Search results for ""author elizabeth"

'One of the most productive, imaginative and risk-taking of writers... It is a clever, sexually explicit, fast-moving, full blooded yarn'Irish TimesA Dead Man in Deptford re-imagines the riotous life and suspicious death of Christopher Marlowe. Poet, lover and spy, Marlowe must negotiate the pressures placed upon him by theatre, Queen and country. Burgess brings this dazzling figure to life and pungently evokes Elizabethan England.

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The dramatic trilogy has been flourishing for some time now in new works and revivals of older works by American, British, and European playwrights. This book analyzes recent American works by Caucasian, African American, Asian American, and Hispanic American men and women. There are five chapters beginning with Opposing Families (trilogies of, e.g., Lanford Wilson, Foote, Machado, and McCraney are examined). Carson, Rabe, and McLaughlin are among those in the Classical Reimaginings chapter while Coen, Berc, and Wolfe constitute the Medieval Reimaginings chapter. Van Itallie, Havis, Rapp, and Hwang, among others, create New Forms. LaBute, Fierstein, and Nelson, among others, create New Selves. The concluding chapter is devoted to Ruhl's Passion Play, which spans 400 years of theatre-creating from Elizabethan England to Hitler's Germany to the Reagan era in America.

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In his most daring collection to date, Chris McCabe delves into the shadowy recesses of London history, bringing forth unsettling anachronisms and revealing the city as a perilous place to exist.Taking its name from the term for a female spy, Speculatrix is at once the voyeur and the observed. Fame and death are McCabe's subjects, sifted and strained through his poems' urgent rhythms. At the heart of the book, a sequence of wild, neurotic sonnets tears at the corpus of Elizabethan and Jacobean theatre to conjure a visceral landscape of decay and financial collapse. Extending the collection beyond his trademark urban locale are startling poems for the loved and departed: from the artist Francis Bacon to the poets Arthur Rimbaud and Barry MacSweeney. In Speculatrix, McCabe has pulled out all the stops, showing why he is considered one of British poetry's most arresting and pioneering spirits.

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The Elizabethan age was a tumultuous time, when long-cherished certainties were crumbling and life was exhilaratingly uncertain. Shakespeare's Restless World uncovers the extraordinary stories behind twenty objects from the period to re-create an age at once distant and yet surprisingly familiar. From knife crime to belief in witches, religious battles to the horizons of the New World, Neil MacGregor brings the past to life in a fresh, unexpected portrait of a dangerous and dynamic era.'Fascinating ... filled with anecdotes and insights, eerie, funny, poignant and grotesque ... another brilliant vindication of MacGregor's understanding of physical objects to enter deep into our fore­fathers' mental and spiritual world' Christopher Hart, Sunday Times'Enjoyable and intriguing, an absorbing evocation ... he draws us into the minds of the Elizabethan and Jacobean audience. Next time you see one of the plays reading this book will make those first audiences seem real to you' Peter Lewis, Daily Mail'How gripping are these tales from a lost world. And what a world Shakespeare's was - adventurous, melancholy, rich and plagued by beggary, courteous and quarrelsome, sceptical and credulous' Daily Telegraph 'Elegant, informative ... provides stimulating insights' Anne Somerset, Spectator

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The significance of the Fitzwilliam Virginal Book to our musical canon is well known; the remarkable story of its copyist and compiler, Francis Tregian, less so. Born into Cornish Catholic nobility and plumb into the choppy waters of the Elizabethan Age, he must rely on his surpassing skill as a musician to survive.In this Prix des Libraires (Booksellers Prize) winning novel, Anne Cuneo deftly recreates the musician’s journey across Renaissance Europe, which sees him befriending Shakespeare, swapping scores with William Byrd and Monteverdi, and playing in the court of Henri IV of France.The result is as gripping as it is authentic: an epic, transcontinental choreography in which Europe’s monarchs tussle with pretenders to their thrones, and ordinary people steer between allegiances to God, nation and family.

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This extraordinary debut heralds the arrival of a major new talent.In After You Were, I Am, charged moments from history collide with our own godless modern world. The book's three sections ingenious rewritings of canonical prayers, dramatic monologues from the Pendle witch trials of 1612, and the divine tragedy of the Elizabethan magus John Dee obsess over individual human characters and how our past informs (and informs on) our present. Ralphs's style is utterly distinctive; she is a modern metaphysical, tapping into a haunting, era-spanning utterance enlivened by the electric pulse of wordplay and imaginative conceit. This is poetry that in comprehending the past manages to make of it something utterly original and contemporary.

