Search results for ""thames hudson ltd""

Cecil Beaton (1904–1980) was a man of dazzling charm and style, and his talents were many. In his twenties he recorded London and New York society in needle-sharp words and drawings, and then, at Condé Nast’s insistence, in photographs. The resulting work earned him a place among the great chroniclers of fashion. In this classic book, now in a sumptuous paperback edition after many years out of print, Josephine Ross selects and introduces articles, drawings and photographs by Beaton dating from the 1920s to the 1970s. It includes Beaton’s essays and vignettes on high society and its denizens, as well as such stars of the arts as Greta Garbo, Ralph Richardson, Pablo Picasso and David Hockney. It also reproduces Beaton’s war photographs, drawings and writings, from bombed London to China and the North Africa Desert. Beaton loved Vogue, and his contributions testify to the wit, imagination and professionalism that the man and the magazine always had in common.

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Art + Science Now is a groundbreaking overview of the art being made at the cutting edge of scientific research. The first illustrated book in its field, it shows how some of the world’s most dynamic art is being produced not in museums, galleries and studios but in the laboratory, where artists probe cultural, philosophical and social questions connected with scientific and technological advances. Featuring the work of around 250 artists from the UK, Germany, France, the Netherlands, the USA, Japan and elsewhere, it presents a broad range of projects, from body art to bioengineering of plants and insects, from music, dance and computer-controlled video performances to large-scale visual and sound installations. This comprehensive guide to contemporary art inspired or driven by scientific innovation points to intriguing new directions for the visual arts and traces a key strand in 21st-century aesthetics.

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A 528-page monograph -- conceived as a reschuffled alphabetical dictionary that starts with the letter 'M' on page 311 -- that presents for the first time twenty years of works by M/M (Paris), one of the most emblematic and influential design practices and art partnerships of the twenty-first century. Michaël Amzalag and Mathias Augustyniak originally established M/M (Paris) as a graphic design studio in 1992. Their close associations with the music, fashion and art worldshave led to their becoming one of the most distinctive and acclaimed creative voices of their generation, within graphic design and beyond. Published to mark their twentieth anniversary, this is the definitive monograph. It records hundreds of their mind-blowing projects, each represented in illustrations and photographs and arranged alphabetically from ‘M’ to ‘M’. While print, drawing, photography and an unconventional approach to typography lie at the heart of M/M’s work, they have also produced films, objects or interiors. ‘Our work is about expressing the idea of a dialogue. We transfer elements from fashion to music to art and back again, and keep using different mediums,’ they explain. Each work they produce is unique, but certain elements recur and reverberate — leitmotifs that draw their output, despite its range, into a unified whole. The monograph features collaborations with the finest from a spectrum of creative worlds, including fashion works with the likes of Balenciaga, Calvin Klein, Stella McCartney, Marc Jacobs and Yohji Yamamoto; music works with Benjamin Biolay, Björk, Kanye West and Madonna; magazines such as Vogue Paris, Arena Homme+ or Interview; art projects and exhibitions at the Centre Pompidou, Tate Modern and Guggenheim Museum. Interviews with some of their closest collaborators — such as Björk, Nicolas Ghesquière, Pierre Huyghe, Inez van Lamsweerde & Vinoodh Matadin, Sarah Morris or Glenn O’Brien, as well as Amzalag and Augustyniak themselves, tell M/M’s story. These texts reveal their areas of interest, define their position both within graphic design and beyond and shed new light on the duo’s creative process. Internationally renowned art curator Hans Ulrich Obrist contributes a preface, while contemporary artist Philippe Parreno offers an essay about their joint projects. These multiple conversations and recollections of shared experiences paint an overview of the evolution of the creative world since the early 90s. This ambitious monograph is a rare document and unparalleled insight into the work and minds of Europe’s most thoughtful and influential image-makers.

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Now available in paperback, this Chronicle documents the lives of tsars famous and infamous in a lively series of biographical portraits stretching from the late 15th to the early 20th centuries. With its comprehensive timelines, datafiles, quotations and stunning illustrations, Chronicle of the Russian Tsars is at once an absorbing narrative history and an essential work of reference that brings to life a powerful empire and distinctive civilization whose impact on the history of Europe and the world is immeasurable.

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This bumper edition of Aidan Meehan’s practical guides to the art and design of the Celts brings together three of his bestselling titles, A Beginner’s Manual, Knotwork and Illuminated Letters. This practical, step-by-step manual provides an invaluable, comprehensive source of instruction and inspiration for artists, designers and craftspeople of all kinds.

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How do we see art? How is it displayed? One hundred years ago, art was shown in a way intended to educate. Galleries reflected the curator’s view of history at the expense of differing opinions. Today, not only do museums and galleries celebrate these differences of expression, they also welcome the collaboration of living artists, promoting an active dialogue between the present and the past. Galleries and museums are no longer just repositories. They are sites of experience where the mind is often engaged as much as the eye. Here, Nicholas Serota presents a coherent historical account of changing attitudes to the way art is presented in the modern museum, examining the relationship between the artist, the public and the curator. He takes us into the artist's studio - itself a paradigm of display - and then on a knowledgeable and wide-ranging international tour of museums, galleries and installations, offering authoritative insights into the ways in which the display of art is likely to develop in the 21st century.

