Search results for ""Sublime""

Silly Verse for Kids - a hilarious collection of silly poems by Spike Milligan!A collection of the absurd, ridiculous, sublime and characteristically anarchic verse from the brilliant Spike Milligan. With his very own illustrations, this collection, which includes the famous On the Ning Nang Nong will make you laugh from the bottom of your belly - just like Spike did.The legendary and iconic figure, Spike Milligan was born at Ahmednagar in India in 1918. He received his first education in a tent in the Hyderabad Sindh desert and graduated from there, through a series of Roman Catholic schools in India and England, to the Lewisham Polytechnic. He then plunged into the world of Show Business, seduced by his first stage appearance, at the age of eight, in the nativity play of his Poona convent school. He began his career as a band musician, but became famous as a humorous scriptwriter and actor in both films and broadcasting. He was the creator, principal writer and performer of the infamous Goon Show. Spike received an honorary CBE in 1992 and Knighthood in 2000. He died in 2002.Other children's books by Spike Milligan:Bald Twit Lion; Badjelly the Witch; Dip the Puppy; Sir Nobonk and the Terrible Dreadful Awful Naughty Nasty Dragon; A Children's Treasury of Milligan: Classic Stories and Poems; The Magical World of Milligan

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Steven Jenkins is our foremost cheese authority--in the words of The New York Times, "a Broadway impresario whose hit is food." Now, after years of importing cheeses, scouring the cheese-producing areas of the world, and setting up cheese counters at gourmet food shops, he's decided to write it all down. Full of passion, knowledge, and an expert's considered opinions the cheese primer tells you everything you need to know about the hundreds of cheeses that have, in the last few years, become available in this country. Region-by-region, he covers all the major cheeses from France, Italy, Switzerland--the top tier of cheese-producing countries--plus the best of Britain, Ireland, Spain, the United States, Austria, Germany, and other countries. Along the way he tells how to pick out a healthy Pont l'Eveque; why to reconsider the noble Fontina for more than just cooking; how to avoid those factory-made chevres; why to seek out the sublime Vacherin Mont d'Or; and how to start exploring--Bleu de Bresse, Cabrales, Crottin de Chavignol, and so on. A complete primer, it includes information on the best ways to store and serve cheese, including which wines to serve alongside them; how to orchestrate a proper cheese course; and the unimportable cheeses to look up when abroad.

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Personal genome testing, gene editing for life-threatening diseases, synthetic life: once the stuff of science fiction, twentieth- and twenty-first-century advancements blur the lines between scientific narrative and scientific fact. This examination of bioengineering in popular and literary culture shows that the influence of science on science fiction is more reciprocal than we might expect.Looking closely at the work of Margaret Atwood, Richard Powers, and other authors, as well as at film, comics, and serial television such as Orphan Black, Everett Hamner shows how the genome age is transforming both the most commercial and the most sophisticated stories we tell about the core of human personhood. As sublime technologies garner public awareness beyond the genre fiction shelves, they inspire new literary categories like “slipstream” and shape new definitions of the human, the animal, the natural, and the artificial. In turn, what we learn of bioengineering via popular and literary culture prepares the way for its official adoption or restriction—and for additional representations. By imagining the connections between emergent gene testing and editing capacities and long-standing conversations about freedom and determinism, these stories help build a cultural zeitgeist with a sharper, more balanced vision of predisposed agency.A compelling exploration of the interrelationships among science, popular culture, and self, Editing the Soul sheds vital light on what the genome age means to us, and what’s to come.

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Near the end of the Second World War, the United States made a bold strategic gambit that rewired the international system. Empires were abolished and replaced by a global arrangement enforced by the U.S. Navy. With all the world's oceans safe for the first time in history, markets and resources were made available for everyone. Enemies became partners.We think of this system as normal - it is not. We live in an artificial world on borrowed time.In The Accidental Superpower, international strategist Peter Zeihan examines how the hard rules of geography are eroding the American commitment to free trade; how much of the planet is aging into a mass retirement that will enervate markets and capital supplies; and how, against all odds, it is the ever-ravenous American economy that - alone among the developed nations - is rapidly approaching energy independence. Combined, these factors are doing nothing less than overturning the global system and ushering in a new (dis)order.For most, that is a disaster-in-waiting, but not for the Americans. The shale revolution allows Americans to sidestep an increasingly dangerous energy market. Only the United States boasts a youth population large enough to escape the sucking maw of global aging. Most important, geography will matter more than ever in a de-globalizing world, and America's geography is simply sublime.

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"Theater such as Kenneth Koch cannot be simply paraphrased, and presents to the audience the classic Mennipean challenge: to ponder, to mull it over, to think."--Mac Wellman The Banquet brings together 144 plays, ten screenplays, and five operas spanning more than five decades of experimental work from a writer John Ashbery has called "simply the best we have." Witty, provocative, and playful, Kenneth Koch's work draws on poetry, musicals, improvisational comedy, satire, and other forms for their inspiration and touches on subjects ranging from the silly to the sublime. Kenneth Koch (1925--2002), known for his association with the New York School of poetry, wrote many collections of poetry, fiction, plays, and nonfiction. His books include Seasons on Earth, On the Edge, Thank You and Other Poems, The Art of Love, One Thousand Avant-Garde Plays, Hotel Lambosa, and The Collected Fiction, and several books on teaching children how to write poetry. Koch was awarded numerous honors, including the Rebekah Johnson Bobbitt National Prize for Poetry, awarded by the Library of Congress in 1996, as well as awards from the American Academy of Arts and Letters and the Fulbright, Guggenheim, and Ingram-Merrill foundations. In 1996 he was inducted as a member of the American Academy of Arts and Letters. Kenneth Koch lived in New York City, where he was professor of English at Columbia University.

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Adrienne Gruber's third full poetry collection, Q & A, is a poetic memoir detailing a first pregnancy, birth and early postpartum period. The poet is both traumatized and transformed by the birth of her daughter. She is compelled by the dark places birth takes her and as she examines and revisits those places, a grotesque history of the treatment of pregnant and birthing women reveals itself.Praise for Q & A:"To give birth, to bear life—to release and capture that experience in words: this is the crystalline achievement of Q & A. Gruber's poetry resonates in the hollows of my body, in the fear and hope that accompanies motherhood." —Marianne Apostolides, author of Deep Salt Water"In Q&A Adrienne Gruber annotates the condition of the pre- and post-partum body, training her ruthless poetic eye on division: cell by cell, mother from daughter, fact from misguided historical tendency. Is this a love poem / or a poem of grief? / When we make something / we lose, she writes. Throughout these poems and their namesake childhood interrogatives, fluids course, sutures tear, ducts leak. Gruber's ability to command the language of sublime physicality draws motherhood's grotesque fears close, turning them over like an infant on a lap, examining perfections and dangers with intimate scrutiny." —Elee Kraljii Gardiner, author of Trauma Head and serpentine loop

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Finalist for the 2016 IACP Awards: Julia Child First Book Eat More Vegetables. James Beard Award-winning chef of celebrated Atlanta restaurant Miller Union, Steven Satterfield-dubbed the "Vegetable Shaman" by the New York Times' Sam Sifton-has enchanted diners with his vegetable dishes, capturing the essence of fresh produce through a simple, elegant cooking style. Like his contemporaries April Bloomfield and Fergus Henderson, who use the whole animal from nose to tail in their dishes, Satterfield believes in making the most out of the edible parts of the plant, from root to leaf. Satterfield embodies an authentic approach to farmstead-inspired cooking, incorporating seasonal fresh produce into everyday cuisine. His trademark is simple food and in his creative hands he continually updates the region's legendary dishes-easy yet sublime fare that can be made in the home kitchen. Root to Leaf is not a vegetarian cookbook, it's a cookbook that celebrates the world of fresh produce. Everyone, from the omnivore to the vegan, will find something here. Organized by seasons, and with a decidedly Southern flair, Satterfield's collection mouthwatering recipes make the most of available produce from local markets, foraging, and the home garden. A must-have for the home cook, this beautifully designed cookbook, with its stunning color photographs, elevates the bounty of the fruit and vegetable kingdom as never before.

