Search results for ""jan""

A noble misfit investigates a powerful party figure in 1950s Czechoslovakia. His struggle against blackmail and betrayal leaves him determined to succeed where others have failed. Set in Stalinist Central Europe, GraveLarks is an intellectual thriller navigating the ambiguity between sado-masochism, black humour, political satire, murder and hope.

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Jan and Sim want to play outside in the snow. But they need to get ready first! They find and put on their coats, hats, scarves and boots. Connects to the non-fiction text pair, Winter.

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When Mama and Papa Bear go out for the night, Brother, Sister, and Honey aren't too sad. Why? Because they have Mrs. Grizzle-the best babysitter and storyteller ever! In The Berenstain Bears' Big Bedtime Book, the cubs and Mrs. Grizzle share six of their favorite original bedtime stories.

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Bohemian Jewish culture and literature during the underexamined 1820s to 1880s. This book on Jewish culture and literature focuses on the “quiet” decades of the nineteenth century, a scarcely written-about period of time in Bohemian Jewish history. Using a myriad of sources, including travelers’ accounts, poems, essays, short stories, guides, and newspaper articles, the volume explores Jewish expression, Jewish-Czech relations, and the changing attitudes toward Jews between the 1820s and 1880s. It offers close readings of writers like Karel Havlíćek Borovský, Ján Kollár, Siegfried Kapper, and Jan Neruda, as well as lesser-known authors and sources. Combining skillful sustained analysis, judicious argumentation, and elegant writing, the book is a truly enriching reading experience.

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A humorous, story-based look at getting an ear infectionIt''s music class and the class are busy practising for their end-of-term concert. Jan usually rocks it on the drums, but today his ears hurt and he can''t hear very well. Oh no - Jan has an ear infection!Find out all about some common childhood illnesses in Get Better Soon, from how you catch them to the symptoms, treatment and when you''ll start feeling better. It also tells you how you can avoid getting ill in the first place. For readers aged 5 and up.The author, Anita Ganeri, is an award-winning author of children''s books, with a particular interest in health and PSHE topics.The consultant, Dr Kristina Routh, is a fully qualified medical doctor and specialist in public health.

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Jan and Antonina Zabinski were Polish Christian zookeepers horrified by Nazi racism, who managed to save over three hundred people. Yet their story has fallen between the seams of history. Drawing on Antonina’s diary and other historical sources, best-selling naturalist Diane Ackerman vividly re-creates Antonina’s life as “the zookeeper’s wife,” responsible for her own family, the zoo animals, and their “Guests”—Resistance activists and refugee Jews, many of whom Jan had smuggled from the Warsaw Ghetto. Ironically, the empty zoo cages helped to hide scores of doomed people, who were code-named after the animals whose names they occupied. Others hid in the nooks and crannies of the house itself. Jan led a cell of saboteurs, and the Zabinskis’ young son risked his life carrying food to the Guests, while also tending an eccentric array of creatures in the house. With hidden people having animal names, and pet animals having human names, it’s small wonder the zoo’s codename became “The House Under a Crazy Star.” Yet there is more to this story than a colorful cast. With her exquisite sensitivity to the natural world, Diane Ackerman explores the role of nature in both kindness and savagery, and she unravels the fascinating and disturbing obsession at the core of Nazism: both a worship of nature and its violation, as humans sought to control the genome of the entire planet.

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Nichole N. Bridges is the Morton D. May Curator of the Arts of Africa, Oceania and the Americas at the Saint Louis Art Museum in Missouri. Includes Essays by: Gaëlle Beaujean, Nichole N. Bridges, Kathy Curnow, Jan-Lodewijk Grootaers, Jacky Maniacky, Smooth Nzewi, Emeka Ogboh, Yomi Ola, Nii O. Quarcoopome, Elyse Dianne Schaeffer, Sylvia Sukop.

