Search results for ""Author "George"""

Examines George A. Romero's regional production company Laurel Entertainment and its contribution to American cinema Reframes key academic analysis on auteur filmmaking, cult horror and independent cinema from an industrial perspective Integrates business and economic theory to provide a new paradigm for understanding American film production practices Offers a unique close study of a regional American production company specialising in horror content Presents the first academic analysis of Laurel Entertainment and independent film producer Richard Rubinstein Draws upon original interviews with George A. Romero and his collaborators George A. Romero is recognised as one of the most culturally significant horror auteurs in American cinema. From his debut Night of the Living Dead onwards, he demonstrated a commitment to politically challenging low-budget genre cinema, gaining fan adoration and critical esteem. Romero's cult status may be assured, but the activities of the Pittsburgh-based production company that facilitated a substantial part of his output have largely been untold. George A. Romero's Independent Cinema is the first in-depth analysis of Romero's Laurel Entertainment, revealing the decision-making and business planning that takes place away from Hollywood, while offering an industry-determined analysis of such films as his zombie masterpiece Dawn of the Dead and the seldom-discussed Martin and Knightriders. Tracking Laurel Entertainment across four decades, this book draws upon business and economic studies to critically recast historical developments in the American independent film sector, providing a forensic-level insight into a media production company whose output redefined horror cinema.

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Exam Board: EdexcelLevel: AS/A-levelSubject: ChemistryFirst Teaching: September 2015First Exam: June 2017Helps higher achieving students to maximise their potential, with a focus on independent learning, assessment advice and model assessment answers in this new edition of George Facer's best-selling textbook- Encourages independent learning with notes and clear explanations throughout the content - Strengthens understanding with worked examples of chemical equations and calculations - Stretches the students with a bank of questions at the end of each chapter - Provides assessment guidance and sample answers

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The history of the various headquarters of the Institution of Civil Engineers traces the journey from the first meetings of a group of young engineers in Kendals Coffee House, Fleet Street to the grandeur of the present headquarters at Great George Street. Details are given of the design and construction of the present headquarters during 1908-13 and 1935-36 and a major section is devoted to a detailed description of construction work carried out during the recent modernization of the building.

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This is the first book to focus primarily on George Orwell’s ideas about free speech and related matters – freedom of the press, the writer’s freedom of expression, honesty and truthfulness – and, in particular, the ways in which they are linked to his political vision of socialism. Orwell is today claimed by the Left and Right, by neo-conservatives and neo-socialists. How is that possible? Part of the answer, as Glenn Burgess reveals, is that Orwell was an odd sort of socialist. The development of Orwell’s socialism was, from the start, conditioned by his individualist and liberal commitments. The hopes he attached to socialism were for a fairer, more equal world that would permit human freedom and individuality to flourish, completing, not destroying, the work of liberalism. Freedom of thought was a central part of this, and its defence and use were essential parts of the struggle to ensure that socialism developed in a liberal, humane form that did not follow the totalitarian path of Soviet communism. Written in celebration of Orwell’s dictum, 'We hold that the most perverse human being is more interesting than the most orthodox gramophone record,' George Orwell's Perverse Humanity is a portrait of Orwell that captures these themes and provides a new understanding of him as a political thinker and activist. Based on archival research and new materials that affirm his work as an activist for freedom, it also uncovers a socialist ideology that has been obscured in just the way that the author feared it would be – associated in many people’s minds with totalitarian unfreedom.

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George loves playing with his favourite toy, Mr Dinosaur. But when he breaks one day, Mummy and Daddy Pig take him to buy a new one. The amazing new Dino-Roar walks, talks and sings too, but will he be as good a toy as Mr Dinosaur? Find out in this funny Peppa Pig tale that is perfect for reading and sharing together. Peppa storybooks are perfect for exploring first experiences with pre-schoolers.Based on the hit pre-school animation,Peppa Pig, shown daily on Five's Milkshake and Nick Jnr.

