Search results for ""author joyce"

NOW A MAJOR NETFLIX FILM, STARRING ANA DE ARMAS, ADRIEN BRODY, BOBBY CANNAVALE AND JULIANNE NICHOLSON, DIRECTED BY ANDREW DOMINIK ‘A torrentially imaginative, compulsively readable tour de force’ Sunday Telegraph ‘A fabulous reinvention of the life of a fabulous reinvention, and a cracking page-turner to boot’ Evening Standard Blonde is a mesmerising novel about the most enduring and evocative cultural icon of the 20th century: the woman who became Marilyn Monroe. A fragile and gifted young woman, Norma Jeane Baker makes and remakes her identity: she is the orphan whose mother is declared mad; the woman who changes her name to be an actress; the fated celebrity, lover and muse. Told in her voice, Blonde shows a culture hypnotised by its own myths, and the devastating effects it had on Hollywood’s greatest star. ‘This masterpiece about Marilyn Monroe’s life is audacious, gripping and clever’ Rose Tremain ‘If you haven’t read Joyce Carol Oates before, start here, and now’ Independent

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Edwin Muir - POOR TOM, J.F. Hendry - FERNIE BRAE, Gordon M. Williams - FROM SCENES LIKE THESE, Tom Gallacher - APPRENTICE. Growing Up in the West presents four very different and memorably vivid accounts of what it was to be young and growing up in Glasgow and the west of Scotland, from the 1930s to the 1960s.Poor Tom tells of a young man's struggle to come to terms with the slow death of his brother in the city slums of a culturally impoverished Scotland. Fernie Brae celebrates the growth and education of a sensitive in a novel reminiscent of Joyce's Portrait of the Artist as a Young Man. Gordon Williams's novel tells a grimmer story as its young protagonist eventually succumbs to a culture of drink and violence where the harshness of life on the land sits next to industrial sprawl: 'From scenes like these old Scotia's grandeur springs.' Set in the Clydeside shipyards, the wryly observant and humorous style of Apprentice strikes a happier note from the 1960s.

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"A generously illustrated, wide-ranging selection of essays on American films helmed by non-American filmmakers.” ­–Film Comment The cities, landscapes and people of America have been the subject of many a film, but when seen through an outsider’s perspective, new and often significant aspects of its culture are revealed. America: Films from Elsewhere examines film and America from the perspective of auteurs from around the world—from anyplace but America—covering the half-century from the assassination of John F. Kennedy in 1963 to the election of Donald Trump in 2017. Masters of the medium such as Chantal Akerman, Joyce Wieland, Michelangelo Antonioni, Lars von Trier, Jacques Demy, Rainer Werner Fassbinder and Chris Marker are discussed, alongside lesser-known greats such as Yolande du Luart and Babette Mangolte. The book also features specially commissioned portfolios by artists, including Camille Henrot, Harun Farocki, Lucy Raven, the Otolith Group and Ute Aurand.

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With this essay, Yuri Slezkine stands in a series of interpretations that have made the connection between social minority and social success in the late 19th and early 20th centuries the subject of their analysis. The fascination that emanates from his brilliantly written essay lies in the fact that he dissolves the primarily "ethnic" grounded argument through universalizations and shows how secondary virtues of modernity that are considered to be "Jewish" generalize and are thus brought to their historical concept. With his thesis of "Mercury" modernity, a world in which everyone has finally become "Jewish", Slezkine shows how in the European fin de siècle social habitus rationalized into ethnic difference. Using literary examples - Kafka, Proust, Joyce - he traces the Jewish and non-Jewish variants of a tendency which in the case of the Jews developed in three directions: towards communism, Zionism and the pluralistic, multi-ethnic liberalism of America. Slezkine's essay is a controversial contribution to the still untapped potential of Jewish historical experience.

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In 1969, South Africa’s apartheid government arrested anti-apartheid leaders and activists nationwide for a key planned show trial. Among them were seven women, three of whom (including Winnie Madikizela-Mandela) have since died. This book by South African journalist Shanthini Naidoo uses rich interview material to share the previously unknown stories of the four imprisoned women who are still living: Joyce Sikhakhane-Rankin, Rita Ndzanga, Shanthie Naidoo, and Nondwe Mankahla. These four freedom fighters were held in solitary confinement for more than a year and subjected to brutal torture in a bid to force them to testify against their comrades. But they refused to do so, which forced the whole trial effort to collapse. Women Surviving Apartheid’s Prisons explores how women from different oppressed communities in South Africa defied traditional gender expectations and played a key role in the overthrow of Apartheid.