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From the bestselling, award-winning author of SKELLIG comes a vivid and moving story, beautifully illustrated, which commemorates the hundred-year anniversary of the end of the First World War. "I am just a child," says John. "How can I be at war?"It's 1918, and war is everywhere. John's dad is fighting in the trenches far away in France. His mum works in the munitions factory just along the road. His teacher says that John is fighting, too, that he is at war with enemy children in Germany. One day, in the wild woods outside town, John has an impossible moment: a meeting with a German boy named Jan. John catches a glimpse of a better world, in which children like Jan and himself can come together, and scatter the seeds of peace. Gorgeously illustrated by David Litchfield, this is a book to treasure.

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Fortune 500 leadership advisor and former Green Beret Jan Rutherford and leadership development consultant and former assistant professor at the United States Military Academy Jacquie Jordan have created the ultimate prescriptive handbook on what it takes to design and lead energised and effective teams in an increasingly complex and uncertain global landscape.

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This volume of fifteen essays includes “The Early Greek Poets: Some Interpretations,” by Robert Renehan; “The ‘Sobriety’ of Oedipus: Sophocles OC 100 Misunderstood,” by Albert Henrichs; “Virgil’s Ecphrastic Centerpieces,” by Richard F. Thomas; “Notes on Quintilian,” by D. R. Shackleton Bailey; and “Scapegoat Rituals in Ancient Greece,” by Jan Bremmer.

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The intricate relation between images and education is an old issue that can easily be dated back to the rise of modernity. Ever since, it has been argued that images might on one hand assist teachers in raising the new generation, but on the other might distract students by offering them mere entertainment instead of essential subject material. Today, with the omnipresence of screens in our daily life, this tension has become all the more tangible. Some may even start to wonder whether education, traditionally conceived as schooling, can still be achievable under these conditions.The title Afterschool refers to a film by Antonio Campos, which depicted these new conditions very accurately. In the same way the book wants to take up this challenge and articulates in an affirmative manner what education still could mean in an era after school, and also what images might mean in such an era, both for teachers and education researchers. The contributors to this book respond to this process of digitization and present new and unexpected ways of making use of images in educational practice and research.Contributors: Sönke Ahrens (independent researcher), Marc De Blieck (LUCA School of Arts, Ghent), Pieter-Jan Decoster (Ghent University), Florelle D'Hoest (Universidad Complutense de Madrid), Jan Dietvorst (visual artist), Jan Masschelein (KU Leuven), Nancy Vansieleghem (LUCA School of Arts, Ghent), Maarten Vanvolsem (LUCA School of Arts, Brussels), Pieter Verstraete (KU Leuven), Roy Villevoye (visual artist), Joris Vlieghe (Liverpool Hope University)

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In this, his third adventure, Professor Andrew Basnett takes a brief break from his usual stomping grounds in the Little English Village, opting to spend Christmas in a Small Australian City instead. He’s visiting Tony, an old colleague with a newish wife, and he’s barely had a post-flight snack before he’s made aware of a cloud hanging over the marriage. Jan, Tony’s bride, is widely believed to have bashed her first husband over the head, and though she was acquitted of the murder, Tony himself is starting to have uncomfortable second thoughts. Things don’t get any more comfortable when, at a family dinner, one of the guests is done in, killed with a chunk of the same crystal that put paid to Jan’s first husband. And Jan herself? She’s disappeared. Only the Professor, it would seem, can banish the clouds of distrust and reveal the truth, clear as crystal.

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From the bestselling, award-winning author of SKELLIG comes a vivid and moving story, beautifully illustrated, which commemorates the hundred-year anniversary of the end of the First World War. "I am just a child," says John. "How can I be at war?"It's 1918, and war is everywhere. John's dad is fighting in the trenches far away in France. His mum works in the munitions factory just along the road. His teacher says that John is fighting, too, that he is at war with enemy children in Germany. One day, in the wild woods outside town, John has an impossible moment: a meeting with a German boy named Jan. John catches a glimpse of a better world, in which children like Jan and himself can come together, and scatter the seeds of peace. Gorgeously illustrated by David Litchfield, this is a book to treasure.