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Is colour just a physiological phenomenon? Does it have an effect on feelings? This vividly written book, the sequel to the award-winning Colour and Culture, is ultimately informed by the conviction that the meaning of colour lies in the particular historical context in which it is experienced and interpreted. John Gage explores the mysteries of themes as diverse as the optical mixing techniques implicit in mosaic, colour-languages in Latin America at the time of the Spanish Conquest and the ideas of Goethe and Runge, Blake and Turner. For students and lecturers in the history of art and culture, for artists and designers, and for psychologists and scientists with a special interest in the subject, John Gage has produced a compelling study of the meaning of colour through the ages.

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'Exquisitely written and lavishly illustrated, this delightful book brings five centuries of Ottoman culture to life. Diana Darke constantly amazes the reader with fascinating facts and points of relevance between the Ottoman past and the present day' - Eugene Rogan, author of The Fall of the Ottomans A richly illustrated guide to the Ottoman Empire, 100 years since its dissolution, unravelling its complex cultural legacy and profound impact on Europe, North Africa and the Middle East. At its height, the Ottoman Empire spread from Yemen to the gates of Vienna. Western perceptions of the Ottomans have often been distorted by Orientalism, characterizing their rule as oppressive and destructive, while seeing their culture as exotic and incomprehensible. Based on a lifetime’s experience of living and working across its former provinces, Diana Darke offers a unique overview of the Ottoman Empire’s cultural legacy one century after its dissolution. She uncovers a vibrant, sophisticated civilization that embraced both arts and sciences, whilst welcoming refugees from all ethnicities and religions, notably Christians and Jews. Darke celebrates the culture of the Ottoman Empire, from its aesthetics and architecture to its scientific and medical innovations, including the first vaccinations. She investigates the crucial role that commerce and trade played in supporting the empire and increasing its cultural reach, highlighting the significant role of women, as well as the diverse religious values, literary and musical traditions that proliferated through the empire. Beautifully illustrated with manuscripts, miniatures, paintings and photographs, The Ottomans: A Cultural Legacy presents the magnificent achievements of an empire that lasted over 600 years and encompassed Asian, European and African cultures, shedding new light on its complex legacy.

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A clear, concise and detailed analysis of the eclectic and beautiful visual and material culture of Catholicism. Focusing on a carefully curated selection of Catholic art and artefacts, this book explains the meaning of the iconography and the mystic power of the faith's ritual objects. A wealth of often hidden symbols are identified and examined close up, building into a catalogue of key visual symbols for readers to use to interpret all Catholic visual and material culture. The book is organized into three parts - Tenet, Locus and Spiritus - each containing three themed chapters. The first part introduces the centrepieces of the faith, explaining the symbolism in the artistic representation of the holy family, apostles and saints, and in stories from scripture. The second part examines places of worship, identifying the constituent parts of the cathedral and presenting evocative images of roadside shrines. The third part explores celebrations and traditions, including personal devotional tools and jewelry. For each of the nine themed chapters, illustrated introductory text is followed by a spread-by-spread presentation of the key figures, the key stories and the key iconography relevant to each theme. Paintings and artefacts are examined in detail, identifying and explaining the symbolism and the stories depicted in each. As the book progresses, readers will build up knowledge of the entire Catholic visual code - the symbols that define Catholic practice, the attributes of the saints, the parts of the cathedral - allowing them to interpret Catholic imagery and objects wherever they find them and to understand the tenets, sites and rituals of the faith.

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The history of selling sex is a hidden one, its practitioners a ‘damnable crew’ pushed to the margins of history. Harlots, Whores & Hackabouts redresses the balance, revealing the history of sex for sale, from medieval back street to Wild West saloon, and from the brothel to state bedroom. This enthralling history is brought to life by Kate Lister’s witty and authoritative text, and illuminated by a rich archive of photographs, artworks and objects. Structured thematically in broadly chronological order, the book introduces a lively cast of complex and entertaining characters operating in an array of different periods and settings. The Mesopotamian harlot Shamhat was powerful and respected, able to civilize the wild man Enkidu through her charms. In medieval London Elizabeth Moryng serviced clergy under the guise of an embroidery business, though was eventually jailed for being a prolific procuress and bawd. In Renaissance Venice the courtesan Veronica Franco published her poetry, rubbed shoulders with royalty and founded a charity for other courtesans. In the hedonistic floating world of Edo, Japan, kabuki actresses and then geishas entertained and pleasured their patrons. Three men were hanged in 18th-century London for buggery after being found in the Molly House of Margaret Clap. And at the turn of the century, in New Orleans, Lulu White ran Mahogany Hall, a four-storey building that housed up to forty sex workers. Lister’s illuminating tales invite readers to look, listen and reconsider everything they thought they knew about the world’s oldest profession.With 450 illustrations in colour

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Lose yourself in the vast sewer networks that lie beneath the world’s great cities – past and present. Let detailed archival plans, maps and photographs guide you through these subterranean labyrinths – previously accessible only to their builders, engineers and, perhaps, the odd rogue explorer. This execrable exploration traces the evolution of waste management from the ingenious infra-structures of the ancient world to the seeping cesspits and festering open sewers of the medieval period. It investigates and celebrates the work of the civil engineers whose pioneering integrated sewer systems brought to a close the devastating cholera epidemics of the mid-19th century and continue to serve a vastly increased population today. And let’s not forget those giant fatbergs clogging our underground arteries, or the storm-surge super-structures of tomorrow.

