Search results for ""author arnold a."

A reprint of the 1966 Bobbs-Merrill edition.This anthology assembles the contemporary writings not only of the New Dealers—the men who devised and executed the programs of the government in the era of Franklin D. Roosevelt—but also of the "social critics" who "gathered in various stances and at various distances around the Roosevelt fires." Here is a sampling of the famous movers and shakers of the 1930's: Thurman Arnold, Henry Wallace, Rexford Tugwell, David Lilienthal, Harry Hopkins, Harold Ickes, Frances Perkins, John Maynard Keynes, and of course Roosevelt himself. Here too are the voices of those who thought the New Dealers were going "too far" such as Walter Lippmann and Raymond Moley, and of those who thought they were not going "far enough"; like John Dewey, W. E. B. DuBois, Norman Thomas, Lewis Mumford, and Carey McWilliams.In his Introduction Howard Zinn defines the boundaries of the New Deal's experimentalism and attempts to explain why it sputtered out. The result is a book that captures the spirit of the New Deal—hopeful, pragmatic, humane—yet remains hardheaded about its accomplishments and failures.

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The essential collection on the psychiatric phenomenon Since Freud’s first mention of object relations in his seminal paper Three Essays on the Theory of Sexuality, analysts have been arguing about its role in the psychological development and mental life of individuals. Essential Papers on Object Relations gathers together the critical papers by major figures in the field. Reflecting the changes and conflicts over the past hundred years, the volume includes the work of key scholars as they attempt to define, delineate, and describe object relations theory. It includes work by: Sigmund Freud, Melanie Klein, Arnold H. Modell, W. R. D. Fairbairn, Jacob A. Arlow, Annie Reich, John Bowlby, Margaret S. Mahler, Harry Guntrip, D. W. Winnicott, Joseph Sandler and Anne-Marie Sandler, Otto Kernberg, T. F. Main, Edith Jacobson, and Hans W. Loewald. The book, which includes explanatory introductions to each part, is an invaluable resource for those seeking a thorough examination of object relations theory and the classical and contemporary work of major analytic thinkers. y.

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Traitor's Blood, the first in The Civil War Chronicles, Michael Arnold's acclaimed series of historical thrillers, sees battle-scarred hero Captain Stryker, 'the Sharpe of the Civil War', confront his nemesis. 'Stands in comparison with the best of Cornwell' Yorkshire PostOnce seen in the heat of battle, Captain Stryker is never forgotten. A hardened veteran of the wars in the Low Countries, he has come home to England to seek revenge on the man who left him for dead and scarred him for life.Stryker is driven by loyalty rather than conviction to serve King Charles's cause. He has no truck with aristocracy, preferring the company of a handful of trusted men, including sometime actor Lancelot Forreseter and his foul-mouthed sergeant, Skellen. But when the existence of a dangerous spy at the heart of the Royalist establishment is discovered, it is Stryker whom Prince Rupert chooses to capture the man before he realises the game is up.Lightly armed and with only a handful of men, Stryker must journey across a country riven by bitterness and beset by marauding bands of soldiers in a race against time. But unbeknown to Stryker, someone else is also closing in on his quarry, someone whom Stryker has sworn to kill: Captain Eli Makepeace, his nemesis, the man who nearly destroyed him . . .

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A Swedish crime writer as thrilling as Mankell, a detective as compelling as Wallander . . . Håkan Nesser's astonishingly successful Van Veeteren series continues with the eighth book, The Weeping Girl.Winnie Maas died because she changed her mind . . . A community is left reeling after a teacher – Arnold Maager – is convicted of murdering his female pupil Winnie Maas. It seems the girl had been pregnant with Maager's child. Years later, on her eighteenth birthday, Maager's daughter Mikaela finally learns the terrible truth about her father. Desperate for answers, Mikaela travels to the institution at Lejnice, where Maager has been held since his trial. But soon afterwards she inexplicably vanishes. Detective Inspector Ewa Moreno from the Maardam Police is on holiday in the area when she finds herself drawn into the case of Mikaela's disappearance. But before she can make any headway in the investigation, Maager himself disappears – and then a body is found. It will soon become clear to Ewa that only unravelling the events of the past will unlock this dark mystery . . .The Weeping Girl is followed by book nine in the series, The Strangler's Honeymoon.

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The Oxford Companion to Music is one of the most famous music reference works of all time. This invaluable Companion now reappears in a completely new edition. Over a million words in length, it is the biggest, most authoritative, and most up to date single-volume music reference book available. The new edition draws on both the classic Oxford Companion to Music by Percy Scholes, first published in 1938, and the two-volume New Oxford Companion to Music, edited by Denis Arnold (1983), but is thoroughly revised and reimagined for the 21st century. Alison Latham has assembled a distinguished team of over 120 international contributors, bringing their distinctive voices to an exceptionally broad sweep of musical subjects ranging from composers, performers, conductors, individual works, instruments and notation, and forms and genres, to music scholarship and aesthetics, music education, broadcasting and publishing, all aspects of music theory, and performance practice, as well as jazz, popular music, and dance. Entries range from brief definitions to in-depth essays on subjects such as politics, religion, psychology, and computers. This is a comprehensive, authoritative, and accessible source of information on all aspects of Western music.

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This new biography examines the life and work of Lionel Tertis, almost solely responsible for the rise of the viola in the twentieth century. Lionel Tertis [1876-1975] stands in the company of Ysaÿe, Kreisler, Casals, Thibaud and Rubinstein as one of the greatest instrumentalists - and arguably the greatest viola player - of all time. Such composers as Arnold Bax, Holst, and Vaughan Williams all wrote significant works for him; he was a member of a number of prominent string quartets; and he was later to design and promote his own 'Tertis model' viola. He is virtually synonymous with the increasing importance of the viola as a solo and recital instrument alongside the violin and the cello. This biography, the first full-length survey of his life, tells how he rose from humble beginnings to become 'the father of themodern viola'. It explores in detail his long and distinguished career, persuading composers to write works for the viola, arranging existing works for the instrument, editing and performing the music, teaching and coaching in Great Britain, and his performances in the United States. JOHN WHITE is a prominent viola teacher and performer; in 2000 he was awarded the International Viola Society's highest award for distinguished scholarship and contributions to the viola.

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American anthropologist Penny Spring and British archaeologist Sir Toby Glendower have received a tantalizing invitation. Would they join old friend Jules Lefau on a three-week cruise among the Greek islands? Toby is wary of any invitation from the wily Lefau, but Penny sets off eagerly, children and grandchildren in tow. Arriving, the Springs find an astonishing assemblage of multimillionaires, entire dynasties and paramours included. Soon, however, Penny senses a dark purpose behind the festivities, especially following the sudden, mysterious death of patriarch Demetrios. Then Demetrios's heir is found murdered, his body floating in a swimming pool. Toby, summoned from Oxford, arrives in the Mediterranean just as another attempt on the life of an heir takes place. Clearly, someone is out to eradicate an entire clan, and only Penny and Sir Toby have the wits to pursue a perilous investigation to its alarming conclusion. "A new Margot Arnold mystery is always a pleasure," writes the Chicago Sun-Times. "She should be better known, particularly since her mysteries are often compared to those of the late Ngaio Marsh."