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The first full length study of Sir George Thomas Smart (1776-1867), musical animateur and early champion of the music of Beethoven Sir George Thomas Smart (1776-1867) was a significant musical animateur of the early nineteenth century, who earned his living primarily as a conductor but was also significant as an organist, composer and recorder of events. Smart established successful and pioneering London concert series, was a prime mover in the setting up of the Philharmonic Society and the Royal Academy of Music, and taught many of the leading singers of the day, being well versed in the Handelian concert tradition. He also conducted the opera at the Covent Garden Theatre and introduced significant new works to the public - he was most notably an early champion of the music of Beethoven. His journeys to Europe, and his contacts with the leading European musical figures of the day (including Weber, Meyerbeer, Spohr, and Mendelssohn), were crucial to the direction music was to take in nineteenth-century Britain. This detailed account of Smart's life and career presents him within the context of the vibrant concert life of London and wider European musical culture. It is the first full length, critical study of this influential musical figure. JOHN CARNELLEY is Deputy Director of Music and Head of Academic Music, Dulwich College, London. He holds a PhD in Historical Musicology from the University of London (Goldsmiths College) and has previously published research on the eighteenth-century organ manuscripts of John Reading, held in the Dulwich College Archive.

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America's remarkable explosion of industrial output and national wealth at the end of the nineteenth century was matched by a troubling rise in poverty and worker unrest. As politicians and intellectuals fought over the causes of this crisis, Henry George (1839-1897) published a radical critique of laissez-faire capitalism and its threat to the nation's republican traditions. Progress and Poverty (1879), which became a surprise best-seller, offered a provocative solution for preserving these traditions while preventing the amassing of wealth in the hands of the few: a single tax on land values. George's writings and years of social activism almost won him the mayor's seat in New York City in 1886. Though he lost the election, his ideas proved instrumental to shaping a popular progressivism that remains essential to tackling inequality today. Edward T. O'Donnell's exploration of George's life and times merges labor, ethnic, intellectual, and political history to illuminate the early militant labor movement in New York during the Gilded Age. He locates in George's rise to prominence the beginning of a larger effort by American workers to regain control of the workplace and obtain economic security and opportunity. The Gilded Age was the first but by no means the last era in which Americans confronted the mixed outcomes of modern capitalism. George's accessible, forward-thinking ideas on democracy, equality, and freedom have tremendous value for contemporary debates over the future of unions, corporate power, Wall Street recklessness, government regulation, and political polarization.

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In the 1920s, an upstart West Coast college began to challenge the Eastern universities in the ancient sport of crew racing. Sportswriters scoffed at the “crude western boats” and their crews. But for the next forty years, the University of Washington dominated rowing around the world. The secret of the Huskies’ success was George Pocock, a soft-spoken English immigrant raised on the banks of the Thames. Pocock combined perfectionism with innovation to make the lightest, best-balanced, fastest shells the world had ever seen. After studying the magnificent canoes built by Northwest Indians, he broke with tradition and began to make shells of native cedar. Pocock, who had been a champion sculler in his youth, never credited his boats for the accomplishments of a crew. He wanted every rower to share his vision of discipline and teamwork. As rowers from the University of Washington went on to become coaches at major universities across the country, Pocock’s philosophy—and his shells—became nationally famous in the world of crew. Drawing on documents provided by Pocock’s family, photographs from the University of Washington Crew Archives, and interviews with rowers who revered the man, Newell evokes the times as well as the life of this unique figure in American sport.

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George loves to play with his toy tractor, but all he really wants to ride a real tractor!Peppa and George are helping Granny and Grandpa Pig take their vegetables to the farmers' market - will they see a real tractor when they get there?This super fun story will delight younger readers and is the perfect present for any Peppa fan!

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George Herbert is one of the great 17th century poet-priests. His poems embrace every shade of the spiritual life, from love and closeness, to anger and despair, to reconciliation and hope. And his work is always rich with audacious playfulness: he seems to take God on, knowing God will win, as if he's having an argument with a faithful friend he knows is not going to leave. In much of theology and spirituality, God is a critical spectator to human lives, but for Herbert, his sense of relationship with God is primarily of a friendship that can never be broken. These are some of the themes Mark Oakley explores in this outstanding book. He offers a poem for every day in Lent, with a 2-page commentary on each of the 40 included.