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The twelve sublime beings known, according to eastern tradition, as the Bodhisattvas, are the great teachers of humanity. One after another they descend into earthly incarnation, until they fulfil their earthly mission. At this point they rise to Buddahood and are no longer obliged to return in a physical form. But before a Bodhisattva becomes a Buddha, he announces the name of his successor...According to Rudolf Steiner, the future Maitreya Buddha - or the 'Bringer of Good', as his predecessor named him - incarnated in a human body in the twentieth century. Presuming this to be so, then who was this person? The Theosophists believed they had discovered the Bodhisattva in an Indian boy, Krishnamurti, who grew up to be a teacher of some magnitude. Adolf Arenson and Elisabeth Vreede, both students of Rudolf Steiner, made independent examinations of this question in relation to Steiner's personal mission, and were led to contrasting conclusions. More recently a claim has been made that Valentin Tomberg - a student of anthroposophy but later an influential Roman Catholic - was the Bodhisattva. These conflicting theories are analysed by Thomas Meyer, who demonstrates how the question can be useful as an exercise in developing sound judgement in spiritual matters. Elisabeth Vreede's two lectures on the subject, included here in full, are a valuable contribution to our understanding of the true nature and being of Rudolf Steiner.

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There is no place, it seems, that feelings do not run high about feelings. Western civilization is still caught between adoration of the emotions as sublime and denigration of them as merely animal. Can we trust our feelings? Should we suppress them or should we indulge them? In what part of our persons do feelings occur? Contemporary Christianity is no less vexed about emotions. The rise of the charismatic movement in the late twentieth century, with its emphasis on experiential Christianity, has led to an equally strong reaction of suspicion against talk of the emotions as significant for the Christian life. Though these questions have an everyday, practical importance, they also point to profound theological questions about the nature of the triune God and the ascription of emotions to him in the Bible. Does God himself have feelings? This stimulating volume, based on the 2011 Moore College School of Theology, offers perspectives on emotions. Topics include a cultural overview, theological anthropology, the question of divine passions, the emotional life of Jesus, the Spirit’s work in perfecting emotions, preaching the Gospels for divine effects, and the place of the emotions in corporate worship including connections with singing and music. The contributors are Rhys Bezzant, Peter Bolt, Gerald Bray, Andrew Cameron, Keith Condie, Richard Gibson, David Höhne, Michael Jensen, David Peterson and Robert Smith.

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Personal genome testing, gene editing for life-threatening diseases, synthetic life: once the stuff of science fiction, twentieth- and twenty-first-century advancements blur the lines between scientific narrative and scientific fact. This examination of bioengineering in popular and literary culture shows that the influence of science on science fiction is more reciprocal than we might expect.Looking closely at the work of Margaret Atwood, Richard Powers, and other authors, as well as at film, comics, and serial television such as Orphan Black, Everett Hamner shows how the genome age is transforming both the most commercial and the most sophisticated stories we tell about the core of human personhood. As sublime technologies garner public awareness beyond the genre fiction shelves, they inspire new literary categories like “slipstream” and shape new definitions of the human, the animal, the natural, and the artificial. In turn, what we learn of bioengineering via popular and literary culture prepares the way for its official adoption or restriction—and for additional representations. By imagining the connections between emergent gene testing and editing capacities and long-standing conversations about freedom and determinism, these stories help build a cultural zeitgeist with a sharper, more balanced vision of predisposed agency.A compelling exploration of the interrelationships among science, popular culture, and self, Editing the Soul sheds vital light on what the genome age means to us, and what’s to come.

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Mumbai was almost submerged on the fatal noon of 26 July 2005, when the merciless downpour and cloudburst had spread utter darkness and horror in the heart of the city. River Mithi was inundated, and the sea was furious. At this hour of torturous gloom, Rohzin begins declaring in the first line that it was the last day in the life of two lovers, Asrar and Hina. The novel's protagonist, Asrar, comes to Mumbai, and through his eyes the author describes the hitherto-unknown aspects of Mumbai, unseen colours and unseen secrets of the city's underbelly. The love story of Asar and Hina begins abruptly and ends tragically. It is love at first sight which takes place in the premises of Haji Ali Dargah. The arc of the novel studies various aspects of human emotions, especially love, longing and sexuality as sublime expressions. The emotions are examined, so is love as well as the absence of it, through a gamut of characters and their interrelated lives: Asrar's relationship with his teacher, Ms Jamila, a prostitute named Shanti and, later, with Hina; Hina's classmate Vidhi's relations with her lover and others; Hina's father Yusuf's love for Aymal; Vanu's indulgence in prostitutes. Rohzin dwells on the plane of an imagination that takes readers on a unique journey across the city of Mumbai, a highly intriguing character in its own right.

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The most important writings of Lyotard on contemporary art in English for the first timeSeven writings assembled in the context of the philosophy of art that Jean-François Lyotard developed in the nineteen-eighties, at the time of the Differend(1983) and of the ‘Kantian turn' leading to the Lessons on the Analytic of the Sublime (1992), are here published for the first time in English translation. The texts focus on three artists with widely divergent aesthetic orientations: the colourist-draughtsman Valerio Adami, the conceptual metaphysician Shusaku Arakawa, and Daniel Buren, the ‘pragmatist of the invisible'. These three protagonists share the notion that the interest in art does not lie in the simple denotation of a frame of reference, but in the connotations of material nuances, in flavours, in tones-in one word, the visual that is barely revealed in the anamnesis that guides the visible and provokes the essential inquietude of the aesthetic experience. What to Paint? Not reality or a ‘world', nor a rich subjectivity, nor even the phantasms of dreams or ideals of being-together, but the act of painting itself, and, beyond the performance of the painter, the presence of matters, a presence that in Arakawa's word is quite obviously blank, elusive.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content)

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It’s the early 1970s and Dion Katthusen, thirteen, is growing up fatherless in a small village in northern Germany. An only child plagued with a devastating stutter, Dion is ostracized by his peers and finds solace in the company of nature, collecting dragonflies in a moor filled with myths and legends. On the precipice of adulthood, Dion begins to spill the secrets of his heart—his burning desire for faultless speech and his abiding relationship with his mother, a failed painter with secrets of her own. Even as Dion spins his story, his speech is filled with fissures and holes—much like the swampy earth that surrounds him. Nature, though so often sublime, can also be terribly cruel.Moor is Dion’s story—a story of escaping the quicksand of loneliness and of the demands we make on love, even as those surrounding us are hurt in their misguided attempts to bear our suffering. Powerfully tuned to the relationship between human and nature, mother and son, Moor is a mysterious and experimental portrait of childhood. Written by up-and-coming German novelist Gunther Geltinger, the novel received critical acclaim in Germany and is now presented in English for the first time by translator Alexander Booth. Evocative and bold, Dion’s story emerges from the forces of nature, his voice rising from the ground beneath the reader’s feet, not soon to be forgotten.