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Contributors to this issue examine the role of video games in American culture, approaching games through the lenses of transpacific studies, queer historiography, cultural history, critical race and ethnic studies, and border studies. They explore interactions between the United States and Asia through the genre of visual novels; investigate representations of the AIDS crisis in video game history; consider how games like Papers, Please address concepts of borders and national belonging; and show the aesthetic and political challenges that games like Assassin’s Creed III face in telling counterhistories of marginalized peoples. Taken together, these essays show how games can contribute to an expanded understanding of the United States and of the ways that cultural forms circulate nationally and transnationally. Contributors. Patrick Jagoda, Stephen Joyce, Gary Kafer, Jennifer Malkowski, Katrina Marks, Josef Nguyen, Christopher B. Patterson, Bo Ruberg, Arthur Z. Wang

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"Miss Beach's book is intimate, not scholarly, and thus full of interesting information. Her reminiscences are literally an index of everybody in the twenties, and she knew them all."—Janet Flanner, New YorkerSylvia Beach was intimately acquainted with the expatriate and visiting writers of the Lost Generation, a label that she never accepted. Like moths of great promise, they were drawn to her well-lighted bookstore and warm hearth on the Left Bank. Shakespeare and Companyevokes the zeitgeist of an era through its revealing glimpses of James Joyce, Ernest Hemingway, Scott Fitzgerald, Sherwood Anderson, Andre Gide, Ezra Pound, Gertrude Stein, Alice B. Toklas, D. H. Lawrence, and others already famous or soon to be.In his introduction to this new edition, James Laughlin recalls his friendship with Sylvia Beach. Like her bookstore, his publishing house, New Directions, is considered a cultural touchstone.

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Around the world, border walls and nationalisms are on the rise as people express the desire to "take back" sovereignty. The contributors to this collection use ethnographic research in disputed and exceptional places to study sovereignty claims from the ground up. While it might immediately seem that citizens desire a stronger state, the cases of compromised, contested, or failed sovereignty in this volume point instead to political imaginations beyond the state form. Examples from Spain to Afghanistan and from Western Sahara to Taiwan show how calls to take back control or to bring back order are best understood as longings for sovereign agency. By paying close ethnographic attention to these desires and their consequences, The Everyday Lives of Sovereignty offers a new way to understand why these yearnings have such profound political resonance in a globally interconnected world. Contributors: Panos Achniotis, Jens Bartelson, Joyce Dalsheim, Dace Dzenovska, Sara L. Friedman, Azra Hromadžić, Louisa Lombard, Alice Wilson, and Torunn Wimpelmann.

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Bergeners is a love letter to a writer's hometown. The book opens in New York City at the swanky Standard Hotel and closes in Berlin at Askanischer Hof, a hotel that has seen better days. But between these two global metropolises we find Bergen, Norway its streets and buildings and the people who walk those streets and live in those buildings. Using James Joyce's Dubliners as a discrete guide, celebrated Norwegian writer Tomas Espedal wanders the streets of his hometown. On the journey, he takes notes, reflects, writes a diary, and draws portraits of the city and its inhabitants. Espedal writes tales and short stories, meets fellow writers, and listens to their anecdotes. In the way that anyone from a small town can relate to, he is drawn away from Bergen but at the same time he can't seem to stay away. Espedal's Bergeners is a book not just about Bergen, but about life in a way no one else could have captured.

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Since The Paris Review was founded in 1953, it has given us invaluable conversations with the greatest writers of our age, vivid self-portraits that are themselves works of finely-crafted literature. The magazine has spoken with most of the world's leading novelists, poets and playwrights, and the interviews themselves have come to be recognised as classic words of literature in their own right. The series as a whole is indispensable for all writers and readers.This new volume in the series builds on the success and acclaim of the first two editions. The interviews:Ralph Ellison (1955)Georges Simenon (1955)Isak Dineson (1956)Evelyn Waugh (1963)William Carlos Williams (1964)Harold Pinter (1966)John Cheever (1976)Joyce Carol Oates (1978)Jean Rhys (1979)Raymond Carver (1983)Chinua Achebe (1994)Ted Hughes (1995)Jan Morris (1997)Martin Amis (1998)Salman Rushdie (2005)Norman Mailer (2007)

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'Once upon a time in mid-winter, when the snowflakes were falling from the sky like down, a queen was sitting and sewing at a window ...' The tales gathered by the Grimm brothers are at once familiar, fantastic, homely, and frightening. They seem to belong to no time, or to some distant feudal age of fairytale imagining. Grand palaces, humble cottages, and the forest full of menace are their settings; and they are peopled by kings and princesses, witches and robbers, millers and golden birds, stepmothers and talking frogs. Regarded from their inception both as uncosy nursery stories and as raw material for the folklorist the tales were in fact compositions, collected from literate tellers and shaped into a distinctive kind of literature. This translation mirrors the apparent artlessness of the Grimms, and fully represents the range of less well-known fables, morality tales, and comic stories as well as the classic tales. It takes the stories back to their roots in German Romanticism and includes variant stories and tales that were deemed unsuitable for children. In her fascinating introduction, Joyce Crick explores their origins, and their literary evolution at the hands of the Grimms.