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This cheerful and heartwarming Amish novella collection captures the heart of the Christmas season with a trio of heartfelt stories from bestselling authors Leslie Gould, Jan Drexler, and Kate Lloyd. All three tales feature unique Amish recipes perfect for the Christmas table!

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When Germany invaded Poland, Stuka bombers devastated Warsaw—and the city's zoo along with it. With most of their animals dead, zookeepers Jan and Antonina Zabinski began smuggling Jews into empty cages. Another dozen "guests" hid inside the Zabinskis' villa, emerging after dark for dinner, socializing, and, during rare moments of calm, piano concerts. Jan, active in the Polish resistance, kept ammunition buried in the elephant enclosure and stashed explosives in the animal hospital. Meanwhile, Antonina kept her unusual household afloat, caring for both its human and its animal inhabitants—otters, a badger, hyena pups, lynxes.With her exuberant prose and exquisite sensitivity to the natural world, Diane Ackerman engages us viscerally in the lives of the zoo animals, their keepers, and their hidden visitors. She shows us how Antonina refused to give in to the penetrating fear of discovery, keeping alive an atmosphere of play and innocence even as Europe crumbled around her.

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Jan Vidor seems like the ideal tenant for a long summer holiday in a Tuscan villa. Unobtrusive and quietly sociable, the American academic can be relied upon to entertain herself - but her aristocratic landlady Beatrice has made a terrible mistake. A chance remark about a violent death at Villa Chiara during the war piques Jan's writerly interest and sends her digging into the Salviati family's tragic past. Was Beatrice's uncle Sandro really mistaken for a partisan, or was his killer someone closer to home? Does it matter if Jan just fills in the gaps? After all, Beatrice said she could do as she liked with the story, she even said 'I give it to you' . . . Written with a deep understanding of loyalty and temptation, I Give It To You is a riveting novel about who owns a story, whether we have a right to what we inherit, and what a gift really means.

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“My husband Jan finished me on 17 June 1439. . . . My age was 33 years.” So speaks Margaret van Eyck from the frame of her portrait. This painted inscription honors its maker Jan van Eyck, even as it blurs the distinction between living subject and painted double. Frame Work, an in-depth study of paintings, sculpture, and manuscript illumination in their varied social settings, argues that frames and framing devices are central to how Renaissance images operate. In a period of rapid cultural change, framing began to secure the very notion of an independent “artwork,” and reframings could regulate the meaning attached to works of art—a process that continues in the present day. Highlighting innovations in framing introduced by figures such as Donatello, Giovanni Bellini, and Jean Fouquet, this original book shows how the inventive character of Renaissance frames responds to broader sociopolitical and religious change. The frame emerges as a site of beauty, display, and persuasion, and as a mechanism of control.

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In this delightful alphabet book, cleverly illustrated with paintings from the collection of the Getty Museum, A is for an artist by Jan Steen, B is for a bumblebee by Ambrosius Bosschaert, and C is for a candle by Jean-Francois de Troy. Details from twenty-six different paintings by artists including Vincent van Gogh, Paul Cezanne and Edgar Degas provide the objects corresponding with each letter of the alphabet. The book also contains reproductions of all the paintings from which the details were selected. This charming book provides a unique opportunity to help children learn the ABC's while teaching them to look closely at great works of art. The other artists are: Pompeo Batoni (Italian, 1708-1787) Jan van Huysum (Dutch, 1682-1749) Luca Carlevarijs (Italian, 1663-1730) Hendrick ter Brugghen (Dutch, 1588-1629) Francesco Salviati (Francesco de'Rossi) (Italian, 1510-1563) Bartolommeo Vivarini (Italian, about 1432-1499) Dosso Dossi (Giovanni de'Luteri) (Italian, active 1512--died 1542) Pierre-Auguste Renoir (French, 1841-1919) Jean-Simeon Chardin (French, 1699-1779) Jan Brueghel the Elder (Flemish, 1568-1625) Sebastiano Ricci (Italian, 1659-1734) Carlo Dolci (Italian, 1616-1686) Jean-Etienne Liotard (Swiss, 1702-1789) James Ensor (Belgian, 1860-1949) Lawrence Alma Tadema (Dutch/English, 1836-1912) Georges de La Tour (French, 1593-1652) Pieter de Hooch (Dutch, 1629-1684) Pier Francesco Mola (Italian, 1612-1666) Joseph Ducreux (French, 1735-1802) Joachim Wtewael (Dutch, 1566-1638)

