Search results for ""Author MANUS"

A very useful analysis of the political debates of the times. ANCESTORS [for volume I] This second volume of BHRS`s series of late seventeenth and early eighteenth century poll books continues the story of Bedfordshire voting in the context of local and national politics up to the election in 1734. It contains transcriptions of the poll books for four Bedford borough elections and three county elections held between 1722 and 1734. Except for the 1722 county election, the poll books are taken from hitherto unpublished manuscripts. Much of the political and local background to voting is recounted in volume 1. For this volume, each chapter has an introduction which draws upon letters to provide an insight into the political alliances and manoeuvres which occurred in selecting candidates, including the part played by the Duchess of Marlborough. The poll books themselves are a mine of local information about Bedfordshire. The 10,000 names in this volume (fully indexed), added to the 8,500 names in the first volume, provide evidence for in-depth study of people, places and landholding in Bedfordshire. They will also help family historians find ancestors between the 1671 Hearth Tax and the 1841 Census.

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In Strange Tales from Edo, William Fleming paints a sweeping picture of Japan’s engagement with Chinese fiction in the early modern period (1600–1868). Large-scale analyses of the full historical and bibliographical record—the first of their kind—document in detail the wholesale importation of Chinese fiction, the market for imported books and domestic reprint editions, and the critical role of manuscript practices—the ascendance of print culture notwithstanding—in the circulation of Chinese texts among Japanese readers and writers.Bringing this big picture to life, Fleming also traces the journey of a text rarely mentioned in studies of early modern Japanese literature: Pu Songling’s Liaozhai zhiyi (Strange Tales from Liaozhai Studio). An immediate favorite of readers on the continent, Liaozhai was long thought to have been virtually unknown in Japan until the modern period. Copies were imported in vanishingly small numbers, and the collection was never reprinted domestically. Yet beneath this surface of apparent neglect lies a rich hidden history of engagement and rewriting—hand-copying, annotation, criticism, translation, and adaptation—that opens up new perspectives on both the Chinese strange tale and its Japanese counterparts.

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Reflecting the Past is the first English-language study to address the role of historiography in medieval Japan, an age at the time widely believed to be one of irreversible decline. Drawing on a decade of research, including work with medieval manuscripts, it analyzes a set of texts—eight Mirrors—that recount the past in an effort to order the world around them. They confront rebellions, civil war, “China,” attempted invasions, and even the fracturing of the court into two lines. To interrogate the significance for medieval writers of narrating such pasts as a Mirror, Erin Brightwell traces a series of innovations across these and related texts that emerge in the face of disorder. In so doing, she uncovers how a dynamic web of evolving concepts of time, place, language use, and cosmological forces was deployed to order the past in an age of unprecedented social movement and upheaval.Despite the Mirrors’ common concerns and commitments, traditional linguistic and disciplinary boundaries have downplayed or obscured their significance for medieval thinkers. Through their treatment here as a multilingual, multi-structured genre, the Mirrors are revealed, however, as the dominant mode for reading and writing the past over almost three centuries of Japanese history.

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This volume presents two complementary medieval anthologies containing lyrics by two outstanding Latin poets of the second half of the twelfth century. The poet Peter of Blois was proclaimed by a contemporary of his to be a master composer of rhythmic verse. Peter’s secular love-lyrics gathered in the Arundel manuscript give substance to that claim. Written with a technical virtuosity that rivals the metrical display of Horatian lyric, the poems give eloquent and learned expression to the cult of secular love that emerged in the twelfth ­century.The collection is further augmented by verse as varied as Christmas poems and satires on the venality of the Roman Curia and immoral bishops, including a famous lament about church corruption by Walther of Châtillon.The cleric Hugh Primas won recognition and fame for compositions in which he reflects upon his experiences, good and bad, while traveling around the cities of northern France (such as the important sees of Rheims and Sens) in search of patronage. Artistic in conception and execution, the poems are memorable for the witty and often acerbic tone with which Primas engages the holders of ecclesiastical power.

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The written word has been a central bearer of culture since antiquity. But its position is now being challenged by the powerful media of electronic communication. In this penetrating and witty book James O'Donnell takes a reading on the promise and the threat of electronic technology for our literate future.In Avatars of the Word O'Donnell reinterprets today's communication revolution through a series of refracted comparisons with earlier revolutionary periods: the transition from oral to written culture, from the papyrus scroll to the codex, from copied manuscript to print. His engaging portrayals of these analogous epochal moments suggest that our steps into cyberspace are not as radical as we might think. Observing how technologies of the word have affected the shaping of culture in the past, and how technological transformation has been managed, we regain models that can help us navigate the electronic transformation now underway. Concluding with a focus on the need to rethink the modern university, O'Donnell specifically addresses learning and teaching in the humanities, proposing ways to seek the greatest benefit from electronic technologies while steering clear of their potential pitfalls.

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The founder of the American Nazi party and its leader until he was murdered in 1967,George Lincoln Rockwell was one of the most significant extremist strategists and ideologists of the postwar period. His influence has only increased since his death. A powerful catalyst and innovator, Rockwell broadened his constituency beyond the core Radical Right by articulating White Power politics in terms that were subsequently appropriated by the one-time klansman David Duke. He played a major role in developing Holocaust revisionism, now an orthodoxy of the Far Right. He also helped politicize Christian Identity, America's most influential right-wing religious movement, and welded together an international organization of neo-Nazis. All of these extremist movements continue to thrive today. Frederick Simonelli's biography of this powerful and enigmatic figure draws on primary sources of extraordinary depth, including declassified FBI files and manuscripts and other materials held by Rockwell's family and associates. The first objective assessment of the American Nazi party and an authoritative study of the roots of neo-nazism, neo-fascism, and White Power extremism in postwar America, American Fuehrer is shocking and absorbing reading.

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Première édition bilingue anglo-française de l’œuvre de John Wilmot, comte de Rochester (1647-1680), l’ouvrage qui offre un appareil critique a pour objectif de faire connaître le poète au public français tout en poursuivant l’entreprise de la réhabilitation du « méchant comte » commencée outre-Manche il y a un demi-siècle. Une longue introduction insiste sur l’environnement littéraire et philosophique du poète où les sources du mouvement européen du libertinage de pensée prennent toute leur place. Florence Lautel-Ribstein propose en outre une réflexion approfondie sur l’approche traductive de textes parfois très complexes en raison de leur caractère poétique, de leur dimension ontologique ou de leur registre parodique. Plus de quatre-vingt textes lyriques, satiriques, philosophiques ainsi qu’une tragédie forment le corpus rochesterien à la paternité quasi certaine. Ils sont présentés ici avec leur traduction en regard. Chaque œuvre est accompagnée de l’historique de la publication de ses premières versions manuscrites ou imprimées, de notes textuelles et explicatives abondantes, ainsi que d’un commentaire qui, dans certains cas, est le premier du genre. L’introduction ainsi que les notices, notes et commentaires de cette édition sont rédigés en français. The introduction to this edition, as well as the annotations and commentaries, are written in French.

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This new study offers a comprehensive examination of a unique manuscript, a Late Period hieratic papyrus in the Brooklyn Museum. This document comprises a compilation of seventeen individual prophylactic texts whose anatomical focus is the ear. Many of the texts specifically state that they are intended for the protection of the ears of a king named Psamtik, a historical figure who ruled Egypt in the seventh century BCE. The fact that this papyrus was created to serve a sole purpose and function, the protection of the ear, distinguishes it noticeably from earlier Egyptian medical and magical texts that are largely encyclopedic and were intended to serve a broad range of purposes. The present study contains an introduction and full translation with extensive philological and textual commentary, as the texts of this papyrus are rich in mythological allusions. The commentaries are largely based on comparison with contemporary and older Egyptian texts that, although not direct parallels as there are none, serve nonetheless as a rich resource for comparative analysis that has led to a more informed reading of this important document. Includes 34 colour plates and 5 b/w tables.