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No home library is complete without the classics! Iliad & Odyssey brings together  the two essential Greek epics from the poet Homer in an elegant, leather-bound, omnibus edition-a keepsake to be read and treasured.The Iliad and The Odyssey are two of the oldest works of western literature--yet these ancient myths still offer powerful lessons for our times. From the fascinating fall of Troy to Odysseus'' perilous journey home, from the gods and goddesses to the Sirens and the suitors, the events and characters of these epic tales captivate us, teach us, and inspire us. Their influence can be seen far and wide, from James Joyce''s Ulysses to the movie sensation Troy, starring Brad Pitt.   Whether you''ve read Homer''s original stories or you''ve only enjoyed their modern-day descendants, you''ll love this Canterbury Classics edition of Iliad & Odyssey. The perfect book to complete any bookshelf, I

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Painting and sculpture have inspired great poetry, but so also have photography, calligraphy, tapestry and folk art. Included here are poems celebrating Leonardo da Vinci's 'Mona Lisa', Monet's 'Waterlilies' and Grant Wood's 'American Gothic'; well-known poems such as Keats's 'Ode on a Grecian Urn' and Auden's 'Musée de Beaux-Arts', Homer's immortal account of the forging of the Shield of Achilles and Garcia Lorca's breathtaking ode to the surreal paintings of Salvador Dali. Allen Ginsberg writes about Cézanne, E. E. Cummings about Picasso, Billy Collins about Hieronymous Bosch, and Joyce Carol Oates about Edward Hopper. Here too are poems that take on the artists themselves, from Michelangelo and Rembrandt to Georgia O'Keeffe and Andy Warhol. Altogether, this brilliantly curated anthology proves that a picture can be worth a thousand words - or a few very well-chosen ones.

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Associationism and the Literary Imagination traces the influence of empirical philosophy and associationist psychology on theories of literary creativity and on the experience of reading literature. It runs from David Hume's Treatise of Human Nature in 1739 to the works of major literary critics of the twentieth century, such as I.A. Richards, W.K. Wimsatt and Northrop Frye. Cairns Craig explores the ways in which associationist conceptions of literature gave rise to some of the key transformations in British writing between the romantic and modernist periods. In particular, he analyses the ways in which authors' conceptions of the form of their readers' aesthetic experience led to radical developments in literary style, from the fragmentary narrative of Sterne's Tristram Shandy in 1760 to Virginia Woolf's experiments in the rendering of characters' consciousness in the 1920s; and from Wordsworth's poetic use of autobiography to J.G. Frazer's exploration of a mythic unconscious in The Golden Bough. Detailed analyses are offered of the ways in which a wide variety of major British writers, including Scott, Lady Morgan, Dickens, Tennyson, Hardy, Yeats, Joyce and Woolf developed their literary techniques on the basis of associationist conceptions of the mind, and of how modern literary criticism - from Arthur Symons to Roland Barthes - is founded on associationist principles. Associationism and the Literary Imagination relocates the traditions of British writing since the eighteenth century within the neglected context of its native empirical philosophy, and reveals how many of the issues assumed to be products of 'postmodern' or 'deconstructive' theory have long been foregrounded and debated within the traditions of British empiricism. This is a work which provides a radical new perspective on the history of literature in Britain and Ireland and challenges many of the assumptions of contemporary theoretical debate about the nature of literary experience and critical judgement. Key Features * Covers a range of writers from Laurence Sterne to Virginia Woolf and a range of theorists from David Hume to I. A. Richards; * Offers new ways of appreciating the relation of philosophy/psychology to literary creativity and of understanding the development of modern criticism in Britain and America; * Relocates British writers within a native philosophical tradition.

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'An epic tale of love, dishonour, bravery, cowardice, betrayal and high-treason. Beautifully written. A stunning debut' Damien LewisPlayboy. Fascist. Strongman. Thief.Traitors.John Amery is a drunk and a fanatic, an exiled playboy whose frail body is riven by contradictions. Harold Cole is a cynical, murderous conman who desperately wants to be seen as an officer and a gentleman. Eric Pleasants is an iron-willed former wrestler; he is also a pacifist, and will not be forced into fighting other men's battles. William Joyce can weave spells when he talks, but his true gifts are for rage and hate. By the end of the Second World War, they will all have betrayed their country. The Traitors is the story of how they came to do so. Drawing on declassified MI5 files, it is a book about chaotic lives in turbulent times; idealism twisted out of shape; of torn consciences and abandoned loyalties; and the tragic consequences that treachery brings in its wake.

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The words of its writers are part of the texture of Dublin, an invisible counterpart to the bricks and pavement we see around us. Beyond the ever-present footsteps of James Joyce's characters, Leopold Bloom or Stephen Dedalus, around the city centre, an ordinary-looking residential street overlooking Dublin Bay, for instance, presents the house where Nobel Laureate Seamus Heaney lived for many years; a few blocks away is the house where another Nobel Laureate, W. B. Yeats, was born. Just down the coast is the pier linked to yet another, Samuel Beckett, from which we can see the Martello Tower that is the setting for the opening chapter of Ulysses. But these are only a few. Step-by-step, Dublin: A Writer's City unfolds a book-lover's map of this unique city, inviting us to experience what it means to live in a great city of literature. The book is heavily illustrated, and features custom maps.