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This book, by Britain’s most distinguished historian of ancient Greek art, recounts the influence of Greek communities and their culture through Central Asia, India and Western China, from the Bronze Age through to the rise of Islam. Boardman examines a wealth of art and artifacts as well as literary sources to reveal the remarkable influence of Greek culture upon peoples – Anatolians, Levantines, Persians, Asiatics, Indians, Chinese – whose settled civilizations were far older, with their own strong traditions in life, government and the arts. The Greeks were not empire-builders. They did not seek to conquer or rule. However, they were highly literate and adept at trade; they spread a monetary economy through Eurasia; their religion was easily adapted to that of others; their art developed a form of narrative that was to be dominant for centuries to come; and their poets and philosophers were widely respected outside their homeland. As Boardman notes, ‘They are an odd phenomenon in world history. Through their travels they came to leave a very distinctive imprint on the lives and arts of many distant peoples, and over centuries, some to the present day'.

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In this tour de force of original cultural history, Paul Koudounaris takes the reader on an unprecedented international tour of macabre and devotional architectural masterpieces in nearly 20 countries. This is the first book to bring together the world’s most important charnel sites, ranging from the crypts of the Capuchin monasteries in Italy and the skull-encrusted columns of the ossuary in Évora in Portugal, to the strange tomb of a 1960s wealthy Peruvian nobleman decorated with the exhumed skeletons of his Spanish ancestors. Illustrated with specially taken photographs of sites rarely open to the public and forgotten archive images of others long destroyed, this mesmerising, shocking and deeply moving book is an essential memento mori for our modern age.

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From the origins of urbanization in Mesopotamia to the global metropolises of today, great cities have marked the development of human civilization. The Great Cities in History tells their stories, from Uruk and Memphis to Tokyo and São Paulo. A galaxy of distinguished contributors evoke the character of each place – its people, its art and architecture, its government – and explain the reasons for its success. Richly illustrated with photographs, paintings, maps and plans, this volume is nothing less that a portrait of world civilization.

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What is a true 1950s look, as opposed to a 1930s or 1940s look? This book aims to address that question by thoroughly surveying the development of graphic design over the course of the 20th century. Timelines for each decade highlight key moments, styles and movements, while profiles of thirty influential graphic designers – three per decade – are interspersed throughout the book.

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The joy that permeates Renoir’s paintings was created by a complicated person. Even close friends and family members were often baffled by the multi-faceted and contradictory artist. Having known Renoir for over twenty years, Camille Pissarro complained in a letter to his son Lucien: ‘Nor can I understand Renoir’s mind – but who can fathom the most changeable of men?’ Here, the world’s leading authority on the life and work of Auguste Renoir presents an intimate biography of this great Impressionist artist. Her narrative is interspersed with over a thousand extracts from letters by, to, and about Renoir, of which 452 come from unpublished letters. Through these words, the reader gains direct contact with Renoir, as an artist, friend and father. Renoir became hugely popular despite great obstacles: thirty years of poverty followed by thirty years of progressive paralysis of his fingers. Close friendships with scores of people who helped him with money, contacts and companionship enabled him to overcome these challenges to create more than 4,000 optimistic, life-affirming paintings. Barbara Ehrlich White brings a lifetime of research to bear in her biography to provide an unparalleled and intimate portrait of this complex artist.

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This delighful children’s book is a wonderful introduction to Picasso. It tells the true story of Antony Penrose – son of the photographer Lee Miller and the painter and writer Roland Penrose – and his childhood friendship with the great artist. Some sixty-five enchanting illustrations accompany the text, including Picasso’s most appealing artworks, plus evocative archive photography by Lee Miller. An inspiring look at the creative practices of an artist, this is an illustrated book to enthral and inspire young art fans of four and over.

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Vever’s La Bijouterie Française au XIXem Siècle was first published in France between 1906–08: it has been the bible of all jewelry experts, buyers, sellers, scholars and historians ever since. Only 1,000 copies were originally produced, and it has been out of print for many years, appearing only rarely in the auction houses where it fetches very large sums. This volume – the first ever complete translation into English – includes over 1400 illustrations: photographs, sketches for jewels and prints from fashion magazines. 136 colour photographs of jewels now in the Musée des Arts Decoratifs are new to this edition. All the great and now more obscure jewelers are included in the text and illustrations: Alphonse Fouquet, Boucheron, Falize, Froment-Maurice, Cartier, Chaumet, Georges Fouquet, Gaillard, Vever, Lalique, and many many more. The discussion in the text is not only of the individual jewels and types of jewelry, but also includes many entertaining anecdotes about the jewelers' relations with their customers and with society in general. Being himself a jeweler, Henri Vever was able to talk personally with all the people he writes about (or their followers), so the book has an unusual degree of authority.

