Search results for ""author leonard"

“boyd’s new book is layered and smart . . . It’s Complicated will update your mind.”—Alissa Quart, New York Times Book Review “A fascinating, well-researched and (mostly) reassuring look at how today's tech-savvy teenagers are using social media.”—People “The briefest possible summary? The kids are all right, but society isn’t.”—Andrew Leonard, Salon What is new about how teenagers communicate through services such as Facebook, Twitter, and Instagram? Do social media affect the quality of teens’ lives? In this eye-opening book, youth culture and technology expert danah boyd uncovers some of the major myths regarding teens' use of social media. She explores tropes about identity, privacy, safety, danger, and bullying. Ultimately, boyd argues that society fails young people when paternalism and protectionism hinder teenagers’ ability to become informed, thoughtful, and engaged citizens through their online interactions. Yet despite an environment of rampant fear-mongering, boyd finds that teens often find ways to engage and to develop a sense of identity. Boyd’s conclusions are essential reading not only for parents, teachers, and others who work with teens but also for anyone interested in the impact of emerging technologies on society, culture, and commerce in years to come. Offering insights gleaned from more than a decade of original fieldwork interviewing teenagers across the United States, boyd concludes reassuringly that the kids are all right. At the same time, she acknowledges that coming to terms with life in a networked era is not easy or obvious. In a technologically mediated world, life is bound to be complicated.

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Transnational corporations (TNCs) have moved to the forefront of regulatory governance both within states and in the international arena. The Research Handbook on Transnational Corporations provides expert background commentary and up-to-date insights into regulatory frameworks impacting on TNCs at global, industry and national levels. Written by global experts in their field, this unique collection of essays provides in-depth understanding of how the forces of globalisation affect the world's largest corporations, and how those corporations, in turn, shape globalisation. Comprehensive yet highly accessible, this is the first major work on the reciprocal impact of TNCs on regulatory processes. The Research Handbook provides guidance on how best to understand the rapidly evolving relationship between TNCs and the processes of treaty making, the formation of global industry standards and the processes of national law making and policy formation (with a focus on resource taxation). Global, industry and national-level case studies are used to explain the basic principles used to support state, private, and international regulatory programs. Delivering both theoretical and practical insights into the regulation of TNCs, this timely and authoritative Research Handbook will be of particular interest to policy makers, industry practitioners and lawyers. Students and academics will also find it to be an invaluable resource.Contributors include: R. Anderson, M. Bowman, L. Catá Backer, A. Chou, A. De Jonge, G. Gilligan, D. Gleeson, M.A. Gonzalez-Perez, V. Harper Ho, J.A. Kirshner, D. Kraal, L. Leonard, R. Lopert, M.E. Monasterio, P. Neuwelt, J. O'Brien, A. Rühmkorf, R. Tomasic, M. Wörsdörfer

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A fascinating look at the changing role of wives in modern America After a half century of battling for gender equality, women have been freed from the necessity of securing a husband for economic stability, sexual fulfillment, or procreation. Marriage is a choice, and increasingly women (and men) are opting out. Yet despite these changes, the cultural power of marriage has burgeoned. What was once an obligation has become an exclusive club into which heterosexual women with the right amount of self-discipline may win entry. The newly exalted professionalized wife is no longer reliant on her husband’s status or money; instead she can wield her own power provided she can successfully manage the business of being a wife. Wife, Inc. tells a fiercely contemporary story revealing that today’s wives do not labor in kitchens or even homes. Instead, the work of wifedom occurs in online dating sites, on reality television, in social media, and on the campaign trail. Dating, marital commitment, and married life have been reconfigured. No longer the stuff of marriage vows, these realms are now controlled by brand management and marketability. To prosper, women must appear confident, empowered, and sexually savvy. Guiding readers through the stages of the “wife-cycle,” Suzanne Leonard follows women as they date, prepare to wed, and toil as wives, using examples from popular television, film, and literature, as well as mass market news, women’s magazines, new media, and advice culture. The first major study to focus on this new definition of “working wives,” Wife, Inc. reveals how marriage occupies a newly professionalized role in the lives of American women. Being a wife is a business that takes a lot more than a vow to maintain—this book tells that story.

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Stephen Hawking's worldwide bestseller, A Brief History of Time, has been a landmark volume in scientific writing. Its author's engaging voice is one reason, and the compelling subjects he addresses is another: the nature of space and time, the role of God in creation, the history and future of the universe. But it is also true that in the years since its publication, readers have repeatedly told Professor Hawking of their great difficulty in understanding some of the book's most important concepts. This is the origin of and the reason for A Briefer History of Time: its author's wish to make its content accessible to readers - as well as to bring it up-to-date with the latest scientific observations and findings.Although this book is literally somewhat 'briefer', it actually expands on the great subjects of the original. Purely technical concepts, such as the mathematics of chaotic boundary conditions, are gone. Conversely, subjects of wide interest that were difficult to follow because they were interspersed throughout the book have now been given entire chapters of their own, including relativity, curved space, and quantum theory.This reorganization has allowed the authors to expand areas of special interest and recent progress, from the latest developments in string theory to exciting developments in the search for a complete, unified theory of all the forces of physics. Like prior editions of the book-but even more so - A Briefer History of Time will guide nonscientists everywhere in the ongoing search for the tantalizing secrets at the heart of time and space.Thirty-eight full-colour illustrations enhance the text and make A Briefer History of Time an exhilarating addition in its own right to the literature of science.

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Biography of the late American composer Leon Kirchner (1919-2009), exploring his work and important personal associations. In this first biography of American composer, pianist, conductor, and teacher Leon Kirchner (1919-2009), Robert Riggs paints a vivid picture of an extraordinary, multifaceted musician. Refugees from Hitler's Third Reich (Schoenberg, Bloch, and Stravinsky) dominated Kirchner's early development, and he in turn became a transformative mentor for later generations at the University of Southern California, Mills College, and Harvard University. Kirchner's performance persona is brought to life by highlighting his appearances with top orchestras and at major festivals, especially his long tenure at the Marlboro Music Festival, where he worked with Rudolf Serkin and Pablo Casals. Currentchampions of his music (Yo-Yo Ma, Leon Fleisher, and James Levine) are also key protagonists. Kirchner's entire oeuvre is discussed within the chronological narrative, and six representative works are examined in detail. Inaddition to Riggs's extensive interviews with the composer, the biography is documented with Kirchner's colorful correspondence from a roster of luminaries: Saul Bellow, Leonard Bernstein, Edward Cone, Aaron Copland, Darius Milhaud, Isaac Stern, Roger Sessions, and many others. Excerpts from Kirchner's own elegantly written essays and speeches complete the portrait and reveal his highly personal, romantic view of music as powerful art capable of endowing humanity with an "aesthetic sensibility and protective wisdom, without which we cannot survive." Robert Riggs is Professor of Music at the University of Mississippi.

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Stalag XXA was a Second World War German POW camp for non-commissioned officers located in Nazi occupied Torun, in northern Poland. The camp consisted of fifteen forts, which in September 1939, under the name of Stalag 357, was used to house Polish POWs who were captured after German forces had taken the Polish fort at Westerplatte. British POWs didn't arrive at the camp until June 1940, and were those captured during the Allied campaign in Norway, the evacuations of the British at Dunkirk, and the men of the 51st (Highland) Division at St. Valery. At its peak, the camp housed more than 10,000 men and was liberated by Russian forces on 1 February 1945. This book examines in detail what life was like in the camp for those held there, which over the course of the war numbered more than 60,000 men, including Polish, French, Belgians, British, Yugoslavians, Russians, Americans, Italians and Norwegians. The bulk of the book is based on a diary kept by Leonard Parker, a POW at Stalag XXA who was forced to undertake a march from the camp, commencing on 19 January 1945, taking himself and his comrades to the Russian port of Odessa. It was a difficult march undertaken in harsh wintery conditions, where lack of food, the cold, and the fear of death were their constant companions. The final leg of their liberation saw the men of Stalag XXA board the _Duchess of Richmond_ at Odessa, before arriving at Greenock, Scotland, on 17 April 1945, and finally finding their freedom.