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This study puts contemporary Irish poetry in dialogue with major debates and concerns of European and American poetics. David Lloyd tracks the traits of Irish poetic modernism, from fragmentation to the suspicion of representation, in nineteenth-century responses to the rapid and unsettling effects of Ireland's precocious colonial modernity, such as language loss and political violence. He argues that Irish poetry's inventiveness is driven by the need to find formal means to engage with historical conditions that take from the writer the customary certainties of cultural continuity, identity and aesthetic or personal autonomy, rather than by poetic innovation for its own sake. This reading of Irish poetry understands the innovative impetus that persists through Irish poetry since the nineteenth century as a counterpoetics of modernity. Opening with chapters on Mangan and Yeats, the book then turns to detailed discussions of Trevor Joyce, Maurice Scully, and Catherine Walsh: major Irish contemporary poets never before the focus of a book-length study.

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The joyful summer read, perfect for fans of Marian Keyes and Nora EphronOne week at the beach. The perfect family holiday. What could possibly go wrong...? Instant NEW YORK TIMES bestseller STYLIST Book of the Month: A holiday reading gem' GUARDIAN Book of the Week: Wise and exquisitely written' RACHEL JOYCE: A piece of perfection' GRAZIA Book of the month: A summer read with added bite' For the past two decades, Rocky has looked forward to her family's yearly escape. Their rustic beach-town rental has been the site of sweet memories, its quirky furniture and mismatched pots and pans greeted like old friends.Now, sandwiched between her children who are adult enough to be fun but still young enough to need her, and her parents who are alive and healthy, Rocky wants to preserve this golden moment forever. This one precious week when everything is in

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'ORIGINAL AND ENTHRALLING' Guardian'AFFECTING AND TENDER' The Times'COMPLETELY ENCHANTING' Penny Vincenzi Elizabeth Pringle lived all her long life on the Scottish island of Arran. But did anyone really know her? In her will she leaves her beloved house, Holmlea, to a stranger - a young mother she'd seen pushing a pram down the road over thirty years ago. It now falls to Martha, once the baby in that pram, to answer the question: why? Martha is coping with her mother's dementia and the possibility of a new life on Arran could be a new start.A captivating story for fans of Rosamund Pilcher, Maeve Binchy and Rachel Joyce of the richness behind the so-called ordinary lives of women and the secrets and threads that hold them together.And Kirsty Wark's second novel, The House by the Loch, a story of unlikely love and long-hidden family secrets set in the beautiful Scottish countryside, is out now.

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A graphic biography of Djuna Barnes: writer, artist, and queer radical of the Lost Generation in the Roaring 20s. Djuna Barnes lived in a dazzling world filled with literary salons, innovative writing, and daring new art styles. But it didn’t come easily. She managed to work her way out of an abusive childhood growing up in a polygamous rural utopian community on Long Island. She was determined to live an extraordinary life, and found herself socializing with the likes of James Joyce, Natalie Barney, Peggy Guggenheim, and T.S. Eliot in 1920s literary Paris. Called the most famous unknown of the century, Djuna Barnes stood out for her brilliant writing, her biting wit, and her unique style. Her novel, Nightwood is considered by some to be one of the greatest lesbian love stories ever written. But as the stock market crashed and the Lost Generation left Paris, her life began to unwind. A fascinating window into the life of

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Since its creation in 1894 by Joseph Snell Wood, the Society of Women Writers & Journalists has attracted the company of many famous women writers, journalists, poets and playwrights. From its early days when at least 200 women applied to join, the Society has expanded to become a world-renowned body, with members both in the United Kingdom and abroad. To celebrate the centenary of the birth of the SWWJ's much-loved President of twenty-two years, Joyce Grenfell, the Society's archivist, Sylvia Kent, reveals the long and fascinating history of the Society. Not only is the evolution of the Society fully explored, but also the lives of many of its members have been thoroughly researched to paint a vivid picture of how the Society has gone from strength to strength. Accompanied by images of the Society's members, both past and present, this book will interest not only members of the SWWJ, but is a must-read for women writers everywhere.

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In Animate Literacies Nathan Snaza proposes a new theory of literature and literacy in which he outlines how literacy is both constitutive of the social and used as a means to define the human. Weaving new materialism with feminist, queer, and decolonial thought, Snaza theorizes literacy as a contact zone in which humans, nonhuman animals, and nonvital objects such as chairs and paper all become active participants. In readings of classic literature by Kate Chopin, Frederick Douglass, James Joyce, Toni Morrison, Mary Shelley, and others, Snaza emphasizes the key roles that affect and sensory experiences play in literacy. Snaza upends common conceptions of literacy and its relation to print media, showing instead how such understandings reinforce dehumanizations linked to dominant imperialist, heterosexist, and capitalist definitions of the human. The path toward disrupting such exclusionary, humanist frameworks, Snaza contends, lies in formulating alternative practices of literacy and literary study that escape disciplined knowledge production.

