Search results for ""ideals""

In the fall of 2001, a newlywed English professor took on a job editing the "women's section" of one of Pakistan's leading Urdu newspapers. She soon transformed pages of celebrity gossip and fashion advice into a vehicle for the investigation of the true lives of Pakistani women. News of acid attacks on hapless women, the trading of girls as currency in tribal disputes, and other abuses transformed this young mother into a fiery advocate for women's rights-one guided by Islamic ethics and ideals of social justice as she taught rural leaders to distinguish between religion and tribal custom. Her commitment to her countrywomen led her to a seat in the Provincial Assembly of the Punjab, where she fought to protect women, girls, and the poor. Humaira Awais Shahid's extraordinarily warm and passionate voice provides remarkable insight into how Islamic values and ethics might yet be a vehicle for progressive change in the developing world.

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Italian film star Bartolomeo Pagano's "Maciste" played a key role in his nation's narratives of identity during World War I and after. Jacqueline Reich traces the racial, class, and national transformations undergone by this Italian strongman from African slave in Cabiria (1914), his first film, to bourgeois gentleman, to Alpine soldier of the Great War, to colonial officer in Italy's African adventures. Reich reveals Maciste as a figure who both reflected classical ideals of masculine beauty and virility (later taken up by Mussolini and used for political purposes) and embodied the model Italian citizen. The 12 films at the center of the book, recently restored and newly accessible to a wider public, together with relevant extra-cinematic materials, provide a rich resource for understanding the spread of discourses on masculinity, and national and racial identities during a turbulent period in Italian history. The volume includes an illustrated appendix documenting the restoration and preservation of these cinematic treasures.

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Women performers played a vital role in the development of American and transatlantic entertainment, celebrity culture, and gender ideology. Sara E. Lampert examines the lives, careers, and fame of overlooked figures from Europe and the United States whose work in melodrama, ballet, and other stage shows shocked and excited early U.S. audiences. These women lived and performed the tensions and contradictions of nineteenth-century gender roles, sparking debates about women's place in public life. Yet even their unprecedented wealth and prominence failed to break the patriarchal family structures that governed their lives and conditioned their careers. Inevitable contradictions arose. The burgeoning celebrity culture of the time forced women stage stars to don the costumes of domestic femininity even as the unsettled nature of life in the theater defied these ideals.A revealing foray into a lost time, Starring Women returns a generation of performers to their central place in the early history of American theater.

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The German filmmaker Alexander Kluge has long promoted cinema's relationship with the goals of human emancipation. Jean-Luc Godard and Filipino director Kidlat Tahimik also believe in cinema's ability to bring about what Theodor W. Adorno once called a "redeemed world." Situating the films of Godard, Tahimik, and Kluge within debates over social revolution, utopian ideals, and the unrealized potential of utopian thought and action, Christopher Pavsek showcases the strengths, weaknesses, and undeniable impact of their utopian visions on film's political evolution. He discusses Godard's Alphaville (1965) against Germany Year 90 Nine-Zero (1991) and JLG/JLG: Self-portrait in December (1994), and he conducts the first scholarly reading of Film Socialisme (2010). He considers Tahimik's virtually unknown masterpiece, I Am Furious Yellow (1981-1991), along with Perfumed Nightmare (1977) and Turumba (1983); and he constructs a dialogue between Kluge's Brutality in Stone (1961) and Yesterday Girl (1965) and his later The Assault of the Present on the Rest of Time (1985) and Fruits of Trust (2009).

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Exploring the effects of military defeat and Nazi occupation on French articulations of gender in wartime France, this text uses such sources as governmental archives, historical texts, and propaganda. Miranda Pollard explores the ways in which Vichy politicians used gendered images of work, family, and sexuality to restore and maintain political and social order. She argues that Vichy wanted to return France to an illustrious and largely mythical past of harmony, where citizens all knew their places and fulfilled their responsibilities, where order prevailed. The National Revolution, according to Pollard, replaced the ideals of liberty, equality and fraternity with work, family and fatherland, making the acceptance of traditional masculine and feminine roles a key priority. The author shows how Vichy's policies promoted the family as the most important social unit of a new France and elevated married mothers to a new social status - even as their educational, employment, and reproductive rights were strictly curtailed.

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In 1904, renowned architect Daniel Burnham, the Progressive Era urban planner who famously "Made No Little Plans," set off for the Philippines, the new US colonial acquisition. Charged with designing environments for the occupation government, Burnham set out to convey the ambitions and the dominance of the regime, drawing on neo-classical formalism for the Pacific colony. The spaces he created, most notably in the summer capital of Baguio, gave physical form to American rule and its contradictions. In American Imperial Pastoral, Rebecca Tinio McKenna examines the design, construction, and use of Baguio, making visible the physical shape, labor, and sustaining practices of the US's new empire especially the dispossessions that underwrote market expansion. In the process, she demonstrates how colonialists conducted market-making through state-building and vice-versa. Where much has been made of the racial dynamics of US colonialism in the region, McKenna emphasizes capitalist practices and design ideals giving us a fresh and nuanced understanding of the American occupation of the Philippines.

