Search results for ""Temple University Press,U.S.""

Equal Play; Title IX and Social Change collects the best, up-to-date scholarship, court cases, and other useful materials showing how the governmental processes have influenced the implementation of one of the country's most important social goals: equality in athletics.

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An examination of how racial and gender hierarchies are intertwined in Brazil

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Reveals a remarkable range of animal behaviours and makes the case that the ethical treatment of animals is an especially significant issue

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Explore the city, its environment, and human roles in shaping the meaning and condition of both

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Examines how musicians navigated their everyday lives, grappling with the intercultural tensions and commercial pressures that were so pronounced on the salsa scene

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Drawing on their expertise in geography, political science, international relations, and communication studies, McDowell, Steinberg, and Tomasello investigate specific policy problems encountered as international organizations, corporations, and individual users try to "manage" a space that simultaneously contradicts and supports existing institutions and systems of governance, identity, and technology.

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Stan Brakhage: Filmmaker is a collection of essays, photographs, personal statements, and reminiscences about the celebrated avant-garde filmmaker who died in 2003. The director of nearly four hundred short films, including Dog Star Man, Parts I-IV, and the Roman Numeral Series, Brakhage is widely recognized as one of the great artists of the medium. His shorts eschewed traditional narrative structure, and his innovations in fast cutting, hand-held camerawork, and multiple superimpositions created an unprecedentedly rich texture of images that provided the vocabulary for the explosion of independent filmmaking in the 1960s. Stan Brakhage: Filmmaker chronicles both the director's personal and formal development. The essays in this book-by historians, filmmakers, and other artists-assess Brakhage's contributions to the aesthetic and political history of filmmaking, from his emergence on the film scene and the establishment of his reputation, to the early-1980s. The result is a remarkable tribute to this lyrical, visionary artist.

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Monitoring Sweatshops offers the first comprehensive assessment of efforts to address and improve conditions in garment factories. Jill Esbenshade describes the government's efforts to persuade retailers and clothing companies to participate in private monitoring programs. She shows the different approaches to monitoring that firms have taken, and the variety of private monitors employed, from large accounting companies to local non-profits. Esbenshade also shows how the efforts of the anti-sweatshop movement have forced companies to employ monitors overseas as well. When monitoring is understood as the result of the withdrawal of governments from enforcing labor standards as well as the weakening of labor unions, it becomes clear that the United States is experiencing a shift from a social contract between workers, businesses, and government to one that Jill Esbenshade calls the social responsibility contract. She illustrates this by presenting the recent history of monitoring, with considerable attention to the most thorough of the Department of Labor's programs, the one in Los Angeles. Esbenshade also explains the maze of alternative approaches being employed worldwide to decide the questions of what should be monitored and by whom.

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Though the United States emerged from World War II with superpower status and quickly entered a period of economic prosperity, the stresses and contradictions of the Cold War nevertheless cast a shadow over American life. The same period marked the heyday of the western film. Cowboys as Cold Warriors shows that this was no coincidence. It examines many of the significant westerns released between 1946 and 1962, analyzing how they responded to and influenced the cultural climate of the country. Author Stanley Corkin discusses a dozen films in detail, connecting them to each other and to numerous others. He considers how these cultural productions both embellished the myth of the American frontier and reflected the era in which they were made. Films discussed include: My Darling Clementine, Red River, Duel in the Sun, Pursued, Fort Apache, Broken Arrow, The Gunfighter, High Noon, Shane, The Searchers, Gunfight at the OK Corral, The Magnificent Seven, The Alamo, Lonely Are the Brave, Ride the High Country, and The Man Who Shot Liberty Valance.

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The Uncertainties of Knowledge extends Immanuel Wallerstein's decade-long work of elucidating the crisis of knowledge in current intellectual thought. He argues that the disciplinary divisions of academia have trapped us in a paradigm that assumes knowledge is a certainty and that it can help us explain the social world. This is wrong, he suggests. Instead, Wallerstein offers a new conception of the social sciences, one whose methodology allows for uncertainties.

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The contributors to this landmark collection set the attacks on the United States in historical perspective. They reject the simplistic notion of an age-old "clash of civilizations" and instead examine the particular histories of American nationalism, anti-Americanism, U.S. foreign policy, and Islamic fundamentalism among other topics. With renewed attention to Americans' sense of national identity, they focus on the United States in relation to the rest of the world. A collection of recent and historical documents--speeches, articles, and book excerpts--supplement the essays. Taken together, the essays and sources in this volume comment on the dangers of seeing the events of September 11 as splitting the nation's history into "before" and "after." They argue eloquently that no useful understanding of the present is possible without an unobstructed view of the past. Author note: Joanne Meyerowitz is Professor of History at Indiana University and editor of The Journal of American History.

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The first book to explore the effects of dramatic changes in the delivery of medical care

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Using classic theories to explain individuals' political decisions, this volume examines what influences these decisions. Supported by the research of the Columbia school of electoral sociology, this view is contrasted with rational choice theory and the Michigan school of electoral analysis. Written by a range of political scientists, this volume advances theory and method in the study of political behavior and returns the social logic of politics to the heart of political science.

