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An accessible and authoritative new history of French literature, written by a highly distinguished transatlantic group of scholars This book provides an engaging, accessible, and exciting new history of French literature from the Renaissance through the twentieth century, from Rabelais and Marguerite de Navarre to Samuel Beckett and Assia Djebar. Christopher Prendergast, one of today's most distinguished authorities on French literature, has gathered a transatlantic group of more than thirty leading scholars who provide original essays on carefully selected writers, works, and topics that open a window onto key chapters of French literary history. The book begins in the sixteenth century with the formation of a modern national literary consciousness, and ends in the late twentieth century with the idea of the "national" coming increasingly into question as inherited meanings of "French" and "Frenchness" expand beyond the geographical limits of mainland France. * Provides an exciting new account of French literary history from the Renaissance to the end of the twentieth century* Features more than thirty original essays on key writers, works, and topics, written by a distinguished transatlantic group of scholars* Includes an introduction and index The contributors include Etienne Beaulieu, Christopher Braider, Peter Brooks, Mary Ann Caws, David Coward, Nicholas Cronk, Edwin M. Duval, Mary Gallagher, Raymond Geuss, Timothy Hampton, Nicholas Harrison, Katherine Ibbett, Michael Lucey, Susan Maslan, Eric Mechoulan, Hassan Melehy, Larry F. Norman, Nicholas Paige, Roger Pearson, Christopher Prendergast, Jean-Michel Rabate, Timothy J. Reiss, Sarah Rocheville, Pierre Saint-Amand, Clive Scott, Catriona Seth, Judith Sribnai, Joanna Stalnaker, Aleksandar Stevi?, Kate E. Tunstall, Steven Ungar, and Wes Williams.

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"Funny, zany, the right amount of cheeky and answers that BIG question - what is really going on with 'Boy Band hair?'" - Jenny Pearson, bestselling author of The Super Miraculous Journey of Freddie YatesFour best friends, two boybands, and an evil uncle with a monstrous secret - what could possibly go wrong? KID NORMAL meets BRITAIN'S GOT TALENT in this hilarious new series for 8+ readers.This story begins with a snoring pug, a forgetful grandma, and the hero of this adventure in a really bad mood. There is also a goose on the loose. We just wanted to warn you.Jamie McFlair's favourite band got a slot performing on the country's biggest talent show, but it went wrong thanks to Barry Bigtime (in an 'incident' involving a chocolate milkshake and worn underpants - don't ask).Barry is a music big shot, all round nasty man...and Jamie's Uncle. The next day, he launches his own massive new band and Jamie smells a rat. With the help of three trusty best friends - popular Daisy, no-nonsense Jenners, and timid Mel - Jamie vows to uncover Barry's dastardly plan.But Jamie doesn't know about BARRY'S SECRET. A secret that is TERRIBLE and SHOCKING and VERY STRANGE. There's something hidden in Barry's basement - a machine that is the key to his musical success. But what happens when the boyband generator goes wrong? We'll give you a clue: it is NOT GOOD and THE ENTIRE WORLD is at risk. Can Jamie stop Barry Bigtime before it's too late?

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It is difficult to imagine that the statistical analysis of compositional data has been a major issue of concern for more than 100 years. It is even more difficult to realize that so many statisticians and users of statistics are unaware of the particular problems affecting compositional data, as well as their solutions. The issue of ``spurious correlation'', as the situation was phrased by Karl Pearson back in 1897, affects all data that measures parts of some whole, such as percentages, proportions, ppm and ppb. Such measurements are present in all fields of science, ranging from geology, biology, environmental sciences, forensic sciences, medicine and hydrology. This book presents the history and development of compositional data analysis along with Aitchison's log-ratio approach. Compositional Data Analysis describes the state of the art both in theoretical fields as well as applications in the different fields of science. Key Features: Reflects the state-of-the-art in compositional data analysis. Gives an overview of the historical development of compositional data analysis, as well as basic concepts and procedures. Looks at advances in algebra and calculus on the simplex. Presents applications in different fields of science, including, genomics, ecology, biology, geochemistry, planetology, chemistry and economics. Explores connections to correspondence analysis and the Dirichlet distribution. Presents a summary of three available software packages for compositional data analysis. Supported by an accompanying website featuring R code. Applied scientists working on compositional data analysis in any field of science, both in academia and professionals will benefit from this book, along with graduate students in any field of science working with compositional data.

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'Poignant, funny, sensitive, but most importantly, heart-stoppingly true. This is an outstanding collection of essays, from some of the finest writers, which gets right to the dark heart of what it really means to be a mother.' - Clover Stroud, author of My Wild and Sleepless Nights; -------------------------; Motherhood is life-changing. Joyful. Disorientating. Overwhelming. Intense on every level. It's the best, most awful job.; The Best, Most Awful Job brings together twenty bold and brilliant women to speak about motherhood in all its raw, heart-wrenching, gloriously impossible forms.; Overturning assumptions, breaking down myths and shattering stereotypes, these writers challenge our perceptions of what it means to be a mother - and ask you to listen.; Contributors include:; Michelle Adams - Javaria Akbar - Charlene Allcott - MiMi Aye - Jodi Bartle - Sharmila Chauhan - Josie George - Leah Hazard - Joanne Limburg - Katherine May - Susana Moreira Marques - Dani McClain - Hollie McNish - Saima Mir - Carolina Alvarado Molk - Emily Morris - Jenny Parrott - Huma Qureshi - Peggy Riley - Michelle Tea - Tiphanie Yanique; 'A wonderful anthology. I enjoyed it so much - the honesty, intelligence, fury and tenderness of the essays; and, importantly and refreshingly, the range of voices and stories it contains.' - Liz Berry, author of The Republic of Motherhood; 'This is the kind of book that could well make a difference to someone's life ... every mother should read it.' - Laura Pearson, author of I Wanted You to Know; 'If I had added a Post-it Note to every sentence in this book that made me laugh, wince in recognition, or faintly well up, I would have turned it into a paper porcupine.' - Ceri Radford, Independent