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“Marvelous. . . . Wonderfully imaginative. . . . Sparkling.”—Wall Street Journal “Stunning. . . . Read this book: in equal measure it will give you hope and trouble your dreams.”—Laura Dassow Walls, author of Henry David Thoreau: A Life and Passage to Cosmos: Alexander von Humboldt’s Shaping of America Georg Forster (1754–94) was in many ways self-taught and rarely had two cents to rub together, but he became one of the most dynamic figures of the Enlightenment: a brilliant writer, naturalist, explorer, illustrator, translator—and a revolutionary. Granted the extraordinary opportunity to sail around the world as part of Captain James Cook’s fabled crew, Forster touched icebergs, walked the beaches of Tahiti, visited far-flung foreign nations, lived with purported cannibals, and crossed oceans and the equator. Forster recounted the journey in his 1777 book A Voyage Round the World, a work of travel and science that not only established Forster as one of the most accomplished stylists of the time—and led some to credit him as the inventor of the literary travel narrative—but also influenced other German trailblazers of scientific and literary writing, most notably Alexander von Humboldt. A superb essayist, Forster made lasting contributions to our scientific—and especially botanical and ornithological—knowledge of the South Seas. Having witnessed more egalitarian societies in the southern hemisphere, Forster returned after more than three years at sea to a monarchist Europe entering the era of revolution. When, following the French Revolution of 1789, French forces occupied the German city of Mainz, Forster became a leading political actor in the founding of the Republic of Mainz—the first democratic state on German soil. In an age of Kantian reason, Forster privileged experience. He claimed a deep connection between nature and reason, nature and politics, nature and revolution. His politics was radical in its understanding of revolution as a natural phenomenon, and in this often overlooked way his many facets—as voyager, naturalist, and revolutionary—were intertwined. Yet, in the constellation of the Enlightenment’s trailblazing naturalists, scientists, political thinkers, and writers, Forster’s star remains relatively dim today: the Republic of Mainz was crushed, and Forster died in exile in Paris. This book is the source of illumination that Forster’s journey so greatly deserves. Tracing the arc of this unheralded polymath’s short life, Georg Forster explores both his contributions to literature and science and the enduring relationship between nature and politics that threaded through his extraordinary four decades.

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Where's Curious George? Come play with the mischievous little monkey and get ready to say 'Peek-a-boo!' This fun novelty book is perfect for everyday interactive reading with your little one. Playful elements include lift-the-flaps, a pop-up page, a mirror, and more!

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Including a number of short essays by Bataille and Leiris on aspects of the other's work as well as excerpts on Bataille from Leiris' diaries, this collection of correspondence throws new light on two of Surrealism's most radical dissidents. In the autumn of 1924, just before André Breton published the Manifeste du surréalisme, two young men met in Paris for the first time. Georges Bataille, 27, starting work at the Bibliothèque Nationale; Michel Leiris, 23, beginning his studies in ethnology. Within a few months, they were both members of the Surrealist group, although their adherence to Surrealism (unlike their affinities with it) would not last long: in 1930 they were among the signatories of "Un cadavre," the famous tract against Breton, the "Machiavelli of Montmartre," as Leiris put it. But their friendship would endure for more than 30 years, and their correspondence, assembled here for the first time in English, would continue until the death of Bataille in 1962.

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In the 1930s, Georges Bataille proclaimed a "ferociously religious" sensibility characterized by simultaneous ecstasy and horror. Ecce Monstrum investigates the content and implications of this religious sensibility by examining Bataille's insistent linking of monstrosity and the sacred. Extending and sometimes challenging major interpretations of Bataille by thinkers like Denis Hollier and Rosalind Krauss the book reveals how his writings betray the monstrous marks of the affective and intellectual contradictions he seeks to produce in his readers. Charting a new approach to recent debates concerning Bataille's formulation of the informe ("formless"), the author demonstrates that the motif of monstrosity is keyed to Bataille's notion of sacrifice--an operation that ruptures the integrality of the individual form. Bataille enacts a "monstrous" mode of reading and writing in his approaches to other thinkers and artists--a mode that is at once agonistic and intimate. Ecce Monstrum examines this monstrous mode of reading and writing through investigations of Bataille's "sacrificial" interpretations of Kojève's Hegel and Friedrich Nietzsche; his contentious relationship with Simone Weil and its implications for his mystical and writing practices; his fraught affiliation with surrealist André Breton and his attempt to displace surrealism with "hyperchristianity"; and his peculiar relations to artist Hans Bellmer, whose work evokes Bataille's "religious sensibility." With its wide-ranging analyses, this book offers insights of interest to scholars of religion, philosophers, art historians, and students of French intellectual history and early modernism.