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A hugely entertaining and well-written tour of the links between math and literature. Hart's lightness of touch and passion for both subjects make this book a delight to read. Bookworms and number-lovers alike will discover much they didn't know about the creative interplay between stories, structure and sums.' Alex BellosThis exuberant book will educate, amuse and surprise. It might even add another dimension to the way you read.' The Sunday TimesWe often think of mathematics and literature as polar opposites. But what if, instead, they were fundamentally linked? In this insightful, laugh-out-loud funny book, Once Upon a Prime, Professor Sarah Hart shows us the myriad connections between maths and literature, and how understanding those connections can enhance our enjoyment of both.Did you know, for instance, that Moby-Dick is full of sophisticated geometry? That James Joyce's stream-of-consciousness novels are deliberately checkered with mathematical references? That George Eliot w

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This new edition of Alexander Miller’s highly readable introduction to contemporary metaethics provides a critical overview of the main arguments and themes in twentieth- and twenty-first-century contemporary metaethics. Miller traces the development of contemporary debates in metaethics from their beginnings in the work of G. E. Moore up to the most recent arguments between naturalism and non-naturalism, cognitivism and non-cognitivism. From Moore’s attack on ethical naturalism, A. J. Ayer’s emotivism and Simon Blackburn’s quasi-realism to anti-realist and best opinion accounts of moral truth and the non-reductionist naturalism of the ‘Cornell realists’, this book addresses all the key theories and ideas in this field. As well as revisiting the whole terrain with revised and updated guides to further reading, Miller also introduces major new sections on the revolutionary fictionalism of Richard Joyce and the hermeneutic fictionalism of Mark Kalderon. The new edition will continue to be essential reading for students, teachers and professional philosophers with an interest in contemporary metaethics.

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1000-PIECE PUZZLE that makes a perfect gift for fans of Virginia Woolf and her work. INCLUDES A PULL-OUT POSTER so you can spot all the characters and read their stories. 'THE WORLD OF...' JIGSAWS are a fun way of celebrating the lives and works of creative greats. Also available in the series: The World of Frida Kahlo, The World of Jane Austen, The World of the Brontës, The World of James Joyce and more. SCREEN-FREE FUN from one of the world's leading publishers of books and gifts on the creative arts A GOOD-SIZED PUZZLE that measures 48.5 x 68 cm (19 x 27 in.) when completed. Piece together the world of Virginia Woolf and the Bloomsbury Group, finding a host of famous characters both real and fictional along the way. From the beaches of Cornwall to the streets of Bloomsbury and from Hogarth House to the colleges of Cambridge, spot Leonard Woolf, Clive and Vanessa Bell and Vita Sackville-West, a

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A new collection of poetry from an American literary legend, her first in twenty-five yearsJoyce Carol Oates is one of our most insightful observers of the human heart and mind, and, with her acute social consciousness, one of the most insistent and inspired witnesses of a shared American history.Oates is perhaps best known for her prodigious output of novels and short stories, many of which have become contemporary classics. However, Oates has also always been a faithful writer of poetry. American Melancholy showcases some of her finest work of the last few decades.Covering subjects big and small, and written in an immediate and engaging style, this collection touches on both the personal and political. Loss, love, and memory are investigated, along with the upheavals of our modern age, the reality of our current predicaments, and the ravages of poverty, racism, and social unrest. Oates skillfully writes characters ranging from a former doctor at a Chinese People’s Liberation Army hospital to Little Albert, a six-month-old infant who took part in a famous study that revealed evidence of classical conditioning in human beings.

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'The true pioneer of civilization is not the newspaper, not religion, not the railroad but Whiskey!' – Mark Twain From illicit distillation to worldwide export, whisky has a powerful and multi-faceted history. Writers including Robert Burns, James Joyce and Haruki Murakami have all mused on it, and there are strong opinions on every aspect, even down to how the word itself should be spelled. A staple of the classic cocktail, whisky is at the heart of diverse cultures around the globe, both in the established whisky traditions of Scotland and Ireland and in newer practices, such as the first Swedish malt whisky distillery, Mackmyra, opened in 1999. This book will take you to whisky landmarks all over the world, including the record-breaking Karuizawa distillery in Japan and Kavalan, the distillery that put Taiwanese whisky on the map. Get to grips with the four key ingredients – grain, wood, yeast and time – then learn how to taste whisky like a pro, from glassware to cocktails, and become a part of the international whisky family.

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Winner of the First Prize in the Joyce Rothschild Book AwardsPlatform cooperatives reimagine a world where domestic workers can double their income by establishing their own platform-an internet where platforms such as Twitch, Twitter, and Roblox were owned by their streamers, users, and creators. What if small fishing communities in Mexico or farmers in Kerala had the power to determine what data they collected about their work and how they utilized that data?Platform cooperatives are not a figment of the utopian imagination, but rather a reality that is transforming industries today. Collectives that leverage technology offer an urgent and practical solution to shift how businesses are owned and controlled, allowing workers to make decisions together. In this book, researcher and activist Trebor Scholz explores how these new forms of business, powered by peer principles, are paving the way for a more equitable economy that benefits everyone.Own This! sets out a program that could change the ways we live, work, and organize.

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Filled with devotion and lust, sensuality and eroticism, fevers and overtures, these poems showcase some of the most passionate verses in the French language. From the classic sixteenth-century love sonnets of Louise Labé and Maurice Sceve to the piercing lyricism of the Romantics and the dreamlike compositions of the Surrealists, French Love Poems is the perfect, seductive gift for anyone who makes your heart flutter. This collection includes poems by Guillaume Apollinaire, Charles Baudelaire, Claude Cahun, René Char, Marceline Desbordes-Valmore, Paul Éluard, Louise Labé, Stéphane Mallarmé, Anna de Noailles, Joyce Mansour, Arthur Rimbaud, Paul Verlaine, and many others; as well as translations by Mary Ann Caws, Robert Duncan, Lawrence Ferlinghetti, Denise Levertov, Ezra Pound, Kenneth Rexroth, Frederick Seidel, Richard Sieburth, and William Carlos Williams.

