Search results for ""author robert"

This is the first full-length study in any language of the most significant film director of Italian Neorealism. Peter Brunette combines close analyses of Roberto Rossellini's formal and narrative style with a thorough account of his position in the political and cultural landscape of postwar Italy. More than forty films are explored, including Open City, Paisan, Voyage to Italy, The Rise to Power of Louis XIV, and films made in the director's later years that documented crucial epochs in human history. Brunette's book is based on eight years of research, during which he interviewed members of the director's family as well as Rossellini himself. Brunette also draws on an enormous body of European and American criticism and discusses the various intellectual debates spawned by the director's work. This landmark study is both a comprehensive introduction to one of the most influential practitioners of the contemporary cinema and a boldly original discussion of Italian Neorealism. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.

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This is the first full-length study in any language of the most significant film director of Italian Neorealism. Peter Brunette combines close analyses of Roberto Rossellini's formal and narrative style with a thorough account of his position in the political and cultural landscape of postwar Italy. More than forty films are explored, including Open City, Paisan, Voyage to Italy, The Rise to Power of Louis XIV, and films made in the director's later years that documented crucial epochs in human history. Brunette's book is based on eight years of research, during which he interviewed members of the director's family as well as Rossellini himself. Brunette also draws on an enormous body of European and American criticism and discusses the various intellectual debates spawned by the director's work. This landmark study is both a comprehensive introduction to one of the most influential practitioners of the contemporary cinema and a boldly original discussion of Italian Neorealism. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.

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The Bible is the most important book in the history of Western civilization, and also the most difficult to interpret. It has been the vehicle of continual conflict, with every interpretation reflecting passionately-held views that have affected not merely religion, but politics, art, and even science. This unique edition offers an exciting new approach to the most influential of all English biblical texts - the Authorized King James Version, complete with the Apocrypha. Its wide-ranging Introduction and the substantial notes to each book of the Bible guide the reader through the labyrinth of literary, textual, and theological issues, using the most up-to-date scholarship to demonstrate how and why the Bible has affected the literature, art and general culture of the English-speaking world. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Since the publication of The Savage Detectives in 2007, the work of Roberto Bolano (1953-2003) has achieved an acclaim rarely enjoyed by literature in translation. Chris Andrews, a leading translator of Bolano's work into English, explores the singular achievements of the author's oeuvre, engaging with its distinct style and key thematic concerns, incorporating his novels and stories into the larger history of Latin American and global literary fiction. Andrews provides new readings and interpretations of Bolano's novels, including 2666, The Savage Detectives, and By Night in Chile, while at the same time examining the ideas and narrative strategies that unify his work. He begins with a consideration of the reception of Bolano's fiction in English translation, examining the reasons behind its popularity. Subsequent chapters explore aspects of Bolano's fictional universe and the political, ethical, and aesthetic values that shape it. Bolano emerges as the inventor of a prodigiously effective "fiction-making system," a subtle handler of suspense, a chronicler of aimlessness, a celebrator of courage, an anatomist of evil, and a proponent of youthful openness. Written in a clear and engaging style, Roberto Bolano's Fiction offers an invaluable understanding of one of the most important authors of the last thirty years.

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Managerialism has often been defined as an ideology, according to which the effective and efficient running of commercial firms, not-for-profit organizations and public administrations is delivered by individuals who possess superior formal knowledge and expertise in management. Arguing to their exclusive education, managers deprive employers and employees of decision-making power and ensconce themselves systematically in the power structure of workplaces to advance their own interests and agenda. The central thesis of Overcoming Managerialism is that resisting and overcoming managerialism necessitates the re-establishing of the conceptual distinction between power and authority. Second, it requires the rehabilitating of authoritative management as a protection against authoritarian practices. Authority, properly conceived, redirects power to technical experts and professionals and thereby limits managerial power. The authors discuss ten contentions which, taken together, represent a theory of the foundation of management in which authority, power and rhetoric are central concepts. This book combines academic scholarship with a readable critique of managerialism. It will be of interest to both management scholars and students.

