Search results for ""Author Bird"

From the vital voice of Elijah Anderson, Black in White Space sheds fresh light on the dire persistence of racial discrimination in our country. A birder strolling in Central Park. A college student lounging on a university quad. Two men sitting in a coffee shop. Perfectly ordinary actions in ordinary settings—and yet, they sparked jarring and inflammatory responses that involved the police and attracted national media coverage. Why? In essence, Elijah Anderson would argue, because these were Black people existing in white spaces. In Black in White Space, Anderson brings his immense knowledge and ethnography to bear in this timely study of the racial barriers that are still firmly entrenched in our society at every class level. He focuses in on symbolic racism, a new form of racism in America caused by the stubbornly powerful stereotype of the ghetto embedded in the white imagination, which subconsciously connects all Black people with crime and poverty regardless of their social or economic position. White people typically avoid Black space, but Black people are required to navigate the “white space” as a condition of their existence. From Philadelphia street-corner conversations to Anderson’s own morning jogs through a Cape Cod vacation town, he probes a wealth of experiences to shed new light on how symbolic racism makes all Black people uniquely vulnerable to implicit bias in police stops and racial discrimination in our country. An unwavering truthteller in our national conversation on race, Anderson has shared intimate and sharp insights into Black life for decades. Vital and eye-opening, Black in White Space will be a must-read for anyone hoping to understand the lived realities of Black people and the structural underpinnings of racism in America.

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The Schuylkill River flows more than 100 miles from the mountains of the Pennsylvania Coal Region to the Delaware River. It passes through five counties - Schuylkill, Berks, Chester, Montgomery, and Philadelphia - and its valley is home to more than three million people, yet few are aware of the hidden ruins and traces left by a pioneering 200-year-old inland waterway: the Schuylkill Navigation. Some of it is literally buried in their own backyards.Often called the Schuylkill Canal, this complex Navigation system actually boasted twenty-seven canals. The first of the anthracite-carrying routes in America, the 108-mile Navigation shadowed the Schuylkill River for nearly all its length. It once had more than thirty dams and slackwater pools, more than 100 stone locks, numerous aqueducts, and the first transportation tunnel in the nation. They were all built by hand starting in 1816.In the 1940s, as part of a massive environmental cleanup of the river, this important and influential infrastructure was largely dismantled - but not entirely. Two short sections of the watered canal get plenty of attention: the Oakes Reach at Schuylkill Canal Park near Phoenixville and the Manayunk Canal in Philadelphia. Both are popular recreational destinations. What happened to the rest of it?Photographer Sandy Sorlien resolved to find out. Over the course of seven years, she traveled upriver repeatedly to bushwhack along the riverbanks and to row and paddle in the river itself. Armed with camera and binoculars, loppers and trekking poles, nineteenth-century maps and modern satellite imagery, and abetted by local historians and an archaeologist, she found all sixty-one lock sites and explored most of the canal beds. Her photographs reveal a mysterious remnant landscape, evidence of a bold industrial innovation that spelled its own demise. The water pollution created by the coal industry and obstructive dams meant the end of a way of life for the towns that boomed along the canals, from Pottsville to Reading, Birdsboro to Phoenixville, Bridgeport to Philadelphia.Along with Sorlien's full-color plates and explanatory essays, Inland features a selection of historic images, rare historic Schuylkill Navigation Company maps, and early Philadelphia Watering Committee plans. The book also includes a foreword by renowned landscape scholar John R. Stilgoe, an essay on regional transportation history by Mike Szilagyi, Trails Project Manager for the Schuylkill River Greenways Natural Heritage Area, and an afterword by Karen Young, Director of the Fairmount Water Works Interpretive Center. A sweeping new Schuylkill River map by Morgan Pfaelzer connects it all. Inland is the first to present contemporary photographs from a survey of the entire Schuylkill Navigation, becoming an essential resource for future historians and a resonant visual history all its own.

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Denver is known the world over as the gateway to Colorado’s magnificent Rocky Mountains. Four national forests, a national grassland, scores of regional and city parks and preserves, and Rocky Mountain National Park offer hundreds of hiking and walking trails—all within one to three hours of downtown Denver. Base Camp Denver offers you 101 of the best of these great hiking destinations to choose from. Take a day to explore an alpine meadow, walk to a waterfall, hike through a forest, or stroll suburban parklands. Enjoy a spectacular day of spring wildflowers or fall foliage, and still be home by dinnertime. Scramble to the top of a mountain to enjoy a sunrise and still make it to work by eight. With Pete KJ as your guide and Denver as your base camp, the splendor of Colorado’s Front Range is yours to enjoy one day—or even just a few hours—at a time. History, geology, flora, and fauna for each hike Best hikes for each season, and where to enjoy spring wildflowers & fall foliage Ratings from 1 to 5 for trail conditions, difficulty, suitability for children, and more Detailed driving directions to trailheads and info about elevation, hiking time, parking, and restrooms Regional maps showing all trails in each chapter; route map for each hike Best hikes for dogs, kids, and teens Hikes that offer solitude … or plenty of company! Hikes by interest: birdwatching, stargazing, wetlands, wildlife, and more How to prepare & what to take 101 great hikes to choose from!

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The Jersey Shore, our most treasured asset, the envy of forty-nine other states, comes alive in this new book by the reporter and writer who knows New Jersey—and the Jersey Shore—best. Every conceivable topic—where to eat, where to stay, landmarks and attractions, what to do with the kids—is covered with the kind of inside information you just won’t find on tourism web sites or Facebook. All one hundred-plus Shore towns are included, from Sandy Hook to Cape May. There are hundreds of restaurant listings and recommendations. The book also contains engaging profiles and vignettes of the people and places that give the Shore its special character and charm. A throwback five-and-dime store on Long Beach Island. Banner pilots. Birders. Baby parades. And more. You want lists and rankings? The book is full of them—twenty best Shore towns, twenty-one secret spots down the Shore, twenty essential Jersey Shore experiences, fifty things we bet you didn’t know about the Shore, and so on. The book is the next best thing to being at the Shore; actually, it may be better than being there (think of those epic traffic jams on the Parkway, and all the money you’ll save on tolls, beach fees, and bad boardwalk pizza).

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This guidebook describes the St Oswald's Way and Northumberland Coast Paths, both long-distance trails through Northumberland. St Oswald's Way (156km, 97 miles) begins in Heavenfield and traverses parts of Northumberland National Park and visits Hadrian’s Wall, the Simonside Hills and the beautiful Coquet Valley, before continuing up the coast to Lindisfarne (Holy Island). The Northumberland Coast Path (100km, 62 miles) takes in the whole of the Northumberland Coast AONB with its breathtaking coastal scenery and birdlife. Both trails converge on Holy Island, with the Coast Path continuing up to Berwick-upon-Tweed. Each trail can be walked in a week. The guide includes practical advice on when to go and what to take, and information on the region, its weather, wildlife, history and heritage. Detailed route descriptions and clear, step-by-step instructions are accompanied by 1:50K OS mapping. Public transport options and accommodation listings are also given. Described as the cradle of Christianity in England, Northumberland's history is long and varied and the trails reflect this with visits to some magnificent architecture – rambling castles, Norman churches, medieval abbeys – as well as sites of enormous archaeological and geological interest, quiet villages and Sites of Special Scientific Interest. From rugged hills to coastal dunes this is one of Britain's most beautiful landscapes for walking and backpacking far away from it all.