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Marc Stein's City of Sisterly and Brotherly Loves is refreshing for at least two reasons: it centers on a city that is not generally associated with a vibrant gay and lesbian culture, and it shows that a community was forming long before the Stonewall rebellion. In this lively and well received book, Marc Stein brings to life the neighborhood bars and clubs where people gathered and the political issues that rallied the community. He reminds us that Philadelphians were leaders in the national gay and lesbian movement and, in doing so, suggests that New York and San Francisco have for too long obscured the contributions of other cities to gay culture.

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Roy Orbison's music--whether heard in his own recordings or in cover versions of his songs--is a significant part of contemporary American culture despite the fact that he died almost a generation ago. Few of today's listeners know or remember how startlingly unique he seemed at the height of his career in the early 1960s. In this book, Peter Lehman looks at the long span of Orbison's career and probes into the uniqueness of his songs, singing, and performance style, arguing that singer/songwriters no less than filmmakers can be considered as auteurs. Unlike other pop stars, Orbison was a constant presence on the Top 40, but virtually invisible in the media during his heyday. Ignoring the conventions of pop music, he wrote complex songs and sang them with a startling vocal range and power. Wearing black clothes and glasses and standing motionless on stage, he rejected the macho self confidence and strutting that characterized the male rockers of his time. He sang about a man lost in a world of loneliness and fear, one who cried in the dark or escaped into a dream world, the only place his desires could be fulfilled. This was a man who reveled in passivity, pain, and loss. Lehman traces Orbison's development of this alternative masculinity and the use of his music in films by Wim Wenders and David Lynch. Widely admired by fellow musicians from Elvis to Jagger, Springsteen and Bono, Orbison still attracts new listeners. As a devoted fan and insightful scholar, Lehman gives us a fascinating account of "the greatest white singer on the planet," and a new approach to understanding individual singer/songwriters. Author note: Peter Lehman is Director of the Interdisciplinary Humanities Program at Arizona State University. He is the author of Running Scared: Masculinity and the Representation of the Male Body (Temple), and the editor of Masculinity Bodies/Movies/Culture.

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A new anthology from one of America's foremost critics of movies and culture

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An important history of the way class formed in the US, The Rule of Racialization offers a rich new look at the invention of whiteness and how the inextricable links between race and class were formed in the seventeenth century and consolidated by custom, social relations, and eventually naturalized by the structures that organize our lives and our work. Arguing that, unlike in Europe, where class formed around the nation-state, race deeply informed how class is defined in this country and, conversely, our unique relationship to class in this country helped in some ways to invent race as a distinction in social relations. Martinot begins tracing this development in the slave plantations in 1600s colonial life. He examines how the social structures encoded there lead to a concrete development of racialization. He then takes us up to the present day, where forms of those structures still inhabit our public and economic institutions. Throughout, he engages historical and contemporary thinkers on the nature of race in the US, creating a book that at once synthesizes significant critiques of race while at the same time offers a completely original conception of how race and class have operated in American life throughout the centuries. A uniquely compelling book, The Rule of Racialization offers a rich contribution to the study of class, labor, and American social relations. Author note: Steve Martinot is Instructor at the Center for Interdisciplinary Programs at San Francisco State University. He has edited two previous books, and translated Racism by Albert Memmi.

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Since the 1950s, writing about popular music has become a staple of popular culture. Rolling Stone, Vibe, and The Source as well as music columns in major newspapers target consumers who take their music seriously. Rapidly proliferating fanzines, websites, and internet discussion groups enable virtually anyone to engage in popular music criticism. Until now, however, no one has tackled popular music criticism as a genre of journalism with a particular history and evolution. Pop Music and the Press looks at the major publications and journalists who have shaped this criticism, influencing the public's ideas about the music's significance and quality. The contributors to the volume include academics and journalists; several wear both hats, and some are musicians as well. Their essays illuminate the complex relationships of the music industry, print media, critical practice, and rock culture. (And they repeatedly dispel the notion that being a journalist is the next best thing to being a rock star.) Author note: Steve Jones is Professor of Communication at the University of Illinois, Chicago. Among his books are CyberSociety: Computer-Mediated Communication and Community (editor) and Rock Formation: Popular Music, Technology, and Mass Communication.

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An interdisciplinary reexamination of a fragmented history

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Teenagers and Teenpics tells the story of two signature developments in the 1950s: the decline of the classical Hollywood cinema and the emergence of that strange new creature, the American teenager. Hollywood's discovery of the teenage moviegoer initiated a progressive "juvenilization" of film content that is today the operative reality of the American motion picture industry. The juvenilization of the American movies is best revealed in the development of the 1950s "teenpic," a picture targeted at teenagers even to the exclusion of their elders. In a wry and readable style, Doherty defines and interprets the various teenpic film types: rock 'n' roll pictures, j.d. films, horror and sci-fi weirdies, and clean teenpics. Individual films are examined both in light of their impact on the motion picture industry and in terms of their important role in validating the emerging teenage subculture. Also included in this edition is an expanded treatment of teenpics since the 1950s, especially the teenpics produced during the age of AIDS. Author note: Thomas Doherty is Associate Professor of American Studies and Chair of the Film Studies Program at Brandeis University. He is the author of two previous books, including Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930-1934, which was a New York Times Notable Book for 1999.