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This timely study addresses the pressing issue of food security through a range of interdisciplinary contributions, providing both scholarly and policymaking perspectives. It sets the discussion on food security within the little-studied context of its international legal and regulatory framework. The expert contributors explore the key issues from a development perspective and through the lens of existing governance and policy systems with a view to articulating how these systems can be made more effective in dealing with the roots of food insecurity. The book considers the root causes of food insecurity before discussing the regulatory challenges inherent in reconciling food production and sustainability to ensure both adequate supply of and equitable access to food, particularly in light of emerging issues such as food price volatility, 'land grabbing' and the need to coordinate the actions of the multitude of actors that influence food policy and regulation. It highlights the need for more equitable, transparent and coherent policy and regulatory approaches to the myriad of issues that make up the food security challenge. This cross-cutting study will appeal to researchers in law, international relations, agricultural science and food systems, as well as to policymakers in government and international organizations that engage with policy and regulation of food security issues. It will also be essential reading for professionals in non-governmental organisations that are interested in development issues in general and food security in particular. Contributors: E. Burgi Bonanomi, C. Chartres, N. Colbran, L. Cotula, I.C. De Jesus, R. Ford, D. Fuchs, K. Glaab, C. Haberli, M.S. Islam, A. Joshi, A. Kalfagianni, N. Louwaars, M. Margulis, R. Meyer-Eppler, C. Pearson, R. Rayfuse, B. Visser, N. Weisfelt, M. Young

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It is easy to think of evolution as something that happened long ago, or that occurs only in "nature," or that is so slow that its ongoing impact is virtually nonexistent when viewed from the perspective of a single human lifetime. But we now know that when natural selection is strong, evolutionary change can be very rapid. In this book, some of the world's leading scientists explore the implications of this reality for human life and society. With some twenty-three essays, this volume provides authoritative yet accessible explorations of why understanding evolution is crucial to human life--from dealing with climate change and ensuring our food supply, health, and economic survival to developing a richer and more accurate comprehension of society, culture, and even what it means to be human itself. Combining new essays with essays revised and updated from the acclaimed Princeton Guide to Evolution, this collection addresses the role of evolution in aging, cognition, cooperation, religion, the media, engineering, computer science, and many other areas. The result is a compelling and important book about how evolution matters to humans today. The contributors are Dan I. Andersson, Francisco J. Ayala, Amy Cavanaugh, Cameron R. Currie, Dieter Ebert, Andrew D. Ellington, Elizabeth Hannon, John Hawks, Paul Keim, Richard E. Lenski, Tim Lewens, Jonathan B. Losos, Virpi Lummaa, Jacob A. Moorad, Craig Moritz, Martha M. Munoz, Mark Pagel, Talima Pearson, Robert T. Pennock, Daniel E. L. Promislow, Erik M. Quandt, David C. Queller, Robert C. Richardson, Eugenie C. Scott, H. Bradley Shaffer, Joan E. Strassmann, Alan R. Templeton, Paul E. Turner, and Carl Zimmer.

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The idea that women are dangerous - individually or collectively - runs throughout history and across cultures. Behind this label lies a significant set of questions about the dynamics, conflicts, identities and power relations with which women live today. The Art of Being Dangerous offers many different images of women, some humorous, some challenging, some well-known, some forgotten, but all unique. In a dazzling variety of creative forms, artists and writers of diverse identities explore what it means to be a dangerous woman. With almost 100 evocative images, this collection showcases an array of contemporary art that highlights the staggering breadth of talent among today's female artists. It offers an unparalleled gallery of feminist creativity, ranging from emerging visual artists from the UK to multi-award-winning writers and translators from the Global South. Contributors: Margie Orford, Meredith Bergmann, K.E. Carver, Sasha de Buyl-Pisco, Mary Paulson-Ellis, Melissa Alvaro Mutolo, Kerri Turner, Heshani Sothiraj Eddleston, Joanie Conwell, Dilys Rose Alison Jones, Sim Bajwa, Hilaire, Tara Pixley, Leonie Mhari, Kate Feld, Millie Earle-Wright, Helen Boden, Elif Sezen, Rebecca Vedavathy, Irene Hossack, SE Craythorne, Roisin Kelly, Nkateko Masinga, Elaine Gallagher, Ildiko Nova, Rachel Roberts, susan c. dessel, Savanna Scott Leslie, Heather Pearson, Eva Moreda Rodriguez, Tanya Krzywinska, Siris Gallinat, Clare Archibald, Maya Mackrandilal, Zuhal Feraidon, Anna Brazier, Shirley Day, Treasa Nealon, Satdeep Grewal, Lucy Walters, Priyanthini Guns, Kate Schneider, Alana Tyson, Jayde Kirchert, Boris Eldagsen, Brenda Rosete, Victoria Duckett, Patricia Allmer, JL Williams, Carly Brown, Sotiria Grek, Sepideh Jodeyri, Brooke Bolander, Maria Stoian, Maria Fusco, Claire Askew and Marianne Boruch. This book emerges from the Dangerous Women Project. For more information, visit dangerouswomenproject.org