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How were the genres of literature changed by new methods of serialization and publishing? How did a widespread culture of performance emerge in the period to shape as well as to be shaped by the novel and poetry? David Amigoni draws on the most recent critical approaches to the novel, Victorian melodrama and poetry to answer these and other questions. The work of Charles Dickens, George Eliot, Oscar Wilde, Alfred Tennyson, Robert Browning, Christina Rossetti, Thomas Hardy, Thomas Carlyle and Mathew Arnold are explored in relation to ideas about fiction, journalism, drama, poetry, the New Woman, gothic, horror and the Victorian sage. Key Features *Detailed readings of key texts provide models of how to read critically *Demonstrates the interaction between genres to help think through modes of artistic experimentation and innovation in the period *Examines Neo-Victorian fiction, a popular genre today *Student resources include electronic and reference sources, further reading and an extensive glossary of key critical terms and historical issues

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A miscellany of mostly imperial verse.This two-volume anthology covers a period of four and a half centuries, beginning with the work of the mime-writer Publilius Syrus who flourished ca. 45 BC and ending with the graphic and charming poem of Rutilius Namatianus recording a sea voyage from Rome to Gaul in AD 416. A wide variety of theme gives interest to the poems: hunting in a poem of Grattius; an inquiry into the causes of volcanic activity by the author of Aetna; pastoral poems by Calpurnius Siculus and by Nemesianus; fables by Avianus; a collection of Dicta, moral sayings, as if by the elder Cato; eulogy in Laus Pisonis; and the legend of the Phoenix, a poem of the fourth century. Other poets complete the work.

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The world’s greatest detective, Hercule Poirot – legendary star of Agatha Christie’s Murder on the Orient Express, Death on the Nile and A Haunting in Venice – puts his little grey cells to work solving a baffling Christmas mystery. CAN HERCULE POIROT SOLVE A BAFFLING MURDER MYSTERY IN TIME FOR CHRISTMAS? It’s 19 December 1931. Hercule Poirot and Inspector Edward Catchpool are called to investigate the murder of a man in the apparent safe haven of a Norfolk hospital ward. Catchpool’s mother, the irrepressible Cynthia, insists that Poirot stays in a crumbling mansion by the coast, so that they can all be together for the festive period while Poirot solves the case. Cynthia’s friend Arnold is soon to be admitted to that same hospital and his wife is convinced he will be the killer’s next victim, though she refuses to explain why. Poirot has less than a week to solve the crime and prevent more murders, if he is to escape from this nightmare scenario and get home in time for Christmas. Meanwhile, someone else – someone utterly ruthless – also has ideas about what ought to happen to Hercule Poirot . . .

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'Oh Miriam! risks the curse of the sequel, and pulls it off . . . A force of nature, a tour de farce. Bold, brave and bright, but also revealing, shocking and touching. Miriam is an icon, a cocksucker - and the star of her show' ROBERT McCRUM, Independent'Our naughtiest national treasure . . . famously filthy, funny and phlegmatic . . . Oh Miriam! is Margolyes's manifesto for a fulfilled life . . . She loves to tell it straight. And the older she gets, the straighter she tells it' SIMON HATTENSTONE, Guardian'Irrepressible . . . A life-enhancing rollercoaster of a ride . . . this book is like Margolyes herself - outspoken, ebullient and unexpectedly wise' EMMA LEE-POTTER, Daily Express'Snortingly funny . . . deliciously unbridled . . . There is something heroic in her unruliness. Let Miriam take the lead and enjoy the show' RHIK SAMADDER, Observer'Insanely interesting, full of profanity and profundity, Oh Miriam!'s title comes from all the people who have ever exclaimed her name in every tone from horror to hilarity; and her unfiltered personality leaps off the page - honesty, kindness, generosity, sanity, erudition, outspokenness' SUZANNE HARRINGTON, Irish Examiner'Endearingly eccentric' WOMEN'S WEEKLYFrom declaring my love to Vanessa Redgrave to being fed cockroaches by Steve Buscemi, from turnip-based comedy with Blackadder to being farted on by Arnold Schwarzenegger, from Graham Norton's sofa to Alan Cumming's camper van, my life has been (and continues to be) an uproarious adventure.Oh Miriam! has been such a constant refrain in my life, said in all kinds of tones - laughs, surprised gasps and orgasmic sighs (I'm hoping for all of those from you as you read on!) - that it had to be the title of this book. And with a cast list that stretches from Churchill to DiCaprio, Dahl to Dietrich, Princess Margaret to Maggie Smith, I've so much more to tell you and so much more to say.My chapters range from 'How to Stay Married' to 'Don't Let the Bastards Get You Down'. Discover how to break the thickest conversational ice; why swearing is actually good for you (though not on the Today programme); the unexpected things I learned at school and what my Spice Girl name would be. Not to mention my Tale of the Unexpected and my very own Vagina Monologue.Buckle up and join me on another unforgettable adventure, but this time through my heart and head . . .

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'Oh Miriam! risks the curse of the sequel, and pulls it off . . . A force of nature, a tour de farce. Bold, brave and bright, but also revealing, shocking and touching. Miriam is an icon, a cocksucker - and the star of her show' ROBERT McCRUM, Independent'Our naughtiest national treasure . . . famously filthy, funny and phlegmatic . . . Oh Miriam! is Margolyes's manifesto for a fulfilled life . . . She loves to tell it straight. And the older she gets, the straighter she tells it' SIMON HATTENSTONE, Guardian'Irrepressible . . . A life-enhancing rollercoaster of a ride . . . this book is like Margolyes herself - outspoken, ebullient and unexpectedly wise' EMMA LEE-POTTER, Daily Express'Snortingly funny . . . deliciously unbridled . . . There is something heroic in her unruliness. Let Miriam take the lead and enjoy the show' RHIK SAMADDER, Observer'Insanely interesting, full of profanity and profundity, Oh Miriam!'s title comes from all the people who have ever exclaimed her name in every tone from horror to hilarity; and her unfiltered personality leaps off the page - honesty, kindness, generosity, sanity, erudition, outspokenness' SUZANNE HARRINGTON, Irish Examiner'Endearingly eccentric' WOMEN'S WEEKLY From declaring my love to Vanessa Redgrave to being fed cockroaches by Steve Buscemi, from turnip-based comedy with Blackadder to being farted on by Arnold Schwarzenegger, from Graham Norton's sofa to Alan Cumming's camper van, my life has been (and continues to be) an uproarious adventure.Oh Miriam! has been such a constant refrain in my life, said in all kinds of tones - laughs, surprised gasps and orgasmic sighs (I'm hoping for all of those from you as you read on!) - that it had to be the title of this book. And with a cast list that stretches from Churchill to DiCaprio, Dahl to Dietrich, Princess Margaret to Maggie Smith, I've so much more to tell you and so much more to say.My chapters range from 'How to Stay Married' to 'Don't Let the Bastards Get You Down'. Discover how to break the thickest conversational ice; why swearing is actually good for you (though not on the Today programme); the unexpected things I learned at school and what my Spice Girl name would be. Not to mention my Tale of the Unexpected and my very own Vagina Monologue.Buckle up and join me on another unforgettable adventure, but this time through my heart and head . . .