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The Moral Universe explores central questions in metaethics concerning the nature of moral reality, its fundamental laws, its relation to the natural world, and its normative authority. It employs a novel philosophical method to offer the most sustained and sophisticated development of nonnatural moral realism to date. The authors advance new ways of answering these questions, contending that moral standards regarding what to do and how to be are not only objectively authoritative, but essentially so. Rather than arising from personal schemes or collective ideals, morality flows from the nature of things. One of the principal aims of the book is to show how this view accommodates and explains a wide range of data concerning the metaphysical and normative dimensions of morality. Along the way, the book offers novel characterizations of moral realism and nonnaturalism, defends and explains the existence of substantive moral conceptual truths, supplies a new treatment of moral supervenien

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In the narrative of Israel and Judah found in the Book of Kings, the end of a king's rule is summed up in a series of stock statements that begin with the poetic idiom for death: "and [the king] lay with his fathers." The summary statements all revolve around the problem of royal death and succession, encapsulated in a brief epilogue that consisted typically of a notice of burial (in the royal tombs) and the introduction of the successor. As such, the formulaic statements conveyed royal legitimacy through the ideals of political continuity and the linear descent of power. The formulaic epilogues reflected the importance of funerary rituals and royal tombs in their ability to confront the political problem posed by a king's death and the subsequent act of dynastic succession. This political ideology found in the epilogues of Kings was consistent with the political landscape of the Levant during the Iron Age.

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King Alfred School in north London was founded in 1898 by a group of Hampstead radicals in an age of educational experiment and innovation. Whereas many educational ventures of that era set up by small groups of idealists soon floundered or quickly lost their crusading zeal, King Alfred School has developed over the last century with its original ideals largely unchanged and its enthusiasm for its distinctive form of education undiminished. This centenary history of a particularly interesting progressive school will appeal to a much wider circle than that of the school's old students. It is a major contribution to the history of progressive education in Britain which in turn is set in the context of a wider educational, social and political history. The study is based on a wide range of sources and is informed by the author's extensive knowledge of the history of education in the twentieth century, a field in which he has published widely.

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In recent years, having received a considerable boost by social media, a young and dynamic scene has emerged that is dedicated to what has become known as queer tattooing. This special community, which is growing steadily, has been born out of a desire to break with the hierarchies and patriarchal structures of traditional tattoo art. It aims to create safe, tolerant, and inclusive spaces where queer, nonbinary, and trans people can experiment away from the mainstream and develop their own individual styles and techniques. In their work, many tattoo artists break free from the destructive, heteronormative, and capitalist ideals of beauty, creating a visual language that subverts the long tradition of cultural appropriation which characterises the traditional tattoo scene. Their designs reveal a unique creative flair for queer iconography. This book is the first comprehensive introduction to this vibrant and diverse queer tattoo community. It presents 50 international tattoo artists with the help of extensive portraits, texts, and series of images.

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The arresting pictures of Frida Kahlo (1907–54) were in many ways expressions of trauma. Through a near-fatal road accident at the age of 18, failing health, a turbulent marriage, miscarriage and childlessness, she transformed the afflictions into revolutionary art. In literal or metaphorical self-portraiture, Kahlo looks out at the viewer with an audacious glare, rejecting her destiny as a passive victim and rather intertwining expressions of her experience into a hybrid real-surreal language of living: hair, roots, veins, vines, tendrils and fallopian tubes. Many of her works also explore the Communist political ideals which Kahlo shared with her husband Diego Rivera. The artist described her paintings as “the most sincere and real thing that I could do in order to express what I felt inside and outside of myself.” This book introduces the rich body of Kahlo’s work to explore her unremitting determination as an artist, and her significance as a painter, feminist icon, and a pioneer of Latin American culture.

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If you’re woke, you’re left. If you’re left, you’re woke. We blur the terms, assuming that if you’re one you must be the other. That, Susan Neiman argues, is a dangerous mistake. The confusion arises because woke is fuelled by traditionally leftwing emotions: the wish to stand with the oppressed and marginalized, to address historic crimes. But those emotions are undermined by widespread philosophical assumptions with reactionary sources. As a result, wokeism conflicts with ideas that have guided the left for more than 200 years: a commitment to universalism, a firm distinction between justice and power, and a belief in the possibility of progress. Without these ideas, the woke will continue to undermine their own goals and drift, inexorably and unintentionally, towards the right. One of the world’s leading philosophical voices, Neiman calls with passion and power for the left to return to the ideals that built the best of the modern world.

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A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Winner of the 2022 Joseph W. Elder Prize in the Indian Social SciencesMerchants of Virtue explores the question of what it meant to be Hindu in precolonial South Asia. Divya Cherian presents a fine-grained study of everyday life and local politics in the kingdom of Marwar in eighteenth-century western India to uncover how merchants enforced their caste ideals of vegetarianism and bodily austerity as universal markers of Hindu identity. Using legal strategies and alliances with elites, these merchants successfully remade the category of “Hindu,” setting it in contrast to “Untouchable” in a process that reconfigured Hinduism in caste terms. In a history pertinent to understanding India today, Cherian establishes the centrality of caste to the early-modern Hindu self and to its imagination of inadmissible others.