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Queen Victoria (4 May 1819 - 22 Jan 1901) is the UK's second longest-reigning monarch after Queen Elizabeth II, with 64 years between becoming queen in 1837 and her death in 1901. This book describes her extraordinary life and reign, her strength and achievements. 24 May 2019 is the 200th anniversary of Queen Victoria's birth.

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This elegant volume presents 44 outstanding Old Master paintings, primarily from the 17th and 18th centuries, that Jordan and Thomas Saunders III collected over the past 25 years. Included in the Saunders Collection are works by renowned Dutch, Flemish, French, Italian, and English masters, among them Frans Hals, Jan Davidsz de Heem, Jan Brueghel, Peter Paul Rubens, Nicolas de Largillière, Canaletto, Francesco Guardi, and Thomas Lawrence. This richly illustrated catalogue was written by a team of specialists under the guidance of Arthur K. Wheelock Jr, former curator at the National Gallery of Art. The introductory essay discusses the principles that guided the Saunders in forming their collection, and the individual entries examine how artists fused careful observation with the imagination to create beautiful and thought-provoking paintings. These texts also examine the social, economic, and political realities that had an impact on these artistic creations.

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Young readers will understand how to listen to their conscience and make good decisions in this addition to the Living Lights™ series of Berenstain Bears books. Children will learn that doing the right thing sometimes means not getting your way.The Berenstain Bears Do the Right Thing—part of the popular Zonderkidz Living Lights series of books with over 13 million copies sold—is perfect for: Early readers ages 4-8 Reading out loud at home or in classrooms Sparking conversations about the decision making process and that that looks like for young children The Berenstain Bears Do the Right Thing: Features the hand-drawn artwork of Mike Berenstain, the son of the creators of the Berenstain Bears, Stan and Jan Berenstain Continues in the much-loved footsteps of Stan and Jan Berenstain in this Berenstain Bears series of books Is part of one of the bestselling children’s book series ever created, with more than 250 books published and nearly 300 million copies sold to date

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Sister Bear and her new friend, Miranda, make a lot of bad decisions-riding down Dead Bear's Hill, eating Ben's apples, running through Mizz McGrizz's tulips. When Mama Bear finds out about these things, she wants Sister to stop playing with their new neighbor. But is it really all Miranda's fault?

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The master of pulsing, post-modern poetic rhythms, Menno Wigman's reputation is assured as one of the Netherlands' leading poets. And as perhaps his country's most exciting poet in terms of form: "a craftsman who knows what he wants" in the words of poet Alfred Schaffer. Wigman's second collection won him the Netherlands' coveted Jan Campert ......

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A brilliant collection of poems for 8-year-olds packed with poems about friends, space, pets, nature, magic, family, school, adventure, compiled by Matt Goodfellow and illustrated by Roxana de Rond.Includes classic and contemporary poems by , A.F. Harrold, Matt Goodfellow, Charles Causley, Laura Mucha, Jan Dean, Kate Wakeling, James Carter, Roger Stevens, Brian Moses and many more.

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In the spring of 1575, Holland's Northern Quarter--the waterlogged peninsula stretching from Amsterdam to the North Sea--was threatened with imminent invasion by the Spanish army. Since the outbreak of the Dutch Revolt a few years earlier, the Spanish had repeatedly failed to expel the rebels under William of Orange from this remote region, and now there were rumors that the war-weary population harbored traitors conspiring to help the Spanish invade. In response, rebel leaders arrested a number of vagrants and peasants, put them on the rack, and brutally tortured them until they confessed and named their principals--a witch-hunt that eventually led to a young Catholic lawyer named Jan Jeroenszoon. Treason in the Northern Quarter tells how Jan Jeroenszoon, through great personal courage and faith in the rule of law, managed to survive gruesome torture and vindicate himself by successfully arguing at trial that the authorities remained subject to the law even in times of war. Henk van Nierop uses Jan Jeroenszoon's exceptional story to give the first account of the Dutch Revolt from the point of view of its ordinary victims--town burghers, fugitive Catholic clergy, peasants, and vagabonds. For them the Dutch Revolt was not a heroic struggle for national liberation but an ordinary dirty war, something to be survived, not won. An enthralling account of an unsuspected story with surprising modern resonance, Treason in the Northern Quarter presents a new image of the Dutch Revolt, one that will fascinate anyone interested in the nature of revolution and civil war or the fate of law during wartime.