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As Chosen By… is a photographic series by Kate Friend shot exclusively on medium format film. In these portraits, her ‘sitters’ are flowers or plants, each one selected by a recognisable public figure or creative who is then recast through their botanical alter ego. Friend’s approach to the making of this series is a rigorous one: a single flower and vessel, chosen by an individual, is shot in natural light at their home, studio or garden. Each photograph is as much a portrait of a place as it is a portrait of a person and a flower. The coloured background for each image is selected by Friend, with the choice driven both by the aesthetic of the chosen flower and by a deeper intuitive sense of her sitter’s character. Although the methodology is concise and consistent, the resulting variety of images is testament to the array of unique personalities included in the project. Lavishly illustrated throughout, including many behind-the-scenes images taken by Friend throughout her process, the book features an introduction by writer Olivia Laing and an in-depth essay by Garden Museum Director Christopher Woodward. Sitters include: Anjelica Huston, Sir Paul Smith, Kulapat Yantrasast, Piet Oudolf, Luciano Giubbilei, Ai Weiwei, Claudia Schiffer, Tom Stuart-Smith, Yinka Ilori, Simone Rocha, Tania Compton, Georgie Hopton, Olivia Laing, Sue Stuart-Smith, Jamie Compton, Fernando Caruncho, Amanda Feilding, Ron Finley, Maggi Hambling, Polly Nicholson, Olivia Harrison, Dan Pearson, Penny Rimbaud, Margot Henderson, Duncan Grant, Cosey Fanni Tutti, Bethan Wood, Isabella Tree, Juergen Teller, Charlie McCormick, Molly Goddard, Jeremy Lee, Margaret Howell, Alys Fowler, John Pawson, Amanda Harlech.

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By the close of the last millennium Dorling Kindersley had become one of the most recognisable brands in publishing. Across the range of illustrated household reference titles, from children's books to travel guides, its distinctive look of colourful images cut out against a white background could be seen on bookshelves throughout the country - and indeed the publishing world. Apart from three minor acquisitions, DK had grown organically over 25 years to be a publicly listed company with a turnover of GBP200 million, some 1500 employees, publishing arms across the English language markets, a 50-strong international sales force that dealt with more than 400 publishers, a direct selling business with 30,000 independent distributors, and had expanded its skills for delivering handsomely designed reference books into the new media of videos, CD-ROMs and online educational content. Then a series of catastrophic printing decisions brought the company to its knees, and ultimately into the arms of Pearson. Christopher Davis is uniquely positioned to tell the story of DK's rise and fall. He joined the company at its foundation and in due course became Group Publisher.The narrative he provides is a dual one, encompassing the visionary genius of Peter Kindersley and the publishing revolution he fomented, and charting the remarkable, sometimes precarious, frequently hilarious, roller-coaster ride as the company grew from a handful of people in a studio in South London to a substantial global business. In the rapidly changing publishing climate of today, this book is also a nostalgic reminder of a time when creativity could flourish unburdened by the shackles of corporate bureaucracy.

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'For fans of Maggie O'Farrell and Jojo Moyes, this is a sweeping book of love, motherhood, death and hope' STYLIST'Wonderfully assured' THE TIMES'Pass the tissues...' EVENING STANDARD'Lovely novel. Highly recommend' JENNI MURRAY'Beautifully written' THE SUN'Prepare for heartbreak' WOMAN & HOME'A beautiful story' LAURA PEARSON'Brilliant' BELLABecause there's never enough time to say goodbye... Sylvia knows that she's running out of time. Very soon, she will exist only in the memories of those who loved her most and the pieces of her life she's left behind. So she begins to write her husband a handbook for when she's gone, somewhere to capture the small moments of ordinary, precious happiness in their married lives. From raising their wild, loving son, to what to give their gentle daughter on her eighteenth birthday - it's everything she should have told him before it was too late. But Sylvia also has a secret, one that she's saved until the very last pages. And it's a moment in her past that could change everything...Praise for For When I'm Gone:'Beautifully written, with powerful messages of hope' KATHERINE WEBB'A moving portrait of a modern family in crisis' FRANCESCA HORNAK'Ley took my breath away. Exquisitely written and deeply effective' KATE WEINBERG'Heart-breaking. Beautifully written. Reminded me of Maggie O'Farrell' REBECCA THORNTON'A beautiful, sharply observed tale of motherhood, complicated women and family dynamics' CHARLOTTE PHILBY'Heartbreaking and yet uplifting... Rebecca Ley has written a wonderful debu't JENNY QUINTANA'Rebecca Ley explores the need for love, forgiveness and remembrance that's within us all' WOMAN'S WEEKLY