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SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE 2017'An eye-opening, well-written and very timely book' Yuval Noah Harari'The best sort of book for our disordered days: timely, urgent and illuminating' Pankaj Mishra'It strikes a blow…for common humanity' Sunday TimesThe Muslim world has often been accused of a failure to modernise and adapt. Yet in this sweeping narrative and provocative retelling of modern history, Christopher de Bellaigue charts the forgotten story of the Islamic Enlightenment – the social movements, reforms and revolutions that transfigured the Middle East from the early nineteenth century to the present day. Modern ideals and practices were embraced across the region, including the adoption of modern medicine, the emergence of women from purdah and the development of democracy.The Islamic Enlightenment looks behind the sensationalist headlines in order to foster a genuine understanding of Islam and its relationship to the West. It is essential reading for anyone engaged in the state of the world today.

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Going beyond the how and why of burnout, a former tenured professor combines academic methods and first-person experience to propose new ways for resisting our cultural obsession with work and transforming our vision of human flourishing. Burnout has become our go-to term for talking about the pressure and dissatisfaction we experience at work. But in the absence of understanding what burnout means, the discourse often does little to help workers who suffer from exhaustion and despair. Jonathan Malesic was a burned out worker who escaped by quitting his job as a tenured professor. In The End of Burnout, he dives into the history and psychology of burnout, traces the origin of the high ideals we bring to our jobs, and profiles the individuals and communities who are already resisting our cultural commitment to constant work. In The End of Burnout, Malesic traces his own history as someone who burned out of a tenured job to frame this rigorous investigation of how and why so many of us feel worn out, alienated, and useless in our work. Through research on the science, culture, and philosophy of burnout, Malesic explores the gap between our vocation and our jobs, and between the ideals we have for work and the reality of what we have to do. He eschews the usual prevailing wisdom in confronting burnout (“Learn to say no!” “Practice mindfulness!”) to examine how our jobs have been constructed as a symbol of our value and our total identity. Beyond looking at what drives burnout—unfairness, a lack of autonomy, a breakdown of community, mismatches of values—this book spotlights groups that are addressing these failures of ethics. We can look to communities of monks, employees of a Dallas nonprofit, intense hobbyists, and artists with disabilities to see the possibilities for resisting a “total work” environment and the paths to recognizing the dignity of workers and nonworkers alike. In this critical yet deeply humane book, Malesic offers the vocabulary we need to recognize burnout, overcome burnout culture, and acknowledge the dignity of workers and nonworkers alike.

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Going beyond the how and why of burnout, a former tenured professor combines academic methods and first-person experience to propose new ways for resisting our cultural obsession with work and transforming our vision of human flourishing. Burnout has become our go-to term for talking about the pressure and dissatisfaction we experience at work. But in the absence of understanding what burnout means, the discourse often does little to help workers who suffer from exhaustion and despair. Jonathan Malesic was a burned out worker who escaped by quitting his job as a tenured professor. In The End of Burnout, he dives into the history and psychology of burnout, traces the origin of the high ideals we bring to our jobs, and profiles the individuals and communities who are already resisting our cultural commitment to constant work. In The End of Burnout, Malesic traces his own history as someone who burned out of a tenured job to frame this rigorous investigation of how and why so many of us feel worn out, alienated, and useless in our work. Through research on the science, culture, and philosophy of burnout, Malesic explores the gap between our vocation and our jobs, and between the ideals we have for work and the reality of what we have to do. He eschews the usual prevailing wisdom in confronting burnout (“Learn to say no!” “Practice mindfulness!”) to examine how our jobs have been constructed as a symbol of our value and our total identity. Beyond looking at what drives burnout—unfairness, a lack of autonomy, a breakdown of community, mismatches of values—this book spotlights groups that are addressing these failures of ethics. We can look to communities of monks, employees of a Dallas nonprofit, intense hobbyists, and artists with disabilities to see the possibilities for resisting a “total work” environment and the paths to recognizing the dignity of workers and nonworkers alike. In this critical yet deeply humane book, Malesic offers the vocabulary we need to recognize burnout, overcome burnout culture, and acknowledge the dignity of workers and nonworkers alike.

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L?Anna i en Tom són una parella de joves dissenyadors gràfics que decideixen d?installar-se a Berlín, on creuen que podran fer realitat els seus somnis: viure sense cenyir-se a les convencions, reinventar codis de conducta i explorar nous espais. Gaudeixen de la gastronomia, acudeixen a festes illegals, es comprometen amb principis polítics progressistes...Però el temps passa i la monotonia s?apodera d?ells, la feina es torna rutinària i tot el que semblava a punt d?acomplir-se esdevé fugisser. Se senten atrapats, encaparrats a trobar alguna cosa que sigui pura i vertadera, sense saber si realment existeix.Vincenzo Latronico ha escrit, en un clar homenatge a Les coses de Georges Perec, una vibrant i implacable crònica generacional. El retrat de l?esfondrament d?uns ideals, dels dubtes i les decepcions que apareixen quan, amb els anys, els somnis van quedant enrere. Una paràbola sobre la recerca d?una autenticitat cada vegada més fràgil i estranya.