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Discover the new Doctor Who classics. When the entire universe is at stake, three different Doctors will unite to save it. The Tenth Doctor is hunting shape-shifting Zygons in Elizabethan England. The Eleventh is investigating a rift in space-time in the present day. And one other – the man they used to be but never speak of – is fighting the Daleks in the darkest days of the Time War. Driven by demons and despair, this battle-scarred Doctor is set to take a devastating decision that will threaten the survival of the entire universe… a decision that not even a Time Lord can take alone. On this day, the Doctor’s different incarnations will come together to save the Earth… to save the universe… and to save his soul.

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Essays exploring medieval castration, as reflected in archaeology, law, historical record, and literary motifs. Castration and castrati have always been facets of western culture, from myth and legend to law and theology, from eunuchs guarding harems to the seventeenth- and eighteenth-century castrati singers. Metaphoric castration pervadesa number of medieval literary genres, particularly the Old French fabliaux - exchanges of power predicated upon the exchange or absence of sexual desire signified by genitalia - but the plain, literal act of castration and its implications are often overlooked. This collection explores this often taboo subject and its implications for cultural mores and custom in Western Europe, seeking to demystify and demythologize castration. Its subjects includearchaeological studies of eunuchs; historical accounts of castration in trials of combat; the mutilation of political rivals in medieval Wales; Anglo-Saxon and Frisian legal and literary examples of castration as punishment; castration as comedy in the Old French fabliaux; the prohibition against genital mutilation in hagiography; and early-modern anxieties about punitive castration enacted on the Elizabethan stage. The introduction reflects on these topics in the context of arguably the most well-known victim of castration in the middle ages, Abelard. Larissa Tracy is Associate Professor of Medieval Literature at Longwood University. Contributors: Larissa Tracy, Kathryn Reusch, Shaun Tougher, Jack Collins, Rolf H. Bremmer Jr, Jay Paul Gates, Charlene M. Eska, Mary A. Valante, Anthony Adams, Mary E. Leech, Jed Chandler, Ellen Lorraine Friedrich, Robert L.A. Clark, Karin Sellberg, LenaWånggren

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With her characteristically sprightly words and pictures, Aliki brings Shakespeare's life, times, and legacy to life in this highly acclaimed information-packed treasury that is truly for readers of all ages. This nonfiction picture book is an excellent choice to share during homeschooling, in particular for children ages 6 to 8. It’s a fun way to learn to read and as a supplement for activity books for childrenFrom Hamlet to Romeo and Juliet to A Midsummer Night's Dream, Shakespeare's celebrated works have touched people around the world. Aliki combines literature, history, biography, archaeology, and architecture in this richly detailed and meticulously researched introduction to Shakespeare's world-his life in Elizabethan times, the theater world, and the Globe, for which he wrote his plays. Then she brings history full circle to the present-day reconstruction of the Globe theater. .

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Torte - the beloved small town bakeshop run by Jules Capshaw - is set to hit the stage. But who would have guessed that murder would makes a surprise appearance? It's the role of a lifetime for Jules. The Shakespeare Festival has returned to Ashland, Oregon, for the season and Torte has been castas the supplier of Elizabethan-era treats for the main event. But on the eve of opening night, a brawl between Jules's friend Lance, the artistic director, and a strapping young thespian named Anthony almost brings down the house. . . and the next morning, Anthony is dead. Jules knows that Lance loves his drama - and his just desserts - but she also knows that murder is way off-script for him. Now it's up to Jules to cut through a bevy of backstage betrayals and catty co- stars who all have their own secrets - before the curtain drops on someone else...

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English sacred music is a collection of English-texted sacred music that celebrates the genius of Thomas Tallis, which is selected and edited by Jeremy Summerly to provide an invaluable source of introits and anthems for choirs. For SATB mixed voices choir with optional accompaniment. The sixteenth century was a time of religious upheaval in England. From Henry VIII’s protestant reformation through Queen Mary’s staunch but short-lived Catholic revival to the return of Anglicanism in Elizabethan times, it would have required careful diplomacy for a Roman Catholic like Thomas Tallis simply to stay alive. In fact he became the most respected composer of his generation and is now recognised as one of the country’s greatest composers. The Choral Programme Series is now a well-established programming tool for many choirs as it offers a wealth of fresh material from many eras and in many styles. Also offering great value for money as each volume in the series provides up to forty minutes of music

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A deeply researched, analytically rich, and vivid account of England's early maritime empire Drawing on a wealth of understudied sources, historian Eleanor Hubbard explores the labor conflicts behind the rise of the English maritime empire. Freewheeling Elizabethan privateering attracted thousands of young men to the sea, where they acquired valuable skills and a reputation for ruthlessness. Peace in 1603 forced these predatory seamen to adapt to a radically changed world, one in which they were expected to risk their lives for merchants' gain, not plunder. Merchant trading companies expected sailors to relinquish their unruly ways and to help convince overseas rulers and trading partners that the English were a courteous and trustworthy "nation." Some sailors rebelled, becoming pirates and renegades; others demanded and often received concessions and shares in new trading opportunities. Treated gently by a state that was anxious to promote seafaring in order to man the navy, these determined sailors helped to keep the sea a viable and attractive trade for Englishmen.