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A travelogue exploring the life and work of George Orwell through the places he lived, worked and wrote Following in the footsteps of his literary hero, researcher and historian Oliver Lewis set out to visit all the places to have inspired and been lived in by George Orwell. Over three years he travelled from Wigan to Catalonia, Paris to Motihari, Marrakesh to Eton, and in each location explored both how Orwell experienced the place, and how the place now remembers him as a literary icon. Beginning in Northern India, where Orwell was born in 1903, and ending in the Oxfordshire village of Sutton Courtenay, where he was laid to rest in 1950, The Orwell Tour offers an accessible and informative new biography of Orwell through the lens of place.

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A beautifully illustrated look at how Georg Jensen pushed the boundaries of modern domestic design In 1904 Danish silversmith Georg Jensen (1866–1935) founded one of the world’s most celebrated design companies. Famous for its signature silver tableware that combines gleaming sculptural forms with lush ornament, Jensen’s eponymous firm has stood at the forefront of domestic design for over a century by combining an innovative and experimental spirit with a commitment to traditional craftsmanship. Tracing the evolution of Georg Jensen silver from its place in the company’s initial emergence through its continuing role as a touchstone for the global identity of Danish design, this book examines the creative processes and business practices behind Jensen’s stunning bowls, pitchers, coffee services, and other domestic objects. Lavishly illustrated with works ranging in style from organic to industrial, Georg Jensen is full of new insights gleaned from the company’s own archives and situates Jensen’s work in the broader context of 20th-century design. This unprecedented study includes scholarly essays by Alison Fisher, Maggie Taft, and Thomas C. Thulstrup that delve into the significant and continuing impact of Georg Jensen silver on modern domestic taste. Distributed for the Art Institute of ChicagoExhibition Schedule:The Art Institute of Chicago (06/22/18–09/09/18)

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Thirty stories, collected in one volume for the very first time, from one of the South's best known and most acclaimed short story writers. With his signature darkly acerbic and sharp-witted humor, George Singleton has built a reputation as one of the most astute and wise observers of the South. Now Tom Franklin introduces this master of the form with a compilation of acclaimed and prize-winning short fiction spanning twenty years and eight collections, including stories originally published in outlets like the Atlantic Monthly, Harper's, Playboy, the Georgia Review, the Southern Review, and many more. A lovelorn and chatty euthanasia vet arrives at a couples’ house to put down their dog, Probate; a father-to-be searches his workplace—a bar—for a replacement sonogram after recording an episode of Bonanza over the original; an unlikely romance sparks between a librarian and a professional bowler while they compete to win an RV; a father takes his son to visit the many ex-girlfriends that could have been his mother. These stories bear the influence of Flannery O’Connor and Raymond Carver, at other times Lewis Nordan and Donald Barthelme, and touch on the mysteries of childhood, the complexities of human relationships, and the absurdity of everyday life, its inexorable defeats and small triumphs. Assembled here for the very first time, You Want More showcases the body of work, hilarious and incisive, that has cemented George Singleton’s place among the South’s greatest living writers.

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Images of and references to women are so rare in the vast corpus of his published work that there seems to be no "woman question" for Hans-Georg Gadamer. Yet the authors of the fifteen essays included in this volume show that it is possible to read past Gadamer's silences about women and other Others to find rich resources for feminist theory and practice in his views of science, language, history, knowledge, medicine, and literature. While the essayists find much of value in Gadamer's work, he emerges from their discussion as a controversial figure. Some contributors see him as promoting genuine respect for and engagement with Otherness: others claim that in a Gadamerian conversation the Other has no voice. For some, Gadamer's immersion in tradition is an impediment to feminist inquiry; for others, cognizant of the need to understand tradition well in order to contest its intransigence or benefit from its insights, his way of engaging tradition is especially productive. Some contributors take issue with the separation he maintains between philosophy and politics; others find problems in his relative silence on matters of embodiment; still others maintain that a "fusion of horizons" amounts to a colonizing of difference. But a common aim of each of these controversies is to discern what feminists can learn from Gadamer as well as what limitations feminist reinterpretations of his work must inevitably encounter.Contributors are Linda Martín Alcoff, William Cowling, Gemma Corradi Fiumara, Marie Fleming, Silja Freudenberger, Susan Hekman, Susan-Judith Hoffmann, Grace M. Jantzen, Patricia Altenbernd Johnson, Laura Kaplan, Robin Pappas, Robin May Schott, Meili Steele, Veronica Vasterling, Georgia Warnke, and Kathleen Roberts Wright.

