Search results for ""Author Frances"

This monumental project is the definitive work on the postwar American military occupation of France. In 1951, Gen. Dwight D. Eisenhower, hero of the liberation of Europe, returned to Paris to command NATO forces. The US Army built a huge infrastructure across France to provide logistical support to the US Seventh Army in Germany during the Cold War. The US Air Force also sent aircraft to France to provide a nuclear deterrent to Soviet aggression. By 1962, the US military had 100,000 troops and family members living in France and employed 22,000 French civilians. This book is built on research in 50 international archives and more than 400 interviews. It is the definitive work on the postwar American military deployment to France and contains authoritative text along with original, professionally made maps, diagrams, and illustrations.

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Fifteen of the most important and influential women fiction writers, critics, and theorists writing in France today are interviewed in Shifting Scenes. Although their writing and attitudes differ in many ways, their work is perceived in the U.S. to constitute "French Feminism," and has a marked impact on American feminist theory. Alice Jardine and Anne Menke interviewed Chantal Chawaf, Helene Cixous, Catherine Clement, Francoise Collin, Marguerite Duras, Claudine Herrmann, Jeanne Hyvrard, Luce Irigaray, Sarah Kofman, Julia Kristeva, Eugenie Lemoine-Luccioni, Marcelle Marini, Michele Montrelay, Christiane Rochefort, and Monique Wittig. The women were asked what it means to be a woman writer in France today and how each views her relations to her country's institutions, and the place of women writers in the canon. the answers are lively, unexpectedly argumentative, and diverse. What these highly accomplished women have to say about contemporary society, politics, literature, feminism, and their own work, will surprise, inform, and challenge.

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The last sixteen years of James Baldwin's life (1971–87) unfolded in a village in the South of France, in a sprawling house nicknamed “Chez Baldwin.” In Me and My House Magdalena J. Zaborowska employs Baldwin’s home space as a lens through which to expand his biography and explore the politics and poetics of blackness, queerness, and domesticity in his complex and underappreciated later works. Zaborowska shows how the themes of dwelling and black queer male sexuality in The Welcome Table, Just above My Head, and If Beale Street Could Talk directly stem from Chez Baldwin's influence on the writer. The house was partially torn down in 2014. Accessible, heavily illustrated, and drawing on interviews with Baldwin's friends and lovers, unpublished letters, and manuscripts, Me and My House offers new insights into Baldwin's life, writing, and relationships, making it essential reading for all students, scholars, and fans of Baldwin.

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In this highly original history of the world's most famous bicycle race, Christopher S. Thompson, mining previously neglected sources and writing with infectious enthusiasm for his subject, tells the compelling story of the Tour de France from its creation in 1903 to the present. Weaving the words of racers, politicians, Tour organizers, and a host of other commentators together with a wide-ranging analysis of the culture surrounding the event - including posters, songs, novels, films, and media coverage - Thompson links the history of the Tour to key moments and themes in French history. Examining the enduring popularity of Tour racers, Thompson explores how their public images have changed over the past century. A new preface explores the long-standing problem of doping in light of recent scandals.

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The New York Times bestselling memoir of pilgrimage and self-discovery by Sue Monk Kidd, the author of The Secret Life of Bees and The Book of Longings, and her daughter, Ann Kidd Taylor Sue Monk Kidd has touched the hearts of millions of readers with her beloved novels and acclaimed nonfiction. Now, in this wise and engrossing dual memoir, she and her daughter, Ann, chronicle their travels together through Greece and France at a time when each was on a quest to redefine herself and rediscover each other. As Sue struggles to enlarge a vision of swarming bees into a novel, and Ann ponders the classic question of what to do with her life, this modern-day Demeter and Persephone explore an array of inspiring figures and sacred sites. They also give voice to that most protean of human connections: the bond of mothers and daughters.An absorbing book about spiritual growth and finding one's destiny, Traveling with Pomegranates is both a revealing self-portrait by a beloved author and her daughter, and a momentous story that will resonate with women everywhere.

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A pathbreaking study of the Parisian press's attempts to claim Richard Wagner's place in French history and imagination during the unstable and conflict-ridden years of the Third Reich. Richard Wagner was a polarizing figure in France from the time that he first entered French musical life in the mid nineteenth century. Critics employed him to symbolize everything from democratic revolution to authoritarian antisemitism. During periods of Franco-German conflict, such as the Franco-Prussian War and World War I, Wagner was associated in France with German nationalism and chauvinism. This association has led to the assumption that, with the advent of the Third Reich, the French once again rejected Wagner. Drawing on hundreds of press sources and employing close readings, this book seeks to explain a paradox: as the German threat grew more tangible from 1933, the Parisian press insisted on seeing in Wagner a universality that transcended his Germanness. Repudiating the notion that Wagner stood for Germany, French critics attempted to reclaim his role in their own national history and imagination. Claiming Wagner for France: Music and Politics in the Parisian Press, 1933-1944 reveals how the concept of a universal Wagner, which was used to challenge the Nazis in the 1930s, was gradually transformed into the infamous collaborationist rhetoric promoted by the Vichy government and exploited by the Nazis between 1940 and 1944. Rachel Orzech's study offers a close examination of Wagner's place in France's cultural landscape at this time, contributing to our understanding of how the French grappled with one of the most challenging periods in their history.