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Rochester's position on the River Medway, near where it joins the Thames, has meant that it has played an important historical role for centuries. Beyond its Norman castle and cathedral and many ancient buildings, the town is surrounded by fortifications as it was a potential target for invaders, although in 1667 the Dutch were able to raid Rochester and set fire to a large number of English naval ships. The historic character of Rochester remains today with its annual Sweeps Festival and two festivals a year celebrating Dickens, who had lived nearby. The town has the only museum in the country celebrating the Huguenots.AZ of Rochester reveals the history behind the town, its streets and buildings, businesses and the people connected with it. Alongside the famous historical connections are unusual characters, tucked-away places and unique events that are less well known. Readers will discover tales of a Victorian botanical illustrator, a Saxon saint and a celebrated Elizabethan Clerk o

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The first of Shakespeare's four plays about the Wars of the Roses, dramatizing the rivalry between power-hungry noble houses, divided by grievances inherited from the past. This Penguin Shakespeare edition is edited by Norman Sanders with an introduction by Jane Kingsley-Smith.'Send between the red rose and the whiteA thousand souls to death and deadly night'After the death of Henry V, the French revolt and threaten to reclaim their country from English rule. Guided by his Lord Protector, the young King Henry VI journeys to Paris to reaffirm his rule over France. But while the British battle Joan of Arc abroad, discontent is also breeding at home between the two ancient Houses of York and Lancaster.This book contains a general introduction to Shakespeare's life and Elizabethan theatre, a separate introduction to the play, a chronology, suggestions for further reading, an essay by Rebecca Brown discussing performance options on both stage and screen, and a commentary.Shakespeare's first tetralogy, about the Wars of the Roses, is continued by Henry VI, Parts II and III, and Richard III, all available in Penguin Classics.

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One of BBC's 100 Novels That Shaped Our World.Virginia Woolf’s wildly imaginative, comic novel was inspired by the life of her lover, Vita Sackville West. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features original illustrations and with an introduction by the academic and novelist, Professor Susan Sellers.Orlando is a young Elizabethan nobleman whose wealth and status afford him an extravagant lifestyle. Appointed ambassador in Constantinople, he wakes one morning to find he is a woman. Unperturbed by such a dramatic transformation, and losing none of his flamboyance and ambition, the newly female Orlando charges through life and English history so that by the end of this extraordinary biography she is a modern, 1920s woman.

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English in Print from Caxton to Shakespeare to Milton examines the history of early English books, exploring the concept of putting the English language into print with close study of the texts, the formats, the audiences, and the functions of English books. Lavishly illustrated with more than 130 full-color images of stunning rare books, this volume investigates a full range of issues regarding the dissemination of English language and culture through printed works, including the standardization of typography, grammar, and spelling; the appearance of popular literature; and the development of school grammars and dictionaries. Valerie Hotchkiss and Fred C. Robinson provide engaging descriptions of more than a hundred early English books drawn from the Rare Book and Manuscript Library at the University of Illinois, Urbana-Champaign, and the Elizabethan Club of Yale University. The study nearly mirrors the chronological coverage of Pollard and Redgrave's famous Short-Title Catalogue (1475-1640), beginning with William Caxton, England's first printer, and ending with John Milton, the English language's most eloquent defender of the freedom of the press in his Areopagitica of 1644. William Shakespeare, neither a printer nor a writer much concerned with publishing his own plays, nonetheless deserves his central place in this study because Shakespeare imprints, and Renaissance drama in general, provide a fascinating window on the world of English printing in the period between Caxton and Milton.

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Brexit is arguably the most significant UK foreign and economic policy event since at least 1945. Opinion is bitterly divided between whether to leave, when to leave, how to leave and even on what Brexit is. Mastering Brexits Through the Ages: Entrepreneurial Innovators and Small Firms - The Catalysts for Success explores these dynamics through the lens of three previous 'Brexits' – the end of Roman Britain, the Henrician Reformation, and the Elizabethan age. Using multiple historical epithets, it illuminates insights into innovation needs, smaller firm growth, previous step change events and related economic understanding. This book paints a broad picture of possible UK post-Brexit landscapes. Echoing an earlier European Treaty (Versailles, 1919), fourteen action points that can contribute to mitigating downside risks and making post Brexit UK a leading force in the Global Economy are identified. At all times, dynamic entrepreneurs and small companies are at the centre of the narrative. This book is both a key contribution to understanding implementation risks and to identifying what a 'winning' post-Brexit UK economy should look like. Drawing on extensive research, the book identifies the strategic framework and associated practical measures needed to realise a positive outcome. It concurrently analyses Brexit mythology through carefully unpicking and demystifying complexities, anticipated Brexit risks, impacts, implications and unknowns. A book for academics, policy makers, advisers and interested bystanders alike.

