Search results for ""author thomas"

Living Water is a compelling saga of Brother Yun’s sacrifice to bring Jesus and the Bible to non-believers. Through his dynamic teachings, Brother Yun shares a message of radical trust and authentic Christian discipleship to churches around the world. Using the message of the Bible and interweaving it with stories of life-changing faith, Living Water distills the wisdom of this courageous Christian man who suffered intense persecution for his beliefs. Brother Yun challenges Christians to go deeper in their faith, and become bold in their witness for Christ. He shows how God can make you as bold as a lion, and bring your days as a timid Christian to an end. The book of Acts continues today in the lives of courageous believers like Brother Yun. An inspirational challenge to deeper discipleship, Living Water offers moving stories of struggles and victories, miracles of grace and mountains moved.

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Thomas Sankara was one of Africa's most important anti-imperialist leaders of the late 20th Century. His declaration that fundamental socio-political change would require a 'certain amount of madness' drove the Burkinabe Revolution and resurfaced in the country's popular uprising in 2014. This book looks at Sankara's political philosophies and legacies and their relevance today. Analyses of his synthesis of Pan-Africanism and humanist Marxist politics, as well as his approach to gender, development, ecology and decolonisation offer new insights to Sankarist political philosophies. Critical evaluations of the limitations of the revolution examine his relationship with labour unions and other aspects of his leadership style. His legacy is revealed by looking at contemporary activists, artists and politicians who draw inspiration from Sankarist thought in social movement struggles today, from South Africa to Burkina Faso. In the 30th anniversary of his assassination, this book illustrates how Sankara's political praxis continues to provide lessons and hope for decolonisation struggles today.

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Imray-Iolaire charts for the Caribbean are widely acknowledged as the best available for the cruising sailor. They combine the latest official survey data with first-hand information gathered over 60 years of research by Don Street Jr and his wide network of contributors. Like all Imray charts, they are printed on water resistant Pretex paper for durability, and they include many anchorages, facilities and inlets not included on official charts. This edition includes the latest official data combined with additional information sourced from Imray''s network to make it ideal for small craft. It includes the latest official bathymetric surveys. There has been general updating throughout.

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The great corpus that is medieval literature contains, at its very center, the tale. These verse and prose fictional narratives, as well as stories that are grounded in some degree of historical truth, are the foundation of what readers, scholars, and enthusiasts often point to as signifiers of the medieval age. These tales - from the skillfully crafted to the more rudimentary and plain - often make familiar to modern readers what seems so distant and foreign about the Middle Ages. This volume of essays focuses on the tale and its ability to create "mirth," what modern audiences would often define as "happiness" or "joy," and the significance that the book has had on the transference of this mirth to audiences. This volume also celebrates the scholarship of Thomas H. Ohlgren, a medievalist whose work encompasses a number of different areas, but at its center lives the power of the tale and its ability to create a lasting impression on readers, both medieval and modern.

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The Bijlmer Spinoza-Festival is an artwork, a sculpture, created by Swiss artist Thomas Hirschhorn in a peripheral borough of Amsterdam’s south-east known as the Bijlmer in 2009. This book recounts the event through the eyes of its “Ambassador”, art historian Vittoria Martini, who was invited by the artist to be an eyewitness to the existence of this “precarious” work. A term Hirschhorn sees as positive and creative: a means of asserting the importance of the moment and of the place, of asserting the Here and Now to touch eternity and universality. Appreciating the art historian’s presence as a central element of his sculpture, Hirschhorn consciously challenged the certainties of the profession by empowering and activating the role, thus leading Martini to find a new working methodology that she calls “precarious art history”. Accompanying the readers through her experience of the physical existence of The Bijlmer Spinoza-Festival, Martini’s commentary leads to the profound understanding of how a work that no longer exists physically, can live on in the mind— elsewhere, at some other time—because in the meantime it has become universal.

