Search results for ""author john c."

The Exposition of 1 John and An Exposition upon Matthew V-VII are William Tyndale's two major exegetical writings, published respectively in 1531 and 1533 in Antwerp. By this period Tyndale's English translations of the New Testament and Pentateuch had both been printed, and he was preparing a revised version of the former to be published in 1534. Among the books he produced in the interim are these verse-by-verse commentaries on St. John's first epistle and on Jesus's Sermon on the Mount. In them Tyndale characteristically alternates between fierce polemics and solemn homilies that together, as has been claimed, amount to the most complete articulation of his theological positions. This volume replaces the nineteenth-century editions on which scholars and students have long relied by providing an original-spelling text of each Exposition with notes recording substantive textual variants in all sixteenth-century editions; an introduction and extensive commentary documenting, in particular, parallels and differences between the two texts and Tyndale's other works, the works of Luther and other reform theologians, and the works of the Church Fathers and others; plus a comprehensive glossary, appendices, and indices.

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Published in the early 1950s, C. S. Lewis's seven Chronicles of Narnia were proclaimed instant children's classics and have been hailed in The Oxford Companion to Children's Literature as "the most sustained achievement in fantasy for children by a 20th-century author." But how could Lewis (a formidable critic, scholar, and Christian apologist)conjure up the kind of adventures in which generations of children (and adults) take such delight? In this engaging and insightful book, C. S. Lewis expert David C. Downing invites readers to join his vivid exploration of the Chronicles of Narnia, offering a detailed look at the enchanting stories themselves and also focusing on the extraordinary intellect and imagination of the man behind the Wardrobe. Downing presents each Narnia book as its own little wardrobe - each tale an opportunity to discover a visionary world of bustling vitality, sparkling beauty, and spiritual clarity. And Downing's examination of C. S. Lewis's personal life shows how the content of these classic children's books reflects Lewis's love of wonder and story, his affection for animals and homespun things, his shrewd observations about human nature, along with his vast reading, robust humor, theological speculations, medieval scholarship, and arcane linguistic jokes. A fun glossary of odd and invented words will allow readers to speak with Narnian flair, regaling friends and family with unusual words like cantrips, poltoonery, hastilude, and skirling. A masterful work that will appeal to both new and seasoned fans of Narnia, Into the Wardrobe offers a journey beyond Narnia's deceptively simple surface and into its richly textured and unexpected depths.

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In 1955, the controversial and innovative sexologist John Money first used the term “gender” in a way that we all now take for granted: to describe a human characteristic. Money’s work broke new ground and gave currency to medical ideas about human sexuality. As an ardent advocate for sexual liberation, he became something of a fixture in the popular imagination.This book cuts through Money’s talent for polemic and self-promotion by digging into the substance of Money’s theories and achievements. It offers, for the first time, a balanced and probing textual analysis of this pioneering scholar’s writing to assess Money’s profound impact on the debates and research on sexuality and gender that dominated the last half of the twentieth century. Through his analysis, Goldie recovers Money’s brilliance and insight from simplistic dismissals of his work due to his involvement in the tragic David Reimer case, while never losing sight of his flaws.

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John Peter Askew (*1960, UK) is an artist who works with the camera to create dense, poetic images of domestic life, and of the historical forces that shape who we are. Since 1996 he has photographed the Russian city of Perm, the easternmost city in Europe, as part of a project investigating the state of modern Europe. While We is an extended epic portrait across generations of a single family, the Chulakovs, these photographs transcend their particular circumstances. Askew pays attention to our 'best selves', asking us to imagine the possibility of a better, more playful world, and pointing towards who we might yet become.

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In this life of painter John Singleton Copley, Jane Kamensky untangles the web of principles and interests that shaped the age of America’s revolution. Copley’s talent earned him the patronage of Boston’s leaders but he did not share their politics and painting portraits failed to satisfy his lofty artistic goals. A British subject who lamented America’s provincialism, Copley looked longingly across the Atlantic. When resistance escalated into war, he was in London. A painter of America’s revolution as Britain’s American War, the magisterial canvases he created made him one of the towering figures of the British art scene. Kamensky brings Copley’s world alive and explores the fraught relationships between liberty and slavery, family duty and personal ambition, legacy and posterity—tensions that characterised the era of the American Revolution and that beset us still.