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Paul Lapp's team last excavated at Tell Ta'annek in 1968, over fifty years ago. During that time, much effort has been expended on the final publication of the site's stratigraphy and material, even though few final manuscripts have reached the publication stage. Walter Rast's work with the Iron Age pottery was the notable exception and was published in 1978. The present volume uses Rast's ceramic chronology as the basis for the periodization of the Iron Age strata excavated by Lapp in 1963, 1966, and 1968. After covering the background of the site and Sellin's excavation of it in the early twentieth century, Mark W. Meehl presents the Iron Age stratigraphy area by area, period by period, based on the field notes, reports, plans, and photographs of the excavators. Two chapters describe the Iron Age occupations on Tell Ta'annek, setting them in their regional contexts. Appendices addressing the date of the Iron Age fortifications and fire installations and pits follow. Iron Age pottery forms and drainpipes not included in Rast's book are included in a third appendix.

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It has traditionally been held that Robert Southwell’s poetry offers a curious view of Elizabethan England, one that is from the restricted perspective of a priest-hole. This book dismantles that idea by examining the poetry, word by word, discovering layers of new meanings, hidden emblems, and sharp critiques of Elizabeth’s courtiers, and even of the ageing queen herself.Using both the most recent edition of Southwell’s poetry and manuscript materials, it addresses both poetry and private writings including letters and diary material to give dramatic context to the radicalisation of a generation of Southwell’s countrymen and women, showing how the young Jesuit harnessed both drama and literature to give new poetic poignancy to their experience. Bringing a rigorously forensic approach to Southwell’s ‘lighter’ pieces, Sweeney can now show to what extent Southwell engaged exclusively through them in direct artistic debate with Spenser, Sidney, and Shakespeare, placing the poetry firmly in the English landscape familiar to Southwell’s generation. Those interested in early modern and Elizabethan culture will find much of interest, including new insights into the function of the arts in the private Catholic milieu touched by Southwell in so many ways and places.

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Hundreds of exceptional cartographic images are scattered throughout medieval and early modern Arabic, Persian, and Turkish manuscript collections. The plethora of copies created around the Islamic world over the course of eight centuries testifies to the enduring importance of these medieval visions for the Muslim cartographic imagination. With Medieval Islamic Maps, historian Karen C. Pinto brings us the first in-depth exploration of medieval Islamic cartography from the mid-tenth to the nineteenth century. Pinto focuses on the distinct tradition of maps known collectively as the Book of Roads and Kingdoms (Kitab al-Masalik wa al-Mamalik, or KMMS), examining them from three distinct angles—iconography, context, and patronage. She untangles the history of the KMMS maps, traces their inception and evolution, and analyzes them to reveal the identities of their creators, painters, and patrons, as well as the vivid realities of the social and physical world they depicted. In doing so, Pinto develops innovative techniques for approaching the visual record of Islamic history, explores how medieval Muslims perceived themselves and their world, and brings Middle Eastern maps into the forefront of the study of the history of cartography.

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St. Thomas Aquinas’s commentaries on the Pastoral Epistles are distinctive and overlooked theological resources. These commentaries provide invaluable insights into the exigencies of the exercise of the episcopal office in bringing about the spiritual perfection of the faithful in Christ. The Ideal Bishop includes a review of the theology of the episcopacy found in St. Thomas’s principal contemporaries including Peter Lombard, St. Albert the Great, and St. Bonaventure of Bagnoregio. It also provides a conspectus of the same in the integrated corpus of Aquinas along with an introduction to St. Thomas’s lectures on the PE, their dating, the provenance of manuscripts, and their method of theological development. But the heart of this book is an examination of the theology and spirituality of the episcopacy found in the lectures on ­ Timothy, ’ Timothy, and Titus. Particular attention is devoted to Aquinas’s treatment of the nature, purpose, requisite virtues, disqualifying vices, special duties, and particular graces of the episcopal office.In his commentary, Aquinas identifies the episcopacy as a state of perfection wherein the prelate ought both to enjoy profound, mystical intimacy with Christ and to love and serve others by leading them to that same intimacy. In so doing, the prelate promotes ecclesial unity and secures his own salvation. Episcopal teaching, governing, and liturgical duties constitute the bishop’s fundamental mission which is established and empowered by the act of episcopal consecration received by the bishop elect. Aquinas grounds the efficacy of the bishop’s pastoral work on the quality of his interior life. Thus construed the episcopal office demands profound holiness, erudition, and pastoral skill. This work of Thomistic ressourcement substantively benefits the contemporary Church in her project of bringing the perennial truth of the Gospel more efficaciously to all, particularly with respect to the exercise of the episcopal office.

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In the mid-nineteenth century, Baltimore businessman William Thompson Walters began to patronize the artists of Maryland. Today, the museum that bears his name-Baltimore's Walters Art Gallery-excels in fields as diverse as Egyptian bronzes, Byzantine silver, illuminated manuscripts, medieval carved ivories, early Renaissance paintings, Sevres porcelains, Islamic metalwork, and Chinese ceramics. Surprisingly, the story of how William Walters and his son Henry created one of the finest privately assembled museums in the United States has not been told. With this new book, William Johnston, the Walters's curator of eighteenth- and nineteenth-century art, restores William and Henry Walters to their rightful place among America's great art collectors. Drawing upon the knowledge of the early museum staff and gathering valuable information from the few other available sources, Johnston has painstakingly recreated the life and world of the Walterses. Though Henry Walters moved easily in Baltimore and New York social circles, Johnston explains, he kept much to himself and generally purchased art away from the public's eye. Despite the Walterses' reticence, they had a significant influence on the development of American tastes and museums-William in his role as the first chairman of the Committee on Works of Art for the Corcoran Gallery in Washington, D.C., and Henry as the second vice-president of the Metropolitan Museum of Art in New York. Their personal collection differs from those of other, more familiar collectors, such as J. P. Morgan and Henry Clay Frick, in that Henry Walters intended from the very first that the collection form a museum to serve the public. When the museum first opened its doors in 1934, Johnston relates, many visitors were surprised by the collection's size and by its comprehensive representation of the history of art from the third millennium b.c. to the early twentieth century. Richly illustrated with black-and-white photographs and sixteen pages of full color, this book will fascinate anyone interested in Baltimore history, the history of museums and art collecting in America, and the art and culture of nineteenth-century America.

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"Frank Lima is an American Villon."--David Shapiro "Highly recommended for -reasons that go beyond historical -completeness."--Library Journal, starred review "This collection is not to be missed."--Publishers Weekly, starred review Protege of Frank O'Hara, Kenneth Koch, and Allen Ginsberg, Frank Lima (1939-2013) was the only Latino member of the New York School during its historical heyday. After enduring a difficult and violent childhood, he discovered poetry as an inmate of a juvenile drug treatment center under the tutelage of the painter, Sherman Drexler, who introduced him to his poet friends. After his poetry debut in the Evergreen Review in 1962, Lima appeared in key New York School anthologies and published two full-length collections of his own. In the late 1970s, Lima left the poetry world to pursue a successful career as a chef, though he returned intermittently and continued to write a poem a day until his death. Incidents of Travel in Poetry is a landmark re-introduction to the work of this major Latino poet. Beginning with poems from Inventory (1964), his installment in the legendary Tibor de Nagy poetry series, Incidents includes selections from Lima's previous volumes, tracing his development from his early snapshots of street life to his later surrealist-influenced abstract lyricism. The bulk of the collection comes from his later unpublished manuscripts, and thus Incidents represents the full range of Lima's work for the very first time. Praise for Incidents of Travel in Poetry: "Finally. Finally. Finally. Here's the Frank Lima collection that poetry lovers worldwide have been waiting for. Lima was an authentic outlier and Incidents of Travel transcends and decolonizes any attempt at easy categorization. With this new body of work, we are reaping the price Lima paid for being ostracized. Our reward? The dream we wish we could have, whispers that hint of a new waste land, and we'll always be in his debt for having Lima as a guide."--Willie Perdomo, The Essential Hits of Shorty Bon Bon. "Frank Lima is a masterful writer of ecstatic, devastating, and hauntingly personal poetry. His candor is irresistible and transformative, as cuttingly witty in one poem as elegiac and sorrowful in the next. Complete with its nuances and disappointments, nobody writes the poetry of domestic reverence quite like Lima. In this generous selection of work from the poet's life, including poetry from 1997 onward, we can finally solidify Lima as a figure of crucial importance to our understanding of the New York School writers. This work shines with all the love and labor of Lima's thoroughly American experience, one which is inextricable from the trauma of cultural duality. Lima's voice speaks to us like an intimate friend, a co-conspirator in hope. 'Blessed are the poets who invented us as poets,' he writes in a poem for David Shapiro, an ode to both his best friend and to poetry. Blessed are we now to have this landmark collection of work from Frank Lima. This book is a long overdue treasure." --Wendy Xu From his first contact with poetry while incarcerated as a juvenile offender in Harlem, through his meetings with Langston Hughes and Frank O'Hara, his years with Berkson and Padgett and Berrigan, his stint as a chef, and his years of living his Vow to Poetry when he wrote at least a poem a day in total obscurity--Lima's life is an epic of contradictions. Frank Lima is a poet the world has been waiting to discover. Now we can."--Bob Holman