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Most Dangerous is the award-winning nonfiction account of an ordinary man who wielded the most dangerous weapon: the truth. In 1964, Daniel Ellsburg was a U.S. government analyst, helping to plan a war in Vietnam. It was the height of the Cold War, and the government would do anything to stop the spread of communism-with or without the consent of the American people. As the fighting in Vietnam escalated, Ellsburg turned against the war. He had access a top-secret government report known as the Pentagon Papers, and he knew it could blow the lid off of years of government lies. But did he have the right to expose decades of presidential secrets? And what would happen to him if he did it? A lively book that interrogates the meanings of patriotism, freedom, and integrity, the 2015 National Book Award finalist Most Dangerous further establishes Steve Sheinkin as a leader in children's nonfiction. This thoroughly-researched and documented book can be worked into multiple aspects of the common core curriculum. Praise for Most Dangerous: Daniel Ellsberg and the Secret History of the Vietnam War: 2016 YALSA Excellence in Nonfiction Award winner A 2015 National Book Award finalist A 2015 Bulletin of the Center for Children's Books Blue Ribbon book A 2015 Los Angeles Times Book Prize for Young Adult Literature finalist Selected for the 2016 Notable Social Studies Trade Books for Young People List "Steve Sheinkin is a master of fast-paced histories . . . [this] is Sheinkin's most compelling one yet. " -Washington Post "Easily the best study of the Vietnam War available for teen readers." -Kirkus Reviews, starred review By Steve Sheinkin: Bomb: The Race to Build-and Steal-the World's Most Dangerous Weapon The Notorious Benedict Arnold: A True Story of Adventure, Heroism & Treachery The Port Chicago 50: Disaster, Mutiny, and the Fight for Civil Rights: Undefeated: Jim Thorpe and the Carlisle Indian School Football Team Most Dangerous: Daniel Ellsberg and the Secret History of the Vietnam War Which Way to the Wild West?: Everything Your Schoolbooks Didn't Tell You About Westward Expansion King George: What Was His Problem?: Everything Your Schoolbooks Didn't Tell You About the American Revolution Two Miserable Presidents: Everything Your Schoolbooks Didn't Tell You About the Civil War

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“Moving from A to B with the ferry across the open water feels grandiose. Standing at the railing on the outer deck, the mainland disappearing behind you and the island slowly looming up in front of you, something strange happens. A tranquility came over me that I had never experienced before. A new world lay at my feet.” - Jeroen Hofman Photographer Jeroen Hofman worked for years in all weathers on this magnum opus, capturing the Dutch islands in monumental images like a contemporary painter. All the photos were taken from an aerial platform, which enabled him to capture the landscape and the horizon in a very special way. An island has a mythical appeal to man and the imagination. This book celebrates and depicts the longing for an island as a place of rest, nature and seclusion. With text contributions by journalist and writer Arnold van Bruggen, who lives on Texel and made the iconic book The Sochi Project together with Rob Hornstra, and by Willemijn van der Zwaan, curator at Fotomuseum Den Haag. Text in English, Dutch and German.

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Published to coincide with the 50th anniversary of his death, this book presents new articles by leading authorities on John Ireland and his music, together with transcriptions of his broadcast talks and of interviews with the composer. John Ireland [1879-1962] was one of the most distinctive and distinguished of a generation of exceptional British composers that included Vaughan Williams, Gustav Holst, Frank Bridge and Arnold Bax. They emerged in the decade before the First World War and, in the inter-war years, produced a remarkable body of music. In Ireland's case his was not only the most popular British Piano Concerto of its time, but he also composed a splendid repertoire of songs,piano music, chamber music and orchestral and choral scores. This richly illustrated Companion will be essential for all admirers of the composer. Not only for the performer - pianist, singer, conductor - but for thewider musical public, record collectors and music historians, academics and anyone interested in British music of the earlier twentieth century. Lewis Foreman has drawn on his extensive research into Ireland's life and letters over many years, and, in association with the John Ireland Charitable Trust, has not only commissioned a wide range of chapters from leading performers and writers of today, but has brought together in one convenient format Ireland's own writings on music, the memories of his friends and students (including Britten, Moeran and Arnell) and a selection of important earlier articles. The Companion also includes a complete list of works and themost comprehensive discography of Ireland ever compiled. The accompanying CD contains historical recordings featuring the voice of John Ireland, with two of his broadcast talks, as well as otherwise unobtainable performances of Ireland's music from the composer himself and from other well-known performers of the past. LEWIS FOREMAN is author of Bax: A Composer and His Time [Boydell, 2007] and London: a Musical Gazetteer [Yale 2005]. Contributors: FELIX APRAHAMIAN, RICHARD ARNELL, BENJAMIN BRITTEN, JOCELYN BROOKE, ALAN BUSH, GEOFFREY BUSH, GEORGE DANNATT, JULIE DELLER, JEREMY DIBBLE, EDWIN EVANS, LEWIS FOREMAN, NORAH KIRBY, FREDERICK LAMOND, PHILIP LANCASTER, STEPHEN LE PROVOST, STEPHEN LLOYD, CHARLES MARKES, ROBERT MATTHEW-WALKER, E.J. MOERAN, ANGUS MORRISON, ERIC PARKIN, BRUCE PHILLIPS, C. B. REES, FIONA RICHARDS, ALAN ROWLANDS, R. MURRAY SCHAFER, MARION SCOTT, COLIN SCOTT-SUTHERLAND, HUMPHREY SEARLE, FREDA SWAIN, KENNETH THOMPSON, RODERICK WILLIAMS, KENNETH A. WRIGHT

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Providing a framework for treating substance use disorders (SUDs) in office-based psychotherapy, the second edition of this trusted work has been updated throughout and features two entirely new chapters. The authors show how clinicians from any background can leverage the therapeutic skills they already have to address clients' alcohol and drug problems competently and effectively. Vivid case examples demonstrate ways to engage clients at different stages of change; set collaborative treatment goals; address SUDs concurrently with other psychological problems; and interweave motivational, cognitive-behavioral, and other interventions, tailored to each individual's needs. Reproducible forms and handouts can be downloaded and printed in a convenient 8 1/2" x 11" size. New to This Edition *Chapter on evidence-based principles and interventions. *Chapter on moderation-focused alcohol treatment. *Revised throughout with current data, clinical techniques, and examples. *Reflects over 15 years of important changes in the field--increased demand for integrated treatment, the ongoing opioid crisis, the growth of harm reduction and medication-assisted treatments, and more.

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Providing a framework for treating substance use disorders (SUDs) in office-based psychotherapy, the second edition of this trusted work has been updated throughout and features two entirely new chapters. The authors show how clinicians from any background can leverage the therapeutic skills they already have to address clients' alcohol and drug problems competently and effectively. Vivid case examples demonstrate ways to engage clients at different stages of change; set collaborative treatment goals; address SUDs concurrently with other psychological problems; and interweave motivational, cognitive-behavioral, and other interventions, tailored to each individual's needs. Reproducible forms and handouts can be downloaded and printed in a convenient 8 1/2" x 11" size. New to This Edition *Chapter on evidence-based principles and interventions. *Chapter on moderation-focused alcohol treatment. *Revised throughout with current data, clinical techniques, and examples. *Reflects over 15 years of important changes in the field--increased demand for integrated treatment, the ongoing opioid crisis, the growth of harm reduction and medication-assisted treatments, and more.