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In another historical adventure from Susanna Gregory, Chaloner the spy investigates a murder in a plague-ravaged 17th century LondonThe plague raging through London in 1665 has emptied the city. The only people left are those too poor to flee, or those who selflessly struggle to control the contagion and safeguard the capital's future.Amongst them, though, are those prepared to risk their health for money - those who sell dubious 'cures' and hawk food at wildly inflated prices. Also amongst them are those who hold in their hands the future of the city's most iconic building - St Paul's Cathedral.The handsome edifice is crumbling from decades of neglect and indecision, giving the current custodians a stark choice - repair or demolish. Both sides have fanatical adherents who have been fighting each other since the Civil Wars. Large sums of money have disappeared, major players have mysteriously vanished, and then a unidentified skeleton is discovered in another man's grave.A reluctant Chaloner returns to London to investigate, only to discover that someone is determined to thwart him by any means - by bullet, poison or bludgeon - and he fears he has very little time to identify the culprits before he becomes yet another victim in the battle for the Cathedral's future.

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An architect, statesman, farmer, and inventor, Thomas Jefferson had few equals among this nation’s founders. Left fatherless at a young age, he was a hardworking scholar who came into his own as a lawyer, landowner, and county leader. Elected to the Virginia Assembly in 1769, Jefferson became an eloquent critic of the colonial policies of Great Britain and King George III. His talents made him the perfect candidate to write the Declaration of Independence, which set the United States apart in a world ruled by monarchs. Jefferson, however, was not without his contradictions. His quill penned the immortal phrase “all men are created equal,” but during his lifetime he owned 600 slaves. And though he sought elected office, he was sensitive to criticism and often wished to escape his public role and return to his Monticello estate. Author Brandon Marie Miller captures the complexity of this talented leader through his original writings and hands-on activities from the colonial era

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This is a fascinating combination of biographical material about the great Scottish engineer Thomas Telford (1757-1834), and a modern travelogue that revisits the places in the Highlands and Islands where he worked over a period of 20 years. Scotland was provided with desperately-needed civil infrastructure - nearly 1000 miles of roads, 1200 bridges, many harbours, and the monumental Caledonian Canal. Telford's programme of work was one of the greatest sustained efforts by any individual in the years of Britain's industrial revolution. And yet it is little celebrated in Scotland, let alone the rest of Britain and the wider world. After working in England and Wales for nearly 20 years, Telford was called back to his native land to address huge problems in the Highlands and Islands. These included unemployment, depopulation, Highlanders dispirited by poverty and suppression following the two Jacobite uprisings, compounded by living in mountainous regions almost totally isolated from the rest of Scotland. Thomas Telford has been widely painted as a brilliant engineer totally devoted to his work, a somewhat one-dimensional character. However, the author shows him differently, as a man of the Scottish Enlightenment, a rounded character with a love of poetry and the natural world, a good companion and a generous friend. A Scotsman Returns reveals him as a person who, in spite of the humblest start in life, displayed great social skills in his dealings with Scots both haughty and humble during his 20-year commitment to the Highlands and Islands. The author retraces an extensive Highland Tour made by Telford and the Poet Laureate, Robert Southey, in 1819. The two men were drawn together by Telford's love of poetry and Southey's admiration of the engineer's remarkable work in the Highlands. Southey kept a journal of the tour, which remained unpublished for a century and is still not widely known. Comments on the places they visited, the sights they saw, their social interactions, and Southey's intelligent interest in Telford's roadmaking, bridgebuilding and, above all, the Caledonian Canal are featured. Telford's work in other areas of the Highlands and Islands is also covered, principally in Caithness, Sutherland, and the Hebridean Islands. There are further discussions of the social and political environment in which Telford operated, including the Highland Clearances. This travelogue, beautifully illustrated in full colour with over 100 photographs of Telford's surviving infrastructure, is complemented with modern views of the places where he worked. A Scotsman Returns is a wonderful collection of Telford's remarkable achievements and will encourage readers worldwide to explore the routes followed by Telford as he developed Highland infrastructure.