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The history of the Islamic faith on the continent of Africa spans fourteen centuries. For the first time in a single volume, The History of Islam in Africa presents a detailed historic mapping of the cultural, political, geographic, and religious past of this significant presence on a continent-wide scale. Bringing together two dozen leading scholars, this comprehensive work treats the historical development of the religion in each major region and examines its effects. Without assuming prior knowledge of the subject on the part of its readers, The History of Islam in Africa is broken down into discrete areas, each devoted to a particular place or theme and each written by experts in that particular arena. The introductory chapters examine the principal “gateways” from abroad through which Islam traditionally has influenced Africans. The following two parts present overviews of Islamic history in West Africa and the Sudanic zone, and in subequatorial Africa. In the final section, the authors discuss important themes that have had an impact on Muslim communities in Africa. Designed as both a reference and a text, The History of Islam in Africa will be an essential tool for libraries, scholars, and students of this growing field. Contributors: Edward A. Alpers, René A. Bravmann, Abdin Chande, Eric Charry, Allan Christelow, Roberta Ann Dunbar, Kenneth W. Harrow, Lansiné Kaba, Lidwien Kapteijns, Nehemia Levtzion, William F. S. Miles, David Owusu-Ansah, M. N. Pearson, Randall L. Pouwels, Stefan Reichmuth, David Robinson, Peter von Sivers, Robert C.-H. Shell, Jay Spaulding, David C. Sperling with Jose H. Kagabo, Jean-Louis Triaud, Knut S. Vikør, John O. Voll, and Ivor Wilks

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Pepper Adams' Joy Road is more than a compendium of sessions and gigs done by the greatest baritone saxophone soloist in history. It's a fascinating overview of Adams' life and times, thanks to colorful interview vignettes, drawn from the author's unpublished conversations with Adams and other musicians. These candid observations from jazz greats about Adams and his colleagues reveal previously unknown, behind-the-scenes drama about legendary recordings made by John Coltrane, Charles Mingus, Thelonious Monk, Dizzy Gillespie, Duke Pearson, Thad Jones, David Amram, Elvin Jones, and many others. All types of sound material—studio recordings, private tapes and broadcasts, film scores, audience tapes, and even jingles—are listed, and Adams' oeuvre is pushed back from 1956 to 1947, when Adams was 16 years old, before he played baritone saxophone. Because of Carner's access to Adams' estate, just prior to its disposition in 1987, much new discographical material is included, now verified by Adams' date books and correspondence. Since Adams worked in so many of the great bands of his era, Pepper Adams' Joy Road is a refreshing, sometimes irreverent walk through a large swath of jazz history. This work also functions as a nearly complete band discography of the Thad Jones-Mel Lewis Orchestra, the most influential big band of its time. Adams was a founding member and stayed with the band until a year before Jones left to relocate in Denmark. Finally, Carner charts the ascent of Adams as an original yet still underappreciated composer, one who wrote 43 unique works, nearly half of them after August, 1977, when he left Jones-Lewis to tour the world as a soloist. Pepper Adams' Joy Road, the first book ever published about Pepper Adams, is a companion to the author's forthcoming biography on Adams.

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Adult ADHD: Diagnostic Assessment and Treatment, Third Edition covers not only diagnostic assessment, but also comorbidity patterns as well as differential diagnosis of ADHD with for example bipolar disorder and borderline personality disorder. The symptom overlap and misdiagnosis of chronic fatigue syndrome in girls and women with the inattentive subtype of ADHD, ADD is explored. The chronic delayed sleep phase syndrome associated with ADHD based on disturbances in the circadian rhythm, and the possible consequences for general health (obesity, diabetes, cardiovascular diseases and cancer) are discussed. There are sections on ADHD and intelligence, criminality, sexuality, dyslexia and autism. Adult ADHD can be treated effectively but as yet the disorder is not always recognised by professionals and this book aims to help correct this.Diagnostic tools are included, such as the structured Diagnostic Interview for Adult ADHD (DIVA), and an ultra-short and somewhat longer screening tool, all based on the DSM-IV criteria for ADHD. Treatment options cover psychoeducation and motivation and individual and group coaching; long-acting stimulants and other new drugs for treating ADHD; use of melatonin to treat the delayed sleep-phase disorder. Useful information is included on the setting up and organisation of a department for adult ADHD with a multidisciplinary team. References, websites and useful international addresses have all been updated. Adult ADHD: Diagnostic Assessment and Treatment, Third Edition is intended for students, junior doctors/residents, psychologists, psychiatrists, other mental healthcare professionals and interested parties and provides a quick overview of the current state of the science and of the methods used in diagnosis and treatment.Adult ADHD: Diagnostic Assessment and Treatment, Third Edition was originally published by Pearson Assessment and Information BV, The Netherlands.

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An LGBT romantic comedy with a twist from the Comedy Women in Print prize winner Laura Steven, author of The Exact Opposite of Okay. A hilarious love story with bite, for fans of Sex Education, Booksmart, Becky Albertalli's Love, Simon and Jenny Han's To All The Boys I've Loved Before. Physics genius Caro Kerber-Murphy knows she’s smart. With straight As and a college scholarship already in the bag, she’s meeting her two dads’ colossal expectations and then some. But there’s one test she’s never quite been able to ace: love. And when, in a particularly desperate moment, Caro discovers a (definitely questionable) scientific breakthrough that promises to make you irresistible to everyone around you, she wonders if this could be the key. What happens next will change everything Caro thought she knew about chemistry – in the lab and in love. Is hot guy Haruki with her of his own free will? Are her feelings for her best friend Keiko some sort of side-effect? Will her dog, Sirius, ever stop humping her leg? Laura is the author of fiercely funny feminist comedy The Exact Opposite of Okay and its sequel, A Girl Called Shameless. The Exact Opposite of Okay was a bestselling young adult debut in 2018 and won the inaugural Comedy Women in Print prize, founded by Helen Lederer, from a shortlist including Gail Honeyman's Eleanor Oliphant is Completely Fine and Why Mummy Swears by Gill Sims. Praise for The Exact Opposite of Okay:'A brilliant social satire … disarmingly charming and relatable … it was hilarious. Laura Steven is an explosive talent on the page!' CWIP judges Marian Keyes, Kathy Lette, Katy Brand, Allison Pearson, Shazia Mirza and Jennifer Young'Laura Steven simultaneously destroyed the patriarchy and made me laugh so hard I choked. I will protect Izzy O'Neill with my life.' Becky Albertalli, author of Love, Simon