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A Book of Secrets is the story of a woman named Susan Charlewood living in Elizabethan England. Born in what is now Ghana, Susan is enslaved by the Portuguese but later rescued by British sailors, who bring her to England. Once in England, she is raised and educated in an English Catholic household.When Susan comes of age, the family marry her off to an older Catholic man, John Charlewood. Charlewood runs a printing press and uses it to supply the Papist nobility with illegal Catholic texts and foment rebellion amongst the Catholic underclass. When Charlewood dies, Susan takes over the business and uses her new position to find out more about her origins.A look at racial relationships on the eve of the beginning of the transatlantic slave trade, A Book of Secrets is a revealing and compelling glimpse into a fraught time.

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THE GOOD AUDITION GUIDES: Helping you select and perform the audition piece that is best suited to your performing skills Each Good Audition Guide contains a range of fresh monologues, all prefaced with a summary of the vital information you need to place the piece in context and to perform it to maximum effect in your own unique way. Each volume also carries a user-friendly introduction on the whole process of auditioning. Classical Monologues for Women contains 50 monologues drawn from classical plays throughout the ages and ranging across all of Western Theatre: * Classical Greek and Roman * Elizabethan and Jacobean * French and Spanish Golden Age * Restoration and Eighteenth Century * Nineteenth and Early Twentieth Centuries Also available: Classical Monologues for Men

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THE GOOD AUDITION GUIDES: Helping you select and perform the audition piece that is best suited to your performing skills Each Good Audition Guide contains a range of fresh monologues, all prefaced with a summary of the vital information you need to place the piece in context and to perform it to maximum effect in your own unique way. Each volume also carries a user-friendly introduction on the whole process of auditioning. Classical Monologues for Men contains 50 monologues drawn from classical plays throughout the ages and ranging across all of Western Theatre: * Classical Greek and Roman * Elizabethan and Jacobean * French and Spanish Golden Age * Restoration and Eighteenth Century * Nineteenth and Early Twentieth Centuries Also available: Classical Monologues for Women

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From the Royal Shakespeare Company a fresh new edition of Shakespeare''sgreat tragedy of love and war THIS EDITION INCLUDES: An illuminating introduction to Troilus and Cressida by award-winning scholar Jonathan Bate The play - with clear and authoritative explanatory notes on each page A helpful scene-by-scene analysis and key facts about the play An introduction to Shakespeare''s career and the Elizabethan theatre A rich exploration of approaches to staging the play featuring photographs of key productionsThe most enjoyable way to understand a Shakespeare play is to see it or participate in it. This unique edition presents a historical overview of Troilus and Cressida in performance, recommends film versions, takes a detailed look at specific productions and includes interviews with two leading directors Trevor Nunn and Michael Boyd so that we may get a se

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This second edition of Peter Duckers best-selling British Military Medals traces the history of medals and gallantry awards from Elizabethan times to the modern day, and it features an expert account of their design and production. Campaign and gallantry medals are a key to understanding - and exploring - British and imperial military history, and to uncovering the careers and exploits of individual soldiers. In a series of succinct and well-organized chapters he explains how medals originated, to whom they were awarded and how the practice of giving medals has developed over the centuries. His work is a guide for collectors and for local and family historians who want to learn how to use medals to discover the history of military units and the experiences of individuals who served in them.

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Peter Hennessy brings his deep political and historical understanding to this study of two of the most turbulent and disruptive years experienced by Britain in peacetime. As the protracted withdrawal from the EU and the disruption caused by the Covid-19 pandemic dragged on, a series of unprecedented challenges - some global, some domestic - laid bare the fragility of Britain and the Union. Beginning with the chaotic Fall of Kabul, which exposed Britain's military dependence on the United States, through the protracted, unedifying removal of a prime minister - and the economically catastrophic, short-lived tenure of his successor - that further exposed the vulnerabilities of an unwritten constitution; to the country sweltering in record breaking temperatures amid dire warnings of climate catastrophe; and finally to the death of a much-loved monarch, a point of constancy during decades of tremendous social and technological change. In his final chapter, Hennessy considers the continuities and upheavals of the last seventy years, asking whether there can be said to have been a second 'Elizabethan Age', and lamenting that the post-war period came to its close amid such upheaval and loss.