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The films of Georges MÉliÈs (1861–1938) are landmarks in the early history of narrative filmmaking and cinematic special effects. He was a harbinger of modern aesthetics and media manipulation, and this book, written by his granddaughter, is the only one that tells his full story. Magnificent MÉliÈs is a thoroughly researched but highly accessible book that is a crucial source for the scholar and an entertaining read for the nonspecialist. The core of the biography provides detailed accounts of MÉliÈs’s filmmaking years (1896–1912), from his first motion pictures shortly after the public premiere of the LumiÈre CinÉmatographe through such worldwide successes as his film Le Voyage dans la lune (A Trip to the Moon) and his eventual marginalization by the very industry he had helped to found. The biography also chronicles MÉliÈs’s formative work as director of Paris’s preeminent magic theater, the ThÉ tre Robert-Houdin; his subsequent career staging operettas for the ThÉ tre des VariÉtÉs Artistiques (1917–1923) in Montreuil on the site of one of his former film studios; and his later years selling toys and candy at the Gare Montparnasse (1926–1932) before being rediscovered by journalists and the avant-garde. These and other fascinating chapters highlight the remarkable range of MÉliÈs’s creative work while suggesting how his singular life was nevertheless shaped by the seismic historical shifts of Second Empire and Third Republic France.

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Courts and societies across the early modern Eurasian world were fundamentally transformed by the physical, technological, and conceptual developments of their era. Evolving forms of communication, greatly expanded mobility, the spread of scientific knowledge, and the emergence of an increasingly integrated global economy all affected how states articulated and projected visions of authority into societies that, in turn, perceived and responded to these visions in often contrasting terms. Landscape both reflected and served as a vehicle for these transformations, as the relationship between the land and its imagination and consumption became a fruitful site for the negotiation of imperial identities within and beyond the precincts of the court. In Landscape and Authority in the Early Modern World, contributors explore the role of landscape in the articulation and expression of imperial identity and the mediation of relationships between the court and its many audiences in the early modern world. Nine studies focused on the geographical areas of East and South Asia, the Islamic world, and Europe illuminate how early modern courts and societies shaped, and were shaped by, the landscape, including both physical sites, such as gardens, palaces, cities, and hunting parks, and conceptual ones, such as those of frontiers, idealized polities, and the cosmos. The collected essays expand the meaning and potential of landscape as a communicative medium in this period by putting an array of forms and subjects in dialogue with one another, including not only unique expressions, such as gardens, paintings, and manuscripts, but also the products of rapidly developing commercial technologies of reproduction, especially print. The volume invites a deeper and more nuanced understanding of the complexity with which early modern states constructed and deployed different modes of landscape for different audiences and environments. Contributors: Robert Batchelor, Seyed Mohammad Ali Emrani, John Finlay, Caroline Fowler, Katrina Grant, Finola O’Kane, Anton Schweizer, Larry Silver, Stephen H. Whiteman.

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Brilliant revision strategies for GCSE 9-1 English that really work! Students often tell teacher Mark Roberts that they find it hard to revise for GCSE English. This guide will show you why that is a common misconception, and that all you need is an organised, step-by-step approach to your English revision! Shortlisted for the Education Resources Awards 2021 · Discover how to banish ineffective revision and use study skills that will help you to do brilliantly in your exams · Understand what really successful students do to help them towards top grades in GCSE English · Implement practice methods that actually improve your memory Read this book to find out more! Chapter 1. Effective revision for English examsChapter 2. Organising your notes and annotationsChapter 3. Memorising quotesChapter 4. Exploding your quotesChapter 5. Building up a bank of ‘killer quotes’Chapter 6. Using context successfullyChapter 7, Improving practice essaysChapter 8. Getting ready for the unseen textsChapter 9. Preparing for the creative writing questionsChapter 10. Taking care of yourself and coping with exams

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If you dream of being a writer, why not learn from the best? In Your Creative Writing Masterclass you'll find ideas, techniques and encouragement from the most admired and respected contemporary and classic authors, including Charles Dickens, Jane Austen and Anton Chekhov. Jurgen Wolff, bestselling author of Your Writing Coach, helps you translate these insights into action to master your craft and write what only you can write. From Robert Louis Stevenson to Mary Shelley, Alice Munro to Stephen King, Your Creative Writing Masterclass guide you through: finding your style, constructing powerful plots, generating story ideas, overcoming writer's block, creating vivid characters and crafting your ideal writer's life. Brimming with support and suggested activities to develop your writing skills, the book also features unique bonus advice, exercises, resources and sharing capabilities via the website www.YourCreativeWritingMasterclass.com.