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The newspaper press was an essential aspect of the political culture of the French Revolution. Revolutionary News highlights the most significant features of this press in clear and vivid language. It breaks new ground in examining not only the famous journalists but the obscure publishers and the anonymous readers of the Revolutionary newspapers. Popkin examines the way press reporting affected Revolutionary crises and the way in which radical journalists like Marat and the Pere Duchene used their papers to promote democracy.

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**THE EXPLOSIVE NEW THRILLER FROM THE SUNDAY TIMES BESTSELLING AUTHOR**The perfect holiday. The perfect crime... When Ali has the chance to stay at a beautiful house in the south of France, she jumps at it. But not everything is as it seems. Surrounded by a group of wealthy friends, Ali blends expertly into the background. She's watching them all. And she isn't the only one interested. The heat rises. The pool shimmers. Secrets are exposed. And Ali must face up to the biggest lie of all: herself. 'Written with Durrant's usual acuity, Sun Damage is an attractive two-for-one deal: smart observation of family life and Brits abroad in the middle, bookended by a Highsmithian thriller' SUNDAY TIMES'Plenty of Ripleyish peril to keep the nerves on edge' CLARE CHAMBERS'No one creates characters like Sabine Durrant' CLARE MACKINTOSH'I tore through Sun Damage!' SJ WATSON 'Claustrophobic and suspenseful, with an engaging narrator and a satisfying twist: perfect poolside reading' GUARDIAN'Sensuously atmospheric, Sun Damage is a twisty thriller with the added delight of acute social comedy. Without doubt Sabine Durrant's best novel yet' GILL HORNBY'The suspense sizzles off every page' ERIN KELLY 'One of our best thriller writers' GOOD HOUSEKEEPING'An exploration of vulnerability, trickery and cruel dishonesty ... the ending gives great satisfaction' LITERARY REVIEW'Secrets and tensions rise along with the temperature until they reach boiling point' RED'Absorbing, intriguing, with great twists and pace, SUN DAMAGE is a wonderful rollercoaster of a read' B.A. PARIS'Durrant is relentless with the suspense ... superbly controlled, a novel that's obsidian dark under the blazing French sun' SUNDAY INDEPENDENT

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This book examines the important issue of British propaganda to France during the Second World War and aims to show the value of the propaganda campaign to the British war effort. British Propaganda to France is a unique contribution to the field, not only in its examination of one of the least well-studied areas of British activity during the Second World War but also in the breadth of its approach. It surveys the organisation, operation and nature of the British propaganda effort towards the French people, including both white propaganda (BBC broadcasts and leaflets dropped by the RAF) and black propaganda (secret broadcasting stations, documents purporting to come from the Germans in France or distributed in France using clandestine methods, and rumours). Finally it examines the contemporary British understanding of the French and German reception of and reaction to this propaganda material, to show whether the campaign was an effective and well-directed use of resources. Almost all examinations of British foreign propaganda during the Second World War have focused on propaganda directed towards Germany. British propaganda to France, which in terms of quantity of output was actually the most important area of British propaganda, has never been examined in depth until now. This book adds a further chapter to our knowledge of propaganda in the Second World War, especially in the conduct of psychological warfare. It also touches on better-known areas such as RAF Bomber Command and its Operational Training Units, which handled aerial dissemination of British white propaganda leaflets over France, and the Special Operations Executive in France, which worked closely with the Political Warfare Executive in delivering much black propaganda.

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The most up-to-date and comprehensive English-language study of its kind, From victory to Vichy explores the political mobilisation of the two largest French veterans’ associations during the interwar years, the Union fédérale (UF) and the Union nationale des combattants (UNC). Drawing on extensive research into the associations’ organisation, policies and tactics, this study argues that French veterans were more of a threat to democracy than previous scholarship has allowed. As France descended into crisis, the UF and the UNC sought to extend their influence into the non-veteran milieu through public demonstrations, propaganda campaigns and the foundation of auxiliary groups. Despite shifting policies and independent initiatives, by the end of the 1930s the UF and the UNC had come together in a campaign for authoritarian political reform, leaving them perfectly placed to become the ‘eyes and ears’ of Marshal Pétain’s Vichy regime. Offering an original contribution to the history of late Third Republican political culture, From victory to Vichy will appeal to students and scholars of modern France and Europe.

