Search results for ""new york review of books""

The arrangement of these Selected Poems demonstrates the consistency of Christopher Logue's vision as it matured through a varied career. He published his first books in the early 1950s, in Paris, where he was associated with Alexander Trocchi, Samuel Beckett and Maurice Girodias. Returning to London in time for the sixties, he wrote plays and a musical for the Royal Court, began the vogue for public poetry readings, recorded Red Bird, the most successful British poetry/jazz disc, and invented the poster poem. He published his poems in many forms, including - again his own invention - New Numbers, a constantly changing collage, which appears here in its final form. The selection culminates in an early treatment of a passage from his version of Homer's Iliad - 'the best . . . since Pope's' (New York Review of Books) - and it illustrates Logue's belief in the power of poetry as a social force - dissident, sensual and humorous. Selected Poems gives the reader a proper idea of Christopher Logue's lyrical gifts, as well as his irrepressible outspokenness and sense of artistic adventure. It contains fine poems which have been out of print for too long and others now regarded as classics.

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The untold story of how the Dutch conquered the European book market and became the world's greatest bibliophiles—“an instant classic on Dutch book history” (BMGN - Low Countries Historical Review)"[An] excellent contribution to book history."—Robert Darnton, New York Review of Books The Dutch Golden Age has long been seen as the age of Rembrandt and Vermeer, whose paintings captured the public imagination and came to represent the marvel that was the Dutch Republic. Yet there is another, largely overlooked marvel in the Dutch world of the seventeenth century: books. In this fascinating account, Andrew Pettegree and Arthur der Weduwen show how the Dutch produced many more books than pictures and bought and owned more books per capita than any other part of Europe. Key innovations in marketing, book auctions, and newspaper advertising brought stability to a market where elsewhere publishers faced bankruptcy, and created a population uniquely well-informed and politically engaged. This book tells for the first time the remarkable story of the Dutch conquest of the European book world and shows the true extent to which these pious, prosperous, quarrelsome, and generous people were shaped by what they read.

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For much of the twentieth century, large companies employing many workers formed the bedrock of the U.S. economy. Today, as David Weil’s groundbreaking analysis shows, large corporations have shed their role as direct employers of the people responsible for their products, in favor of outsourcing work to small companies that compete fiercely with one another. The result has been declining wages, eroding benefits, inadequate health and safety conditions, and ever-widening income inequality.“Authoritative…[The Fissured Workplace] shed[s] important new light on the resurgence of the power of finance and its connection to the debasement of work and income distribution.”—Robert Kuttner, New York Review of Books“The kinds of workplace fissuring discussed here—subcontracting, franchising, and global supply chains—have been the subjects of a number of studies detailing the employment effects that Weil describes. The Fissured Workplace is unusual in bringing this research together into an integrated, detailed, and decidedly policy-oriented analysis…It makes a convincing case that the better regulation of fissured workplaces is a first step towards reversing the erosion of pay and conditions at the bottom of the labor market.”—Virginia Doellgast, Times Higher Education

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An award‑winning environmental historian explores American history through wrenching, tragic, and sometimes humorous stories of getting lost"Fascinating. . . . Underlying . . . is a deep belief in the importance of collaboration and cooperation between humans and their environments, as well as between humans and other humans."—Robert Macfarlane, New York Review of Books The human species has a propensity for getting lost. The American people, inhabiting a mental landscape shaped by their attempts to plant roots and to break free, are no exception. In this engaging book, environmental historian Jon Coleman bypasses the trailblazers so often described in American history to follow instead the strays and drifters who went missing. From Hernando de Soto’s failed quest for riches in the American southeast to the recent trend of getting lost as a therapeutic escape from modernity, this book details a unique history of location and movement as well as the confrontations that occur when our physical and mental conceptions of space become disjointed. Whether we get lost in the woods, the plains, or the digital grid, Coleman argues that getting lost allows us to see wilderness anew and connect with generations across five centuries to discover a surprising and edgy American identity.

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An original, authoritative guide to the impact of grief on the brain, the heart, and the body of the bereaved "Dorothy Holinger's exploration of the contours of grief is wise, moving, thought-provoking, and, best of all, extraordinarily helpful. Beautifully written and humane, it is a balm for the bereaved."—Barry Bearak, Pulitzer Prize winner for international reporting “What’s central for Holinger is that turning feeling into words, and giving voice to buried emotions, acts to release tension. She is a passionate advocate for language as healer.”—Clair Wills, New York Review of Books Grief happens to everyone. Universal and enveloping, grief cannot be ignored or denied. This original new book by psychologist Dorothy P. Holinger uses humanistic and physiological approaches to describe grief’s impact on the bereaved. Taking examples from literature, music, poetry, paleoarchaeology, personal experience, memoirs, and patient narratives, Holinger describes what happens in the brain, the heart, and the body of the bereaved. Readers will learn what grief is like after a loved one dies: how language and clarity of thought become elusive, why life feels empty, why grief surges and ebbs so persistently, and why the bereaved cry. Resting on a scientific foundation, this literary book shows the bereaved how to move through the grieving process and how understanding grief in deeper, more multidimensional ways can help quell this sorrow and allow life to be lived again with joy. Visit the author's companion website for The Anatomy of Grief: dorothypholinger.com

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An award-winning look at how Apaches, Navajos, Kiowas, and especially Comanches played a decisive role in America’s watershed victory over Mexico"An engaging book that enlivens the debate over the clash between Indians, Mexicans, and Americans in the Southwest."—Gary Clayton Anderson, Western Historical Quarterly"Action-packed and densely argued."—Larry McMurtry, New York Review of Books In the early 1830s, after decades of relative peace, northern Mexicans and the Indians whom they called “the barbarians” descended into a terrifying cycle of violence. For the next fifteen years, owing in part to changes unleashed by American expansion, Indian warriors launched devastating attacks across ten Mexican states. Raids and counter-raids claimed thousands of lives, ruined much of northern Mexico’s economy, depopulated its countryside, and left man-made “deserts” in place of thriving settlements. Just as important, this vast interethnic war informed and emboldened U.S. arguments in favor of seizing Mexican territory while leaving northern Mexicans too divided, exhausted, and distracted to resist the American invasion and subsequent occupation. Exploring Mexican, American, and Indian sources ranging from diplomatic correspondence and congressional debates to captivity narratives and plains Indians’ pictorial calendars, War of a Thousand Deserts recovers the surprising and previously unrecognized ways in which economic, cultural, and political developments within native communities affected nineteenth-century nation-states. In the process this ambitious book offers a rich and often harrowing new narrative of the era when the United States seized half of Mexico’s national territory.

