefs to create a kind of Larousse Gastronomique of the 21st century. These are the best new classics that have emerged during the last 50 years from culinary stars. Each recipe has been tested by Emett in his home kitchen, and he includes guidance and advice for the home cook discussing complexity, preparation, key elements, complements for planning a larger menu, and tips of the trade. Featuring specially commissioned photographs, the book is organized into 12 easy-to-follow sections from basics (stocks, sauces, and dressings), to grains and vegetables, meats, seafood, baking, and more. Each section includes a dedicated introduction with key knowledge elements.

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Richard is a middle-aged Englishman who runs a B&B in the Val de Follet. Nothing ever happens to Richard, and really that's the way he likes it. Until scandal erupts in the nearby town of Saint-Sauver when its famous restaurant is downgraded from three 'Michelin' stars to two. The restaurant is shamed, the town is in shock and the leading goat's cheese supplier drowns himself in one of his own pasteurisation tanks. Or does he? Valérie d'Orçay, who is staying at the B&B while house-hunting in the area, isn't convinced that it's a suicide. Despite his misgivings, Richard is drawn into Valérie's investigation, and finds himself becoming a major player.

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The stunning debut cookbook from Michelin Star chef and Great British Menu champion Tommy Banks.Roots is a glorious celebration of the key ingredients grown, foraged and preserved by Tommy close to his award-winning restaurant, The Black Swan in Oldstead, North Yorkshire. Influenced by the rhythms of the land he farms, he renames and redefines the seasons into three growing groups and shares creative recipes, preserving techniques and ideas on using these 'root' ingredients all year round. Beautifully shot throughout the shifting seasons the images showcase recipes, the ingredients and the landscape from which they hail.

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Missy Robbins had been on an upward trajectory through the ranks of chefdom, racking up accolades in Chicago at Spiaggia and in New York as the executive chef of A Voce Madison and A Voce Columbus, both of which earned Michelin stars under her leadership. But success in the grueling world of restaurant cooking took a toll, in sacrifices of time, health, and relationships. So in 2013 Robbins hung up the title of executive chef to explore life outside of the restaurant. This book is a result of that year off: A collection of recipes that Robbins created in her tiny West Village kitchen while she rediscovered life outside of the restaurant world. These dishes, organized around essays narrating her year off, will help readers fall in love with cooking again, as Robbins did. In addition to pasta and the Italian-inspired dishes that Robbins is known for, there are her childhood favorites, such as chicken soup with ricotta dumplings, and breakfast, vegetable, and salad recipes, resulting from Robbins s commitment to healthier eating habits; there is also a chapter of Asian recipes, inspired by a long-wished-for trip to Vietnam and Thailand. Intimate, engaging, and filled with Robbins s signature thoughtful, ingredient-driven cooking, this cookbook gives readers the secrets to delicious and varied home cooking within a poignant story of self-discovery.

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Motorisch-mechanische Zeichentechniken wie Pause, Abklatsch und Cut&Paste gehören zu den elementaren Werkstattpraktiken der Vormoderne. Sie wurden ebenso in der Ausbildung wie von renommierten Künstler:innen wie Leonardo, Dürer, Michelangelo und Rubens eingesetzt, um Entwürfe zu verändern, den Motivvorrat zu erweitern und neue Kunstwerke herzustellen. In der damaligen Kunsttheorie waren sie jedoch weitgehend unbedacht oder gar herabgesetzt. Nur wenige Positionen der Wertschätzung bis hin zur entschiedenen Nobilitierung von Abklatschen im 18. Jahrhundert sind zu verzeichnen. Die Diskrepanz zwischen der Bedeutung der Zeichentechniken in der Praxis und ihrer Thematisierung in der Kunsttheorie blieb lange unbeachtet. Der vorliegende Band unternimmt in dieser Hinsicht eine unverzichtbare Neuperspektivierung der Zeichnungsforschung und bindet dabei transdisziplinäre Kontexte wie kunsttechnologische und philosophische Gesichtspunkte ein.