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Using contemporary empirical research data, this book takes the stance that purposeful self-regulation actively contributes to promoting deeper learning approaches and generally improves teaching and learning. The underlying aim is to help students become strategic, motivated, and independent learners, capable of controlling themselves by themselves. Such self-control may range over a host of variables (behavioural, psychological, emotional, etc.). This book comes at a time when connectivity has exponentially improved worldwide so that more and more individuals have real time information at their fingertips. The fundamental shift in information accessibility from tedious searching through books and manuscripts to on-demand click of a mouse has had phenomenal impacts of the way we do business. Whereas previously, self-regulation may not have been a priority for many persons, increasingly it has now assumed preeminence with the proliferation of laptop computers, tablets, smart phones and numerous other handheld devices that allow easy access to the Internet. In fact, researchers continue to develop software for helping students self-regulate as well as getting the most out of their studies. Needless to say, self-regulated learning (SRL) is mandatory not only for employability but also for lifelong learning since it enables learners to construct knowledge (constructivism) by identifying their own learning goals; self-managing their learning processes; and self-evaluating their performance against goals. Additionally, SRL is very important when often times it is observed that several individuals who have noticeably lower cognitive abilities are able to better self-regulate and consequently achieve more than they should be able to according to their cognitive ranking. Improving teaching and learning through self-regulation therefore has far reaching implications for the kind of individuals we send out to society and the nature of the contributions they make. Quotations from well known persons in the public domain serve to anchor the reader in preparation for the contents of the corresponding section. Such quotations have been found to serve as an effective form of motivation and accordingly may be successfully echoed to students when appropriate. The shareware graphics interspaced in the text not only break the possible monotony usually experienced by many readers, especially in today's online age, but serve to engage and stimulate thought and, in many instances, bring comic relief. These exhibits help to capture the attention of readers and help them to focus on the contents of the various sections at hand. Reinforcing ideas is another powerful function served by the apparent preponderance of exhibits. Hence, what may well be easily misconstrued as too many exhibits, would be much better interpreted as a unique and unusual presentation, with a variation of format, that is meant to have the reader truly appreciate the common saying, 'a picture is worth a thousand words'!

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La traduction arabo-latine attribuee a Guillaume de Luna (debut ou milieu du XIIIe siecle?) du commentaire moyen d'Averroes sur la Logica vetus a fait l'objet en 1996 d'un premier volume : curieusement peut-etre, il proposait l'edition du texte de la troisieme 'uvre concernee, le Peri Hermeneias ou De interpretatione (Averrois opera, Series B: Averroes latinus, XII). Le present volume (Averrois opera, Series B: Averroes latinus, XI) poursuit l'edition dudit commentaire dans la meme traduction arabo-latine et porte, non sur la premiere 'uvre de la trilogie : l'Isagoge, mais sur la deuxieme : les Categories ou Predicaments.A peine impliquee dans des citations d'auteurs, l"uvre n'est plus connue que par six manuscrits; s' y ajoutent douze editions des XVe et XVIe siecles.La presente edition ressemble a la precedente du commentaire du Peri Hermeneias au moins sous quatre rapports : 1. une comparaison systematique de la version latine medievale du commentaire d'Averroes avec la version hebraique correspondante a ete exclue, ces deux versions ne pouvant etre qu'independantes l'une de l'autre; 2. dans l'apparat comparatif de la version latine avec l'original arabe, les mots arabes sont imprimes en arabe, puis retraduits en latin dans la langue meme du traducteur, sur base d'une etude systematique de la terminologie utilisee dans la traduction; 3. les lexiques sur lesquels s'appuie cette etude de la terminologie, rendent compte d'a peu pres toutes les equivalences arabo-latines etablies par le traducteur, et non, parmi celles-ci, d'une categorie particuliere ne reprenant, par exemple, que les concepts philosophiques; 4. dans les lexiques, les mots arabes sont transcrits en caracteres latins : certaines verifications sont ainsi accessibles aux lecteurs non arabisants; quant aux arabisants, la vocalisation qu'implique la transcription leur signale comment, en fonction de l'interpretation supposee avoir ete celle du traducteur medieval, le referent arabe a de nouveau ete relu et compris.

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A richly illustrated examination of food in the Bible, concentrating on the social aspects of eating. Why do we think it was an apple that Eve offered to Adam? In fact the Bible tells us nothing of the kind, yet apples figure in the illustrations. Out of literally hundreds of meals mentioned in the Bible, only relatively fewwere ever illustrated. This book discusses the most frequently illustrated scenes, covering the thirteen centuries from Roman catacomb paintings and sarcophagus reliefs to Rembrandt and Poussin. Many of the subjects discussed willbe widely familiar, others, such as the meals of Ruth and of the Parables, perhaps less so. Close attention is paid to the biblical text and its coverage in the illustrations. In rare instances the images have no source in the text. The popular scene of Joseph cooking for the infant Jesus, for example, is never mentioned. It is known only from biblical commentaries and from the extant illustrations. The book contains some 160 colour images illustrating the twenty-two meals discussed. It will provide food for thought for readers interested in the study of the Bible and biblical commentaries, the history of meals and food, and the history of art. C.M. KAUFFMANN was Keeper of Prints & Drawings and Paintings at the Victoria and Albert Museum and then Director of the Courtauld Institute and Professor of the History of Art, University of London. Among his publications are catalogues of paintingsat the V & A and the Wellington Museum and also books and articles on medieval art, including Romanesque Manuscripts (1066-1190) and Biblical Imagery in Medieval England 700-1550.

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The first book-length study of the fifteen surviving Little Gidding bible concordances, this book examines the visual culture of print in seventeenth-century England through the lens of one extraordinary family and their hand-made biblical manuscripts. The volumes were created by the women of the Ferrar-Collet family of Little Gidding, who selected works from the family's collection of Catholic religious prints, and then cut and pasted prints and print fragments, along with verses excised from the bible, and composed them in artful arrangements on the page in the manner of collage. Gaudio shows that by cutting, recombining, and pasting multi-scaled print fragments, the Ferrar-Collet family put into practice a remarkably flexible pictorial language. The Little Gidding concordances provide an occasion to explore how the manipulation of print could be a means of thinking through some of the most pressing religious and political questions of the pre-civil war period: the coherence of printed scripture, the nature of sovereignty, the relevance of the Mosaic law, and the protestant reform of images. By foregrounding the Ferrar-Collets' engagement with the print fragment, this book extends the scope of early modern print history beyond the printmaker's studio and expands our understanding of the ways an early modern Protestant community could productively engage with the religious image. Contrary to the long-held view that the English Reformation led to a decline in the importance of the religious image, this study demonstrates the ongoing vitality of religious prints in early modern England as instruments for thinking.