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“A sweeping look at the history of voting rights in the U.S.”—VoxWho has the right to vote? And who benefits from exclusion?For most of American history, the right to vote has been a privilege restricted by wealth, sex, race, and literacy. Economic qualifications were finally eliminated in the nineteenth century, but the ideal of a white man’s republic persisted long after that. Women and racial minorities had to fight hard and creatively to secure their voice, but voter identification laws, registration requirements, and voter purges continue to prevent millions of American citizens from voting.An award-winning historian and voting right activist, Allan Lichtman gives us the history behind today’s headlines. He shows that political gerrymandering and outrageous attempts at voter suppression have been a fixture of American democracy—but so have efforts to fight back and ensure that every citizen’s voice be heard.“Lichtman uses history to contextualize the fix we’re in today. Each party gropes for advantage by fiddling with the franchise… Growing outrage, he thinks, could ignite demands for change. With luck, this fine history might just help to fan the flame.”—New York Times Book Review“The great value of Lichtman’s book is the way it puts today’s right-wing voter suppression efforts in their historical setting. He identifies the current push as the third crackdown on African-American voting rights in our history.”—Michael Tomasky, New York Review of Books

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An “enlightening and persuasive” (Jonathan Mirsky, New York Review of Books) survey of Vietnam as an emerging Asian power The eyes of the West have recently been trained on China and India, but Vietnam is rising fast among its Asian peers. A breathtaking period of social change has seen foreign investment bringing capitalism flooding into its nominally communist society, booming cities swallowing up smaller villages, and the lure of modern living tugging at the traditional networks of family and community. Yet beneath these sweeping developments lurks an authoritarian political system that complicates the nation’s apparent renaissance. In this engaging work, experienced journalist Bill Hayton looks at the costs of change in Vietnam and questions whether this rising Asian power is really heading toward capitalism and democracy.Based on vivid eyewitness accounts and pertinent case studies, Hayton’s book addresses a broad variety of issues in today’s Vietnam, including important shifts in international relations, the growth of civil society, economic developments and challenges, and the nation’s nascent democracy movement as well as its notorious internal security. His analysis of Vietnam’s “police state,” and its systematic mechanisms of social control, coercion, and surveillance, is fresh and particularly imperative when viewed alongside his portraits of urban and street life, cultural legacies, religion, the media, and the arts. With a firm sense of historical and cultural context, Hayton examines how these issues have emerged and where they will lead Vietnam in the next stage of its development.

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A TIMES HISTORY BOOK OF THE YEAR 'Conventional histories of the last days of the Roman Empire will no longer suffice after you read this book.' Averil Cameron, author of Byzantine Matters 'Fascinating ... illuminating ... Stephenson examines ordinary life, painting a vivid and intriguing picture.' The Times 'Brings the world of New Rome alive with exceptional learning and a magnificent openness to modern scientific methods that breathe life into conventional narratives of political and social history.' The New York Review of Books Long before Rome fell to the Ostrogoths in AD 476, a new city had risen to take its place as the beating heart of a late antique empire, the glittering Constantinople: New Rome. In this magisterial work, Professor Paul Stephenson charts the centuries surrounding this epic shift of power. He traces the cultural, social and political forces that led to the empire being ruled from a city straddling Europe and Asia, placing all into a rich natural and environmental context informed by the latest scientific research. Blending narrative with analysis, he shows how the city and empire of New Rome survived countless attacks and the rise of Islam. By the end, the wide world of linked cities had changed into a world founded on new ideas about government and God, art and war, and the very future of a Christian empire: Byzantium.

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'A personal, impassioned account of a crime committed against the Lebanese people' - New York Review of Books In August 2020, Lebanon was in the midst of the global pandemic and a devastating economic crisis. People protested in the streets, calling for the removal of a political elite accused of greed, negligence and incompetence. The Lebanese people felt as though their country was staring into the abyss. But the worst was yet to come. On the evening of August 4, 2020, Hangar 12 of the Port of Beirut exploded, and then exploded again. A shockwave moving faster than the speed of sound tore through Beirut, leaving nearly 200 people dead, 6,000 injured and 300,000 homeless. The blast had been caused by the storing of thousands of tons of ammonium nitrate alongside a stash of fireworks - a deadly arrangement about which the government had known, but done nothing. For six months straight, French-Lebanese author and artist Lamia Ziadé wrote, illustrated and recorded every new piece of information, every photograph of the wreckage or the wounded that made its way around WhatsApp groups, Instagram and Twitter. In My Port of Beirut, Ziadé weaves together the play-by-play of the tragedy with her own personal stories, as well as the historical and political background that made such a catastrophe possible and, perhaps, inevitable.

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Clifford Geertz (1926-2006) was perhaps the most influential anthropologist of our time, but his influence extended far beyond his field to encompass all facets of contemporary life. Nowhere were his gifts for directness, humor, and steady revelation more evident than in the pages of the New York Review of Books, where for nearly four decades he shared his acute vision of the world in all its peculiarity. This book brings together the finest of Geertz's review essays from the New York Review along with a representative selection of later pieces written at the height of his powers, some that first appeared in periodicals such as Dissent, others never before published. This collection exemplifies Geertz's extraordinary range of concerns, beginning with his first essay for the Review in 1967, in which he reviews, with muffled hilarity, the anthropologist Bronislaw Malinowski. This book includes Geertz's unflinching meditations on Western academia's encounters with the non-Western world, and on the shifting and clashing places of societies in the world generally. Geertz writes eloquently and arrestingly about such major figures as Gandhi, Foucault, and Genet, and on topics as varied as Islam, globalization, feminism, and the failings of nationalism. Life among the Anthros and Other Essays demonstrates Geertz's uncommon wisdom and consistently keen and hopeful humor, confirming his status as one of our most important and enduring public intellectuals.

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Winner of the Bolton-Johnson PrizeWinner of the Utley PrizeWinner of the Distinguished Book Award, Society for Military History“The Dead March incorporates the work of Mexican historians…in a story that involves far more than military strategy, diplomatic maneuvering, and American political intrigue…Studded with arresting insights and convincing observations.”—James Oakes, New York Review of Books“Superb…A remarkable achievement, by far the best general account of the war now available. It is critical, insightful, and rooted in a wealth of archival sources; it brings far more of the Mexican experience than any other work…and it clearly demonstrates the social and cultural dynamics that shaped Mexican and American politics and military force.”—Journal of American HistoryIt has long been held that the United States emerged victorious from the Mexican–American War because its democratic system was more stable and its citizens more loyal. But this award-winning history shows that Americans dramatically underestimated the strength of Mexican patriotism and failed to see how bitterly Mexicans resented their claims to national and racial superiority. Their fierce resistance surprised US leaders, who had expected a quick victory with few casualties.By focusing on how ordinary soldiers and civilians in both countries understood and experienced the conflict, The Dead March offers a clearer picture of the brief, bloody war that redrew the map of North America.

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"Marie NDiaye is so intelligent, so composed, so good, that any description of her work feels like an understatement" - Madeleine Schwartz, New York Review of Books"Rich, meandering . . . NDiaye excels at luscious, forensic descriptions of the ritualistic preparation of food" - Catherine Taylor, Mail on SundayThe Cheffe is born into an impoverished family in Sainte-Bazeille in south-western France, but when she takes a job working in the kitchen of a couple in the Landes region, it does not take long before it becomes clear that the Cheffe has an unusual, remarkable talent for cooking. She dreams in recipes, she's always imagining new food combinations, she hunts down elusive flavours and aromas, and she soon usurps the couple's cook.But for all her genius, the Cheffe remains very secretive about the rest of her life. She becomes pregnant, but will not reveal her daughter's father. She shares nothing of her feelings or emotions. And when the demands of her work and caring for her child become too much, she leaves her baby in the care of her family, and sets out to open her own restaurant, which will soon win rave reviews and be lauded by all.But her relationship with her daughter will never be easy, and before long, it will threaten to destroy everything the Cheffe has spent her life perfecting.Translated from the French by Jordan Stump.