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With a new Foreword by Derek De Vries It is 1963 in an unnamed town in North Dakota, and Anthony Thrasher is languishing for a second year in eighth grade. Prematurely sophisticated, young Anthony spends too much time reading Joyce, Eliot, and Dylan Thomas but not enough time studying the War of 1812 or obtuse triangles. A tutor is hired, and this "modern Hester Prynne" offers Anthony lessons that ultimately free him from eighth grade and situate her on the cusp of the American sexual revolution. Anthony's restless adolescent voice is perfectly suited to De Vries's blend of erudite wit and silliness - not to mention his fascination with both language and female anatomy - and it propels Slouching Towards Kalamazoo through theological debates and quandaries both dermatological and ethical to soar on the De Vriesian hallmark of scrambling conventional wisdom for comic effect.

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Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del ToroFilmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro’s favorites, from Mary Shelley’s Frankenstein and Ray Russell’s short story “Sardonicus,” considered by Stephen King to be “perhaps the finest example of the modern Gothic ever written,” to Shirley Jackson’s The Haunting of Hill House and stories by Ray Bradbury, Joyce Carol Oates, Ted Klein, and Robert E. Howard. Featuring original cover art by Penguin Art Director Paul Buckley, these stunningly creepy deluxe hardcovers will be perfect additions to the shelves of horror, sci-fi, fantasy, and paranormal aficionado

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“Every reading is, strictly speaking, unrepeatable; something in it, of it, will vary. Recollections of reading accumulate in relation to this iterable specificity; each takes its predecessors as its foundation, each inflects them with its backward-looking futurity.” In Ex-foliations, Terry Harpold investigates paradoxes of reading’s backward glances in the theory and literature of the digital field.In original analyses of Vannevar Bush’s Memex and Ted Nelson’s Xanadu, and in innovative readings of early hypertext fictions by Michael Joyce and Shelley Jackson, Harpold asserts that we should return to these landmarks of new media scholarship with newly focused attention on questions of media obsolescence, changing user interface designs, and the mutability of reading. In these reading machines, Harpold proposes, we may detect traits of an unreadable surface—the real limit of the machines’ operations and of the reader’s memories—on which text and image are projected in the late age of print.

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This volume presents a galaxy of traditional and modern critical approaches to Joseph Conrad's oeuvre, ranging from biographical and autobiographical studies to literary comparisons with John Milton, Herman Melville, James Joyce, Fyodor Dostoevsky, and Cormac McCarthy; from postcolonial and Marxist analyses to reader-response, intertextual, and archetypal criticism. Some pieces incorporate the theoretical-philosophical insights of Josiah Royce, Sigmund Freud, and Jacques Lacan; others consult Jacques Derrida, Homi Bhabha, and Slavoj Zizek. Apart from Conrad's life and its reflection in his writings, these essays illuminate such thematics as the critique of reality; nationalism; imperial evil; racism; landscape and truth; impressionism; psychological archetypes; doubling and defamiliarization; alienation and selfhood; the uncanny; imaginary identification and the real; ideology as specter; unconditional hospitality; the theory of whirling and veering; and academic teachings of Conrad, both their past character and future possibilities.

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Photography might be called the lost cause of cinema, gone in projection and too soon forgotten. But what is the mysterious region between photography and narrative cinema, between the photogram - a single film frame - and the illusion of motion one recognizes as the movies? In this study, Garrett Stewart discusses the photogram not only as the undertext of screen images but also in its unexpected links to the early modernist writings of James, Conrad, Forster, Joyce and others. Engaging the work of such media theorists as Eisenstein, Benjamin, Kracauer, Bazin, Baudry, Cavell, Deleuze and Jameson, this study pursues the suppressed photogram as it ripples the narrative surface of several dozen films from Lang and Chaplin through Bergman, Coppola and beyond. To locate the exact repercussions of such effects, Stewart includes over 300 frame enlargements drawn from genres as different as science fiction, film noir and recent Victorian costume drama.

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In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. With Knossos and the Prophets of Modernism, Cathy Gere relates the fascinating story of Evans' excavation and its long-term effects on Western culture. After World War I left the Enlightenment dream in tatters, the lost paradise that Evans offered in the concrete labyrinth - pacifist and matriarchal, pagan and cosmic - seemed to offer a new way forward for writers, artists, and thinkers such as Sigmund Freud, James Joyce, Giorgio de Chirico, Robert Graves, and Hilda Doolittle. Assembling a brilliant, talented, and eccentric cast at a moment of tremendous intellectual vitality and wrenching change, Gere paints an unforgettable portrait of the age of concrete and the birth of modernism.