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What is it about Abraham Lincoln that, 146 years after his death, continues to inspire us? Was it his commitment to honesty and his unfailing integrity? Was it his courage to stand up against the injustices of his day? Was it his ability to lead the American people through the perils of war and unify the country through the conviction of his ideals?In Leadership Lessons of Abraham Lincoln, the best, most thought-provoking, and inspiring excerpts from Lincoln’s speeches and writings have been collected in an effort to help today’s business leaders apply his principles to their own work and life. While it may not always be easy to follow Honest Abe’s sterling example, the lessons one learns from reading this book are sure to inspire and give rise to some deep contemplation about the role of the leader in organizations both small and large, and reaffirm one’s faith in the principles Lincoln held so deeply.

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If the question is How do you raise anti-ableist kids? the answer is Become anti-ableist and then model it through intention and action for your children. Raising kind and compassionate children is a goal for a lot of parents.While many people have a desire to be inclusive of their disabled and neurodivergent neighbors, and strongly desire to pass these values along to their children, they do not have a breadth of education or experience on how to appropriately do this.Beyond Inclusionbreaks down fifteen common forms of ableism, with explanations, examples, and first-person accounts. Then, author Carrie Cherney Hahn offers activities and perspectives that help parents understand the ableism that exists within them and supports their ability to process and dismantle it so that they can model anti-ableist practices for their kids. Each chapter offers children's resources that parents can use to nurture informed and anti-ableist ideals in their kids. Inclusion is actually the bare min

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This groundbreaking study examines complex notions of paternity and fatherhood in modern France through the lens of contested paternity. Drawing from archival judicial records on paternity suits, paternity denials, deprivation of paternity, and adoption, from the end of the eighteenth century through the twentieth, Rachel G. Fuchs reveals how paternity was defined and how it functioned in the culture and experiences of individual men and women. She addresses the competing definitions of paternity and of families, how public policy toward paternity and the family shifted, and what individuals did to facilitate their personal and familial ideals and goals. Issues of paternity and the family have broad implications for an understanding of how private acts were governed by laws of the state. Focusing on paternity as a category of family history, Contested Paternity emphasizes the importance of fatherhood, the family, and the law within the greater context of changing attitudes toward parental responsibility.

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Hunting and its imagery continued to play a significant role in archaic and classical Greece long after hunting had ceased being a necessity for survival in everyday life. Drawing on vase paintings, sculpture, inscriptions, and other literary evidence, Judith Barringer reexamines the theme of the hunt and shows how the tradition it depicts helped maintain the dominance of the ruling social groups. Along with athletics and battle, hunting was a defining activity of the masculine aristocracy and was crucial to the efforts of the Athenian elite to control the social agenda, even as their political power declined. The Hunt in Ancient Greece examines descriptions of hunting in initiation rituals as well as the ideals of masculinity and adulthood such rites of passage promoted. Barringer argues that depictions of the hunt in literature and art also served as striking metaphors for the intricacies of courtship, shedding light on sexuality and gender roles. Through an exploration of various representations of the hunt, Barringer provides extraordinary insight into Athenian society.

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For the past twenty years, Tikkun magazine has advanced liberal ideals, featuring articles on such important issues as the Israeli-Palestinian conflict, Jewish culture, and the intersection of religion and politics in the United States. Tikkun Reader is a collection of the best of Tikkun magazine since its inception, providing the most cohesive collection of writings articulating the progressive, left-leaning religious perspective on some of the most important issues facing both Jews and non-Jews today. This collection includes contributions by such people as: Daniel Matt, Judith Plaskow, Arthur Green, Arthur Waskow, Estelle Frankel, Naomi Wolf, Zygmunt Bauman, Cornel West, Daniel Berrigan, David Korten, Deepak Chopra, Jim Wallis, Jonathan Schell, Vandana Shiva, Roger Gottlieb, Fritjof Capra and many more. Thematically arranged essays focus on a variety of topics, including Approaching God, Jewish Identity, Judaism, Israel, the Holocaust, and Spiritual Politics. An introduction by founder and editor-in-chief Michael Lerner sets the stage and places the readings in context.

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"We are provincials no longer", said Woodrow Wilson on 5 March 1917, at his second inaugural. He spoke on the eve of America’s entrance into the First World War, as Russia teetered between autocracy and democracy. Just ten days after Wilson’s declaration, Tsar Nicholas II abdicated the throne, ending a three-centuries-long dynasty and ushering in the false dawn of a democratic Russia. Wilson asked Congress to declare war against Germany a few short weeks later, asserting the United States’s new role as a global power and its commitment to spreading American ideals abroad. Will Englund draws on a wealth of contemporary diaries, memoirs and newspaper accounts to add texture and personal detail to the story of that month. March 1917 celebrates the dreams of warriors, pacifists, revolutionaries and reactionaries, even as it demonstrates how their successes and failures constitute the origin story of the complex world we inhabit a century later.