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‘Think Sherlock Holmes is the only detective working in Victorian London? Meet William Arrowood, the hero of Mick Finlay’s series of absorbing novels’ The Times London Society takes their problems to Sherlock Holmes. Everyone else goes to Arrowood. 1896: Sherlock Holmes has once again hit the headlines, solving mysteries for the cream of London society. But among the workhouses and pudding shops of the city, private detective William Arrowood is presented with far grittier, more violent, and considerably less well-paid cases. Arrowood is in no doubt who is the better detective, and when Mr and Mrs Barclay engage him to trace their estranged daughter Birdie, he’s sure it won’t be long before he and his assistant Barnett have tracked her down. But this seemingly simple missing person case soon turns into a murder investigation. Far from the comfort of Baker Street, Arrowood’s London is a city of unrelenting cruelty, where evil is waiting to be uncovered . . . PRAISE FOR THE MURDER PIT: ‘Another brilliant read from Mick Finlay . . . even better than [Arrowood]’ B.A. Paris ‘Gripping’ Daily Telegraph ‘Astounding … If you crave Victorian age murder mystery, love darkly gothic atmospheres and want your detective rather tattered and torn at the edges Arrowood is your man.’ SHOTS ‘Enthralling’ Publishers Weekly (starred review) ‘A gripping novel with an adept sense of place as well as a clear-eyed examination of the dark exigencies of human behaviour’ Crime Time

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FINALIST for the 2022 California Book Awards in Poetry!FINALIST for the 2022 Publishing Triangle's Audre Lorde Award for Lesbian Poetry!"Permanent Volta is a lush collection of poetry about the possibilities of love outside capitalism, and love as a way to resist its abuses."—VogueA debut collection of love poems that resist subjection and ask how we might live together outside of capitalism, providing for each other through intimate acts of care and strugglePermanent Volta is a book of poems about constraint and debt, as much as it is about excess, credit, loving luxury, and hating work. These are love poems about how queer intimacies invent political and poetic forms, how gender deviance imagines post-sovereign presents and futures. Taking cues from Rosa Luxemburg’s birdsongs and the syntax of invasive flowers, these poems strive to love lack. If history sees writers as tops and muses as bottoms, these poems are motivated by refusal, inversion, and evading representation. In Permanent Volta, the muses demand wages, and then they demand the world. Full of bad grammar, strange sonnets, and truncated sestinas, these poems are melancholy and militant, lazy and anti-state, greedy and collective. Permanent Volta is for anyone motivated by the homoerotic and intimate etymology of comrade: one who shares the same room.

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When Hazel Wolf died, at the age of 101, more than nine hundred of her friends -- from the governor of Washington to union organizers, from birdwatchers to hunters -- crowded Town Hall in Seattle to honor the feisty activist and tell the often outrageous "Hazel stories" that were their common currency. In this book, Hazel herself tells the stories. From twenty years of taped conversations, Susan Starbuck has fashioned both a biography and a historical document, the tale of a century’s forces and events as played out in one woman's extraordinary life. Hazel Wolf earned a national reputation as an environmentalist and was awarded the National Audubon Society's Medal of Excellence, an honor she shared with Rachel Carson and Jimmy Carter. She laid the groundwork for a unique coalition of Native Americans and environmentalists who are now working together on issues related to nuclear energy, fisheries, and oil pipelines. She lectured and taught at schools and universities all over the United States. She lobbied Congress on irrigration, labor rights, nuclear energy, and peace, and she corresponded with a global network of environmental leaders. But for all her influence, she never held a political post higher than precinct committee officer in Seattle’s 43rd legislative district, and her highest office in the environmental movement was that of secretary in the Seattle Audubon Society, where she served for thirty-five years. This book follows Hazel Wolf from childhood to old age, a lifetime of burning with a fierce desire for justice. She saw the quest for justice as a collective responsibility. Time and again, she met that challenge head on. Whether organizing for labor rights or founding chapters of the Audubon Society, battling to save old-growth forests or fighting deportation to her native Canada as a communist, over and over she put herself in the line of fire. "I was just there," she said, "powerless and strong, someone who wouldn’t chicken out."

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This new collection from Michael Knight—PEN/Hemingway citation recipient and B&N Discover Award finalist whom Esquire praises as “a writer of the first rank”—thrills and pierces with stories of men and women of breathtaking conviction, pathos, and humor. The stories in Goodnight, Nobody demonstrate Michael Knights’ exquisite and “rare power to make a setting breathe, to invest it with a vitality that seems as authentic and intense as the pulsebeats of his characters.” (The New York Times Book Review) This luminous collection astutely explores rediscovered love, reconciliation, and peace amid the trials of everyday life. The denizens of Goodnight, Nobody are, like so many of us, bewildered by the circumstances in which they find themselves. The unexpected twists of their lives—rendered with expert humor and pathos in Knight’s dark-light style—test the limits of the personalities they have known as their own. In “Birdland,” published in The New Yorker, a beautiful Northerner visits a small Alabama town to research the bizarre migration habits of a flock of African parrots from Rhode Island. “Feeling Lucky” finds a desperate man kidnapping his own daughter. In the most daring and haunting of these stories, “Killing Stonewall Jackson,” which was published in Story, a hardened band of Confederate soldiers resorts to surprising measures to survive on the battlefield. “The End of Everything,” published in GQ, weaves together a tender love story and an edge-of-your-seat urban legend, while “The Mesmerist,” published in Esquire, is an eerie fairy tale about a man who hypnotizes a stranger and makes her his wife. In “Keeper of Secrets, Teller of Lies,” published in Virginia Quarterly Review, a man causes more havoc the harder he tries to help a young mother and her son. In “Mitchell’s Girls,” a stay-at-home dad battles the disrespect of youth and a paralyzing bad back. “Ellen’s Book” hilariously describes the yearning a man feels for his estranged wife. In “Blackout,” a suburban neighborhood’s pent-up jealousies and fears explode under the cover of darkness. Knight’s sensibility is potent and unique, stirring tenderness in equal parts with violence. While the settings, chronologies, and characters vary widely throughout the collection, they remain bound by Knight’s simple, elegant prose, his graceful sense of humor, and an unfailing empathy with the self-destructed.

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‘A truly excellent account’ British Wildlife Beetles are arguably the most diverse organisms in the world, with nearly half a million beetle species described and catalogued in our museums, more than any other type of living thing. This astonishing species diversity is matched by a similar diversity in shape, form, size, life history, ecology, physiology and behaviour. Beetles occur everywhere, and do everything. And yet they form a clearly discrete insect group, typically characterised by their attractively compact form, with flight wings folded neatly under smooth hard wing-cases. Almost anyone could recognise a beetle, indeed many are intimately associated with human society. Groups like ladybirds are familiar to us from a very young age. Large stag beetles and handsome chafers are celebrated for their imposing size and bright colours. The sacred scarabs of the ancient Egyptians were given iconic, if not god-like, status and even though the exact religious meanings may be fading after three millennia, their bewitching jewellery and monumental statuary inspire us still. Despite this ancient and easy familiarity with beetles, the Coleoptera remains tainted by the notion that it is a ‘difficult’ group of insects. The traditional routes into studying British natural history, through birdwatching, butterfly-collecting and pressing wild flowers, now extend to studying dragonflies, bumblebees, grasshoppers, moths, hoverflies and even shieldbugs. These are on the verge of becoming popular groups, but beetles remain the preserve of the expert, or so it seems. So many British beetles are easy to find and easy to identify by the non-expert, but that bewildering background diversity, and the daunting numbers of species in the Coleoptera as a whole, have been enough to dissuade many a potential coleopterist from grasping the nettle and getting stuck in. Richard Jones’ groundbreaking New Naturalist volume on beetles encourages those enthusiasts who would otherwise be put off by the, to date, rather technical literature that has dominated the field, providing a comprehensive natural history of this fascinating and beautiful group of insects.

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Since Bradt first published a guide to Benin over 10 years ago, the country has become more popular with visitors to West Africa. Bradt's Benin remains the original and one of the only comprehensive guides in English to this French-speaking country, arguably the region's best wildlife destination and the birthplace of the much maligned and little understood religion of Vodou (voodoo). This new edition includes coverage of the growing range of eco-travel and community based tourism options that have sprung up in recent years. Also included is more information on the wildlife and national parks of the north which are becoming more popular with general safari tourists, including the Parc National de la Pendjari (now under African Parks Management), increasingly recognised as the closest place to Europe easily to see lions and elephants. A dedicated chapter on Cotonou ensures the capital is covered in full detail, including up-to-date recommendations for places to eat and stay, while the rest of the country is divided into five easy-to-follow chapters, each replete with listings, hotels and restaurants, background and historical text, as well as recommendations on what to see and entertainment. Bradt's Benin also includes a field guide to gods, ghosts and dead people: after all, it's easy here to arrange to have a cup of tea with a wizard and buy spells to make someone love you. And what makes Benin so special from a visitor's perspective is that such characters are a visible part of day-to-day life and encounters with them may well form the backbone of a Benin adventure. But there is more than just storybook magic to this country. It has a huge and varied array of birdlife and two of the finest parks this side of the continent and it is a place in which heart-in-the-mouth encounters with buffalo, elephant and lion are day-to-day events. Whatever your interest, whether it's wildlife, culture, golden sand beaches or tracing your ancestral roots, Bradt's Benin offers comprehensive and extensive travel information for all price bands and is the perfect companion for a successful visit.