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Baccio Bandinelli (Florence, 1493-1560) was one of the sculptors that worked for the house of Medici during the first half of the XVI century. A pupil of Giovan Francesco Rustici, he was strongly influenced by Michelangelo. One of his main works, Hercules and Cacus, is visible in the Piazza della Signoria and seen by millions of tourists each year. He also worked in Rome where he had been called by pope Clement VII. But, while his talent for sculpture was put in doubt by critics and rivals (Benvenuto Cellini, for instance), Bandinelli''s extraordinary drawing skills were universally appreciated - Vasari declared him unrivalled in this domain. Over two hundred drawings held in the Louvre are analysed in this scholarly publication: they include autograph drawings, those by his workshop and those rejected. Text in French.

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"Clay can be a metaphor for many things. I made it a metaphor for flesh and earth". (Stephen De Staebler). Over the course of a fifty-year career, Stephen De Staebler (1933-2011) created powerful, elegiac figurative sculptures in clay and bronze. Extending and assimilating an artistic lineage that includes Michelangelo, Auguste Rodin, and Alberto Giacometti as well as the art of the ancient Americas, Egypt, and Greece, De Staebler developed a sculptural vocabulary uniquely his own. A resident of the San Francisco Bay Area since the late 1950s, De Staebler was among the first students of the legendary Peter Voulkos at the University of California, Berkeley. In conjunction with the Bay Area Figurative movement, De Staebler helped to infuse the existentialist agenda of Abstract Expressionism with a profound humanism. Illuminating the significance of De Staebler's practice as never before, curator Timothy Anglin Burgard analyzes the artist's major pieces. Poet and critic Rick Newby sketches a biographical portrait of the sculptor, and renowned art historian Dore Ashton offers a moving tribute to the artist, with whom she was a lifelong friend. Produced in collaboration with the artist and his estate, this authoritative volume - published on the occasion of a major exhibition at the de Young Museum in San Francisco - offers an unprecedented glimpse into the sculptor's studio and process.

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An enthralling exploration of the most audacious and underhanded deceptions in the history of mankind, from sacred relics to financial schemes to fake art, music, and identities.World history is littered with tall tales and those who have fallen for them. Ian Tattersall, a curator emeritus at the American Museum of Natural History, and Peter Névraumont, an award-winning book producer, have teamed up to create this anti-history of the world, in which Michelangelo fakes a cupid; the holy foreskin is venerated; arctic explorers search for an entrance into a hollow Earth; a woman is elected Pope; and people can survive on only air and sunshine. Told chronologically, HOAX begins with the first documented announcement of the end of the world from 365 AD and winds its way through controversial tales such as the Loch Ness Monster and the Shroud of Turin, past proven fakes such as the Thomas Jefferson's ancient wine and the Davenport Tablets built by a lost race, and explores bald-faced lies in the art world, journalism, and archeology.

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General Adolphus knows the Monarchy crackdown is coming. Now he needs to pull together all the resources of the Hellhole colony, the ever-expanding shadow-Xayan settlement, and his connections with the other Deep Zone worlds. On Sonjeera, Diadem Michella Duchenet has collected a huge fleet, led by firebrand Commissar Escobar Hallholme, son of the man who originally defeated Adolphus.Uniting themselves and pooling their minds, the shadow-Xayans send a power surge along the original stringline path that links Hellhole with the Monarchy's hub on Sonjeera. All of the Diadem's battleships are currently approaching on that route, and when the mental blast wipes out all the substations, the battleships are effectively stranded. But now a bigger threat appears. Three large asteroids come in from the outer reaches of the Candela system. On Hellhole, the awakened Xayans finally reveal information that has been hidden even from their own followers. A large group of powerful, rogue telemancers split away from the main race-fanatics, violent, and ruthless. And now that the Xayan civilization is reawakening, the rogues have come back to destroy them once and for all. They are coming for Hellhole, and this time they will completely destroy it.