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(Edition updated in 2023) MICHELIN Ile-de-France Regional Map scale 1/200,000 will provide you with an extensive coverage of primary, secondary and scenic routes for this French region. In addition to Michelin's clear and accurate mapping, this regional map includes all the practical information for a trouble free journey, including major town plans as well as tourism information to make the most of your journey. With MICHELIN Regional Maps, find more than just your way! MICHELIN REGIONAL MAPS include practical information for a trouble free journey and show primary & secondary road networks. * Administrative boundaries * Scenic routes and tourist sights * Place name index * Time and distance charts * Plans for a selection of major towns * Practical information: danger alerts, service stations, picnic areas

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A guidebook to 42 day walks in the Auvergne. Exploring the volcanic hills of central France, the walks are suitable for beginner and experienced walkers alike. Walks range from 2 to 16km (1–10 miles) and can be enjoyed in 1–6 hours. The routes are clustered into five different areas, making ideal bases: Cantal, the Chaîne des Puys (Monts Dômes), the Monts Dore, the Haute Loire (Livradois and Velay) and the Montagne Bourbonnaise. Sketch maps are included for each walk Detailed information on accommodation, public transport and the region’s volcanic history Local points of interest are featured including the Livradois-Forez and Auvergne Volcanoes regional nature parks

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“Tell me what you eat, and I’ll tell you who you are” was the challenge issued by French gastronomist Jean Brillat-Savarin. Champagne is declared a unique emblem of French sophistication and luxury, linked to the myth of its invention by Dom Pérignon. Across the Channel, a cup of sweet tea is recognized as a quintessentially English icon, simultaneously conjuring images of empire, civility, and relentless rain that demands the sustenance and comfort that only tea can provide. How did these tastes develop in the seventeenth century? Commerce, Food, and Identity in Seventeenth-Century England and France: Across the Channel offers a compelling historical narrative of the relationship between food, national identity, and political economy in the early modern period. These mutually influential relationships are revealed through comparative and transnational analyses of effervescent wine, spices and cookbooks, the development of coffeehouses and cafés, and the ‘national sweet tooth’ in England and France.

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Walter McDougall offers an original analysis of Versailles diplomacy from the standpoint of the power that had the most direct interest and took the first initiatives in the search for a solution to the German problem. The author's new view of the struggle for execution or revision of the Versailles treaty holds sober implications for assessment of the political origins of international anarchy during the 1930s and European integration in the 1950s. He shows that the Treaty of Versailles was unenforceable, and that the French postwar government, far from enjoying predominance in Europe, suffered from financial crisis and economic and political inferiority to Germany. Versailles was thus the "Boche" peace, and the only path to a stable Europe seemed to lie through permanent restriction of German economic and political unity. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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While the role the United States played in France's liberation from Nazi Germany is widely celebrated, it is less well known that American Jewish individuals and organizations mobilized to reconstruct Jewish life in France after the Holocaust. In A "Jewish Marshall Plan," Laura Hobson Faure explores how American Jews committed themselves and hundreds of millions of dollars to bring much needed aid to their French coreligionists. Hobson Faure sheds light on American Jewish chaplains, members of the Armed Forces, and those involved with Jewish philanthropic organizations who sought out Jewish survivors and became deeply entangled with the communities they helped to rebuild. While well intentioned, their actions did not always meet the needs and desires of the French Jews. A "Jewish Marshall Plan" examines the complex interactions, exchanges, and solidarities created between American and French Jews following the Holocaust. Challenging the assumption that French Jews were passive recipients of aid, this work reveals their work as active partners who negotiated their own role in the reconstruction process.

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Originally published in 1975. The French Revolution generated a wave of popular piety and religious excitement in both France and England, where millenarians—prophets of the millennium—attempted to interpret the Revolution as the fulfillment of the predictions of Daniel and St. John the Divine. This study discusses the millenarian ideal in the context of the intellectual and religious attitudes of the time. Rejecting interpretations of millenarianism that chalk it up to class struggle or mass hysteria, Garrett stresses the interaction between politics and religion, viewing the phenomenon as the interpretation, by a varied assortment of individuals, of coincident political events in eschatological terms. Faced with a change as significant as the French Revolution, people found in the prophetic books of the Bible an understanding of what was happening to them. If the Revolution was God's will, if its development had been foretold, then surely the final outcome would be beneficial, at least for the faithful. Political events became eschatological events, and dangers and misfortunes became simply the chastisements that a fallen world must undergo before the Second Coming of Jesus Christ can redeem it. Although some of the beliefs may now seem bizarre, Garrett shows that, at the time, they attracted many followers for whom these ideas were both reasonable and respectable. Focusing on the careers of three millenarians—Suzette Labrousse, Catherine Théot, and Richard Brothers—Garrett tries to understand these prophets as persons rather than dismiss them as fanatics. Their prominence resulted from their success in transmitting a new political consciousness through familiar religious imagery. While the Revolution gave urgency and tangible reality to millenarian convictions, Labrousse, Théot, and others were convinced, well before the Revolution, that they were the bearers of divine revelations and thus welcomed the Revolution as confirmation of their own missions.

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Le Loop: How to Cycle the Tour de France is the incredible tale of how one man took on the world's toughest bike race. Ceri Stone is an ordinary guy. He wanted to do something extraordinary just once in his life. This book is the exhilarating story of that adventure. He lays out a template for personal success, garnered from some rich life experience, and he puts his theories to the test by cycling Le Loop. Le Loop is an annual charitable event where riders cycle the route of the Tour de France one week before the pros. This is an inspiring adventure for athletes of all levels that proves we can achieve our wildest dreams and laugh along the way. Much like the tour itself, there are extreme highs and lows, and Ceri faces them with a searingly honest sense of reflection and a trivial sense of humour. This story is warm, empowering and leaves you itching to get off your sofa - but with a template to succeed at the same time. Join Ceri in his quest to live a life less ordinary.