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Hogarth was one of the great 18th-century painters, a marvellous colourist and innovator at all levels of artistic expression. Art historian David Bindman surveys the works of this artist whose wry humour and sharp wit were reflected in his prolific paintings and prints including The Rake’s Progress and Marriage-A-la-Mode. Hogarth was also a master of pictorial satire, highlighting the moral and political hypocrisies of the day with delightful detail and comedy – themes that resonate deeply with our times. The artist was a keen observer of class and society; this new edition has been specially updated to include a discussion of Hogarth’s many representations of Black people in 18th-century Britain, a subject that has long been overlooked. Now revised with additional material and illustrated in colour throughout, this is a vivid and incisive study of the man and his art. With 172 illustrations in colour

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Few British artists have ever achieved such a wide range of style in oil painting, watercolour, drawing and engraving as J. M. W. Turner. He had a precocious gift that was developed over a lifetime of experiment and innovation. This classic book in the World of Art series traces the artist’s career – from youthful pictureseque views and watercolours of ‘Gothic’ ruins to the romantic landscape and historical compositions of his maturity, and the astonishing art of his later years. In these late paintings Turner’s tragic sense of life is stated most profoundly and the work was unintelligible to his contemporaries – but his reputation as the greatest British painter now rests on our understanding of these as pioneering explorations of abstraction, prefiguring the art of the 20th century. Graham Reynolds weaves together the artist’s biography with sensitive criticism of his work, through all phases of his career, in this classic work – first published in 1969 – that has long served as an outstanding introduction to Turner’s life and art. It has now been revised and updated by the curator of the Turner Bequest at Tate, David Blayney Brown, to reflect recent discoveries and interpretations, and the illustrations are in full colour for the first time. It will serve as the best available study of this perennially popular artist for a new generation of readers.

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From the momentus invention of the needle some 40,000 years ago to the development of blue denim, from Neolithic weavers to the biggest names in the fashion industry today – this classic guide covers the landmarks of costume history, the forms and materials used through the ages, the underlying motives of fashion and the ways in which clothes have been used to protect, to express identity, and to attract or to influence others. This sixth edition features a new foreword and concluding chapter by Amy de la Haye. The book is brought right up to date with a discussion about the major political shifts within the fashion industry, highlighting how it has responded to issues surrounding racism and sexism; LGBTQI rights; mental health awareness; body and age diversity and global sustainability.

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Acting, direction, stagecraft, theatre architecture and design, the extraordinary evolution of dramatic literature – here is an all-embracing and richly illustrated history, global in scope and ranging from the ancient origins of the theatre in the choral hymns sung around the altar of Dionysus to the fascinating variety of forms that it has taken in our own age. For this fourth edition, Enoch Brater, Kenneth T. Rowe Professor of Dramatic Literature at the University of Michigan and a specialist on modern and contemporary drama, has revised and extended his final chapter to update the discussion. He surveys performance art, political theatre, new genres, live broadcasts and extravagant spectacles, showcasing the constant and dynamic evolution of stage performance, from classics reinvented to groundbreaking new work.

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This new interpretive history of Mexican art and architecture from the Spanish Conquest to the early decades of the 21st century is the most comprehensive introduction to the subject in fifty years. James Oles ranges widely across media and genres, offering new readings of paintings, murals, sculptures, buildings, prints and photographs. He interprets major works by such famous artists as Diego Rivera and Frida Kahlo, but also discusses less familiar figures who were equally important in the construction of national identity. The story of Mexican art is set in its rich historical context by the book’s treatment of political and social change. The author draws on recent scholarship to examine crucial issues of race, class and gender, including an exploration of the work of indigenous artists during the colonial period, and of women artists in the 19th and 20th centuries. Throughout, Oles shows how artists in Mexico participated in local and international developments, and highlights the important role played by Mexicans in the art world of the last five centuries.

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New in the renowned World of Art series, this is a concise, reliable introduction to the history of American art and architecture from its 17th-century colonial beginnings to the latest installation and video work. Structured chronologically, the book not only discusses all the key artists and architects, art works and buildings, but also succinctly defines the characteristics of the different periods. Lewis charts the way American artists and architects have both adopted and diverged from earlier European models to create a language of their own, and shows how that language has come to dominate the world.