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MARSILIO FICINO of Florence (1433-99) was one of the most influential thinkers of the Renaissance. He put before society a new ideal of human nature, emphasising its divine potential. As teacher and guide to a remarkable circle of men, he made a vital contribution to changes that were taking place in European thought. For Ficino, the writings of Plato provided the key to the most important knowledge for mankind, knowledge of God and the soul. It was the absorption of this knowledge that proved so important to Ficino, to his circle, and to later writers and artists. As a young man, Ficino had been directed by Cosimo de' Medici towards the study of Plato in the original Greek. Later he formed a close connection with Cosimo's grandson, Lorenzo de' Medici, under whom Florence achieved its age of brilliance. Gathered round Ficino and Lorenzo were such men as Landino, Bembo, Poliziano and Pico della Mirandola. The ideas they discussed became central to the work of Spenser, Shakespeare, Donne, Botticelli, Michelangelo, Raphael, Durer, and many other writers and artists. The first letter in this volume is from Cosimo to Ficino, inviting him to visit him on his estate at Careggii and to bring with him `Plato's book on The Highest Good' (the Philebus) which Cosimo had asked him to translate in 1463. Though there is some uncertainty about the precise nature of Ficino's Platonic Academy, in another letter he replies to a correspondent's request for `that maxim of mine that is inscribed around the walls of the Academy'. This revised edition has corrected errors made in the original translation more than four decades ago, and the notes to the letters and the biographical notes have incorporated much new material from scholarship on the period which has grown enormously in the intervening years and continues to flourish.

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This is our unashamedly biased guide to the places worth the hype. This is not a list of dusty, overpriced, triple-Michelin-starred Mayfair haunts; from delis to finer (but affordable) small plates, the eateries included in this book are fresh, innovative and colourful, bursting with flavour and life. We''ll tell you why you should queue along the canal for Towpath''s ever-changing seasonal menu, which really is the greatest curry in Whitechapel (Tayyabs) and where you''ll find the tastiest meal among the culinary medley that is Brixton Village market. There are too many places to eat in London; these ones are the best.

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The Renaissance is best known as an age of artists – Michelangelo, da Vinci, Titian and Holbein – but it is also the age of the noble patrons who challenged their painters and sculptors to create great art. These patrons were knights, military leaders and jousters. They played a central role in the story of another great Renaissance story, that of the armourer. Here, Tobias Capwell continues his history of jousting seen through surviving artefacts in the collection of the Royal Armouries. He reveals how the jousts and tournaments of the Renaissance transported knightly combat into a kind of performance art, with demonstrations of aristocratic skill and nerve, of superhuman strength and superlative horsemanship – and of cutting-edge equipment.

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Celebrating our amazing farmers and the food they produce, this timely and topical sequel highlights 40 of the UK’s most influential and innovative farms including Riverford, Yeo Valley, Belvoir and the Michelin-starred Cumbrian restaurant, L’Enclume. For The Love of the Land II features a delicious range of recipes, from British meats to knockout vegetarian dishes and irresistible desserts, as well as fascinating insights into cutting-edge farming practices that put conservation and sustainability at the forefront of our food production. Suitable for home cooks of any skill level, this book is also the perfect read for anyone who is interested in where their food comes from.

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The Vita Nuova, with its unusual blend of prose and poetry, is universally recognized as Dante’s early masterpiece and provides an indispensable prequel to The Divine Comedy. Set in thirteenth-century Florence, part autobiography and part religious allegory, it traces Dante’s quest to find a poetic idiom worthy of Beatrice, whom he had loved since boyhood. Her premature death plunges him into an emotional turmoil that finds release only through his faith in her continuing spiritual influence and through his determination “to write of her what has never been written of any woman”. The Vita Nuova remains a central document in European culture’s examination of love and the self. It is a hundred and fifty years since Dante Gabriel Rossetti’s groundbreaking version of the Vita Nuova. Now Anthony Mortimer, already acclaimed as translator of Cavalcanti, Petrarch and Michelangelo, produces a verse translation that avoids Rossetti’s disturbing archaisms but preserves a lyric immediacy worthy of the original. This is a Vita Nuova for the twenty-first century.