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Out of the doll’s house and into the woods, Bunny Girls steps out of the shadows of girlhood and looks at the world with wide eyes. Surreal, spiky, wise and darkly funny, this new collection by Costa-winning author and poet Angela Readman expertly mixes shades of film noir, northern wit, and magic realism. Through the lens of childhood, these poems address autism, anxiety, and darker concerns buried by cultural ideals of femininity.Here in Readman’s skilful words are odes to severed heads, angels and Disney villains, Marilyn Monroe’s body double, squashed slugs, sexual awakenings, Wendy-houses and snow globes, nosebleeds and blackbirds. Women are both invisible and actively writing themselves into the visible. Where there is isolation and dislocation, its counterbalance is finding breathless, reckless joy in the acts of creation and imagination. At its heart, this enlivening, magnificent book is about darkness and light, the lovely and the frightening, the beautiful and the worrying.

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This book introduces the clinical concept of analytic contact. This is a term that describes the therapeutic method of investigation that makes up psychoanalytic treatment. The field has been in debate for decades regarding what constitutes psychoanalysis. This usually centers on theoretical ideals regarding analyzability, goals, or procedure and external criteria such as frequency or use of couch. Instead, the concept of analytic contact looks at what takes place with a patient in the clinical situation. Each chapter in this book follows a wide spectrum of cases and clinical situations where hard to reach patients are provided the best opportunity for health and healing through the establishment of analytic contact. This case material closely tracks each patient's phantasies, and transference mechanisms which work to either increase, oppose, embrace, or neutralize, analytic contact. In addition, the fundamental internal conflicts all patients struggle with between love, hate, and knowledge are represented by extensive case reports.

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A lame joke can be a crushing experience The people of Yanjin know to always have a few jokes on hand. For three thousand years, they have been terrorised by Hua Erniang, a forsaken spirit that rules over their dreams. Failing to amuse this supernatural guest means not waking up at all, crushed by her jilted heart which has calcified into a mountain. Growing up inside a town adapting to socialist ideals, Mingliang's life is beset with hardship and adversity that leaves his family in tatters. Seeking fortune elsewhere, he heads west across China's vast central plain, encountering nothing but restless souls mortgaged to debts from former lives, each unwilling to move on for their own reasons. No matter how many times you try to start afresh, you can only run so far from a broken home. Some wounds take more than a lifetime to heal, but in the meantime, a few wisecracks tucked into the back pocket won't hurt.

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David Harrison has contributed to the academic study of tourism over the last 30 years. This book brings together a collection of his published material that reflects the role played by tourism in 'development', both in societies emerging from Western colonialism and in societies previously part of the Soviet system. The overarching theme looks at how, promoted as a tool for development, tourism can lead to conflict between competing elites, but can also empower groups previously subject to constraint by traditional authorities. Tradition is intensely manipulatable and always reflects power relations. Such pressure on tradition is but one aspect of tourism's wider social impacts. This includes changes in economic and social structure, which, for many, constitute social problems that need to be addressed. At the same time, 'sustainability', though apparently a worthy aim, can be a problematic concept, especially when applied to 'traditional' cultures, and may conflict with such ideals as egalitarianism.

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"For me, to be a citizen of nowhere is to be uncertainly poised between those challenges [we face today] and a defiant hope that, five hundred years on from More’s great contribution to literature, can rightly call itself utopian." from Rowan B. Fortune’s Forward Thomas Moore's no-place that might be anywhere, anywhen, Utopia, has haunted our imaginations for over 500 years. Dismissed as a lost realm in this Age of Despair, Citizens of Nowhere offers route maps to this place where our ideals and our lives can coincide. Now more than ever, we need the hope of utopia. Citizens of Nowhere reminds us that it is never far away. Finding utopias within sci-fi, horror, romanti fantasy and modernist fiction, Citizens of Nowhere brings together stories from: Nina Anana, Fiona Ashley, Sonya Blanck, Rowan B. Fortune, Ben Jacob, George Lea, Greg Michaelson, Jez Noond, James Perrin, Diana Powell, Omar Sabbagh and Robin Lindsay Wilson.

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Guy Ware's new novel charts a course from the 1930s onwards through the fragmentary memories of the 85 year-old Charlie, whose identical twin brother JJ has recently died. Sons of a working-class Communist family, growing up in the radical Peckham Experiment and orphaned by the Blitz, the twins emerge from the war keen to build the New Jerusalem. In 1968, JJ’s ideals are rocked by the fatal collapse of a tower block his council and Charlie’s development company have built. When the entire estate is demolished in 1986 JJ retires, apparently defeated. Now he is dead and Charlie, preparing for the funeral, relives their history, their family and their politics. It’s a story of how we got to where we are today told in a voice – opinionated, witty, garrulous, indignant, guilty, deluded and, as the night wears on, increasingly drunken – that sucks us in to both the idealism and the corruption it depicts, leaving us wondering just where we stand.

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Joseph Roth's sensibility-both clear-eyed and nostalgic, harshly realistic and tenderly humane-produced some of the most distinctive fiction of the twentieth century. This collection of his most essential stories, in exquisite new translations by Ruth Martin, showcases the astonishing range and power of his short stories and novellas. In prose of aching beauty and precision, Roth shows us isolated souls pursuing lost ideals and impossible desires. Forced to remove a bust of the fallen Austrian emperor from his house, an eccentric old count holds a funeral for it and intends to be buried in the same plot himself; a humble coral merchant, dissatisfied with his life and longing for the sea, chooses to adulterate his wares with false coral, with catastrophic results; young Fini, just entering the haze of early sexuality, falls into an unsatisfying relationship with an older musician. With the greatest craft and sensitivity, Roth unfolds the many fragilities of the human heart.