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A groundbreaking handbook that takes a cross-national approach to the media history of Europe of the past 100 years The Handbook of European Communication History is a definitive and authoritative handbook that fills a gap in the literature to provide a coherent and chronological history of mass media, public communication and journalism in Europe from 1900 to the late 20th century. With contributions from teams of scholars and members of the European Communication Research and Education Association, the Handbook explores media innovations, major changes and developments in the media systems that affected public communication, as well as societies and culture. The contributors also examine the general trends of communication history and review debates related to media development. To ensure a transnational approach to the topic, the majority of chapters are written not by a single author but by international teams formed around one or more lead authors. The Handbook goes beyond national perspectives and provides a basis for more cross-national treatments of historical developments in the field of mediated communication. Indeed, this important Handbook: Offers fresh insights on the development of media alongside key differences between countries, regions, or media systems over the past century Takes a fresh, cross-national approach to European media history Contains contributions from leading international scholars in this rapidly evolving area of study Explores the major innovations, key developments, differing trends, and the important debates concerning the media in the European setting Written for students and academics of communication and media studies as well as media professionals, The Handbook of European Communication History covers European media from 1900 with the emergence of the popular press to the professionalization of journalists and the first wave of multimedia with the advent of film and radio broadcasting through the rapid growth of the Internet and digital media since the late 20th century.

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Here Ted Hunt offers the chance for golfers to improving their game by focusing his attention on the elements of golf legend Ben Hogan’s picture-perfect swing specific to shots attempted within one hundred yards of the flagstick.Beginning with an overview of Hogan’s magical device for the uninitiated, Hunt then segues into a detailed, step-by-step breakdown of Hogan’s swing from the takeaway to the follow-through, with each step garnering its own dedicated chapter complete with illustrations, photos, and drills. Subsequent chapters deal specifically with chip shots; flop shots; bunker shots; putts; spinning, drawing, and fading the ball; Hogan’s fundamentals; additional drills/exercises; and a special chapter on Hogan stories. Chapters include: PUTTING WITH HOGAN’S SYSTEM CHIPPING WITH HOGAN’S MAGICAL DEVICE THE PITCH SHOT THREE-QUARTER SHOT FOR ACCURACY TURNING THROUGH THE BALL SPECIALTY SHOTS GREENSIDE SHOTS PROBLEM SHOTS GOLF EXERCISES AT HOME AND MUCH MORE! “Please remember, the following revelations are not my golf techniques. They are Ben Hogan’s techniques—as described to me, piece by piece, by fascinated professional golfers who studied Hogan, or who had at least observed him with an analytical eye. As Kafka said, ‘The writer has nothing to say. He just presents evidence.’ On the Hogan topic, I had the privilege of interviewing Arnold Palmer, Sam Snead, Jack Nicklaus, Alvie Thompson, George Knudson, and Mike Souchak. I caddied for Moe Norman, Ted Kroll, Jay Hebert, Bing Crosby, and Babe Didrickson Zaharias. Then I was lucky enough to play with Stan Leonard, Moe Norman, Davis Love III, Dick Zokol, Jim Thorpe, Paul Azinger, Corey Pavin, Tom Kite, Ernie Brown, Brad Faxon, Jim Furyk, Joey Sindelar, and Bob Hope—all of whom had observations and stories about Ben Hogan. These experiences were fortuitous and pleasurable. From these informed sources I gathered snippets of detailed information. Their insights were always in their own language, which was mostly slang terminology with perhaps a demonstration thrown if they had the time: ‘wringing the towel,’ ‘changing the chuck on the lever,’ ‘buckling the wrist,’ ‘rolling the wrist,’ ‘arch and twist,’ ‘keep a flat wrist’ ‘square to square.’ It was my job to sift through the verbiage, and to put it into understandable, and universal, anatomical terms for reliable transmission. In the hopes of persuading you to give Hogan’s short game system an honest try, I will get into the good stuff as quickly as possible

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Gran Hotel Babylon es la obra que lanzó a la fama a Arnold Bennet. La novela nunca ha dejado de reeditarse en Inglaterra y fue la que más beneficio económico le reportó en toda su carrera; tuvo un éxito considerabilísimo por su perfecta maquinaria narrativa y su calibrada dosificación de efectos dramáticos. Esta obra es una pieza de entidad notable. Los ambientes, por ejemplo, por los que transitan los personajes de la emocionante intriga (desde el gigantesco hotel de lujo hasta el desolado y complejo ámbito portuario londinense; la bolsa y su mar de complejas transacciones hasta los palacios del juego y la diversión) están descritos con mano maestra, ofreciendo un fresco inigualable de la Inglaterra fin de siglo, no inferior a ciertas novelas de mayor entidad dramática.Un multimillonario estadounidense, junto a su caprichosa pero sagaz hija, Nella, recalan en Londres, en el mejor hotel de la ciudad y por extensión del mundo civilizado, el Gran Hotel Babylon. Por un capricho azaroso, s

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"Bayesian Econometrics" illustrates the scope and diversity of modern applications, reviews some recent advances, and highlights many desirable aspects of inference and computations. It begins with an historical overview by Arnold Zellner who describes key contributions to development and makes predictions for future directions. In the second paper, Giordani and Kohn makes suggestions for improving Markov chain Monte Carlo computational strategies. The remainder of the book is categorized according to microeconometric and time-series modeling. Models considered include an endogenous selection ordered probit model, a censored treatment-response model, equilibrium job search models and various other types. These are used to study a variety of applications for example dental insurance and care, educational attainment, voter opinions and the marketing share of various brands and an aggregate cross-section production function. Models and topics considered include the potential problem of improper posterior densities in a variety of dynamic models, selection and averaging for forecasting with vector autoregressions, a consumption capital-asset pricing model and various others. Applications involve U.S. macroeconomic variables, exchange rates, an investigation of purchasing power parity, data from London Metals Exchange, international automobile production data, and data from the Asian stock market.

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Showcases the energy and diversity of the young field of music semiology, appealing to readers who want to explore the meaning of music in our lives. The Dawn of Music Semiology showcases the work of nine leading musicologists, inspired by the work of Jean-Jacques Nattiez, the founding father of music semiology. Now entering its fifth decade as Nattiez enters his eighth,music semiology, or music semiotics, is still a young, vibrant field, and this book reflects its energy and diversity. It appeals to readers wanting to explore the meaning of music in our lives and to understand the ways of appreciating the complexities that lie behind its simple beauty and direct impact on us. Following a preface by Pierre Boulez and an introduction by the editors, nine chapters discuss the latest thinking about general considerations such as music and gesture, the psychology of music, and the role of ethnotheory. The volume offers new research on topics as diverse as modeling folk polyphony, spatialization in the Darmstadt repertoire, Schenker's theory of musical content, compositional modernism from Wagner to Boulez, current music theory terminology, and Maderna's use of folk music in serial composition. CONTRIBUTORS: Kofi Agawu, Simha Arom, Rossana Dalmonte, Irène Deliège, Jonathan Dunsby, Jonathan Goldman, Nicolas Meeùs, Jean Molino, Arnold Whittall Jonathan Dunsby is Professor of Music Theory at the Eastman School of Music, University of Rochester. Jonathan Goldman is Professor of Musicology at the University of Montreal.