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“Nothing compares to the Alps” wrote the great French historian Jules Michelet in 1868. At the very heart of Europe, the gigantic Alpine mountain range includes some of the most grandiose natural sites in the world, such as Mont Blanc, the Jungfrau, the Matterhorn, and their glaciers. Tourism began in the late 1800s and grew tremendously over the next centuries, especially with the rise of winter sports. This book offers a charming tour of a bygone era, when the first mountain trains and cog railways were carrying men in lederhosen and women in long dresses to the foot of the glacier, when local guides accompanied tourists riding on mules; a time when the first alpinists were considered mad, and skiers were a curiosity. Through photochromes, photographs, and color postcards of the 19th and 20th centuries, through travel posters and tourist brochures, we cross passes such as the Mont-Cenis, Simplon, Brenner, and St. Gotthard; climb Mont Blanc, the Eiger, the Wetterhorn, and the Dolomites; marvel at crystal-clear lakes in Switzerland, Italy, Bavaria, and Slovenia; explore Tyrol, the Via Mala, and the Engadin; and spend the winter season at grand hotels in Gstaad, Grindelwald, Davos, St. Moritz, and Cortina. This is a journey dotted with literary quotes by travel writers that evokes these happy days of pristine snow and untouched slopes.

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Considered among the most desirable sports cars ever built, Triumph’s TR series were renowned for their strong performance, rugged construction and iconic styling. Among the ranks of affordable sports cars, these legendary British automobiles introduced a host of innovations, including front disc brakes, independent rear suspensions and petrol injection, making them perennial sales and competition champions. From the stillborn 20TS prototype, Triumph developed the revolutionary TR2, which debuted as the fastest model in its class and spawned the bestselling TR3 and TR3A. With Italianate styling from Giovanni Michelotti, the TR4 and TR4A represented a whole new direction for the range, while the TR5 became a performance standout with its Lucas petrol injection. The evergreen TR6 represented the final chapter for the traditional ‘hairychested’ British roadster, closing the book on one of the most successful families in motoring history. Award-winning historian John Nikas examines the design and development of the various TR models, while also detailing the competition record that made Triumph such a formidable opponent on the track and international rally circuit. With readable and engaging prose set against beautiful colour portraits by Marc Vorgers and rare period photographs, this book provides all the information you need about TR sports cars.

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Entertain in style with Ladies Who Drink, a gloriously glamorous excursion into the world of cocktails. Within these pages, recipes for updated classics like the mojito, cosmopolitan, and old fashioned meet modern concoctions like the strawberry basil margarita, lime shandy, and spicy michelada. This engaging and user-friendly guide is gorgeously illustrated by Anne Keenan Higgins, who brings each cocktail and setting to life with a whimsical array of sipping ladies dressed in to-die-for original fashions. Picture it: a woman in a chartreuse dress drinking a Daiquiri while reading Hemingway's To Have and Have Not; or a woman with a Manhattan in hand wearing a cherry styled fascinator against the backdrop of the New York City skyline.Broken down by occasions like game day, book club, or barbeque, as well as moods like April in Paris, seaside sunset, or Mardi Gras, Ladies Who Drink is filled light-bite food pairing recipes and entertaining ideas perfect for just about any occasion.

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Feminist historians of science and philosophy have shown that during the Italian Renaissance, the profound shift in the concept of nature - from an organic worldview to the scientific - was assisted by the gender metaphor that defined nature as female. In this provocative and groundbreaking book, Mary D. Garrard extends this analysis to the history of art and proposes that the larger shift was both anticipated and mediated by the visual arts. In case studies of such major figures as Brunelleschi, Masaccio, Botticelli, Leonardo da Vinci, Michelangelo, Pontormo, Giorgione, and Titian, Garrard examines the changing relationship of art and nature in the Renaissance, and shows how they were cast by artists and theorists as gendered competitors in a steadily escalating rhetoric.