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Do Glaciers Listen? explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with dramatic social upheaval resulting from European exploration and increased travel and trade among Aboriginal peoples.European visitors brought with them varying conceptions of nature as sublime, as spiritual, or as a resource for human progress. They saw glaciers as inanimate, subject to empirical investigation and measurement. Aboriginal oral histories, conversely, described glaciers as sentient, animate, and quick to respond to human behaviour. In each case, however, the experiences and ideas surrounding glaciers were incorporated into interpretations of social relations.Focusing on these contrasting views during the late stages of the Little Ice Age (1550-1900), Cruikshank demonstrates how local knowledge is produced, rather than discovered, through colonial encounters, and how it often conjoins social and biophysical processes. She then traces how the divergent views weave through contemporary debates about cultural meanings as well as current discussions about protected areas, parks, and the new World Heritage site. Readers interested in anthropology and Native and northern studies will find this a fascinating read and a rich addition to circumpolar literature.

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THE SUNDAY TIMES NUMBER ONE BESTSELLER AND OFFICIAL TIE-IN TO THE AWARD-WINNING MOTION PICTURE STARRING GARY OLDMAN, WHO TOOK HOME BEST ACTOR AT THE OSCARS FOR HIS SUBLIME TURN AS WINSTON CHURCHILL.From the prize-winning screenwriter of The Theory of Everything, this is a cinematic, behind-the-scenes account of a crucial moment which takes us inside the mind of one of the world's greatest leaders - and provides a revisionist, more rounded portrait of his leadership.May, 1940. Britain is at war, European democracies are falling rapidly and the public are unaware of this dangerous new world. Just days after his unlikely succession to Prime Minister, Winston Churchill, faces this horror - and a sceptical King and a party plotting against him. He wonders how he can capture the public mood and does so, magnificently, before leading the country to victory.It is this fascinating period that Anthony McCarten captures in this deeply researched, gripping day-by-day (and often hour-by-hour) narrative. In doing so he revises the familiar view of Churchill - he made himself into the iconic figure we remember and changed the course of history, but through those turbulent and dangerous weeks he was plagued by doubt, and even explored a peace treaty with Nazi Germany. It's a scarier, and more human story, than has ever been told.

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Persephone in the Late Anthropocene vaults an ancient myth into the age of climate change. In this poetry collection, the goddess of spring now comes and goes erratically, drinks too much, and takes a human lover in our warming, unraveling world. Meanwhile, Persephone’s mother searches for her troubled daughter, and humanity is first seduced by the unseasonable abundance, then devastated by the fallout, and finally roused to act. This ecopoetic collection interweaves the voices of Persephone, Demeter, and a human chorus with a range of texts, including speculative cryptostudies that shed light on the culture of the “Late Anthropocene.” These voices speak of decadence and blame, green crabs and neonicotinoids, mysteries and effigies. They reckon with extreme weather, industrialized plenty, and their own roles in ecological collapse. Tonally, the poems of this book range between the sublime and the profane; formally, from lyric verse and modern magical-realist prose poems to New Farmer’s Almanac riddles and pop-anthropology texts. At the heart of this varied and inventive collection is story itself, as Demeter deconstructs “whodunits,” as the chorus grasps that mythmaking is an act of “throwing their voices,” and as their very language mirrors the downward spiral of destruction. Together, the collected pieces of Persephone in the Late Anthropocene form a narrative prism, exploring both environmental crisis and the question of how we tell it.

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Originally published in 1995. In The Beautiful, Novel, and Strange, Ronald Paulson fills a lacuna in studies of aesthetics at its point of origin in England in the 1700s. He shows how aesthetics took off not only from British empiricism but also from such forms of religious heterodoxy as deism. The third earl of Shaftesbury, the founder of aesthetics, replaced the Christian God of rewards and punishments with beauty—worship of God, with a taste for a work of art. William Hogarth, reacting against Shaftesbury's "disinterestedness," replaced his Platonic abstractions with an aesthetics centered on the human body, gendered female, and based on an epistemology of curiosity, pursuit, and seduction. Paulson shows Hogarth creating, first in practice and then in theory, a middle area between the Beautiful and the Sublime by adapting Joseph Addison's category (in the Spectator) of the Novel, Uncommon, and Strange.Paulson retrieves an aesthetics that had strong support during the eighteenth century but has been obscured both by the more dominant academic discourse of Shaftesbury (and later Sir Joshua Reynolds) and by current trends in art and literary history. Arguing that the two traditions comprised not only painterly but also literary theory and practice, Paulson explores the innovations of Henry Fielding, John Cleland, Laurence Sterne, and Oliver Goldsmith, which followed and complemented the practice in the visual arts of Hogarth and his followers.

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What connects the Romantic essays of Thomas De Quincey and the violent cinema of Brian De Palma? Or the "beautiful" suicides of Hedda Gabler Yukio Mishima? Or the shootings of pop star John Lennon and President Ronald Reagon? In "The Aesthetics of Murder", Joel Black explores the sometimes gruesome interplay between life and art, between actual violence and images of violence in a variety of literary texts, paintings, and films. Rather than exclude murder from critical consideration by dismissing it as a crime, Black urges us to ponder the killer's artistic role-- and our own experience as audience, witness, or voyeur. Black explores murder as a recurring, obsessive theme in the Romantic tradition, approaching the subject from an aesthetic rather than a moral, psychological, or philosophical perspective. He compares cultural and artistic notions of suicide as the ultimate self-expression. And he examines contemporary instances of sensational murders and assassinations, treating these as mimetic or cathartic activities in their own right. Combining historical documentation with theoretical insights, Black shows that the possibilities of representing violence-- and of experiencing it-- as art were recognized early in the nineteenth century as logical extensions of Romantic theories of the sublime. Since then, both traditional art forms and the modern mass media have contributed to the growing aestheticization of daily experience-- including murder, suicide, and terrorism.

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An incisive critique that examines the origins of contemporary American ideas about surveillance, terrorism, and white supremacyFor more than three centuries, Americans have pursued strategies of security that routinely make them feel vulnerable, unsafe, and insecure. American Insecurity and the Origins of Vulnerability probes this paradox by examining American attachments to the terror of the sublime, the fear of uncertainty, and the anxieties produced by unending racial threat.Challenging conventional approaches that leave questions of security to policy experts, Russ Castronovo turns to literature, philosophy, and political theory to show how security provides an organizing principle for collective life in ways that both enhance freedom and limit it. His incisive critique ranges from frontier violence and white racial anxiety to insurgent Black print culture and other forms of early American terror, uncovering the hidden logic of insecurity that structures modern approaches to national defense, counterterrorism, cybersecurity, surveillance, and privacy. Drawing on examples from fiction, journalism, tracts, and pamphlets, Castronovo uncovers the deep affective attachments that Americans have had since the founding to the sources of fear and insecurity that make them feel unsafe.Timely and urgent, American Insecurity and the Origins of Vulnerability sheds critical light on how and why the fundamental political desire for security promotes unease alongside assurance and fixates on risk and danger while clamoring for safety.