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The Stroemple Collection boasts more than five hundred vintage Venetian vessels that illustrate the height of Venetian glassblowing during the eighteenth and nineteenth centuries. In 2012, George Stroemple commissioned James Mongrain—Dale Chihuly’s current gaffer and an exceptional glass artist—to make a series of ten vessels to replicate major examples of vintage Venetian glass in the Stroemple Collection. The finished pieces exemplify Mongrain’s extraordinary ability to re-create traditional Venetian mastery in glass.Since then, the Stroemple Collection has commissioned Mongrain to make more series, all based on the historic works in the Stroemple Collection. For these, Mongrain uses traditional techniques and imagery to reimagine the Venetian style, working on a large scale to create monumental and sculptural pieces that reference tradition but are firmly within contemporary glassmaking. This book documents each of the James Mongrain commissions and will also include various examples of historic Venetian glass that inspired Mongrain in the making of these series.

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George W. Bush had planned to swear his oath of office with his hand on the Masonic Bible used by both his father and George Washington, however, due to the inclement weather, a family Bible was substituted. Almost immediately on taking office, President Bush made passage of "faith-based initiatives"—the government funding of religious charitable groups—a legislative priority. However, "inclement" weather storm-tossed his hopes for faith-based initiatives as well. What happened? Why did these initiatives, which began with such vigor and support from a popular president, fail? And what does this say about the future role of religious faith in American public life? Amy Black, Douglas Koopman, and David Ryden—all prominent political scientists—utilize a framework that takes the issue through all three branches of government and analyzes it through three very specific lenses: a public policy lens, a political party lens, and a lens of religion in the public square. Drawing on dozens of interviews with key figures in Washington, the authors tell a compelling story, revealing the evolution of the Bush faith-based strategy from his campaign for the presidency through congressional votes to the present. They show how political rhetoric, infighting, and poor communication shipwrecked Bush's efforts to fundamentally alter the way government might conduct social services. The authors demonstrate the lessons learned, and propose a more fruitful, effective way to go about such initiatives in the future.

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George W. Bush had planned to swear his oath of office with his hand on the Masonic Bible used by both his father and George Washington, however, due to the inclement weather, a family Bible was substituted. Almost immediately on taking office, President Bush made passage of "faith-based initiatives" - the government funding of religious charitable groups - a legislative priority. However, "inclement" weather storm-tossed his hopes for faith-based initiatives as well. What happened? Why did these initiatives, which began with such vigor and support from a popular president, fail? And what does this say about the future role of religious faith in American public life? Amy Black, Douglas Koopman, and David Ryden - all prominent political scientists - utilize a framework that takes the issue through all three branches of government and analyzes it through three very specific lenses: a public policy lens, a political party lens, and a lens of religion in the public square. Drawing on dozens of interviews with key figures in Washington, the authors tell a compelling story, revealing the evolution of the Bush faith-based strategy from his campaign for the presidency through congressional votes to the present. They show how political rhetoric, infighting, and poor communication shipwrecked Bush's efforts to fundamentally alter the way government might conduct social services. The authors demonstrate the lessons learned, and propose a more fruitful, effective way to go about such initiatives in the future.

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Not rediscovered until the twentieth century, the works of Georges de La Tour retain an aura of mystery. At first sight, his paintings suggest a veritable celebration of light and the visible world, but this is deceptive. The familiarity of visual experience blinds the beholder to a deeper understanding of the meanings associated with vision and the visible in the early modern period. By exploring the representations of light, vision, and the visible in La Tour’s works, this interdisciplinary study examines the nature of painting and its artistic, religious, and philosophical implications. In the wake of iconoclastic outbreaks and consequent Catholic call for the revitalization of religious imagery, La Tour paints familiar objects of visible reality that also serve as emblems of an invisible, spiritual reality. Like the books in his paintings, asking to be read, La Tour’s paintings ask not just to be seen as visual depictions but to be deciphered as instruments of insight. In figuring faith as spiritual passion and illumination, La Tour’s paintings test the bounds of the pictorial image, attempting to depict what painting cannot ultimately show: words, hearing, time, movement, changes of heart. La Tour’s emphasis on spiritual insight opens up broader artistic, philosophical, and conceptual reflections on the conditions of possibility of the pictorial medium. By scrutinizing what is seen and how, and by questioning the position of the beholder, his works revitalize critical discussion of the nature of painting and its engagements with the visible world.