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They called him 'Hands of Stone'. In his own words, and for the first time, Roberto Duran tells his unbelievable story in I Am Duran: The Autobiography of Robert Duran. From the mean streets of Panama to the bright lights of Las Vegas, blazing a trail through the golden decade of boxing, Duran, in unflinching form, dispels myths and lays bare the cost of conquering the world. He also returns to the debacle that entered sporting folklore during his rematch with Sugar Ray Leonard, when he uttered the infamous words 'no mas' – no more.Starting life in abject poverty as the illegitimate son of a serving US soldier, Duran quickly realized that his fists could both protect him on the streets and put food on the table. His reputation in and out of the ring travelled the corridors of boxing power on the day, for a bet, he knocked down a horse with a single punch.From his stunning debut in New York to the glorious defeat of Sugar Ray Leonard, the world titles and the chaos that ensued after the No Mas encounter, Duran's explosive life in the ring was matched only by the volatility outside of it, as he lurched from kingmaker to bankruptcy, before the ultimate ending of a bloody comeback and, finally, redemption.

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Come with Roberto the Sea Boy on a visit it his friends who live deep in the ocean. You’ll meet turtles, a tonguefish, and even a giant whale. Would you like to meet Roberto too? Inside, he gives you the secret of how to meet him. Seas all around the world are in trouble. They need your help. So does Roberto

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Since the publication of The Savage Detectives in 2007, the work of Roberto Bolano (1953-2003) has achieved an acclaim rarely enjoyed by literature in translation. Chris Andrews, a leading translator of Bolano's work into English, explores the singular achievements of the author's oeuvre, engaging with its distinct style and key thematic concerns, incorporating his novels and stories into the larger history of Latin American and global literary fiction. Andrews provides new readings and interpretations of Bolano's novels, including 2666, The Savage Detectives, and By Night in Chile, while at the same time examining the ideas and narrative strategies that unify his work. He begins with a consideration of the reception of Bolano's fiction in English translation, examining the reasons behind its popularity. Subsequent chapters explore aspects of Bolano's fictional universe and the political, ethical, and aesthetic values that shape it. Bolano emerges as the inventor of a prodigiously effective "fiction-making system," a subtle handler of suspense, a chronicler of aimlessness, a celebrator of courage, an anatomist of evil, and a proponent of youthful openness. Written in a clear and engaging style, Roberto Bolano's Fiction offers an invaluable understanding of one of the most important authors of the last thirty years.

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Oliver Reed may not have been Britain's biggest film star - for a period in the early 70s he came within a hairsbreadth of replacing Sean Connery as James Bond - but he is an august member of that small band of people, like George Best and Eric Morecambe, who transcended their chosen medium, became too big for it even, and grew into cultural icons.For the first time Reed's close family has agreed to collaborate on a project about the man himself. The result is a fascinating new insight into a man seen by many as merely a brawling, boozing hellraiser. And yet he was so much more than this. For behind that image, which all too often he played up to in public, was a vastly complex individual, a man of deep passions and loyalty but also deep-rooted vulnerability and insecurities. Why was a proud, patriotic, intelligent, successful and erudite man so obsessed about proving himself to others, time and time again?Although the Reed myth is of Homeric proportions, he remains a national treasure and somewhat peculiar icon.Praise for other books by Robert Sellers:Hellraisers: The Life and Inebriated Times of Richard Burton, Richard Harris, Peter O'Toole, and Oliver Reed: 'So wonderfully captures the wanton belligerence of both binging and stardom you almost feel the guys themselves are telling the tales.' GQ.Vic Armstrong: The True Adventures of the World's Greatest Stuntman:'This is the best and most original behind-the-scenes book I have read in years, gripping and revealing.' Roger Lewis, Daily Mail.Don't Let the Bastards Grind You Down: '...a rollicking good read... Sellers has done well to capture a vivid snapshot of this exciting time.' Lynn Barber, Sunday Times.