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'One of the most entertaining thrillers of the year... THE PROMISE is filled with suspense, surprises and ably-drawn characters. ... putting him in the company of such greats as James Lee Burke, Sue Grafton, Stephen King and Elmore Leonard. THE PROMISE shows once again why he belongs there' WASHINGTON POSTLoyalty, commitment, the fight against injustice - these are the things that have always driven Elvis Cole and Joe Pike. If they make a promise, they keep it. Even if it could get them killed.When Elvis Cole is hired to locate a woman who may have disappeared with a stranger she met online, it seems like an ordinary case - until Elvis learns the missing woman worked for a defence contractor and was being blackmailed to supply explosives components for a person or persons unknown.Meanwhile, in another part of the city, LAPD officer Scott James and his patrol dog, Maggie, enter an abandoned building to locate an armed and dangerous thief, only to discover far more than they expected.Soon, Scott and Maggie find themselves targeted and, as their case intertwines with Elvis and Joe's, join forces to follow the trail of the missing woman as well. From inner-city drug traffickers to a shadowy group of Afghan war veterans with ties to a terrorist cell, the people they encounter on that trail add up to ever-increasing odds, and soon the four of them are fighting to find the woman not only before she is killed ... but before the same fate happens to one of them.

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A selection of letters by the pacifist and noted art critic Clive Bell, expertly annotated by his biographer Illustrates a comprehensive range of Bell's interests and relationships Offers a unique record of a transformative time in the cultural and political history of the West Arranged in eight categories to afford readers guidance in how to approach the varied emphases of Bell's life and interests, as well as highlighting what is particularly significant, such as his close lifelong relationship with Virginia Woolf Clive Bell was a pivotal member of the Bloomsbury Group. His marriage to Vanessa Bell and his, at times tempestuous, relations with his sister-in-law Virginia Woolf form important strands in the cultural history of modernism. A tireless champion of modernist art, a committed pacifist and conscientious objector, Bell produced a huge body of correspondence with many of the leading artistic and political figures of his time. His lively, witty, highly opinionated letters are a window into the turbulence of the early twentieth century, populated by friends and acquaintances including T. S. Eliot, Katherine Mansfield, Pablo Picasso and Jean Cocteau, as well as his Bloomsbury set, Desmond MacCarthy, Leonard and Virginia Woolf, Duncan Grant, Maynard Keynes, Roger Fry and Vanessa Bell. Arranged in eight categories Bloomsbury Circles; Virginia; War; Arts and Letters; To the Editor; Francophile; Travels; Love, Gossip, Home this selection emphasises Bell's enormously varied life and interests. Born in the reign of Queen Victoria and living long enough to have been able to hear the Beatles on the radio, these letters demonstrate that Bell's appetite for art, for love and for peace never flagged.

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Europe is entering a new political epoch. The centre-left, now in government in many EU countries, has struggled to modernize itself and is now defining the shape of politics for the future. Bodo Hombach's book is one of the most important early attempts to flesh out the Third Way - moving it from being a successful electoral project to become a governing philosophy. Hombach, one of Gerhard Schr"der's closest advisers, who was Minister of State in the Chancellor's office, is a colourful and controversial figure. He has been described as the 'German Peter Mandelson' because he was the architect of Schr"der's election victory in 1997, which brought the Social Democrats to power after a decade and a half in opposition. His book, a bestseller in Germany, is the clearest definition of the popular 'Die Neue Mitte' project on which Schröder was elected, and on which the German voters will judge the government. It is striking in its bold rejection of many of the left's traditional approaches - the confrontational traditions of employers versus workers, the private sector versus the public sector, free market forces versus state direction - and this explains why Hombach and his book have been at the centre of the fierce debate about the soul and the future direction of social democracy. Professor Anthony Giddens and Mark Leonard, in the preface and introduction, put the book in the context of the global debate about the development of the Third Way, and also draw comparisons with events in the United Kingdom. Hombach's book is destined to become a key text on the future of European social democracy, of interest to political activists, policy-makers and students of politics.

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Music gives specific meanings to our lives, but also to how we experience death; it forms a central part of death rituals, consoles survivors, and celebrates the deceased. Music & Death investigates different musical engagements with death. Its eleven essays examine a broad range of genres, styles and periods of Western music from the Middle Ages until the present day. This volume brings a variety of methodological approaches to bear on a broad, but non-exhaustive, range of music. These include musical rituals and intercessions on behalf of the departed. Chapters also focus on musicians' reactions to death, their ways of engaging with grief, anger and acceptance, and the public's reaction to the death of musicians. The genres covered include requiem settings, operas and ballets, arts songs, songs by Leonard Cohen and the B-52s, and instrumental music. There are also broader reflections regarding the psychological links between creative musical practice and the overcoming of grief, music's central role in shaping a specific lifestyle (of psychobillies) and the supposed universalism of Western art music (as exemplified by Brahms). The volume adds many new facets to the area of death studies, highlighting different aspects of "musical thanatology". It will appeal to those interested in the intersections between western music and theology, as well as scholars of anthropology and cultural studies. CONTRIBUTORS: Matt BaileyShea, Alexandra Buckle, Peter Edwards, Richard Elliott, Nicole Grimes, Mieko Kanno, Kimberly Kattari, Wolfgang Marx, Fred E. Maus, Jillian C. Rogers, UtaSailer and Miriam Wendling.

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A lighthearted meditation on the philosophical quandaries of the hit television show The Big Bang Theory Ever wonder what Aristotle might say about the life Sheldon Cooper leads? Why Thomas Hobbes would applaud the roommate agreement? Who Immanuel Kant would treat with "haughty derision" for weaving "un-unravelable webs?" And—most importantly—whether Wil Wheaton is truly evil? Of course you have. Bazinga! This book mines the deep thinking of some of history's most potent philosophical minds to explore your most pressing questions about The Big Bang Theory and its nerdy genius characters. You might find other philosophy books on science and cosmology, but only this one refers to Darth Vader Force-chokes, cloning Leonard Nimoy, and oompa-loompa-like engineers. Fo-shizzle. Gives you irresistibly geek-worthy insights on your favorite Big Bang Theory characters, story lines, and ideas Examines important themes involving ethics and virtue, science, semiotics, religion, and the human condition Brings the thinking of some of the world's greatest philosophers to bear on The Big Bang Theory, from Aristotle and Plato to Nietzsche, Wittgenstein, Simone de Beauvoir, and more Essential reading for every Big Bang Theory fan, this book explores whether comic-book-wielding geeks can lead the good life, and whether they can know enough science to "tear the mask off nature and stare at the face of God."

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With the Royal Navy's offensives in the Chesapeake Bay during the War of 1812 came devastating raids that wreaked havoc on the small villages along its shores and the very economy of the region. American naval forces were incapable of wresting control of the Tidewater from the superior enemy forces. Then in 1814 Captain Joshua Barney, a rare American hero during the struggle, intrepidly led his Chesapeake Flotilla against the invaders, determined to contest their advance on the nation's capital and drive them from the region. Donald G. Shomette, director of the archaeological excavation of the flotilla's flagship, substantially revises the first edition of this captivating history with new information about Barney, his crew, and the mosquito fleet of gunboats and war barges that so valiantly fought the British. He sheds new light on the efforts of the U.S. Flotilla Service to build a viable coastal defense force. Shomette details the construction and manning of the famed Chesapeake Flotilla and recounts the terrifying details of British attacks on the towns, plantations, and farms throughout the bay region. Doomed from its conception by sparse funds and the natural limitations of the bay's coastline, the flotilla ultimately suffered defeat. Yet its efforts were not completely in vain. Turning back wave after wave of British attacks, the fleet earned an improbable victory at St. Leonard's Creek and its men went on to make heroic stands at the battles of Bladensburg and Fort McHenry in 1814. The thoroughly updated and enlarged edition of Flotilla is the result of impressive research on a forgotten chapter in the development of the young nation's naval and maritime tradition.

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A pivotal twentieth-century composer, Samuel Barber earned a long list of honors and accolades that included two Pulitzer Prizes for Music and the public support of conductors like Arturo Toscanini, Serge Koussevitzky, and Leonard Bernstein. Barber’s works have since become standard concert repertoire and continue to flourish across high art and popular culture. Acclaimed biographer Howard Pollack (Aaron Copland, George Gershwin) offers a multifaceted account of Barber’s life and music while placing the artist in his social and cultural milieu. Born into a musical family, Barber pursued his artistic ambitions from childhood. Pollack follows Barber’s path from his precocious youth through a career where, from the start, the composer consistently received prizes, fellowships, and other recognition. Stylistic analyses of works like the Adagio for Strings, the Violin Concerto, Knoxville: Summer of 1915 for voice and orchestra, the Piano Concerto, and the operas Vanessa and Antony and Cleopatra, stand alongside revealing accounts of the music’s commissioning, performance, reception, and legacy. Throughout, Pollack weaves in accounts of Barber’s encounters with colleagues like Aaron Copland and Francis Poulenc, performers from Eleanor Steber and Leontyne Price to Vladimir Horowitz and Van Cliburn, patrons, admirers, and a wide circle of eminent friends and acquaintances. He also provides an eloquent portrait of the composer’s decades-long relationship with the renowned opera composer Gian Carlo Menotti. Informed by new interviews and immense archival research, Samuel Barber is a long-awaited critical and personal biography of a monumental figure in twentieth-century American music.