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Renaissance Drama provides a comprehensive and engaging new account of one of the richest periods of theatre history: the drama of early modern England produced for the professional theatre. It brings new insights to bear by exploring the plays in their relation to the culture and society of the period. Sandra Clark takes the reader through a compelling examination of how plays participate in and respond to changing anxieties, for instance about English nationhood, the monarchy, or the role of the family, sometimes raising difficult questions or offering challenges to accepted views. Unlike many books on Elizabethan drama, the book is organized so as to cover a wide range of plays, some familiar, many less so, by many playwrights, from Lyly in the 1580s to Shirley in the 1640s. Shakespeare is not foregrounded, but neither is he excluded; a chapter considers his dialogue with contemporaries and also the ways in which later playwrights wrote back to his work. Renaissance Drama will become standard reading for all students and scholars of English literature or the early modern period.

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The work of renowned firm McALPINE has always communicated the power of romanticism, speaking directly to the heart through the beauty and poetry of the home. Tapping diverse influences, the residences draw from architectural languages ranging from Elizabethan and Dutch to colonial Caribbean and agrarian American. The book opens with Bobby McAlpine s own newly designed house, featuring exquisite spaces that are modern in expression but classical in order and balance. Other projects include a white-on-white neoclassical pavilion-by-the-sea in the Bahamas; a masonry dwelling in the rolling hills of Virginia; a quintessential American country house in Tennessee that combines the familiarity of a farmhouse with crisp minimalism; and an exuberant house sited on the edge of a pastoral golf course in Alabama. Freely choosing from architecture s treasury, the assembly of houses is familiar, bold, and surprising, all at the same time reflecting the complexity of the human experience.

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From the Royal Shakespeare Company – a modern, definitive edition of Shakespeare's exuberant early comedy. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of The Two Gentlemen of Verona in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are interviews with acclaimed directors David Thacker and Edward Hall – providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.

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Among Shakespeare's many biographers none brings to his subject more passion and feeling for the creative act than Anthony Burgess. He breathes life into Shakespeare the man and invigorates his times. His portrait of the age builds upon an almost personal tenderness for Shakespeare and his contemporaries (especially Ben Jonson), and on a profound sense of literary and theatrical history. Anthony Burgess's well-known delight in language infuses his own writing about Shakespeare's works. And in the verve of his biography he conveys the energy of the Elizabethan age.

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A Short History of Early Modern England presents the historical and cultural information necessary for a richer understanding of English Renaissance literature. Written in a clear and accessible style for an undergraduate level audience Gives an overview of the period’s history as well as an understanding of the historiographic issues Explores key historical and literary events, from the Wars of the Roses to the publication of John Milton’s Paradise Regained Features in depth explanations of key terms and concepts, such as absolutism and the Elizabethan Settlement

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For all that we love and admire Shakespeare, he is not that easy to grasp. He may have written in Elizabethan English, but when we read him, we can't help but understand his words, metaphors, and syntax in relation to our own. Until now, explaining the powers and pleasures of the Bard's language has always meant returning it to its original linguistic and rhetorical contexts. Countless excellent studies situate his unusual gift for words in relation to the resources of the English of his day. They may mention the presumptions of modern readers, but their goal is to correct and invalidate any false impressions. Shakesplish is the first book devoted to our experience as modern readers of Early Modern English. Drawing on translation theory and linguistics, Paula Blank argues that for us, Shakespeare's language is a hybrid English composed of errors in comprehension—and that such errors enable, rather than hinder, some of the pleasures we take in his language. Investigating how and why it strikes us, by turns, as beautiful, funny, sexy, or smart, she shows how, far from being the fossilized remains of an older idiom, Shakespeare's English is also our own.

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For all that we love and admire Shakespeare, he is not that easy to grasp. He may have written in Elizabethan English, but when we read him, we can't help but understand his words, metaphors, and syntax in relation to our own. Until now, explaining the powers and pleasures of the Bard's language has always meant returning it to its original linguistic and rhetorical contexts. Countless excellent studies situate his unusual gift for words in relation to the resources of the English of his day. They may mention the presumptions of modern readers, but their goal is to correct and invalidate any false impressions. Shakesplish is the first book devoted to our experience as modern readers of Early Modern English. Drawing on translation theory and linguistics, Paula Blank argues that for us, Shakespeare's language is a hybrid English composed of errors in comprehension—and that such errors enable, rather than hinder, some of the pleasures we take in his language. Investigating how and why it strikes us, by turns, as beautiful, funny, sexy, or smart, she shows how, far from being the fossilized remains of an older idiom, Shakespeare's English is also our own.