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Identifies and contextualises a new work within the Animal Apocalypse, dated to the dawn of the First Jewish Revolt Identifies a new source for the study of the Jewish Revolt, establishing the high hopes of the revolutionaries before the ultimate collapse of the movement Pursues a unified and cross-disciplinary study of the apocalyptic and historiographic literature of Jews and Christians (or Jesus-followers) in the first-century CE Advances a methodology for the study of ancient fragments, such as the Dead Sea Scrolls, that privileges our extant material evidence in the construction of literary wholes Reimagines the Animal Apocalypse of Enoch as a lively literary tradition with multiple identifiable sites of growth: including the Vision of the Beasts, and the Apocalypse of the Birds Explores the potential and pitfalls of historical-apocalyptic texts in guiding methodological discussions of dating This book identifies a new apocalyptic work the Apocalypse of the Birds contained in the Animal Apocalypse (1 Enoch 85-90), and argues that it is born of the chaotic Jewish-Christian world of the first-century CE. Through close analysis of texts and manuscripts in Ge'ez, Greek, Aramaic, and Hebrew, alongside historical and numismatic evidence, the book situates the Apocalypse of the Birds alongside literature and historiography of the first-century CE. It argues that the Apocalypse of the Birds belongs to the heady early days of the First Jewish Revolt, and represents crucial evidence for the early optimism of the revolutionaries, the dynamic and progressive evolution of the Animal Apocalyptic tradition, and the blurred and porous boundaries between Jew and Jesus-follower in the first-century CE.

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In the late nineteenth century, an era in which social mobility was measured almost exclusively by the success of men, Irish American women were leading their ethnic group into the lower middle class occupations of civil service, teaching, and health care. Unlike their immigrant mothers who became servants of the rich, Irish American daughters became servants of the poor by teaching in public school classrooms. The remarkable success of Irish American women was tied to their educational achievements. Unlike many of their contemporaries, the daughters of Irish America attended four-year academic programs in high schools, followed by two to three years of normal school training. By the first decade of the twentieth century, Irish American women were the largest single ethnic group among public elementary school teachers in cities such as Boston, Chicago, and San Francisco. Janet Nolan argues that the roots of this female-driven mobility can be traced to immigrant women's education in Ireland. Armed with the literacy and numeracy learned in Irish schools, Irish immigrant women in America sent their daughters, more than their sons, to school in preparation for professional careers. As a result, Nolan contends, Irish American women entered white-collar work at least a generation before their brothers. Servants of the Pooris a pioneering work which looks at the teaching profession at the turn of the century from the perspective of the women who taught in Irish and American classrooms. Drawing on previously unpublished archival and manuscript sources, including memoirs and letters, Servants of the Poor will be of considerable value to those interested in Irish, Irish American, educational, and women's history.

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Historical writing of the early middle ages tends to be regarded as little more than a possible source of facts, but Rosamond McKitterick establishes that early medieval historians conveyed in their texts a sophisticated set of multiple perceptions of the past. In these essays, McKitterick focuses on the Frankish realms in the eighth and ninth centuries and examines different methods and genres of historical writing in relation to the perceptions of time and chronology. She claims that there is an extraordinary concentration of new text production and older text reproduction in this period that has to be accounted for, and whose influence is still being investigated and established. Three themes are addressed in Perceptions of the Past in the Early Middle Ages. McKitterick begins by discussing the Chronicon of Eusebius-Jerome as a way of examining the composition and reception of universal history in the ninth and early tenth centuries. She demonstrates that original manuscripts turn out in many cases to be compilations of sequential historical texts with a chronology extending back to the creation of the world or the origin of the Franks. In the second chapter, she explores the significance of Rome in Carolingian perceptions of the past and argues that its importance loomed large and was communicated in a great range of texts and material objects. In the third chapter, she looks at eighth- and ninth-century perceptions of the local past in the Frankish realm within the wider contexts of Christian and national history. She concludes that in the very rich, complex, and sometimes, contradictory early medieval perceptions of a past stretching back to the creation of the world, the Franks in the Carolingian period forged their own special place.

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Annie Proulx, one of America's finest writers, invites us to share her experience in the building of her new home on a rich plot of untouched, unspoilt prairie and her pleasure in uncovering of the layers of American history locked beneath the topsoil. ‘Bird Cloud’ is the name Annie Proulx gave to 640 acres of Wyoming wetlands and prairie and 400 foot cliffs plunging down to the North Platte River. On the day she first visited, a cloud in the shape of a bird hung in the evening sky. Proulx also saw pelicans, bald eagles, golden eagles, great blue herons, ravens, scores of bluebirds, harriers, kestrels, elk, deer and a dozen antelope. She knew she had to purchase the land, then owned by the Nature Conservancy, and she knew what she would build on it – a house in harmony with her work, her appetites and her character – a library surrounded by bedrooms and a kitchen. Proulx's first non-fiction in more than twenty years, Bird Cloud is the story of building that house – solar panels, a Japanese soak tub, a concrete floor, elk horn handles on kitchen cabinets – and an enthralling natural history and archeology of the region, inhabited for millennia by Ute, Arapaho and Shoshone Indians. It is also a family history, going back to nineteenth century Mississippi river boat captains and Canadian settlers, and an illuminating autobiography. Proulx, a writer with extraordinary powers of observation and compassion, turns her lens on herself. We understand how she came to be living in a house surrounded by wilderness, with shelves for thousands of books and long worktables on which to heap manuscripts, research materials and maps, and how she came to be one of the great American writers of her time.

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A compelling history of the Black Death that scoured Europe in the mid 14th-century killing twenty-five million people. It was one of the worst human disasters in history. ‘The bodies were sparsely covered that the dogs dragged them forth and devoured them…And believing it to be the end of the world, no one wept for the dead, for all expected to die.’ Agnolo di Turo, Siena, 1348 In just over a thousand days from 1347 to 1351 the 'Black Death' travelled across medieval Europe killing thirty per cent of its population. It was a catastrophe that touched the lives of every individual on the continent. The deadly Y. Pestis virus entered Europe in October 1347 by Genoese galley at Messina, Sicily. In the spring of 1348 it was devastating the cities of central Italy, by June 1348 it had reached France and Spain, and by August England. At St Mary’s, Ashwell, Hertfordshire, an anonymous hand carved the following inscription for 1349: ‘Wretched, terrible, destructive year, the remnants of the people alone remain.’ According to the Foster scale, a kind of Richter scale of human disaster, the plague of 1347-51 is the second worst catastrophe in recorded history. Only World War II produced more death, physical damage, and emotional suffering. Defence analysts use it as the measure of thermonuclear war – in geographical extent, abruptness and casualties. In ‘The Great Mortality’ John Kelly retraces the journey of the Black Death using original source material – diary fragments, letters and manuscripts. It is the devastating portrait of a continent gripped by an epidemic, but also a very personal story, narrated by the individuals whose lives were touched by it.

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Harry Potter: A History of Magic is the official book of the record-breaking British Library exhibition, a once-in-a-lifetime collaboration between Bloomsbury, J.K. Rowling and a team of brilliant curators. As the spectacular show takes up residence at the New York Historical Society from October 2018, this gorgeous book – available in paperback for the first time – takes readers on a fascinating journey through the subjects studied at Hogwarts School of Witchcraft and Wizardry, from Astronomy and Potions through to Herbology and Care of Magical Creatures. Each chapter showcases a treasure trove of artefacts from the British Library and other collections around the world, beside exclusive manuscripts, sketches and illustrations from the Harry Potter archive. There’s also a specially commissioned essay for each subject area by an expert, writer or cultural commentator, inspired by the contents of the exhibition – absorbing, insightful and unexpected contributions from Steve Backshall, the Reverend Richard Coles, Owen Davies, Julia Eccleshare, Roger Highfield, Steve Kloves, Lucy Mangan, Anna Pavord and Tim Peake, who offer a personal perspective on their magical theme. Readers will be able to pore over ancient spell books, amazing illuminated scrolls that reveal the secret of the Elixir of Life, vials of dragon’s blood, mandrake roots, painted centaurs and a genuine witch’s broomstick, in a book that shows J.K. Rowling’s magical inventions alongside their cultural and historical forebears. This is the ultimate gift for Harry Potter fans, curious minds, big imaginations, bibliophiles and readers around the world who missed out on the chance to see the exhibition in person.