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Gerald Scarfe, Britain's most controversial satirical artist, is famous for having worked with a broad and eclectic mix of British and American icons, including Pink Floyd and Disney. But he is perhaps best known for his political cartoons, which have appeared in numerous newspapers and magazines, notably in the Sunday Times. Published to coincide with a major exhibition of the original artworks in the Houses of Parliament, this new book brings together fifty years of Scarfe's political drawings in a brilliantly entertaining journey through the history of our nation's leaders, from Churchill's last visit to the House of Commons in 1965 to the Thatcher years to Tony Blair's legacy and Gordon Brown's succession in 2007. With razor-sharp wit and exuberant energy, Scarfe's drawings lampoon our leaders' political ambitions, scandals and disasters in inimitable style.

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This compact anthology—the second volume in Margaret L. King's masterful introduction to the Western literary tradition—offers, in whole or in part, eighty key literary works of the eighteenth, nineteenth, and twentieth centuries. The texts provided here represent an unusually broad array of languages and traditions, ranging across a variety of genres such as verse, drama, philosophy, short- and long-form fiction, and non-fiction (including autobiography, speech, journalism, and essay).This second volume shares with the first a focus on works by women; numerous texts by Latin American writers are included here as well. King's clear, engaging introductions and notes support an informed reading of the texts while extending students’ knowledge of particular authors and problems of interest.The Western Literary Tradition's modest length and cost allow for the use of full-length works—many of which are available in Hackett Publishing’s own well-regarded and inexpensive translations and editions—alongside the anthology without adding undue cost to a student’s total textbook fees.

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From the celebrated historian and author of Europe: A History, a new life of George IIGeorge II, King of Great Britain and Ireland and Elector of Hanover, came to Britain for the first time when he was thirty-one. He had a terrible relationship with his father, George I, which was later paralleled by his relationship to his own son. He was short-tempered and uncultivated, but in his twenty-three-year reign he presided over a great flourishing in his adoptive country - economic, military and cultural - all described with characteristic wit and elegance by Norman Davies. (George II so admired the Hallelujah chorus in Handel's Messiah that he stood while it was being performed - as modern audiences still do.) Much of his attention remained in Hanover and on continental politics, as a result of which he was the last British monarch to lead his troops into battle, at Dettingen in 1744.

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A retrospective portfolio of the work of Greek Cypriot interior designer Georges Petrides. Design projects spanning the period 1991 to 2015 are illustrated in this album dedicated to Petrides’ work. Nearly 400 pages, almost all illustrated in full colour. George Petrides is now based in Athens, where he maintains his interior design practice, with commissions spanning Europe, America and the Middle East. Includes illustrations from 20 of his commissions across the world and includes rarely seen illustrations of interiors of private houses designed by Petrides. Parallel text Greek and English

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George Elliot was a self-made Victorian entrepreneur who rose from humble beginnings as a pit boy in England’s north-east to become one of the biggest coal owners in the world. His aptitude in engineering would later lead to him being deeply involved in the manufacture and laying of the first Transatlantic Cable. He became an MP and was created a Baronet by Queen Victoria. He worked extensively with Prime Minister Benjamin Disraeli and Ismail Pasha, the ruler of Egypt at the time of the Suez Canal’s construction, it which he played a part. This book includes an overview of the Industrial Revolution and its radical effects on the lives of people in Britain, the laying of the Transatlantic Cable, and a blow-by-blow account of the building of the Suez Canal. Also discussed are Elliot’s relationships with notable figures of the era, including Disraeli, ‘Railway King’ George Hudson, and the writer Bram Stoker.