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From an Idea to Disney is a behind-the-movie-screen look into the history, business, and brand of the world's largest entertainment empire. With humorous black and white illustrations throughout, learn about the company behind the world's favorite mouse, Mickey! "I only hope that we never lose sight of one thing - that it was all started by a mouse." - Walt Disney Today, the Walt Disney Company is the biggest entertainment company in the world with theme parks, TV shows, movie studios, merchandise, the most recognisable cartoon character in the world, Mickey Mouse. But a long time ago, brothers Walt and Roy Disney started out with just an idea. Find out more about Disney's history, the business, and the brand in this illustrated nonfiction book! Find out what Walt first intended to name his famous mouse. (Hint: It wasn't Mickey!) Discover behind-the-scenes magic of how Walt Disney World is run. Explore the ways the Disney expanded its brand from a little mouse into media, merchandise, and more! AGES: 10 to 12 AUTHOR: Lowey Bundy Sichol is the author of From an IDEA to…, a nonfiction book series for kids on well-known successful businesses. Lowey is the founder of Case Marketing, a specialised writing firm that researches and composes case studies for business schools and corporations of all sizes. She co-authored Best Practice Cases in Branding (Pearson, 2015) with Kevin Lane Keller, E.B. Osborn Professor of Marketing at the Tuck School of Business at Dartmouth. Lowey received a B.A. from Hamilton College and an M.B.A. from the Tuck School of Business at Dartmouth.

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Happenstance Press ‘This is the internet generation, and the references in these poems pull with abandon from a huge territory. If the general thrust is to embrace, the poems have in common, the courage to sing out and explore.’ -- Sally Festing, Heppenstance Press‘There’s always talk of ‘saving’ poetry; it’s fine, becomes deeper and wider each year. Don’t believe me? Open up this anthology and read words cajoled into new shapes so they might move or disturb you (and sometimes both) with all their bright surprises.’ -- Martin Figura, Saboteur Best Spoken Word Award winner 2013 ‘Here is a book of poetic tangents, setting words and worlds at a tangent to each other. Words are not to be taken for granted, of course. Nor are they. This is the way the future comes flying at you. At a tangent. And the voices fitting in the space there, like the stones in a fruit.’ -- George Szirtes, T S Eliot Prize winner 2004, 2009‘I view the UEA MA creative writing anthology as a barometer of what’s going on in the poetry world, and this year’s collection does not disappoint. Poems range from the lyrical to the experimental and each voice is exciting and unique. I look forward to hearing more from these poets in the future.’ -- Julia Webb, Forward Prize Shortlist 2017This year's anthology contains work from 12 exciting new voices: Dario Biagini, Fern Broome Richards, Paul Frederik Carlsen, David Charles Gill, Rich Law, Naomi Madlock, S.Z. Mason, Molly Ellen Pearson, Jake Reynolds, Olivia Walwyn, Arron Westbrook, and E.F. Willis, with a foreword by Paul Mills and introduction from Sophie Robinson.

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The period between the Civil War and the New Deal was particularly rich and formative for political development. Beyond the sweeping changes and national reforms for which the era is known, Statebuilding from the Margins examines often-overlooked cases of political engagement that expanded the capacities and agendas of the developing American state. With particular attention to gendered, classed, and racialized dimensions of civic action, the chapters explore points in history where the boundaries between public and private spheres shifted, including the legal formulation of black citizenship and monogamy in the postbellum years; the racial politics of Georgia's adoption of prohibition; the rise of public waste management; the incorporation of domestic animal and wildlife management into the welfare state; the creation of public juvenile courts; and the involvement of women's groups in the creation of U.S. housing policy. In many of these cases, private citizens or organizations initiated political action by framing their concerns as problems in which the state should take direct interest to benefit and improve society. Statebuilding from the Margins depicts a republic in progress, accruing policy agendas and the institutional ability to carry them out in a nonlinear fashion, often prompted and powered by the creative techniques of policy entrepreneurs and organizations that worked alongside and outside formal boundaries to get results. These Progressive Era initiatives established models for the way states could create, intervene in, and regulate new policy areas—innovations that remain relevant for growth and change in contemporary American governance. Contributors: James Greer, Carol Nackenoff, Julie Novkov, Susan Pearson, Kimberly Smith, Marek D. Steedman, Patricia Strach, Kathleen Sullivan, Ann-Marie Szymanski.