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“Wild Art” refers to work that exists outside the established, rarified world of art galleries and cultural channels. It encompasses uncatalogued, uncommodified art not often recognized as such, from graffiti to performance, self-adornment, and beyond. Picking up from their breakthrough book on the subject, Wild Art, David Carrier and Joachim Pissarro here delve into the ideas driving these forms of art, inquire how it came to be marginalized, and advocate for a definition of “taste,” one in which each expression is acknowledged as being different while deserving equal merit.Arguing that both the “art world” and “wild art” have the same capacity to produce aesthetic joy, Carrier and Pissarro contend that watching skateboarders perform Christ Air, for example, produces the same sublime experience in one audience that another enjoys while taking in a ballet; therefore, both mediums deserve careful reconsideration. In making their case, the two provide a history of the institutionalization of “taste” in Western thought, point to missed opportunities for its democratization in the past, and demonstrate how the recognition and acceptance of “wild art” in the present will radically transform our understanding of contemporary visual art in the future.Provocative and optimistic, Aesthetics of the Margins / The Margins of Aesthetics rejects the concept of “kitsch” and the high/low art binary, ultimately challenging the art world to become a larger and more inclusive place.

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A new focus on the sublime landscapes in Lisa Yuskavage’s voluptuous figure paintings Though she is arguably best known for the voluptuous female nudes that populate her paintings, Lisa Yuskavage’s work is just as focused on the ethereal settings in which these subjects appear. Yuskavage creates finely detailed landscapes that blur the line between the fantastical and the familiar, melding abstraction with realism to depict self-contained worlds. These outdoor scenes defy conventions of landscape painting with surreal color palettes of lush greens and delicate pinks, cast in a gauzy light quality that highlights the almost magical nature of her paintings. Published in conjunction with a joint exhibition between the Aspen Art Museum in Colorado and the Baltimore Museum of Art in Maryland, this volume includes color reproductions of Yuskavage’s paintings and watercolors from the early 1990s to the present, as well as an interview between Yuskavage and fellow artist Mary Weatherford.Based in New York City, American artist Lisa Yuskavage (born 1962) received her MFA from the Yale School of Art in 1986. In the years since, her signature style of figure painting has developed something of a cult following for its attention to art historical tradition and a decidedly contemporary, pop culture-based approach to the representation of the female form. Her work has been in solo exhibitions around the world. Yuskavage is represented by David Zwirner.

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It is the late twenty-first century, and Momo is the most celebrated dermal care technician in all of T City. Humanity has migrated to domes at the bottom of the sea to escape devastating climate change. The world is dominated by powerful media conglomerates and runs on exploited cyborg labor. Momo prefers to keep to herself, and anyway she’s too busy for other relationships: her clients include some of the city’s best-known media personalities. But after meeting her estranged mother, she begins to explore her true identity, a journey that leads to questioning the bounds of gender, memory, self, and reality.First published in Taiwan in 1995, The Membranes is a classic of queer speculative fiction in Chinese. Chi Ta-wei weaves dystopian tropes—heirloom animals, radiation-proof combat drones, sinister surveillance technologies—into a sensitive portrait of one young woman’s quest for self-understanding. Predicting everything from fitness tracking to social media saturation, this visionary and sublime novel stands out for its queer and trans themes. The Membranes reveals the diversity and originality of contemporary speculative fiction in Chinese, exploring gender and sexuality, technological domination, and regimes of capital, all while applying an unflinching self-reflexivity to the reader’s own role. Ari Larissa Heinrich’s translation brings Chi’s hybrid punk sensibility to all readers interested in books that test the limits of where speculative fiction can go.

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**One of the Observer's Debut Novels of 2024**A small-town feud. A madcap kidnapping. A wild weekend to change everybody’s lives...‘Sublime… [Wild Houses is] a thrillingly moreish novel… and held me captive until the very last page’ Sunday Times'Strange and beautiful... A book to live inside' SALLY ROONEY, author of Normal People'A gift of true storytelling... Barrett's talent burns up the page' ANNE ENRIGHT, author of The Wren, The WrenAs Ballina prepares for its biggest weekend of the year, the simmering feud between small-time drug-dealer, Cillian English, and County Mayo's enforcers, Gabe and Sketch Ferdia, spills over into violence and an ugly ultimatum.When the reclusive Dev answers his door on Friday night he finds Doll - Cillian's teenage brother - in the clutches of Gabe and Sketch. Jostled by his nefarious cousins and goaded by his dead mother's dog, Dev is drawn headlong into the Ferdias' revenge fantasy.Meanwhile, seventeen-year-old Nicky can't shake the feeling something bad has happened to her boyfriend Doll. Hungover, reeling from a fractious Friday night and plagued by ghosts of her own, Nicky sets out on a feverish mission to save Doll, even as she questions her future in Ballina.‘This nastily slow-burn chiller is shaping up to be one of the novels of the year’ Daily Mail, **Books to Look Out For 2024**

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'Axel Lindén is a shepherd-philosopher with James Herriot's knack for mishap and an almost Chekhovian deadpan humour.' Observer'Endearing and liberating.' Idler Magazine'A sublime little book.' Cotswold Life_______Why do we keep sheep? Alex Lindén ruminates as he watches his sheep ruminating. Naive and inexperienced, he has ditched his doctoral studies in order to move to a fully working farm in the country with his family, where he is tasked with the responsibility of caring for a herd of sheep.Lindén records his new life in his diary, as he tries to manage life on the farm, the ever-escaping sheep and the trials and tribulations that come with being a shepherd - shearing, lambing and confronting the slaughterhouse. As time passes and he gradually settles into the rhythm of shepherding, his naivete fades away and is replaced with stark realisations about what is now his everyday life. He finds himself applying his experiences of animal husbandry to consider our place - as individuals and as a collective organism - in the universe. Is he really the one caring for the sheep, or are they the ones keeping him? Lindén finds both companionship in his flock and a sound, if complex, moral framework for examining the lives we lead.The result is a sensitive and entertaining meditation on the small wonders in our world.