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Dintšhontšho tsa bo-Juliuse Kesara is a translation into Setswana of Shakespeare’s Julius Caesar, by the renowned South African thinker, writer and linguist Sol T Plaatje, who was also a gifted stage actor. Plaatje first encountered the works of Shakespeare when he saw a performance of Hamlet as a young man; it ignited a great love in him for the works of the Elizabethan dramatist. Many years later he translated several of Shakespeare’s plays into Setswana in a series called Mabolelo a ga Tsikinya-Chaka (‘The Sayings of Shakespeare’.) Dintšhontšho tsa bo-Juliuse Kesara went to print five years after Plaatje’s death, in 1937.His translations of Shakespeare’s plays into Setswana helped to pioneer and popularise a genre, the drama script, that was previously not well known in Southern Africa. It also showcased the rich range of Setswana vocabulary and served Plaatje’s aim of developing the language.

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This book is a brilliant guide to success in GCSE AQA History! It covers the most popular Depth Study, Period Study and Thematic Study options, drawn from a range of historical eras in Britain, Europe and the wider world. Each topic is clearly and thoroughly explained to help students develop their knowledge and understanding of history.There''s also plenty of top advice on the skills needed for each section of the exam, as well as knowledge organisers and online quizzes to help students test their knowledge of different topics. We''ve even thrown in a free online edition of the whole book - don''t say we never spoil you!The topics covered in this Revision Guide are:-America 1840-1895 (online only)-America 1920-1973-Germany 1890-1945-Conflict and Tension 1918-1939-Elizabethan England c. 1568-1603-Health and the People c. 1000-present-Historic Environment

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Bess of Hardwick was one of the most extraordinary figures of Elizabethan England. She was born the daughter of a country squire. But by the end of her long life (which a recent redating of her birth suggests was even longer than previously thought) she was the richest woman in England outside the royal family, had risen to the rank of countess and seen two of her daughters do the same and had built one of the major ‘prodigy houses’ of the period. While married to her fourth husband, the Earl of Shrewsbury, she had been jailer to Mary, Queen of Scots, and her granddaughter by her second marriage, Lady Arbella Stuart, was of royal blood and might have succeeded to the throne of England. This wide-ranging collection brings out the full range of her activities and impact.

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ARDEN RENAISSANCE DRAMA GUIDES offer students and academics practical and accessible introductions to the critical and performance contexts of key Elizabethan and Jacobean plays. Essays from leading international scholars provide invaluable insights into the text by presenting a range of critical perspectives, making the books ideal companions for study and research. Key features include: Essays on the play’s critical and performance history A keynote essay on current research and thinking about the play A selection of new essays by leading scholars A survey of resources to direct students’ further reading about the play in print and online Regularly performed and studied, Macbeth is not only one of Shakespeare's most popular plays but also provides us with one of the literary canon's most compellingly conflicted tragic figures. This guide offers fresh new ways into the play.

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Shakespeare’s most spirited play, adapted for new audiences by Jeffrey Whitty. Tony Award–winning and Oscar-nominated storyteller Jeffrey Whitty offers his adaptation of A Midsummer Night’s Dream, mindfully adapted into modern language. Matching the Bard line for line, rhyme for rhyme, Whitty illuminates Shakespeare’s meaning for modern audiences while maintaining the play’s storytelling architecture, emotional texture, and freewheeling humor. Designed to supplement, not supplant, the original, Whitty’s Midsummer cuts through the centuries to bring audiences a fresh, moment-by-moment take, designed to flow as effortlessly for modern audiences as Shakespeare’s beloved classic played to the Elizabethans. ​ This translation was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. These volumes make these works available for the first time in print—a new First Folio for a new era.

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In the autumnal chill of Newport, Rhode Island, at the close of the nineteenth century, journalist Emma Cross discovers an instance of cold-blooded murder on the grounds of a mansion...Following the death of her uncle, Cornelius Vanderbilt, in September 1899, a somber Emma is in no mood for one of Newport''s extravagant parties. But to keep Vanderbilt''s reckless son Neily out of trouble, she agrees to accompany him to an Elizabethan fete on the lavish grounds of Wakehurst, the Ochre Point cottage modeled after an English palace, owned by Anglophile James Van Alen.Held in Wakehurst''s English-style gardens, the festivities will include a swordplay demonstration, an archery competition, scenes from Shakespeare''s plays, and even a joust. As Emma wanders the grounds distracted by grief, she overhears a fierce argument between a man and a woman behind a tall hedge. As the joust begins, she''s drawn by the barking of Van Alen''s dogs and finds a man on the gro