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Businesses often find themselves trapped in a competitive dogfight, scratching and clawing for market share with products consumers view as largely undifferentiated. Conventional wisdom suggests that dogfights are to be expected as marketplaces mature, giving rise to the notion that there are "bad" industries where it is unlikely that any company can succeed. But there are notable exceptions in which enlightened executives have changed the rules to grasp the holy grail of business: long-term profitable growth. Rather than joining the dogfights raging within their industry, companies such as Apple, FedEx, and Starbucks have chosen to become metaphorical cats, continuously renewing their distinctive strategies to compete on their own terms. In If You're in a Dogfight, Become a Cat, Leonard Sherman draws on four decades of experience in management consulting, venture capital, and teaching business strategy at Columbia Business School to share practical advice on two of the most vexing issues facing business executives: why is it so hard to achieve long-term profitable growth, and what can companies do to break away from the pack? Sherman takes the reader on a provocative journey through the building blocks of business strategy by challenging conventional wisdom on a number of questions that will redefine management best practices: * What should be the overarching purpose of your business?* Do you really know what your strategy is?* Is there such a thing as a bad industry?* Where do great ideas come from and how do I find them?* What makes products meaningfully different?* What makes and breaks great brands?* How and when should I disrupt my own company?* What are the imperatives to achieving long-term profitable growth? Filled with dozens of illustrative examples of inspiring successes and dispiriting falls from grace, this book provides deep insights on how to become the cat in a dogfight, whether you are a CEO, mid-level manager, aspiring business school student, or curious observer interested in achieving sustained profitable growth.

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Chinese merchants have traded with Southeast Asia for centuries, sojourning and sometimes settling, during their voyages. These ventures have taken place by land and by sea, over mountains and across deserts, linking China with vast stretches of Southeast Asia in a broad, mercantile embrace. Chinese Circulations provides an unprecedented overview of this trade, its scope, diversity, and complexity. This collection of twenty groundbreaking essays foregrounds the commodities that have linked China and Southeast Asia over the centuries, including fish, jade, metal, textiles, cotton, rice, opium, timber, books, and edible birds’ nests. Human labor, the Bible, and the coins used in regional trade are among the more unexpected commodities considered. In addition to focusing on a certain time period or geographic area, each of the essays explores a particular commodity or class of commodities, following its trajectory from production, through exchange and distribution, to consumption. The first four pieces put Chinese mercantile trade with Southeast Asia in broad historical perspective; the other essays appear in chronologically ordered sections covering the precolonial period to the present. Incorporating research conducted in Chinese, Japanese, Vietnamese, Thai, Burmese, Malay, Indonesian, and several Western languages, Chinese Circulations is a major contribution not only to Sino-Southeast Asian studies but also to the analysis of globalization past and present.Contributors. Leonard Blussé, Wen-Chin Chang, Lucille Chia, Bien Chiang, Nola Cooke, Jean DeBernardi, C. Patterson Giersch, Takeshi Hamashita, Kwee Hui Kian, Li Tana, Lin Man-houng, Masuda Erika, Adam McKeown, Anthony Reid , Sun Laichen, Heather Sutherland, Eric Tagliacozzo, Carl A. Trocki, Wang Gungwu, Kevin Woods, Wu Xiao

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Taking us from the beginning of our story to the present day, A Cold Spell examines how ice has shaped our thoughts, actions and societies – and what it means for us that it is rapidly disappearing from our planet 'A warm-hearted tale of the bizarre, something to cuddle up with in the bleak midwinter . . . Astonishing' THE TIMES 'Bracingly original . . . As the earth warms threateningly, there could hardly be a more pertinent time for a story like this’ MICHAEL PALIN 'A book of limitless fascinations' OLIVIA LAING 'Brightly written, nimbly researched and really quite delightful' LITERARY REVIEW Ice has confounded, delighted and fascinated us since the first sparks of art and culture in Europe and it now underpins the modern world. Without ice, we would not feed ourselves or heal our sick as we do, and our towns and cities, countryside and oceans would look very different. Science would not have progressed along the avenues it did and our galleries and libraries would be missing many masterpieces. A Cold Spell uses this vital link to understanding our past to tell a surprising story of obsession, invention and adventure – how we have lived and dreamed, celebrated and traded, innovated, loved and fought over thousands of years. It brings together a sacrificial Incan mummy, Winston Churchill’s secret plans for unusual aircraft carriers, strange bones that shook Victorian beliefs about the world and a macabre journey into the depths of the human body. It is an original and unique way of looking at something that is literally all around us, whose loss confronts us daily in the news, but whose impact on our lives has never been fully explored. [An] extraordinary, complete and utter history of the human experience of the cold stuff' JOHN LEWIS-STEMPEL, COUNTRY LIFE ‘A thought-provoking chronicle of humanity . . . Leonard consistently frames ice in surprising and insightful ways, and in doing so lends it a magical quality’ GEOGRAPHICAL

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So You Think You’re a Kansas City Royals Fan? will test and expand your knowledge of one of Major League Baseball’s most successful expansion franchises. Rather than merely posing questions and providing answers, you’ll get details behind each—stories that bring to life the history of the Kansas City Royals.This book, part of a new series, is divided into four parts, with progressively more difficult questions in each new section. The first three-inning section contains the most basic questions. Next come the middle innings, then the late innings, and finally the Hall of Fame.Also, you’ll learn more about the great players and names in Royals history both past and present, from George Brett to Eric Hosmer, Amos Otis and Willie Wilson to Lorenzo Cain, Dan Quisenberry, Jeff Montgomery, Frank White, Mike Sweeney, Mike Moustakas, Bret Saberhagen, Paul Splittorff, Dennis Leonard, Whitey Herzog, Dick Howser, Ned Yost, Denny Matthews, Alex Gordon, and so many more—even Bo Jackson, of course. The many questions this book answers include:• Who was the first player inducted into the National Baseball Hall of Fame with the Royals listed on his plaque?• What special first in World Series history was the 2015 match-up between the Mets and Royals?• Which two Royals players worked on crews that helped build Royals Stadium?• Who was the first hitter to record a multi–home run game for the Royals?This book makes the perfect gift for any fan of the 2015 World Champion Royals!

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Like Fellini’s classic film 8½ and mixed with Elmore Leonard's Get Shorty, a gorgeously wrought novel that explores the complicated life of a controversial Italian film producer who vanishes after a fire destroys his home.Rome, present day: an extravagant, opulent world of fashionable parties, fancy cars, and powerful men and women in a constant dance of excess and intrigue. Oscar Martello, president of a film production company, is a self-made man: despite his humble origins, he has managed to achieve unbelievable fame and success. He is also a cutthroat and ruthless visionary. Andrea Serrano, his best friend, is a scriptwriter who explores the themes of love and murder in his work. The beautiful actress Jacaranda Rizzi, Oscar’s muse, has a secret that has been tormenting her for many years. Pulsing with ambition, all three represent the apex of Rome’s complex and privileged network of glamorous yet troubled aristocrats. When a fire devastates Oscar’s villa in one of the city’s most fashionable neighborhoods and he goes missing, all of Rome is left to wonder about his fate. The evidence points to Jacaranda, but could she have orchestrated something so sinister? More important, could she have done it alone, or has Andrea played some role in the debacle? In this archly funny, immersive, and gripping novel, Pino Corrias does for Rome what Elena Ferrante did for Naples, delivering a powerful story about the high stakes world of entertainment in today’s Rome, where celebrity rules all and the grande bellezza of a more gracious age has given way to something much darker.