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Nacida en Alabama, Paula Vauss pasó la primera década de su vida en la carretera junto a su joven madre de espíritu libre, Kai, una cuenta cuentos itinerante que mezclaba la mitología hindú con la tradición oral sureña para reinventar su historia mientras vagaban. Pero todo, incluyendo el nombre de nacimiento de Paula, Kali Jai, cambió cuando ella relató su propia historia: una que llevó a Kai a la cárcel y a Paula a sistemas de hogares temporales. Separadas, guardando cada una sus propios secretos, el intenso vínculo que antes compartían quedó fracturado. Ahora Paula se ha reencarnado en una dura abogada de divorcios con un exitoso bufete en Atlanta. Aunque no ha visto a Kai en quince años, sigue haciendo pagos a esa deuda kármica, hasta el día en que su último cheque fue devuelto en el correo, junto con una nota enigmática: «Voy a hacer un viaje, Kali. Voy a volver al principio; la muerte no es el fin. Tú serás el fin. Nos volveremos a encontrar, y habrá nuevas historias. Ya sabes cómo funciona el karma». Entonces, el secreto más guardado de Kai llega literalmente a la puerta de Paula, llevando su vida al caos y cambiándola de ser hija única a ser hermana mayor. Desesperada por encontrar a su madre antes de que sea demasiado tarde, Paula emprende un viaje de descubrimiento que la llevará de nuevo al pasado y a los rincones más profundos de su corazón. Con la ayuda de su examante Birdwine, un detective privado emocionalmente volátil que sigue estando enamorado de ella, esta brillante mujer, experta en familias destrozadas, ahora tiene que descubrir cómo restaurar una: la suya propia. Esta es una historia sobre la historia misma, cómo los relatos que contamos nos conectan, nos quebrantan y nos definen, y cómo los finales y los principios que escogemos pueden destruirnos… y restaurarnos. Con toques de humor y una perspectiva conmovedora, la querida autora best seller del New York Times, Joshilyn Jackson, está en su mejor momento.

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The long-awaited and wildly entertaining memoir of the star of stage and screen, the legendary Chita Rivera—three-time Tony Award–winner, Kennedy Centers honoree, and recipient of the Presidential Medal of Freedom.She was born Dolores Conchita Figueroa del Rivero—until the entertainment world renamed her. But Dolores—the irreverent side of the sensual, dark and ferocious Chita—was always present center stage, and was influential in creating some of Broadway most iconic and acclaimed roles, including Anita in West Side Story‚ the part that made her a star—Rosie in Bye Bye, Birdie, Velma in Chicago, and Aurora in Kiss of the Spider Woman.Written in gratitude to her longstanding fans and with the hope that new generations may learn from her extraordinary experience, Chita takes us behind the curtain to reveal the highs and lows of one extraordinary showbusiness career—the creative fermentation, the ego clashes, the miraculous discoveries, the exhilaration when it all went right, and the disappointment when it all went wrong. Chita invites us into workrooms and rehearsal studies, on stage and on set as she works with some of the greatest talents of the age, including Leonard Bernstein, Arthur Laurents, Stephen Sondheim, Bob Fosse, Jerome Robbins, Hal Prince, Liza Minnelli, Sammy Davis Jr, Gwen Verdon, Shirley MacLaine, and many others. We also learn deeply moving, revelatory details about her upbringing and her heritage, and how they indelibly shaped her work and career.This colorful and entertaining memoir—as vital and captivating as Chita herself—is the unforgettable and engrossing personal story of a performer who blazed her own trail and inspired countless performers to forge their own unique path to success.

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This new, thoroughly updated edition of Bradt's award-winning guide to the Basque Country and Navarre remains the most comprehensive and in-depth guide available to this multi-lingual, multi-cultural borderland encompassing parts of southern France and northern Spain. This fully revised second edition includes all the elements required for an enjoyable holiday and also the unique aspects of Basque culture and traditions which make this such a fascinating part of the world. Bradt's The Basque Country and Navarre seeks to give a real insight into what is a strong regional identity, uncovering the peculiarities which imbue the area with its aura of intrigue and taking you way beyond the delightful, well-known cities and into the heart of the beautiful Basque countryside. When it comes to food, discover not just what to eat, but also how to eat it, for many Basque eating rituals apply! In this, the most complete guidebook to the Spanish and French Basque Country and Navarre, Murray Stewart covers the principal cities - rejuvenated Bilbao with its famous Guggenheim Museum, beautiful San Sebastián, verdant Vitoria-Gasteiz and lively Pamplona - and also delves deeper into the region's interior, capturing the quirkiness that makes it so special. With 36 maps, 16 walks, advice on where to cycle, horseride and surf, he guides travellers through an area whose profile is firmly 'on the up.' Find the best pintxos (Basque tapas) and txakoli wine, the finest chuletón (beef chop) and the freshest fish. From elegant Biarritz, via the French Basque Pyrénées, to the Navarran 'badlands' of Bardenas Reales, travel to fascinating, less-visited places. Here are the best festivals, including Pamplona's famous, bull-running San Fermin. Learn how the handing-over of three cows has kept the peace for centuries, or where you can see the annual 'Benediction of the Red Pepper'. Join the walkers on the Caminos de Santiago, the pilgrim routes which still sustain the local economy, 1,000 years after they began. Find information on the unique Basque and Navarran wines, top birdwatching sites, history, music, sports and culture - and when to visit. Bradt's The Basque Country and Navarre is the ideal companion.

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This new, thoroughly updated second edition of Bradt's best-selling, comprehensive guide to Northumberland including Newcastle, Hadrian's Wall & the Coast remains the reliable source of information for discovering the far northeast of England, an area which is home to Europe's largest area of protected night sky - and England's first Dark Sky Park, a 572-square-mile expanse in Northumberland National Park. Now including over 40 walks along beaches, over hills and through valleys, as well as dedicated chapters on Northumberland National Park, Hadrian's Wall, the coast and Newcastle, among others, Bradt's Northumberland including Newcastle, Hadrian's Wall & the Coast is the ideal companion for a successful visit. Northumberland is well-known for its beaches, castles, wildlife, islands and desolate upland scenery, but despite all the attention and accolades ('most tranquil county', 'darkest night skies in England', 'Best UK County/Region [Silver Award']), Northumberland remains for the most part wonderfully crowd-free. It is the ultimate place in England to get away from it all, where you can walk all afternoon over moorland and not meet anyone, skinny-dip in lakes, or picnic on pristine sands with no one else around. Northumberland is also home to Hadrian's Wall, 'the most important Roman monument in Britain' (English Heritage), while heritage enthusiasts will find a number of world firsts and unique museums such as Tanfield Railway, where you can marvel at 19th-century steam engines in the oldest engine shed in the world. Bradt's Northumberland encourages visitors to slow down and explore the green lanes, footpaths, rivers and cycle trails that link Northumberland's 'Castle Coast' with the heather-topped hills, Roman fortresses and villages of the interior. A guide to Newcastle is found in the chapter on Tyne & Wear. Local knowledge of historic towns, heritage sites, wildlife-watching spots and countryside walks, and words and tips from local heritage experts make this an authoritative guide - and as much an entertaining armchair read as a practical guide, perfect for walkers, birdwatchers, cyclists, families, and those interested in Roman archaeology, industrial heritage and medieval castles.

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‘A truly excellent account’ British Wildlife Beetles are arguably the most diverse organisms in the world, with nearly half a million beetle species described and catalogued in our museums, more than any other type of living thing. This astonishing species diversity is matched by a similar diversity in shape, form, size, life history, ecology, physiology and behaviour. Beetles occur everywhere, and do everything. And yet they form a clearly discrete insect group, typically characterised by their attractively compact form, with flight wings folded neatly under smooth hard wing-cases. Almost anyone could recognise a beetle, indeed many are intimately associated with human society. Groups like ladybirds are familiar to us from a very young age. Large stag beetles and handsome chafers are celebrated for their imposing size and bright colours. The sacred scarabs of the ancient Egyptians were given iconic, if not god-like, status and even though the exact religious meanings may be fading after three millennia, their bewitching jewellery and monumental statuary inspire us still. Despite this ancient and easy familiarity with beetles, the Coleoptera remains tainted by the notion that it is a ‘difficult’ group of insects. The traditional routes into studying British natural history, through birdwatching, butterfly-collecting and pressing wild flowers, now extend to studying dragonflies, bumblebees, grasshoppers, moths, hoverflies and even shieldbugs. These are on the verge of becoming popular groups, but beetles remain the preserve of the expert, or so it seems. So many British beetles are easy to find and easy to identify by the non-expert, but that bewildering background diversity, and the daunting numbers of species in the Coleoptera as a whole, have been enough to dissuade many a potential coleopterist from grasping the nettle and getting stuck in. Richard Jones’ groundbreaking New Naturalist volume on beetles encourages those enthusiasts who would otherwise be put off by the, to date, rather technical literature that has dominated the field, providing a comprehensive natural history of this fascinating and beautiful group of insects.