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As featured in WSJ. Magazine and The Financial Times Welcome to Casa Maria Luigia, Massimo Bottura and Lara Gilmore’s idyllic guest house in the Italian countryside Lara Gilmore and Massimo Bottura – the renowned chef behind three-Michelin-starred restaurant Osteria Francescana – designed Casa Maria Luigia to celebrate the hospitality and wonderful, earthy cuisine of Italy’s Emilia-Romagna region. Their one-of-a-kind guest house boasts not only exquisite food, but gorgeous interiors filled with contemporary art, unique design objects, and an impressive collection of Italian cars and motorcycles. Slow Food, Fast Cars captures the extraordinary sensory and culinary experience of staying at Casa Maria Luigia. Created in close collaboration with Lara and Massimo, the book collects 85 authentic, accessible recipes for breakfasts, brunches, and all-day snacks, including frittatas and focaccias, salads, cakes and pastries, jams and preserves and more. At Casa Maria Luigia the past collides with the contemporary, and home cooks will discover seasonal variations for each recipe, as well as information about the dish’s origins and ingredients. Evocative photography and personal essays tell the fascinating stories behind every element of this magical guest house, from the incredible food to the interior design, cars, vinyl collection, garden, and country landscape.

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The volume is dedicated to the work of Jenny Saville (Cambridge, 1970), one of the greatest contemporary painters and a leading voice in the international art scene. Saville transcends the limits between figurative and abstract, between informal and gestural, managing to transfigure the news into a universal image, which puts the human figure at the center of the history of art. Huge, naked bodies, with a carnal physicality and oppressed by a weight that is more existential than material, Saville is linked to the great European pictorial tradition in constant comparison with the modernism of Willem de Kooning and Cy Twombly and the portraiture of Pablo Picasso and Francis Bacon. Her work also outlines a strong correlation with the masters of the Italian Renaissance, in particular with some of Michelangelo’s great masterpieces. The volume contains a rich catalogue of paintings and drawings from the 1990s to today.

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After thirty years abroad, Jonathan Cox, a Cornishman and former journalist, returns to Cornwall to study at Falmouth University, accompanied by his Swiss wife, Marlis. The Cornwall Sabbatical is a humorous chronicle of their experience as they explore picture-perfect fishing villages and coastal coves and crisscross a granite landscape of rugby posts, old mine stacks and the barely discernible ruins of an ancient Celtic nation. The gritty Cornwall of his childhood has gentrified into one of the most desirable locations in the UK and become a magnet for Michelin restaurants even as sharp inequalities remain. A touching story about a lost way of life, The Cornwall Sabbatical reveals how Cornwall’s unique geology, climate, natural history and position as the end of the known world for much of antiquity has created a pioneering libertarian spirit and distinctive culture that is timeless.

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Painting and sculpture have inspired great poetry, but so also have photography, calligraphy, tapestry and folk art. Included here are poems celebrating Leonardo da Vinci's 'Mona Lisa', Monet's 'Waterlilies' and Grant Wood's 'American Gothic'; well-known poems such as Keats's 'Ode on a Grecian Urn' and Auden's 'Musée de Beaux-Arts', Homer's immortal account of the forging of the Shield of Achilles and Garcia Lorca's breathtaking ode to the surreal paintings of Salvador Dali. Allen Ginsberg writes about Cézanne, E. E. Cummings about Picasso, Billy Collins about Hieronymous Bosch, and Joyce Carol Oates about Edward Hopper. Here too are poems that take on the artists themselves, from Michelangelo and Rembrandt to Georgia O'Keeffe and Andy Warhol. Altogether, this brilliantly curated anthology proves that a picture can be worth a thousand words - or a few very well-chosen ones.