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Robert P. Crease looks at questions about when a scientific discovery becomes accepted fact, who decides this and how citizens should interact with the scientific process. He answers by introducing the world’s greatest thinkers and explaining how they shaped scientific progress. At a time when the Catholic Church assumed total authority, Bacon, Galileo and Descartes were the first to articulate the idea of scientific expertise, while writers such as Shelley and Comte questioned the scientific process. Centuries later, scholars such as Atatürk and Arendt examined the relationship between the scientific community and the public—especially in times of distrust in experts. An exploration of what it means to practise science for the common good and who can question expertise, this book will help readers understand how we reached the current moment of anti-science rhetoric and what we can do about it.

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New essays on the unjustly neglected Pèlerinage works by de Guileville, showing in particular its huge contemporary influence. The fourteenth-century French pilgrimage allegories of Guillaume de Deguileville (or "Digulleville") shaped late medieval and early modern European culture. Portions of the Pèlerinage de Vie Humaine, Pèlerinage de l'Ame and Pèlerinage de Jhesucrist survive in more than eighty medieval manuscripts and translations into English, German, Dutch, Castilian and Latin appeared by the early sixteenth century, along with adaptations into Frenchprose and dramatic forms and numerous early printed editions. This volume furnishes a better understanding of the allegories' circulation, creation and importance from the 1330s into the 1560s, via trans-national, multilingual and interdisciplinary perspectives. The collection's first section, on "Tradition", identifies the patterns that developed as Deguileville's corpus captured the attentions of adaptors, annotators and illustrators. The second section, on "Authority", addresses the cultural context of Deguileville himself, his approach to poetic craft and the status of his French and Latin poetry. The third section, on "Influence", closely examines selected connections between the Pèlerinages and the literary productions of later authors, translators and reading communities, including the French verse of Philippe de Mézières, Castilian print adaptation, and the early modern Croatian novel.Overall, the collection provides a variety of approaches to examining literary reception, attending not only to texts but also to evidence of surviving manuscripts and early printed editions; it offers new insights into a rich and complex allegorical corpus and its impact on European literary history. Marco Nievergelt is a Maître-Assistant in Early English Literature in the English department of the University of Lausanne.Stephanie A. Viereck Gibbs Kamath studies English and French medieval literature, with a particular interest in allegory, translation studies, and the history of the material text. Contributors: Flor Maria Bango de la Campa, Robert L.A. Clark, Graham Robert Edwards, Dolores Grmaca, Andreas Kablitz, John Moreau, Ursula Peters, Fabienne Pomel, Pamela Sheingorn, Sara V. Torres, Géraldine Veysseyre

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An unprecedented look at the wide-ranging artistic work of one of the 20th century’s most significant landscape architects The modernist parks and gardens of Brazilian landscape architect and garden designer Roberto Burle Marx (1909–1994) earned him awards, widespread acclaim, and international fame. Over a 60-year career, he designed more than 2,000 gardens worldwide, the most famous of which are those he created in collaboration with the architect Oscar Niemeyer for Brasília. Although he is best known for his landscape work, Burle Marx was a prolific artist in a variety of media, and his larger body of work—which includes paintings, drawings, tile mosaics, sculpture, textile design, jewelry, theater costumes, and more—is critical to understanding his importance as a modernist. An avid horticulturalist, he was among the first to denounce deforestation in the Amazon region; he also discovered over thirty species of Brazilian flora, which bear his name. This beautifully illustrated and groundbreaking publication covers the full range of Burle Marx’s artistic output, as well as his remarkable home, an abandoned estate that he transformed into his office, workshop, gallery, and living space. The enduring influence of Burle Marx’s work is also explored through interviews with seven contemporary artists: Juan Araujo, Paloma Bosquê, Dominique González-Foerster, Luisa Lambri, Arto Lindsay, Nick Mauss, and Beatriz Milhazes. These artists exemplify the extent to which his work continues to be a source of inspiration.Published in association with the Jewish Museum, New YorkExhibition Schedule:Jewish Museum, New York (05/06/16–09/18/16)Deutsche Bank KunstHalle, Berlin (07/07/17–10/08/17)