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Winner: Paul Birdsall PrizeWinner: Society for Military History book AwardWhen Germany launched its blitzkrieg invasion of France in 1940, it forever changed the way the world waged war. Although the Wehrmacht ultimately succumbed to superior Allied firepower in a two-front war, its stunning operational achievement left a lasting impression on military commanders throughout the world, even if their own operations were rarely executed as effectively.Robert Citino analyzes military campaigns from the second half of the twentieth century to further demonstrate the difficulty of achieving decisive results at the operational level. Offering detailed operational analyses of actual campaigns, Citino describes how UN forces in Korea enjoyed technological and air superiority but found the enemy unbeatable; provides analyses of Israeli operational victories in successive wars until the Arab states finally grasped the realities of operational-level warfare in 1973; and tells how the Vietnam debacle continued to shape U.S. doctrine in surprising ways. Looking beyond major-power conflicts, he also reveals the lessons of India's blitzkrieg-like drive into Pakistan in 1971 and of the senseless bloodletting of the Iran-Iraq War.Citino especially considers the evolution of U.S. doctrine and assesses the success of Desert Storm in dismantling an entrenched defending force with virtually no friendly casualties. He also provides one of the first scholarly analyses of Operation Iraqi Freedom, showing that its plan was curiously divorced from the realities of military history, grounded instead on nebulous theories about expected enemy behavior. Throughout Citino points to the importance of mobility—especially mobilized armor—in modern operational warfare and assesses the respective roles of firepower, training, doctrine, and command and control mechanisms.Brimming with new insights, Citino's study shows why technical superiority is no guarantee of victory and why a thorough grounding in the history of past campaigns is essential to anyone who wishes to understand modern warfare. Blitzkrieg to Desert Storm provides that grounding as it addresses the future of operational-level warfare in the post-9/11 era.

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There are some penguin problems on the fifth-grade field trip in this fifth installment of the Kate the Chemist fiction series that shows kids that everyone can be a scientist! Perfect for fans of the Girls Who Code series.When Kate learns that her class is going on a field trip to the aquarium, she is thrilled that she'll get to see the penguin exhibit! The rockhopper penguins are her favorite. To prepare, Ms. Eberlin assigns the class a project: each student has to do a report about a different animal at the aquarium. Even though Kate gets assigned sea lions, she's still thrilled to go. Kate, Birdie, and the rest of the class excitedly prepare for their projects until it's finally Aquarium Day! But when a huge snowstorm threatens to ruin the class's field trip, will Kate the Chemist be able to save the day with science? From Kate the Chemist, chemistry professor and science entertainer as seen on The Late Show with Stephen Colbert, The Wendy Williams Show, and The Today Show, comes a clever and fun middle grade series that is the perfect introduction to STEM for young readers!Make Your Own Chocolate-Covered Pretzels! Experiment Inside! Praise for the Kate the Chemist series:"Proves that science and fun go together like molecules in a polymer."--School Library Journal"It's a great introduction to the basics of chemistry that is readily accessible to a variety of ages . . . The way the everyday chemistry is blended in is done seamlessly, and has [me and my ten-year-old son] noticing how we are all doing a little bit of science every day." --GeekMom.com

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For fans of Balli Kaur Jaswal's Erotic Stories for Punjabi Widows and Thrity Umrigar's The Space Between Us, Alka Josh's The Henna Artist by is lushly-rendered, emotional book club fiction set in post-Raj 1950s Jaipur about a young woman struggling to shape her own destiny in a world pivoting between the traditional and the modern. After fleeing an arranged marriage as a fifteen year old to an abusive older man, Lakshmi Shastri steals away alone from her rural village to Jaipur. Here, against odds, she carves out a living for herself as a henna artist, and friend and confidante to wealthy, upper caste women. Surviving by her wits and talents, she shares her knowledge and keeps their secrets in a delicate balancing act amid the changing 1950s social mores brought about by Indian Independence. Vulnerable to opinion and innuedo, at any point her intentions might be misunderstood, and she could fall prey to a damaged reputation or worse. Still Lakshmi manages to save to build a house with the dream of bringing her aging parents here to live with her and redeem herself in their eyes. Then one day her ex-husband arrives in town seeking her out with a girl in tow, a sister she did not know she had. Her sister is both passionate and reckless by nature, and all of a sudden the caution that Lakshmi has carefully cultivated is threatened, along with her livelihood. But she preseveres, and in doing so manages to lift up the others around her with her success. Lakshmi's tenacity and spirit see her join the ranks of other brave women of historical fiction, such as Farough Farrokhzad in Jasmin Darznik's Song of a Captive Bird.With gorgeous prose and urgent themes, the novel will captivate readers of Shobha Rao's Girls Burn Brighter, and those who seek a narrative both compelling and necessary.

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Sebastian Faulks’s Birdsong meets Kristin Hannah’s The Nightingale in this moving and powerful novel about love, loss and the resilience of the human spirit. Scarred by his experiences in World War One, German doctor, Sebastian Braun lives a quiet life tending to his patients and his beloved garden. Until Sophie Hathaway bursts into his life and challenges his dearly-held beliefs. And just at the moment Sebastian discovers love for the first time war is on the horizon once again, threatening not just his peace of mind… As the Germans approach the Channel Islands, Sebastian has to make choices: be the peace-loving man he has become or stand up and fight for his principles? When he and Sophie are separated, Sebastian is left realising love may have eluded him forever. Until a chance meeting in Paris sets the wheels in motion for a dangerously devastating love affair. Readers are loving The Paris Affair: ‘A brilliant and very unique book…phenomenal’ Kayla ‘Thoughtful and unpredictable…it took me by surprise’ Christy ‘Riveting…suspensful, tense and emotional’ Karyn ‘A great read… highly recommended’ Lesley ‘Carefully plotted… I hated to put the book down’ Sheri ‘The plot is well paced and structured and it pulled me into the deception, suspense and tension…I hope to see this on the silver screen one day’ Norma ‘Quite simply epic! It should be made into a film, as the writing is so beautifully visual and presses all the emotional buttons’ Mandy ‘An absolutely enthralling read from beginning to end…The historical research that has gone into this book is incredible. A fantastic story. A definite must read’ Amy ‘I read this in a single sitting…Romance, history, and of course, the beautiful writing of Melanie Hudson make this an excellent addition to the WWII canon and one that you should not miss!!’ Tiffany

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'In order to provide integrated healthcare, we need to integrate a huge number of...entities. Each one of these entities can be a useful tool for our practice. To be effective practitioners, we hope to gain some mastery of them. But sometimes we feel as if they have mastery of us. There are days when we feel on top of our game, we keep to time, we know instantly what's wrong, the right treatment is immediately to hand, our colleagues are supportive and helpful, and birdsong drifts through our open summer window. Then there are the other days...' Justin Amery This extraordinary new series fills a void in practitioner development and well-being. The books take a reflective step back from the tick-box, target-driven and increasingly regulated world of 21st century health practice; and invite us to revisit what health and health practice actually are. Building carefully on the science and philosophy of health, each book addresses the messy, complex and often chaotic world of real-life health practice and offers an ancient but now almost revolutionary understanding for students and experienced practitioners alike: that health practice is a fundamentally creative and compassionate activity. The series as a whole helps practitioners to redefine and recreate their daily practice, in ways that are healthier for both patients and practitioners. The books provide a welcome antidote to demoralisation and burn-out amongst practitioners, reversing cynicism and reviving our feeling of pride in, and our understanding of, health practice. By observing practice life through different lenses, they encourage the development of efficiency, effectiveness and, above all, satisfaction. The third book in the series, The Integrated Practitioner: Turning Tyrants into Tools in Health Practice explores the relationship between practitioners and their tangible, external tools such as time, computers, money, information, colleagues, equipment, targets and office spaces, along with less tangible elements like knowledge, understanding, language, values and beliefs. These tools can be of great benefit when fully integrated and balanced but they often end up controlling practitioners, dictating the manner in which the practice operates and ultimately reducing efficacy. It suggests ways for practitioners to harness the positive forces of these tools and regain control. Brilliantly written, practitioners, students and trainees and GP trainers will find the enlightening, witty, conversational style a joy to read.