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A SUNDAY TIMES BESTSELLER‘We have lost touch with nature, rather foolishly as we are a part of it, not outside it. This will in time be over and then what? What have we learned?... The only real things in life are food and love, in that order, just like [for] our little dog Ruby... and the source of art is love. I love life.’ DAVID HOCKNEY Praise for Spring Cannot be Cancelled: 'This book is not so much a celebration of spring as a springboard for ideas about art, space, time and light. It is scholarly, thoughtful and provoking' The Times 'Lavishly illustrated… Gayford is a thoughtfully attentive critic with a capacious frame of reference' Guardian 'Hockney and Gayford’s exchanges are infused with their deep knowledge of the history of art … This is a charming book, and ideal for lockdown because it teaches you to look harder at the things around you’ Lynn Barber,The Spectator 'Designed to underscore [Hockney’s] original message of hope, and to further explore how art can gladden and invigorate ... meanders amiably from Rembrandt, to the pleasure principle, andouillette sausages and, naturally, to spring' Daily Telegraph On turning eighty, David Hockney sought out rustic tranquillity for the first time: a place to watch the sunset and the change of the seasons; a place to keep the madness of the world at bay. So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art. Spring Cannot be Cancelled is an uplifting manifesto that affirms art’s capacity to divert and inspire. It is based on a wealth of new conversations and correspondence between Hockney and the art critic Martin Gayford, his long-time friend and collaborator. Their exchanges are illustrated by a selection of Hockney’s new, unpublished Normandy iPad drawings and paintings alongside works by van Gogh, Monet, Bruegel, and others. We see how Hockney is propelled ever forward by his infectious enthusiasms and sense of wonder. A lifelong contrarian, he has been in the public eye for sixty years, yet remains entirely unconcerned by the view of critics or even history. He is utterly absorbed by his four acres of northern France and by the themes that have fascinated him for decades: light, colour, space, perception, water, trees. He has much to teach us, not only about how to see... but about how to live. With 142 illustrations in colour

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Giorgio Vasari’s The Lives of the Most Famous Painters, Sculptors and Architects (1550 and 1568) is a classic of cultural history. A monumental assembly of artists’ lives from Giotto to Michelangelo, it paints a vivid picture of the progress of art in the hands of individual masters. This illustrated standalone edition of Vasari’s Life of Raphael offers a new translation of this rich and remarkable ‘Life’, elegantly rendering Vasari’s literary text in modern terms. A work of authoritative skill and precision, the translation preserves Vasari’s compelling narrative, while beautifully reproduced illustrations bring it newly to life. Editors Paul Joannides and Rick Scorza bring together the original and expanded Italian editions of 1550 and 1568, with succinct commentary drawing upon their expert knowledge of Raphael’s career.

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The bold, distinctive style of Paula Rego’s paintings has acquired for her not only an ever-increasing critical reputation but also an unusually large and enthusiastic following. Her be-ribboned little-girl heroines and fairy-tale characters seem firmly rooted in childhood, yet the innocence of this art is darkened by the underlying themes of power, domination and rebellion, sexuality and gender, that run through her work. Here Rego has turned to the nursery rhyme as a source for her imagery. It is a genre that perfectly complements her art; full of double meanings, rhymes are written from a child’s perspective but are open to adult interpretation. Twenty-six well-known nursery rhymes are accompanied by a series of etchings which she has executed spontaneously as a child might, drawing directly on the plate without preparatory planning. Following the traditions of earlier artists such as Beatrix Potter, she treats the fantastic realistically, dressing animals in human costume and using dream-like dislocations of scale. These are wonderfully comic and rich illustrations with a hint of the sinister, that turn classic nursery rhymes into colourful stories about folly and delusion, cruelty, convention and sex.

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Noma Bar’s innovative, playful style has made him one of the most sought-after illustrators working today, with a broad range of commissions from magazines and newspapers – including Empire, the New York Times, Wired, the Guardian and Time Out – and numerous private and advertising clients. His use of negative space and minimalist forms creates images with multiple readings that can delight and shock in equal measure. Each of Bar’s illustrations tells a story that is hidden in the details, with the message revealing itself as you look more closely. Noma Bar has handpicked his most iconic illustrations and favourite works, each one displaying the distinctive style that has established his reputation. The works are organized into thematic chapters such as ‘Pretty Ugly’ (portraits), ‘In Out’ (sex), ‘Life Death’ (conflict), and ‘Less More’ (daily life). Alongside the images, Bar reveals his working methods and the stories behind his often idiosyncratic inspiration for different illustrations, and reflects on how his life experiences have shaped him as an artist. As a collection, the whole is much greater than the sum of these many, many-layered parts. It is destined to become a must-have reference source for all professionals in the worlds of graphic design and illustration, while also being an enthralling treasury for any follower of visual and popular culture. This limited, slipcased edition includes an exclusive screen print. One copy in this release of 1000 copies contains a one-of-a-kind gold-leaf print.

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Bill Viola began producing video works in the early 1970s, and since then has captivated audiences with his poignant and beautifully wrought interpretations of human experience. He is today considered among the most celebrated proponents of the medium of video art. This is the first monograph to chart Viola’s career in full, covering his education in New York, his earliest major films of mirages in the Sahara desert and of hospital medical imagery, his retrospective at the Whitney Museum of American Art in New York 1997 and his recent installations in Venice, New York, Tokyo, London and Berlin. Hanhardt outlines the key visual, literary and spiritual influences on Viola’s work and his changing approach to the medium of film in response to technological advancement. Woven into the discussion are illustrations of Viola’s most significant works, including Information (1973), The Passing, (1991), The Greeting (1995), Going Forth by Day (2002) and Martyrs, the 2014 film commissioned for St Paul’s Cathedral in London, as well as reproductions of Viola’s sketches and notebooks that bring his working process to life. Supplemented by a select chronology, bibliography and list of public collections, Bill Viola offers a rare and fascinating account of one of contemporary art’s most powerful creative minds.