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The Maamtrasna Murders provides a cultural history of the events and subsequent impact of the renowned Maamtrasna murders from the perspective of language change in late nineteenth-century Ireland. Professor Kelleher takes the Maamtrasna case - one that is notorious for its failure to provide interpretation and translation services for monoglot Irish speakers - and examines broader sociolinguistic issues. Uncovering archival materials not previously consulted, this work illuminates a story that has proven to be much richer, `messier', and a more intricate social narrative than previous commentators have recognized. The Maamtrasna Murders moves Maamtrasna's violation of human rights from a local to a global stage. While the wrongful execution of monolingual Myles Joyce would prove to be the best-known feature of the case, the complex significance of language-use in an isolated region mirrors the dynamics that continue to influence the fates of monolingual and bilingual people today.

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Impure thoughts is the first study of the twentieth-century Irish Catholic Bildungsroman. This comparative examination of six Irish novelists tracks the historical evolution of a literary genre and its significant role in Irish culture. With chapters on James Joyce and Kate O’Brien, along with studies of Maura Laverty, Patrick Kavanagh, Edna O’Brien and John McGahern, this book offers a fresh new approach to the study of twentieth-century Irish writing and of the twentieth-century novel.Combining the study of literature and of archival material, Impure thoughts also develops a new interpretive framework for studying the history of sexuality in twentieth-century Ireland. Addressing itself to a wide set of interdisciplinary questions about Irish sexuality, modernity and post-colonial development, as well as Irish literature, it will be of interest to students and scholars in various disciplines, including literary studies, history, sociology and gender studies.

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'I loved Fear of Dying. I found it irreverent, funny, tender and very wise and it made me feel more alive' RACHEL JOYCE, The Unlikely Pilgrimage of Harold Fry Vanessa Wonderman is smart, sexy - and sixty. After a lifetime of crazy families, New York high society and playing a soap opera archvillain bitch, she's not ready to give up yet.But life's not so carefree any more. Her parents are dying, her husband's in hospital and her wild-child daughter is pregnant.So when she signs up to a casual encounters site, she's thinking of leaving her wifelife behind - at least for a little bit. However, the most painful parts of your past always have away of surprising you. Will she learn in time how to live, how to love, how to be fearless?

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A profoundly unsettling story of a plantation slave's desperate escape into a rainforest beyond human control, with his master and a ferocious dog on his heels. This flight to freedom takes them on a journey that will transform them all, as the overwhelming physical presence of the forest and its dense primeval wilderness reshapes reality and time itself. In the darkness, the old man grapples with the spirits of all those who have gone before him; the knowledge that the past is always with us, and the injustice that can cry out from beyond the grave. From a Prix Goncourt writer hailed by Milan Kundera as the 'heir of Joyce and Kafka', The Old Slave and the Mastiff fearlessly portrays the demonic cruelties of the slave trade and its human costs ­- a wise, loving tribute to the Creole culture of Martinique, and a vividly told journey into the heart of Caribbean history and human endurance.

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Winner, Toronto Book AwardsMoving the Museum documents the reopening of the J.S. McLean Centre for Indigenous & Canadian Art with a renewed focus on the AGO’s Indigenous art collection. The volume reflects the nation-to-nation treaty relationship that is the foundation of Canada, asking questions, discovering truths, and leading conversations that address the weight of history and colonialism.Lavishly illustrated with more than 100 reproductions, Moving the Museum: Indigenous + Canadian Art at the AGO features the work of First Nations artists — including Carl Beam, Rebecca Belmore, and Kent Monkman — along with work by Inuit artists like Shuvinai Ashoona and Annie Pootoogook. Canadian artists include Lawren Harris, Kazuo Nakamura, Joyce Wieland, and many others. Drawing from stories about our origins and identities, the featured artists and essayists invite readers to engage with issues of land, water, transformation, and sovereignty and to contemplate the historic and future representation of Indigenous and Canadian art in museums.

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'He spoke of a new kind of terre-mauvaise, of strange regions, connected, indeed, with definite geographical limits upon the earth, yet somehow apart from them and beyond them.' A poet comes to a fork in the road where three parallel destinies orbit the same violent fate; a child’s rebellious escapade to the city becomes a nightmare when the portal to return is nowhere to be found; rather than abdicate, Kaiser Wilhelm II leads the High Seas Fleet on a doom-laden final voyage. Delving into the strange imaginings of Arthur Conan Doyle, Joyce Carol Oates, Sarban, Robert Holdstock and many more, this new collection brings together fourteen tales traversing uncanny collateral fates, weird eddies of alternative history, realms of Dark Fantasy and the unsettling otherworlds bordering our own reality.

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Featuring new essays by established and emerging scholars, Intersections: Women artists/surrealism/modernism redefines conventional surrealist and modernist canons by focusing critical attention on women artists working in and with surrealism in the context of modernism. In doing so it redefines critical understanding of the complex relations between all three terms.The essays address work produced in a wide variety of international contexts and across several generations of surrealist production by women closely connected to the surrealist movement or more marginally influenced by it. Intersections explores work in a wide range of media, from painting and sculpture to film and fashion, by artists including Susan Hiller, Maya Deren, Birgit Jurgenssen, Aube Elléouët, Dorothea Tanning, Claude Cahun, Elsa Schiaparelli, Joyce Mansour, Leonor Fini, Mimi Parent, Lee Miller, Leonora Carrington, Ithell Colquhoun and Eileen Agar.