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More than 350 bombs fell on Wimbledon during the Second World War, killing 150 residents and injuring a further 1,071\. Around 12,000 houses were damaged and 810 destroyed. Notable people discussed in this fascinating book include Ernest Leonard Harvey, who was onboard HMS Suffolk on the night Bismarck was spotted; Peter Walley, who died when he steered his crashing aircraft away from housing in the area; Pat Reid, Colditz Castle escapee; PoW Ernest Colman's "Wimbledon Variation"; casualties of the Burma-Thailand railway; and the members of the Mitcham Home Guard who were killed when a German parachute mine hit the Tower Creameries site on Wednesday, 16 April 1941 (after a relatively quiet couple of weeks). This well-researched book also includes a list of the lost hospitals of Wimbledon, as well as war memorials in the London Borough of Merton - findings which have since been added to the Imperial War Museum's website, www.iwm.org.uk. It also provides an insight into factory worker jobs that have long-since bitten the dust. Tri-ang in South Wimbledon was a national by-word for toys - until it started making munitions for real. And, with the outbreak of war, Vortexion of The Broadway, Wimbledon - a manufacturer of public address amplifiers - found itself under the direction of the Government for war work. Overall, this is a poignant testimony to the momentous efforts, bravery, self-sacrifice and determination of the people of Wimbledon during the Second World War, who sought to find normality in a reality so far removed from anything they had ever known.

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Each year over three million people visit the Freedom Trail, a two-and-one-half mile red brick line that tells a story over two centuries old. In 1958, local journalist William Schofield had the idea that Boston's revolutionary sights could be made more accessible to residents and visitors, and conceived of the Freedom Trail. Tourists were going berserk, he wrote, bumbling around and frothing at the mouth because they couldn't find what they were looking for. Along with Bob Winn of the Old North Church, Schofield convinced the city of Boston to connect the dots between the historic sites and buildings that were the birthplace of the American Revolution. A natural and easily accomplished idea, a foundation was created that put the idea in place and gave it a name. In this simple way, the Freedom Trail, known and beloved around the world, was born. In addition to its great historical importance, the beauty of the sites, sounds, and neighborhoods along the way made walking the Freedom Trail an instantly popular activity. Some forty-six years later, at the age of eighty-seven the artist Leonard Weber has created a lasting tribute to those who established and maintained one of the treasures of Boston's and the Nation's heritage. He has painted a fold-out panorama of the whole horizon of Boston's revolutionary history, a portrait of each of the sixteen landmarks together with a selection of their most important artifacts--from the State House and the Sacred Cod to the House and Tomb of Paul Revere, and on to Old Ironsides and the Bunker Hill Monument. Len Weber's The Freedom Trail is a visual treasure house of our nation's history, a glorious rekindling of Boston's patriotic past in its present-day glory.

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Bottom-up case studies, drawn from the perspective of ordinary Africans’ experiences with state bureaucracies, structures, and services, reveal how citizens and states define each other. This volume examines contemporary citizens’ everyday encounters with the state and democratic processes in Africa. The contributions reveal the intricate and complex ways in which quotidian activities and experiences—from getting an identification card (genuine or fake) to sourcing black-market commodities to dealing with unreliable waste collection—both (re)produce and (re)constitute the state and democracy. This approach from below lends gravity to the mundane and recognizes the value of conceiving state governance not in terms of its stated promises and aspirations but rather in accordance with how people experience it. Both new and established scholars based in Africa, Europe, and North America cover a wide range of examples from across the continent, including bureaucratic machinery in South Sudan, Nigeria, and Kenya infrastructure and shortages in Chad and Nigeria disciplinarity, subjectivity, and violence in Rwanda, South Africa, and Nigeria the social life of democracy in the Congo, Cameroon, and Mozambique education, welfare, and health in Ethiopia, the Democratic Republic of Congo, and Burkina Faso Everyday State and Democracy in Africa demonstrates that ordinary citizens’ encounters with state agencies and institutions define the meanings, discourses, practices, and significance of democratic life, as well its distressing realities. Contributors: Daniel Agbiboa Victoria Bernal Jean Comaroff John L. Comaroff E. Fouksman Fred Ikanda Lori Leonard Rose Løvgren Ferenc Dávid Markó Ebenezer Obadare Rogers Orock Justin Pearce Katrien Pype Edoardo Quaretta Jennifer Riggan Helle Samuelsen Nicholas Rush Smith Eric Trovalla Ulrika Trovalla

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This study shows how, in the nineteenth century, Americans often described and narrated Italy as a way of reflecting on their own country and national identity in genres as various as travel literature, fiction, poetry, and journalism. Indeed, maintains author Leonardo Buonomo, Italy helped the Americans to relativize, if not redefine, the very idea of Americanness.

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Historian, revolutionary and cricket writer, CLR James was one of the truly radical voices of the twentieth century. Born in Trinidad in the final days of the Victorian era, he debated with Trotsky, played cricket with Constantine, was published by Leonard and Virginia Woolf, inspired Kwame Nkrumah, and was a profound influence on the British Black Power movement. And yet by the late 1970s, CLR James was all but forgotten. The books he had written over the past half century were nearly all out of print. There were a few circles in which his name rang a bell: serious students of Black history; obsessive cricket fans. But that was it.When he died in Brixton in 1989, CLR James was internationally famous - lauded as the greatest of Black British intellectuals: the 'Black Plato', according to The Times.The ideas he put forward in his own time - of the importance of identity alongside class, of rebellion coming from below, of the leading roles of Black people, women and youth in political struggle - have gradually made their way to the forefront of our political thinking. His two great books, The Black Jacobins and Beyond a Boundary, still have the power to change readers' understanding of the world today.But while CLR James's work has been much examined, his long and remarkable life story has often been overlooked. For the first time, in a biography full of original research, human drama and keen insight, John L. Williams unveils the rich and compelling story of an intellectual giant. In doing so, he firmly establishes the importance of CLR James for the twenty-first century - if Black Britain has had a presiding genius, it remains CLR James.

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Charlotte Bolland is Senior Curator, Research and 16th Century Collections, at the National Portrait Gallery, London. Among other publications, she authored The Tudors: Passion, Power and Politics (National Portrait Gallery, 2022) and Tudor and Jacobean Portraits (National Portrait Gallery, 2018), and co-authored with Tarnya Cooper The Encounter: Drawings from Leonardo to Rembrandt (National Portrait Gallery, 2017). Suzannah Lipscomb is Professor Emerita of History at the University of Roehampton and Senior Member at St Cross College, Oxford. She has written and edited seven books and is an established television presenter. She hosts the History Hit podcast, 'Not Just the Tudors'. Her next book, The Six: A New History of Henry VIII's Queens will be published in Autumn 2025. Other contributors include Nicola Clark, Brett Dolman, Alden Gregory, Benjamin Hebbert, Nicola Tallis, and Valerie Schutte.

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Taking us from the beginning of our story to the present day, A Cold Spell examines how ice has shaped our thoughts, actions and societies – and what it means for us that it is rapidly disappearing from our planet 'A warm-hearted tale of the bizarre, something to cuddle up with in the bleak midwinter . . . Astonishing' THE TIMES 'Bracingly original . . . As the earth warms threateningly, there could hardly be a more pertinent time for a story like this’ MICHAEL PALIN 'A book of limitless fascinations' OLIVIA LAING 'Brightly written, nimbly researched and really quite delightful' LITERARY REVIEW Ice has confounded, delighted and fascinated us since the first sparks of art and culture in Europe and it now underpins the modern world. Without ice, we would not feed ourselves or heal our sick as we do, and our towns and cities, countryside and oceans would look very different. Science would not have progressed along the avenues it did and our galleries and libraries would be missing many masterpieces. A Cold Spell uses this vital link to understanding our past to tell a surprising story of obsession, invention and adventure – how we have lived and dreamed, celebrated and traded, innovated, loved and fought over thousands of years. It brings together a sacrificial Incan mummy, Winston Churchill’s secret plans for unusual aircraft carriers, strange bones that shook Victorian beliefs about the world and a macabre journey into the depths of the human body. It is an original and unique way of looking at something that is literally all around us, whose loss confronts us daily in the news, but whose impact on our lives has never been fully explored. [An] extraordinary, complete and utter history of the human experience of the cold stuff' JOHN LEWIS-STEMPEL, COUNTRY LIFE ‘A thought-provoking chronicle of humanity . . . Leonard consistently frames ice in surprising and insightful ways, and in doing so lends it a magical quality’ GEOGRAPHICAL

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"Jean-Pierre was himself a musician, but his choice of instrument was a camera, which he never put away." - Michel Legrand "I am so happy to see Leloir's work published, because behind each image is a story - one that needs to be told and appreciated. Leloir was not just a photographer; instead he was a preserver of history. As a result, this book holds hundreds of stories that shine a light onto the lives of those who live in these pages. Leloir had a unique ability to preserve an entire atmosphere and its surrounding emotions. between the four corners of a picture, but beyond his talent as a photographers, he presented himself not as paparazzi, but a friend. He and my other brother Herman Leonard were two of a kind; they had the same passion for photography and an endless supply of vision." - Quincy Jones This book gives ample proof of Jean-Pierre Leloir's amazing ability to immortalise performers and to capture candid moments at the airport, backstage, and in the dressing rooms of the most legendary Paris jazz and concert venues: "I loved the people I photographed, so I made myself as available, yet as discreet as possible", he used to say. "I never wanted to be a paparazzi. I wanted them to forget my presence so I could catch those little unexpected moments." The selection of photographs showcased here has been carefully selected from Leloir's immense catalogue. Many of the images have never been previously published before, and can be easily catalogued as 'atypical' shots, as the musicians were captured primarily in spontaneous situations, away from the fanfare of the stage. Text in English with an introduction in English, French and Spanish.