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A contributor to Donald Allen's seminal New American Poetry anthology, John Wieners was on the periphery of many of the twentieth century's most important avant-garde poetry scenes, from Black Mountain and the Boston Renaissance to the New York School and the SF Renaissance. Having achieved cult status among poets, Wieners has also become known for the compelling nature of his journals, a mixture of early drafts of poems, prose fragments, lists, and other fascinating minutiae of the poet's imagination. Stars Seen in Person: Selected Journals of John Wieners collects four of his previously unpublished journals from the period between 1955 and 1969. The first journal depicts a young, openly gay, self-described "would-be poet" dashing around bohemian Boston with writer and artist friends, pre-drugs and pre-fame. By the last book, decimated by repeated institutionalization (the first for drug-related psychosis, the rest the consequence of the first) and personal tragedies, Wieners is broken down and in great pain, but still writing honestly and with detail about the life he's left with. These journals capture a post-war bohemian world that no longer exists, depicted through the prism of Wieners' sense of glamour. Praise for Stars Seen in Person: "Like Rimbaud in Season in Hell, or Baudelaire with Intimate Journals, there's an unguarded spark and trust in John Wieners because impulse and imagination reign supreme. In 1955 he writes, "I shall try the only true thing I want to do. I shall go to my poems." Predating The Hotel Wentley Poems, moving through Ace of Pentacles, and ushering us into his life before Nerves, Stars Seen in Person further illuminates John as our future/former best unkept secret."--Micah Ballard "Thanks to Michael Seth Stewart's editorial legerdemain, at long last we have the magnificent John Wieners here before us, in his full undressed splendor: poet, stargazer, philosopher, shaman, flaneur, survivor. His journals----an inspiring monument, filled with taut provocations and purple illuminations----are valuable as cultural history, as lyric performance, as uninhibited autobiography, and as a motley, genre-defying epitome of gesamtkunstwerk aesthetic possibilities that seem as fresh and enticing as anything being dreamt up today." --Wayne Koestenbaum "These pages of notebooks and poetry--so exhaustively exhumed and returned to light and breath--are equivalent to Rilke's Letters to a Young Poet, but in reverse. John Wieners (forever young) evolved through his prose notes towards a sustained poetics of adolescence, holding that tormented phase on a long unyielding band-wave, resisting the sop of adult living with all his might and undergoing the inevitable punishments that such persistence brings."--Fanny Howe "John Wieners remains one of the best poets of my generation. His work & life continue to influence younger poets. These journals reveal his deep commitment to poetry & the poem; they contextualize his constant questing & devotion to the art. I knew John during many of the periods his journals cover &, as always, remain amazed & moved by his deeply examined honesty & purity."--David Meltzer John Wieners studied with Charles Olson at Black Mountain College, and later edited the small magazine Measure. He lived for a year and a half in San Francisco, where he wrote his breakthrough book, Hotel Wentley Poems (1958). In the early seventies he settled into an apartment on Boston's Beacon Hill, where he lived and wrote until his death in 2002.

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The first comprehensive monograph on the master contemporary Korean American sculptor, from his seminal wire sculptures to his never-before-seen early works formed of steel. John Pai (b. 1937) is a prolific multimedia artist whose handmade three-dimensional sculptures are, paradoxically, still objects that seem to exist in a state of movement and transformation. This full-career survey of Pai s inventive work consists of his rarely seen early work up to the present. Pai s incredibly intricate, three-dimensional abstract 'drawings in space' are made of endless lengths of individual steel or copper rods and textured sheets made from hundreds of rods welded together. Unlike many contemporary sculptors who draw a sketch and let metalworkers do the actual construction, Pai continues to do all his work himself?from choosing the materials to the labor-intensive process of welding and bending the metals into complex and sometimes massive forms. Immigrating from Korea to the US at age 11, Pai showed his prodigious talent for art at a young age. He received a scholarship to attend Pratt Institute, and in the 1960s, Pai became the youngest professor appointed to the faculty at Pratt. Leading its fine arts and sculpture programs for nearly four decades, Pai proved a talented and beloved educator, nurturing generations of sculptors and fostering the burgeoning Korean artistic community in New York with those such as his contemporary Nam June Paik, reflecting a sensibility outside the mainstream of American art.