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"Show me another pleasure like dinner which comes every day and lasts an hour," wrote Talleyrand. That Napoleon's most gifted advisor should speak so highly of eating says much about the importance of food in French culture. From the crumbs of a madeleine dipped in tisane that inspired Marcel Proust to the vast produce market where Emile Zola set one of his finest novels, the French have celebrated the relationship between art and food. Eating Eternity offers a seductive menu of those places in the French capital where art and food have intersected. Appendices guide you to the restaurant where Napoleon proposed to Josephine, the cafés patronized by Ernest Hemingway, Henry Miller, Isadora Duncan and Man Ray, as well as those out-of-the-way sites that bring to life the culinary experience of Paris. Eating Eternity is an invaluable and unique guide to the art and food of Paris. Bon appetit! AUTHOR: John Baxter is a writer, journalist and filmmaker; he has called Paris home since 1989. He is the author of numerous books including the autobiographical Immoveable Feast: A Paris Christmas, The Most Beautiful Walk in the World: A Pedestrian in Paris, Chronicles of Old Paris: Exploring the Historic City of Light, The Golden Moments of Paris: A Guide to the Paris of the 1920s and French Riviera and Its Artists.

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Join Ned Boulting as he reports on his dozen-th Tour de France, an event in which blokes do amazing things on bikes, and, we’re oft told, the biggest annual sporting event in the world.101 Damnations is a chance to relive the 2014 race, stage for stage, fall after fall, tantrum by tantrum; just the good bits mind, without all the aerial shots of castles. Or sunflowers. (Though it does wax lyrical about some stunning Alpine scenery . . . and, with the race starting in Yorkshire, even some stunning scenery not far from Bradford).From Leeds to Paris (how often do you say that?), Ned details the minutiae of his encounters with the likes of Vincenzo Nibali, David Millar, Chris Froome, Chris Boardman (or ‘Broadman’ as some would have it), Marcel Kittel, Mrs Cavendish (Mark’s wife), Peter Sagan and the rest. Their endeavours, achievements, humour and occasional rancour, sit alongside his own decade-long quest for the ideal end-of-race T-shirt.Ned weaves together the interesting, amusing and unheralded threads of the race itself, and reflects on his own perennial struggle to get round, get on and get by. 101 Damnations encapsulates all that is incredible – and incredibly ordinary – about the greatest race on earth.

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From the counter-reformation through the twentieth century, the notion of sacrifice has played a key role in French culture and nationalist politics. Ivan Strenski traces the history of sacrificial thought in France, starting from its origins in Roman Catholic theology. Throughout, he highlights not just the dominant discourse on sacrifice but also the many competing conceptions that contested it. Strenski suggests that the annihilating spirituality rooted in the Catholic model of Eucharistic sacrifice persuaded the judges in the Dreyfus Case to overlook or play down his possible innocence because a scapegoat was needed to expiate the sins of France and save its army from disgrace. Strenski also suggests that the French army's strategy in World War I, French fascism, and debates over public education and civic morals during the Third Republic all owe much to Catholic theology of sacrifice and Protestant reinterpretations of it. Pointing out that every major theorist of sacrifice is French, including Bataille, Durkheim, Girard, Hubert, and Mauss, Strenski argues that we cannot fully understand their work without first taking into account the deep roots of sacrificial thought in French history.

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The fourth and final volume in Pierre Nora's monumental series documenting the history and culture of France takes a self-reflective turn. The eleven essays collected here consider the texts and places that make up the collective memory of the history of France, a country whose people are extraordinarily conscious of history and their place in it. Distinguished contributors look at the medieval Grands chroniques de France and the monasteries and chancelleries that produced them, the establishment of Versailles as a historical museum, and Pierre Larousse's Grand dictionnaire, an important touchstone of cultural memory. Other essays of this title range in topic from the creation of the National Archives, a curiously organized catacomb of manuscripts, to Annales, a publication begun in 1929 that profoundly revitalized the study of history in France. Taken together, these richly detailed essays fully explore the multifaceted ways France has institutionalized its history and are, along with the rest of Les Lieux de memoire, a crucial part of that process.

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Printed first in 1666, this source is both an instruction manual and plea for reform, comparing the positive potential of mediation and arbitration with the chicanery of contemporary litigation. It describes in detail some arbitrations of the period, with forms and precedents, practical examples and handy tips. The translation is intended to capture the salty and forceful style of the author, who recommends all kinds of threats and guile in his task of reconciliation and arbitration.