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The Jew of Malta, written around 1590, can present a challenge for modern audiences. Hugely popular in its day, the play swings wildly and rapidly in genre, from pointed satire, to bloody revenge tragedy, to melodramatic intrigue, to dark farce and grotesque comedy. Although set in the Mediterranean island of Malta, the play evokes contemporary Elizabethan social tensions, especially the highly charged issue of London's much-resented community of resident merchant foreigners. Barabas, the enormously wealthy Jew of the play's title, appears initially victimized by Malta's Christian Governor, who quotes scripture to support the demand that Jews cede their wealth to pay Malta's tribute to the Turks. When he protests, Barabas is deprived of his wealth, his means of livelihood, and his house, which is converted to a nunnery. In response to this hypocritical extortion, Barabas launches a horrific (and sometimes hilarious) course of violence that goes well beyond revenge, using murderous tactics that include everything from deadly soup to poisoned flowers. The play's sometimes complex treatment of anti-Semitism and its relationship to Shakespeare's Merchant of Venice remain matters of continuing scholarly reflection. This new edition is expertly edited with an accompanying introduction that addresses issues of performance, cultural and historical context, interpretation and the key themes explored by the play. Arden Early Modern Drama editions offer the best in contemporary scholarship, providing a wealth of helpful and incisive commentary and guiding the reader to a deeper understanding and appreciation of the play. This edition provides: A clear and authoritative text Detailed on-page commentary notes A comprehensive, illustrated introduction to the play’s historical, cultural and performance contexts A bibliography of references and further reading

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If you loved The Midnight Library, read How to Stop Time next!HOW MANY LIFETIMES DOES IT TAKE TO LEARN HOW TO LIVE?Tom Hazard has a dangerous secret. He may look like an ordinary 41-year-old history teacher, but he's been alive for centuries. From Elizabethan England to Jazz-Age Paris, from New York to the South Seas, Tom has seen it all. As long as he keeps changing his identity, he can stay one step ahead of his past - and stay alive. The only thing he must not do is fall in love.But what if the one thing he can't have just happens to be the one thing that might save him?

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A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.

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Bibliographers have been notoriously 'hesitant to deal with liturgies', and this volume bridges an important gap with its authoritative examination of how the Book of Common Prayer came into being. The first edition of 1549, the first Grafton edition of 1552 and the first quarto edition of 1559 are now correctly identified, while Peter W. M. Blayney shows that the first two editions of 1559 were probably finished on the same day. Through relentless scrutiny of the evidence, he reveals that the contents of the 1549 version continued to evolve both during and after the printing of the first edition, and that changes were still being made to the Elizabethan revision weeks after the Act of Uniformity was passed. His bold reconstruction is transformative for the early Anglican liturgy, and thus for the wider history of the Church of England. This major, revisionist work is a remarkable book about a remarkable book.

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A key anthology for students of English literature, Metaphysical Poetry is a collection whose unique philosophical insights are some of the crowning achievements of Renaissance verse, edited with an introduction and notes by Colin Burrow in Penguin Classics.Spanning the Elizabethan age to the Restoration and beyond, Metaphysical poetry sought to describe a time of startling progress, scientific discovery, unrivalled exploration and deep religious uncertainty. This compelling collection of the best and most enjoyable poems from the era includes tightly argued lyrics, erotic and libertine considerations of love, divine poems and elegies of lament by such great figures as John Donne, George Herbert, Andrew Marvell and John Milton, alongside pieces from many other less well known but equally fascinating poets of the age, such as Anne Bradstreet, Katherine Philips and Thomas Traherne. Widely varied in theme, all are characterized by their use of startling metaphors, imagery and language to express the uncertainty of an age, and a profound desire for originality that was to prove deeply influential on later poets and in particular poets of the Modernist movement such as T. S. Eliot.In his introduction, Colin Burrow explores the nature of Metaphysical poetry, its development across the seventeenth century and its influence on later poets and includes A Very Short History of Metaphysical Poetry from Donne to Rochester. This edition also includes detailed notes, a chronology and further reading.Colin Burrow is Reader in Renaissance and Comparative Literature at Gonville and Caius College, Cambridge. He has edited Shakespeare's Sonnets for OUP and The Complete Works of Ben Jonson, and is working on the Elizabethan volume of the Oxford English Literary History.If you enjoyed Metaphysical Poetry, you might like John Donne's Selected Poems, also available in Penguin Classics.