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Few people would ever expect that Karl Marx is the writer of the above statement. He not only wrote it, but he did so in the same breath of his more famous dictum that "religion is the opiate of the masses." How can one reconcile such different perspectives on the power and ubiquity of religion? In this compact reader of Marx's essential thought on religion, John Raines offers the full range of Marx's thoughts on religion and its relationship to the world of social relations. Through a careful selection of essays, articles, pamphlets, and letters, Raines shows that Marx had a far more complex understanding of religious belief. Equally important is how Marx's ideas on religion were intimately tied to his inquiries into political economy, revolution, social change, and the philosophical questions of the self. Raines offers an introduction that shows the continuing importance of the Marxist perspective on religion and its implications for the way religion continues to act in and respond to the momentous changes going on in our social and environmental worlds. Marx on Religion also includes a study guide to help professors and students--as well as the general reader--continue to understand the significance of this often under-examined component of Marx. Author note: John Raines is Professor of Religion at Temple University. He is the author of over a half-dozen books, including, most recently, What Men Owe to Women: Men's Voices from World Religions.

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Vegetarianism seems to be increasing in popularity and acceptance in the United States and Canada, yet, quite surprisingly, the percentage of the population practicing vegetarian diets has not changed dramatically over the past 30 years. People typically view vegetarianism as a personal habit or food choice, even though organizations in North America have been promoting vegetarianism as a movement since the 1850s. This book examines the organizational aspects of vegetarianism and tries to explain why the predominant movement strategies have not successfully attracted more people to adopt a vegetarian identity. Vegetarianism: Movement or Moment? is the first book to consider the movement on a broad scale from a social science perspective. While this book takes into account the unique history of North American vegetarianism and the various reasons why people adopt vegetarian diets, it focuses on how movement leaders' beliefs regarding the dynamics of social change contributes to the selection of particular strategies for attracting people to vegetarianism. In the context of this focus, this book highlights several controversies about vegetarianism that have emerged in nutrition and popular media over the past 30 years. Author note: Donna Maurer is a long-time vegetarian and freelance academic editor who also teaches online for the University of Maryland University College, where she is Adjunct Associate Professor of Sociology. She has co-edited three books on food and body weight issues (with Jeffery Sobal), including Eating Agendas: Food and Nutrition as Social Problems. She also serves on the Board of Directors of the Association for the Study of Food and Society.

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As the most successful and influential film society in American history, Cinema 16 was a crucial organization for the creation of a public space for the full range of cinema achievement in the years following World War II. A precursor of the New York Film Festival, Cinema 16 screenings became a gathering place for New Yorkers interested not only in cinema, but in the use of media in the development of a more complete, effective democracy. For seventeen years, many of the leading intellectuals and artists of the time came together as part of a membership society of thousands to experience the creative programming of Cinema 16 director, Amos Vogel. What audiences saw at Cinema 16 changed their lives and had an enduring impact not only on the New York City cultural scene, but nationwide. Vogel's distribution of landmark documentary and avant-garde films helped make a place for many films that could never have had commercial release, given the pressures of commercialism and censorship during the postwar era. Vogel's commitment to the broadest range of cinema practice led him to develop a programming strategy, inherited from the European cine-club movement, that involved confronting audiences with such a wide range of cinematic forms that viewers left the theater considering not only the often remarkable films Vogel showed, but the place of Cinema itself in modern life. Cinema 16: Documents Toward a History of the Film Society is the first book on Cinema 16. Scott MacDonald provides a sense of the life and work of the society, using the complete Cinema 16 program announcements, selected letters between Vogel and the filmmakers whose films he showed; selections from the program notes that accompanied Cinema 16 screenings, theoretical essays by Vogel on curating independent cinema; conversations between MacDonald and Cinema 16 members; photographs and stills; and a variety of other documents.

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Single or married, working mothers are, if not the norm, no longer exceptional. These days, women who stay at home to raise their children seem to be making a radical lifestyle choice. Indeed, the women at the center of The Paradox of Natural Mothering have renounced consumerism and careerism in order to reclaim home and family. These natural mothers favor parenting practices that set them apart from the mainstream: home birth, extended breast feeding, home schooling and natural health care. Regarding themselves as part of a movement, natural mothers believe they are changing society one child, one family at a time. Author Chris Bobel profiles some thirty natural mothers, probing into their choices and asking whether they are reforming or conforming to women's traditional role. Bobel's subjects say that they have chosen to follow their nature rather than social imperatives. Embracing such lifestyle alternatives as voluntary simplicity and attachment parenting, they place family above status and personal achievement. Bobel illuminates the paradoxes of natural mothering, the ways in which these women resist the trappings of upward mobility but acquiesce to a kind of biological determinism and conventional gender scripts.