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From the author of Lakota America, an award-winning history of the rise and decline of the vast and imposing Comanche empire “Cutting-edge revisionist western history.”—Larry McMurtry, New York Review of Books “A landmark study that will make readers see the history of southwestern America in an entirely new way.”—David J. Weber, author of Bárbaros In the eighteenth and early nineteenth centuries, a Native American empire rose to dominate the fiercely contested lands of the American Southwest, the southern Great Plains, and northern Mexico. This powerful empire, built by the Comanche Indians, eclipsed its various European rivals in military prowess, political prestige, economic power, commercial reach, and cultural influence. Yet until now the Comanche empire has gone unrecognized in American history. This compelling and original book uncovers the lost story of the Comanches. It is a story that challenges the idea of Indigenous peoples as victims of European expansion and offers a new model for the history of colonial expansion, colonial frontiers, and Native-European relations in North America and elsewhere. Pekka Hämäläinen shows in vivid detail how the Comanches built their unique empire and resisted European colonization, and why they fell to defeat in 1875. With extensive knowledge and deep insight, the author brings into clear relief the Comanches’ remarkable impact on the trajectory of history.

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Carl Schmitt was the most famous and controversial defender of political theology in the twentieth century. But in his best-known work, The Concept of the Political, issued in 1927, 1932, and 1933, political considerations led him to conceal the dependence of his political theory on his faith in divine revelation. In 1932 Leo Strauss published a critical review of Concept that initiated an extremely subtle exchange between Schmitt and Strauss regarding Schmitt’s critique of liberalism. Although Schmitt never answered Strauss publicly, in the third edition of his book he changed a number of passages in response to Strauss’s criticisms. Now, in this elegant translation by J. Harvey Lomax, Heinrich Meier shows us what the remarkable dialogue between Schmitt and Strauss reveals about the development of these two seminal thinkers.Meier contends that their exchange only ostensibly revolves around liberalism. At its heart, their “hidden dialogue” explores the fundamental conflict between political theology and political philosophy, between revelation and reason­and ultimately, the vital question of how human beings ought to live their lives. “Heinrich Meier’s treatment of Schmitt’s writings is morally analytical without moralizing, a remarkable feat in view of Schmitt’s past. He wishes to understand what Schmitt was after rather than to dismiss him out of hand or bowdlerize his thoughts for contemporary political purposes.”—Mark Lilla, New York Review of Books

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"A fascinating, well-documented biography." --New York Times Book Review "A monumental effort." --New York Review of Books "An excellent piece of science writing...Cassidy does not so much exculpate Heisenberg as explain him, with a transparency that makes this biography a pleasure to read." --Los Angeles Times "Cassidy has written the definitive biography of a great and tragic physicist." --Richard Rhodes, author of the Pulitzer Prize--winning The Making of the Atomic Bomb Since the fall of the Soviet Union, long-suppressed information has emerged on Werner Heisenberg's role in the Nazi atomic bomb project. In Beyond Uncertainty, Cassidy interprets this and other previously unknown material within the context of his vast research and tackles the vexing questions of a scientist's personal responsibility and guilt when serving an abhorrent military regime. David C. Cassidy is the author of Beyond Uncertainty: Heisenberg, Quantum Physics, and the Bomb; A Short History of Physics in the American Century; J. Robert Oppenheimer and the American Century; and Einstein and Our World. He is the recipient of the Abraham Pais Prize for History of Physics from the American Physical Society, the Science Writing Award from the American Institute of Physics, the Pfizer Award from the History of Science Society, and an honorary doctorate from Purdue University. Dr. Cassidy is Professor of Natural Sciences at Hofstra University and resides in Bay Shore, New York.

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R.M. Liuzza’s Broadview edition of Beowulf was published at almost exactly the same time as Seamus Heaney’s; in reviewing the two together in July 2000 for The New York Review of Books, Frank Kermode concluded that both translations were superior to their predecessors, and that it was impossible to choose between the two: “the less celebrated translator can be matched with the famous one,” he wrote, and “Liuzza’s book is in some respects more useful than Heaney’s.” Ever since, the Liuzza Beowulf has remained among the top sellers on the Broadview list.With this volume readers will now be able to enjoy a much broader selection of Old English poetry in translations by Liuzza. As the collection demonstrates, the range and diversity of the works that have survived is extraordinary—from heartbreaking sorrow to wide-eyed wonder, from the wisdom of old age to the hot blood of battle, and to the deepest and most poignant loneliness. There is breathless storytelling and ponderous cataloguing; there is fervent religious devotion and playful teasing. The poems translated here are meant to provide a sense of some of this range and diversity; in doing so they also offer significant portions of three of the important manuscripts of Old English poetry—the Vercelli Book, the Junius Manuscript, and the Exeter Book.

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"For anyone who wants to learn about the rise and decline of Potosí as a city . . . Lane’s book is the ideal place to begin."—The New York Review of Books In 1545, a native Andean prospector hit pay dirt on a desolate red mountain in highland Bolivia. There followed the world's greatest silver bonanza, making the Cerro Rico or "Rich Hill" and the Imperial Villa of Potosí instant legends, famous from Istanbul to Beijing. The Cerro Rico alone provided over half of the world's silver for a century, and even in decline, it remained the single richest source on earth. Potosí is the first interpretive history of the fabled mining city’s rise and fall. It tells the story of global economic transformation and the environmental and social impact of rampant colonial exploitation from Potosí’s startling emergence in the sixteenth century to its collapse in the nineteenth. Throughout, Kris Lane’s invigorating narrative offers rare details of this thriving city and its promise of prosperity. A new world of native workers, market women, African slaves, and other ordinary residents who lived alongside the elite merchants, refinery owners, wealthy widows, and crown officials, emerge in lively, riveting stories from the original sources. An engrossing depiction of excess and devastation, Potosí reveals the relentless human tradition in boom times and bust.

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"For anyone who wants to learn about the rise and decline of Potosí as a city . . . Lane's book is the ideal place to begin."—New York Review of BooksIn 1545, a native Andean prospector hit pay dirt on a desolate red mountain in highland Bolivia. There followed the world’s greatest silver bonanza, making the Cerro Rico, or “Rich Hill,” and the Imperial Villa of Potosí instant legends, famous from Istanbul to Beijing. The Cerro Rico alone provided over half of the world’s silver for a century, and even in decline, it remained the single richest source on Earth.Potosí is the first interpretive history of the fabled mining city’s rise and fall. From Potosí’s startling emergence in the sixteenth century to its collapse in the nineteenth, Kris Lane tells the story of global economic transformation and the environmental and social impact of rampant colonial exploitation. Lane’s invigorating narrative offers rare details of this thriving city and its promise of prosperity. A new world—native workers, market women, African slaves, and other ordinary residents living alongside elite merchants, refinery owners, wealthy widows, and crown officials—emerges in lively, riveting stories from the original sources. An engrossing depiction of excess and devastation, Potosí reveals the relentless human tradition in boom times and bust.