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The history of the town of Bolsover and neighbouring parishes, from prehistory to the present day. The history and topography of the small market town of Bolsover in north-east Derbyshire and four parishes immediately to its north (Barlborough, Clowne, Elmton - including Creswell - and Whitwell) are covered in this volume. Alllie mainly on a magnesian limestone ridge, rather than the exposed coalfield, and therefore only became mining communities late in the nineteenth century. Since the end of deep mining in Derbyshire all have faced a difficult period of economic and social adjustment. As well as the general development of the five parishes, the book includes detailed accounts of the medieval castle at Bolsover, the mansion built on the site of the castle by the Cavendish family of Welbeck in the seventeenth century, and Barlborough Hall, a late sixteenth-century prodigy house built by a successful Elizabethan lawyer. Philip Riden teaches in the Department of History at the University of Nottingham; he has been the editor of the Victoria County History of Derbyshire since 1996, when he re-established the VCH in the county.

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Inspire your teaching with Key Stage 3 English Anthology: Shakespeare, a themed anthology for Year 7 through to Year 9. Featuring key extracts from A Midsummer Night's Dream, Romeo and Juliet and Macbeth, the Anthology guides students through each play, encouraging them to engage with the text to gain a thorough understanding of the context and literary techniques underpinning Shakespeare's work. Each extract is supported by Teaching and Learning Resources, including quizzes, lesson plans and PowerPoint slides to help you implement the content of the book. Each extract includes:- A context panel to provide key information to set the scene of Elizabethan England- Glossaries and annotations to help students work through each extract confidently - Look closely: key questions for students to consider as they work through the extracts- Now try this: writing and speaking activities to encourage students to get creative and actively engage with the text- Fast finisher tasks to support students who race ahead- A practice question to familiarise students with the command words they will see at GCSE

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A public and highly popular literary form, English Renaissance drama affords a uniquely valuable index of the process of cultural transformation. The Expense of Spirit integrates feminist and historicist critical approaches to explore the dynamics of cultural conflict and change during a crucial period in the formation of modern sexual values. Comparing Elizabethan and Jacobean dramatic representations of love and sexuality with those in contemporary moral tracts and religious writings on women, love, and marriage, Mary Beth Rose argues that such literature not only interpreted sexual sensibilities but also contributed to creating and transforming them.

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If there ever has been a groundbreaking edition that likewise returns the reader to the original Shakespeare text, it will be the Applause Folio Texts. If there has ever been an accessible version of the Folio, it is this edition, set for the first time in modern fonts. The Folio is the source of all other editions. The Folio text forces us to re-examine the assumptions and prejudices which have encumbered over four hundred years of scholarship and performance. Notes refer the reader to subsequent editorial interventions, and offer the reader a multiplicity of interpretations. Notes also advise the reader on variations between Folios and Quartos. The heavy mascara of four centuries of Shakespearean glossing has by now glossed over the original countenance of Shakespeare's work. Never has there been a Folio available in modern reading fonts. While other complete Folio editions continue to trade simply on the facsimile appearance of the Elizabethan "look " none of them is easily and practically utilized in general Shakespeare studies or performances.

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This book is a study of five remarkable sixteenth-century women. Part of the select group of Tudor women allowed access to a formal education, the Cooke sisters were also well-connected through their marriages to influential Elizabethan politicians. Drawing particularly on the sisters’ own writings, this book demonstrates that the sisters’ education extended far beyond that normally allowed for sixteenth-century women, challenging the view that women in this period were excluded from using their formal education to practical effect. It reveals that the sisters’ learning provided them with opportunities to communicate effectively their own priorities through their translations, verse and letters. By reconstructing the sisters’ networks, it demonstrates how they worked alongside – and sometimes against – family members over matters of politics and religion, empowered by their exceptional education. Providing new perspectives on these key issues, it will be essential reading for early modern historians and literary scholars.

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What happens when we consider Shakespeare's The Merchant of Venice as a play with real Jewish characters who are not mere ciphers for anti-Semitic Elizabethan stereotypes? Is Shylock Jewish studies Shakespeare's extensive use of stories from the Hebrew Bible in The Merchant of Venice, and argues that Shylock and his daughter Jessica draw on recognizably Jewish ways of engaging with those narratives throughout the play. By examining the legacy of Jewish exegesis and cultural lore surrounding these biblical episodes, this book traces the complexity and richness of Merchant's Jewish aspect, spanning encounters with Jews and the Hebrew Bible in the early modern world as well as modern adaptations of Shakespeare's play on the Yiddish stage.

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Night Became Years is poetry in the sauntering tradition of the flâneur. Stefanik loafers his way over sacred geography and explores his own mixed heritage through the lexicon of Elizabethan canting language. Comparing the terminology of fifteenth-­century English beggar vernacular with a contemporary Canadian inner­-city worldview, the poems in Night Became Years unfold as separate entities while at the same time forming a larger narrative on the possibilities of poetry today and the nature of mixed­-blood identity.

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