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Few legal cases in American history are as riveting as the controversy surrounding the will of Virginia Senator John Randolph (1773–1833), which—almost inexplicably—freed all 383 of his slaves in one of the largest and most publicised manumissions in American history. So famous is the case that Ta-Nehisi Coates has used it to condemn Randolph’s cousin, Thomas Jefferson, for failing to free his own slaves. With this ground-breaking investigation, historian Gregory May now reveals a more surprising story, showing how madness and scandal shaped John Randolph’s wildly shifting attitudes toward his slaves—and how endemic prejudice in the North ultimately deprived the freedmen of the land Randolph had promised them. Sweeping from the legal spectacle of the contested will through the freedmen’s dramatic flight and horrific reception in Ohio, A Madman’s Will is an extraordinary saga about the alluring promise of freedom and its tragic limitations.

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John Lockwood Kipling (1837–1911) started his career as an architectural sculptor at the South Kensington Museum (today the Victoria and Albert Museum). Much of his life, however, was spent in British India, where his son Rudyard was born. He taught at the Bombay School of Art and later was appointed principal of the new Mayo School of Art (today Pakistan’s National College of Art and Design) as well as curator of its museum in Lahore. Over several years, Kipling toured the northern provinces of India, documenting the processes of local craftsmen, a cultural preservation project that provides a unique record of 19th-century Indian craft customs. This is the first book to explore the full spectrum of artistic, pedagogical, and archival achievements of this fascinating man of letters, demonstrating the sincerity of his work as an artist, teacher, administrator, and activist. Published in association with Bard Graduate CenterExhibition Schedule:Victoria and Albert Museum, London (01/14/17–04/02/17)Bard Graduate Center, New York (09/15/17–01/07/18)

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A book dedicated to the newly constructed expansion of the Kennedy Center that provides a new topology for performing-arts centers and a view of how art is made, designed by one of America’s most influential architects.As the first major expansion in Kennedy Center history, the REACH breaks down boundaries between audience and art. Set adjacent to the Kennedy Center along the Potomac River in Washington, D.C., the REACH is set to open in 2019. As a “living memorial” for John F. Kennedy, the Center for the Performing Arts takes an active position among the great presidential monuments of the Jefferson and Lincoln memorials. Steven Holl Architects envisions the expansion of the building to fuse with the landscape and river, connecting the Kennedy Center to the Potomac riverfront for the first time: walk through a grove of thirty-five ginkgo trees, watch a free outdoor simulcast performance projected on a wall in a public park, or look out at the Potomac from a river pavilion café. The book offers a comprehensive look at the history of the project and includes programming initiatives by the Kennedy Center to memorialize President Kennedy and his significant contribution to the arts and American culture.

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John Wayne was more than a movie star. He was a symbol for everything good and decent about America, inspiring everyday people to reach just a little bit more and try a little bit harder. During his 72 years and more than 150 movies, John Wayne imparted a seemingly-endless amount of advice, wisdom and good old-fashioned common sense to his audiences, and that wealth of knowledge has been collected together for the first time by the people who loved and knew him best. The John Wayne Code is filled with the icon's most insightful quotes, personal stories from his family and friends, and advice for how to be a better person. This personal collector's item encased in faux leather with gilded edges makes the perfect companion for any fan of Duke's who wants to make their life a little more legendary.