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In the twentieth century, countless Americans claimed gay, lesbian, bisexual, and transgender identities, forming a movement to secure social as well as political equality. This collection of essays considers the history as well as the historiography of the queer identities and struggles that developed in the United States in the midst of widespread upheaval and change. Whether the subject is an individual life story, a community study, or an aspect of public policy, these essays illuminate the ways in which individuals in various locales understood the nature of their desires and the possibilities of resisting dominant views of normality and deviance. Theoretically informed, but accessible, the essays shed light too on the difficulties of writing history when documentary evidence is sparse or \u0022coded.\u0022 Taken together these essays suggest that while some individuals and social networks might never emerge from the shadows, the persistent exploration of the past for their traces is an integral part of the on-going struggle for queer rights.

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When the Baby Boom generation was in college, the last miscegenation laws were declared unconstitutional, but interracial romances retained an aura of taboo. Since 1960 the number of mixed race marriages has doubled every decade. Today, the trend toward intermarriage continues, and the growing presence of interracial couples in the media, on college campuses, in shopping malls and other public places, draws little notice. Love's Revolution traces the social changes that account for the growth of intermarriage as well as the lingering prejudices and false beliefs that oppress racially mixed families. For this book, author Maria P. P. Root, a clinical psychologist, interviewed some 200 people from a wide spectrum of racial and ethnic backgrounds. Speaking out about their views and experiences, these partners, family members, and children of mixed race marriages confirm that the barriers are gradually eroding; but they also testify to the heartache caused by family opposition and disapproving strangers. Root traces race prejudice to the various institutions that were structured to maintain white privilege, but the heart of the book is her analysis of what happens when people of different races decide to marry. Developing an analogy between families and types of businesses, she shows how both positive and negative reactions to such marriages are largely a matter of shared concepts of family rather than individual feelings about race. She probes into the identity issues that multiracial children confront an draws on her clinical experience to offer child-rearing recommendations for multiracial families. Root's \u0022Bill of Rights for Racially Mixed People\u0022 is a document that at once empowers multiracial people and educates those who ominously ask, What about the children? Love's Revolution paints an optimistic but not idealized picture of contemporary relationships. The \u0022Ten Truths about Interracial Marriage\u0022 that close the book acknowledges that mixed race couples experience the same stresses as everyone else in addition to those arising from other people's prejudice or curiosity. Their divorce rates are only slightly higher than those of single race couples, which suggests that their success or failure at marriage is not necessarily a racial issue. And that is a revolutionary idea!

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In the 1920s a distinctively American detective fiction emerged from the pages of pulp magazines. The \u201chard-boiled\u201d stories published in Black Mask, Dime Detective, Detective Fiction Weekly, and Clues featured a new kind of hero and soon challenged the popularity of the British mysteries that held readers in thrall on both sides of the Atlantic. In Hard-Boiled Erin A. Smith examines the culture that produced and supported this form of detective story through the 1940s. Relying on pulp magazine advertising, the memoirs of writers and publishers, Depression-era studies of adult reading habits, social and labor history, Smith offers an innovative account of how these popular stories were generated and read. She shows that although the work of pulp fiction authors like Dashiell Hammett, Raymond Chandler, and Erle Stanley Gardner have become \u201cclassics\u201d of popular culture, the hard-boiled genre was dominated by hack writers paid by the word, not self-styled artists. Pulp magazine editors and writers emphasized a gritty realism in the new genre. Unlike the highly rational and respectable British protagonists (Miss Marple and Hercule Poirot, for instance), tough-talking American private eyes relied as much on their fists as their brains as they made their way through tangled plotlines. Casting working-class readers of pulp fiction as \u201cpoachers,\u201d Smith argues that they understood these stories as parables about Taylorism, work, and manhood; as guides to navigating consumer culture; as sites for managing anxieties about working women. Engaged in re-creating white, male privilege for the modern, heterosocial world, pulp detective fiction shaped readers into consumers by selling them what they wanted to hear - stories about manly artisan-heroes who resisted encroaching commodity culture and the female consumers who came with it. Commenting on the genre\u2019s staying power, Smith considers contemporary detective fiction by women, minority, and gay and lesbian writers.

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In this remarkable memoir, Tung Pok Chin casts light on the largely hidden experience of those Chinese who immigrated to this country with false documents during the exclusion era. Although scholars have pieced together their history, first-person accounts are rare and fragmented; many of the so-called \u0022Paper Sons\u0022 lived out their lives in silent fear of discovery. Chin's story speaks for the many Chinese who worked in urban laundries and restaurants, but it also introduces an unusually articulate man's perspective on becoming Chinese American. Chin's story begins in the early 1930s, when he followed the example of his father and countless other Chinese who bought documents that falsely identified them as children of Chinese Americans. Arriving in Boston and later moving to New York City, he worked and lived in laundries. Chin was determined to fit into American life and dedicated himself to learning English. But he also became an active member of key organizations -- a church, the Chinese Hand Laundrymen's Alliance, and the Chinese Consolidated Benevolent Association -- that anchored him in the community. A self-reflective and expressive man, Chin wrote poetry commenting on life in China and the hardships of being an immigrant in the United States. His work was regularly published in the China Daily News and brought him to the attention of the FBI, then intent on ferreting out communists and illegal immigrants. His vigorous narrative speaks to the day-to-day anxieties of living as a Paper Son as well as the more universal immigrant experiences of raising a family in modest circumstances and bridging cultures. Historian K. Scott Wong introduces Chin's memoir, discussing the limitations on immigration from China and what is known about Exclusion-era Chinese American communities. Set in historical context, Tung Pok Chin's unique story offers and engaging account of a twentieth-century Paper Son.