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Peculiar Attunements places the recent turn to affect into conversation with a parallel movement in European music theory of the eighteenth century. During that time the affects—or passions, as they were also called—formed a vital component of a mimetic model of the arts. Eighteenth-century critics held that artworks imitated or copied the natural world in order to produce copies of the affects in their beholders. But music caused a problem for such theories, since it wasn’t apparent that musical tones could imitate anything with any dependability, beyond the rare thunderclap or birdcall. Struggling to articulate how it was that music managed to move its auditors without imitation, certain theorists developed a new affect theory crafted especially for music, postulating that music’s physical materiality as sound vibrated the nerves of listeners and attuned them to the affects through sympathetic resonance. This was a theory of affective attunement that bypassed the entire structure of representation, offering a non-discursive, corporeal alternative. It is a pendant to contemporary theories of affect, and one from which they have much to learn. Inflecting our current intellectual moment through eighteenth-century music theory and aesthetics, this book offers a reassessment of affect theory’s common systems and processes. It offers a new way of thinking through affect dialectically, drawing attention to patterns and problems in affect theory that we have been given to repeating. Finally, taking a cue from eighteenth-century theory, it gives renewed attention to the objects that generate affects in subjects.

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If you travel the open ocean anywhere in the tropics, you are very likely to see flyingfish. These beautifully colored "ocean butterflies" shoot out of the water and sail on majestic, winglike pectoral fins to escape from predators such as dolphins, swordfish, and tuna. Some can travel for more than six hundred feet per flight. Yet despite their prevalence in warm ocean waters and their vital role in the tropical food chain, surprisingly little is known about flyingfish--more than 60 species are said to exist, but nobody is sure of the number. This beautifully illustrated book presents flyingfish as you've never seen them before. It features more than 90 stunning color photos by renowned naturalist Steve Howell, as well as a concise and accessible text that explores the natural history of flyingfish, where they can be found, how and why they fly, what colors they are, what they eat and what eats them, and more. The ideal gift for fish lovers, seasoned travelers, and armchair naturalists alike, this first-of-its-kind book provides a rare and incomparable look at these spectacular marine creatures. * Presents flyingfish like you've never seen them before* Features more than 90 stunning color images* Explores the natural history of flyingfish, where to see them, how they fly, and more* The ideal gift book for fish lovers, ecotravelers, birders, and armchair naturalists

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Hailed by Peter Schjeldahl in The New Yorker as “the most original, controversial, and expensive American artist of the past three and a half decades,” Jeff Koons has come to reign as a master of the market, a wry puppeteer with a “formidable aesthetic intelligence.” His elaborate, exquisitely produced sculptures draw from a contemporary lexicon of consumerism — often featuring large-scale reproductions of toys, household items, or luxury goods — while simultaneously holding up a mirror to the very culture from which they are extracted. These references to popular media are evidenced not merely in his choice of subject matter but also in his visual techniques: his sculptures frequently comprise smooth, mirrored surfaces, and his paintings employ bright and saturated colors. Jeff Koons: Gazing Ball — the first catalogue on the artist’s work to be published by David Zwirner — was produced on the occasion of the major 2013 exhibition at the gallery in New York, which marked the world debut of his Gazing Ball series, a brand new body of work that occupies an important place in the trajectory of his practice. Conceptually derived from the mirrored ornaments encountered on many suburban lawns, including those of Koons’s childhood hometown in rural Pennsylvania, every sculpture is anchored by a blue “gazing ball” of hand-blown glass. These are situated atop large, white-plaster sculptures that have been alternately modeled after iconic works from the Greco-Roman era, including the Farnese Hercules and the Esquiline Venus, or after such quotidian objects from the contemporary residential landscape as a rustic mailbox, a birdbath, and an inflatable garden snowman. Created in close collaboration with Koons, this elegant publication echoes the classic design of a 1970 Picasso catalogue that the artist admires. Inside, vivid color plates of the sculptures in situ capture the stark contrast between the pristine whiteness of the plaster and the highly reflective spheres. In their perfect contours and smooth, glistening surfaces, the gazing balls implicate audience as well as context — mirroring both and offering playful yet powerful meditations on the dialogue between gaze and reflection. “While all of the sculptures are grounded in their own distinct narratives, derived from Art History and suburban towns,” writes Francesco Bonami in his catalogue essay, “the seemingly fragile and delicate gazing ball establishes that sense of uncertain equilibrium that exists between history and fantasy, magic and materiality, mass culture and exclusive beauty.”

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In this warmhearted middle-grade novel, Oona and her brother, Fred, love their cat Zook (short for Zucchini), but Zook is sick. As they conspire to break him out of the vet’s office, convinced he can only get better at home with them, Oona tells Fred the story of Zook’s previous lives, ranging in style from fairy tale to grand epic to slice of life. Each of Zook’s lives has echoes in Oona’s own family life, which is going through a transition she’s not yet ready to face. Her father died two years ago, and her mother has started a relationship with a man named Dylan—whom Oona secretly calls “the villain.” The truth about Dylan, and about Zook’s medical condition, drives the drama in this loving family story. Praise for The Five Lives of Our Cat Zook STARRED REVIEW "Rocklin’s characters are fully developed: readers will be invested. Set in Oakland, readers are also treated to a refreshingly authentic child’s view of a diverse city. The only imperfection in this novel is that it ends." —Booklist, starred review “Oona’s character is a combination of Harriet the Spy in curiosity and Anastasia in spunk. Another emotionally satisfying outing from Rocklin; hanky recommended.” —Kirkus Reviews "Just as she did in One Day and One Amazing Morning on Orange Street, Rocklin intertwines her characters so smartly that the many coincidences and serendipitous events feel organic to the story. The story’s ending—bittersweet, inevitable, and true—offers much-needed catharsis for the family and for anyone who has ever loved a pet." —The Horn Book "This heartwarming family tale is filled with resilient and thoughtful characters who are willing to learn from their mistakes. Readers who enjoy the novels of Jeanne Birdsall and Leslie Crunch will appreciate this charming story." —School Library Journal "There is a strong sense of place in this loving story with the ending sure to generate some tears. This would make a strong library lesson extension activity." —Library Media Connection Awards SCBWI’s Golden Kite Award for Fiction - 2012 Dorothy Canfield Fisher Book Award Rebecca Caudill Young Readers’ Book Award

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Years before Charles Lindbergh’s flight from New York to Paris electrified the nation, a group of daredevil pilots, most of them veterans of the World War I, brought aviation to the masses by competing in the sensational transcontinental air race of 1919. The contest awakened Americans to the practical possibilities of flight, yet despite its significance, it has until now been all but forgotten. In The Great Air Race, journalist and amateur pilot John Lancaster finally reclaims this landmark event and the unheralded aviators who competed to be the fastest man in America. His thrilling chronicle opens with the race’s impresario, Brigadier General Billy Mitchell, who believed the nation’s future was in the skies. Mitchell’s contest—critics called it a stunt—was a risky undertaking, given that the DH-4s and Fokkers the contestants flew were almost comically ill-suited for long-distance travel: engines caught fire in flight; crude flight instruments were of little help in clouds and fog; and the brakeless planes were prone to nosing over on landing. Yet the aviators possessed an almost inhuman disregard for their own safety, braving blizzards and mechanical failure as they landed in remote cornfields or at the edges of cliffs. Among the most talented were Belvin “The Flying Parson” Maynard, whose dog, Trixie, shared the rear cockpit with his mechanic, and John Donaldson, a war hero who twice escaped German imprisonment. Jockeying reporters made much of their rivalries, and the crowds along the race’s route exploded, with everyday Americans eager to catch their first glimpse of airplanes and the mythic “birdmen” who flew them. The race was a test of endurance that many pilots didn’t finish: some dropped out from sheer exhaustion, while others, betrayed by their engines or their instincts, perished. For all its tragedy, Lancaster argues, the race galvanized the nation to embrace the technology of flight. A thrilling tale of men and their machines, The Great Air Race offers a new origin point for commercial aviation in the United States, even as it greatly expands our pantheon of aviation heroes.