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SHORTLISTED FOR THE BERNARD SHAW PRIZE 2023Elegant, mature and richly atmospheric, a bittersweet love story glimpsed through the veil of memory'The love child of Normal People and Brideshead Revisited... Sublime and elegiac' Francesca Reece'[A] heady mix of hope and nostalgia, of desire and regret, of new love and lost love' Sunday TimesThora, August and Hugo come from different worlds. One is an art school dreamer, one a wealthy scion of the old-world elite, and one an ordinary boy from out of town. But over the course of two sky-blue summers in Stockholm, they are drawn together magnetically.Years later, Hugo is long estranged from Thora and August when their daughter knocks on his door. She has questions about her parents which she believes Hugo can answer - and the memories of those luminous days of youth come flooding back.Modern yet timeless, poignant and euphoric, The Trio is a novel about the path not taken, the people we might have become, and the relationships which shape and haunt us long after they come to a close.'Remarkably assured... Sharp, vividly imagined and affecting, [it] intrigues and captivates' Irish Times'An international success before even being published, The Trio is a novel that stands well above the hype... Elegiac, bittersweet, [with] the golden shimmer of nostalgia' Gefle Dagblad

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**One of the Observer's Debut Novels of 2024**A small-town feud. A madcap kidnapping. A wild weekend to change everybody’s lives...‘Sublime… [Wild Houses is] a thrillingly moreish novel… and held me captive until the very last page’ Sunday Times'Strange and beautiful... A book to live inside' SALLY ROONEY, author of Normal People'A gift of true storytelling... Barrett's talent burns up the page' ANNE ENRIGHT, author of The Wren, The WrenAs Ballina prepares for its biggest weekend of the year, the simmering feud between small-time drug-dealer, Cillian English, and County Mayo's enforcers, Gabe and Sketch Ferdia, spills over into violence and an ugly ultimatum.When the reclusive Dev answers his door on Friday night he finds Doll - Cillian's teenage brother - in the clutches of Gabe and Sketch. Jostled by his nefarious cousins and goaded by his dead mother's dog, Dev is drawn headlong into the Ferdias' revenge fantasy.Meanwhile, seventeen-year-old Nicky can't shake the feeling something bad has happened to her boyfriend Doll. Hungover, reeling from a fractious Friday night and plagued by ghosts of her own, Nicky sets out on a feverish mission to save Doll, even as she questions her future in Ballina.‘This nastily slow-burn chiller is shaping up to be one of the novels of the year’ Daily Mail, **Books to Look Out For 2024**

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In About Time: Einstein's Unfinished Revolution Paul Davies confronts the puzzles and paradoxes of time that have bemused the world's greatest thinkers throughout the ages.When Albert Einstein formulated his theory of relativity it brought about a revolution in our understanding of time, yet also presented a new set of mysteries. Einstein's time can be warped, leading to bizarre possibilities such as black holes and time travel, while making a nonsense of our perception of a 'now' or a division of time into past, present and future.In About Time Paul Davies tackles the tough questions about time, including the strange relationship between physical time and our psychological perception of it. He gives straightforward descriptions of topics such as the theory of relativity, the relation between time dilation and the speed of light and Hawking's 'imaginary time'. He concludes that, despite decades of progress in unravelling the mysteries of time, the revolution is still underway...'Confirms his place as one of the most lucid and readable science writers today' - Sunday Times'Intriguing and important ... a fascinating discussion of why Einstein's can't be the last word on the subject' - Independent on Sunday'Sublime stuff for armchair physicists' - Guardian'A tour of some of the most exciting - and outlandish - work in modern physics ... Writing with passion and wit, he lets his scientific message shine through' - New Statesman

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A richly complex continuum of voices and characters inhabits these poems. An ecstatic hermit cultivates saints' body parts in a hothouse by the sea. A washerwoman invokes Oshún, orisha of love, while scrubbing laundry, and then a songbird magically appears. A fisher's acolyte son 'flies from island / to island, wreathing with rain-lilies / light houses, masts, and campanili'. An exiled Caliban meditates on the music of lifeless creatures as a source of power and aesthetic revelation. A communist Afro-Cuban dockworker rails against sugar as the black man's curse, while on a sugar plantation European Jewish immigrants and black cutters celebrate their common diasporic heritage. His verse rich in imagery and metaphor, the poet constructs a cosmic vision of the Caribbean that weaves African, European, and indigenous elements into a vibrant new synthesis, creating islands at once strange and familiar, haunting and sublime. Orlando Ricardo Menes writes poetry of baroque imagination and passionate energy."Cuban-American Orlando Ricardo Menes is not only a compelling poet, he's a storyteller, telling his stories in the first person or in a charged and compressed narrative. The poet touches all bases - magic realism, humor, irony, horror, mystery, mysticism - laced with references to tropical flora, fauna, history, and the melding of African and European religious mythologies."Phyllis and David Gershator, The Caribbean WriterOrlando Ricardo Menes was born in Peru to Cuban parents. He has lived most of his life in Florida, and considers himself a Cuban American. He currently teaches at the University of Notre Dame, Indiana.

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Winner of the 2016 Living Blues Award for Blues Book of the Year Since the early 1900s, blues and the guitar have traveled side by side. This book tells the story of their pairing from the first reported sightings of blues musicians, to the rise of nationally known stars, to the onset of the Great Depression, when blues recording virtually came to a halt.Like the best music documentaries, Early Blues: The First Stars of Blues Guitar interweaves musical history, quotes from celebrated musicians (B.B. King, John Lee Hooker, Ry Cooder, and Johnny Winter, to name a few), and a spellbinding array of life stories to illustrate the early days of blues guitar in rich and resounding detail. In these chapters, you’ll meet Sylvester Weaver, who recorded the world’s first guitar solos, and Paramount Records artists Papa Charlie Jackson, Blind Lemon Jefferson, and Blind Blake, the “King of Ragtime Blues Guitar.” Blind Willie McTell, the Southeast’s superlative twelve-string guitar player, and Blind Willie Johnson, street-corner evangelist of sublime gospel blues, also get their due, as do Lonnie Johnson, the era’s most influential blues guitarist; Mississippi John Hurt, with his gentle, guileless voice and syncopated fingerpicking style; and slide guitarist Tampa Red, “the Guitar Wizard.”Drawing on a deep archive of documents, photographs, record company ads, complete discographies, and up-to-date findings of leading researchers, this is the most comprehensive and complete account ever written of the early stars of blues guitar—an essential chapter in the history of American music.

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For a century, the history of the novel has been written in terms of nations and territories: the English novel, the French novel, the American novel. But what if novels were viewed in terms of the seas that unite these different lands? Examining works across two centuries, The Novel and the Sea recounts the novel's rise, told from the perspective of the ship's deck and the allure of the oceans in the modern cultural imagination. Margaret Cohen moors the novel to overseas exploration and work at sea, framing its emergence as a transatlantic history, steeped in the adventures and risks of the maritime frontier. Cohen explores how Robinson Crusoe competed with the best-selling nautical literature of the time by dramatizing remarkable conditions, from the wonders of unknown lands to storms, shipwrecks, and pirates. She considers James Fenimore Cooper's refashioning of the adventure novel in postcolonial America, and a change in literary poetics toward new frontiers and to the maritime labor and technology of the nineteenth century. Cohen shows how Jules Verne reworked adventures at sea into science fiction; how Melville, Hugo, and Conrad navigated the foggy waters of language and thought; and how detective and spy fiction built on sea fiction's problem-solving devices. She also discusses the transformation of the ocean from a theater of skilled work to an environment of pristine nature and the sublime. A significant literary history, The Novel and the Sea challenges readers to rethink their land-locked assumptions about the novel.