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When Stoner was published in 1965, the novel sold only a couple of thousand copies before disappearing with hardly a trace. Yet John Williams’s quietly powerful tale of a Midwestern college professor, William Stoner, whose life becomes a parable of solitude and anguish eventually found an admiring audience in America and especially in Europe. The New York Times called Stoner “a perfect novel,” and a host of writers and critics, including Colum McCann, Julian Barnes, Bret Easton Ellis, Ian McEwan, Emma Straub, Ruth Rendell, C. P. Snow, and Irving Howe, praised its artistry. The New Yorker deemed it “a masterly portrait of a truly virtuous and dedicated man.”The Man Who Wrote the Perfect Novel traces the life of Stoner’s author, John Williams. Acclaimed biographer Charles J. Shields follows the whole arc of Williams’s life, which in many ways paralleled that of his titular character, from their shared working-class backgrounds to their undistinguished careers in the halls of academia. Shields vividly recounts Williams’s development as an author, whose other works include the novels Butcher’s Crossing and Augustus (for the latter, Williams shared the 1972 National Book Award). Shields also reveals the astonishing afterlife of Stoner, which garnered new fans with each American reissue, and then became a bestseller all over Europe after Dutch publisher Lebowski brought out a translation in 2013. Since then, Stoner has been published in twenty-one countries and has sold over a million copies.

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Enjoying an overdue break in Venice, the Bishop of Rhyminster has a chance encounter with Oliver Canford; a flamboyant tour guide, staying at the same hotel who grew up in a vicarage and read Theology at Cambridge. Despite misgivings from his wife, Bishop Bob offers him the post of Bishop’s Lay assistant. But Canford neglects his duties in favour of flirting with the Chorister Mums, pursuing eligible widows around Cathedral Close and disappearing to London to sing with his refined choir. When one of his absences extends to 48 hours, the Bishop worries. He calls in his old friend John Tedesco, who runs a bespoke detective agency with his colleague Lynne Davey. When a body is discovered in the Rhyme Chantry, a forbidding structure known as “the Cage”, the tiny tourist city is thrust under the media spotlight, suspicion falling on a leading member of the Cathedral staff. Join Tedesco and Davey as they encounter a byzantine world of rival voluntary groups, hard pressed clergy and warring choral societies. Can they cut through the confusion and solve the mystery of “The Cage” before DCI Bloomfield jumps to the wrong conclusion?

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This is a biography of John Emory Bryant, a veteran of the Civil War who became a Carpetbagger in Georgia during the Reconstruction era. A member of the Eighth Maine Infantry Regiment during the Civil War, Bryant fought at the Battle of the Crater. After his service in the war, he returned to Maine to study law. But, before he finished his degree, he was contacted by his former commander and friend, General Rufus Saxton, to join him in "new work . . . among former slaves in the South" with the Freedmen’s Bureau, an organization designed to protect and assist the newly freed slaves.

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Art and Reality is a collection of general theoretical reflections and particular critical studies, in which John Anderson asserts the essential role of art and aesthetics in intellectual life. Rejecting the notion that artistic appreciation is simply a matter of spontaneous response or 'personal taste', Anderson argues that genuine criticism requires the application of general aesthetic principles and an awareness of the relationship between art and nature. In exploring how beauty is experienced and defined, he considers a wide range of authors, from Homer to Joyce, Melville to Dostoevsky, Shakespeare to Shaw. He outlines his underlying theory of aesthetics and offers commentary on some key controversies of his day, including psychoanalytic criticism, the Ern Malley hoax, and the censorship of Ulysses in Australia.With characteristic rigor and originality, Anderson proposes a philosophical way of approaching works of art, one which can lead us to a more meaningful and thoughtful engagement with literature.

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Kirkby's register is a lively record of life in a remote part of the country, with fighting on the Scottish border and quarrels in the diocese. This volume contains a calendar of the register, together with an introduction. John Kirkby's episcopate was an eventful one. It coincided with a period of Anglo-Scottish warfare in which the bishop participated with gusto, but even domestically his tenure of the see of Carlisle was stormy, for the bishop was involved in feuding among the local gentry, and quarrelled with his archdeacon and with the dean and chapter of York during the vacancy of 1340-42. This volume contains a wide range of adminstrative material, for example, ordination lists and exchanges of benefices (with the reasons fully given), yet provides a lively record of life in a remote part of the country. A second volume will include a rental of of episcopal manors,an appendix of transcipts of documents, and the index. R.L. STOREY is Professor of Medieval History Emeritus, Nottingham University. He is the author of several standard books on late-Medieval England.