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Why did nuclear energy policies in France, Sweden, and the United States, very similar at the time of the oil crisis of 1973 and 1974, diverge so greatly in the following years? In answering this question, James Jasper challenges one of the most popular trends in political analysis: explanations relying exclusively on political and economic structures to account for public policies. Jasper proposes a new cultural and state-centered approach--one heeding not only structural factors but cultural meanings, individual biographies, and elite discretion. Surveying the period from the successful commercialization of light-water-reactor technology in the early 1960s to the present, he explains the events that occurred after 1973: France built even more reactors than it needed, the United States canceled most reactor orders, and Sweden completed planned nuclear plants but decided to phase out nuclear energy by 2010. This work is based on one hundred interviews with managers, policymakers, and activists in the three countries. In addition to providing a unique theoretical perspective, it broadens our understanding of nuclear policy by looking at three countries in depth and over a long historical span. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The rise and fall of modern colonial empires have had a lasting impact on the development of European political theory and notions of national identity. This book compares theories of empire as they emerged in, and helped to define, the great colonial powers of Spain, Britain and France.

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From the critically acclaimed author of The Library of Legends comes a vividly rendered novel set in WWI France about two young women—one Chinese, one French—whose lives intersect with unexpected, potentially dangerous consequences.“East meets West in World War I France. In The Porcelain Moon, Janie Chang exhibits her signature trademarks—lyrical prose, deftly drawn characters, and skillful excavation of little-known history—to give us a rare jewel in a sea of wartime fiction!”— Kate Quinn, New York Times bestselling authorFrance, 1918. In the final days of the First World War, a young Chinese woman, Pauline Deng, runs away from her uncle’s home in Paris to evade a marriage being arranged for her in Shanghai. To prevent the union, she needs the help of her cousin Theo, who is working as a translator for the Chinese Labour Corps in the French countryside. In the town of Noyelles-sur-Mer, Camille Roussel is planning her escape from an abusive marriage, and to end a love affair that can no longer continue. When Camille offers Pauline a room for her stay, the two women become friends. But it’s not long before Pauline uncovers a perilous secret that Camille has been hiding from her. As their dangerous situation escalates, the two women are forced to make a terrible decision that will bind them together for the rest of their lives.Set against the little-known history of the 140,000 Chinese workers brought to Europe as non-combatant labor during WWI, The Porcelain Moon is a tale of forbidden love, identity and belonging, and what we are willing to risk for freedom.

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A novel look at the relationship between Impressionist painting and photography and the forging of a national identity in France between 1850 and 1880 Between 1850 and 1880, Impressionist landscape painting and early forms of photography flourished within the arts in France. In the context of massive social and political change that also marked this era, painters and photographers composed competing visions of France as modern and industrialized or as rural and anti-modern. Impressionist France explores the resonances between landscape art and national identity as reflected in the paintings and photographs made during this period, examining and illustrating in particular the works of key artists such as Édouard Baldus, Gustave Le Gray, the Bisson Frères, Édouard Manet, Jean-François Millet, Claude Monet, Charles Nègre, and Camille Pissarro. This ambitious premise focuses on the whole of France, exploring the relationship between landscape art and the notion of French nationhood across the country’s varied and spectacular landscapes in seven geographical sections and four scholarly essays, which provide new information regarding the production and impact of French Impressionism.Distributed for the Nelson-Atkins Museum of Art and the Saint Louis Museum of ArtExhibition Schedule:Nelson-Atkins Museum of Art(10/19/13-02/09/14)Saint Louis Art Museum(03/16/14–07/06/14)

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How can politicians and ordinary citizens face the racial past in a country that frames itself as colorblind? In her timely and provocative book, Resurrecting Slavery, Crystal Fleming shows how people make sense of slavery in a nation where talking about race, colonialism, and slavery remains taboo. Noting how struggles over the meaning of racial history are informed by contemporary politics of race, she asks: What kinds of group identities are at stake today for activists and French people with ties to overseas territories where slavery took place?Fleming investigates the connections and disconnections that are made between racism, slavery, and colonialism in France. She provides historical context and examines how politicians and commemorative activists interpret the racial past and present. Resurrecting Slavery also includes in-depth interviews with French Caribbean migrants outside the commemorative movement to address the everyday racial politics of remembrance.Bringing a critical race perspective to the study of French racism, Fleming’s groundbreaking study provides a more nuanced understanding of race in France along with new ways of thinking about the global dimensions of slavery, anti-blackness, and white supremacy.

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Jules Michelet, one of France’s most influential historians and a founder of modern historical practice, was a passionate viewer and relentless interpreter of the visual arts. In this book, Michèle Hannoosh examines the crucial role that art writing played in Michelet’s work and shows how it decisively influenced his theory of history and his view of the practice of the historian.The visual arts were at the very center of Michelet’s conception of historiography. He filled his private notes, public lectures, and printed books with discussions of artworks, which, for him, embodied the character of particular historical moments. Michelet believed that painting, sculpture, architecture, and engraving bore witness to histories that frequently went untold; that they expressed key ideas standing behind events; and that they articulated concepts that would come to fruition only later.This groundbreaking reevaluation of Michelet’s approach to history elucidates how writing about art provided a model for the historian’s relation to, and interpretation of, the past, and thus for a new type of historiography—one that acknowledges and enacts the historian’s own implication in the history he or she tells.