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The battle to decide the fate of Meiji-era swordsmanship has begun!Action, romance, and historical intrigue help make Nobuhiro Watsuki's Rurouni Kenshin, the tale of a wandering swordsman set against the backdrop of the Meiji Restoration, one of the most popular Shonen Jump titles among fans to date. Himura Kenshin, once an assassin (or hitokiri ) of ferocious power, now fights to protect the honor of those in need.Isurugi Raijûta, a truly old-school swordsman, comes to Kenshin and requests his aid in reforming the state of swordsmanship schools, or kenjutsu dojo, in Japan. Although Kenshin is intrigued by Raijûta's ideals (chiefly, that there is a need for a nation-wide, unifying school), Raijûta's plan to "weed out" the schools he deems unfit is not in accordance with Kenshin's deepest-held beliefs. Given the choice of either joining Raijûta's "Shinko-ryû" movement or dying, Kenshin walks away, choosing neither. But Raijûta isn't willing to let Kenshin off the hook so easily...

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Between Orders and Heresy foregrounds the dynamic, creative, and diverse late medieval religious landscapes that flourished within the spaces of social and ecclesiastical structures. This collection reconsiders the arguments put forward in Herbert Grundmann’s monumental book, Religious Movements in the Middle Ages, and challenges his traditional interpretive binary, recognized as the shared origins of many medieval religious movements. The contributors explore the social relationships fostered between secular clergy members, including parish priests, local canons, and aristocratic confessors, and examine the ways in which laypeople inspired and engaged in devotion beyond religious orders. Each essay in the volume considers a major theme in medieval religious history, such as the implementation of apostolic ideals, pastoral relationships, crusade connections, vernacular traditions, and reform. Organized to historicize and challenge the deeply embedded historiographical tendencies that have long distorted the complex dynamics of the late medieval world, Between Orders and Heresy is a major assessment of medieval religious belief and activity beyond and between the binary of orders and heresies

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In The Prescription-to-Prison Pipeline Michelle Smirnova argues that the ongoing opioid drug epidemic is the result of an endless cycle in which suffering is medicalized and drug use is criminalized. Drawing on interviews with eighty incarcerated individuals in Missouri correctional institutions, Smirnova shows how contradictions in medical practices, social ideals, and legal policies disproportionately criminalize the poor for their social condition. This criminalization further exacerbates and perpetuates drug addiction and poverty. Tracing the processes by which social issues are constructed as biomedical ones that necessitate pharmacological intervention, Smirnova highlights how inequitable surveillance, policing, and punishment of marginalized populations intensify harms associated with both treatment and punishment, especially given that the distinctions between the two have become blurred. By focusing on the stories of people whose pain and pharmaceutical treatment led to incarceration, Smirnova challenges the binary of individual and social problems, effectively exploring how the conceptualization, diagnosis, and treatment of substance use may exacerbate outcomes such as relapse, recidivism, poverty, abuse, and death.

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The fascinating story of a British army chaplain''s buggery trial in 1774 reveals surprising truths about early America.On the eve of the American Revolution, the British army considered the case of a chaplain, Robert Newburgh, who had been accused of having sex with a man. Newburgh''s enemies cited his flamboyant appearance, defiance of military authority, and seduction of soldiers as proof of his low character. Consumed by fears that the British Empire would soon be torn asunder, his opponents claimed that these supposed crimes against nature translated to crimes against the king. In Vicious and Immoral, historian John McCurdy tells this compelling story of male intimacy and provides an unparalleled glimpse inside eighteenth-century perceptions of queerness. By demanding to have his case heard, Newburgh invoked Enlightenment ideals of equality, arguing passionately that his style of dress and manner should not affect his place in the army or society. Hi

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From popular and 'New Wave' pre-revolutionary films of Fereydoon Goleh and Abbas Kiarostami to post-revolutionary films of Mohsen Makhmalbaf, the Iranian cinema has produced a range of films and directors that have garnered international fame and earned a global following. Golbarg Rekabtalaei takes a unique look at Iranian cosmopolitanism and how it transformed in the Iranian imagination through the cinematic lens. By examining the development of Iranian cinema from the early twentieth century to the revolution, Rekabtalaei locates discussions of modernity in Iranian cinema as rooted within local experiences, rather than being primarily concerned with Western ideals or industrialisation. Her research further illustrates how the ethnic, linguistic, and religious diversity of Iran's citizenry shaped a heterogeneous culture and a cosmopolitan cinema that was part and parcel of Iran's experience of modernity. In turn, this cosmopolitanism fed into an assertion of sovereignty and national identity in a modernising Iran in the decades leading up to the revolution.