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Reconsideration of the nature of the Greek attested in both the Septuagint and the New Testament has focussed in the past century on its place within the history of Greek. A central facet of the work of John Lee has been to demonstrate that biblical Greek is contemporary Koine, comparable to that found in inscriptions and papyri, and that it can be positioned within the history of the language. These essays honour him in considering various aspects of biblical Greek within its context. Lexicography is discussed in the light of particular 'Jewish Greek' features, the role of context for semantics, and the use of Modern Greek in lexicons. Septuagint translation techniques involving transliterations, loan-words, and ethnic terminology, and the grammatical topics of deponency and verbal aspect, are all analysed. The importance of papyri and numismatic evidence is highlighted, while the material witnessess of doublets in the manuscript tradition and of later Jewish versions represented in the Cairo Genizah and in marginal glosses are also examined.

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*Shortlisted for the John Creasey (New Blood) Dagger Award 2017* World-weary Jonathan Craine is a detective at the LAPD who has spent his entire career as a studio ‘fixer’, covering up crimes of the studio players to protect the billion-dollar industry that built Los Angeles. When one of the producers of The Wizard of Oz is found dead under suspicious circumstances, Craine must make sure the incident passes without scandal and that the deceased’s widow, the beautiful starlet Gale Goodwin, comes through the ordeal with her reputation unscathed. But against his better instincts, Craine finds himself increasingly drawn to Gale. And when a series of unsavoury truths begin to surface, Craine finds himself at the centre of a conspiracy involving a Chicago crime syndicate, a prostitution racket and a set of stolen pictures that could hold the key to unravelling the mystery.

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“Going my way?” asked John Turner’s campaign brochure in 1962, “my way is the Liberal way.” It was, that is, until Pierre Trudeau came to power. Turner was his party’s star apprentice in the Liberal art of managing a heterogeneous nation through brokerage politics, but in the 1968 election Canadians opted instead for a newly minted celebrity leader for a re-imagined nation.A political biography extraordinaire, Elusive Destiny reveals the inner workings of the Liberal Party in its heyday as charted through the meteoric rise and fall of John Napier Turner. It highlights Turner’s vision for the country and tallies the political price he paid when he deviated from the Trudeau legacy on matters such as language rights, social spending, and Quebec. It also provides a new perspective on federal politics from the 1960s through the 1980s while giving John Turner his rightful place in Canadian history.

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Otfried Hans Freiherr von Meusebach chose a life of hardship and freedom in Texas rather than a life of comfort and influence in his native Germany, where he had lived his formative years within a framework of unconstitutional government. In 1845 the young liberal relinquished his hereditary German title, left behind his close family ties and his various intellectual and political associations, and arrived in Texas as John O. Meusebach, commissioner-general for the Society for the Protection of German Immigrants. His background enabled him to assume an enlightened leadership of fellow immigrants who were pouring in from Germany. Lacking adequate financial backing, he nevertheless led the settling of some five thousand people in a land that was largely occupied by Indians. Irene Marschall King presents the full sweep of Meusebach's vigorous life: Meusebach as the young liberal in Germany, as the colonizer in the 1840s, as a Texas senator and, later, an observer of the Civil War, and as a Texan who devoted his later years to bringing the Texas soil to fruition—all set against a background of the immigration movement and frontier life. "Freedom is not free; it is costly," Meusebach believed. In Texas he found for himself and others freedom worth the price he paid. Rich in historic detail, King's story recounts the founding of Fredericksburg, the crippling effect of the Mexican War upon the mass of immigrants huddled in illness on the coast, the signing of the Indian Treaty, which opened to settlement over three million acres of land, and the final collapse of the Society for the Protection of German Immigrants. Also depicted is the colonists' influence on the land—the gardens and orchards of south central Texas, the "Easter Fires" that blaze on the hills surrounding Fredericksburg, the mixture of German custom with American necessity that created a unique culture. Throughout the narrative Mrs. King presents a fascinating cast of characters: the noble Prince Solms, who tries to establish a German military outpost in Texas; Henry Fisher, who attempts by devious methods to control the colonists and their land and finally incites a mob which tries to hang Meusebach; Philip Cappes, a special commissioner and Meusebach's assistant, who plots through intriguing correspondence with Count Castell, the executive secretary in Germany, to overthrow Meusebach; and the colorful and courageous Indian fighter and Texas Ranger, Colonel Jack Hays. Primarily, however, this is the story of a man who found strength in his family's motto, "Perseverance in Purpose," and gave of his energies to build Texas.