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'The sweetest, most romantic, most heartwarming book!' MARIAN KEYES'An absolute dream of a book, I couldn't love it more' LINDSEY KELK'I read Eight Perfect Hours in one sitting, I couldn't bear to put it down' JODI PICOULT'A beautiful, intricately woven story, so romantic and so charming' BETH O'LEARYWhat if you fell in love...... and then he disappeared?When Noelle and Sam's lives collide one snowy evening, they spend eight perfect hours stuck side by side believing that they'll never see each other again.But soon their lives become entangled in ways they never expected - and it's going to change everything...Don't miss the latest, hotly anticipated love story from Lia Louis! Perfect for fans of Beth O'Leary, Josie Silver and Cecelia Ahern.Praise for Eight Perfect Hours:'Lia Louis has become a must-buy author for me!' JODI PICOULT'A dream of a modern love story. This feel-good read is sprinkled with magic... romantic perfection' HOLLY MILLER'Every page was a joy to read. So gorgeously written, hilarious and full of warmth' JESSICA RYN'An utterly delightful novel from one of the most charming voices in modern romance. I loved it' LOUISE O'NEILL 'Eight perfect hours of escapist, romantic, life affirming bliss' GILLIAN McALLISTER'Funny, sweet and romantic' DEBBIE JOHNSON'Perfectly poignant and beautifully romantic. I adored it' ALEX BROWN'I adored it! Exactly the sort of love story I was craving' PAIGE TOON'Beautifully observed, intricately plotted perfection, full to the brim with her usual wit and warmth and bursting with that magic that no one else quite manages to conjure up' LAURA PEARSON

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Since its foundation in 1869 Nature has consistently been the pre-eminent English-language science journal, and for a period of over fifty years, H. G. Wells was a central feature within its pages. In H. G. Wells in ‘Nature’, John S. Partington collects all of Wells’s writings in Nature, all of the reviews of his works published by Nature, and all of the journal’s reportage that featured him. In addition to this core material, however, Partington has included the many responses that these essays and reviews received, thereby offering the reader a uniquely contextualised history of Wells’s reception in Nature. From the first review Wells received in 1893 to his obituary notice in 1946, this volume presents a fascinating history of Wells’s work and thought as filtered through the prism of Nature. During his long career no other journal featured Wells within its pages so consistently, and with contributions by such eminent thinkers as Richard Gregory, E. Ray Lankester, J. S. Haldane, Lancelot Hogben, F. S. Marvin, A. Carr-Saunders, J. B. S. Haldane, Karl Pearson and Hilaire Belloc, Nature can truly be said to have played a key role in moulding opinion about Wells’s work and thought. «John S Partington has gone some way to making this side of his oeuvre better known with a tightly-packed volume that collects together not only Wells's own contributions to the prestigious science magazine Nature over more than half a century, but also responses to those contributions, as well as reviews of his books, and other items which include his name. An excellent introduction sets the scene generally and lucid and thorough section commentaries outline what Wells and his reviewers were saying, and the debates that he generated.» (Tom Ruffles, NTHPosition)

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Since its first publication, Michael J. Mauboussin's popular guide to wise investing has been translated into eight languages and has been named best business book by BusinessWeek and best economics book by Strategy+Business. Now updated to reflect current research and expanded to include new chapters on investment philosophy, psychology, and strategy and science as they pertain to money management, this volume is more than ever the best chance to know more than the average investor. Offering invaluable tools to better understand the concepts of choice and risk, More Than You Know is a unique blend of practical advice and sound theory, sampling from a wide variety of sources and disciplines. Mauboussin builds on the ideas of visionaries, including Warren Buffett and E. O. Wilson, but also finds wisdom in a broad and deep range of fields, such as casino gambling, horse racing, psychology, and evolutionary biology. He analyzes the strategies of poker experts David Sklansky and Puggy Pearson and pinpoints parallels between mate selection in guppies and stock market booms. For this edition, Mauboussin includes fresh thoughts on human cognition, management assessment, game theory, the role of intuition, and the mechanisms driving the market's mood swings, and explains what these topics tell us about smart investing. More Than You Know is written with the professional investor in mind but extends far beyond the world of economics and finance. Mauboussin groups his essays into four parts-Investment Philosophy, Psychology of Investing, Innovation and Competitive Strategy, and Science and Complexity Theory-and he includes substantial references for further reading. A true eye-opener, More Than You Know shows how a multidisciplinary approach that pays close attention to process and the psychology of decision making offers the best chance for long-term financial results.

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Make a wish . . .'An unputdownable fairy tale' Kerri Maniscalco, New York Times bestselling author of Kingdom of the WickedFrom the #1 Sunday Times bestselling author of the Caraval series, the first book in a new series about love, curses, and the lengths that people will go to for happily ever after. For as long as she can remember, Evangeline Fox has believed in happily ever after. Until she learns that the love of her life is about to marry another, and her dreams are shattered. Desperate to stop the wedding, and heal her wounded heart, Evangeline strikes a deal with the charismatic, but wicked, Prince of Hearts. In exchange for his help, he asks for three kisses, to be given at the time and place of his choosing. But after Evangeline's first promised kiss, she learns that bargaining with an immortal is a dangerous game - and that the Prince of Hearts wants far more from her than she pledged. He has plans for Evangeline, plans that will either end in the greatest happily ever after, or the most exquisite tragedy . . . 'Enchanting, intriguing, and delightfully whimsical' Brigid Kemmerer, New York Times bestselling author of the Cursebreaker Series 'Enchanting and mysterious' Renée Ahdieh, New York Times bestselling author of The Wrath and the Dawn'A dazzling mix of mystery, romance, and magic' Karen M. McManus, #1 New York Times bestselling author of One of Us Is Lying 'A deadly, addictive, and utterly enchanting fairy tale. Loaded with magic and steamy slow-burning romance, I couldn't put it down' Mary E. Pearson, New York Times bestselling author of Vow of Thieves 'Stephanie Garber spins a spellbinding tale' Sabaa Tahir, author of New York Times bestseller Ember In the Ashes