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Latin American neo-structuralism is a cutting-edge, regionally focused economic theory with broad implications for macroeconomics and development economics. Roberto Frenkel has spent five decades developing the theory's core arguments and expanding their application throughout the discipline, revolutionizing our understanding of high inflation and hyperinflation, disinflation programs, and the behavior of foreign exchange markets as well as financial and currency crises in emerging economies. The essays in this collection assess Latin American neo-structuralism's theoretical contributions and viability as the world's economies evolve. The authors discuss Frenkel's work in relation to pricing decisions, inflation and stabilization policy, development and income distribution in Latin America, and macroeconomic policy for economic growth. An entire section focuses on finance and crisis, and the volume concludes with a neo-structuralist analysis of general aspects of economic development. For those seeking a comprehensive introduction to contemporary Latin American economic thought, this collection not only explicates the intricate work of one of its greatest practitioners but also demonstrates its impact on the growth of economics.

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By one of the most original and learned critical voices in Hispanic studies— a timely and ambitious study of authority as theme and authority as authorial strategy in modern Latin American literature. An ideology is implicit in modern Latin American literature, argues Roberto González Echevarría, through which both the literature itself and criticism of it define what Latin American literature is and how it ought to be read. In the works themselves this ideology is constantly subjected to a radical critique, and that critique renders the ideology productive and in a sense is what constitutes the work. In literary criticism, however, too frequently the ideology merely serves as support for an authoritative discourse that seriously misrepresents Latin American literature. In The Voice of the Masters, González Echevarría attempts to uncover the workings of modern Latin American literature by creating a dialogue of texts, a dynamic whole whose parts are seven illuminating essays on seminal texts in the tradition. As he says, "To have written a sustained, expository book ... would have led me to make the same kind of critical error that I attribute to most criticism of Latin American literature.... I would have naively assumed an authoritative voice while attempting a critique of precisely that critical gesture." Instead, major works by Barnet, Cabrera Infante, Carpentier, Cortázar, Fuentes, Gallegos, García Márquez, Roa Bastos, and Rodó are the object of a set of independent deconstructive (and reconstructive) readings. Writing in the tradition of Derrida and de Man, González Echevarría brings to these readings both the penetrative brilliance of the French master and a profound understanding of historical and cultural context. His insightful annotation of Cabrera Infante's "Meta-End," the full text of which is presented at the close of the study, clearly demonstrates these qualities and exemplifies his particular approach to the text.

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Architectural research by the two Geneva architects in their office Bassicarella focuses on a few fundamental themes: Materiality, presence, construction, pre-fabrication and the internal figure. In a sequence of volumes in the Bibliotheca series, the architects reflect on those themes using illustrative details, short texts and technical data on the materiality of their remarkable buildings in the Geneva region. Text in English, French, and German.

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Internationally recognised scholars explore central themes and questions in Roberto Esposito's thought Helps scholars and readers of Esposito's work to understand the rich background that gives rise to and situates his bio-political works Includes an important new essay by Roberto Esposito himself that highlights the object of the his current philosophical focus: the outside of human thought Provides a rich critical assessment of Esposito's philosophical corpus, ultimately extending the philosophical debates launched by his work Gathers leading international experts including Timothy Campbell, Olga Zorzi Pugliese and Gary Genosko This collection invites readers to reposition Esposito's thought and explore the interdisciplinarity and unique methodology of his whole corpus. It addresses Esposito's long-standing engagement with early modern philosophy, philosophy of biology, biopolitics, and the impolitical and the impersonal, together with his significant dialogues with contemporary philosophers like Gilles Deleuze, Jacques Derrida, Simone Weil, Jean-Luc Nancy and Maurice Blanchot. A new essay by Esposito himself reveals the importance of philosophical sources and ideas that condition his thinking, especially outside and beyond the dominant biopolitical interpretative framework that has come to mark his reception in the English-speaking world.

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Chronicles Clemente s life from his early days growing up in rural Puerto Rico, the highlights of his career (including the 1960 World Series, where he helped the Pirates win its first victory in 33 years, and his 3000th hit in 1972 during the last official at-bat of his life) as well as his private life and public mission off the field.

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