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1608. Michelangelo Merisi da Caravaggio, the greatest Italian painter of his day, is expelled from the Order of the Knights of Malta. Subject to a clandestine hearing, his crime remains a closely guarded secret. 2014. Two bodies are found in a London art gallery - stripped naked, necks bound with wire and legs obscenely contorted. They are twin brothers - successful art dealers - their brutal murder linked to the mysterious disappearance of two paintings by the master Caravaggio. Investigators are confounded, and it falls to art expert Gil Eckhart to identify the killer before he slays again. But as the search for clues takes him from the glamorous skyline of New York to the fetid catacombs of Palermo, Eckhart finds that in the high-stakes world of art, good and evil are often tarred with the same, blood-soaked, brush.

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A notoriously restrictive diet, it can seem the end of exciting food, but Phil uses his Michelin-starred cooking talents and simple, honest ingredients to create dishes that everyone in the family can eat - including the pizza, bread, pasta, cakes and biscuits that you thought you would never enjoy againSince Phil Vickery published his first gluten-free book in 2009, the number of people opting to go gluten-free has risen dramatically - 13% of the UK population now say they avoid gluten; in Finland the number of coeliacs has more than doubled in 20 years and in Italy it has doubled since 2007. . The 175 delicious recipes take their inspiration from cuisines around the world and range from Lasagnette with Asparagus and Tomatoes to Easy Pad Thai Noodles and American-style Pancakes with Pears and Almonds.

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"I had just gotten away from it all, by which I mean all those ordinary, boring things like skyscrapers, cigar-smoking industrialists, linoleum, plastics, television, westerns and marihuana. I had either seen or heard about them. Whether they are good or bad is beside the point..." A nameless graphic designer is haunted by the concentration camp in which he was once interned. Obsessed with his past, as well as Italy's present 'economic miracle' he retreats to a rural villa where he decorates the rooms with "arrows, signs, advertisements"; invents a new, purposefully incomprehensible typeface; and attempts to devise a marketing campaign for stones. Upon finally returning to Milan life becomes even more unbalanced. He loses his job and acquires a mistress whom he soon confuses both with his wife and the memory of the young, Czech woman he abandoned at the end of the war... Known primarily as a screenwriter for Michelangelo Antonioni, Federico Fellini and Andrei Tarkovsky among many others, Tonino Guerra also wrote poetry and fiction. Reissued to mark the centenary of Guerra's birth, and with a new introduction by acclaimed cultural critic Michael Bracewell, Equilibrium remains a relevant, powerful, and intensely visual account of a truly (post-)modern man.

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Make the most of every day and every dollar with Rick Steves! This colorful, compact guidebook is perfect for spending a week or less in Florence:- City walks and tours: Five detailed tours and walks showcase Florence's essential sights, including the Uffizi Gallery, the Duomo, and Michelangelo's David at the Accademia, plus specific recommendations for each neighborhood- Rick's strategic advice on what's worth your time and money- What to eat and where to stay: Sample artisanal gelato, chat with locals over a glass of Chianti, and enjoy the Old-World ambience of a Florentine bed and breakfast- Day-by-day itineraries to help you prioritize your time- A detailed, detachable fold-out map, plus museum and city maps throughout- Full-color, portable, and slim for exploring on the go- Trip-planning practicalities like when to go, how to get around, basic Italian phrases, and moreLightweight yet packed with information on what to do and see, Rick Steves Pocket Florence truly is a tour guide in your pocket.Spending more time in the region? Try Rick Steves Florence & Tuscany.