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Since taking their first steps on this planet, humans have changed the environment around them. Anthropocene: A New Introduction to World Prehistory tells the comprehensive story of human prehistory through the lens of anthropogenic environmental change. Each chapter explains how and why ancient humans transformed the Earth, linking prehistory to today’s greatest global challenge. As they explore this record of the world’s early people and societies, authors Joy McCorriston and Julie Field reject the traditional account of cultural evolution, instead presenting a thematic organization that highlights our Anthropocene narrative. Chapters are devoted to cities and agriculture, but also to such topics as technology, extinction, food production, writing and extractivism. Chapter 9, ‘Individuals and Identity,’ considers human identity and agency in more recent eras, and the book ends with a contemporary chapter that takes a hopeful look at the future.

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This authoritative, highly readable textbook offers a complete survey of the history of Rome from its origins, through the Republic and Empire, to the period of its decline and fall, ending with the emergence of Mohammed in the 6th century. Written by a historian with an international reputation, the book incorporates the most recent scholarship and archaeological evidence. It describes the key events in Roman history, and offers fascinating insights into Roman life and culture as they changed and developed over the centuries.

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Mark D. Fullerton blends the art of the Roman period with its history of political intrigue, military and religious ideologies, and intercultural interaction. The book not only explores the art of Rome itself but also that of the Roman provinces, including Syria, Egypt, Algeria, Greece and the British Isles, showing how Roman art drew from and influenced the wider ancient world. Each of the book’s four parts opens with a timeline and historical overview, allowing the reader to better understand how the art relates to the political and social lives of the people of ancient Rome. Individual chapters begin with a map of Rome, illustrating how the city changed over centuries of rebuilding and reimagining. With an introduction, ‘What Is Roman about Roman Art?’, and ‘Materials and Techniques’ features on the artistic innovations introduced by the Romans, such as concrete, linear and atmospheric perspective, and mosaic, the book explores how Roman influences still affect the art and architectural world today.

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The award-winning Magnum photographer turns his lens on his homeland, Belgium. Born in Belgium in 1941, Harry Gruyaert was one of the first European photographers to take advantage of colour, following in the footsteps of US pioneers like William Eggleston and Stephen Shore. Heavily influenced by Pop Art, his dense compositions are known for weaving together texture, light, colour and architecture to create filmic, jewel-hued tableaux. As a result, they often seem closer to painting than to photography. Although his wanderlust has taken him to many exotic locations, Gruyaert has frequently returned to his country of birth. Here, in the homeland that he had considered so desolate in his younger years, he found an unexpected beauty. Urban lighting, neon storefronts, glimpses behind suburban dwellings, passers-by wandering drunkenly home, ports that never sleep, countryside with seemingly infinite horizons: his lens captures the singularity of his nation, portraying everyday life

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T.J. Clark offers profound insights on Bruegel's art, where we encounter a reality formed from wholly worldly materials, yet suspended between belief and disbelief.

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Available again, a major monograph on the legendary US typographer and graphic designer Herb Lubalin. One of the original Mad Men, Herb Lubalin (19181981) was a giant of American design and typography whose passion for rebellion and innovation made him one of the most successful art directors of the 20th century and beyond. He is perhaps most recognized for his typeface Avant Garde, but his reach extended far and wide. A constant boundary breaker on both a visual and social level, he was a co-creator of the culture-shocking magazines Avant-Garde, Eros and Fact, and founder of the equally influential U&lc. Herb Lubalin: American Graphic Designer features hundreds of examples of Lubalin's work and previously unseen photographs of him at work and play. Divided into sections on his work in advertising, typography and editorial, it also features an extensive biographical text by Adrian Shaughnessy that includes interviews with George Lois, Seymour Chwast, Alan Peckolick, Carl Fische

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'Hettie Judah's enthralling and important book expands a male-centred art history to include mothers as subjects and symbols, makers and myths' Jennifer Higgie 'One of the most electrifying and important books I have ever read. Hettie Judah takes us on a rich, comprehensive, generative, beautifully written journey through the works of art that have made the invisibility of real motherhood and maternal subjectivity visible. Every sentence and work crackles and sparks. I didn't want it to end. Stunning, urgent and extremely inspiring. We all need this book' Lucy Jones, author of Matrescence 'An important and eye-opening book grounded in Judah's extensive experience and research. I knew some artists in this book already, but didn't know many others, and this is a book I will keep close and refer to time and time again. As a writer and as a mother, this is personal too. It is time motherhood comes out of the margins and we see, hear and talk about the extensive invisible labour, joy, pai