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Explores various aspects of chiefly authority in South Sudan from its historical origins and evolution under colonial, postcolonial and military rule, to its current roles and value in the newly independent country. South Sudan became Africa's newest nation in 2011, following decades of armed conflict. Chiefs - or 'traditional authorities' - became a particular focus of attention during the international relief effort and post-war reconstruction and state-building. But 'traditional' authority in South Sudan has been much misunderstood. Institutions of chiefship were created during the colonial period but originated out of a much longer process of dealing with predatory external forces. This book addresses a significant paradox in African studies more widely: if chiefs were the product of colonial states, why have they survived or revived in recent decades? By examining the long-term history ofchiefship in the vicinity of three towns, the book also argues for a new approach to the history of towns in South Sudan. Towns have previously been analysed as the loci of alien state power, yet the book demonstrates that thesegovernment centres formed an expanding urban frontier, on which people actively sought knowledge and resources of the state. Chiefs mediated relations on and across this frontier, and in the process chiefship became central to constituting both the state and local communities. Cherry Leonardi is Senior Lecturer in African History at Durham University, a former course director of the Rift Valley Institute's Sudan course, and a member of the council of the British Institute in Eastern Africa Published in association with the British Institute in Eastern Africa.

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This timely collection brings feminist critique to bear on contemporary postfeminist mass media culture, analyzing phenomena ranging from action films featuring violent heroines to the “girling” of aging women in productions such as the movie Something’s Gotta Give and the British television series 10 Years Younger. Broadly defined, “postfeminism” encompasses a set of assumptions that feminism has accomplished its goals and is now a thing of the past. It presumes that women are unsatisfied with their (taken for granted) legal and social equality and can find fulfillment only through practices of transformation and empowerment. Postfeminism is defined by class, age, and racial exclusions; it is youth-obsessed and white and middle-class by default. Anchored in consumption as a strategy and leisure as a site for the production of the self, postfeminist mass media assumes that the pleasures and lifestyles with which it is associated are somehow universally shared and, perhaps more significantly, universally accessible.Essays by feminist film, media, and literature scholars based in the United States and United Kingdom provide an array of perspectives on the social and political implications of postfeminism. Examining magazines, mainstream and independent cinema, popular music, and broadcast genres from primetime drama to reality television, contributors consider how postfeminism informs self-fashioning through makeovers and cosmetic surgery, the “metrosexual” male, the “black chick flick,” and more. Interrogating Postfeminism demonstrates not only the viability of, but also the necessity for, a powerful feminist critique of contemporary popular culture.Contributors. Sarah Banet-Weiser, Steven Cohan, Lisa Coulthard, Anna Feigenbaum, Suzanne Leonard, Angela McRobbie, Diane Negra, Sarah Projansky, Martin Roberts, Hannah E. Sanders, Kimberly Springer, Yvonne Tasker, Sadie Wearing

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Writers of the Black Chicago Renaissance comprehensively explores the contours and content of the Black Chicago Renaissance, a creative movement that emerged from the crucible of rigid segregation in Chicago's "Black Belt" from the 1930s through the 1960s. Heavily influenced by the Harlem Renaissance and the Chicago Renaissance of white writers, its participants were invested in political activism and social change as much as literature, art, and aesthetics. The revolutionary writing of this era produced some of the first great accolades for African American literature and set up much of the important writing that came to fruition in the Black Arts Movement. The volume covers a vast collection of subjects, including many important writers such as Richard Wright, Gwendolyn Brooks, and Lorraine Hansberry as well as cultural products such as black newspapers, music, and theater. The book includes individual entries by experts on each subject; a discography and filmography that highlight important writers, musicians, films, and cultural presentations; and an introduction that relates the Harlem Renaissance, the White Chicago Renaissance, the Black Chicago Renaissance, and the Black Arts Movement.Contributors are Robert Butler, Robert H. Cataliotti, Maryemma Graham, James C. Hall, James L. Hill, Michael Hill, Lovalerie King, Lawrence Jackson, Angelene Jamison-Hall, Keith Leonard, Lisbeth Lipari, Bill V. Mullen, Patrick Naick, William R. Nash, Charlene Regester, Kimberly Ruffin, Elizabeth Schultz, Joyce Hope Scott, James Smethurst, Kimberly M. Stanley, Kathryn Waddell Takara, Steven C. Tracy, Zoe Trodd, Alan Wald, Jamal Eric Watson, Donyel Hobbs Williams, Stephen Caldwell Wright, and Richard Yarborough.

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Businesses often find themselves trapped in a competitive dogfight, scratching and clawing for market share with products consumers view as largely undifferentiated. Conventional wisdom suggests that dogfights are to be expected as marketplaces mature, giving rise to the notion that there are "bad" industries where it is unlikely that any company can succeed. But there are notable exceptions in which enlightened executives have changed the rules to grasp the holy grail of business: long-term profitable growth. Rather than joining the dogfights raging within their industry, companies such as Apple, FedEx, and Starbucks have chosen to become metaphorical cats, continuously renewing their distinctive strategies to compete on their own terms.In If You're in a Dogfight, Become a Cat, Leonard Sherman draws on four decades of experience in management consulting, venture capital, and teaching business strategy at Columbia Business School to share practical advice on two of the most vexing issues facing business executives: why is it so hard to achieve long-term profitable growth, and what can companies do to break away from the pack?Sherman takes the reader on a provocative journey through the building blocks of business strategy by challenging conventional wisdom on a number of questions that will redefine management best practices:-What should be the overarching purpose of your business?-Do you really know what your strategy is?-Is there such a thing as a bad industry?-Where do great ideas come from and how do I find them?-What makes products meaningfully different?-What makes and breaks great brands?-How and when should I disrupt my own company?-What are the imperatives to achieving long-term profitable growth?Filled with dozens of illustrative examples of inspiring successes and dispiriting falls from grace, this book provides deep insights on how to become the cat in a dogfight, whether you are a CEO, mid-level manager, aspiring business school student, or curious observer interested in achieving sustained profitable growth.

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An anthology of landmark scholarship on the histories of the common soldier in the U.S. Civil War In 1943, Bell Wiley's groundbreaking book Johnny Reb launched a new area of study: the history of the common soldier in the U.S. Civil War. This anthology brings together landmark scholarship on the subject, from a 19th century account of life as a soldier to contemporary work on women who, disguised as men, joined the army. One of the only available compilations on the subject, The Civil War Soldier answers a wide range of provocative questions: What were the differences between Union and Confederate soldiers? What were soldiers' motivations for joining the army—their "will to combat"? How can we evaluate the psychological impact of military service on individual morale? Is there a basis for comparison between the experiences of Civil War soldiers and those who fought in World War II or Vietnam? How did the experiences of black soldiers in the Union army differ from those of their white comrades? And why were southern soldiers especially drawn to evangelical preaching? Offering a host of diverse perspectives on these issues, The Civil War Soldier is the perfect introduction to the topic, for the student and the Civil War enthusiast alike. Contributors: Michael Barton, Eric T. Dean, David Donald, Drew Gilpin Faust, Joseph Allen Frank, James W. Geary, Joseph T. Glaatthaar, Paddy Griffith, Earl J. Hess, Thomas Wentworth Higginson, Perry D. Jamieson, Elizabeth D. Leonard, Gerald F. Linderman, Larry Logue, Pete Maslowski, Carlton McCarthy, James M. McPherson, Grady McWhiney, Reid Mitchell, George A. Reaves, Jr., James I. Robertson, Fred A. Shannon, Maris A. Vinovskis, and Bell Irvin Wiley.