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A celebration of Sinatra's enduring impact on American entertainment and cultural life. For nearly sixty years, Frank Sinatra [1915-98] triumphed in concert, in the recording studio, on television, and on the big screen, refashioning his image to suit the temper of the times. Sinatra did it "his way," remaining bothelusive and alluring, and appealing to men and women alike. This collection analyzes the qualities that ensured Sinatra's staying power: his impeccable musicality, his charisma, his tough-mindedness, and even his peccadilloes. The contributors to this volume evaluate Sinatra's impact on all areas of entertainment, and examine many of the cultural forces he influenced and was influenced by, including Bing Crosby, Elvis, the "Beats," the Beatles, and Rock 'n' Roll. What emerges is a portrait of an artist, entertainment icon, and legendary symbol of popular culture. This appreciation of the Sinatra phenomenon celebrates his enduring impact on American entertainment and cultural life. Contributors: Blaine Allan, Samuel L. Chell, David Finck, Joseph Fioravanti Jeanne Fuchs, Philip Furia, Roger Gilbert, Ruth Prigozy, Walter Raubicheck, Lisa Jo Sagolla, Ron Simon, Arnold Jay Smith, James F. Smith, Patric M. Verrone, David Wild Jeanne Fuchs is Professor Emerita of Comparative Literature and Languages at Hofstra University; Ruth Prigozy is Professor of English at Hofstra University.

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The world’s greatest detective, Hercule Poirot – legendary star of Agatha Christie’s Murder on the Orient Express, Death on the Nile and A Haunting in Venice – puts his little grey cells to work solving a baffling Christmas mystery. CAN HERCULE POIROT SOLVE A BAFFLING MURDER MYSTERY IN TIME FOR CHRISTMAS? It’s 19 December 1931. Hercule Poirot and Inspector Edward Catchpool are called to investigate the murder of a man in the apparent safe haven of a Norfolk hospital ward. Catchpool’s mother, the irrepressible Cynthia, insists that Poirot stays in a crumbling mansion by the coast, so that they can all be together for the festive period while Poirot solves the case. Cynthia’s friend Arnold is soon to be admitted to that same hospital and his wife is convinced he will be the killer’s next victim, though she refuses to explain why. Poirot has less than a week to solve the crime and prevent more murders, if he is to escape from this nightmare scenario and get home in time for Christmas. Meanwhile, someone else – someone utterly ruthless – also has ideas about what ought to happen to Hercule Poirot . . .

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Homecoming, haunting, nostalgia, desire: these are some of the themes evoked by the beguiling motif of the lighted window in literature and art. In this innovative combination of place-writing, memoir and cultural study, Peter Davidson takes us on atmospheric walks through nocturnal cities in Britain, Europe and North America, and revisits the field paths of rural England. Surveying a wide range of material, the book extends, chronologically, from early romantic painting to contemporary fiction, and geographically, from the Low Countries to Japan. It features familiar lighted windows in English literature (in the works of poets such as Thomas Hardy and Matthew Arnold and in the novels of Virginia Woolf, Arthur Conan Doyle and Kenneth Grahame) and examines the painted nocturnes of James Whistler, John Atkinson Grimshaw and the ruralist Samuel Palmer. It also considers Japanese prints of the nineteenth and twentieth centuries; German romanticism in painting, poetry and music; Proust and the painters of the French belle époque; René Magritte’s 'L’Empire des Lumières'; and North American painters such as Edward Hopper and Linden Frederick. By interpreting the interactions of art, literature and geography around this evocative motif, Peter Davidson shows how it has inspired an extraordinary variety of moods and ideas, from the romantic period to the present day.

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The year 1910 marks an astonishing, and largely unrecognized, juncture in Western history. In this perceptive interdisciplinary analysis, Thomas Harrison addresses the extraordinary intellectual achievement of the time. Focusing on the cultural climate of Middle Europe and paying particular attention to the life and work of Carlo Michelstaedter, he deftly portrays the reciprocal implications of different discourses - philosophy, literature, sociology, music, and painting. His beautifully balanced and deeply informed study provides a new, wider, and more ambitious definition of expressionism and shows the significance of this movement in shaping the artistic and intellectual mood of the age. "1910" probes the recurrent themes and obsessions in the work of intellectuals as diverse as Egon Schiele, Georg Trakl, Vasily Kandinsky, Georg Lukacs, Georg Simmel, Dino Campana, and Arnold Schoenberg. Together with Michelstaedter, who committed suicide in 1910 at the age of 23, these thinkers shared the essential concerns of expressionism: a sense of irresolvable conflict in human existence, the philosophical status of death, and a quest for the nature of human subjectivity. Expressionism, Harrison argues provocatively, was a last, desperate attempt by the intelligentsia to defend some of the most venerable assumptions of European culture. This ideological desperation, he claims, was more than a spiritual prelude to World War I: it was an unheeded, prophetic critique.

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A glimpse inside the darkroom—and into the strategies of renowned photographers This handsome volume offers an innovative perspective on the artistic processes of some of the most influential photographers of the 20th century. For decades before the advent of digital technology, the proof sheet or contact sheet was vital to the practice of photography. Photographers using roll film first saw positive images in the small-scale grid of the contact, which was marked for printing and served as a lasting reference. Because contact sheets typically remained out of view, they offer a privileged window into the working process. Photographers also recognized aesthetic potential in the proof sheet itself and occasionally presented the contact grid as a finished work of art. The lively but largely unexplored territory of the contact sheet is richly represented in the previously unpublished collection assembled by Mark Schwartz and Bettina Katz. As he charts this territory, Peter Galassi offers fresh insights into the work of Diane Arbus, Richard Avedon, Harry Benson, Harry Callahan, Larry Fink, Robert Frank, Emmet Gowin, Philippe Halsman, Arnold Newman, Irving Penn, and others.Distributed for the Cleveland Museum of ArtExhibition Schedule:Cleveland Museum of Art (February 7–April 19, 2020)

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Our living spaces are getting smaller but, as we spend more time at home, they must now work harder than ever to provide us with room to relax, work and entertain. Interior designers need to understand how to build accessibility, circulation, storage and lighting into the most restricted areas, without compromising on style. In this jargon-free guide, Mary Leslie demonstrates how to design for compact living, proposing creative solutions that can be applied to a variety of settings. A versatile designer may be addressing a cramped studio flat one day and a dressing room for an international business traveller the next; this book provides inspiration and advice for every kind of small space, and every budget. Organised around the different areas of the home, Squeezing It In examines familiar problems and offers clever, immediately applicable ideas for making the best of pocket-sized spaces. The entire design process is considered alongside complete examples, from the UK and internationally, which are generously illustrated with full-colour photographs, plans and sketches. Featuring case studies from: Archio Armstrong Keyworth Benjamin Tindall Architects Darren Oldfield Architects Jeffreys Interiors Mary Arnold-Forster Architects MW Architects Peden & Pringle Plankbridge

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The NIV Application Commentary helps you communicate and apply biblical text effectively in today's context.To bring the ancient messages of the Bible into today's world, each passage is treated in three sections: Original Meaning. Concise exegesis to help readers understand the original meaning of the biblical text in its historical, literary, and cultural context. Bridging Contexts. A bridge between the world of the Bible and the world of today, built by discerning what is timeless in the timely pages of the Bible. Contemporary Significance. This section identifies comparable situations to those faced in the Bible and explores relevant application of the biblical messages. The author alerts the readers of problems they may encounter when seeking to apply the passage and helps them think through the issues involved. This unique, award-winning commentary is the ideal resource for today's preachers, teachers, and serious students of the Bible, giving them the tools, ideas, and insights they need to communicate God's Word with the same powerful impact it had when it was first written.