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This is a book about the need for redemptive narratives to ward off despair and the dangers these same narratives create by raising expectations that are seldom fulfilled. The quasi-messianic expectations produced by the election of President Barack Obama in 2008, and their diminution, were stark reminders of an ongoing struggle between ideals and political realities. Redemptive Hope begins by tracing the tension between theistic thinkers, for whom hope is transcendental, and intellectuals, who have striven to link hopes for redemption to our intersubjective interactions with other human beings. Lerner argues that a vibrant democracy must draw on the best of both religious thought and secular liberal political philosophy. By bringing Richard Rorty’s pragmatism into conversation with early-twentieth-century Jewish thinkers, including Martin Buber and Ernst Bloch, Lerner begins the work of building bridges, while insisting on holding crucial differences in dialectical tension. Only such a dialogue, he argues, can prepare the foundations for modes of redemptive thought fit for the twenty-first century.

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Empires of the Mind tells the story of I. A. Richards, Britain's foremost literary critic in the 1920s, and his effort to promote an 850-word version of "global" English in China. Examining the cultural milieu of Cambridge between the World Wars, where Richards's internationalist vision first arose, this book traces the heretofore-unexplored connections between Richards's literary theories and his political ideals. Richards's time in China covers a volatile period in Chinese history: the Japanese occupation, the Communist revolution, and the beginnings of the Cold War all feature prominently in the history of Basic English over a fifty-year period. Koeneke considers Richards's project in the light of current theories about imperialism: Did Basic English anticipate today's multicultural aspirations for global exchange? Or did it advance new "empires of the mind" whose spoils are language and information? Ultimately, the history of Richards's time in China offers a crucial window onto the postcolonial complexities of our own.

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A truly interdisciplinary enterprise, The Paradox of Democratic Capitalism examines the interplay of ideas about politics, economics, and law in American society from the pre-revolutionary era to the eve of the September 11 attacks. David F. Prindle argues that while the United States was founded on liberalism, there is constant tension between two ideals of the liberal tradition: capitalism and democracy. Tracing the rise of natural law doctrine from neoclassical economics, Prindle examines the influence of economic development in late medieval society on the emergence of classical liberalism in early America and likens that influence to the impact of orthodox economics on contemporary American society. Prindle also evaluates political, economic, and legal ideas through the lens of his own beliefs. He warns against the emerging extremes of liberal ideology in contemporary American politics, where the right's definition of capitalism excludes interference from democratic publics and the left's definition of democracy excludes a market-based economy.

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Medical professionals are expected to act in the interest of patients, the public, and the pursuit of medical knowledge. Their disinterested stance gives them credibility and authority. But what happens when doctors’ supposed impartiality comes under fire? In Medicine and Morality, Helen Kang examines three moments in the history of the medical profession in Canada, spanning more than 150 years, when doctors’ moral and scientific authority was questioned. She shows that, in these moments of crisis, the profession was compelled to re-examine its priorities, strategize in order to regain credibility, and redefine what it means to be a good doctor.Medicine and Morality reveals that professional medicine defines integrity, objectivity, accountability, neutrality, and other ideals according to its social, political, historical, and economic struggles with the state, the media, and even the public. In other words, moral and scientific standards in medicine are determined in direct relation to, not in spite of, conflict of interest.

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Medical professionals are expected to act in the interest of patients, the public, and the pursuit of medical knowledge. Their disinterested stance gives them credibility and authority. But what happens when doctors’ supposed impartiality comes under fire? In Medicine and Morality, Helen Kang examines three moments in the history of the medical profession in Canada, spanning more than 150 years, when doctors’ moral and scientific authority was questioned. She shows that, in these moments of crisis, the profession was compelled to re-examine its priorities, strategize in order to regain credibility, and redefine what it means to be a good doctor.Medicine and Morality reveals that professional medicine defines integrity, objectivity, accountability, neutrality, and other ideals according to its social, political, historical, and economic struggles with the state, the media, and even the public. In other words, moral and scientific standards in medicine are determined in direct relation to, not in spite of, conflict of interest.

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Pierre Elliott Trudeau – radical progressive or unavowed socialist? His legacy remains divisive. Most scholars portray Trudeau’s ties to the left as evidence either of communist affinities or of ideals that led him to found a progressive, modern Canada. The Constant Liberal traces the charismatic politician’s relationship with left and labour movements throughout his career. Christo Aivalis argues that although Trudeau found key influences and friendships on the left, he was in fact a consistently classic liberal, driven by individualist and capitalist principles. While numerous biographies have noted the impact of the left on Trudeau’s intellectual and political development, this comprehensive analysis showcases the interplay between liberalism and democratic socialism that defined his world view – and shaped his effective use of power. The Constant Liberal suggests that Trudeau’s leftist activity was not so much a call for social democracy as a warning to fellow liberals that lack of reform could undermine liberal-capitalist social relations.

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Biondo Flavio (1392–1463), humanist and historian, was a pioneering figure in the Renaissance discovery of antiquity; famously, he was the author who popularized the term “Middle Age” to describe the period between the fall of the Roman Empire and the revival of antiquity in his own time. While serving a number of Renaissance popes, he inaugurated an extraordinary program of research into the history, cultural life, and physical remains of the ancient world.The capstone of this research program, Rome in Triumph (1459), has been said to bear comparison with the Encyclopédie of Diderot as the embodiment of the ideals of an age, seeking as it does to answer the overarching question of humanists from Petrarch to Machiavelli: what made Rome great? To answer the question Biondo undertakes a comprehensive reconstruction of Rome’s religion, government, military organization, customs and institutions over its thousand-year history. This volume contains the first edition of the Latin text since 1559 and the first translation into any modern language.