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Musical theater has captivated American audiences from its early roots in burlesque stage productions and minstrel shows to the million-dollar industry it has become on Broadway today. What is it about this truly indigenous American art form that has made it so enduringly popular? How has it survived, even thrived, alongside the technology of film and the glitz and glamour of Hollywood? Will it continue to evolve and leave its mark on the twenty-first century?Bringing together exclusive and previously unpublished interviews with nineteen leading composers, lyricists, librettists, directors, choreographers, and producers from the mid-1900s to the present, this book details the careers of the individuals who shaped this popular performance art during its most prolific period. The interviewees discuss their roles in productions ranging from On the Town (1944) and Finian's Rainbow (1947) to The Producers (2001) and Bounce (2003).Readers are taken onto the stage, into the rehearsals, and behind the scenes. The nuts and bolts, the alchemy, and the occasional agonies of the collaborative process are all explored. In their discussions, the artists detail their engagements with other creative forces, including such major talents as Leonard Bernstein, Jerome Robbins, Bob Fosse, Liza Minnelli, Judy Garland, Barbra Streisand, Jule Styne, Richard Rodgers and Oscar Hammerstein, Alan Jay Lerner, Zero Mostel, and Gwen Verdon. They speak candidly about their own work and that of their peers, their successes and failures, the creative process, and how a show progresses from its conception through rehearsals and tryouts to opening night.Taken together, these interviews give fresh insight into what Oscar Hammerstein called "a nightly miracle"—the creation of the American musical.

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The inspiration for the HBO® Original Documentary, Rock Hudson: All that Heaven Allowed, airing June 28!The definitive biography of the deeply complex and widely misunderstood matinee idol of Hollywood’s Golden Age.“Mark Griffin paints a vivid portrait of a man who lived a double life in order to maintain his status as a movie star. Griffin’s sources are candid but credible, which makes the book a real page-turner. I came away admiring Hudson all the more, and feeling sad for the secret existence that Hollywood demanded of its leading men in the 1950s and 60s.” — Leonard Maltin, author of Hooked on Hollywood: Discoveries from a Lifetime of Film FandomDevastatingly handsome, broad-shouldered and clean-cut, Rock Hudson was the ultimate movie star. The embodiment of romantic masculinity in American film throughout the ‘50s and ‘60s, he reigned supreme as the king of Hollywood.As an Oscar-nominated leading man, Hudson won acclaim for his performances in glossy melodramas (Magnificent Obsession), western epics (Giant) and blockbuster bedroom farces (Pillow Talk). In the ‘70s and ‘80s, Hudson successfully transitioned to television; his long-running series McMillan & Wife and a recurring role on Dynasty introduced him to a whole new generation of fans.The icon worshipped by moviegoers and beloved by his colleagues appeared to have it all. Yet beneath the suave and commanding star persona, there was an insecure, deeply conflicted, and all too vulnerable human being. Growing up poor in Winnetka, Illinois, Hudson was abandoned by his biological father, abused by an alcoholic stepfather, and controlled by his domineering mother.Despite seemingly insurmountable obstacles, Hudson was determined to become an actor at all costs. After signing with the powerful but predatory agent Henry Willson, the young hopeful was transformed from a clumsy, tongue-tied truck driver into Universal Studio’s resident Adonis. In a more conservative era, Hudson’s wholesome, straight arrow screen image was at odds with his closeted homosexuality.As a result of his gay relationships and clandestine affairs, Hudson was continually threatened with public exposure, not only by scandal sheets like Confidential but by a number of his own partners. For years, Hudson dodged questions concerning his private life, but in 1985 the public learned that the actor was battling AIDS. The disclosure that such a revered public figure had contracted the illness focused worldwide attention on the epidemic.Drawing on more than 100 interviews with co-stars, family members and former companions, All That Heaven Allows delivers a complete and nuanced portrait of one of the most fascinating stars in cinema history.Griffin provides new details concerning Hudson’s troubled relationships with wife Phyllis Gates and boyfriend Marc Christian. And here, for the first time, is an in-depth exploration of Hudson’s classic films, including Written on the Wind, A Farewell to Arms, and the cult favorite Seconds. With unprecedented access to private journals, personal correspondence, and production files, Griffin pays homage to the idol whose life and death had a lasting impact on American culture.

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In a dingy office in Fisherman's Wharf, the glass panel in the door bears the names of A. Kimrean and Z. Kimrean, Private Eyes. Behind the door there is only one desk, one chair, one scrawny androgynous P.I. in a tank top and skimpy waistcoat. A.Z., as they are collectively known, are twin brother and sister. He's pure misanthropic logic, she's wild hedonistic creativity. The Kimreans have been locked in mortal battle since they were in utero, which is tricky because they, very literally, share one single body. That's right. One body, two pilots. The mystery and absurdity of how Kimrean functions, and how they subvert every plotline, twist, explosion, and gunshot – and confuse every cop, neckless thug, cartel boss, ninja, and femme fatale – in the book is pure Cantero magic. Someone is murdering the sons of the ruthless drug cartel boss known as the Lyon in the biggest baddest town in California: San Carnal. The notorious A.Z. Kimrean must go to the sin-soaked, palm-tree-lined streets of San Carnal, infiltrate the Lyon's inner circle, and find out who is targeting his heirs, and while they are at it, rescue an undercover cop in too deep, deal with a plucky young stowaway, and stop a major gang war from engulfing California. They'll face every plot device and break every rule Elmore Leonard wrote before they can crack the case, if they don't kill each other (themselves) first. This Body's Not Big Enough for Both of Us is a brilliantly subversive and comic thriller celebrating noir detectives, Die Hard, Fast & Furious, and the worst case of sibling rivalry, that can only come from the mind of Edgar Cantero.

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Freeman, the new novel by Leonard Pitts, Jr., takes place in the first few months following the Confederate surrender and the assassination of Abraham Lincoln. Upon learning of Lee's surrender, Sam--a runaway slave who once worked for the Union Army--decides to leave his safe haven in Philadelphia and set out on foot to return to the war-torn South. What compels him on this almost-suicidal course is the desire to find his wife, the mother of his only child, whom he and their son left behind 15 years earlier on the Mississippi farm to which they all "belonged." At the same time, Sam's wife, Tilda, is being forced to walk at gunpoint with her owner and two of his other slaves from the charred remains of his Mississippi farm into Arkansas, in search of an undefined place that would still respect his entitlements as slaveowner and Confederate officer. The book's third main character, Prudence, is a fearless, headstrong white woman of means who leaves her Boston home for Buford, Mississippi, to start a school for the former bondsmen, and thus honor her father's dying wish. At bottom, Freeman is a love story--sweeping, generous, brutal, compassionate, patient--about the feelings people were determined to honor, despite the enormous constraints of the times. It is this aspect of the book that should ensure it a strong, vocal, core audience of African-American women, who will help propel its likely critical acclaim to a wider audience. At the same time, this book addresses several themes that are still hotly debated today, some 145 years after the official end of the Civil War. Like Cold Mountain, Freeman illuminates the times and places it describes from a fresh perspective, with stunning results. It has the potential to become a classic addition to the literature dealing with this period. Few other novels so powerfully capture the pathos and possibility of the era particularly as it reflects the ordeal of the black slaves grappling with the promise--and the terror--of their new status as free men and women.

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The Updated and Expanded edition of The Art of Feminism charts the birth of the feminist aesthetic and its development over two centuries that have seen profound and fast-paced change in women's lives across the globe. Including over 350 remarkable artworks, ranging from political posters and graphics to stunning and provocative pieces of painting, sculpture, textiles, craft, performance, digital and installation art, the book begins with poster images produced by the Suffrage Atelier in the nineteenth century, moving on to developments of both World Wars before arriving at the `birth' of feminist art in the 1960s. More recent artworks describe the development of feminism from the fall of the Berlin Wall to the present day, including examples by Zanele Muholi, Paula Rego, Lenka Clayton, Sethembile Msezane, Andrea Bowers, Tanja Ostojic, Aliaa Magda Elmahdy and Zoe Leonard. Other featured artists include Valie Export, Ketty La Rocca, Ewa Partum, Carolee Schneemann, Sanja Ivekovic, Senga Nengudi, Eva Hesse, Lynda Benglis, Suzy Lake, Barbara Kruger, Sophie Calle, Nancy Spero, Marina Abramovic, Mary Kelly, Judy Chicago, Faith Ringgold and Sonia Boyce. UPDATED AND INCLUSIVE: This edition of the book features an even more diverse array of artists and artworks than the original, from the beautiful figurative paintings of Hungarian-Indian artist Amrita Sher-Gil to the thoroughly researched and extravagantly costumed self-portraits of American photographer Ayana Jackson. Edited by Helena Reckitt, with texts by Lucinda Gosling, Hilary Robinson and Amy Tobin, The Art of Feminism also includes a preface by Maria Balshaw, Director, Tate, and a foreword by Xabier Arakistain, former director of del Centro Cultural Montehermoso Kulturunea, Spain.