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A PITCHFORK MUSIC BOOK OF THE YEARA radical, literary and intimate insight into one of the twentieth century's most vital vocalists. 'Tongson serves up a number of astute observations about fantasy, projection, longing, normalcy, and aberrance.' MAGGIE NELSON'Deftly weaves memoir, history, and cultural criticism to highlight the dynamic relationship between artists and listeners.'PITCHFORKIn the '60s and '70s, America's music scene was marked by raucous excess, reflected in the tragic overdoses of young superstars such as Jimi Hendrix and Janis Joplin. At the same time, the uplifting harmonies and sunny lyrics that propelled Karen Carpenter and her brother, Richard, to international fame belied a different sort of tragedy - the underconsumption that led to Karen's death at age thirty-two from the effects of an eating disorder.In Why Karen Carpenter Matters, Karen Tongson (whose parents named her after the pop icon) interweaves the story of the singer's rise to fame in the 1960s and '70s with her own trans-Pacific journey between the Philippines - where imitations of American pop styles flourished - and Karen Carpenter's home ground of Southern California. Tongson reveals why the Carpenters' chart-topping, seemingly white-washed musical fantasies of 'normal love' have profound significance for her - as well as for other people of colour, LGBT+ communities, and anyone outside the mainstream culture usually associated with Karen Carpenter's legacy.This hybrid of memoir and biography excavates the destructive perfectionism at the root of the Carpenters' sound, while finding the beauty in the singer's all-too-brief life.'Engrossing . . . a triumphant delight.' 4COLUMNS'Heartfelt . . . excellent . . . breathtaking.' EXCLAIM!'Will resonate with readers who have never even heard of Carpenter.' LITERARY HUBMUSIC MATTERS: SHORT BOOKS ABOUT THE ARTISTS WE LOVE- Why Solange Matters by Stephanie Phillips- Why Marianne Faithfull Matters by Tanya Pearson- Why Karen Carpenter Matters by Karen Tongson

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Leni crossed her arms, said nothing, and watched the fight unfold. She was like a bored onlooker at a boxing trial, wasting no energy on the undercard, saving her passion for the moment when the real champions would step into the ring. And yet, at some point, she began to cry. Just tears, without any sound. Water falling from her eyes as water was falling from the sky. Rain disappearing into rain.The Wind That Lays Waste begins in the great pause before a storm. Reverend Pearson is an evangelist preaching the word of God across northern Argentina with Leni, his teenage daughter, in tow. When their car breaks down, fate leads them to the workshop of an ageing mechanic, Gringo Brauer, and his assistant, a boy called Tapioca. Over the course of a long day, curiosity and a sense of new opportunities develop into an unexpected intimacy. Yet this encounter between a man convinced of his righteousness and one mired in cynicism and apathy will become a battle for the very souls of the young pair: the quietly earnest and idealistic mechanic’s assistant, and the restless, sceptical preacher’s daughter. As tensions among the four ebb and flow, beliefs are questioned and allegiances tested, until finally the growing storm breaks over the plains.Selva Almada’s exquisitely crafted debut, with its limpid and confident prose, is profound and poetic, a near-tangible experience of the landscape amid the hot winds, wrecked cars, sweat-stained shirts and damaged lives, told with the cinematic precision of a static road movie, like a Paris, Texas of the south. With echoes of Carson McCullers, The Wind That Lays Waste is a contemplative and powerfully distinctive novel that marks the arrival in English of an author whose talent and poise are undeniable.

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Originally published in 1995. President Franklin Delano Roosevelt was paralyzed from the waist down, but he concealed the extent of his disability from a public that was never permitted to see him in a wheelchair. FDR's Secretary of State was old and frail, debilitated by a highly contagious and usually fatal disease that was as closely guarded a state secret as his wife's Jewish ancestry. The undersecretary was a pompous and aloof man who married three times but, when intoxicated, preferred sex with railroad porters, shoeshine boys, and cabdrivers. These three legendary figures—Franklin Roosevelt, Cordell Hull, and Sumner Welles—not only concealed such secrets for more than a decade but did so while directing United States foreign policy during some of the most perilous events in the nation's history. Irwin Gellman brings to light startling new information about the intrigues, deceptions, and behind-the-scenes power struggles that influenced America's role in World War II and left their mark on world events, for good or ill, in the half-century that followed. Gellman had unprecedented access to previously unavailable documents, including Hull's confidential medical records, unpublished manuscripts of Drew Pearson and R. Walton Moore, and Sumner Welles's FBI file. Gellman concludes that while Roosevelt, Hull, and Welles usually agreed on foreign policy matters, the events that molded each man's character remained a mystery to the others. Their failure to cope with their secret affairs—to subordinate their personal concerns to the higher good of the nation—eventually destroyed much of what they hoped would be their legacy. Roosevelt never explained his objectives to his vice president, Harry Truman, or to anyone else. Hull never groomed a successor, and Welles kept his foreign assignations as classified as his sexual orientation. Gellman tells the dramatic story of how three Americans—despite private demons and bitter animosities—could work together to lead their nation to victory against fascism.—William T. Walker, Presidential Studies Quarterly