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James Ivory in Conversation is an exclusive series of interviews with a director known for the international scope of his filmmaking on several continents. Three-time Academy Award nominee for best director, responsible for such film classics as A Room with a View and The Remains of the Day, Ivory speaks with remarkable candor and wit about his more than forty years as an independent filmmaker. In this deeply engaging book, he comments on the many aspects of his world-traveling career: his growing up in Oregon (he is not an Englishman, as most Europeans and many Americans think), his early involvement with documentary films that first brought attention to him, his discovery of India, his friendships with celebrated figures here and abroad, his skirmishes with the Picasso family and Thomas Jefferson scholars, his usually candid yet at times explosive relations with actors. Supported by seventy illuminating photographs selected by Ivory himself, the book offers a wealth of previously unavailable information about the director's life and the art of making movies. James Ivory on: On the Merchant Ivory Jhabvala partnership: "I've always said that Merchant Ivory is a bit like the U. S. Govenment; I'm the President, Ismail is the Congress, and Ruth is the Supreme Court. Though Ismail and I disagree sometimes, Ruth acts as a referee, or she and I may gang up on him, or vice versa. The main thing is, no one ever truly interferes in the area of work of the other." On Shooting Mr. and Mrs. Bridge: "Who told you we had long 18 hour days? We had a regular schedule, not at all rushed, worked regular hours and had regular two-day weekends, during which the crew shopped in the excellent malls of Kansas City, Paul Newman raced cars somewhere, unknown to us and the insurance company, and I lay on a couch reading The Remains of the Day." On Jessica Tandy as Miss Birdseye in The Bostonians: "Jessica Tandy was seventy-two or something, and she felt she had to 'play' being an old woman, to 'act' an old woman. Unfortunately, I'couldn't say to her, 'You don't have to 'act' this, just 'be,' that will be sufficient.' You can't tell the former Blanche Du Bois that she's an old woman now." On Adapting E. M. Forster's novels "His was a very pleasing voice, and it was easy to follow. Why turn his books into films unless you want to do that? But I suppose my voice was there, too; it was a kind of duet, you could say, and he provided the melody." On India: "If you see my Indian movies then you get some idea of what it was that attracted me about India and Indians...any explanation would sound lamer than the thing warrants. The mood was so great and overwhelming that any explanation of it would seem physically thin...I put all my feeling about India into several Indian films, and if you know those films and like them, you see from these films what it was that attracted me to India." On whether he was influenced by Renoir in filming A Room with a View "I was certainly not influenced by Renoir in that film. But if you put some good looking women in long white dresses in a field dotted with red poppies, andthey're holding parasols, then people will say, 'Renoir.'" On the Critics: "I came to believe that to have a powerful enemy like Pauline Kael only made me stronger. You know, like a kind of voodoo. I wonder if it worked that way in those days for any of her other victims--Woody Allen, for instance, or Stanley Kubrick." On Andy Warhol as a dinner guest: "I met him many times over the last twenty years of his life, but I can't say I knew him, which is what most people say, even those who were his intimates. Once he came to dinner with a group of his Factory friends at my apartment. I remember that he or someone else left a dirty plate, with chicken bones and knife and fork, in my bathroom wash basin. It seemed to be a symbolic gesture, to be a matter of style, and not just bad manners."

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Alison Swan's collection of poems, A Fine Canopy, illustrates how the natural world envelops and encloses us with so many beautiful things: crowns of leaves, the ubiquitous blue sky, our luminous moon, and snow. So much snow. An ecopoet whose writing shows her advocacy for natural resources, in this collection Swan calls the reader to witness, appreciate, and sustain this world before it becomes too late. These poems were written out of an impulse to track down wisdom in the open air, outside of the noisy world of cars and commerce. Swan seeks insight on shores and in scraps of woods and fields-especially on four particular peninsulas: Michigan's upper and lower, Florida, and Washington state's Olympic-and also inside motherhood, which might be the wildest place of all.These are poems about the interconnection of all things, and "knowing things we cannot see". A journey through seasons with a soundtrack of birdsong, Swan's words are incredibly sensory. The reader is made to feel the weight of muddy jeans, the jolt at the tug of a dog's leash, and to see the bright flash of a cardinal's red plumage. Swan's poems remind us that although we all want to make a mark on our world, the smaller the better: stepping into fresh snow, dashing through forests atop dry leaves, laying wet bodies on warm concrete. These quiet interactions with places are as hopeful as they are harmless.Without necessarily tackling the topics head-on, A Fine Canopy evokes the devastation of climate change and the destruction of natural resources. This book engages deeply with the other-than-human to express and investigate alarm, dismay, anger, admiration, adoration in what feels like the end of the world unless we begin to think outside the box. These poems will carry weight with all readers of poetry, especially those who are interested in ecopoetry and connecting with the world around them.

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An accomplished storyteller returns with her biggest, boldest, most entertaining novel yet—a hilarious, heartfelt story about books, love, sisterhood, and the surprises we discover in our DNA that combines the wit of Jonathan Tropper with the heart of Susan Wiggs.Maggie, Eliza, and Tricia Sweeney grew up as a happy threesome in the idyllic seaside town of Southport, Connecticut. But their mother’s death from cancer fifteen years ago tarnished their golden-hued memories, and the sisters drifted apart. Their one touchstone is their father, Bill Sweeney, an internationally famous literary lion and college professor universally adored by critics, publishers, and book lovers. When Bill dies unexpectedly one cool June night, his shell-shocked daughters return to their childhood home. They aren’t quite sure what the future holds without their larger-than-life father, but they do know how to throw an Irish wake to honor a man of his stature.But as guests pay their respects and reminisce, one stranger, emboldened by whiskey, has crashed the party. It turns out that she too is a Sweeney sister. When Washington, DC based journalist Serena Tucker had her DNA tested on a whim a few weeks earlier, she learned she had a 50% genetic match with a childhood neighbor—Maggie Sweeney of Southport, Connecticut. It seems Serena’s chilly WASP mother, Birdie, had a history with Bill Sweeney—one that has remained totally secret until now.Once the shock wears off, questions abound. What does this mean for William’s literary legacy? Where is the unfinished memoir he’s stashed away, and what will it reveal? And how will a fourth Sweeney sister—a blond among redheads—fit into their story?By turns revealing, insightful, and uproarious, The Sweeney Sisters is equal parts cautionary tale and celebration—a festive and heartfelt look at what truly makes a family.

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'When James Lee Burke writes, the little birdies sing, the sun comes out and old men learn to dance again. That's how good he is. And now he's back . . . Purple Cane Road may be the finest novel Burke has written' INDEPENDENT ON SUNDAY'At times Burke's writing and atmosphere remind one of William Faulkner; at other moments Raymond Carver. I cannot think of much higher praise that can be accorded a novel' THE TIMES'No crime writer in America can hold a pen to Burke's mastery of style and powers of evocation and empathy' GUARDIAN'PURPLE CANE ROAD is not only a brilliant mystery, with an astonishing denouement, but a moving evocation of nostalgia and pain set in a marvellously described location' SCOTSMANWhen Detective Dave Robicheaux discovers disturbing secrets from his mother's past, he embarks on a journey through a murky world of vice, politics and murder.Robicheaux has been told that his mother, Mae, was a hooker and ended her life drowned in a mud puddle by two cops working for the Mob. As Robichaeux and his partner hunt for the killers, they hook up with a door-to-door salesman turned state governor, a psychotic hit-man, and the owner of the mansion at Purple Cane Road - who knows rather too much about Robichaeux's wife . . .Praise for one of the great American crime writers, James Lee Burke:'James Lee Burke is the heavyweight champ, a great American novelist whose work, taken individually or as a whole, is unsurpassed.' Michael Connelly'A gorgeous prose stylist.' Stephen King'Richly deserves to be described now as one of the finest crime writers America has ever produced.' Daily MailFans of Dennis Lehane, Michael Connelly and Don Winslow will love James Lee Burke: Dave Robicheaux Series1. The Neon Rain 2. Heaven's Prisoners 3. Black Cherry Blues 4. A Morning for Flamingos 5. A Stained White Radiance 6. In the Electric Mist with Confederate Dead 7. Dixie City Jam 8. Burning Angel 9. Cadillac Jukebox 10. Sunset Limited 11. Purple Cane Road 12. Jolie Blon's Bounce 13. Last Car to Elysian Fields 14. Crusader's Cross 15. Pegasus Descending 16. The Tin Roof Blowdown 17. Swan Peak 18. The Glass Rainbow 19. Creole Belle 20. Light of the World 21. Robicheaux Hackberry Holland Series1. Lay Down My Sword and Shield 2. Rain Gods 3. Feast Day of Fools 4. House of the Rising SunBilly Bob Holland Series1. Cimarron Rose 2. Heartwood 3. Bitterroot 4. In The Moon of Red Ponies * Each James Lee Burke novel can be read as a standalone or in series order *