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"We are provincials no longer", said Woodrow Wilson on 5 March 1917, at his second inaugural. He spoke on the eve of America’s entrance into the First World War, as Russia teetered between autocracy and democracy. Just ten days after Wilson’s declaration, Tsar Nicholas II abdicated the throne, ending a three-centuries-long dynasty and ushering in the false dawn of a democratic Russia. Wilson asked Congress to declare war against Germany a few short weeks later, asserting the United States’s new role as a global power and its commitment to spreading American ideals abroad. Will Englund draws on a wealth of contemporary diaries, memoirs and newspaper accounts to add texture and personal detail to the story of that month. March 1917 celebrates the dreams of warriors, pacifists, revolutionaries and reactionaries, even as it demonstrates how their successes and failures constitute the origin story of the complex world we inhabit a century later.

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Jane Addams (1860-1935) was a leading statesperson in an era when few imagined such possibilities for women. In this fresh interpretation, the first full biography of Addams in nearly forty years, Louise W. Knight shows Addams's boldness, creativity, and tenacity as she sought ways to put the ideals of democracy into action. Starting in Chicago as a co-founder of the nation's first settlement house, Hull House—a community center where people of all classes and ethnicities could gather—Addams became a grassroots organizer and a partner of trade unionists, women, immigrants, and African Americans seeking social justice. In time she emerged as a progressive political force; an advocate for women's suffrage; an advisor to presidents; a co-founder of civil rights organizations, including the NAACP; and a leader for international peace. Written as a fast-paced narrative, Jane Addams traces how one woman worked with others to make a difference in the world.

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Since the middle of the nineteenth century, Iranian intellectuals have been preoccupied by issues of political and social reform, Iran's relation with the modern West, and autocracy, or arbitrary rule. Drawing from a close reading of a broad array of primary sources, this book offers a thematic account of the Iranian intelligentsia from the Constitutional movement of 1905 to the post-1979 revolution.Ali Gheissari shows how in Iran, as in many other countries, intellectuals have been the prime mediators between the forces of tradition and modernity and have contributed significantly to the formation of the modern Iranian self image. His analysis of intellectuals' response to a number of fundamental questions, such as nationalism, identity, and the relation between Islam and modern politics, sheds new light on the factors that led to the Iranian Revolution—the twentieth century's first major departure from Western political ideals—and helps explain the complexities surrounding the reception of Western ideologies in the Middle East.

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Italian film star Bartolomeo Pagano's "Maciste" played a key role in his nation's narratives of identity during World War I and after. Jacqueline Reich traces the racial, class, and national transformations undergone by this Italian strongman from African slave in Cabiria (1914), his first film, to bourgeois gentleman, to Alpine soldier of the Great War, to colonial officer in Italy's African adventures. Reich reveals Maciste as a figure who both reflected classical ideals of masculine beauty and virility (later taken up by Mussolini and used for political purposes) and embodied the model Italian citizen. The 12 films at the center of the book, recently restored and newly accessible to a wider public, together with relevant extra-cinematic materials, provide a rich resource for understanding the spread of discourses on masculinity, and national and racial identities during a turbulent period in Italian history. The volume includes an illustrated appendix documenting the restoration and preservation of these cinematic treasures.

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Women performers played a vital role in the development of American and transatlantic entertainment, celebrity culture, and gender ideology. Sara E. Lampert examines the lives, careers, and fame of overlooked figures from Europe and the United States whose work in melodrama, ballet, and other stage shows shocked and excited early U.S. audiences. These women lived and performed the tensions and contradictions of nineteenth-century gender roles, sparking debates about women's place in public life. Yet even their unprecedented wealth and prominence failed to break the patriarchal family structures that governed their lives and conditioned their careers. Inevitable contradictions arose. The burgeoning celebrity culture of the time forced women stage stars to don the costumes of domestic femininity even as the unsettled nature of life in the theater defied these ideals.A revealing foray into a lost time, Starring Women returns a generation of performers to their central place in the early history of American theater.

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Allen Ellenzweig traces the male gaze upon men as captured by the camera throughout the history of photography. More than one hundred striking, provocative duotone photographs reflect a wide-ranging history of photographic male homoeroticism and the spiritual, physical, and intellectual exchange among men. Accompanying these images is a detailed account of the multiple, complex meanings of the homoerotic that have taken shape from the 1850s to today. Ellenzweig situates each of his artists within their historical context, with chapters devoted to specific photographers and eras. He begins with nineteenth-century French photographer Eugene Durieu and his studies of the male nude, created under the direction of painter Eugene Delacroix. He then takes readers all the way through the rebellious 1960s and the disputes surrounding Robert Mapplethorpe's controversial retrospective in 1989 and 1990. Showing that homoeroticism in photography is anything but a contemporary invention, Ellenzweig unites photographers across the stylistic spectrum within a theme that came to inspire a host of larger spiritual, physical, and intellectual ideals.

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