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The seventh book in the Architecture in Context series, this is a comprehensive survey of European architecture from the pre-dawn of the Enlightenment in early Georgian England to the triumph of Brutalism in the seventh decade of the twentieth century.The three main sections of the book are preceded by a concise introduction isolating the key philosophical or political theories which dominated the period: in particular Enlightenment and industrialization. The first section covers Anglo-Palladianism, French academic rationalism, their Neoclassical developments and the aspiration to the Sublime. This first part of the book develops the major strand of eclecticism before progressing to Historicism in the second, the choice of style seen to be relevant to a given commission, and the impact of industrial building techniques. The third and final part begins with Design Reform in reaction to industrialism and then proceeds to Design Reform in response to the reactionaries, but they too continue to make their mark as the chronicle progresses. The epilogue covers developments from the advent of the Postmodernists and their High-Tech adversaries to the diversity of formal and technological games played out towards the end of the century.The many great architects and designers whose work both defines and illustrates the themes of the book include visionaries like Soane, Boullée and Schinkel, entrepreneurial innovators such as the Adams brothers and Repton, engineers of the age of iron including Eiffel, Paxton and Bélanger, and 20th-century giants – Frank Lloyd Wright, Ludwig Mies van der Rohe and Le Corbusier among numerous others.

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The Charterhouse of Parma (1839) is a compelling novel of passion and daring, of prisons and heroic escape, of political chicanery and sublime personal courage. Set at the beginning of the nineteenth century, amidst the golden landscapes of northern Italy, it traces the joyous but ill-starred amorous exploits of a handsome young aristocrat called Fabrice del Dongo, and of his incomparable aunt Gina, her suitor Prime Minister Mosca, and Clélia, a heroine of ethereal beauty and earthly passion. These characters are rendered unforgettable by Stendhal's remarkable gift for psychological insight. `Never before have the hearts of princes, ministers, courtiers, and women been depicted like this,' wrote Honoré de Balzac. `Stendhal's tableau has the dimensions of a fresco but the precision of the Dutch masters.' The great achievement of The Charterhouse of Parma is to conjure up the excitement and romance of youth while never losing sight of the harsh realities which beset the pursuit of happiness, nor the humour and patient irony with which these must be viewed. This new translation captures Stendhal's narrative verve, while the Introduction explores the novel's reception and the reasons for its enduring popularity and power. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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'If ever there was a book calculated to make a man in love with its author, this appears to me to be the book.' William Godwin, the author's future husband, was not alone in admiring Letters written during a short residence in Sweden, Norway, and Denmark, Wollstonecraft's most popular book during her lifetime. Not easy to categorize, it is both an arresting travel book and a moving exploration of her personal and political selves. Wollstonecraft set out for Scandinavia just two weeks after her first suicide attempt, on a mission from the lover whose affections she doubted, to recover his silver on a ship that had gone missing. With her baby daughter and a nursemaid, she travelled across the dramatic landscape and wrote sublime descriptions of the natural world, and the events and people she encountered. What emerges most vividly is Wollstonecraft's courage and ability to look beyond her own suffering to the turmoil around her in revolutionary Europe, and a better future. This edition includes further material on the silver ship, Wollstonecraft's personal letters to Imlay during her trip, an extract from Godwin's memoir, and a selection of contemporary reviews. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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"...the panorama of a self-forgotten milieu." — Monopol "Toffs behaving badly: 1980s high society in photos." — The Times “The pictorial equivalents of Evelyn Waugh’s sentences.” — The New Yorker "Modest though he is, Dafydd’s photographs will endure for having perfectly captured a society on the brink of decline. Unmissable listening." — Country & Townhouse podcast "Wonderfully ironic, every point in the picture ignites and knows how to entertain very well." — Lovely Books “Dafydd catches those moments of genuine exhilaration, wealth and youth.” — The Hollywood Reporter “I wondered if the party guests I’d photographed were just re-enacting a nostalgic fantasy, an imaginary version of England that already no longer existed.” – Dafydd Jones Throughout the 1980s, award-winning photographer Dafydd Jones was granted access to some of England’s most exclusive upper-class events. Now, the author of Oxford: The Last Hurrah presents this irreverent and intimate portrait of birthday parties and charity balls, Eton picnics and private school celebrations. With the crack of a hunting rifle and a spray of champagne, these photos give an almost cinematic account of high-society England at its most riotous and its most vulnerable. Against the backdrop of Thatcher’s Britain, globalisation, the Falklands War, rising stocks and dwindling inherited fortunes, Jones reveals the inner lives of the established elite as they party long into the night-time of their fading world. Praise for Oxford: The Last Hurrah ‘Sublime vintage photographs...’ – Hermione Eyre, The Telegraph ‘In The Last Hurrah...we see familiar faces from British high society poised on the brink of adulthood.’ – Eve Watling, Independent

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'I raced through this murder mystery' Good Housekeeping, 10 Books to Read Right Now!'Smiley is a masterful writer' Sunday Times'Outstanding. Her sentences are sublime' Roxane GayFrom a brilliant Pulitzer Prize-winning and best-selling author: a rollicking murder mystery set in Gold Rush California, as two young prostitutes follow a trail of missing girls.Monterey, 1851. Ever since her husband was killed in a bar fight, Eliza Ripple has been working in a brothel. It seems like a better life, at least at first. The madam, Mrs. Parks, is kind, the men are (relatively) well behaved, and Eliza has attained what few women have: financial security. But when the dead bodies of young women start appearing outside of town, a darkness descends that she can't resist confronting. Side by side with her friend Jean, and inspired by her reading, especially by Edgar Allan Poe's detective Dupin, Eliza pieces together an array of clues to try to catch the killer, all the while juggling clients who begin to seem more and more suspicious.Eliza and Jean are determined not just to survive, but to find their way in a lawless town on the fringes of the Wild West - a bewitching combination of beauty and danger - as what will become the Civil War looms on the horizon.As Mrs. Parks says, 'Everyone knows that this is a dangerous business, but between you and me, being a woman is a dangerous business, and don't let anyone tell you otherwise . . .'

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What human qualities are needed to make scientific discoveries, and which to make great art? Many would point to 'imagination' and 'creativity' in the second case but not the first. This book challenges the assumption that doing science is in any sense less creative than art, music or fictional writing and poetry, and treads a historical and contemporary path through common territories of the creative process. The methodological process called the 'scientific method' tells us how to test ideas when we have had them, but not how to arrive at hypotheses in the first place. Hearing the stories that scientists and artists tell about their projects reveals commonalities: the desire for a goal, the experience of frustration and failure, the incubation of the problem, moments of sudden insight, and the experience of the beautiful or sublime. Selected themes weave the practice of science and art together: visual thinking and metaphor, the transcendence of music and mathematics, the contemporary rise of the English novel and experimental science, and the role of aesthetics and desire in the creative process. Artists and scientists make salient comparisons: Defoe and Boyle; Emmerson and Humboldt, Monet and Einstein, Schumann and Hadamard. The book draws on medieval philosophy at many points as the product of the last age that spent time in inner contemplation of the mystery of how something is mentally brought out from nothing. Taking the phenomenon of the rainbow as an example, the principles of creativity within constraint point to the scientific imagination as a parallel of poetry.