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This volume aims to restore the reputation of Thomas White, who in his time was as well respected as his fellow landscape designers Lancelot 'Capability' Brown and Humphry Repton. By the end of his career, he had produced designs for at least 32 sites across northern England and over 60 in Scotland. These include nationally important designed landscapes in Yorkshire such as Harewood House, Sledmere Hall, Burton Constable Hall, Newby Hall, Mulgrave Castle as well as Raby Castle in Durham, Belle Isle in Cumbria and Brocklesby Hall in Lincolnshire. He has a vital role in the story of how northern English designed landscapes evolved in the 18th century.The book focuses on White's known commissions in England and sheds further light on the work of other designers such as Brown and Repton, who worked on many of the same sites. White set up as an independent designer in 1765, having worked for Brown from 1759, and his style developed over the next thirty years. Never merely a 'follower of Brown', as he is often erroneously described, his designs for plantations in particular were much admired and influenced the later, more informal styles of the picturesque movement.The improvement plans he produced for his clients demonstrate his surveying and artistic skills. These plans were working documents but at the same time works of art in their own right. Over 60 of his beautifully-executed coloured plans survive, which is a testament to the value his clients placed on them. This book makes available for the first time over 90% of the known plans and surveys by White for England. Also included are plans by White's contemporaries, together with later maps, estate surveys and contemporary illustrations to understand which parts of improvement plans were implemented.

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A sweeping biography of the visionary behind bone marrow transplantation and the story of the diseases cured by Don Thomas's discovery. In the last half of the twentieth century, Thomas himself discovered a cure for every marrow-based disease—like leukemia, lymphoma, and sickle-cell anemia—forever changing treatment for some of the deadliest illnesses. His feats were extraordinary, earning him a Nobel Prize, and the cascade of treatments he inspired have reshaped and will continue to reshape the practice of clinical medicine. Yet no one has ever written Thomas’s courageous story. Dr. Frederick R. Appelbaum, a member of Thomas’s research team, does so for the first time in Living Medicine: Don Thomas, Marrow Transplantation, and the Cell Therapy Revolution. Bone marrow transplantation has now saved over a million lives, but when Thomas first had the idea, he was met with disbelief by the scientific community. Appelbaum, informed by decades in the field and personal connection with Thomas, tells us the secrets to Thomas’s success: his unique characteristics, how he created an effective team of researchers, and how he overcame the technical obstacles of marrow transplantation. Appelbaum tells a bigger story, too, of the scientific and societal implications of this achievement, which are critical for scientific and lay readers alike so that we all might be better informed of how far our medical progress has come and will go.

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This study considers sixteenth century evangelicals vision of a godly commonwealth within the broader context of political, religious, social, and intellectual changes in Tudor England. Using the clergyman and bestselling author, Thomas Becon (1512-1567), as a case study, Brian L. Hanson argues that evangelical views of the commonwealth were situation-dependent rather than uniform, fluctuating from individual to individual. His study examines the ways commonwealth rhetoric was used by evangelicals and how that rhetoric developed and changed. While this study draws from English Reformation historiography by acknowledging the chronology of reform, it engages with interdisciplinary texts on poverty, gender, and the economy in order to demonstrate the intersection of commonwealth rhetoric with Renaissance humanism. Furthermore, the experience of exile and the languages of prophecy and companionship directly influenced commonwealth rhetoric and dictated the priorities, vocabulary, and political expression of the evangelicals. As sixteenth-century England vacillated in its religious direction and priorities, the evangelicals were faced with a political conundrum and the tension between obedience and lawful disobedience. There was ultimately a fundamental disagreement on the nature and criteria of obedience. Hansons study makes a further contribution to the emerging conversation about English commonwealth politics by examining the important issues of obedience and disobedience within the evangelical community. A correct assessment of the issues surrounding the relationship between evangelicals and the commonwealth government will lead to a rediscovery of both the complexities of evangelical commonwealth rhetoric and the tension between the biblical command to submit to civil authorities and the injunction to obey God rather than man.

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The great religious poetry of R. S. Thomas and the poetry of the former Archbishop of Canterbury Rowan Williams is rooted in a remarkable late-twentieth-century tradition of spiritual poetry in Wales that includes figures as different as Saunders Lewis and Vernon Watkins, Waldo Williams and Bobi Jones. Examining this body of work in detail, the present study demonstrates how the different theological outlooks of the poets was reflected in their choice of form, style and vocabulary, highlighting a literary culture that was highly unusual in its rejection of a prevailing secularisation in the UK, Western Europe and the USA.