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Learn how to think like a physicist from a Nobel laureate and "one of the greatest minds of the twentieth century" (New York Review of Books) with these six classic and beloved lessonsIt was Richard Feynman's outrageous and scintillating method of teaching that earned him legendary status among students and professors of physics. From 1961 to 1963, Feynman delivered a series of lectures at the California Institute of Technology that revolutionized the teaching of physics around the world. Six Easy Pieces, taken from these famous Lectures on Physics, represent the most accessible material from the series.In these classic lessons, Feynman introduces the general reader to the following topics: atoms, basic physics, energy, gravitation, quantum mechanics, and the relationship of physics to other topics. With his dazzling and inimitable wit, Feynman presents each discussion with a minimum of jargon. Filled with wonderful examples and clever illustrations, Six Easy Pieces is the ideal introduction to the fundamentals of physics by one of the most admired and accessible physicists of modern times."If one book was all that could be passed on to the next generation of scientists it would undoubtedly have to be Six Easy Pieces."- John Gribbin, New Scientist

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Chivalry—with its pageants, heraldry, and knights in shining armor—was a social ideal that had a profound influence on the history of early modern Europe. In this eloquent and richly detailed book, a leading medieval historian discusses the complex reality of chivalry: its secular foundations, the effects of the Crusades, the literature of knighthood, and its ethos of the social and moral obligations of nobility.“This is a rich book, making effective use of all sorts of documents and illustrations. Keen moves easily across Europe in search of the international spirit of chivalry. . . . The pageantry he presents is colorful and his conclusions uplifting.”—David Herlihy, New York Times Book Review“An elegantly written, important book.”—Carolly Erickson, Los Angeles Times Book Review“Splendid. . . . Keen is exemplary in the use he makes of many kinds of medieval literature, epic and lyric poetry, family and military histories, didactic treatises, translations into the vernacular of books of the Bible and of works from ancient Rome.”—R.C. Smail, New York Review of Books “Original [and] beguiling.”—Fiona MacCarthy, Times (London) “A most readable and comprehensive survey: stimulating, informative, a splendid creation of context.”—Nicholas Orme, Times Higher Education Supplement“All historians of Western society . . . will do well to refer to this book.”—Georges Duby, Times Literary Supplement

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THE JURA EDITION with new introduction by Alex Massie 'For him Jura was home' - Richard Blair on his father George Orwell 'The book of the twentieth century . . . haunts us with an ever-darker relevance’ – Ben Pimlott, Independent 'The greatest British novel to have been written since the war’ – Time Out 'His final masterpiece . . . enthralling and indispensable for understanding modern history' – New York Review of Books The year is 1984 and war and revolution have left the world unrecognisable. Great Britain, now known as Airstrip One, is ruled by the Party, led by Big Brother. Mass surveillance is everything and The Thought Police are employed to ensure that no individual thinking is allowed. Winston Smith works at The Ministry of Truth, carefully rewriting history, but he dreams of freedom and of rebellion. It is here that he meets and falls in love with Julia. They start a secret, forbidden affair - but nothing can be kept secret, and they are forced to face consequences more terrifying than either of them could have ever imagined. In this new edition of a modern classic, Alex Massie's introduction highlights the importance that Jura had on the writing of one of the twentieth century's most important works of fiction.

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Adalbert Stifter's Rock Crystal is a Christmas story and a story about the heart of the ice, the crystal. The charm of this quasi-fairy tale is made even more poignant by the knowledge of the author's eventual suicide. This seemingly simple fable of two children lost in an icy landscape is eloquent in its innocence, but is implicit with an unremitting consciousness of the fragility of life and the inevitability of death. This is a wintry story of village life in the high mountains, but also a parable of belief and faith. The Rock Crystal of the title are shards of ice of the glacier that dominates the landscape that Adalbert Stifter describes. Translated from the German by Elizabeth Mayer and Marianne Moore, Adalbert Stifter's Rock Crystal is published by Pushkin Press. 'A tale of almost unendurable suspense' — New York Review of Books Adalbert Stifter (1805-1868) was an Austrian writer, painter and poet closely associated with the Biedermeier movement in European art. Following his studies at the University of Vienna, he was highly regarded as a tutor among aristocratic families. The success of his first story The Condor in 1840 inaugurated a steady writing career, culminating in Der Nachsommer, praised by Nietzsche as one of the two great novels of 19th century Germany. He was especially notable for the vivid natural landscapes depicted in his writing, and has long been popular in the German-speaking world, influencing writers such as Hermann Hesse, Thomas Mann and W.G. Sebald.

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The first major exhibition catalogue to focus on Jacques Louis David’s drawings and their crucial role in his iconic history paintings made before, during, and after the French Revolution “A superb survey . . . a first-rate catalog . . . [a] cornucopia of masterworks.”—Colin B. Bailey, New York Review of Books Jacques Louis David’s (1748–1825) paintings are among the most iconic in the history of Western art, but comparatively little is known about the artist’s nearly 2,000 drawings—from quick chalk sketches scribbled in notebooks to exquisite ink compositions enlivened with oil paint—that formed the basis of beloved masterpieces such as The Oath of the Horatii and The Death of Socrates. Jacques Louis David: Radical Draftsman is the first major publication to focus on the often years-long process of trial and experimentation that progressed from initial idea to finished canvas. Including several recently discovered drawings published here for the first time, this book provides a new perspective on the celebrated master. Essays by international experts on the artist explore how David’s preparatory works on paper reveal the development of his creative process, while also bearing witness to the tumultuous years before, during, and after the French Revolution. As both a participant and an observer, David helped establish the new French society while documenting the drama, violence, and triumphs of modern history-in-the-making. Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (February 17–May 15, 2022)

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What does jihad really mean? What is the Muslim conception of law? What is Islam's stance toward unbelievers? Probing literary and historical sources, Bernard Lewis traces the development of Islamic political language from the time of the Prophet to the present. His analysis of documents written in Arabic, Persian, and Turkish illuminates differences between Muslim political thinking and Western political theory, and clarifies the perception, discussion, and practices of politics in the Islamic world."Lewis's own style, combining erudition with a simple elegance and subtle humor, continues to inspire. In an era of specialization and narrowing academic vision, he stands alone as one who deserves, without qualification, the title of historian of Islam."—Martin Kramer, Middle East Review"A superb effort at synthesis that presents all the relevant facts of Middle Eastern history in an eminently lucid form. . . . It is a book that should prove both rewarding and congenial to the Muslim reader."—S. Parvez Manzor, Muslim World Book Review"By bringing his thoughts together in this clear, concise and readable account, [Lewis] has placed in his debt scholars and all who seek to understand the Muslim world."—Ann K. S. Lambton, Bulletin of the School of Oriental and African Studies"[Lewis] constructs a fascinating account of the ways in which Muslims have conceived of the relations between ruler and ruled, rights and duties, legitimacy and illegitimacy, obedience and rebellion, justice and oppression. And he shows how changes in political attitudes and concepts can be traced through changes in the political vocabulary."—Shaul Bakhash, New York Review of Books