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Insight Guides Pocket MadagascarTravel made easy. Ask local experts.The definitive pocket-sized travel guide, now with free app and eBook.Compact, concise and packed full of essential information about where to go and what to do, this is the ideal on-the-move travel guide for exploring Madagascar. From top tourist attractions like Antananarivo, Parc de l'Isalo and the Allée des Baobabs, to cultural gems, including lemur-viewing and birdwatching in the Mandrare River Valley, exploring the breathtaking 'stone forest' at the Parc des Tsingy de Bemaraha and whale-watching at Nosy Be, plan your perfect trip with this practical, all-in-one travel guide.Features of this travel guide to Madagascar:- Inspirational itineraries: discover the best destinations, sights and excursions, highlighted with stunning photography- Historical and cultural insights: delve into the country's rich history and culture, and learn all about its people, art and traditions- Practical full-colour map: with every major attraction highlighted, the pull-out map makes on-the-ground navigation easy- Key tips and essential information: from transport to tipping, we've got you covered- The ultimate travel tool: download the free app and eBook to access all this and more from your phone or tablet- Covers: Antananarivo; Central Highlands; The Deep South; The West Coast; The Northeast Coast; The Far NorthLooking for a comprehensive guide to Madagascar? Check out Insight Guides Madagascar for a detailed and entertaining look at all the country has to offer.About Insight Guides: Insight Guides is a pioneer of full-colour guide books, with almost 50 years' experience of publishing high-quality, visual travel guides with user-friendly, modern design. We produce around 400 full-colour print guide books and maps, as well as phrase books, picture-packed eBooks and apps to meet different travellers' needs. Insight Guides' unique combination of beautiful travel photography and focus on history and culture create a unique visual reference and planning tool to inspire your next adventure.

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Lord Alanbrooke was Churchill's right-hand man during World War II, and as Chief of the Imperial General Staff he had an integral part in shaping the strategy of Britain and the Allies. Despite this crucial role, he is very little known compared to military commanders such as Montgomery, Alexander, Slim, Mountbatten, Patton, or Eisenhower. This new biography of Lord Alanbrooke uses archival material and his diaries to trace his life, including his experiences in World War I and the development of his military career in the interwar years, with a focus on his post as the Chief of the Imperial General Staff during World War II.Voted the greatest Briton of the 20th century, Churchill has long been credited with almost single-handedly leading his country to victory in World War II. However without Brooke, a skilled tactician, at his side the outcome might well have been disastrous. Brooke more often than not served as a brake on some of Churchill's more impetuous ideas. However, while Brooke's diaries reveal his fury with some of Churchill's decisions, they also reveal his respect and admiration for the wartime prime minister. In return Churchill must surely have considered Brooke one of his most difficult subordinates but later wrote that he was "fearless, formidable, articulate, and in the end convincing".As CIGS, Brooke was integral to coordination between the Allied forces, and so had to wrestle with the cultural strategy clash between the British and Americans. Comments in his diaries offer up his opinions of both his British and American military colleagues – his negative assessments of Mountbatten’s ability, and acerbic comments on the difficult character of de Gaulle and the weaknesses of Eisenhower. Conversely he was clearly over-indulgent in the face of Montgomery's foibles. Brooke was often seen as a stern and humourless figure, but a study of his private life reveals an little-seen lighter side, a lifelong passion for birdwatching, and abiding love for his family. The two tragedies that befell his immediate family were a critical influence on his life. Sangster completes this new biography with a survey of the way various historians have assessed Brooke, explaining how he has lapsed into seeming obscurity in the years since his crucial part in the Allied victory in World War II.

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Years before Charles Lindbergh’s flight from New York to Paris electrified the nation, a group of daredevil pilots, most of them veterans of the World War I, brought aviation to the masses by competing in the sensational transcontinental air race of 1919. The contest awakened Americans to the practical possibilities of flight, yet despite its significance, it has until now been all but forgotten. In The Great Air Race, journalist and amateur pilot John Lancaster finally reclaims this landmark event and the unheralded aviators who competed to be the fastest man in America. His thrilling chronicle opens with the race’s impresario, Brigadier General Billy Mitchell, who believed the nation’s future was in the skies. Mitchell’s contest—critics called it a stunt—was a risky undertaking, given that the DH-4s and Fokkers the contestants flew were almost comically ill-suited for long-distance travel: engines caught fire in flight; crude flight instruments were of little help in clouds and fog; and the brakeless planes were prone to nosing over on landing. Yet the aviators possessed an almost inhuman disregard for their own safety, braving blizzards and mechanical failure as they landed in remote cornfields or at the edges of cliffs. Among the most talented were Belvin “The Flying Parson” Maynard, whose dog, Trixie, shared the rear cockpit with his mechanic, and John Donaldson, a war hero who twice escaped German imprisonment. Jockeying reporters made much of their rivalries, and the crowds along the race’s route exploded, with everyday Americans eager to catch their first glimpse of airplanes and the mythic “birdmen” who flew them. The race was a test of endurance that many pilots didn’t finish: some dropped out from sheer exhaustion, while others, betrayed by their engines or their instincts, perished. For all its tragedy, Lancaster argues, the race galvanized the nation to embrace the technology of flight. A thrilling tale of men and their machines, The Great Air Race offers a new origin point for commercial aviation in the United States, even as it greatly expands our pantheon of aviation heroes.

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The perfect gift for any golf loverDo you know your albatross from your eagle? Your birdie from your bogey?Whether you’re a golfing pro or simply a Sunday driver you’ll enjoy working your way around the nine chapters of The Golf Pocket Bible. Beginning with the myths and legends surrounding the sport’s origin, The Golf Pocket Bible follows a course from the rules of the game, through the rough and smooth of famous wins and losses to the final test of a golfing quiz.Discover the history of golf, explore famous golf courses from Gleneagles to St Andrews and Pebble Beach and learn fascinating facts about major golf tournaments from the Ryder Cup to the US Open. Inside this pocket golf guide you’ll also find profiles of famous golfers from Colin Montgomerie and Nick Faldo through to Seve Ballesteros and Tiger Woods all at your fingertips, as well as a list of the best (and worst) golfing films. From mini golf and crazy golf to extreme golf and golf at the 2016 Olympics, The Golf Pocket Bible will take you through every aspect of the game from the driving range to the putting green.If you want to learn more about the fascinating world of golf, make sure you read The Golf Pocket Bible. The whole game. In one book."I'd give up golf if I didn't have so many sweaters." -Bob Hope"Golf is 90 percent inspiration and 10 percent perspiration." -Johnny Miller"I know I'm getting better at golf because I'm hitting fewer spectators." -Gerald Ford"Golf always makes me so damned angry" King George V"Golf is a game whose aim it is to hit a very small ball into an even smaller hole with weapons singularly ill-designed for the purpose" Winston ChurchillThis beautiful hardback edition has both dust-cover and gold embossing on the spine making it the perfect gift. Every Pocket Bible is lovingly crafted to give you a unique mix of useful references, handy tips and fascinating trivia that will enlighten and entertain you at every page. There is a Pocket Bible for everyone...Other titles in the series: The Football Pocket Bible, The DIY Pocket Bible, The Railway Pocket Bible, The Dog Lover's Pocket Bible and The Cricket Pocket Bible.