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Details Thomas Trotter's important contributions, as a naval surgeon and after, to the eradication of scurvy and typhus, to the study of addiction, and to improved health and safety in mines. Thomas Trotter, after studying medicine at Edinburgh, began his naval career as a surgeon's mate in 1779 and saw continuous service up to the peace of 1802, rising as a result of great abilities and the right patronage to become Physician to the Channel Fleet, and being present at the great battles of Dogger Bank in 1781 and the Glorious First of June in 1794. As Physician to the Channel Fleet, he was a major player in the conquest of scurvy and the control of typhus and smallpox in the navy. After the peace he settled in Newcastle where he produced pioneering work on alcoholism and neurosis, as a result of which he is regarded as one of the founders of the field of addiction studies. This book provides an intimate account of naval life in the great age of sail from the perspective of a surgeon, describing the impact of Enlightenment ideas and new medical techniques, and showing how improved health was a crucial factor in making possible the British fleet's great victories in this period. BRIAN VALE is a maritime historian, whose books include Independence or Death: British sailors and Brazilian Independence (Tauris 1996), A Frigate of King George, Life and Duty on a British Man-of-War (Tauris 2001) and The Audacious Admiral Cochrane (Conway 2004). GRIFFITH EDWARDS, Emeritus Professor at King's College, London, is one of the country's leading experts on addiction. His publications include Alchohol: the Ambiguous Molecule (Penguin 2000) and Matters of Substance (Penguin 2005).

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This is the first modern critical study of Thomas Hood, the popular and influential nineteenth-century poet, editor, cartoonist and voice of social protest. Acclaimed by Dickens, the Brownings and the Rossettis, Hood’s quirky, diverse output bridges the years between 1820 and 1845 and offers fascinating insights for Romanticists and Victorianists alike. Lodge’s timely book explores the relationship between Hood’s playfulness, his liberal politics, and contemporary cultural debate about labour and recreation, literary materiality and urban consumption.Each chapter examines something distinctive of interdisciplinary interest, including the early nineteenth-century print culture into which Hood was born; the traditional, urban and political ramifications of the grotesque art and literature aesthetic; the cultural politics of Hood’s trademark puns; theatre, leisure and the ‘labour question’. Lively and accessible, this book will appeal to scholars of nineteenth-century English Literature, Visual Arts and Cultural Studies.

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'Treadwell's book is a magnificent pastiche of 18th-century fiction'The Sunday Times'Tristram Shandy meets Jonathan Strange & Mr Norrell in a novel that addresses dark disturbing themes with tremendous wit, charm and elegance'Daily Express 'Part historical pastiche, part gothic horror, this is an ambitious and stylistically bold 18th-century adventure with shades of Jonathan Strange & Mr Norrell'SFX'Treadwell's book entertains and impresses . . . He must be heartily congratulated both for performing an extraordinary feat of literary ventriloquism and also for reminding us what historical fiction does best: create an entirely convincing vanished world while also using that world as a lens through which to view the present day' GuardianWHO IS THOMAS PEACH?Ah, reader! -- if you would have us answer THAT question -- What mysteries you shall compel us to expose!It is the year 1785, and a gentleman of modest means has left London for the countryside, to look after his ailing wife.Among his new neighbours, tongues begin to wag. Why does he keep a locked chest under the stairs? Is it really full of forbidden books? And what exactly is the matter with his wife?For the most part, though, the couple live in peace -- until a letter arrives, threatening to cut off their livelihood and expel them from their home.Faced with the prospect of penury -- and perhaps worse -- the gentleman rides out in search of some means to save himself.But fate has other plans for Thomas Peach.A bizarre request brings an encounter with a mysterious young woman, raised from infancy as a rich man's ward, now condemned to the madhouse. As their paths become disturbingly entangled, Mr Peach begins to suspect that in her past lies a dreadful secret . . .Dreadful indeed! -- Yet however fearful the poor child's history -- can her secret be darker, than HIS OWN?