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For 12 years, the Schwarz Foundation has been organizing regular exhibitions on the island of Samos at Art Space Pythagorion as well as the Samos Young Artists Festival. Due to its location on the Greek–Turkish border, Samos symbolizes one of the most pressing humanitarian issues of our time: Migrants crossing the Mediterranean Sea, geopolitical conflicts at the borders of Europe, and the human impact on the oceans around he world. A Decade of Cultural Production presents the work of the Munich-based Schwarz Foundation, whose declared aim is to promote dialogue through music and art. The book highlights how its projects deal with issues of migration, social responsibility and intercultural coexistence. Text by: Fanie Antonelou, Tania Canas, Markellos Chryssicos, Michelangelo Corsaro, Boris Dezulovic, Dorukhan Doruk, Antje Ehmann, Marina Fokidis, Mulo Francel, Caspar Frantz, Konstantia Gourzi, Katerina Gregos, Masha Ilyashov, Alexis Karaiskakis-Nastos, Dimitris Kountouras, Guy Mintus, Ina Niehoff, Wolf-Dietrich Niemeier, Daniel Nodel, Lorenda Ramou, Lenia Safiropoulou, Nikos Tsouchlos, Ioli Tzanetaki, Alexander Ullman, Chiona Xanthopoulou-Schwarz, Nikos Xydakis, Katerina Zacharopoulou

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Natürlich ist Regensburg ein Schwerpunkt und Highlight des Regierungsbezirks Oberpfalz und damit des aktuellen Dehio-Bandes, ein Brennpunkt bayerischer Geschichte seit der Völkerwanderungszeit, Sitz des römischen Legionslagers Castra Regina, bayerischer Herzöge und des immerwährenden Reichstags. Geprägt durch Kirchen und Bürgerhäuser seit dem 12. Jahrhundert, durch die einzigartigen Patriziertürme und die Steinerne Brücke, vermittelt die Stadt immer noch mittelalterliche Lebensweise. Daneben aber zeichnen lokale Zentren wie z.B. Amberg, Sulzbach-Rosenberg, Tirschenreuth oder Weiden ein vielfältiges Bild dieser Kunstlandschaft. Zahlreiche Wallfahrtskirchen, bedeutende Kloster und Pfarrkirchen wie Aufhausen, Chammünster, Endorf, Frauenzell, Maria-Hilf in Freystadt, Heilbrünnl in Roding, Kastl, Michelfeld, Neustadt a. d. Waldnaab, Neukirchen b. Hl. Blut, Trautmannshofen, Walderbach und natürlich die bekannte Kappel und die ehemalige Zisterzienserabtei in Waldsassen, Burgen, Ruinen und Schlösser wie Alteglofsheim, Falkenstein, Fronberg, Leuchtenberg, Speinshart, Sünching, Vohenstrauß, Wörth a. d. Donau – um nur einige wenige aus der großen Zahl herauszugreifen – oder auch das berühmte Nationaldenkmal Walhalla bei Donaustauf machen die Oberpfalz zu einem reichen Entdeckerland.

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Raphael arrived in Rome in 1508 and remained there until his death in 1520, working as painter and architect for popes Julius II and Leo X and for the most prestigious patrons. Here the artist changed his painting style several times, looking at the works of Michelangelo, Sebastiano del Piombo and the vast repertoire of ancient painting and sculpture. In the Eternal City Raphael practised architecture for the first time, designing buildings that reflected the models of Antiquity such as the Pantheon, the descriptions deriving from written sources such as Vitruvius' treaty on architecture, and the examples of modern architects like Donato Bramante. This guide supplies essential and up to date information on all the civil or religious buildings designed or built by Raphael in Rome, and the frescoes and paintings, housed in churches or museums, whether executed in the city or arrived there at a later stage.

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With more than 300,000 built, the Spitfire is the bestselling Triumph sports car model ever produced. As the values of Spitfires have risen significantly in recent years, interest in these affordable sports cars has also increased. This concise but comprehensive book is therefore the ideal guide for those who want to read about the history and development of the iconic Triumph Spitfire. Introduced at the London Motor Show in 1962, the Spitfire was designed to compete in the small sports car market against models such as the Austin-Healey Sprite. Based on an adapted Triumph Herald chassis, the Spitfire’s swooping lines were designed by Italian designer Giovanni Michelotti. In this highly readable book, John Nikas describes all the technical and design developments that took the Spitfire through five separate models, from the Spitfire 4 (Mark 1) to the Triumph Spitfire 1500, as well as the competition models.