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The elegant Bible you'll keep coming back to because it's so easy to read and use.Enjoy the beautiful New King James Version in a traditional Scripture design optimized to help you quickly navigate through the Bible. The 2-column text employs a verse-by-verse—or verse-style—setting, which means that each verse starts on its own line, making them a snap to find. The large print text is easy to read, and the blue headings and verse numbers stand out while providing a restful, thoroughly enjoyable Scripture-reading experience. With over 72,000 cross references and the complete set of NKJV translator notes, this Bible gives you the tools you'll need to dive deeply into God's Word for yourself.Features include: Verse-style Scripture format starts each verse on its own line so it’s easy to navigate the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk End of page cross references allow you to find related passages quickly and easily Wide double-faced satin ribbons help keep track of where you were reading Full color maps show a visual representation of Israel and other biblical locations for better context Clear and readable 10.5-point NKJV Comfort Print Trusted by millions of believers around the world, the NKJV remains a bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translator’s relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.About the Maclaren Series: Named for noted Victorian-era preacher Alexander Maclaren, this series of elegant Bibles features regal blue highlights and verse numbers and clear, line-matched text.

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Der vorliegende Kommentar baut auf den neueren Erkenntnissen zur Textgeschichte des Jeremiabuches auf, die sich aus den Manuskriptfunden in Qumran und der davon angeregten Neubewertung der antiken Übersetzung des Buches ins Griechische (Jeremia-Septuaginta) ergeben. Hermann-Josef Stipp rekonstruiert auf dieser Grundlage die Entstehung der zweiten Hälfte des Buches und legt die Einzeltexte vor dem Hintergrund der turbulenten und tief traumatisierenden Geschichte Judas rund um das babylonische Exil im 6. Jahrhundert v. Chr. aus. Dabei ergeben sich zwei Wachstumskerne der Kapitel 25-52: die Fremdvölkersprüche Kap. *46-49,33, die ursprünglich in der Buchmitte angeordnet waren, und das "babylonische Jeremiabuch" Kap. *26-44, komponiert von einem deuteronomistischen Redaktor im babylonischen Exil. Von diesen Wurzeln wuchs das Buch in mehreren Schüben bis wohl ins 3. Jahrhundert v. Chr. zu seiner kanonischen hebräischen Textgestalt heran. Die Einzeltexte des Buchteils spiegeln vor allem die leidenschaftlichen theologischen Kontroversen wider, die die Krisen des 6. Jahrhunderts unter den Judäern auslösten: die von dem Propheten Jeremia als gottgewollt propagierte Übermacht des babylonischen Reiches unter dessen König Nebukadnezzar II.; dann die totale militärische Niederlage mit der Zerstörung Jerusalems und des Tempels sowie dem Verlust des Königtums und der Eigenstaatlichkeit im Jahr 587; die Deportationen von Menschen und Tempelgeräten ins Exil; schließlich die Versuche zur politischen und religiösen Neukonsolidierung unter wenig ermutigenden Umständen ab dem Beginn der Perserherrschaft 539.

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In Chariots of Ladies, Núria Silleras-Fernández traces the development of devotion and female piety among the Iberian aristocracy from the late Middle Ages into the Golden Age, and from Catalonia to the rest of Iberia and Europe via the rise of the Franciscan Observant movement. A program of piety and morality devised by Francesc Eiximenis, a Franciscan theologian, royal counselor, and writer in Catalonia in the 1390s, came to characterize the feminine ideal in the highest circles of the Iberian aristocracy in the era of the Empire. As Eiximenis’s work was adapted and translated into Castilian over the century and a half that followed, it became a model of devotion and conduct for queens and princesses, including Isabel the Catholic and her descendants, who ruled over Portugal and the Spanish Empire of the Hapsburgs. Silleras-Fernández uses archival documentation, letters, manuscripts, incunabula, and a wide range of published material to clarify how Eiximenis’s ideas on gender and devotion were read by Countess Sanxa Ximenis d’Arenós and Queen Maria de Luna of Aragon and how they were then changed by his adaptors and translators in Castile for new readers (including Isabel the Catholic and Juana the Mad), and in sixteenth-century Portugal for new patronesses (Juana’s daughter, Catalina of Habsburg, and Catalina’s daughter, Maria Manuela, first wife of Philip II). Chariots of Ladies casts light on a neglected dimension of encounter and exchange in Iberia from the late fourteenth to the mid-sixteenth centuries.

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In 1947, the American School of Classical Studies at Athens commissioned a colour movie (Triumph over Time) to accompany its fundraising campaign. Directed by the archaeologist Oscar Broneer and produced by numismatist Margaret Thompson with the aid of staff from Fox Studios, the documentary shows Greece rebounding from the horrors of World War II and the staff of the American School hard at work preparing archaeological sites for presentation to post-war tourists. Footage of excavations at the Athenian Agora and ancient Corinth are mixed with scenes from everyday agricultural life. Famous people in the history of the School and Greece move in and out of the film's frames: King Paul and Queen Frederica attend a public lecture; the Librarian of the Gennadius Library, Shirley H. Weber, shows donor Helene Stathatou some of its priceless manuscripts; Homer A. Thompson, newly appointed Director of the Agora Excavations, displays treasures from the site. Such scenes from the American School's academic and social year show an institution at the forefront of Greece's march back to normality after almost a decade of unrest. In an accompanying essay, Natalia Vogeikoff-Brogan, the American School's Archivist, describes the making of the movie, the historical background to its production, and its place in both the institutional history of the ASCSA and the political history of Greece. She presents fascinating excerpts from previously unpublished correspondence and memoirs, as well as contemporary photographs. (This is the North American edition, with NTSC format DVD.)

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In 1947, the American School of Classical Studies at Athens commissioned a colour movie (Triumph over Time) to accompany its fundraising campaign. Directed by the archaeologist Oscar Broneer and produced by numismatist Margaret Thompson with the aid of staff from Fox Studios, the documentary shows Greece rebounding from the horrors of World War II and the staff of the American School hard at work preparing archaeological sites for presentation to post-war tourists. Footage of excavations at the Athenian Agora and ancient Corinth are mixed with scenes from everyday agricultural life. Famous people in the history of the School and Greece move in and out of the film's frames: King Paul and Queen Frederica attend a public lecture; the Librarian of the Gennadius Library, Shirley H. Weber, shows donor Helene Stathatou some of its priceless manuscripts; Homer A. Thompson, newly appointed Director of the Agora Excavations, displays treasures from the site. Such scenes from the American School's academic and social year show an institution at the forefront of Greece's march back to normality after almost a decade of unrest. In an accompanying essay, Natalia Vogeikoff-Brogan, the American School's Archivist, describes the making of the movie, the historical background to its production, and its place in both the institutional history of the ASCSA and the political history of Greece. She presents fascinating excerpts from previously unpublished correspondence and memoirs, as well as contemporary photographs. (This is the European edition, including a PAL format DVD.)