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Sudden Death and the Myth of CPR is for anyone who has taken a CPR course or who believes the images from television dramas. It is also for families of victims and survivors of CPR. It will engage emergency personnel, others in the medical field, and anyone concerned with ethical issues of death and dying. Anyone who has ever taken a CPR course has wondered, \u0022What would happen if I actually had to use CPR?\u0022 In Western societies, the lifesaving power of resuscitation has the status of a revered cultural myth. It promises life in the face of sudden death, but the reality is that lives are rarely saved. Medical researchers estimate the survival rate for out-of-hospital CPR to be between 1 and 3 percent. Sudden Death and the Myth of CPR explores the history of this medical innovation and the promotion of its effectiveness. The overuse of resuscitation, Timmermans explains, defines people's experience with sudden death, something he learned firsthand by following the practice of lifesaving from street corner to emergency room. He argues that very few people are successfully resuscitated without brain damage despite the promotion of CPR's effectiveness through powerful media images. In vivid accounts of the day-to-day practices of cardiopulmonary resuscitation in one of the only studies o f sudden death, Timmermans records the astonishingly frank comments of emergency personnel. Doctors, nurses, social workers, and paramedics express emotions from cynicism about going through the futile motions to genuine concern for victims' family members. If a person who was supposed to keep on living dies at the end of a resuscitative attempt, how socially meaningful is the dying? Timmermans asks tough questions and addresses the controversial ethical issues about the appropriateness of interfering with life and death. He suggests policy reform and the restoration of dignity to sudden death.

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American culture is at war over \u0022family values.\u0022 And with the issue of gay and lesbian marriage often at the center of this discourse, notable thinkers like Andrew Sullivan, William Eskridge, Urvashi Vaid, and Torie Osborn have engaged in the battle. But why, Valerie Lehr asks, debate over the right of gays to take part in a socially defined institution designed to perpetuate inequalities among people? The flaw in the fight for gay and lesbian marriage rights, argues Lehr in Queer Family Values, lies in its failure to call into question the forms of oppression -- gender, racial, and economic -- that lead society to privilege the nuclear family. Lehr calls for activists to counter conservative discourses that see the nuclear family -- what Lehr considers a socially defined institution that works to maintain, in various ways, inequalities among people -- as the only responsible and mature family alternative. She asks for an approach to family issues and individual liberty that challenges power rather than demands access to privilege. She advocates social policies that enhance the freedom of all people, not simply those gay and lesbian adults seeking to be part of the dominant vision of family in our society. Analyzing recent works on family, gender, race, and class, Lehr shapes a theory of rights, freedom, and democracy that can liberate us from the strictures of conservative hegemony. She also provides practical examples of how activists can work for a more compassionate and caring society. She devotes a chapter, for example, to the responsibilities activists have to lesbian and gay youths, who -- unlike other children, who might find refuge from social injustice at home -- most often find in the traditional American home homophobia and isolation. Asserting that family care should be seen as a community function, Queer Family Values offers an alternative political strategy focused not on gaining rights, but on enhancing democracy and equality in private life.

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Sad songs and love songs. For Vietnamese refugees who fled Vietnam after the 1975 takeover by the Viet Cong, the predominant music of choice falls into these two general categories rather than any particular musical genre. In fact, Adelaida Reyes discovers, music that exiles call \u0022Vietnamese music\u0022 -- that is, music sung in Vietnamese and almost exclusively written before 1975 -- includes such varied influences as Western rock, French-derived valse, Latin chacha, tango, bolero, an d paso doble. The Vietnamese refugee experience calls attention to issues commonly raised by migration: the redefinition of group relations, the reformulation of identity, and the reconstruction of social and musical life in resettlement. Fifteen years ago, Adelaida Reyes began doing fieldwork on the musical activities of Vietnamese refugees. She entered the emotion-driven world of forced migrants through expressive culture; learned to see the lives of refugee-resettlers through the music they made and enjoyed; and, in turn, gained a deeper understanding of their music through knowledge of their lives. In Songs of the Caged, Songs of the Free, Reyes brings history, politics, and decades of research to her study of four resettlement communities, including refugee centers in Palawan and Bataan; the early refugee community in New Jersey; and the largest of all Vietnamese communities -- Little Saigon, in southern California's Orange County. Looking closely at diasporic Vietnamese in each location, Reyes demonstrates that expressive culture provides a valuable window into the refugee experience. Showing that Vietnamese immigrants deal with more than simply a new country and culture in these communities, Reyes considers such issues as ethnicity, socio-economic class, and differing generations. She considers in her study music of all kinds -- performed and recorded, public and private -- and looks at music as listened to and performed by all age groups, including church music, club music, and music used in cultural festivals. Moving from traditional folk music to elite and modern music and from the recording industry to pirated tapes. Reyes looks at how Vietnamese in exile struggled, in different ways, to hold onto a part of their home culture and to assimilate into their new, most frequently American, culture. Songs of the Caged, Songs of the Free will attract the attention of readers in Asian American studies, Asian studies, music, and ethnomusicology.