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This ambitious, wide-ranging study of sexuality, aesthetics, and epistemology covers everything from the aesthetics of war to the works of Caravaggio, Michelangelo, Christopher Marlowe, and Francis Bacon, synthesizing queer theory and psychoanalysis and demonstrating the role of the body and the flesh as both a problem and a promise within the narrative arts.

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The Etruscans were the creators of one of the most highly developed cultures of the pre-Roman Era. Having, at one time, control over a significant part of the Mediterranean, the Etruscans laid the foundation of the city of Rome. They had their own language, which has never been totally decoded, and their art influenced such artists as Michelangelo. While the Etruscans were eventually conquered by the Romans, they left a rich culture behind. The Historical Dictionary of the Etruscans relates the history of this culture, focusing on aspects of their material culture and art history. A chronology, introductory essay, bibliography, appendix of museums and research institutes, and hundreds of cross-referenced dictionary entries on important persons, places, events, and institutions provide an entry into a comparative study of the Etruscans.

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Wilfrid Sellars tackled the difficult problems of reconciling Pittsburgh school–style analytic thought, Husserlian phenomenology, and the Myth of the Given. This collection of essays brings into dialogue the analytic philosophy of Wilfrid Sellars—founder of the Pittsburgh school of thought—and phenomenology, with a special focus on the work of Edmund Husserl. The book’s wide-ranging discussions include the famous Myth of the Given but also more traditional problems in the philosophy of mind and phenomenology such as the status of perception and imagination nature of intentionality concept of motivation relationship between linguistic and nonlinguistic experiences relationship between conceptual and preconceptual experiences Moreover, the volume addresses the conflicts between Sellars’s manifest and scientific images of the world and Husserl’s ontology of the life-world. The volume takes as a point of departure Sellars’s criticism of the Myth of the Given, but only to show the many problems that label obscures. Contributors explain aspects of Sellars’s philosophy vis-à-vis Husserl’s phenomenology, articulating the central problems and solutions of each. The book is a must-read for scholars and students interested in learning more about Sellars and for those comparing Continental and analytic philosophical thought. Contributors Walter Hopp Wolfgang Huemer Roberta Lanfredini Danilo Manca Karl Mertens Antonio Nunziante Jacob Rump Daniele De Santis Michela Summa

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This study is the first to examine the relationship between art and violence in 15th-century Florence, exposing the underbelly of a period more often celebrated for enlightened and progressive ideas. Renaissance Florentines were constantly subjected to the sight of violence, whether in carefully staged rituals of execution or images of the suffering inflicted on Christ. There was nothing new in this culture of pain, unlike the aesthetic of violence that developed towards the end of the 15th century. It emerged in the work of artists such as Piero di Cosimo, Bertoldo di Giovanni, Antonio del Pollaiuolo, and the young Michelangelo. Inspired by the art of antiquity, they painted, engraved, and sculpted images of deadly battles, ultimately normalizing representations of brutal violence. Drawing on work in social and literary history, as well as art history, Scott Nethersole sheds light on the relationship between these Renaissance images, violence, and ideas of artistic invention and authorship.

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In the course of a short and violent life, Michelangelo Merisl da Caravaggio (1571-1610) revolutionised painting, producing a style of shockingly immediate realism that swept through Europe. The impact of his art and personality continue to resonate to this day. Almost everything we know about Caravaggio''s life comes from these three early biographies, which reflect the sometimes horrified fascination that Caravaggio exerted on his contemporaries. Giulio Mancini was Caravaggio''s doctor; Giovanni Baglione a bitter rival and art historian; Giovanni Pietro Bellori the most judicious art historian of the following generation. All three provide a vivid picture of a man whose life reads in part like a thriller, as well as a fascinating window onto a world and habits of seeing that were mercilessly challenged by his art. This edition of Lives of Caravaggio is introduced by the leading expert on the painter, Dr. Helen Langdon, who elucidates the historical and ar

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