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Vokabeln und Formen sind das A und O des Lateinunterrichts. Der "Thesaurus Latinus" bietet eine breite, solide und in langjähriger Praxis bewährte Basis fër die Sicherung und Erweiterung der Sprachkompetenzen:- 3350 Vokabeln des Grund- und Aufbauwortschatzes,- 750 weitere Angaben zu speziellen Kasus- und Wortverbindungen,- eigene Einträge fër berëchtigte Stolpersteine wie "se" oder "eius",- Sortierung der Vokabeln nicht nach Wort- oder Sachfeldern, sondern nach Alphabet, dadurch kein umständliches Hin- und Herblättern,- kritisch ëberprëfte Bezeichnung der Vokalquantitäten und zahlreiche Angaben zur korrekten Aussprache des Lateinischen,- vollständige und zugleich ëbersichtliche Tabellen zur Formenlehre,- passend zu den neuen Kerncurricula und zu G 8.Der "Thesaurus Latinus" ist eine optimale Ergänzung zu allen gängigen Schulausgaben lateinischer Texte: Was dort nicht als Lesevokabel oder in einer Spezialbedeutung angegeben ist, wird man hier finden, und zwar deutlich schneller als in einer systematischen Wortkunde oder in einem Schulwörterbuch. Die Präsentation der lateinischen Vokabeln und ihrer deutschen Bedeutungen unterliegt keinem akademischen Systemzwang, sondern nimmt immer diejenige Gestalt an, die von Schëlern am leichtesten zu verstehen und umzusetzen ist. In fënf vollständigen Durchgängen von Klasse 8 bis 13 wurde das Manuskript immer wieder von Schëlern mehrerer niedersächsischer Gymnasien verbessert, bevor es in den Druck ging. Ein in mancher Hinsicht durchaus unkonventionelles Buch mit einem sehr hohen praktischen Nutzen - von der Anfangslektëre bis zum Abitur!

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Journals of the natural world reveal fascinating details of life at the time. These two journals, kept by Quakers in north-east and north-west England respectively, record in careful detail weather and agricultural events of their time and regions. But they also observe all manner of other things and events. The journal of John Chipchase, schoolmaster of Stockton-upon-Tees, recently came to light for the very first time in a Montreal university library. It has much to say about weather and crops, but also meteor showers and the aurora borealis, lightning strikes, fatal diseases, fishing and fishkills, the homing instincts of cats, the life cycle of snails, fierce gales and consequent shipwrecks, and both the causes and local reactions to the near-famine of 1795. Elihu Robinson's record of weather, crops and prices has only been known in manuscript form to a few specialists. Possessed of both a barometer and thermometer, his sometimes even daily observations are remarkably meticulous. As an active Quaker, he also offers a rich description of their life and organization in the Northwest. Taken together, these journals suggest something of the intellectual and cultural bent of two publicly engaged menof their time, both of middling status and informal education, living far from the cosmopolitan world of London and the universities. ROBERT TITTLER is Distinguished Professor of History Emeritus at Concordia University in Montreal, and a Fellow of the Royal Society of Canada.

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For a significant part of the early modern period, England was the most active site of recipe publication in Europe and the only country in which recipes were explicitly addressed to housewives. Recipes for Thought analyzes, for the first time, the full range of English manuscript and printed recipe collections produced over the course of two centuries. Recipes reveal much more than the history of puddings and pies: they expose the unexpectedly therapeutic, literate, and experimental culture of the English kitchen. Wendy Wall explores ways that recipe writing—like poetry and artisanal culture—wrestled with the physical and metaphysical puzzles at the center of both traditional humanistic and emerging "scientific" cultures. Drawing on the works of Shakespeare, Spenser, Jonson, and others to interpret a reputedly "unlearned" form of literature, she demonstrates that people from across the social spectrum concocted poetic exercises of wit, experimented with unusual and sometimes edible forms of literacy, and tested theories of knowledge as they wrote about healing and baking. Recipe exchange, we discover, invited early modern housewives to contemplate the complex components of being a Renaissance "maker" and thus to reflect on lofty concepts such as figuration, natural philosophy, national identity, status, mortality, memory, epistemology, truth-telling, and matter itself. Kitchen work, recipes tell us, engaged vital creative and intellectual labors.

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"Lollard" is the name given to followers of John Wyclif, the English dissident theologian who was dismissed from Oxford University in 1381 for his arguments regarding the eucharist. A forceful and influential critic of the ecclesiastical status quo in the late fourteenth century, Wyclif’s thought was condemned at the Council of Constance in 1415. While lollardy has attracted much attention in recent years, much of what we think we know about this English religious movement is based on records of heresy trials and anti-lollard chroniclers. In Feeling Like Saints, Fiona Somerset demonstrates that this approach has limitations. A better basis is the five hundred or so manuscript books from the period (1375–1530) containing materials translated, composed, or adapted by lollard writers themselves. These writings provide rich evidence for how lollard writers collaborated with one another and with their readers to produce a distinctive religious identity based around structures of feeling. Lollards wanted to feel like saints. From Wyclif they drew an extraordinarily rigorous ethic of mutual responsibility that disregarded both social status and personal risk. They recalled their commitment to this ethic by reading narratives of physical suffering and vindication, metaphorically martyring themselves by inviting scorn for their zeal, and enclosing themselves in the virtues rather than the religious cloister. Yet in many ways they were not that different from their contemporaries, especially those with similar impulses to exceptional holiness.

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A lively reimagining of how the distant medieval world of war functioned, drawing on the objects used and made by crusaders Throughout the Middle Ages crusading was justified by religious ideology, but the resulting military campaigns were fueled by concrete objectives: land, resources, power, reputation. Crusaders amassed possessions of all sorts, from castles to reliquaries. Campaigns required material funds and equipment, while conquests produced bureaucracies, taxation, economic exploitation, and commercial regulation. Wealth sustained the Crusades while material objects, from weaponry and military technology to carpentry and shipping, conditioned them. This lavishly illustrated volume considers the material trappings of crusading wars and the objects that memorialized them, in architecture, sculpture, jewelry, painting, and manuscripts. Christopher Tyerman’s incorporation of the physical and visual remains of crusading enriches our understanding of how the crusaders themselves articulated their mission, how they viewed their place in the world, and how they related to the cultures they derived from and preyed upon. A note to readers: the grey-shaded pages throughout this volume look at the Crusades in detail, exploring individual themes such as food and drink, medicine, weapons, and women’s role in the Crusades. These short essays are interspersed throughout the chapters and the main text will continue after each one. For instance, “Taking the Cross” runs from pages 4 to 7, and the Introduction continues on p. 8.

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The magnificent bronze doors of Hildesheim Cathedral, the ivory, gold, enameled, and bejeweled book covers made to contain superbly illuminated manuscripts, the startling reliquary caskets made in the shape of the part of the body supposed to be contained within them—these and other sacred objects were contained within church treasuries and cloisters in the early Middle Ages in Europe. This beautiful book traces the development of these so-called Minor Arts and the major role they played alongside the other pictorial arts and architectural sculpture of the period.Although it is impossible to establish a strict chronology of this period, since styles evolved concurrently and with varying speed across diverse regions of Europe, Peter Lasko has established an object-based chronology that enables him to trace the developments of these styles. In addition, he describes the personalities, stylistic traits, and influence of some of the great craftsmen whose names are briefly recorded in cathedral treasury records. He surveys the sacred arts from Scandinavia to Spain and from Italy to England, examining the impact of English art on the court of Charlemagne and investigating external influences on English art both before and after the Norman Conquest. Lasko records the wide range of opinions on style and method and also explicates his own; his comprehensive survey of craftsmanship alters previous assumptions about chronologies, creates new groupings of materials, and reassesses stylistic sources.