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When ethnomethodologist Albert Robillard began to suffer the symptoms of motor-neuron disease, he realized he was a living laboratory for revealing the countless taken-for-granted methods people use to produce being together. Meaning of a Disability is a detailed autobiography of the experiences and trained observations of a university professor who became paralyzed in mid-life. With his loss of speech, Robillard was forced to communicate through a lip-reading system developed by his wife and student assistants. Restricted by this form of communication and his paralysis, he soon learned the frustrations of making his meaning known. Hospital nurses wrongly anticipated his words. Those who translated for him inevitably distorted his meaning. Most of all, the casual pace of conversational give-and-take was disrupted. Old friends would leave before Robillard could provide the expected interactional response. Finding himself isolated due to his lack of both mobility and vocalization, Robillard threw himself into his academic work and began to develop settings and methods where he could satisfactorily interact with others. A researcher and writer experienced in describing the bodily and verbal methods used to coordinate and construct the most ordinary of social forms, Robillard joins in this book both his years of sociological training and his time with illness to talk with moving and illuminating analysis about a broad range of matters. Moving gracefully from examinations of narratives about disability and illness, the stigmatizing things that healthcare providers unwittingly say to their patients, and communication problems in the intensive care unit, to more personal reflections on anger, isolation, and stories of tragedy, Robillard also discusses disability in the workplace and such seemingly simple topics as computers and vacations. Meaning of a Disability is the personal story of a highly trained observer forced to confront simultaneously the limits of the disabled person's social world and the unspoken assumptions about meaningful interaction -- as he struggles with the daily difficulties of maintaining his identity. Meaning of a Disability will interest a wide audience, including healthcare professionals, disabled people, and caretakers as well as academics studying ethnomethodology, health and illness, conversation, symbolic interaction, storytelling, and most aspects of lived experience.

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When Rod Michalko's sight finally became so limited that he no longer felt safe on busy city streets or traveling alone, he began a search for a guide. The Two-in-One is his account of how his search ended with Smokie, a guide dog, and a dramatically different sense of blindness. Few people who regularly encountered Michalko in his neighborhood shops and cafes realized that he was technically blind; like many people with physical disabilities, he had found ways of compensating for his impairment. Those who knew about his condition thought of him as a fully realized person who just happened to be blind. He thought so himself. Until Smokie changed all that. In this often moving, always compelling meditations on his relationship with Smokie, Michalko probes into what it means to be at home with blindness. Smokie makes no judgment about Michalko's lack of sight; it simply is the condition within which they work together. Their partnership thus allows Michalko to step outside of the conventional -- and even \u0022enlightened\u0022 -- understanding of blindness; he becomes not simply resigned to it but able to embrace it as an essential part of his being in the world. Drawing on his training as a sociologist and his experience as a disabled person, Michalko joins a still small circle of scholars who examine disability from the inside. More rare still -- and what will resonate with most readers -- is Michalko's remarkable portrayal of Smokie; avoiding sentimentality and pathos, it is a deeply affectionate yet restrained and nuanced appreciation of his behavior and personality. From their first meeting at the dog guide training school, Smokie springs to life in these pages as a highly competent, sure-footed, take-charge, full-speed-ahead, indispensable partner. \u0022Sighties\u0022 are always in awe watching them work; Michalko has even persuaded some of them that the Smokester can locate street addresses -- but has a little difficulty with the odd numbers! Readers of The Two-in-One can easily imagine Rod and Smokie sharing the joke as they continue on their way.

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A century ago, New Yorkers, hungry for mountain air, good food, and a Jewish environment combined with an American way of leisure, began to develop a resort area unique in the world. By the 1950s, this summer Eden of bungalow colonies, summer camps, and over 900 hotels had attracted over a million people a year. This was the Jewish Catskills of Sullivan and Ulster Counties. Born to a small hotel-owning family who worked for decades in hotels after losing their own, Phil Brown tells a story of the many elements of this magical environment. His own waiter's tales, his mother's culinary exploits as a chef, and his father's jobs as maitre d' and coffee shop operator offer a backdrop to the vital life of Catskills summers. Catskill Culture recounts the life of guests, staff, resort owners,entertainers, and local residents through the author's memories and archival research and the memories of 120 others. The Catskills resorts shaped American Jewish culture, enabling Jews to become more American while at the same time introducing the American public to immigrant Jewish culture. Catskills entertainment provided the nation with a rich supply of comedians, musicians, and singers. Legions of young men and women used the Catskills as a springboard to successful careers and marriages. A decline for the resort area beginning in the 1970s has led to many changes. Today most of the hotels and bungalow colonies are gone or in ruins, while other communities, notably those of the Hasidim, have appeared. The author includes an appendix listing over 900 hotels he has been able to document and invites readers to contact him with additional entries.