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This gripping narrative is an in-depth study of the valiant men of General John Caldwell’s Union Division during the Gettysburg Campaign. Caldwell’s Division made a desperate stand against a tough and determined Confederate force in farmer George Rose's nearly 20-acre Wheatfield. Ready for harvest, the infamous Wheatfield would change hands nearly six times in the span of two hours of fighting on July 2, becoming a trampled, bloody, no-man's land for thousands of wounded soldiers. Smith examines the lives of the Union soldiers in the ranks—as well as leaders Cross, Kelly, Zook, Brooke, and Caldwell himself. From Colonel Edward Cross’s black bandana, to the famed Irish Brigade's charge on Stoney Hill, to a lone young man from Washington County whose grave is marked in stone nearby, James Smith’s Storming the Wheatfield goes deep into the lives the soldiers, evoking a personal connection with the troops. Smith painstakingly contacted nearly one hundred descendants of Caldwell's soldiers, producing one of the most extensively researched narratives to date.

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A Christian barrister and moral crusader who viciously caned young men in his garden shed. An exclusive network of powerful men seeking control in the Church of England. A shared secret of abuse that casts a dark shadow over a whole generation of Christian leaders. This is the extraordinary true story of John Smyth QC, a high-flying barrister who used his role in the church to abuse more than a hundred men and boys in three countries. It tells how he was spirited out of the UK, and how he played the role of moral crusader to evade justice over four decades. It reveals how scores of respected church leaders turned a blind eye to his history of abuse. Journalist and broadcaster Andrew Graystone has pursued the truth about Smyth and those who enabled him to escape justice. He has heard the excruciating testimony of many of Smyth's victims, and has uncovered court and church documents, reports, letters and emails. He has investigated the network of exclusive 'Bash camps' through which Smyth groomed his victims. For the first time, he presents a comprehensive critique of the Iwerne project and the impact it has had on British society and the church.

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Someone knows where the bodies are buried...'Taut, dark and expertly crafted tale' [GUARDIAN] from the No.1 bestselling author of A SONG FOR THE DARK TIMES'No one in Britain writes better crime novels today' Evening StandardRetirement doesn't suit John Rebus. He wasn't made for hobbies, holidays or home improvements. Being a cop is in his blood.So when DI Siobhan Clarke asks for his help on a case, Rebus doesn't need long to consider his options.Clarke's been investigating the death of a senior lawyer whose body was found along with a threatening note. On the other side of Edinburgh, Big Ger Cafferty - Rebus's long-time nemesis - has received an identical note and a bullet through his window.Now it's up to Clarke and Rebus to connect the dots and stop a killer.Even Dogs in the Wild brings back Ian Rankin's greatest characters in a story exploring the darkest corners of our instincts and desires.

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Religion and Public Life is a collection of papers delivered at a conference commemorating the 50th anniversary of the death of Msgr. John A. Ryan, who was the most prominent and influential American advocate of the Catholic social tradition in the first half of the twentieth century. He was a rare combination of scholar, priest, and political realist. Most of his career was spent in Washington, D.C., where he was both a professor at the Catholic University of America and a principal representative of the American bishops to Congress. This collection serves as a fine introduction to Ryan's thought as well as a survey of some of the more pressing current issues in the Catholic social tradition.