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National Theatre Connections is an annual festival which brings new plays for young people to schools and youth theatres across the UK and Ireland. Commissioning exciting work from leading playwrights, the festival exposes actors aged 13-19 to the world of professional theatre-making, giving them full control of a theatrical production - from costume and set design to stage management and marketing campaigns. NT Connections have published over 150 original plays and regularly works with 500 theatre companies and 10,000 young people each year. This anthology brings together 9 new plays by some of the UK's most prolific and current writers and artists alongside notes on each of the texts exploring performance for schools and youth groups. Wind / Rush Generation(s) by Mojisola Adebayo This is a play about the British Isles, its past and its present. Set in a senior common room, in a prominent university, a group of 1st year undergraduates are troubled, not by the weight of their workload, but by a ‘noisy’ ghost. So they do what any group self-respecting and intelligent university students would do in such a situation – they get out the Ouija Board to confront their spiritual irritant and lay them to rest – only to be confronted by the full weight of Britain’s colonial past – in all its gory glory. Fusing naturalism, with physical theatre, spoken-word, absurdism, poetry and direct address – this is event-theatre that whips along with the grace, pace and hypnotic magnetism of a hurricane. Tuesday by Alison Carr Tuesday is light, playful and nuanced in tone. And a little bit sci-fi. The play centres on an ordinary Tuesday that suddenly turns very weird indeed when a tear rips across the sky over the school yard. The play touches on themes of friendship, sibling love, family, identity, grief, bullying, loneliness and responsibility. And in the process we might just learn something about ourselves as well as some astronomical theories of the multiverse! A series of public apologies (in response to an unfortunate incident in the school lavatories) by John Donnelly This satirical play is heightened in its naturalism, in its seriousness, in its parody and piercing in its interrogation of how our attempts to define ourselves in public are shaped by the fear of saying the wrong thing. Presented quite literally as a series of public apologies this play is spacious, flexible and welcoming of inventive and imaginative interpretation as each iteration spirals inevitably to its absurdist core. This is a play on words, on convention, on manners, on institutions, on order, online and on point. THE IT by Vivienne Franzmann THE IT is a play about a teenage girl who has something growing inside her. She doesn't know what it is, but she knows it's not a baby. It expands in her body. It starts in her stomach, but quickly outgrows that, until eventually ittakes over the entirety of her insides. It has claws. She feels them. Presented in the style of a direct to camera documentary, this is a darkly comic state of the nation play exploring adolescent mental health and the rage within, written very specifically for today. The Marxist in Heaven by Hattie Naylor The Marxist in Heaven is a play that does exactly what its title page says it’s going to do. The eponymous protagonist ‘wakes up’ in paradise and once they get over the shock of this fundamental contradiction of everything they believe in…..they get straight back to work….and continue their lifelong struggle for equality and fairness for all….even in death. Funny, playful, provocative, pertinent and jam-packed with discourse, disputes, deities and disco dancing by the bucketful, this upbeat buoyant allegory shines its holy light on globalization and asks the salient questions – who are we and what are we doing to ourselves?.....and what conditioner do you use on your hair? Look Up by Andrew Muir Look Up plunges us into a world free from adult intervention, supervision and protection. It’s about seeking the truth for yourself and finding the space to find and be yourself. Nine young people are creating new rules for what they hope will be a new and brighter future full of hope in a world in which they can trust again. Each one of them is unique, original and defiantly individual, break into an abandoned building and set about claiming the space, because that is what they do. They have rituals, they have rules, together they are a tribe, they have faith in themselves….and nothing and no one else. They are the future, unless the real world catches up with them and then all they can hope for is that they don't crash and burn like the adults they ran away from in the first place. Crusaders by Frances Poet A group of teens gather to take their French exam but none of them will step into the exam hall. Because Kyle has had a vision and he’ll use anything, even miracles, to ensure his classmates accompany him. Together they have just seven days to save themselves, save the world and be the future. And Kyle is not the only one who has had the dream. All across the globe, from Azerbaijan to Zambia, children are dreaming and urging their peers to follow them to the promised land. Who will follow? Who will lead? Who will make it? Witches Can’t Be Burned by Silva Semerciyan St. Paul’s have won the schools Playfest competition, three years in a row, by selecting recognised classics from the canon and producing them at an exceptionally high level, it’s a tried and trusted formula. With straight A’s student and drama freak, Anuka cast as Abigail Williams in The Crucible by Arthur Miller, the school seem to be well on course for another triumph, which would be a record. However, as rehearsals gain momentum, Anuka has an epiphany. An experience resulting in her asking searching questions surrounding the text, the depiction and perception of female characters, the meaning of loyalty, and the values and traditions underpinning the very foundations of the school. Thus, the scene is set for a confrontation of epic proportions as Anuka seeks to break with tradition, before tradition breaks her and all young women like her and reality begins to take on the ominous hue of Miller’s fictionalized Salem. Dungeness by Chris Thompson . In a remote part of the UK, where nothing ever happens, a group of teenagers share a safe house for LGBT+ young people. While their shared home welcomes difference, it can be tricky for self-appointed group leader Birdie to keep the peace. The group must decide how they want to commemorate an attack that happened to LGBT+ people, in a country far away. How do you take to the streets and protest if you’re not ready to tell the world who you are? If you’re invisible, does your voice still count? A play about love, commemoration and protest.

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The award-winning architectural practice Hawkins\Brown, founded in 1988, is well-known for its thoughtful, innovative and sustainable new buildings and refurbishments of all types. The practice prides itself on bringing a fresh and collaborative approach, creating places that are well-made, well-used and well-loved. This new book examines 14 of its projects in detail, interspersed with essays on various themes by members of the practice. The book begins with an examination by the eminent architecture journalist Hugh Pearman of the founding, history and approach of Hawkins\Brown, based on personal interviews with the practice’s two founding principals, Roger Hawkins and Russell Brown. A full discussion of the projects follows, each comprehensively illustrated with photographs, plans and renderings. The Bartlett School of Architecture in London had been outgrown by the School; it has been stripped back and reconfigured to create a building that staff and students alike are delighted to use. The Corby Cube is a well-equipped, multi-purpose civic and cultural centre that is beloved of this East Midlands town’s inhabitants. Here East, the repurposing of the Olympic press and broadcast centres in east London into space for creative and digital industries, is an excellent example of collaboration between client, architect and stakeholders. At Hilden Grange Preparatory School in Kent, Hawkins\Brown slotted exemplary new teaching spaces into natural woodland in a sustainable and sympathetic way. The University of East Anglia’s Bob Champion Building is part of the Norwich Medical School’s vision to become a world leader in clinical research and teaching, and was completed in less than a year. Park Hill housing estate in Sheffield has been updated with a charismatic new facade treatment and revitalized flats, taking it from eyesore to icon. Another housing estate, Peabody Burridge Gardens in southwest London, has been rebuilt completely, and is now more pleasant and better integrated. Tottenham Court Road station in central London – part of the enormous Crossrail project – has been sympathetically but radically redesigned to provide for the extra people who will use it, and includes artworks by Daniel Buren, Richard Wright and Douglas Gordon. At Hackney Town Hall in east London, the refurbishment of an important art deco building required all numerous skills, from reuse and repair to conversion and conservation. A combined refurbishment and new building on Great Suffolk Street just south of the river in central London, meanwhile, has created an expanded commercial building that sits comfortably in its semi-industrial setting. For the City of London Freemen’s School in Surrey, Hawkins\Brown created a new swimming pool that is simultaneously functional, beautiful and sympathetic to its rural location. With the University of Oxford Beecroft Building – where environment is also deeply important – the practice produced a new Physics research facility that both satisfies the city’s stringent historical and conservation controls and is a genuinely groundbreaking scientific building. East Village Plot No. 6 is a `build-to-rent’ development in Stratford, east London, where architecture has been used to create community. Finally, the Thames Tideway Tunnel is a crucial yet little-known infrastructure project that will extend and modernize London’s sewerage system to cope with future demand. The visible architecture here involves various surface points along the river, including at Chelsea Embankment and at Blackfriars. The essays demonstrate Hawkins\Brown’s pride in the input of its staff. Seth Rutt explains the architect’s desire for creative autonomy and wish to follow the process of creating a new building all the way from designing it to supervising the construction. Darryl Chen explains the importance of taking time away from day-to-day work to focus on broader themes, and introduces the practice’s own think tank. Nicola Rutt discusses the importance of refurbishment in the output of the practice, emphasizing its importance to the urban fabric and to the people who inhabit our towns and cities. Morag Morrison writes about the integration of art with architecture, and Katie Tonkinson examines mixed-use architecture in the context of the architect’s approach rather than the client’s brief. Harbinder Birdi explains the importance of urban planning and considering the human context for all projects, and, finally, Oliver Milton and Jack Stewart celebrate the opportunities afforded by new technology.

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