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Cundill History Prize FinalistLongman–History Today Prize FinalistWinner of the Roland H. Bainton Book Prize“Meticulous environmental-historical detective work.”—Times Literary SupplementWhen Europeans first arrived in North America, they faced a cold new world. The average global temperature had dropped to lows unseen in millennia. The effects of this climactic upheaval were stark and unpredictable: blizzards and deep freezes, droughts and famines, winters in which everything froze, even the Rio Grande. A Cold Welcome tells the story of this crucial period, taking us from Europe’s earliest expeditions in unfamiliar landscapes to the perilous first winters in Quebec and Jamestown. As we confront our own uncertain future, it offers a powerful reminder of the unexpected risks of an unpredictable climate.“A remarkable journey through the complex impacts of the Little Ice Age on Colonial North America…This beautifully written, important book leaves us in no doubt that we ignore the chronicle of past climate change at our peril. I found it hard to put down.”—Brian Fagan, author of The Little Ice Age“Deeply researched and exciting…His fresh account of the climatic forces shaping the colonization of North America differs significantly from long-standing interpretations of those early calamities.”—New York Review of Books

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A masterfully researched history of Iran from 1501 to 2009“The defiant spirit of [Iran] is brought to life in this monumental history of the past 500 years.”—Richard Spencer, The Times (London) “A majestic work that goes a long way in unraveling . . . the country’s enigmas and apparent contradictions.”—Ervand Abrahamian, New York Review of Books This history of modern Iran is not a survey in the conventional sense but an ambitious exploration of the story of a nation. It offers a revealing look at how events, people, and institutions are shaped by currents that sometimes reach back hundreds of years. The book covers the complex history of the diverse societies and economies of Iran against the background of dynastic changes, revolutions, civil wars, foreign occupation, and the rise of the Islamic Republic. Abbas Amanat combines chronological and thematic approaches, exploring events with lasting implications for modern Iran and the world. Drawing on diverse historical scholarship and emphasizing the twentieth century, he addresses debates about Iran’s culture and politics. Political history is the driving narrative force, given impetus by Amanat's decades of research and study. He layers the book with discussions of literature, music, and the arts; ideology and religion; economy and society; and cultural identity and heritage.

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An "excellent new biography" (Keith Thomas, New York Review of Books) of the wily and formidable prince who unexpectedly became monarch—the most infamous king in British history“An intricately detailed account of Richard’s every recorded move on his journey from younger son of the powerful Duke of York to the last of England’s mediaeval monarchs.”—Mark Jones, Albion Magazine The reign of Richard III, the last Yorkist king and the final monarch of the Plantagenet dynasty, marked a turning point in British history. But despite his lasting legacy, Richard only ruled as king for the final two years of his life. While much attention has been given to his short reign, Michael Hicks explores the whole of Richard’s fascinating life and traces the unfolding of his character and career from his early years as the son of a duke to his violent death at the battle of Bosworth. Hicks explores how Richard—villainized for his imprisonment and probable killing of the princes—applied his experience to overcome numerous setbacks and adversaries. Richard proves a complex, conflicted individual whose Machiavellian tact and strategic foresight won him a kingdom. He was a reformer who planned big changes, but lost the opportunity to fulfill them and to retain his crown.

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The first volume in Alan Walker's magisterial biography of Franz Liszt. "You can't help but keep turning the pages, wondering how it will all turn out: and Walker's accumulated readings of Liszt's music have to be taken seriously indeed."—D. Kern Holoman, New York Review of Books "A conscientious scholar passionate about his subject. Mr. Walker makes the man and his age come to life. These three volumes will be the definitive work to which all subsequent Liszt biographies will aspire."—Harold C. Schonberg, Wall Street Journal "What distinguishes Walker from Liszt's dozens of earlier biographers is that he is equally strong on the music and the life. A formidable musicologist with a lively polemical style, he discusses the composer's works with greater understanding and clarity than any previous biographer. And whereas many have recycled the same erroneous, often damaging information, Walker has relied on his own prodigious, globe-trotting research, a project spanning twenty-five years. The result is a textured portrait of Liszt and his times without rival."—Elliot Ravetz, Time "The prose is so lively that the reader is often swept along by the narrative.... This three-part work... is now the definitive work on Liszt in English and belongs in all music collections."—Library Journal

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'A strange and compelling new book from one of America's greatest living authors' Times Literary Supplement'As cunning and rich as anything Ozick's written' Wall Street Journal'One of our era's central writers. About a man ensnared by history, Antiquities is at once a warning against the hazards of nostalgia and an invitation to take a longer view of how we got to where we are' The New Yorker'Ozick's prose urges the breathless reader along, her love of language rolling excitedly through her sentences like an ocean wave' New York Review of BooksI remember nothing. I remember everything. I believe everything. I believe nothing.In 1949, Lloyd Wilkinson Petrie returns as a Trustee to the long-defunct boarding school that he attended as a child. There he is preparing a memoir about the subtle anti-Semitism that pervaded the school, about his fascination with the Egyptian archaeological adventures of his distant cousin, about the passions of a boyhood friendship with named Ben-Zion Elefantin, a mystifying older pupil.In this novella, and the three stories published alongside it, one of our most preeminent writers weaves together myth and mania, history and illusion to capture the shifting meanings of the past.

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The second volume in Alan Walker's magisterial biography of Franz Liszt. "You can't help but keep turning the pages, wondering how it will all turn out: and Walker's accumulated readings of Liszt's music have to be taken seriously indeed."—D. Kern Holoman, New York Review of Books "A conscientious scholar passionate about his subject. Mr. Walker makes the man and his age come to life. These three volumes will be the definitive work to which all subsequent Liszt biographies will aspire."—Harold C. Schonberg, Wall Street Journal "What distinguishes Walker from Liszt's dozens of earlier biographers is that he is equally strong on the music and the life. A formidable musicologist with a lively polemical style, he discusses the composer's works with greater understanding and clarity than any previous biographer. And whereas many have recycled the same erroneous, often damaging information, Walker has relied on his own prodigious, globe-trotting research, a project spanning twenty-five years. The result is a textured portrait of Liszt and his times without rival."—Elliot Ravetz, Time "The prose is so lively that the reader is often swept along by the narrative. . . . This three-part work . . . is now the definitive work on Liszt in English and belongs in all music collections."—Library Journal

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The first English collection of the late poetry and prose fragments of literary icon Charles Baudelaire “[A] handsome new book . . . all this inchoate material is given context by Sieburth’s learned, elegantly written commentary. He is the perfect guide.”—Michael Dirda, Washington Post “[These] unfinished works written after 1861 . . . deliver what their titles seem to promise: a soul stripped of guises and illusions.”—Ange Mlinko, New York Review of Books While not as well known as his other works, Charles Baudelaire’s late poems, drafts of poems, and prose fragments are texts indispensable to the history of modern poetics. This volume brings together Baudelaire’s late fragmentary writings, aphoristic in form and radical in thought, into one edited collection for the first time. Substantial introductions to each work by Richard Sieburth combine the literary context with formal analysis and reception history to give readers a comprehensive picture of the genesis of these works and their subsequent fate. Baudelaire’s turn toward fragmentary writing involved not only a conscious renunciation of his aesthetics of perfection and unity, but a desertion of the harmonies of the traditional lyric in favor of the disjunctions of prose. These are daring works, often painful to read in their misanthropy and unconventional beauty.