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As a nineteenth-century think tank that sought answers to France’s pressing “social question,” the Musée Social reached across political lines to forge a reformist alliance founded on an optimistic faith in social science. In A Social Laboratory for Modern France Janet R. Horne presents the story of this institution, offering a nuanced explanation of how, despite centuries of deep ideological division, the French came to agree on the basic premises of their welfare state.Horne explains how Musée founders believed—and convinced others to believe—that the Third Republic would carry out the social mission of the French Revolution and create a new social contract for modern France, one based on the rights of citizenship and that assumed collective responsibility for the victims of social change. Challenging the persistent notion of the Third Republic as the stagnant backwater of European social reform, Horne instead depicts the intellectually sophisticated and progressive political culture of a generation that laid the groundwork for the rise of a hybrid welfare system, characterized by a partnership between private agencies and government. With a focus on the cultural origins of turn-of-the-century thought—including religion, republicanism, liberalism, solidarism, and early sociology—A Social Laboratory for Modern France demonstrates how French reformers grappled with social problems that are still of the utmost relevance today and how they initiated a process that gave the welfare state the task of achieving social cohesion within an industrializing republic.

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This book addresses the unique and profound indeterminacy of “Creole,” a label applied to white, black, and mixed-race persons born in French colonies during the nineteenth century. "Creole” implies that the geography of one’s birth determines identity in ways that supersede race, language, nation, and social status. Paradoxically, the very capaciousness of the term engendered a perpetual search for visual signs of racial difference as well as a pretense to blindness about the intermingling of races in Creole society. Darcy Grimaldo Grigsby reconstructs the search for visual signs of racial difference among people whose genealogies were often repressed. She explores French representations of Creole subjects and representations by Creole artists in France, the Caribbean, and the Americas. To do justice to the complexity of Creole identity, Grigsby interrogates the myriad ways in which people defined themselves in relation to others. With close attention to the differences between Afro-Creole and Euro-Creole cultures and persons, Grigsby examines figures such as Théodore Chassériau, Guillaume Guillon-Lethière, Alexandre Dumas père, Édouard Manet, Edgar Degas, the models Joseph and Laure, Josephine Bonaparte, Jeanne Duval, and Adah Isaacs Menken.Based on extensive archival research, Creole is an original and important examination of colonial identity. This essential study will be welcomed by specialists in nineteenth-century art history, French cultural history, the history of race, and transatlantic history more generally.

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“Open-hearted and buoyant, the book weaves together her hands-on experiences in Europe and introduces us to a rich cast of people who make, sell and care about these traditions.” —Jenny Linford, author of The Missing IngredientIn this delightful, full-color tour of France, England, and Italy, YouTube star Katie Quinn shares the stories and science behind everyone's fermented favorites—cheese, wine, and bread—along with classic recipes.Delicious staples of a great meal, bread, cheese, and wine develop their complex flavors through a process known as fermentation. Katie Quinn spent months as an apprentice with some of Europe’s most acclaimed experts to study the art and science of fermentation. Visiting grain fields, vineyards, and dairies, Katie brings the stories and science of these foods to the table, explains the process of each craft, and introduces the people behind them. What will keep readers glued to the book like a suspense novel is Katie's personal journey as an expat discovering herself abroad; Katie's vulnerability will turn readers into fans, and they'll finish the book feeling like they're her best friends, trusted with her innermost revelations.In England, Katie becomes a cheesemonger at Neal's Yard Dairy, London’s preeminent cheese shop—the beginning of a journey that takes her from a goat farm in rural Somerset to a nationwide search for innovating dairy gurus.In Italy, Katie offers an inside look at Italian winemaking with the Comellis at their family-owned vineyard in Northeast Italy and witnesses the diversity of vintners as she makes her way around Italy.In France, Katie meets the reigning queen of bread, Apollonia Poilâne of Paris' famed Poilâne Bakery, apprentices at boulangeries in Paris learning the ins and outs of sourdough, and travels the country to uncover the present and future of French bread.Part artisanal survey, part travelogue, and part cookbook, featuring watercolor illustrations and gorgeous photographs, Cheese, Wine, and Bread is an outstanding gastronomic tour for foodies, cooks, artisans, and armchair travelers alike.

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The Battle for Children links two major areas of historical inquiry: crime and delinquency with war and social change. In a study based on impressive archival research, Sarah Fishman reveals the impact of the Vichy regime on one of history’s most silent groups—children—and offers enlightening new information about the Vichy administration.Fishman examines how French children experienced the events of war and the German occupation, demonstrating that economic deprivation, not family dislocation, sharply drove up juvenile crime rates. Wartime circumstances led authorities to view delinquent minors as victims, and provided the opportunity for reformers in psychiatry, social work, and law to fundamentally transform France’s punitive juvenile justice system into a profoundly therapeutic one. Vichy-era legislation thus formed the foundation of the modern juvenile justice system in France, which rarely incarcerates delinquent youth.In her examination of the critical but unexpected role the war and the authoritarian Vichy regime played in the transformation of France’s juvenile courts and institutions, Fishman has enriched our knowledge of daily life in France during World War II, refined our understanding of Vichy’s place in the historical development of France, and provided valuable insights into contemporary debates on juvenile justice.