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Das Jahrbuch wird in seinem liturgischen Teil eröffnet mit einigen wissenschaftstheoretischen Überlegungen zum Selbstverständnis und zur Konzeption von Liturgiewissenschaft, es wird der Standort der Liturgiewissenschaft im Verhältnis von Kirche und universitärer Wissenschaft reflektiert. Ein Beitrag befasst sich mit der gottesdienstlichen Entwicklung im Bereich der evangelisch-reformierten Kirche der Schweiz, ein anderer Beitrag dokumentiert und kommentiert die ökumenische Gebetsfeier in Lund anlässlich der Reformationsfeierlichkeiten. Die hymnologischen Beiträge stammen aus verschiedenen Teildisziplinen. Der erste beschreibt, wie deutsche geistliche Lieder im 16. und 17. Jahrhundert in Lettland aufgenommen und in die Landessprache übertragen wurden. Der zweite ist eine kommentierte Edition des Geheimnisvollen Triumphliedes von Gottfried Arnold von 1701, während sich der dritte dem Gemeindegesang und dem liturgischen Orgelspiel im 19. Jahrhundert in Pommern widmet. Literaturberichte zur Liturgik und Hymnologie mit internationalem Blick sowie Register zu Liedern und Personennamen runden das Jahrbuch ab.

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Julian Künstler comes from New York City to L.A. like many a lost twenty-something: to find a job writing in the entertainment industry. But this is 2020 and his temporary visit turns into an extended stay, trapped by the lockdown in a little house in Venice with his glamorous, eccentric, and ancient grandmother. Ninety-three-years old, Mamie came to Los Angeles from Vienna at eleven with her parents in 1939 among a wave of Jewish musicians, directors, and intellectuals escaping Hitler. As the months roll on, she begins to tell Julian her stories of the eminent emigres she’s known and the magical world they inhabited as their old world was destroyed - people like Arnold Schoenberg, Christopher Isherwood, and Greta Garbo. Not quite all her stories, however. The pandemic isolates Julian from his world, but from Mamie he learns of the world that came before him and how much the past holds of the future. A tender, sharply wrought comic novel about exile, the power of stories handed down and handed on, and the power of stories held secretly in the heart.

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An absolute monster. A true psychopath. Charming on the outside, empty and cold as ice on the inside. Not until she was 16 did Stella Arnold learn the full truth about her father, how handsome, charming James turned out to be a cold-blooded, psychotic extortionist, racketeer and killer. Knowing now what her father was capable of, she decides to study psychology and the criminal mind, and to further her education in America. In the spring of 1962 she flies to Boston where, being beautiful, bright and fashionably English, she becomes someone of huge fascination and on every invitation list. Then comes an invitation one summer weekend to the home of the Kennedys. Stella quickly becomes part of the inner Kennedy circle as they party through the hot summer nights. Both brothers, JFK and Bobby, make their moves on her but she firmly, charmingly, repels them. Further south, on the Florida Keys, a killer is on the loose. The case, unsolved, begins to rock America, and with her specialist knowledge of psychopaths, Stella is co-opted by the police investigation and prepares to fly south...

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Like Goethe, Ralph Waldo Emerson wanted to be the cultural historian and interpreter of his age—its business, politics, discoveries. The journals and notebooks included in this volume and covering in depth the years 1848 to 1851 reflect Emerson’s preoccupations with the events of these often turbulent years in America.On his return to Concord from his successful lecture trip to England and visit to Paris in 1847–1848, Emerson resumed his familiar life of writer, thinker, and lecturer. Impressions of his recent European travels appear in passages in this volume which are used later in English Traits (1856). He writes of technological and scientific discoveries in America and abroad—one of which, the discovery of ether, was to involve his brother-in-law in legal embroilment. He ponders the meaning, for “the age” or “the times,” of reports on the Dew textile mills in Lawrence, Massachusetts, of faster steamers daily breaking records, of new geological and paleontological findings, of theories of race, and many other matters that were coming increasingly to the fore in the mid-nineteenth century. Many passages on these topics, used first in lectures, later appear in his essays “Fate,” “Wealth,” and “Power” in Conduct of Life (1860). He was also adding to his critical biographies for Representative Men (1850), with special attention to Swedenborg, always a source of particular interest for Emerson.Between 1850 and 1853, Emerson traveled farther west to lecture than he had hitherto ventured—to Pittsburgh, Cincinnati, St. Louis, and many other cities in the midwest. One notebook in the present volume records his customary percipient observations of places and people encountered during these western trips.The tragic drowning of Margaret Fuller Ossoli and her family on her return from Italy in 1850 prompted Emerson to consider a collaboration on her life and writings, and another notebook printed here contains her memorabilia, including original entries by Emerson. Memoirs of Margaret Fuller Ossoli by Emerson, William Henry Charming, and James Freeman Clarke, was published in 1852.Passage of the Fugitive Slave Law in 1850 brought to a boil something in Emerson that had long been simmering. Concerned with slavery, freedom, and the future of the black population in America more than his public record had shown, he now delivered himself of an outburst—pained, vitriolic, ironic—a more sustained response to a single issue than appears elsewhere in all his journals. In this latest move in a compounding national tragedy he could see only chicanery and deterioration, the crumbling of America’s moral fiber. He saw the Fugitive Slave Law in a larger context of a sick age; like Tennyson and Arnold in England, he lamented in moods of spite and chagrin the loss of faith and of an old world where political men of honor stood firm for the moral law. Most of his journal outburst went into his addresses “The Fugitive Slave Law,” 1851 and 1854.

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El desarrollo de las conversaciones de Alfred Brendel con Hans Mayer da forma a un libro revelador, no sólo para los admiradores del gran pianista moravo, sino para todos aquellos a los que les interese entrar en los aspectos técnicos y emocionales de la interpretación musical. Hombre de singular cultura, Brendel no sólo habla de las obras más importantes del tesoro pianístico del período clásico y romántico ?de las cuales ha realizado interpretaciones memorables? sino de la música del siglo XX, con una especial atención por Arnold Schoenberg. El resultado de todo ello es un libro brillante y atractivo, rico en detalles y en anécdotas, que describe en profundidad las interioridades del apasionante mundo de la interpretación y que nos aproxima también al de la creación literaria, ya que en Brendel nos encontramos con un pianista que es a la vez un interesante poeta.

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A study of the British contribution to film music, detailing the idiosyncracies of British film, and showing how the differences between it and Hollywood affected composers on both sides of the Atlantic. Jan Swynnoe's study is concerned with the special British contribution to film music, detailing how the idiosyncracies of British film, and of the British character, set it apart from its Hollywood counterpart. She shows how the differences between the two industries in all aspects of film making variously affected composers on both sides of the Atlantic. In the mid 1930s, when film composers in America were perfecting the formulae of the classical Hollywood score, film music in Britain scarcely existed; within a year or so, however, top British composers were scoring British films. How this transformation was brought about, and how established British concert composers, including Vaughan Williams and Arnold Bax, faced the challenge of the exacting and often bewildering art of scoring for feature film, is vividly described here, and the resulting scores compared with the work of seasoned Hollywood composers. JAN SWYNNOE researched the material on which her book is based over several years, at the same time pursuing her musical life as pianist, percussionist and composer.