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A concise compendium of the lives and work of the 101 most significant Surrealists by one of the last surviving members of the movement, bestselling author and artist Desmond Morris, who knew several of the key participants personally. 2024 marks the centenary of Surrealism, one of the most influential artistic movements of the modern era. In 1924, André Breton wrote the Surrealist Manifesto, a call to arms which established Surrealism as a literary and artistic movement. Rather than attempting to analyse the work of the Surrealists, bestselling author and Surrealist artist Desmond Morris focuses on them as remarkable individuals. What were their personalities, their predilections, their character strengths and flaws? Did they enjoy a social life or were they loners? Were they bold eccentrics or timid recluses? Featuring 101 artists, from the famous Duchamp, Dali, Magritte, Miro, Carrington, Kahlo, Picabia, Ernst and others to the neglected Mesens, Rimmington, Sage, Fini, Bellm

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The remarkable stories of beloved pets from the famous and unusual to the everyday memorialized at burial sites around the world, accompanied by a rich selection of archival photos and the author's evocative images of their final resting places. When a little dog named Cherry died in 1881, his owners arranged for a grave in a nearby gatekeeper's garden in London. At this time, the idea that a pet, even one that had lived as a family member, might be given a dignified burial was considered comical. But when other pet owners, likewise determined to memorialize their companion animals, followed suit, the world's first urban pet cemetery was born. More soon followed across Europe, the United States, and then the rest of the world, resulting in a revolution in the way we consider animals. Faithful unto Death tells the stories of people who gave their hearts to a disparate variety of species, yet were all united in one common belief: that the reward at death for a faithful animal compa

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A new selection from Philip Hughes' unpublished notebooks going back over twenty-five years. In an astonishing collection of twenty-seven notebooks created over a quarter of a century, Philip Hughes has sought to capture the spirit of a place: its geological structure, its relationship with the surrounding landscape, and its occasional signs of human intervention. These painterly but topographically precise notebooks record moments when the artist has been moved to draw what he can see, whether from the shelter of a standing stone in Orkney, Scotland, from the air over the Simpson desert in Australia, or from a postal boat sailing through the Norwegian fjords. Pieced together by Hughes himself from over a thousand drawings, this is a logbook of momentary observations. Some are swift sketches of fields or horizons, others are slower studies of lichen and flowers in Antarctica, or lines of quartz in granite in Cornwall. The depth of feeling and knowledge Hughes has for differ

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A clear, concise and detailed historical analysis of the eclectic and arcane visual and material culture of the occult. Focusing on a carefully curated selection of esoteric art and artefacts, this book explains the meaning and mystic power of occult ritual objects and symbols from around the world. The author identifies four key elements of occultism mysticism, alchemy, magic and divination. Key symbols are identified and examined close up, and key rituals and practices are explained to provide new insights into the philosophies and beliefs of occultists from antiquity to today. Occult begins with an introduction that clarifies what we mean by occult'. It traces the pre-Christian origins of esotericism in Hermeticism, Gnosticism and Neoplatonism, and its development as the occult sciences during the Renaissance to its rebirth in the 19th century with spiritualism, theosophy and the Hermetic Order of the Golden Dawn and the 20th-century's anthroposophy, New Age' and occulture m

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A captivating photographic odyssey spanning fashion, Hollywood and travel, this is the first publication in almost 40 years on the work of George Hoyningen-Huene, the photographer whose images defined an era. Baron George Hoyningen-Huene (19001968), known simply as Huene, worked during the golden age of couture fashion and Hollywood cinema. He was born in St Petersburg to a wealthy family, but they had to flee their home during the Russian revolution in 1917. Huene spent time in England before moving to Paris, where he was employed to create photographs for Vogue and Vanity Fair and rapidly established himself as a visual innovator, fusing elements of neoclassicism and surrealism to create chic, arresting images. In 1935, Huene joined Harper's Bazaar magazine, where he remained a contributor until 1946, following which he settled in California and embarked on a second career as a colour coordinator for Hollywood films. Supported by an international exhibition opening at Chanel Ne

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A stylish and beautifully crafted celebration of LV’s Tambour watch, a masterpiece of modern design and technical innovation. Published to mark the twentieth anniversary of Louis Vuitton’s entrance into the field of luxury watchmaking, this landmark volume tells the audacious tale of the Maison’s renowned Tambour watches. With the goal of creating uniquely stylish timepieces, yet not succumbing to ephemeral fashion, the Maison brought together the most skilled craftspeople in the Swiss tradition of fine watchmaking to work at La Fabrique du Temps Louis Vuitton, the Geneva watchmakers behind the brand’s reputation for excellence. In a display of creative freedom matched only by the Maison’s own glamour and dynamic drive, Louis Vuitton launched the Tambour watch in 2002, which became the triumphant result of this distinctive approach. Essays by journalist and luxury watch expert Fabienne Reybaud explore the creative origins of the Tambour design and the history of Louis Vuitton watches, along with the precision work of La Fabrique du Temps. A catalogue of major models and exclusive insights from watch specialists make this a useful resource for collectors and connoisseurs. With more than 350 illustrations and a lavish design, this book is a beautiful object in its own right, for all lovers of luxury accessories and the Louis Vuitton lifestyle.