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A blazingly insightful, provocative study of violence against women from the peerless feminist critic. 'To read Rose is to understand that there is no border between us and the world; it is an invitation to a radical kind of responsibility.'NEW YORK TIMES'It's really hard for me to overestimate how important [Rose's] work has been for me . . . I don't feel like that about very many writers.'MAGGIE NELSON, GRAND JOURNAL'An immense achievement.' JUDE KELLY CBE'Timeless.' HELEN PANKHURST CBEWhy has violence - particularly against women - become exponentially more prominent and visible across the world?Tracking multiple forms of today's violence - ranging through trans rights and #MeToo; the suffragette movement and the sexual harassment faced by migrant women; and the sharp increase in domestic violence over the course of the pandemic - this blazing exploration is an agitation against injustice and a formidable call to action from a world-renowned feminist thinker.'Rose explodes the myth that violence and misogyny only happens to other women.'VAL McDERMID'This book confirms Jacqueline Rose's position as one of the world's foremost public intellectuals.'MARK GEVISSER'A daring thinker, willing to make bold statements and take imaginative leaps.'NEW STATESMAN'Rose's work remains surprising and original . . . Her prose has the feel of spiraling in many directions; it is invigoratingly alive . . . necessary and as well as unique.'NEW YORK REVIEW OF BOOKS'For anyone looking to educate themselves on this essential subject, start here and now.'ESQUIRE

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A masterful collection by a literary giant of the past century, rendered by one of our most esteemed Italian translators"A fine sampling of Pirandello’s world, convincingly translated by Jewiss, who negotiates the problems of bringing his vivid, colloquial prose and effortless storytelling into English with great skill.”—Tim Parks, New York Review of Books Regarded as one of Europe’s great modernists, Pirandello was also a master storyteller, a fine observer of the drama of daily life with a remarkable ear for dialogue and a keen sense of the crushing burdens of class, gender, and social conventions. Set in the author’s birthplace of Sicily, where the arid terrain and isolated villages map the fragile interior world of his characters, and in Rome, where modern life threatens centuries-old traditions, these original stories are sun baked with the deep lore of Italian folktales. In “The Jar,” a broken earthenware pot pits its owner, a quarrelsome landholder, against a clever inventor of a mysterious glue. “The Dearly Departed” tells the story of a young widow and her new husband on their honeymoon, haunted at every turn by the sly visage of the deceased. The scorned lover, the intransigent bureaucrat, the lonely mother, the wretched peasant—Pirandello’s characters expose the human condition in all its fatalism, injustice, and raw beauty. For lovers of Calvino and Pasolini, these picturesque stories preserve a memory of an Italy long gone, but one whose recurring concerns still speak to us today.

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Learn about Einstein's theory of relativity from a physics Nobel laureate and "one of the greatest minds of the twentieth century" (New York Review of Books) in six memorable lessonsIt was Richard Feynman's outrageous and scintillating method of teaching that earned him legendary status among students and professors of physics. From 1961 to 1963, Feynman delivered a series of lectures at the California Institute of Technology that revolutionized the teaching of physics. In Six Not-So-Easy Pieces, taken from these famous Lectures on Physics, Feynman delves into one of the most revolutionary discoveries in twentieth-century physics: Einstein's theory of relativity. The idea that the flow of time is not a constant, that the mass of an object depends on its velocity, and that the speed of light is a constant no matter what the motion of the observer, at first seemed shocking to scientists and laymen alike. But as Feynman shows, these tricky ideas are not merely dry principles of physics, but things of beauty and elegance.No one - not even Einstein himself - explained these difficult, anti-intuitive concepts more clearly, or with more verve and gusto, than Feynman. Filled with wonderful examples and clever illustrations, Six Not-So-Easy Pieces is the ideal introduction to the fundamentals of physics by one of the most admired and accessible physicists of all time."There is no better explanation for the scientifically literate layman." -Washington Post Book World

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Shortlisted for the Man Booker International Prize 2019"Like Don DeLillo's JFK-themed Libra, the novel is an intoxicating blend of fact and fiction" Glasgow Herald"A masterful writer" Nicole Krauss"Vasquez has succeeded García Márquez as the literary grandmaster of Colombia" Ariel Dorfman, New York Review of Books"A dazzlingly choreographed network of echoes and mirrorings" T.L.S.It takes the form of personal and formal investigations into two political assassinations - the murders of Rafael Uribe Uribe in 1914, the man who inspired García Márquez's General Buendia in One Hundred Years of Solitude, and of the charismatic Jorge Eliécer Gaitán, the man who might have been Colombia's J.F.K., gunned down on the brink of success in the presidential elections of 1948. Separated by more than 30 years, the two murders at first appear unconnected, but as the novel progresses Vásquez reveals how between them they contain the seeds of the violence that has bedevilled Colombia ever since. The Shape of the Ruins is Vásquez's most ambitious, challenging and rewarding novel to date. His previous novel, The Sound of Things Falling, won Spain's Alfaguara Prize, Italy's Von Rezzori Prize and the 2014 Dublin IMPAC literary Award. Winner of the Prémio Literário Casino da Póvoa 2018 Finalist for the Bienal de Novela Mario Vargas Llosa 2016 Finalist for the Premio Bottari Lattes Grinzane 2017 Finalist for the Prix Fémina Finalist for the Prix Médicis Translated from the Spanish by Anne McLean

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From journalist Michelle Dean, winner of the National Book Critics Circle's 2016 Nona Balakian Citation for Excellence in Reviewing, Sharp combines biography, original research, and critical reading into a powerful portrait of ten writers who managed to make their voices heard amidst a climate of sexism and nepotism, from the 1920s to the 1990s.Dorothy Parker, Rebecca West, Mary McCarthy, Hannah Arendt, Susan Sontag, Joan Didion, Janet Malcolm, Renata Adler, Pauline Kael, and Nora Ephron-these are the main characters of Sharp. Their lives intertwine. They enable each other and feud, manufacture unique spaces and voices, and haunt each other. They form a group united in many ways, but especially by what Dean terms as 'sharpness', the ability to cut to the quick with precision of thought and wit, a claiming of power through writing rather than position. Sharp is a vibrant and rich depiction of the intellectual beau monde of New York, where gossip-filled parties at night gave out to literary slanging-matches in the pages of publications like the Partisan Review or the New York Review of Books, as well as a carefully considered portrayal of the rise of feminism and its interaction with the critical establishment.Sharp is for book lovers who want to read about their favorite writers, lovers of New Yorker lore, aspiring writers in New York, those interested in the history of ideas, and of the fray of 20th century debate-and it will satisfy them all.