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William Caxton (ca. 1421–1492) and the printers who immediately followed him, Wynkyn de Worde and Richard Pynson, dominated early English printing. Surprisingly, their ideological impact on English literary history—their transformation of a textual economy based in manuscript production, their strategic development of authorship, their collation of English literature—remains largely unrecognized, overshadowed by the work of later sixteenth-century printers and folded into the general transition from the Middle Ages to the Renaissance. This collection, the first such work on Caxton and his contemporaries, consists of ten original essays that explore early English culture, from Caxton's introduction of the press, through questions of audience, translation, politics, and genre, to the modern fascination with Caxton's books. The contributors to this volume approach the study of the printed book as the study of literary culture, and so broaden the traditional terms of bibliography to argue that no full understanding of books is possible without consideration of the larger nature of cultural production and reproduction. On one level, then, the book reads early printers' editions as evolutionary, reproducing preexisting production methods; on another, however, it argues that these printers introduced a significantly new relationship between material and symbolic forms. Thus, Caxton's Trace suggests that the first century of print production is defined less by transition or break, than by a dynamic transformation in literary production itself.

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Between 2010 and 2017, Canada experienced an efflorescence of Greek tragedy, led by independent Montreal theatre company Scapegoat Carnivale’s energetic performances of Euripides’s Medea and Bacchae and Sophocles’s Oedipus Tyrannus. The performances featured crisp new translations by co–artistic director Joseph Shragge, large casts, and full-throated sung choruses. Scapegoat Carnivale’s trilogy of these familiar but rarely performed plays is at the core of this volume, which includes all three novel play scripts, the company’s stage directions, and helpful annotations that elucidate Greek names and cultural references and place the textual choices in the context of the productions themselves as well as the long manuscript traditions germane to each tragedy. The result sheds light on both the ancient Greek texts and contemporary performance practice, as do accompanying essays introducing the reader to Greek tragedy in fifth-century Athens, reception theories, each play’s themes and cultural resonances, and how Scapegoat’s approach to each play fits into broader global trends of performance and reception.Scapegoat Carnivale’s Tragic Trilogy invites readers from all backgrounds to encounter these plays, whether they are looking at Greek tragedy for the first time or the fiftieth. It gives everyone the tools to understand where these plays came from, offers insights into how they can and should be performed now, and shows why they are more relevant than ever in contemporary theatre and in life.

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A Bible in the trustworthy NKJV with giant print text that is extremely readable while also being easy to take with you to church or a small group. This edition features extra-large text in Comfort Print, yet the Bible is still only 1” thick.Trusted by millions of believers around the world, the NKJV remains the bestselling modern “word-for-word” translation. It balances the literary beauty and familiarity of the King James tradition with an extraordinary commitment to preserving the grammar and structure of the underlying biblical languages. And while the translators relied on the traditional Greek, Hebrew, and Aramaic text used by the translators of the 1611 KJV, the comprehensive translator notes offer important insights about the latest developments in biblical manuscript studies. The result is a Bible translation that is both beautiful and uncompromising—perfect for serious study, devotional use, and reading aloud.Features include: Words of Christ in red quickly identify verses spoken by Jesus Durable and flexible Smyth-sewn binding allow for years of use Satin Ribbon Markers are a useful tool to easily navigate and keep track of where you were reading Gilded page edges add a beautiful shine around the border of the paper Full color maps show a visual representation of Israel and other biblical locations for better context Easy-to-read line-matched giant 12-point NKJV Comfort Print

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A balance of being both easy-to-read and easy-to-carry, this Bible is an ideal choice to take with you wherever you go.This edition is published in large NKJV Comfort Print type, which was designed exclusively for Thomas Nelson to be the most readable at any size.The go-anywhere New King James Version Bible, lightweight and portable, now with the enhanced readability of Thomas Nelson’s custom NKJV font in large print. That’s the NKJV Value Thinline Large Print Bible, and it’s the Bible you’ll want to take with you throughout your day. Featuring the popular and reliable text of the New King James Version in a variety of compelling cover designs, you will enjoy the beautiful new layout, helpful reading plan, and words of Christ in red.Features Include: Line-matched classic 2-column format Presentation page to personalize this special gift by recording a memory or a note Words of Christ in red help you quickly identify Jesus’ teachings and statements Translation notes provide a look into the thinking of the translators with alternative translations that could have been used and textual notes about manuscript variations Reading plan guiding you through the entire Bible in a year Ribbon markers for you to easily navigate and keep track of where you were reading Durable and flexible Smyth-sewn binding for years of use Easy-to-read 10.5-point NKJV Comfort Print

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Known as the “patron saint of all outsiders,” Simone Weil (1909–43) was one of the twentieth century’s most remarkable thinkers, a philosopher who truly lived by her political and ethical ideals. In a short life framed by the two world wars, Weil taught philosophy to lycée students and organized union workers, fought alongside anarchists during the Spanish Civil War and labored alongside workers on assembly lines, joined the Free French movement in London and died in despair because she was not sent to France to help the Resistance. Though Weil published little during her life, after her death, thanks largely to the efforts of Albert Camus, hundreds of pages of her manuscripts were published to critical and popular acclaim. While many seekers have been attracted to Weil’s religious thought, Robert Zaretsky gives us a different Weil, exploring her insights into politics and ethics, and showing us a new side of Weil that balances her contradictions—the rigorous rationalist who also had her own brand of Catholic mysticism; the revolutionary with a soft spot for anarchism yet who believed in the hierarchy of labor; and the humanitarian who emphasized human needs and obligations over human rights. Reflecting on the relationship between thought and action in Weil’s life, The Subversive Simone Weil honors the complexity of Weil’s thought and speaks to why it matters and continues to fascinate readers today.

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Un fabuloso recorrido por la vida y obra de filósofos ilustres que han marcado la historia del pensamiento y del mundoDesde Platón y Confucio hasta Marx y Nietzsche, esta obra de referencia de filosofía recopila las biografías de más de 100 filósofos y pensadores de todo el mundo, épocas y contextos históricos, desvelando los entresijos de sus vidas, relaciones, estudios y obra. Cada doble página se centra en el perfil y vida de un filósofo destacado de la historia, desde la antigua Grecia hasta nuestro días, y explica de un modo accesible y claro los conceptos claves de sus ideas, razonamientos, métodos de trabajo y principales obras, a la vez que presenta las vivencias amores, amistades y rivales que influenciaron y marcaron su pensamiento.Ilustrado con fabulosos retratos en pintura y fotografías de los filósofos, así como instantáneas de sus casas, objetos personales, correspondencia, notas manuscritas y primeras ediciones de sus obras más importantes, este libro de filosofía es el complemento ideal para cualquiera que desee acercarse a los personajes clave del pensamiento y conocer mejor los acontecimientos vitales que les llevaron a plantearse el sentido de la vida y encontrar nuevas formas de entender el mundo. Un viaje a través de la historia del pensamiento de la mano de sus protagonistasProfundiza en las principales teorías filosóficas y corrientes de pensamiento a lo largo de los 2600 años de la historia de la filosofía con este completísimo libro, que te permitirá descubrir las reflexiones y preceptos filosóficos de más de un centenar de pensadores de Oriente y Occidente, ordenados cronológicamente, y entender cómo las ideas de cada filósofo se conectan o refutan a lo largo de los años.Perfecto para estudiantes, docentes, aficionados y amantes del pensamiento que quieran obtener una visión completa del nacimiento, desarrollo y evolución del conocimiento filosófico desde la antigüedad, con Lao Ise o Buda, en la antigua China e India, y filósofos presocráticos de la antigüedad clásica de Grecia como Tales de Mileto o Heráclito, hasta la edad contemporánea, con Simone de Beauvoir o Noam Chomsky.Familiarízate con las temáticas y grandes preguntas de la humanidad y conoce el trabajo de los principales pensadores e intelectuales de cada etapa: • Antiguos • Medievales • Primeros modernos • Modernos • Siglo XX • Filosofía actual

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This study is an exploration of how Cyril of Jerusalem constructed Christian identity for those who were preparing to enter into full communion with the church at Easter. In order to include the full catechetical teachings of the fourth-century hagiopolite tradition, the study examined the history of liturgy arguments against Cyrillian authorship of the Mystagogic Catecheses and has found, based upon the most recent scholarship, no reason to date the text to after Cyril’s bishopric. Having also used codicological and textual critical analysis to support the claim of Cyrillian authorship, the study argues for a different preferred manuscript tradition than what is presented in the critical edition. Since Cyril provided an identity-clarifying attribute for the new Christians to associate with each of the rites of initiation, the study looks at the scholarly literature regarding Cyril’s sacramental theology. Taking the Jerusalem catechetical writings as a pedagogical unit and examining it through word studies and flow-of-thought analysis, this study constructs a new model for Cyril’s sacramental theology based upon his doctrine of theosis, which has not been examined with sufficient academic rigor to date. It demonstrates that not only does Cyril have a fully-developed doctrine of theosis, but his expression of theosis is Trinitarian, sacramental, and inseparable from his ethical and identity forming teachings.