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'Treadwell's book is a magnificent pastiche of 18th-century fiction'The Sunday Times'Tristram Shandy meets Jonathan Strange & Mr Norrell in a novel that addresses dark disturbing themes with tremendous wit, charm and elegance'Daily Express'Part historical pastiche, part gothic horror, this is an ambitious and stylistically bold 18th-century adventure with shades of Jonathan Strange & Mr Norrell'SFX'Treadwell's book entertains and impresses . . . He must be heartily congratulated both for performing an extraordinary feat of literary ventriloquism and also for reminding us what historical fiction does best: create an entirely convincing vanished world while also using that world as a lens through which to view the present day'GuardianWHO IS THOMAS PEACH?Ah, reader! -- if you would have us answer THAT question -- What mysteries you shall compel us to expose!It is the year 1785, and a gentleman of modest means has left London for the countryside, to look after his ailing wife.Among his new neighbours, tongues begin to wag. Why does he keep a locked chest under the stairs? Is it really full of forbidden books? And what exactly is the matter with his wife?For the most part, though, the couple live in peace -- until a letter arrives, threatening to cut off their livelihood and expel them from their home.Faced with the prospect of penury -- and perhaps worse -- the gentleman rides out in search of some means to save himself.But fate has other plans for Thomas Peach.A bizarre request brings an encounter with a mysterious young woman, raised from infancy as a rich man's ward, now condemned to the madhouse. As their paths become disturbingly entangled, Mr Peach begins to suspect that in her past lies a dreadful secret . . .Dreadful indeed! -- Yet however fearful the poor child's history -- can her secret be darker, than HIS OWN?

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'Echo is a compulsive page turner mixing supernatural survival horror and pulp adventure' Paul Tremblay, author of A Head Full of Ghosts'Hallucinatory, eerie and terrifying' Catriona Ward, author of The Last House on Needless Street'Echo is a haunting contribution to the literature of folk horror' Ramsey Campbell'The most frightening opening scene ever written' The GuardianIt's One Thing to Lose Your LifeIt's Another to Lose Your Soul Travel journalist and mountaineer Nick Grevers awakes from a coma to find that his climbing buddy, Augustin, is missing and presumed dead. Nick's own injuries are as extensive as they are horrifying. His face wrapped in bandages and unable to speak, Nick claims amnesia - but he remembers everything. He remembers how he and Augustin were mysteriously drawn to the Maudit, a remote and scarcely documented peak in the Swiss Alps. He remembers an ominous sense that they were not alone. He remembers something waiting for them . . . Sam Avery wants to be glad that Nick is alive and coming home, but the accident has stirred up memories that Sam thought were long buried. Soon he realizes that it isn't just the trauma of the accident that haunts Nick. Something has awakened inside of him, something that endangers the lives of everyone around him . . .'This is totally, brilliantly original'Stephen King, on HEX 'Creepy and girpping and original' George R. R. Martin on HEX 'Reminiscent of vintage Stephen King' John Connolly on HEX 'The next genre superstar' Paul Cornell

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Coloring Snow White, Cinderella, Pocahontas, Ariel, Tiana, and other Disney Princess characters is easy and fun with this special coloring book that contains more than 40 coloring pages.Each image was created from the Disney Dreams Collection of paintings by the Thomas Kinkade Studios, and is presented in color across the page from the exceptionally detailed black line art of the same image. This coloring book is perfect for fans of Disney Princess characters and Thomas Kinkade Studios' Disney Dreams paintings. Measures 7.25" x 9.5" closed Soft cover 96 pages Full-color art of image opposite black line art to color Uncoated paper suitable for crayons, colored pencils, and gel pens Printed on FSC-certified paper © Disney

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The drama of John Adams and Thomas Jefferson is the foundational story of America—courage, loyalty, hope, fanaticism, greatness, failure, forgiveness, love.Agony and Eloquence is the story of the greatest friendship in American history and the revolutionary times in which it was made, ruined, and finally renewed.In the wake of Washington’s retirement, longtime friends Thomas Jefferson and John Adams came to represent the opposing political forces struggling to shape America’s future. Adams’s victory in the presidential election of 1796 brought Jefferson into his administration—but as an unlikely and deeply conflicted vice president. The bloody Republican revolution in France finally brought their political differences to a bitter pitch. In Mallock’s take on this fascinating period, French foreign policy and revolutionary developments—from the fall of the Bastille to the fall of the Jacobins and the rise of Napoleon—form a disturbing and illuminating counterpoint to events, controversies, individuals, and relationships in Philadelphia and Washington.Many important and fascinating people appear in the book, including Thomas Paine, Camille Desmoulins, Dr. Benjamin Rush, Tobias Lear, Talleyrand, Robespierre, Danton, Saint-Just, Abigail Adams, Lafayette, James Madison, John Quincy Adams, Dr. Joseph Priestley, Samuel Adams, Philip Mazzei, John Marshall, Alexander Hamilton, and Edward Coles. They are brought to life by Mallock’s insightful analysis and clear and lively writing.Agony and Eloquence is a thoroughly researched and tautly written modern history. When the most important thing is at stake, almost anything can be justified.Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