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The exhibition at the Collection Lambert explores the roots of the raw energy contained in Jean-Michel Basquiat’s paintings and questions the unusual qualities of a body of work both visceral and self-aware, so much more than the sum of its unusual parts, through which the talent of a young prodigy shines through. In the 1980s, Jean-Michel Basquiat burst onto the art scene offering a new vision of art, putting painting back at its heart at the very moment the medium had been consigned to history. His work brings together the artist’s own sources, intuitions and extraordinary talent. Like a DJ mixing forms, Basquiat took shapes and colors into new creative territories.His formal vocabulary is clearly inspired by Picasso, Matisse and Twombly, drawing on their fondness for primary colours, fragmented subjects, disturbing faces, dissonant colours and forms, and crudely crafted compositions or objects. Like them, he steps away from cold virtuosity and appeals instead to naivety and ungainliness to restore pure energy to art while reaching for the sublime to create a work both sensitive yet engaging.The book features a presentation from the exhibition’s curator and an interview with Yvon Lambert about his relationship with the artist. Alongside the artist’s own work, it also features an extensive selection of works by Matisse, Picasso and Twombly from the Collection Lambert’s own permanent collection and exceptional loans from private collections and major institutions.

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Emptiness and Temporality is an account of classical Japanese poetics based, for the first time, on the two concepts of emptiness (J.kū) and temporality (mujō) that ground the medieval practice and understanding of poetry. It clarifies the unique structure of the collective poetic genre called renga (linked poetry) by analyzing Shinkei's writings, particularly Sasamegoto. This book engages contemporary Western theory, especially Derrida's concepts of différance and deconstruction, to illuminate the progressive displacement that constitutes the dynamic poetry of the renga link as the sequence moves from verse 1 to 100. It also draws on phenomenology, Heidegger's Being and Time, Bakhtin's notion of the dialogical, Gadamer's Truth and Method, hermeneutics, and the concept of translation to delve into philosophical issues of language, mind, and the creative process. Furthermore, the book traces the development of the Japanese sense of the sublime and ineffable (yūgen and its variants) from the identification, by earlier waka poets like Shunzei and Teika, of their artistic practice with Buddhist meditation (Zen or shikan), and of superior poetry as the ecstatic figuration of the Dharma realm. Emptiness and Temporality constitutes a radically new definition of Japanese poetry from the medieval period onward as a symbolist poetry, a figuration of the sacred rather than a representation of nature, and reveals how the spiritual or moral dimension is essential to an understanding of traditional Japanese aesthetic ideals and practices, such as Nô performance, calligraphy, and black-ink painting.

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Defying comprehension, the tragic history of the Holocaust has been alternately repressed and canonized in postmodern Western culture. Recently our interpretation of the Holocaust has been the center of bitter controversies, from debates over Paul de Man's collaborationist journalism and Martin Heidegger’s Nazi past to attempts by some historians to downplay the Holocaust’s significance. A major voice in current historiographical discussions, Dominick LaCapra brings a new clarity to these issues as he examines the intersections between historical events and the theory through which we struggle to understand them.In a series of essays—three published here for the first time—LaCapra explores the problems faced by historians, critics, and thinkers who attempt to grasp the Holocaust. He considers the role of canon formation and the dynamic of revisionist historiography, as well as critically analyzing responses to the discovery of de Man’s wartime writings. He also discusses Heidegger’s involvement with National Socialism, and he sheds light on postmodernist obsessions with such concepts as loss, agora, dispossession, deferred meaning, and the sublime. Throughout, LaCapra demonstrates that psychoanalysis is not merely a psychology of the individual but that its concepts have sociocultural dimensions and can help us perceive the relationship between the present and the past. Many of our efforts to comprehend the Holocaust, he shows, continue to suffer from the traumatizing effects of its events and require a "working through" of that trauma if we are to gain a more profound understanding of the meaning of the Holocaust.

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Enlightenment - both the phenomenon specific to the eighteenth century and the continuing trend in Western thought - is an attempt to dispel ignorance, achieve mastery of a potentially hostile environment, and contain fear of the unknown by promoting science and rationality. Enlightenment is often accompanied and challenged by countercultures such as German Romanticism, which explored the nature of fear and deployed it as a corrective to the excesses of rationalism. The Aesthetics of Fear in German Romanticism uncovers the formative role this movement played in the development of dark or negative aesthetics. Recovering a missing chapter in the history of the aesthetics of fear, Paola Mayer illustrates that Romanticism was a crucial transitional phase between the eighteenth-century sublime and the early twentieth-century uncanny. Mayer puts literature and philosophy in dialogue, examining how German Romantic literature employed narratives of fear to radicalize and then subvert the status quo in society, culture, and science. She traces the development of this aesthetic from its inception with pre-Romantics such as Jean Paul Richter to its end in Joseph von Eichendorff's critical retrospective, and juxtaposes canonical authors such as E.T.A. Hoffmann - the father of the modern fantastic - with writers who have previously been ignored. Today, when the dark side of science looms in the foreground, The Aesthetics of Fear in German Romanticism points to the power of a literary movement to construct competing currents of thought.

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An extended philosophical analysis of the concept of judgement, important in many areas of contemporary philosophy, including epistemology, the philosophy of value and aesthetics. Kant's philosophy understands judgement in different ways in the cognition of nature, the appreciation of natural beauty, and in the determination of moral action. This book aims to explore these three 'philosophies' of judgement, producing in the process a new and creative reading of Kant's work. The result is a unique book-length study of judgement in general. At the core of this reading is an interpretation of how Kant understands reflection, presentation and activity. Novel aspects include accounts of the transcendental object, the implications of considering cognition as an activity, the structure of sensible givenness, Kant on the sublime, and the moral argument. The book draws upon ideas from within the Continental philosophy tradition, particularly from Nietzsche, Heidegger and Deleuze. To Nietzsche there is devoted a whole chapter on the subject of sensation and physics, which aims to expand upon and illuminate parallel discussions in the reading of Kant. Readers will find much of interest in this wide-ranging text, including treatments of key features in Kant's epistemology, philosophy of mind, aesthetics, philosophy of religion as well as his practical philosophy. Features * The first book to consider Kant's account of judgement in general. * A unique interpretation of Kant, employing philosophers in the Continental tradition - e.g Nietzsche, Heidegger and Deleuze. * Contains a sustained study of Nietzsche on the subject of sensation and physics.

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Jung: A Feminist Revision explores the relationship between feminist theory and Jungian studies. It combines an original student-friendly introduction to Jung, his life and work, his treatment of gender and the range of post-Jungian gender theory, with new research linking Jung to deconstruction, post-Freudian feminism, postmodernism, the sublime, and the postmodern body. Feminism has neglected Jung to its own detriment. While evaluating the reasons for this neglect, Jung: A Feminist Revision uses the diversity of feminist critical tools from historical analysis to poststructuralism. In a fresh and illuminating study, this book provides both a critique of Jung and demonstrates his positive potential for future feminisms. New theories are explored which develop relationships between the work of Jung and Jacques Lacan, Luce Irigaray, Hélène Cixous, Julia Kristeva and Judith Butler. Particular attention is paid to the growth of post-Jungian studies of gender. This includes a cogent study of the tradition of Jungian feminism that looks to ‘the feminine principle' and narratives of goddesses. Jungian 'goddess' feminism's enduring appeal is re-examined in the context of postmodern re-thinking of subjectivity and gender. The book proposes a re-orientation of Jungian studies in its relationship to feminism. The result is an accessible text that introduces Jung and sets out his relevance to contemporary feminisms. This book will be essential reading for undergraduates and postgraduates studying feminist theory, psychoanalytical theory, literature and psychology.