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'So you want to be a coolie woman?' This accusation thrown at twelve year old June Lehall by her mother signifies only one of the crises June faces during the two dramatic weeks this fast-paced novel describes. June has to confront her mixed Indian-Chinese background in a situation of heightened racial tensions, the loss of her former friends when she wins a scholarship to the local high school, the upheaval of the industrial struggle on the sugar estate where she lives, and the arrival of British troops as Guyana explodes into political turmoil."Jan Shinebourne captures the language of movement, mime, silences, glances, with a feeling that comes from being deep within the heart of the Guyanese community. In The Last English Plantation her achievement lies in having the voices of the New Dam villagers dominate the politically turbulent period of 1950s Guyana - A wonderful and stimulating voyage into the lives behind the headlines, into the past that continues creating the changing present. The voices of the New Dam villagers never leave you."Merle Collins.Jan Lowe Shinebourne was born at Rose Hall sugar estate, in Canje, Berbice, in what was then British Guiana. The country was under colonial rule, and she lived through the dramatic events that moved the country when it became independent and changed its name to Guyana. Jan describes her first three novels and most of her writing as being deeply influenced by this period and the rapid and dramatic changes she experienced. She currently resides in West Sussex.

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In the spring of 1575, Holland's Northern Quarter--the waterlogged peninsula stretching from Amsterdam to the North Sea--was threatened with imminent invasion by the Spanish army. Since the outbreak of the Dutch Revolt a few years earlier, the Spanish had repeatedly failed to expel the rebels under William of Orange from this remote region, and now there were rumors that the war-weary population harbored traitors conspiring to help the Spanish invade. In response, rebel leaders arrested a number of vagrants and peasants, put them on the rack, and brutally tortured them until they confessed and named their principals--a witch-hunt that eventually led to a young Catholic lawyer named Jan Jeroenszoon. Treason in the Northern Quarter tells how Jan Jeroenszoon, through great personal courage and faith in the rule of law, managed to survive gruesome torture and vindicate himself by successfully arguing at trial that the authorities remained subject to the law even in times of war. Henk van Nierop uses Jan Jeroenszoon's exceptional story to give the first account of the Dutch Revolt from the point of view of its ordinary victims--town burghers, fugitive Catholic clergy, peasants, and vagabonds. For them the Dutch Revolt was not a heroic struggle for national liberation but an ordinary dirty war, something to be survived, not won. An enthralling account of an unsuspected story with surprising modern resonance, Treason in the Northern Quarter presents a new image of the Dutch Revolt, one that will fascinate anyone interested in the nature of revolution and civil war or the fate of law during wartime.

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When Elizabeth Kaufman received the news of her husband's death at the Battle of Vicksburg in 1863, she felt only relief. She determined that she would never be at the mercy of any man again, even if it meant she would never have a family of her own. Then Aaron Zook comes home with her brother when the war ends two years later. Despite the severity of his injuries, Aaron resolves to move West and leave the pain of the past behind him. He never imagined that the Amish way of life his grandfather had rejected long ago would be so enticing. That, and a certain widow he can't get out of his mind. Yet, even in a simple community, life has a way of getting complicated. Aaron soon finds that while he may have left the battlefield behind, there is another fight he must win--the one for the heart of the woman he loves. Welcome back to the Amish community at Weaver's Creek, where the bonds of family and faith bind up the brokenhearted.

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