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Examining the intersection of Palestine solidarity movements and antiracist activism in France from the 1970s to the present For the pasty fifty years, the Palestinian question has served as a rallying cry in the struggle for migrant rights in postcolonial France, from the immigrant labor associations of the 1970s and Beur movements of the 1980s to the militant decolonial groups of the 2000s. In Natives against Nativism, Olivia C. Harrison explores the intersection of anticolonial solidarity and antiracist activism from the 1970s to the present.Natives against Nativism analyzes a wide range of texts—novels, memoirs, plays, films, and militant archives—that mobilize the twin figures of the Palestinian and the American Indian in a crossed critique of Eurocolonial modernity. Harrison argues that anticolonial solidarity with Palestinians and Indigenous Americans has been instrumental in developing a sophisticated critique of racism across imperial formations—in this case, France, the United States, and Israel.Serving as the first relational study of antiracism in France, Natives against Nativism observes how claims to indigeneity have been deployed in multiple directions, both in the ongoing struggle for migrant rights and racial justice, and in white nativist claims in France today.

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In the decades following World War II, France experienced both a period of affluence and a wave of political, artistic, and philosophical discontent that culminated in the countrywide protests of 1968. In Disordering the Establishment Lily Woodruff examines the development of artistic strategies of political resistance in France in this era. Drawing on interviews with artists, curators, and cultural figures of the time, Woodruff analyzes the formal and rhetorical methods that artists used to counter establishment ideology, appeal to direct political engagement, and grapple with French intellectuals' modeling of society. Artists and collectives such as Daniel Buren, André Cadere, the Groupe de Recherche d’Art Visuel, and the Collectif d’Art Sociologique shared an opposition to institutional hegemony by adapting their works to unconventional spaces and audiences, asserting artistic autonomy from art institutions, and embracing interdisciplinarity. In showing how these artists used art to question what art should be and where it should be seen, Woodruff demonstrates how artists challenged and redefined the art establishment and their historical moment.

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In 2004, the first same-sex couple legally married in Quebec. How did homosexuality – an act that had for centuries been defined as abominable and criminal – come to be sanctioned by law?Judging Homosexuals finds answers in a comparative analysis of gay persecution in France and Quebec, places that share a common culture but have diverging legal traditions. In both settings, Patrice Corriveau explores how various groups – family and clergy, doctors and jurists – tried to manage people who were defined in turn as sinners, as criminals, as inverts, and as citizens to be protected by law.By bringing to light the various discourses that have over time supported the control and persecution of individual homoerotic behaviour in France and Quebec, this book makes the case that when it came to managing sexuality, the law helped construct the crime.

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April 6, 1944. A detachment of German soldiers arrive in a rural French town, hunting down resistance fighters, many of whom are hiding in the region. More than sixty years later, the villagers clearly remember the day when four peasants from a nearby village were taken hostage and shot as an example to others. But do they remember the whole story? Jean-Marie Borzeix sets out to investigate the events of Holy Thursday 1944, and to reveal the hidden truths of that fateful day. He uncovers the story of a mysterious 'fifth man' shot alongside the resisters and eventually unravels a trail which leads him to Paris, Israel and into the darkest corners of the Holocaust in France. A captivating story, the events of this day in a small, entirely typical, town illuminate the true impact of World War II in France.

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‘The very grubby coalface of foreign policy … I found the entire book most horribly addictive’ Independent ‘One of the unexpected responses to reading this masterful study is amazement at the efforts the British and French each put into undermining the other’ Spectator A fascinating insight into the untold story of how British-French rivalry drew the battle-lines of the modern Middle East. In 1916, in the middle of the First World War, two men secretly agreed to divide the Middle East between them. Sir Mark Sykes was a visionary politician; François Georges-Picot a diplomat with a grudge. They drew a line in the sand from the Mediterranean to the Persian frontier, and together remade the map of the Middle East, with Britain’s 'mandates' of Palestine, Transjordan and Iraq, and France's in Lebanon and Syria. Over the next thirty years a sordid tale of violence and clandestine political manoeuvring unfolded, told here through a stellar cast of politicians, diplomats, spies and soldiers, including T. E. Lawrence, Winston Churchill and Charles de Gaulle. Using declassified papers from the British and French archives, James Barr vividly depicts the covert, deadly war of intrigue and espionage between Britain and France to rule the Middle East, and reveals the shocking way in which the French finally got their revenge.

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After the devastation of the First World War, France welcomed immigrants on an unprecedented scale. To manage these new residents, the French government devised Europe's first guest worker program, then encouraged family settlements and finally cracked down on all foreigners on the eve of the Second World War. Despite France's famous doctrine of universal rights, these policies were egalitarian only in theory, not in reality. Mary Dewhurst Lewis uncovers the French Republic's hidden history of inequality as she reconstructs the life stories of immigrants—from their extraordinary successes to their sometimes heartbreaking failures as they attempted to secure basic rights. Situating migrants' lives within dramatic reversals in the economy, politics, and international affairs, Lewis shows how factors large and small combined to shape immigrant rights. At once an arresting account of European social and political unrest in the 1920s and 1930s and an exposé of the origins of France's enduring conflicts over immigration, The Boundaries of the Republic is an important reflection on both the power and the fragility of rights in democratic societies.