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Eine der ältesten erhaltenen und damit bedeutendsten barocken Schloss- und Gartenanlagen der Mark Brandenburg ist das Schloss Oranienburg. Der spätere König Friedrich I. ließ ab 1689 den vom holländischen Klassizismus inspirierten Landsitz seiner Mutter Luise Henriette von Nassau-Oranien in barocker Formensprache um- und ausgestalten. Dieser Kunstführer schildert die Tätigkeiten der Baumeister – namentlich Johann Gregor Memhardt, Johann Arnold Nering und Eosander von Göthe –, die das Schloss um prachtvolle Seitenflügel und Pavillons erweiterten. Ferner dokumentiert er anhand der prachtvollen Ausstattung die Geschichte des Herrschaftssitzes: vor allem das Porzellankabinett und die Orangerie, das wiederhergestellte Interieur, die Wandmalereien und den Orange Saal, die umfassende Sammlung von Tapisserien, Prunksilber, Möbeln, Skulpturen und Gemälden, die insgesamt einen lebendigen Eindruck von der höfischen Lebensweise und den Gepflogenheiten der Zeit um 1700 vermitteln.

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Anselm Feuerbach (1829 -1880) gilt neben Hans von Marees und Arnold Boecklin als der vielleicht konsequenteste Vertreter der so genannten Deutschroemer und einer klassisch orientierten Malerei des Neuidealismus, einer vor allem deutschen Klassifizierung und Vereinnahmung aus dem Geist der Grunderzeit und der Wende vom 19. zum 20. Jahrhundert. Er selbst leistete solchen Pragungen in Wort und Bild Vorschub. Die unvoreingenommene Betrachtung seiner Malerei in ihren Quellen, Vergleichen und nach Verlauf der Biographie lasst aber ein ungleich reicheres Bild zeichnen. Eine der wichtigsten Stationen seiner Lehr- und Wanderjahre war Paris zwischen 1851 und 1854. Der Louvre, das Atelier Thomas Coutures und die Auseinandersetzung mit der modernen zeitgenoessischen Malerei in Frankreich setzten entscheidende Akzente fur seine Entwicklung als Maler. In seinen Schriften und Bildern soll daher dem 'Bildungswerk Paris' in all seinen Facetten nachgegangen und eine deutsch-franzoesische Wechselbeziehun

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Made on a low budget, The Terminator was one of the most influential films of the 1980s. Combining explosive special effects and an intricate time-travel plot, it set Arnold Schwarzenegger on the road to superstardom and allowed its director, James Cameron, to go on to make some of the most expensive films of all time. The Terminator quickly found a cult following who appreciated its deadpan humour, comic-book violence and elaborate variations on standard science fiction themes. Resolutely populist, accomplished and instantly memorable, The Terminator has dramatically outlived its humble beginnings. Sean French’s insightful study traces the film’s production history, its sources and the extent of its influence. He argues that The Terminator’s visual flair, stylised acting and choreographed violence are so compelling not so much because they offer intellectual rewards but because they traffic in the darker, more visceral pleasures of moviegoing. In his foreword to this new edition, Sean French reflects on Terminator sequels and reboots, suggesting that the original film has more in common with the gritty visions of the New Hollywood than present-day action blockbusters.

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An anthology of essays examining the nature and practice of sexual masochism The contested psychoanalytic concept of masochism has served to open up pathways into less-explored regions of the human mind and behavior. Here, rituals of pain and sexual abusiveness prevail, and sometimes gruesome details of unconscious fantasies are constructed out of psychological pain, desperate need, and sexually excited, self- destructive violence. In this significant addition to the Essential Papers in Psychoanalysis series, Margaret Ann Fitzpatrick Hanly presents an anthology of the most outstanding writings in the psychoanalytic study of masochism. In bringing these essays together, Dr. Fitzpatrick Hanly expertly combines classic and contemporary theories by the most respected scholars in the field to create a varied and integrated volume. This collection features papers by S. Nacht, R. Loewenstein, Victor Smirnoff, Sigmund Freud, Jacques Laplanche, Robert Bak, Leonard Shengold, K. Novick, J. Novick, S. Coen, Margaret Brenman, Esther Menaker, S. Lorand, M. Balint, Bernhard Berliner, Charles Brenner, Helene Deutsch, Annie Reich, Marie Bonaparte, Jessica Benjamin, S.L. Olinick, Arnold Modell, Betty Joseph, and Janine Chasseguet-Smirgel.

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A tornado has destroyed a small Minnesota community and among the missing are not only a group of students but PEAK Rescue team leader Chet King. Ty Remington will stop at nothing to rescue his mentor, not even when the girl he loved--and lost--walks back into his life. But Brette needs his help more than he knows, despite her stubborn determination to push him away. And when he gets a second chance, loving her just might cost him more than he can imagine. A blogger for Vortex Storm Chasers, Brette Arnold didn't expect her adventures to land her in the same place as Ty, the guy who she walked--no, ran--from over a year ago. She had her reasons--good ones. The kind that tell her that falling for him again would only lead to heartache. But Ty isn't the kind of man to give up--not on the missing students, or on her. Life and love hang in the balance in Susan May Warren's breathless story of holding on to hope during a deadly summer of storms.

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From fairy tales to photography, nowhere is the complexity of human-animal relationships more apparent than in the creative arts. Art illuminates the nature and significance of animals in modern, Western thought, capturing the complicated union that has long existed between the animal kingdom and us. In Beauty and the Beast, authors Arluke and Bogdan explore this relationship through the unique lens of photo postcards. This visual medium offers an enormous and relatively untapped archive to document their subject compellingly. The importance of photo postcards goes beyond their abundance. Recognized as the "people’s photography", photo postcards were typically taken by photographers who were part of the community they were photographing. Their intimacy with the people and places they captured resulted in a vernacular record of the life and times of the period unavailable in other kinds of photography. Arluke and Bogdan use these postcards to tell the story of human-animal relations in the United States from approximately 1905 to 1935. During these years, Americans experienced profound changes that altered their connection with animals and influenced perceptions and treatment of them today. Wide-ranging in scope, Beauty and the Beast looks at the variety of roles animals played in society, from pets and laborers to symbols and prey. The authors discuss the contradictions, dualisms, and paradoxes of our relationship to animals, illustrating how animals were distanced and embraced, commoditized and anthropomorphized. With over 350 illustrations, this book presents a vivid chronicle of the deep cultural ambivalence that characterized human-animal relations in the early twentieth century and that continues today.

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Sempre Avanti. Ever Forward. That’s the motto on the Gelardi family shield and it’s a philosophy that has directed the lives and careers of four generations of hoteliers – Giuseppe, Giulio, Bertie and Geoffrey. Giuseppe managed hotels in his native Italy in the nineteenth century but his son Giulio was more ambitious and came to London, working first at Walsingham House – which was to later to become the Ritz – and managing the Savoy and Claridges in London and the Waldorf Astoria in New York. His son Bertie worked alongside Lord Forte to create the international Trust Houses Forte empire and acquiring, amongst others, the George V and Plaza Athenée in Paris, Sandy Lane in Barbados and the Pierre in New York. Geoffrey, Bertie’s son and the fourth generation Gelardi to make his mark in the luxury hotel business, spent years in the USA at the Bel Air in Los Angeles and the Sorrento in Seattle before returning to the UK to open the Lanesborough in 1991 – then, and still, London’s leading luxury hotel. Interweaved into this fascinating history we encounter royalty, celebrities, politicians and film stars – Mussolini, King Edward VII, Lilly Langtry, Ronald Reagan, various Atlantic City mafia figures, Frank Sinatra, Arnold Swartzenegger, Sophia Loren, Madonna, Michael Jackson, HRH The Queen, Princess Diana and many, many more.