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A new look which fundamentally overturns our understanding of this famously "out of touch" queen“Presents [Marie-Antoinette] as much more than a symbol whose meaning is in the eye of her beholder . . . neither martyr nor voluptuary but rather a serious participant in politics.”—Lynn Hunt, New York Review of Books“Splendid. . . . Masterly. . . . A wonderfully gripping biography.”—Allan Massie, Wall Street JournalNamed a Book of the Year (2020) by The Spectator Who was the real Marie-Antoinette? She was mistrusted and reviled in her own time, and today she is portrayed as a lightweight incapable of understanding the events that engulfed her. In this new account, John Hardman redresses the balance and sheds fresh light on Marie-Antoinette’s story. Hardman shows how Marie-Antoinette played a significant but misunderstood role in the crisis of the monarchy. Drawing on new sources, he describes how, from the outset, Marie-Antoinette refused to prioritize the aggressive foreign policy of her mother, Maria-Theresa, bravely took over the helm from Louis XVI after the collapse of his morale, and, when revolution broke out, listened to the Third Estate and worked closely with repentant radicals to give the constitutional monarchy a fighting chance. For the first time, Hardman demonstrates exactly what influence Marie-Antoinette had and when and how she exerted it.

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"Joyce Toomre . . . has accomplished an enormous task, fully on a par with the original author's slave labor. Her extensive preface and her detailed and entertaining notes are marvelous." —Tatyana Tolstaya, New York Review of Books"Classic Russian Cooking is a book that I highly recommend. Joyce Toomre has done a marvelous job of translating this valuable and fascinating source book. It's the Fanny Farmer and Isabella Beeton of Russia's 19th century." —Julia Child, Food Arts"This is a delicious book, and Indiana University Press has served it up beautifully." —Russian Review" . . . should become as much of a classic as the Russian original . . . dazzling and admirable expedition into Russia's kitchens and cuisine." —Slavic Review"It gives a delightful and fascinating picture of the foods of pre-Communist Russia." —The Christian Science MonitorFirst published in 1861, this "bible" of Russian homemakers offered not only a compendium of recipes, but also instructions about such matters as setting up a kitchen, managing servants, shopping, and proper winter storage. Joyce Toomre has superbly translated and annotated over one thousand of the recipes and has written a thorough and fascinating introduction which discusses the history of Russian cuisine and summarizes Molokhovets' advice on household management. A treasure trove for culinary historians, serious cooks and cookbook readers, and scholars of Russian history and culture.

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Winner of the Los Angeles Times Book Prize in History: a bold and searing investigation into the role of white women in the American slave economy “Stunning.”—Rebecca Onion, Slate “Makes a vital contribution to our understanding of our past and present.”—Parul Sehgal, New York Times “Bracingly revisionist. . . . [A] startling corrective.”—Nicholas Guyatt, New York Review of Books Bridging women’s history, the history of the South, and African American history, this book makes a bold argument about the role of white women in American slavery. Historian Stephanie E. Jones-Rogers draws on a variety of sources to show that slave‑owning women were sophisticated economic actors who directly engaged in and benefited from the South’s slave market. Because women typically inherited more slaves than land, enslaved people were often their primary source of wealth. Not only did white women often refuse to cede ownership of their slaves to their husbands, they employed management techniques that were as effective and brutal as those used by slave-owning men. White women actively participated in the slave market, profited from it, and used it for economic and social empowerment. By examining the economically entangled lives of enslaved people and slave-owning women, Jones-Rogers presents a narrative that forces us to rethink the economics and social conventions of slaveholding America.

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Building on her critically acclaimed novel The Last Days of California and her biting collection Always Happy Hour, Miller transports readers to this delightfully wry, unapologetic corner of the south—Biloxi, Mississippi, home to sixty-three-year-old Louis McDonald, Jr. Louis has been forlorn since his wife of thirty-seven years left him, his father passed, and he impulsively retired from his job in anticipation of an inheritance check that may not come. These days he watches reality television and tries to avoid his ex-wife and daughter, benefiting from the charity of his former brother-in-law, Frank, who religiously brings over his Chili’s leftovers and always stays for a beer. Yet the past is no predictor of Louis’s future. On a routine trip to Walgreens to pick up his diabetes medication, he stops at a sign advertising free dogs and meets Harry Davidson, a man who claims to have more than a dozen canines on offer, but offers only one: an overweight mixed breed named Layla. Without any rational explanation, Louis feels compelled to take the dog home, and the two become inseparable. Louis, more than anyone, is dumbfounded to find himself in love—bursting into song with improvised jingles, exploring new locales, and reevaluating what he once considered the fixed horizons of his life. With her “sociologist’s eye for the mundane and revealing” (Joyce Carol Oates, New York Review of Books), Miller populates the Gulf Coast with Ann Beattie-like characters. A strangely heartwarming tale of loneliness, masculinity, and the limitations of each, Biloxi confirms Miller’s position as one of our most gifted and perceptive writers.

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The line that separated Eastern Christendom from Western on the medieval map is similar to the "iron curtain" of recent times. Linguistic barriers, political divisions, and liturgical differences combined to isolate the two cultures from each other. Except for such episodes as the schism between East and West or the Crusades, the development of non-Western Christendom has been largely ignored by church historians. In The Spirit of Eastern Christendom, Jaroslav Pelikan explains the divisions between Eastern and Western Christendom, and identifies and describes the development of the distinctive forms taken by Christian doctrine in its Greek, Syriac, and early Slavic expression. "It is a pleasure to salute this masterpiece of exposition. . . . The book flows like a great river, slipping easily past landscapes of the utmost diversity—the great Christological controversies of the seventh century, the debate on icons in the eighth and ninth, attitudes to Jews, to Muslims, to the dualistic heresies of the high Middle Ages, to the post-Reformation churches of Western Europe. . . . His book succeeds in being a study of the Eastern Christian religion as a whole."—Peter Brown and Sabine MacCormack, New York Review of Books"The second volume of Professor Pelikan's monumental work on The Christian Tradition is the most comprehensive historical treatment of Eastern Christian thought from 600 to 1700, written in recent years. . . . Pelikan's reinterpretation is a major scholarly and ecumenical event."—John Meyendorff "Displays the same mastery of ancient and modern theological literature, the same penetrating analytical clarity and balanced presentation of conflicting contentions, that made its predecessor such an intellectual treat."—Virgina Quarterly Review