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Thomas Wijck’s painted alchemical laboratories were celebrated in his day as "artful" and "ingenious." They fell into obscurity along with their subject, as alchemy came to be viewed as an occult art or a fool’s errand. But these unusual pictures challenge our understanding of early modern alchemy-and of the deeper relationship between chemical workshops and the artists who represented them. The work of artists, like the work of alchemists, contained intellectual-creative and manual-material aspects. Both alchemists and artists claimed a special status owing to their creative powers. Wijck’s formation of an artistic and professional identity around alchemical themes reveals his desire to explore this curious territory, and ultimately to demonstrate art’s superior claims to knowledge and mastery over nature. This book explores one artist’s transformation of alchemy and its materials into a reputation for virtuosity-and what his work can teach us about the experimental early modern world.

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The musical, social and political history of the renowned St Thomas School and Church In the seventeenth and eighteenth centuries, the cantors of the St. Thomas School and Church in Leipzig could be counted among the most significant German composers of their times. But what attracted these artists - from Seth Calvisius to J.S. Bach to Johann Adam Hiller - to the music school and choir and inspired them to explore new repertoire of the highest standing? And how did the cantors influence the musical profile of the school - a profile that often became a bone of contention between school and city hall? The success of the St. Thomas School was not a foregone conclusion; its history is replete with challenges and setbacks as well as triumphs. The school was caughtbetween the conflicting interests of enthusiastic mayors and townspeople, who wanted to showcase the city's musical culture, and opposing parties, including jealous rectors and elitist sponsors, who argued for the traditional subordination of the cantorate to the school system. Drawing on many new, recently discovered sources, Michael Maul explores the phenomenon of the St Thomas School. He shows how cantors, local luminaries and municipal politicians overcame the School's detractors to make it a remarkable success, with a world-famous choir. Illuminating the social and political history of the cantorate and the musical life of an important German city, the book will be ofinterest to scholars of Baroque music and J.S. Bach, cultural historians, choral directors, and musicologists and performers studying historical performance practice. MICHAEL MAUL is Senior Scholar at the Bach-Archiv Leipzig and lecturer in musicology at the universities of Leipzig/Halle. He is also the artistic director of the annual Leipzig Bach Festival.

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The reality of suffering in today's world, in our personal lives, is for many especially Western Christians an obstacle for entering into a relationship of faith with the One who bears the name "Almighty". Touched by this crisis the author inquires whether the theology of Thomas Aquinas (1224/5 - 1274) can help us find a way out. In this book some distance is taken from the crisis itself, in order to take a closer look at our faith regarding Christ's sufferings and how God almighty is related to these "nexus mysteriorum". For what is more obvious for a Christian thinking about suffering and God's relation to it, to start with the consideration of the sufferings of Christ and how God is related to them? Questions like "Did and/or does God suffer too?", "How are we to understand 'God is love' (1 Jn 4,8, 16) in view of this?" and "What do Christians actually mean by the word 'almighty'?" are dealt with.Thomas' questions and associations may often not be ours. And yet it turns out that his approach opens up new, or rather (almost) forgotten and therefore to us surprising, and hopeful perspectives.Mark-Robin Hoogland C.P. (1969) is a Passionist priest. At the time of preparation for this dissertation he lived and worked in the Passionist Inner City Mission at East End London (U.K.) and he was active in youth work there and in The Hague (the Netherlands). While he was a resaerch-fellow at the Catholic Theological University (KTU) at Utrecht, he also worked for three years at Mesos Medical Centre at Utrecht as a hospital chaplain and after that in several parishes where for a shorter or longer time no priest was available.At present he is preparing a study on Thomas Aquinas regarding God and human suffering, in the context of Stauros International, a Passionist Institute.