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Following the breakout success of his previous novel, Freeman, Leonard Pitts, Jr. returns with an even more complex, suspenseful, and intricate story that takes on the past 45 years of US race relations through the stories of two veteran journalists, a superstar black columnist and his unsung white editor. Grant Park is a page-turning and provocative look at black and white relations in contemporary America, blending the absurd and the poignant in a powerfully well-crafted narrative that showcases Pitts's gift for telling emotionally wrenching stories. Grant Park begins in 1968, with Martin Luther King's final days in Memphis. The story then moves to the eve of the 2008 presidential election, and cuts back and forth between the two eras as it unfolds. Disillusioned and weary, columnist Malcolm Toussaint, fueled by yet another report of unarmed black men gunned down by police, hacks into his newspaper's computer system to post an incendiary column that had been rejected by his editors. Toussaint then disappears, and his longtime editor, Bob Carson, is summarily fired within hours of the column's publication. While a furious Carson tries to find Toussaint--at the same time dealing with the reappearance of a lost love from his days as a 60s peace activist--Toussaint is abducted by two improbable but still-dangerous white supremacists plotting to explode a bomb at Obama's planned rally in Grant Park. As Election Day unfolds, Toussaint and Carson are forced to remember the choices they made as idealistic, impatient young men, when both their lives were changed profoundly by their work in the civil rights movement. Forty years later, they are handed a bizarre opportunity to make peace with their respective pasts. Grant Park is an audacious and eloquent take on politics, race, and history, and yet another demonstration that Pitts, beyond his identity as a lauded journalist, has emerged as an important voice in contemporary American fiction.

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Chinese merchants have traded with Southeast Asia for centuries, sojourning and sometimes settling, during their voyages. These ventures have taken place by land and by sea, over mountains and across deserts, linking China with vast stretches of Southeast Asia in a broad, mercantile embrace. Chinese Circulations provides an unprecedented overview of this trade, its scope, diversity, and complexity. This collection of twenty groundbreaking essays foregrounds the commodities that have linked China and Southeast Asia over the centuries, including fish, jade, metal, textiles, cotton, rice, opium, timber, books, and edible birds’ nests. Human labor, the Bible, and the coins used in regional trade are among the more unexpected commodities considered. In addition to focusing on a certain time period or geographic area, each of the essays explores a particular commodity or class of commodities, following its trajectory from production, through exchange and distribution, to consumption. The first four pieces put Chinese mercantile trade with Southeast Asia in broad historical perspective; the other essays appear in chronologically ordered sections covering the precolonial period to the present. Incorporating research conducted in Chinese, Japanese, Vietnamese, Thai, Burmese, Malay, Indonesian, and several Western languages, Chinese Circulations is a major contribution not only to Sino-Southeast Asian studies but also to the analysis of globalization past and present.Contributors. Leonard Blussé, Wen-Chin Chang, Lucille Chia, Bien Chiang, Nola Cooke, Jean DeBernardi, C. Patterson Giersch, Takeshi Hamashita, Kwee Hui Kian, Li Tana, Lin Man-houng, Masuda Erika, Adam McKeown, Anthony Reid , Sun Laichen, Heather Sutherland, Eric Tagliacozzo, Carl A. Trocki, Wang Gungwu, Kevin Woods, Wu Xiao

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A captivating full account of a vital, exciting, and turbulent cultural moment: the making of ground-breaking classic West Side Story (1961).A major hit on Broadway, on film West Side Story became immortal. Unforgettable songs, an urgent love story, audacious choreography in real New York locations: West Side Story was a movie different from anything that had come before, but this cinematic victory came at a price.The film's enormous budget and complicated logistics made it a difficult production, and massive overruns in both cost and schedule led to tension between co-directors Robert Wise and Jerome Robbins. The result was Robbins being fired midway through the filming, a termination devastating to the film's star, Natalie Wood, who was also shattered upon discovering that she would not be permitted to do her own singing.Over nearly six decades, West Side Story has endured, past its off-screen dramas, as a classic. What other film makes such intrinsically powerful and brilliant use of dance? How many have been so emotionally meaningful, as set to Leonard Bernstein's music and Stephen Sondheim's lyrics? Plus, given its Shakespearean roots (Romeo and Juliet), how often is any film -- let alone a musical -- so simultaneously timeless and current? Small wonder that the film continues to be a favorite.The production and impact of this classic have been recounted, so far, only in vestiges. As written by film historian Richard Barrios, this book is a captivating account of a crucial and exciting cultural moment. West Side Story was a triumph that appeared to be very much of its time; over the years, and especially in this text, it has shown itself to be eternal.

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The famous clash between Edmund Burke and Tom Paine over the Enlightenment’s “evil” or “liberating” potential in the French Revolution finds present-day parallels in the battle between those who see the Enlightenment at the origins of modernity’s many ills, such as imperialism, racism, misogyny, and totalitarianism, and those who see it as having forged an age of democracy, human rights, and freedom. The essays collected by Charles Walton in Into Print paint a more complicated picture. By focusing on print culture—the production, circulation, and reception of Enlightenment thought—they show how the Enlightenment was shaped through practice and reshaped over time. These essays expand upon an approach to the study of the Enlightenment pioneered four decades ago: the social history of ideas. The contributors to Into Print examine how writers, printers, booksellers, regulators, police, readers, rumormongers, policy makers, diplomats, and sovereigns all struggled over that broad range of ideas and values that we now associate with the Enlightenment. They reveal the financial and fiscal stakes of the Enlightenment print industry and, in turn, how Enlightenment ideas shaped that industry during an age of expanding readership. They probe the limits of Enlightenment universalism, showing how demands for religious tolerance clashed with the demands of science and nationalism. They examine the transnational flow of Enlightenment ideas and opinions, exploring its domestic and diplomatic implications. Finally, they show how the culture of the Enlightenment figured in the outbreak and course of the French Revolution.Aside from the editor, the contributors are David A. Bell, Roger Chartier, Tabetha Ewing, Jeffrey Freedman, Carla Hesse, Thomas M. Luckett, Sarah Maza, Renato Pasta, Thierry Rigogne, Leonard N. Rosenband, Shanti Singham, and Will Slauter.

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In the illustrious and richly documented history of American jazz, no figure has been more controversial than the jazz critic. Jazz critics can be revered or reviled - often both - but they should not be ignored. And while the tradition of jazz has been covered from seemingly every angle, nobody has ever turned the pen back on itself to chronicle the many writers who have helped define how we listen to and how we understand jazz. That is, of course, until now. In "Blowin' Hot and Cool", John Gennari provides a definitive history of jazz criticism from the 1920s to the present. The music itself is prominent in his account, as are the musicians - from Louis Armstrong and Duke Ellington to Charlie Parker, John Coltrane, Roscoe Mitchell, and beyond. But the work takes its shape from fascinating stories of the tradition's key critics - Leonard Feather, Martin Williams, Whitney Balliett, Dan Morgenstern, Gary Giddins, and Stanley Crouch, among many others. Gennari is the first to show the many ways these critics have mediated the relationship between the musicians and the audience - not merely as writers, but in many cases as producers, broadcasters, concert organizers, and public intellectuals as well. For Gennari, the jazz tradition is not so much a collection of recordings and performances as it is a rancorous debate - the dissonant noise clamoring in response to the sounds of jazz. Against the backdrop of racial strife, class and gender issues, war, and protest that has defined the past seventy-five years in America, "Blowin' Hot and Cool" brings to the fore jazz's most vital critics and the role they have played not only in defining the history of jazz but also in shaping jazz's significance in American culture and life.

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The long-awaited and wildly entertaining memoir of the star of stage and screen, the legendary Chita Rivera—three-time Tony Award–winner, Kennedy Centers honoree, and recipient of the Presidential Medal of Freedom.She was born Dolores Conchita Figueroa del Rivero—until the entertainment world renamed her. But Dolores—the irreverent side of the sensual, dark and ferocious Chita—was always present center stage, and was influential in creating some of Broadway most iconic and acclaimed roles, including Anita in West Side Story‚ the part that made her a star—Rosie in Bye Bye, Birdie, Velma in Chicago, and Aurora in Kiss of the Spider Woman.Written in gratitude to her longstanding fans and with the hope that new generations may learn from her extraordinary experience, Chita takes us behind the curtain to reveal the highs and lows of one extraordinary showbusiness career—the creative fermentation, the ego clashes, the miraculous discoveries, the exhilaration when it all went right, and the disappointment when it all went wrong. Chita invites us into workrooms and rehearsal studies, on stage and on set as she works with some of the greatest talents of the age, including Leonard Bernstein, Arthur Laurents, Stephen Sondheim, Bob Fosse, Jerome Robbins, Hal Prince, Liza Minnelli, Sammy Davis Jr, Gwen Verdon, Shirley MacLaine, and many others. We also learn deeply moving, revelatory details about her upbringing and her heritage, and how they indelibly shaped her work and career.This colorful and entertaining memoir—as vital and captivating as Chita herself—is the unforgettable and engrossing personal story of a performer who blazed her own trail and inspired countless performers to forge their own unique path to success.