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This collection examines the afterlives of early modern English and French rulers. Spanning five centuries of cultural memory, the volume offers case studies of how kings and queens were remembered, represented, and reincarnated in a wide range of sources, from contemporary pageants, plays, and visual art to twenty-first-century television, and from premodern fiction to manga and romance novels. With essays on well-known figures such as Elizabeth I and Marie Antoinette as well as lesser-known monarchs such as Francis II of France and Mary Tudor, Queen of France, Remembering Queens and Kings of Early Modern England and France brings together reflections on how rulers live on in collective memory.

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This study offers a new interpretation of how nobility was viewed in sixteenth-century France and the changes that occurred in that view as France moved into the period of religious wars and popular rebellions and the appearance of the absolutist state. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Maurice Blanchot managed after World War II to become a key cult figure of the literary world, though he was known by contemporaries in France for his prior involvement in far-rightist politics. How did this happen? Why have literary critics, as in the case of Martin Heidegger and Paul de Man, chosen to ignore or suppress Blanchot's right-wing interwar and wartime writings, focusing instead on his postwar production? "Scandals and Aftereffect" provides an enlightening and provocative examination of these questions, as Stevan Ungar looks at 100 articles published under Blanchot's signature between 1932 and 1937 in such right-wing publications as: "Combat, La Revue Francaise, Reaction, La Revue du Vingteme Siecle" and "l'Insurge". Using the concept of the "aftereffect" (developed in psychoanalysis to link the shock of disclosure to problems of repression), Ungar expands his study to Blanchot's writings into a broader analysis of cultural, political and historical amnesia in an attempt to resolve the following questions: How and when does critical understanding of the past develop when control over the memory of a specific period is contested among those who lived it and those whose access to it depends on the accounts of others? Why have historical accounts of the recent past become increasingly open to question and revision? How structural is this process, or is it purely peculiar to wartime periods and therefore tied to the nature of contemporary historical experiences? Addressing problems of method related to the convergence of interests among historians and literary scholars, Ungar includes an overview of current debates surrounding the contested memories of Vichy, the Holocaust, and World War II. "Scandal and Aftereffect" should make a crucial contribution to current debates about the function of memory in the relationship of history to cultural production and about the history of history itself.

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See inside the gardens where literary giants from Tolstoy to Agatha Christie created some of their finest works in this visually stunning and fascinating book. Discover the flower gardens, vegetable plots, landscapes and writing hideaways of 30 great authors – from Louisa May Alcott’s ‘Orchard House’ where she wrote Little Women and Agatha Christie at Greenway, to Virginia Woolf at Monk’s House and the Massachusetts home of Edith Wharton.Fully illustrated with specially commissioned photography plus archive images, and spanning centuries and continents, this book visits the homes and gardens that inspired novelists, poets and playwrights. It shows how outdoor spaces were important to writers in many different ways and offers insight into the lives and creative processes of beloved authors. Writers featured include: Jane Austen in Kent and Hampshire, Agatha Christie in Devon, Beatrix Potter in the Lake District, Thomas Hardy in Dorset, Walter Scott and Robert Burns in Scotland, William Wordsworth in Cumbria, Virginia Woolf and Rudyard Kipling in Sussex, Frances Hodgson Burnett in Kent, Jack London in California, Edward James in Mexico, Jean Cocteau and George Sand in France and Goethe in Germany. This deeply insightful book sheds new light on some of literature's greatest works, offers rare glimpses into the lives of these brilliant minds, and showcases in stunning full colour the gardens in which these writers spent their time.

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The idea of staging a nation dates from the Enlightenment, but the full force of the idea emerges only with the rise of mass politics. Comparing English, French, and American attempts to establish national theatres at moments of political crisis—from the challenge of socialism in late nineteenth-century Europe to the struggle to "salvage democracy" in Depression America—Kruger poses a fundamental question: in the formation of nationhood, is the citizen-audience spectator or participant? The National Stage answers this question by tracing the relation between theatre institution and public sphere in the discourses of national identity in Britain, France, and the United States. Exploring the boundaries between history and theory, text and performance, this book speaks to theatre and social historians as well as those interested in the theoretical range of cultural studies.

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The Crimean War (1854–56) is widely considered the first modern war with its tactical use of railways, telegraphs, and battleships, its long-range rifles, and its notorious trenches – precursors of the Great War. It is also the first media war: the first to know the impact of a correspondent on the field of battle and the first to be documented in photographs. No one, however, including the French themselves, seems to remember that France was there, fighting in Crimea, losing 95,000 soldiers and leading the Allied campaign to victory. It would seem that the Crimean War has no place in the canon of culturally retained historical events that define modern French identity. Looking at literature, art, theatre, material objects, and medical reports, The Crimean War and Cultural Memory considers how the Crimean War was and was not represented in French cultural history in the second half of the nineteenth century. Ultimately, the book illuminates the forgotten traces that the Crimean War left on the French cultural landscape.

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