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Edition and translation of this important genre of Old Welsh poetry. The "Stanzas of the Graves" or "Graves of the Warriors of the Island of Britain", attributed to the legendary poet Taliesin, describe ancient heroes' burial places. Like the "Triads of the Island of Britain", they are an indispensable key to the narrative literature of medieval Wales. The heroes come from the whole of Britain, including Mercia and present-day Scotland, as well as many from Wales and a few from Ireland. Many characters known from the Mabinogion appear, often with additional information, as do some from romance and early Welsh saga, such as Arthur, Bedwyr, Gawain, Owain son of Urien, Merlin, and Vortigern. The seventh-century grave of Penda of Mercia, beneath the river Winwæd in Yorkshire, is the latest grave to be included. The poems testify to the interest aroused by megaliths, tumuli, and other apparently man-made monuments, some of which can be identified with known prehistoric remains. This volume offers a full edition and translation of the poems, mapped with reference to all the manuscripts, starting with the Black Book of Carmarthen, the oldest extant book of Welsh poetry. There is also a detailed commentary on their linguistic, literary, historical, and archaeological aspects.

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Since the Roman de la Rose had tremendous influence on the poetry of the fourteenth century, particularly on the works of Deschamps, Machaut, Froissart, and Chaucer, Professor Fleming maintains that it is important for the modern reader to understand what this influential moral satire meant to readers of the medieval period. Basing his interpretation in part on iconographic analysis of the illuminations found in more than one hundred manuscript copies of the poem, he advances a "medieval" reading of the poem. Other tools used by Mr. Fleming to get at the meaning of the poem include a study of the mythographic tradition, a logical and rhetorical analysis of the text, and an examination of formal exegetical documents of the late Middle Ages, especially the Old French commentary on the Echecs Amoureux. Originally published in 1969. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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A gathering of poetic blossoms.The Greek Anthology (literally, “Gathering of Flowers”) is the name given to a collection of about 4500 short Greek poems (called epigrams but usually not epigrammatic) by about 300 composers. To the collection (called Stephanus, literally, “wreath” or “garland”) made and contributed to by Meleager of Gadara (1st century BC) was added another by Philippus of Thessalonica (late 1st century AD), a third by Diogenianus (2nd century), and much later a fourth, called the Circle, by Agathias of Myrina. These (lost) and others (also lost) were partly incorporated, arranged according to contents, by Constantinus Cephalas (early 10th century?) into fifteen books now preserved in a single manuscript of the Palatine Library at Heidelberg. The grand collection was rearranged and revised by the monk Maximus Planudes (14th century) who also added epigrams lost from Cephalas’ compilation.The fifteen books of the Palatine Anthology are: I, Christian Epigrams; II, Descriptions of Statues; III, Inscriptions in a temple at Cyzicus; IV, Prefaces of Meleager, Philippus, and Agathias; V, Amatory Epigrams; VI, Dedicatory; VII, Sepulchral; VIII, Epigrams of St. Gregory; IX, Declamatory; X, Hortatory and Admonitory; XI, Convivial and Satirical; XII, Strato’s “Musa Puerilis”; XIII, Metrical curiosities; XIV, Problems, Riddles, and Oracles; XV, Miscellanies. Book XVI is the Planudean Appendix: Epigrams on works of art.Outstanding among the poets are Meleager, Antipater of Sidon, Crinagoras, Palladas, Agathias, Paulus Silentiarius.

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At first glance, evangelical and Gotham seem like an odd pair. What does a movement of pious converts and reformers have to do with a city notoriously full of temptation and sin? More than you might think, says Kyle B. Roberts, who argues that religion must be considered alongside immigration, commerce, and real estate scarcity as one of the forces that shaped the New York City we know today. In Evangelical Gotham, Roberts explores the role of the urban evangelical community in the development of New York between the American Revolution and the Civil War. As developers prepared to open new neighborhoods uptown, evangelicals stood ready to build meetinghouses. As the city's financial center emerged and solidified, evangelicals capitalized on the resultant wealth, technology, and resources to expand their missionary and benevolent causes. When they began to feel that the city's morals had degenerated, evangelicals turned to temperance, Sunday school, prayer meetings, antislavery causes, and urban missions to reform their neighbors. The result of these efforts was Evangelical Gotham a complicated and contradictory world whose influence spread far beyond the shores of Manhattan. Winner of the 2015 Dixon Ryan Fox Manuscript Prize from the New York State Historical Association

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In 1600 the Catholic Inquisition condemned the philosopher Giordano Bruno for his heretical beliefs. He was then burned alive in a public place in Rome. Historians, scientists and teachers usually deny that Bruno was condemned for his beliefs about the universe and that his trial was linked to the later confrontations between the Inquisition and Galileo in 1616 and 1633. Based on new evidence, however, Burned Alive asserts that Bruno's beliefs about the universe were indeed the primary factors that led to Bruno's condemnation: his beliefs that the stars are suns surrounded by planetary worlds like our own, and that the Earth moves because it has a soul. Alberto A. Martinez shows how some of the same Inquisitors who judged Bruno also confronted Galileo in 1616. Ultimately the one clergyman who wrote the most critical reports used by the Inquisition to condemn Galileo in 1633 immediately wrote an unpublished manuscript, in which he denounced Galileo and other followers of Copernicus for believing that many worlds exist and that the Earth moves because it has a soul. This book challenges the accepted history of astronomy and shows how cosmology led Bruno bravely to his death.

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“An invaluable window on how New York self-consciously and very publicly transformed itself from a city that was merely ‘the largest’ to an undisputed world-class metropolis. . . . A rich historical record of newspapers, manuscripts, artifacts, photographs, and graphics . . . offers a new lens to examine identity, industry, and environment.”—Kenneth T. Jackson, from the Foreword For two weeks in the fall of 1909, New York City threw itself the biggest party it had ever seen—attracting millions of people to a sprawling festival 150 miles long, from Brooklyn up the Hudson River to Albany. This extraordinary event, the Hudson-Fulton Celebration, was officially meant to commemorate the 300th anniversary of Henry Hudson’s discovery of the river bearing his name and the centennial of Robert Fulton’s first successful run of his steamship Clermont. But in an era of grand world’s fairs, the Celebration was really created to showcase New York’s coming of age as a world metropolis. On city sidewalks and along the river, millions enjoyed a nonstop circus of fireworks, concerts, museum exhibitions, children’s festivals, and military and naval parades, each designed to link past glories to present challenges and future progress. And to show the world that its biggest city worked. For city leaders, the Celebration was to be a gaudy catalyst for change—technological, commercial, cultural, and political. There were great flotillas of the world’s navies. New, glittering electric lights illuminated bridges and skyscrapers. Jawdropping flyovers by Wilbur Wright and Glenn Curtiss introduced New Yorkers to the airplane. The Queensboro Bridge had just been built, as had new subway lines. Thousands of children in ethnic costumes marched to celebrate the new American melting pot. No one had seen anything like it. This fascinating book commemorates that commemoration. With a rich selection of full-color images—photographs, graphics, memorabilia, paintings, and much more—it tells the story of what those two weeks meant to four million New Yorkers and one million out-of-town guests. Johnson brings back a city feverishly at work and play, from the grand schemes of the planners to the way the Celebration put the city and its people on a world stage.

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