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An Open Letters Review Best Book of the Year“Grafton presents largely unfamiliar material…in a clear, even breezy style…Erudite.”—Michael Dirda, Washington PostIn this celebration of bookmaking in all its messy and intricate detail, Anthony Grafton captures both the physical and mental labors that went into the golden age of the book—compiling notebooks, copying and correcting proofs, preparing copy—and shows us how scribes and scholars shaped influential treatises and forgeries.Inky Fingers ranges widely, from the theological polemics of the early days of printing to the pathbreaking works of Jean Mabillon and Baruch Spinoza. Grafton draws new connections between humanistic traditions and intellectual innovations, textual learning and the delicate, arduous, error-riddled craft of making books. Through it all, he reminds us that the life of the mind depends on the work of the hands, and the nitty gritty labor of printmakers has had a profound impact on the history of ideas.“Describes magnificent achievements, storms of controversy, and sometimes the pure devilment of scholars and printers…Captivating and often amusing.”—Wall Street Journal“Ideas, in this vivid telling, emerge not just from minds but from hands, not to mention the biceps that crank a press or heft a ream of paper.”—New York Review of Books“Grafton upends idealized understandings of early modern scholarship and blurs distinctions between the physical and mental labor that made the remarkable works of this period possible.”—Christine Jacobson, Book Post“Scholarship is a kind of heroism in Grafton’s account, his nine protagonists’ aching backs and tired eyes evidence of their valiant dedication to the pursuit of knowledge.”—London Review of Books

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'Platonov is an extraordinary writer, perhaps the most brilliant Russian writer of the twentieth century' New York Review of BooksThe Soviet Don Quixote, Chevengur is now seen by many Russian writers as Russia's greatest novel of the last century. This is the first English version to convey its subtlety and depth.Zakhar Pavlovich comes from a world of traditional crafts to work as a train mechanic, motivated by his belief in the transformative power of industry. His adopted son, Sasha Dvanov, embraces revolution, which will transform everything: the words we speak and the lives we live, souls and bodies, the soil underfoot and the sun overhead.Seeking communism, Dvanov joins up with Stepan Kopionkin, a warrior for the cause whose steed is the fearsome cart horse Strength of the Proletariat. Together they cross the steppe, meeting counter-revolutionaries, desperados and visionaries of all kinds. At last they reach the isolated town of Chevengur. There communism is believed to have been achieved because everything that is not communism has been eliminated. And yet even in Chevengur the revolution recedes from sight.Comic, ironic, grotesque, disturbingly poetic in its use of language and profoundly sorrowful, Chevengur is a revolutionary novel about revolutionary ardour and despair. Unpublished during Andrey Platonov’s life, it is now one of the most celebrated Russian novels, and the most ambitious and moving of Platonov’s recreations of a world undergoing revolutionary transformation.'It was from the novel Chevengur that I learned to create "literary worlds". Platonov is a self-taught literary jeweller, a true believer who built dystopias. His love for his characters is instantly conveyed to readers' Andrey KurkovTranslated by Robert Chandler and Elizabeth Chandler

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The authoritative edition of Franklin’s autobiography, with a foreword by the eminent Franklin scholar Edmund S. Morgan “The best and most beautiful edition [of the Autobiography].”—J. H. Plumb, New York Review of Books “Among the many editions available—read Yale’s. Its text is the most reliable (the Franklin papers are at Yale) and its supplementary material is uniformly useful.”—Jonathan Yardley, Washington Post A classic of eighteenth-century American history and literature, Benjamin Franklin’s Autobiography has had an influence perhaps unequaled by any other book by an American writer. Written ostensibly as a letter to his son William, Franklin’s Autobiography offers his reflections on philosophy and religion, politics, war, education, material success, and the status of women. Prepared by the editors of The Papers of Benjamin Franklin, this definitive edition is drawn with scrupulous care from the original manuscript in Franklin’s handwriting, now in the Henry E. Huntington Library and Art Gallery. The introduction by Leonard W. Labaree places the autobiography in literary and historical contexts. In a new foreword, eminent Franklin scholar Edmund S. Morgan writes about Franklin’s dual allegiance as an American and a subject of an English king—and his emergence as a leader of the American Revolution. This edition also includes biographical notes, a chronology of Franklin’s life, and an updated bibliography.

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Since the fifteenth century, when humanist writers began to speak of a “middle” period in history linking their time to the ancient world, the nature of the Middle Ages has been widely debated. Across the millennium from 500 to 1500, distinguished historian Johannes Fried describes a dynamic confluence of political, social, religious, economic, and scientific developments that draws a guiding thread through the era: the growth of a culture of reason.“Fried’s breadth of knowledge is formidable and his passion for the period admirable…Those with a true passion for the Middle Ages will be thrilled by this ambitious defensio.”—Dan Jones, Sunday Times“Reads like a counterblast to the hot air of the liberal-humanist interpreters of European history…[Fried] does justice both to the centrifugal fragmentation of the European region into monarchies, cities, republics, heresies, trade and craft associations, vernacular literatures, and to the persistence of unifying and homogenizing forces: the papacy, the Western Empire, the schools, the friars, the civil lawyers, the bankers, the Crusades…Comprehensive coverage of the whole medieval continent in flux.”—Eric Christiansen, New York Review of Books“[An] absorbing book…Fried covers much in the realm of ideas on monarchy, jurisprudence, arts, chivalry and courtly love, millenarianism and papal power, all of it a rewarding read.”—Sean McGlynn, The Spectator

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The first part of a sweeping two-volume history of the devastation brought to bear on Indian nations by U.S. expansion"An elegant, organized narrative of the United States' dispossession of Native lands east of the Mississippi. . . . A remarkable book in its breadth and scope."—Ashley Riley Sousa, Canadian Journal of History"Intense and well-researched, . . . ambitious, . . . magisterial. . . . Surviving Genocide sets a bar from which subsequent scholarship and teaching cannot retreat."—Peter Nabokov, New York Review of Books In this book, the first part of a sweeping two-volume history, Jeffrey Ostler investigates how American democracy relied on Indian dispossession and the federally sanctioned use of force to remove or slaughter Indians in the way of U.S. expansion. He charts the losses that Indians suffered from relentless violence and upheaval and the attendant effects of disease, deprivation, and exposure. This volume centers on the eastern United States from the 1750s to the start of the Civil War. An authoritative contribution to the history of the United States’ violent path toward building a continental empire, this ambitious and well-researched book deepens our understanding of the seizure of Indigenous lands, including the use of treaties to create the appearance of Native consent to dispossession. Ostler also documents the resilience of Native people, showing how they survived genocide by creating alliances, defending their towns, and rebuilding their communities.

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From one of Europe’s most revered authors, a tale of one man’s obsessive project to collect the instruments of death, evil, and humanity’s darkest atrocities in order to oppose them “It’s an attractive trait in Magris that he so obviously can’t resist a good story. . . . Blameless, wonderfully translated by Anne Milano Appel, succeeds as a prayer for mercy and reason in a world of torturers and whitewashers.”—Neal Ascherson, New York Review of Books Claudio Magris’s searing new novel ruthlessly confronts the human obsession with war and its savagery in every age and every country. His tale centers on a man whose maniacal devotion to the creation of a Museum of War involves both a horrible secret and the hope of redemption. Luisa Brooks, his museum’s curator, a descendant of victims of Jewish exile and of black slavery, has a complex dilemma: will the collections she exhibits save humanity from repeating its tragic and violent past? Or might the display of articles of war actually valorize and memorialize evil atrocities? In Blameless Magris affirms his mastery of the novel form, interweaving multiple themes and traveling deftly through history. With a multitude of stories, the author investigates individual sorrow, the societal burden of justice aborted, and the ways in which memory and historical evidence are sabotaged or sometimes salvaged.

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