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"Advances in Accounting Behavioral Research" publishes quality articles encompassing all areas of accounting that incorporate theory from and contribute knowledge and understanding to the fields of applied psychology, sociology, management science, and economics. The series promotes research that integrates accounting issues with organizational behavior, human judgment/decision making, and cognitive psychology. Volume 7 contains papers on a variety of behavioral accounting topics including tax, financial, audit, forensic, and managerial accounting. One paper in the area of taxation is an insightful look at the influence of the earned income tax credit in which the authors collected the data from low-income individual taxpayers. The other taxation paper examines the variables that influence tax professional judgments. This volume also contains a paper examining the behavioral implications of alternative going concern reporting formats, a particularly timely issue as many countries struggle with how to make financial reporting more transparent. Another study examines how forensic experts at professional service firms assess the factors that indicate financial statement fraud. Three research studies examining performance in a managerial setting are also reported. One investigates the differences between individual and collective budgeting decisions with respect to budgetary slack creation and task performance; a second examines conditions that affect budget team performance; and a third examines whether superiors who evaluate the performance of their subordinates consider information asymmetry. The final paper develops an assurance services model that identifies the gaps in expectations between users and providers of assurance services. Overall, these papers provide interesting insight into the problems examined.

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"Social Thought on Ireland in the Nineteenth Century" is a contribution to the intellectual history of Ireland and to the history of the human sciences. It seeks to document a selected yet systematic set of views on Ireland as 'Other' during the nineteenth century. Of its ten chapters, six comprise the views on Ireland (social, cultural and political) of significant thinkers from outside the island. The selected thinkers are: Gustave de Beaumont (1802-66), friend of Alexis de Tocqueville (1805-59); John Stuart Mill (1806-73); Harriet Martineau (1802-76); Sir Henry Maine (1822-88); Karl Marx (1818-83) and Friedrich Engels (1820-95); James Anthony Froude (1818-94). In addition, the two significant themes of Celticism and Race, constructs through which the Irish were frequently viewed, will also be included; under these headings, attention will be given to the thought of Matthew Arnold and Robert Knox. All of this is accompanied by a historical introduction and a concluding afterword by Peter Gray. The contributors to the project have been chosen for their expertise in their respective topics and represent a range of academic disciplines. All of the topics (with the exception of that on Harriet Martineau) were presented as papers at a conference held under the auspices of the Anthropological Association of Ireland in Headfort House, Kells, Co. Meath, on Friday-Saturday, 18-19 March 2005.

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A superlative account of how theatre is made, in the words of the very people who make it. In Talking Theatre, Richard Eyre uses his unrivalled access to leading theatre people to allow us to eavesdrop on the stories behind many of the most important productions and performances in the theatre of recent times: John Gielgud • Peter Brook • Margaret 'Percy' Harris • Peter Hall • Ian McKellen • Judi Dench • Trevor Nunn • Vanessa Redgrave • Fiona Shaw • Liam Neeson • Stephen Rea • Stephen Sondheim • Arthur Laurents • Arthur Miller • August Wilson • Jason Robards • Kim Hunter • Tony Kushner • Luise Rainer • Alan Bennett • Harold Pinter • Tom Stoppard • David Hare • Jocelyn Herbert • William Gaskill • Arnold Wesker • Peter Gill • Christopher Hampton • Peter Shaffer • Frith Banbury • Alan Ayckbourn • John Bury • Victor Spinetti • John McGrath • Cameron Mackintosh • Patrick Marber • Steven Berkoff • Deborah Warner • Willem Dafoe • Simon McBurney • Robert Lepage • John Johnston (Britain's last Theatre Censor) 'A rich, stimulating treasure trove. Eyre's interviews exactly hit the spot: in revealing themselves, his subjects also give the reader a panoramic view of modern theatre' Michael Billington

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The first time journalist Jon Lurie meets Jose Perez, the smart, angry, fifteen-year-old Lakota-Puerto Rican draws blood. Five years later, both men are floundering. Lurie, now in his thirties, is newly divorced, depressed, and self-medicating. Jose is embedded in a haze of women and street feuds. Both lack a meaningful connection to their cultural roots: Lurie feels an absence of identity as the son of a Holocaust survivor who is reluctant to talk about her experience, and for Jose, communal history has been obliterated by centuries of oppression. Then Lurie hits upon a plan to save them. After years of admiring the journey described in Eric Arnold Sevareid's 1935 classic account, Canoeing with the Cree, Lurie invites Jose to join him in retracing Sevareid's route and embarking on a mythic two thousand-mile paddle from Breckenridge, Minnesota, to the Hudson Bay. Faced with plagues of mosquitoes, extreme weather, suspicious law enforcement officers, tricky border crossings, and Jose's preference for Kanye West over the great outdoors, the journey becomes an odyssey of self-discovery. Acknowledging the erased native histories that Sevareid's prejudicial account could not perceive, and written in gritty, honest prose, Canoeing with Jose is a remarkable journey.

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An anthology of essays examining the nature and practice of sexual masochism The contested psychoanalytic concept of masochism has served to open up pathways into less-explored regions of the human mind and behavior. Here, rituals of pain and sexual abusiveness prevail, and sometimes gruesome details of unconscious fantasies are constructed out of psychological pain, desperate need, and sexually excited, self- destructive violence. In this significant addition to the Essential Papers in Psychoanalysis series, Margaret Ann Fitzpatrick Hanly presents an anthology of the most outstanding writings in the psychoanalytic study of masochism. In bringing these essays together, Dr. Fitzpatrick Hanly expertly combines classic and contemporary theories by the most respected scholars in the field to create a varied and integrated volume. This collection features papers by S. Nacht, R. Loewenstein, Victor Smirnoff, Sigmund Freud, Jacques Laplanche, Robert Bak, Leonard Shengold, K. Novick, J. Novick, S. Coen, Margaret Brenman, Esther Menaker, S. Lorand, M. Balint, Bernhard Berliner, Charles Brenner, Helene Deutsch, Annie Reich, Marie Bonaparte, Jessica Benjamin, S.L. Olinick, Arnold Modell, Betty Joseph, and Janine Chasseguet-Smirgel.

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Este trabajo es un ensayo sobre lógica representacional, así como una invitación a mirar y a ver la obra pictórica de Ergon Schiele desde una perspectiva especial, que se sitúa en el entramado de las relaciones filosófico-artísticas de la Viena finisecular, al lado de la poesía de Georg Trakl o de las composiciones de Arnold Schonberg. Por un lado, se analizan las diferentes formas en las que la obra de Schiele se muestra a si misma, girando en torno a la noción de 'darstellung', tan importante en la filosofía de Ludwing Wittgenstein. Por otro lado, se desentraña la gramática pictórica subyacente al conjunto de la obra de Schiele, a partir del análisis pormenorizado de un numero considerable de sus obras. Todo esto se hace desde una aplicación de la estética wittgensteiniana que se distancia de las interpretaciones al uso.

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