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Michael V. Fox, long-time professor in the Dept. of Hebrew and Semitic Studies at the University of Wisconsin—Madison, is known both for his scholarship and his teaching. As the editors of this volume in his honor note, the care and sensitivity of his reading of the Hebrew text are well known, and he lavishes equal attention on his own writing, to the benefit of all who read his work, which now includes the first of two volumes in the Anchor Bible commentary on Proverbs (the next volume is in preparation), as well as monographs on wisdom literature in ancient Israel and elsewhere, and many articles. The rigor that he brought to his own work he also inflicted on his students, and they and a number of his colleagues honor him with their contributions to this volume.Contributors include: Menahem Haran, Kelvin G. Friebel, Cynthia L. Miller, Theron Young, Adele Berlin, William P. Brown, James L. Crenshaw, John A. Cook, Robert D. Holmstedt, Shamir Yona, Christine Roy Yoder, Carol R. Fontaine, Nili Shupak, Victor Avigdor Horowitz, Tova Forti, Richard L. Schultz, J. Cheryl Exum, Dennis R. Magary, Theodore J. Lewis, Sidnie White Crawford, Ronald L. Troxel, Karl V. Kutz, Heidi M. Szpek, Claudia V. Camp, Johann Cook, Leonard Greenspoon, Stephen G. Burnett, Carol A. Newsom, Shemaryahu Talmon, and Frederick E. Greenspahn.The book is organized around themes that reflect Prof. Fox’s interests and work: Part 1: “Seeking Out Wisdom and Concerned with Prophecies” (Sir 39:1): Studies in Biblical Texts”; Part 2: “Preserving the Sayings of the Famous” (Sir 39:2): Text, Versions, and Method.

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The authors outline a clear vision of what nursing education can and should be and provide practical exemplars of how we can achieve this vision. This is a call for us to work together as guardians of the discipline to assure that future nurses enter the health care system ready and able to meet the challenges ahead. — PAMELA M. IRONSIDE, director, Center for Research in Nursing Education, Indiana University The profession of nursing in the United States is at a significant moment. Since the last national nursing education study almost forty years ago, profound changes in science, technology, and the nature and settings of nursing practice have reshaped the field. Yet schools have lagged behind in adapting to these changes. Added to this, the profession faces a shortage of nurses and nursing faculty. To meet these challenges, the authors assert that schools, service providers, and the profession must change. They recommend four controversial yet essential changes that are needed to transform nursing education. A volume in The Carnegie Foundation for the Advancement of Teaching’s ­Preparation for the Professions series, the book discusses key topics for the future of the field and offers revolutionary recommendations for change.

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Bottom-up case studies, drawn from the perspective of ordinary Africans’ experiences with state bureaucracies, structures, and services, reveal how citizens and states define each other. This volume examines contemporary citizens’ everyday encounters with the state and democratic processes in Africa. The contributions reveal the intricate and complex ways in which quotidian activities and experiences—from getting an identification card (genuine or fake) to sourcing black-market commodities to dealing with unreliable waste collection—both (re)produce and (re)constitute the state and democracy. This approach from below lends gravity to the mundane and recognizes the value of conceiving state governance not in terms of its stated promises and aspirations but rather in accordance with how people experience it. Both new and established scholars based in Africa, Europe, and North America cover a wide range of examples from across the continent, including bureaucratic machinery in South Sudan, Nigeria, and Kenya infrastructure and shortages in Chad and Nigeria disciplinarity, subjectivity, and violence in Rwanda, South Africa, and Nigeria the social life of democracy in the Congo, Cameroon, and Mozambique education, welfare, and health in Ethiopia, the Democratic Republic of Congo, and Burkina Faso Everyday State and Democracy in Africa demonstrates that ordinary citizens’ encounters with state agencies and institutions define the meanings, discourses, practices, and significance of democratic life, as well its distressing realities. Contributors: Daniel Agbiboa Victoria Bernal Jean Comaroff John L. Comaroff E. Fouksman Fred Ikanda Lori Leonard Rose Løvgren Ferenc Dávid Markó Ebenezer Obadare Rogers Orock Justin Pearce Katrien Pype Edoardo Quaretta Jennifer Riggan Helle Samuelsen Nicholas Rush Smith Eric Trovalla Ulrika Trovalla

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Winner of the 2022 Levis Reading PrizeFinalist for the National Book Critics Circle's 2021 John Leonard Prize for Best First BookA Publishers Weekly “Top Ten Pick” for Fall 2021 Poetry TitlesA Library Journal “Poetry Title to Watch” for 2021A Chicago Review of Books “Must-Read Book of September 2021”Selected by Sally Keith as a winner of the 2020 National Poetry Series, this debut collection is a ruminative catalogue of overgrowth and the places that haunt us.With Devon Walker-Figueroa as our Virgil, we begin in the collection’s eponymous town of Philomath, Oregon. We drift through the general store, into the Nazarene Church, past people plucking at the brambles of a place that won’t let them go. We move beyond the town into fields and farmland—and further still, along highways, into a cursed Californian town, a museum in Florence. We wander with a kind of animal logic, like a beast with “a mind to get loose / from a valley fallowing / towards foul,” through the tense, overlapping space between movement and stillness.An explorer at the edge of the sublime, Walker-Figueroa writes in quiet awe of nature, of memory, and of a beauty that is “merely existence carrying on and carrying on.” In her wanderings, she guides readers toward a kind of witness that doesn’t flinch from the bleak or bizarre: A vineyard engulfed in flames is reclaimed by the fields. A sow smothers its young, then bears more. A neighbor chews locusts in his yard.For in Philomath, it is the poet’s (sometimes reluctant) obligation “to keep an eye / on what is left” of the people and places that have impacted us. And there is always something left, whether it is the smell of burnt grapes, a twelfth-century bronze, or even a lock of hair.

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Historian, revolutionary and cricket writer, CLR James was one of the truly radical voices of the twentieth century. Born in Trinidad in the final days of the Victorian era, he debated with Trotsky, played cricket with Constantine, was published by Leonard and Virginia Woolf, inspired Kwame Nkrumah, and was a profound influence on the British Black Power movement. And yet by the late 1970s, CLR James was all but forgotten. The books he had written over the past half century were nearly all out of print. There were a few circles in which his name rang a bell: serious students of Black history; obsessive cricket fans. But that was it. When he died in Brixton in 1989, CLR James was internationally famous - lauded as the greatest of Black British intellectuals: the 'Black Plato', according to The Times. The ideas he put forward in his own time - of the importance of identity alongside class, of rebellion coming from below, of the leading roles of Black people, women and youth in political struggle - have gradually made their way to the forefront of our political thinking. His two great books, The Black Jacobins and Beyond a Boundary, still have the power to change readers' understanding of the world today. But while CLR James's work has been much examined, his long and remarkable life story has often been overlooked. For the first time, in a biography full of original research, human drama and keen insight, John L. Williams unveils the rich and compelling story of an intellectual giant. In doing so, he firmly establishes the importance of CLR James for the twenty-first century - if Black Britain has had a presiding genius, it remains CLR James.

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Toyota Methods and Operating Models presents a case study of a small, traditional Italian manufacturer in the Toyota Industries Corporation Group, which began an important process of transformation until it became a successful, modern and advanced international business: Toyota Material Handling. Toyota management made internal changes and developed the commercial networks, successfully applying the Toyota Production System (TPS, or Lean Production) as well as the values of the Toyota Way. Author Stefano Cortiglioni led the transformation project, which took four years. Toyota Methods and Operating Models presents the continuing success story. The authors analyze the Toyota methods and operating models that can be directly applied to your business in order to reach excellence in operations and industry 4.0. It provides tangible advice on how to grow a business and achieve commercial success, with superior processes and logistics networks, as well as the development of an advanced and highly successful supply chain.

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