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AIDS Alibis tackles the cultural landscape upon which AIDS, often accompanied by poverty, drug addiction, and crime, proliferates on a global scale. Stephanie Kane layers stories of individuals and events -- from Chicago to Belize City, to cyberspace -- to illustrate the paths of HIV infection and the effects of environment, government intervention, and social mores. Linking ordinary yet kindred lives in communities around the globe, Kane challenges the assumptions underlying the use of police and courts to solve health problems. The stories reveal the dynamics that determine how the policy decisions of white-collar health care professionals actually play out in real life. By focusing on life-changing social problems, the narratives highlight the contradictions between public health and criminal law. Look at how HIV has transformed our social consciousness, from intimate touch to institutional outreach. But, Kane argues, these changes are dwarfed by the United States's refusal to stop the war on drugs, in effect misdirecting resources and awareness. AIDS Alibis combines empirical and interpretive methods in a path-breaking attempt to recognize the extent to which coercive institutional practices are implicated in HIV transmission patterns. Kane shows how th e virus feeds on the politics of inequality and indifference, even as it exploits the human need for intimacy and release.

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On the surface, identity politics appears to promote polarization. To the contrary, political scientist Jose E. Cruz argues that, instead, fragmentation and instability are more likely to occur only when the differences are ignored and nonethnic strategies are employed. Cruz illustrates his claim by focusing on one group of Puerto Ricans and how they mobilized to demand accountability from political leaders in Hartford, Connecticut. The activities of the Puerto Rican Political Action Committee from 1983 to 1991 illustrate the power of ethnic mobilization and strategy in an urban setting. Cruz examines their insistence on their right to be included in the political process in the context of both a typical mid-sized American city and the unique attributes of Hartford's predominantly white-collar population. At the same time, this study acknowledges the limitations of the exercise of such power in the political process. Through extensive interviews Cruz brings to light the variety of ways in which politicians and political activists themselves view their own activities and achievements. This group of Puerto Rican activists attempted to penetrate the power structure of Hartford. Though their success was limited, their work constitutes a springboard for further change.

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Recent scandals, including questionable fun-raising tactics by the current administration, have brought campaign finance reform into the forefront of the news and the public consciousness. Dollars and Votes goes beyond the partial, often misleading, news stories and official records to explain how our campaign system operates. The authors conducted thorough interviews with corporate \u0022government relations\u0022 officials about what they do and why they do it. The results provide some of the most damning evidence imaginable. What donors, especially business donors, expect for their money is \u0022access\u0022 and access means a lot more than a chance to meet and talk. They count on secret behind-the-scenes deals, like a tax provision that applies only to a \u0022corporation incorporated on June 13, 1917, which has its principal place of business in Bartlesville, Oklahoma.\u0022 After a deal is worked out behind closed doors, one executive explains, \u0022it doesn't much matter how people vote afterwards.\u0022 Ordinary contributions give access to Congress; megabuck \u0022soft money\u0022 contributions ensure access to the President and top leaders. The striking truth revealed by these authors is that half the soft money comes from fewer than five hundred big donors, and that most contributions come, directly or indirectly, from business. Reform is possible, they argue, by turning away from the temptation of looking at specific scandals and developing a new system that removes the influence of big money campaign contributors.

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The story of the astounding Whiz Kids told by Hall-of-Famer Robin Roberts

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For the past fifty years, science and technology-supported with billions of dollars from the U.S. government-have advanced at a rate that would once have seemed miraculous, while society's problems have grown more intractable, complex, and diverse. Yet scientists and politicians alike continue to prescribe more science and more technology to cure such afflictions as global climate change, natural resource depletion, overpopulation, inadequate health care, weapons proliferation, and economic inequality. Daniel Sarewitz scrutinizes the fundamental myths that have guided the formulation of science policy for half a century-myths that serve the professional and political interests of the scientific community, but often fail to advance the interests of society as a whole. His analysis ultimately demonstrates that stronger linkages between progress in science and progress in society will require research agendas that emerge not from the intellectual momentum of science, but from the needs and goals of society.

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A philosopher of mixed race contemplates racial identity in America

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Original research on the changing roles of women in Japan and Korea

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Cultural changes over the past two decades have led to a proliferation of new social movements in Europe and the United States. New social movements such as ecology, peace, ethnicity, New Age philosophies, alternative medicine, and gender and sexual identity are among those that are emerging to challenge traditional categories in social movement theory. Synthesizing classic and modern perspectives, the contributors help to redefine the field of social movements and advance an understanding of them through cross-cultural research, comparison with older movements, and an examination of the dimensions of identity individual, collective, and melding of the two. Enrique Larana is Titular Professor of Sociology at the University of Madrid, Spain. Hank Johnston is a lecturer in the Department of Sociology at San Diego State University. Joseph R. Gusfield is Professor Emeritus of Sociology at the University of California, San Diego.