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Concern about the climate crisis is widespread as humans struggle to navigate life in uncertain times. From the vantage of a schooner full of artists on an adventure in the high Arctic, biologist Lynne Quarmby explains the science that convinced her of an urgent need to act on climate change and recounts how this knowledge - and the fear and panic it elicited - plunged her into unsustainable action, ending in arrests, lawsuits, and a failed electoral campaign on behalf of the Green Party of Canada.Watermelon Snow weaves memoir, microbiology, and artistic antics together with descriptions of a sublime Arctic landscape. At the top of the warming world, Quarmby struggles with burnout and grief while an aerial artist twirls high in the ship's rigging, bearded seals sing mournfully, polar bears prowl, and glaciers crumble into the sea. In a compelling narrative, sorrow and fear are balanced by beauty and wonder. The author's journey back from a life out of balance includes excursions into evolutionary history where her discoveries reveal the heart of human existence. The climate realities are as dark as the Arctic winter, yet this is a book of lightness and generosity. Quarmby's voice, intimate and original, illuminates the science while offering a reminder that much about the human experience is beyond reason.Inspiring and deeply personal, Watermelon Snow is the story of one scientist's rediscovery of what it means to live a good life at a time of increasing desperation about the future.

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Over the course of her career, Barbara Stafford has established herself the preeminent scholar of the intersections of the arts and sciences, articulating new theories and methods for understanding the sublime, the mysterious, the inscrutable. Omnivorous in her research, she has published work that embraces neuroscience and philosophy, biology and culture, pinpointing connections among each discipline's parallel concerns. Ribbon of Darkness is a monument to the scope of her work and the range of her intellect. At times associative, but always incisive, the essays in this new volume take on a distinctly contemporary purpose: to uncover the ethical force and moral aspects of overlapping scientific and creative inquiries. This shared territory, Stafford argues, offers important insights into--and clarifications of--current dilemmas about personhood, the supposedly menial nature of manual skill, the questionable borderlands of gene editing, the potentially refining value of dualism, and the limits of a materialist worldview. Stafford organizes these essays around three concepts that structure the book: inscrutability, ineffability, and intuitability. All three, she explains, allow us to examine how both the arts and the sciences imaginatively infer meaning from the "veiled behavior of matter," bringing these historically divided subjects into a shared intellectual inquiry and imbuing them with an ethical urgency. A vanguard work at the intersection of the arts and sciences, this book will be sure to guide readers from either realm into unfamiliar yet undeniably fertile territory.

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Many artists long to paint mountains - to capture their grandeur, their character and perhaps their tranquility. This practical book explains the key elements of portraying their magnificence and also advises how to reproduce the magic of a scene. With step-by-step instructions and clear, detailed advice throughout, it guides the painter through the techniques so you can express your own vision of the mountains and capture one of the greatest scenes of the natural landscape. The author's deep understanding and love of the mountains shines through the text and the paintings. There is advice on choosing mediums, brushes and surfaces, and using a limited colour palette both for en plein air and studio painting. Incorporates different features of the mountainscape - crags, slopes, rocks, lakes, woodland, cottages, animals and figures - to add life and interest to a painting. The author captures the transient and often dramatic effects of light on the mountain landscape, including the special magic of sunsets. Injects mood into a painting, from the excitement of a sublime storm to a sense of peace and refuge. Specific advice on painting sky, water and trees, and tips on using them in an effective composition. Finally, step-by-step, illustrated and detailed exercises show how to work down from the sky to the foreground, add detail, enrich hues, and increase contrast between light and shade. It is a handy guide for all artists and an inspiration to everyone who loves mountain scenery.

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A collection of twenty-two disturbing tales of crime and suspense from literary icon Joyce Carol Oates, author of Blonde and 'America's preeminent fiction writer' (New Yorker). Two hitmen in a depressed rust belt town struggle with a job gone wrong. A girl witnesses a horrifying accident and carries it with her for the rest of her life. Medical students bring a severed foot to a college party. Five-time Pulitzer Prize finalist Joyce Carol Oates has made a career of exploring the forbidden corners of human experience, and the stories collected here, spanning her first three decades as a writer, are among her most unsettling and unforgettable works to date. Originally published in long out-of-print volumes, these tales have not appeared in any form this century – until now. They show a writer boldly engaging with disturbing truths and terrifying possibilities, and deconstructing the tropes and expectations of traditional prose writing as she does so. But beyond their stylistic ingenuity, these are creepy, suspenseful stories that cut straight to the bone; their darkness will linger long after the final page is turned. A must-read for long-time fans of Joyce Carol Oates and an excellent introduction for the uninitiated. Reviews for Joyce Carol Oates: 'Oates chillingly depicts the darkness lurking within the everyday.' Sunday Express 'Both haunting and sublime.' Literary Review 'Splendidly chilling.' Financial Times 'Visceral, psychologically involving, and socially astute.' Booklist

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In the 1970s, an age long before World Cups, rugby union to the British public meant Bill McLaren, rude songs and, most of all, Wales. Between 1969 and 1979, the men in red shirts won or shared eight Five Nations Championships, including three Grand Slams and six Triple Crowns. But the mere facts resonate less than the enduring images of the precision of Gareth Edwards, the sublime touch of Barry John, the sidesteps of Gerald Davies and Phil Bennett, the courage of J.P.R. Williams, and the forward power of the Pontypool Front Row and 'Merv the Swerve' Davies. To the land of their fathers, these Welsh heroes represented pride and conquest at a time when the decline of the province's traditional coal and steel industries was sending thousands to the dole queue and threatening the fabric of local communities. Yet the achievements of those players transcended their homeland and extended beyond mere rugby fans. With the help of comedian Max Boyce, the culture of Welsh rugby and valley life permeated Britain's living rooms at the height of prime time, reinforcing the sporting brilliance that lit up winter Saturday afternoons. In Nobody Beats Us, David Tossell, who spent the '70s as a schoolboy scrum-half trying to perfect the Gareth Edwards reverse pass, interviews many of the key figures of a golden age of Welsh rugby and vividly recreates an unforgettable sporting era.

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'One of the finest crime writers of any generation' Daily Mail'He's the high priest of plot ... deftly woven, but also beautifully written ... I loved it' Mel Giedroyc_______________________________Umiko Wada has recently had quite enough excitement in her life. With her husband recently murdered and a mother who seems to want her married again before his body is cold, she just wants to keep her head down.As a secretary to a private detective, her life is pleasingly uncomplicated, filled with coffee runs, diary management and paperwork.That is, until her boss takes on a new case. A case which turns out to be dangerous enough to get him killed. A case which means Wada will have to leave Japan for the first time and travel to London.Following the only lead she has, Wada quickly realises that being a detective isn't as easy as the television makes out. And that there's a reason why secrets stay buried for a long time. Because people want them to stay secret. And they're prepared to do very bad things to keep them that way...A pulse-pounding, breathless crime thriller, perfect for fans of Anthony Horowitz's Hawthorne series, Robert Galbraith's Cormoran Strike series and LJ Ross's Alexander Gregory thrillers.The new Umiko Wada novel from Robert Goddard, THE FINE ART OF UNCANNY PREDICTION, is available now._______________________________What readers are saying:'5 stars''Guaranteed and satisfying escapism''Edge-of-the-seat stuff''The master of twists and suspense... sublime'

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