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Proving there is more to Zurich than banking, clean streets and punctuality, this explorer's guide shows a very different side to the Swiss city. An illustrated guide to over 80 fascinating and unusual historical sights in Switzerland's largest city. Roman ruins and medieval walls, curious museums and secret gardens, quirky shops and converted factories. From Roman Turicum and the Old Swiss Confederacy to the Helvetic Republic and the Industrial Revolution. Locations include the home of FIFA, an elephant in the woods, the emperor's paddle steamer, and the original Dark Restaurant. Also Coffee with Lenin, the forgotten Mrs. Einstein, in the footsteps of James Joyce, and a martyr to the Reformation. Set off on your own urban expedition with the Only In Guides! These ground breaking city guides are for independent cultural travellers wishing to escape the crowds and locals keen to learn more about where they live. Unique locations, hidden corners and unusual objects.

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In the modern era, children experiencing grief were encouraged to dry their tears and 'be good soldiers.' How was this phenomenon interrogated and deconstructed in the period's literature? Be a Good Soldier initiates conversation on the figure of the child in modernist novels, investigating the demand for emotional suppression as manifested later in cruelty and aggression in adulthood. Jennifer Margaret Fraser provides sophisticated close readings of key works by Joseph Conrad, Virginia Woolf, and James Joyce, among others who share striking concerns about the concept of infantry - both as a collection of infants, and as foot soldiers of war. A phenomenon associated traditionally with Freud, Fraser instead uses a unique, Derridean theoretical prism to provide new ways of understanding modernist concerns with power dynamics, knowledge, and meaning. Be a Good Soldier establishes a pioneering, nuanced vocabulary for further historical and cultural inquiries into modernist childhood.

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This book provides a wide-ranging and up-to-date critical introduction to the writings of Hélène Cixous (1937-), focusing on key motifs, such as dreams, the supernatural, literature, psychoanalysis, creative writing, realism, sexual differences, laughter, secrets, the ‘Mother unconscious’, drawing, painting, life writing, telephones, non-human animals, telepathy and the ‘art of cutting’. There are close readings of Shakespeare, Brontë, Shelley, Poe, Carroll, Freud, Woolf, Joyce, Beckett and Derrida, for example, alongside in-depth explorations of her own writings, from Inside (1969) and ‘The Laugh of the Medusa’ (1975) up to the present. Royle’s book will be useful to students and academics coming to Cixous’s work for the first time, but it will also appeal to readers interested in contemporary literature, creative writing, life writing, narrative theory, deconstruction, psychoanalysis, trauma studies, feminism, queer theory, ecology, drawing and painting.

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Follow the ingenious mysteries of the ‘Tuesday Night Club’ with this hardback special edition of Agatha Christie’s beloved classic. THE ORIGINAL WEEKDAY MURDER CLUB ‘Well,’ said Joyce, ‘it seems to me we are a pretty representative gathering. How would it be if we formed a Club? What is today? Tuesday? We will call it The Tuesday Night Club. It is to meet every week, and each member in turn has to propound a problem. Some mystery of which they have personal knowledge, and to which, of course, they know the answer.’ Two years before The Murder at the Vicarage, Agatha Christie first introduced the world to Jane Marple and the stories of murder and intrigue told by each member of the Tuesday Night Club. Time and time again, crimes so wicked they have confounded even Scotland Yard’s finest are solved by St Mary Mead’s sharpest mind and everyone’s favourite armchair detective.

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The presence of women and African Americans not simply as viewers, but also as televangelists and station owners in their own right has dramatically changed the face of American religious broadcasting in recent decades. Colored Television looks at the influence of these ministries beyond the United States, where complex gospels of prosperity and gospels of sexual redemption mutually inform one another while offering hopeful yet socially contested narratives of personal uplift. As an ethnography, Colored Television illuminates the phenomenal international success of American TV preachers like T.D. Jakes, Creflo Dollar, Joyce Meyer, and Juanita Bynum. Focusing particularly on Jamaica and the Caribbean, it also explores why the genre has resonated so powerfully around the world. Investigating the roles of producers, consumers, and distributors, Marla Frederick takes a unique look at the ministries, the communities they enter, and the global markets of competition that buffer them.

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The presence of women and African Americans not simply as viewers, but also as televangelists and station owners in their own right has dramatically changed the face of American religious broadcasting in recent decades. Colored Television looks at the influence of these ministries beyond the United States, where complex gospels of prosperity and gospels of sexual redemption mutually inform one another while offering hopeful yet socially contested narratives of personal uplift. As an ethnography, Colored Television illuminates the phenomenal international success of American TV preachers like T.D. Jakes, Creflo Dollar, Joyce Meyer, and Juanita Bynum. Focusing particularly on Jamaica and the Caribbean, it also explores why the genre has resonated so powerfully around the world. Investigating the roles of producers, consumers, and distributors, Marla Frederick takes a unique look at the ministries, the communities they enter, and the global markets of competition that buffer them.

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