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This volume in the definitive edition of Thomas Traherne contains his best-known works, Centuries of Meditations and Select Meditations. Thomas Traherne (1637?-1674), a clergyman of the Church of England during the Restoration, was little known until the early twentieth century, when his poetry and Centuries of Meditations were first printed. There have beensince only miscellaneous publications of his poetry and devotional writings. The Works of Thomas Traherne brings together for the first time all Traherne's extant works, including his notebooks, in a definitive, printed edition. The six works in this volume are taken from two manuscripts. The first, held at the Bodleian Library, University of Oxford (MS Eng. th. e. 50), contains Centuries of Meditations; the other, held at the BeineckeRare Book and Manuscript Library, Yale University (Osborn MS b. 308), is comprised of three works by Traherne, Select Meditations and two brief untitled treatises, "Being a Lover of the world" and "The best principle whereby a man can Steer his course". It also includes two works by an unidentified writer, A Prayer for Ash Wednesday and A Meditation; neither work is of Traherne's making.

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Written and edited by leading scholars in the field, this collection explores Aquinas’ continuing relevance to contemporary theology and his ability to enlighten inter- and intra-faith dialogue. Explores Aquinas’ continuing relevance to contemporary theology. Looks at how Aquinas illuminates dialogue both among Christians and between Christians and non-Christians today. Written by both scholars of Aquinas and those who are actively involved in ecumenical and inter-religious dialogue. Topics range from Aquinas and Eastern Orthodoxy to Aquinas and atheism. Helps us to think rigorously about what is required to speak truthfully to people with different beliefs.

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An artist of death is stalking Victorian London, recreating earlier masterpieces of murder. Police suspicion falls on the notorious 'opium-eater' Thomas De Quincey, recently returned to the capital, who wrote in detail about the original crimes. Someone is using his essays as inspiration - and he must uncover the truth before the killer completes his work.In MURDER AS A FINE ART, London becomes a battleground between a literary star and a brilliant murderer - whose lives are linked by secrets long buried, but never forgotten.

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Hereford Cathedral is proud of its four stained-glass windows commemorating Traherne, but these volumes are as glorious a memorial. DAILY TELEGRAPH [Christopher Howse] Thomas Traherne (1637-1674), a clergyman of the Church of England during the Restoration, was little known until the early twentieth century, when his poetry and Centuries of Meditations were first printed. Since then, only selections of his poetry and devotional writings have been fully-edited for print publication, a gap which The Works of Thomas Traherne will remedy by bringing together Traherne's extant works, including his notebooks, in a definitive, printed edition for the first time. Roman Forgeries (1673) is a complex analysis of the "False Decretals", forgeries produced by the Roman Catholic Church, making the Pope supreme head of the Church, which the Eastern Church rejected, fully accepting the Nicene Creed and the constitutions confirmed by the Œcumenical Church councils, which the forgeries attempted to alter. Christian Ethicks (published posthumously in 1675) is a book about the virtues every Christian ought to possess and practice as a witness to the world. Both texts have a complex transmission history, with details in book descriptions and provenance indicating that through the centuries Roman Forgeries and Christian Ethicks had various owners, were read, corrected, annotated and circulated. The copy texts, both held at the Cambridge University Library, have here been collated against others listed in this edition.

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This 12-month wall calendar features a different full-color image from paintings such as Disney Mickey and Minnie in Paris, Disney The Evil Queen, Disney Peter Pan''s Never Land, and Disney Frozen. Features include: 12 x 12 (12 x 24 open) Fold-around cover design eliminates need for plastic packaging Printed on FSC certified paper with soy-based ink Planning spread for SeptemberDecember 2024 Spans JanuaryDecember 2025 Generous grid space for notes, appointments, and reminders Official major world holidays and observances Moon phases, based on Universal Time Full-color images from the Disney Dreams Collection by Thomas Kinkade Studios Disney

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A new edition of Malory's Morte Darthur based on the Winchester and other source manuscripts. CHOICE Outstanding Academic Title Malory completed his Morte Darthur in 1469-70. The two earliest surviving witnesses, the Winchester manuscript and Caxton's printed edition, were both produced within the next sixteen years. The manuscript was soon lost, but its rediscovery in 1934 revealed that these two texts had striking differences. Eighty years of scholarship in a variety of disciplines has discovered a good deal about who changed whatand why: the Caxton, for instance, tends to be very unreliable in the last few lines of particular kinds of pages. These discoveries should make it possible to produce an edition of Malory's book that comes closer than ever before to what Malory intended to write. The present edition aims to do that, basing itself on the Winchester manuscript, but treating it merely as the most important piece of evidence for what Malory intended, and the default text where no other reading can be shown to be more probable. P.J.C. Field is Professor of English at Bangor University.

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