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Studying popular Hollywood films from "Gone With the Wind" to "Reds" and such distinguished European films as "La Marseillaise" and "The Rise to Power of Louis XIV", Leger Grindon examines how historical fiction films interpret the present through a representation of the past. The historical fiction film is characterized by a set of motives and, Grindon argues, deserves to be considered a genre unto itself. Appropriation of historical events can insinuate a film's authority of its subject, veil an intention, provide an escape into nostalgia, or direct a search for knowledge and origins. Utilizing the past as a way of responding to social conflicts in the present, Grindon shows how the genre promotes a political agenda, superseding the influence of scholarship on the public's perception and interpretation of history. Leger Grindon is Assistant Professor of Film and Television Studies at Middlebury College.

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Over 200 in-depth interviews with heavy users document the dangers of cocaine, but the authors contend that the national hysteria over it is largely unfounded

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Ranging across two centuries of American history, Crossing Great Divides argues that the habit of construing city and country as opposites is at the root of our current environmental and political disorder.This oversimplifying dualism has distorted how we planned cities, our patterns of production and consumption, how we deal with waste, and how urban and rural populations perceive each other. Conventional urban environmental reform has made modern city life possible, but it has done little to limit the despoliation of distant places. Nevertheless, the successes of urban environmental reform remind us of what is possible. John Fairfield concludes with a case study of Phoenix, Arizona to demonstrate this dysfunctional relationship between city and country while developing a sympathetic critique of the Green New Deal. He suggests how we might bridge the “great divide” as we face the daunting challenges the twenty-first century is pressing upon u

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Apartheid, ironically, provided Grant Farred with the optimal conditions for thinking. He describes South Africa’s apartheid regime as an intellectual force that, “Made thinking apartheid, more than anything else, an absolute necessity.” The Perversity of Gratitude is a provocative book in which Farred reflects on an upbringing resisting apartheid. Although he is still inclined to struggle viscerally against apartheid, he acknowledges, “It is me.” Unsentimental about his education, Farred’s critique recognizes the impact of four exceptional teachers—all engaging pedagogical figures who cultivated a great sense of possibility in how thinking could be learned through a disenfranchised South African education.The Perversity of Gratitude brings to bear the work of influential philosophers such as Martin Heidegger and Jacques Derrida. The book tackles broad philosophical concepts—transgression, withdrawal, and the dialectic. This leads to the creation of a new concept, “the diaspora-in-place,” which Farred explains, “is having left a place before one physically removes oneself from this place.” Farred’s apartheid education in South Africa instilled in him a lifelong commitment to learning thinking. “And for that I am grateful,” Farred writes in The Perversity of Gratitude. His autopoiesis is sure to provoke and inspire readers.

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Pioneering Indian American writer Bharati Mukherjee is best known for her novel, Jasmine, and her breakthrough collection, The Middleman and Other Stories, which won the 1988 National Book Critics Circle Award. Her writing is distinguished as much by its narrative style and shifting points of view as it is by Mukherjee’s piercing emotional observations on the immigrant experience and her depiction of racism, nostalgia, and displacement. The Collected Short Stories of Bharati Mukherjee is the first volume to feature the author’s complete short fiction—all 35 stories. Leading Mukherjee scholar Ruth Maxey edits the collection, unearthing seven unknown stories: five in Mukherjee’s unpublished 1963 Iowa Writer’s Workshop M.F.A. thesis, The Shattered Mirror, and two tales from 2008. Arranged chronologically, this essential collection brings many of Mukherjee’s stories back into print, from the semi-autobiographical story, “Hindus,” in her 1985 debut collection, Darkness, to her late stories, published from 1997-2012, as well as her classic, “The Management of Grief.” Maxey contextualizes Mukherjee’s short fiction and the provocative, often prescient political questions it raises about migration, nationhood, class, and history. The Collected Short Stories of Bharati Mukherjee features a Forward by prominent literary studies scholar Nalini Iyer and Afterword by critically acclaimed writer Lysley Tenorio, one of Mukherjee’s former students. It is an essential volume for readers both familiar with Mukherjee’s work and new to her groundbreaking fiction.

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Yes Gawd! explores the effects of religious belief and practice on political behavior among the LGBT community, a population long persecuted by religious institutions and generally considered to be non-religious. Royal Cravens deftly shows how faith impacts the politics of LGBT people. He details how the queer community creates, defines, and experiences spirituality and spiritual affirmation as well as the consequences this has for their identity, socialization, and political development. Cravens also demonstrates the mobilizing power of faith for LGBT people by contrasting the effects of participation in faith and secular communities on political activism. He explores how factors such as coming out, race, and LGBT-affirming churches influence political attitudes and behavior and explains how the development of LGBT politico-religious activism provides opportunities for LGBT people to organize politically. Ultimately, Cravens provides a cohesive account of how religion acts as a catalyst for and facilitator in the political development of LGBT people in the United States. In the process, he shows that there is room for both religion in LGBT communities and LGBT people in religious communities.

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