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The return of the famous shared-world superhero books created and edited by George R. R. Martin, author of A Song of Ice and Fire. For decades, George R.R. Martin – bestselling author of A Song of Ice and Fire – has collaborated with an ever-shifting ensemble of science fiction and fantasy icons to create the amazing Wild Cards universe. In the aftermath of World War II, the Earth’s population was devastated by an alien virus. Those who survived were changed forever. Some, known as jokers, were cursed with bizarre mental and physical mutations; others, granted superhuman abilities, became the lucky few known as aces. Queen Margaret, who came to the English throne after the death of her sister Elizabeth, now lies on her death-bed. Summoning the joker ace Alan Turing, she urges him to seek the true heir: Elizabeth's lost son. He was rumoured to have died as a baby but, having been born a joker, was sent into hiding. Margaret dies and her elder son Henry becomes king and at once declares he wants to make England an 'Anglo-Saxon country' and suggests jokers be sent 'to the moon'. Dangerous tensions begin to tear the country apart. The Twisted Fists – an organization of jokers led by the Green Man - are becoming more militant. And Babh, goddess of war, sees opportunities to sow strife and reap blood… This marvellous mosaic novel, featuring the talents of Mary Anne Mohanraj, Peter Newman, Peadar Ó Guilín, Melinda M. Snodgrass and Caroline Spector, follows KNAVES OVER QUEENS – the first ever Wild Cards novel set in the UK.

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George Herbert Walker Bush is the oldest living former president of the United States, and the time has come to evaluate not just his political legacy, but to rediscover what made him a great man. He is the patriarch of America's most powerful political dynasty--but before he became President, his character was formed on the baseball field, in the cockpit of a fighter jet, on the oil fields of Texas, in corporate boardrooms, in the halls of Congress and abroad as a diplomat, at the head of the CIA, and finally as Ronald Reagan's vice president. Bestselling author and Pulitzer Prize-winning reporter Richard Ben Cramer took the full measure of President Bush in his 1,000 page epic tome, What It Takes - one of the most influential and highly respected works of political journalism and biography of the modern era. Drawn from those pages, and compiled by Cramer shortly before he died in 2013, this book depicts the seminal moments in Bush's life and shows their effect on the man he became. No other journalist has had the access Cramer did to Bush and his family and friends. The result is a loving portrait of President Bush that remains as fresh, relevant, and insightful as the day it was first published.

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'Magical' MINDY KALING'Funny and poignant and beautiful' JOHN MULANEY 'It made me remember I was alive' GEORGE SAUNDERS To see the world through Jenny Slate's eyes is to see it as though for the first time, shimmering with strangeness and possibility. As she will remind you, we live on an ancient ball that rotates around a bigger ball made up of lights and gases that are science gases, not farts (don't be immature). Heartbreak, confusion and misogyny stalk this blue-green sphere, yes, but it is also a place of wild delight and unconstrained vitality, a place where we can start living as soon as we are born, and we can be born at any time. In her dazzling, impossible-to-categorize debut, Jenny channels the pain and beauty of life in writing so fresh, so new and so burstingly alive, we catch her vision like a fever and bring it back out into the bright day with us, and everything has changed.'Delicious' AMY SEDARIS 'Slate invites us for a glorious swim inside her imagination as she explores romance, heartbreak and self-love in this poetry-memoir-fiction mash-up' PEOPLE'I couldn't help but feel that it was written by a friend for me' VANITY FAIR

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Published through the Recovering Languages and Literacies of the Americas initiative, supported by the Andrew W. Mellon Foundation The general focus in Lakota oral literary research has been on content rather than process within oral traditions. In this groundbreaking study of the characteristics of Lakota oral style, Delphine Red Shirt shows how its composition and structure are reflected in the work of George Sword, who composed 245 pages of text in the Lakota language using the English alphabet. What emerges in Sword’s Lakota narratives are the formulaic patterns inherent in the Lakota language that are used to tell the narratives, as well as recurring themes and story patterns. Red Shirt’s primary conclusion is that this cadence originates from a distinctly Lakota oral tradition. Red Shirt analyzes historical documents and original texts in Lakota to answer the question: How is Lakota literature defined? Her pioneering work uncovers the epistemological basis of this literature, which can provide material for literary studies, anthropological and traditional linguistics, and translation studies. Her analysis of Sword’s texts discloses tools that can be used to determine whether the origin of any given narrative in Lakota tradition is oral, thereby opening avenues for further research.

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Uncle George is a baker based in the Forest of Dean. He is now planning to retire and sell the bakery. The Forest Series began with Just Around the Corner, followed by Just Across the Fields and Just Over Yonder. In essence, his 'Golden Days' is George's swan song. Uncle George, as the local baker, was at the core of his community and held decided views on any and every subject which came to his notice, view he was always ready to express to friends and strangers alike. This warm and humorous instalment sees George sell his bakery and buy the adjoining piece of land upon which he has long had his eye.

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