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The adventurer and artist John Castle, of mixed British and Prussian descent, was one of several foreigners commissioned by the Russian Empire to take part in the Orenburg Expedition which started in 1734. Its aims were to secure and encircle Bashkiria, to the north of present-day western Kazakhstan. The Russians planned to establish a line of forts, a trading base and centre for overseeing the Kazakhs at Orenburg at the junction of the Or and Ural (Jaik) rivers and to investigate the natural resources of the region. The Expedition attracted numerous merchants, surveyors and curious travellers. Castle volunteered to visit Khan Abulkhayir of the Lesser Kazakh Horde and to negotiate with him on behalf of the Russians. At the time Abulkhayir had been compelled, against the will of his people, to swear an oath of allegiance to Russia, and the situation with the Kazakhs remained volatile. Castle set off into virtually uncharted territory in the midst of chaos due to a major Bashkir rebellion prompted by the Orenburg Expedition. During his two-month journey he recorded his impressions of places, people and customs. Castle's diary describes this dangerous journey, subsequent events and his return to safety. It provides information on the tense political dynamics of the time, on the ethnography, geography and natural resources of Kazakhstan and on the difficult interactions between foreign members of the Expedition and Russian officials. The diary's rich ethnographic content, which includes first-hand observations of exorcism and divination rituals and the local administration of justice, gives clear - and for its time extremely rare - insights into the combined use of customary Kazakh steppe practices and Islam. It is a major historiographical source because it is written from the point of view of a foreigner and not a Russian. This book is the first English translation (by Sarah Tolley) and edition of John Castle's Journal von der AO 1736 aus Orenburg zu dem Abul Geier Chan der Kirgis-Kaysak Tartarichen Horda - , Riga 1784 (Journal of a Journey undertaken in AO 1736 from Orenburg to Abul Geier, Khan of the Kirgis Caysak Horde - ). It reproduces the diary in full, with its glossary and 13 plates. These include unique illustrations of the Khan, his yurt and life on the steppe. An introduction provides the context of the Expedition, and footnotes accompany the text giving further clarifications and explanations.

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This revision of avant-garde history traces a direct line back from John Cage, pop and conceptual art, through the Futurists, to Whitman, Emerson, Ruskin, Carlyle and Wordsworth, showing how the art of everyday objects, often thought an exclusively contemporary phenomenon, actually began as far back as 1800. In recovering the links between such seemingly disparate figures, this work is intended to provide a better understanding of modern culture.

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An extraordinary illustrated biography of a Métis man and Anishinaabe woman navigating great changes in their homeland along the U.S.–Canada border in the early twentieth century John Linklater, of Anishinaabeg, Cree, and Scottish ancestry, and his wife, Tchi-Ki-Wis, of the Lac La Croix First Nation, lived in the canoe and border country of Ontario and Minnesota from the 1870s until the 1930s. During that time, the couple experienced radical upheavals in the Quetico–Superior region, including the cutting of white and red pine forests, the creation of Indian reserves/reservations and conservation areas, and the rise of towns, tourism, and mining. With broad geographical sweep, historical significance, and biographical depth, Making the Carry tells their story, overlooked for far too long.John Linklater, a renowned game warden and skilled woodsman, was also the bearer of traditional ecological knowledge and Indigenous heritage, both of which he was deeply committed to teaching others. He was sought by professors, newspaper reporters, museum personnel, and conservationists—among them Sigurd Olson, who considered Linklater a mentor. Tchi-Ki-Wis, an extraordinary craftswoman, made a sweeping array of necessary yet beautiful objects, from sled dog harnesses to moose calls to birch bark canoes. She was an expert weaver of large Anishinaabeg cedar bark mats with complicated geometric designs, a virtually lost art.Making the Carry traces the routes by which the couple came to live on Basswood Lake on the international border. John’s Métis ancestors with deep Hudson’s Bay Company roots originally came from Orkney Islands, Scotland, by way of Hudson Bay and Red River, or what is now Winnipeg. His family lived in Manitoba, northwest Ontario, northern Minnesota, and, in the case ofJohn and Tchi-Ki-Wis, on Isle Royale. A journey through little-known Canadian history, the book provides an intimate portrait of Métis people.Complete with rarely seen photographs of activities from dog mushing to guiding to lumbering, as well as of many objects made by Tchi-Ki-Wis, such as canoes, moccasins, and cedar mats, Making the Carry is a window on a traditional way of life and a restoration of two fascinating Indigenous people to their rightful place in our collective past.

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