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The essential guide to the world of Aztec mythology, based on Nahuatl-language sources that challenge the colonial history passed down to us by the Spanish. How did the jaguar get his spots? What happened to the four suns that came before our own? Where was Aztlan, mythical homeland of the Aztecs? For decades, the popular image of the Mexica people better known today as the Aztecs has been defined by the Spaniards who conquered them. Their salacious stories of pet snakes, human sacrifice and towering skull racks have masked a complex world of religious belief. To reveal the rich mythic tapestry of the Aztecs, Camilla Townsend returns to the original tales, told at the fireside by generations of Indigenous Nahuatl-speakers. Through their voices we learn the contested histories of the Mexica and their neighbours in the Valley of Mexico the foundations of great cities, the making and breaking of political alliances, the meddling of sometimes bloodthirsty gods and understand mo

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The first major publication on the life and work of America’s celebrated mid-century modern graphic designer. Rudolph de Harak (1924–2002) is one of the most influential modern graphic designers of the mid-20th century. This beautifully produced, comprehensive monograph is the first and only major publication devoted to this fascinating and significant figure and provides an in-depth account of de Harak’s life and work. From his early years in Los Angeles to his success as a design consultant and educator in New York City, de Harak brought huge inventiveness to everything he designed, from record covers to book jackets, from furniture to exhibitions. De Harak’s work was influenced by early modernist masters, such as Will Burtin, György Kepes, Alvin Lustig, and Max Bill, as well as by the rigour, simplicity and rationalism of the International Style, Abstract Expressionism, Op Art and Pop Art. Graphic design guru Steven Heller says, ‘Rudy de Harak is a solid link between American and Swiss modernism. He was an exemplar of minimalist form with a conceptual content. A book on his life and work is sorely needed and long overdue.’ Organized chronologically into six chapters that cover de Harak’s life and career from 1924 through to 2002, each supported by sidebars on the designers, architects and art movements that have influenced his work, Rudolph de Harak Graphic Designer: Rational Simplicity documents de Harak’s pioneering and prolific fifty-year career in graphic design, environment and experiential design, industrial design, furniture design, posters, books and magazines for a wide range of clients, including the Metropolitan Museum of Art, Cummins Engine Company, McGraw-Hill Publishers, and many others.

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A magnificently illustrated showcase of the work of 300 women photographers from all over the world, from the invention of the medium to the dawn of the 21st century. As in many fields of art history, the work of women photographers has often been overlooked, and few of their names are now widely recognized. However, women were closely involved in all major photography movements of the 19th and 20th centuries, and have used the camera as an extraordinary tool for emancipation and experimentation. These are artists who never stopped documenting, questioning and transforming the world, breaking down social boundaries, challenging gender roles and expressing their imagination and sexuality. To capture the diversity of this global body of work, Luce Lebart and Marie Robert have invited 160 international women writers to contribute to this volume, which is a bold and beautifully illustrated manifesto as well as an invaluable work of reference.

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Make to Know: From Spaces of Uncertainty to Creative Discovery will change the way you think about creativity. The book upends popular notions of innate artistic and visionary genius and probes instead the event of discovery that happens through the act of making. In contrast to the classic tale of Michelangelo, who 'saw the angel in the stone', the artists and designers Buchman interviews for this book talk about knowing their work as they engage in the doing. Make to Know explores the revelatory nature of the creative journey itself. As Buchman weaves together the vivid stories of his multiple conversations, we learn about writers of all stripes as they confront creative spaces of uncertainty — 'the blank page'; about visual artists and what they understand from the materials they encounter; about designers and architects and the iterative process of solving problems; and about actors and musicians facing the surprises of improvisational performance. Make to Know is a book that will, ultimately, open a path to your own making, and, in the end, will have significant implications for how you live. Make to Know presents a way of thinking that democratizes creativity and uncovers a process that leads to knowing both one’s work and oneself. It is relevant to anyone interested in why creativity matters.

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A Financial Times Book of the Year 2022A glamorous tribute to Karl Lagerfeld’s highly influential creations for Chanel captured behind the scenes by US Vogue photographer Robert Fairer in beautiful, never-before-seen images. Casting a new light on one of the best-loved chapters in fashion history, Karl Lagerfeld Unseen: The Chanel Years illuminates key Chanel collections and creations from behind the scenes. From discreet client fittings in rue Cambon’s immaculate black-and-beige salons to previously unseen backstage moments that show models, hairdressers, stylists, make-up artists and Karl Lagerfeld himself at work, Robert Fairer’s stunning and high-energy photographs capture the elegance, glamour and spirit that defined Karl Lagerfeld’s shows for Chanel. Texts by Karl Lagerfeld’s collaborators and friends provide a fresh perspective on his creative process and reveal the stories behind the now iconic designs. A treasure trove of inspiration, this publication will be a must-have reference for fashion and photography lovers alike, and for dedicated Chanel fans the world over.

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