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This magnificent book is the first comprehensive history of statistics from its beginnings around 1700 to its emergence as a distinct and mature discipline around 1900. Stephen M. Stigler shows how statistics arose from the interplay of mathematical concepts and the needs of several applied sciences including astronomy, geodesy, experimental psychology, genetics, and sociology. He addresses many intriguing questions: How did scientists learn to combine measurements made under different conditions? And how were they led to use probability theory to measure the accuracy of the result? Why were statistical methods used successfully in astronomy long before they began to play a significant role in the social sciences? How could the introduction of least squares predate the discovery of regression by more than eighty years? On what grounds can the major works of men such as Bernoulli, De Moivre, Bayes, Quetelet, and Lexis be considered partial failures, while those of Laplace, Galton, Edgeworth, Pearson, and Yule are counted as successes? How did Galton’s probability machine (the quincunx) provide him with the key to the major advance of the last half of the nineteenth century?Stigler’s emphasis is upon how, when, and where the methods of probability theory were developed for measuring uncertainty in experimental and observational science, for reducing uncertainty, and as a conceptual framework for quantitative studies in the social sciences. He describes with care the scientific context in which the different methods evolved and identifies the problems (conceptual or mathematical) that retarded the growth of mathematical statistics and the conceptual developments that permitted major breakthroughs.Statisticians, historians of science, and social and behavioral scientists will gain from this book a deeper understanding of the use of statistical methods and a better grasp of the promise and limitations of such techniques. The product of ten years of research, The History of Statistics will appeal to all who are interested in the humanistic study of science.

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Does your organization support creativity—or squash it?If you read nothing else on cultivating creativity at work, read these 10 articles. We've combed through hundreds of Harvard Business Review articles and selected the most important ones to help you ignite the creative spark across your organization.This book will inspire you to: Discover the elements of creativity and learn how to influence them Harness the creative potential of a diverse team Encourage curiosity and experimentation Avoid breakdowns in creative collaboration Overcome the fear that blocks your innate creativity Bring breakthrough ideas to life This collection of articles includes "Reclaim Your Creative Confidence" by Tom Kelley and David Kelley; "How to Kill Creativity" by Teresa Amabile; "How Pixar Fosters Collective Creativity" by Ed Catmull; "Putting Your Company's Whole Brain to Work" by Dorothy Leonard and Susaan Straus; "Find Innovation Where You Least Expect It" by Tony McCaffrey and Jim Pearson; "The Business Case for Curiosity" by Francesca Gino; "Bring Your Breakthrough Ideas to Life" by Cyril Bouquet, Jean-Louis Barsoux, and Michael Wade; "Collaborating with Creative Peers" by Kimberly D. Elsbach, Brooke Brown-Saracino, and Francis J. Flynn; "Creativity Under the Gun" by Teresa Amabile, Constance Noonan Hadley, and Steven J. Kramer; "Strategy Needs Creativity" by Adam Brandenburger; and "How to Build a Culture of Originality" by Adam Grant.HBR's 10 Must Reads paperback series is the definitive collection of books for new and experienced leaders alike. Leaders looking for the inspiration that big ideas provide, both to accelerate their own growth and that of their companies, should look no further. HBR's 10 Must Reads series focuses on the core topics that every ambitious manager needs to know: leadership, strategy, change, managing people, and managing yourself. Harvard Business Review has sorted through hundreds of articles and selected only the most essential reading on each topic. Each title includes timeless advice that will be relevant regardless of an ever‐changing business environment.

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'Very funny, very touching, very truthful - a total delight to read.' Jacqueline Wilson on The Boy Who Made Everyone Laugh 'Amazing' Noel Fielding on The Boy Who Made Everyone Laugh Reggie Houser has ADHD and struggles to make friends at school, plus his mum and teachers seem constantly weary about his erratic, high-energy ways. But when he sees a hypnotist perform on stage at the holiday park he visits, Reggie becomes obsessed with learning the skills of mind control - and he discovers he has an incredible talent for it! First of all he hypnotises the dog to think he's a frog, then makes his headmaster cluck like a chicken in assembly in front of the whole school - but then a group of mean kids supposedly take him under their wing and make him use his hypnosis talents for bad: stealing a chocolate bar from a shop and escalating to a bigger theft. Reggie must decide to use his skills for good only and come to trust his own brain to make decisions. Packed with brilliant jokes and one-liners to make kids roar with laughter A book to encourage empathy and kindness in young readers Perfect for fans of Jacqueline Wilson, Lisa Thompson and Jenny Pearson. Praise for The Boy Who Made Everyone Laugh 'This incredible debut tugs at your heartstrings and makes you laugh out loud in equal measure. I guarantee you'll be cheering along in the final pages!' Lisa Thompson 'It's Wonder with one-liners.' Scott Evans, The Reader Teacher 'As warm and wise as it is funny.' Shappi Khorsandi 'A laugh out loud story, the like of which I've never read before.' Kerry Godliman 'This book is a great way of showing children how to be confident and winners by having a sense of humour and making others laugh.' Baroness Floella Benjamin 'This book is brilliant. It is funny, wise, kind and exciting.' Marcus Brigstocke 'So funny and joyful.' Rachel Parris

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An up-to-date, comprehensive treatment of a classic text on missing data in statisticsThe topic of missing data has gained considerable attention in recent decades. This new edition by two acknowledged experts on the subject offers an up-to-date account of practical methodology for handling missing data problems. Blending theory and application, authors Roderick Little and Donald Rubin review historical approaches to the subject and describe simple methods for multivariate analysis with missing values. They then provide a coherent theory for analysis of problems based on likelihoods derived from statistical models for the data and the missing data mechanism, and then they apply the theory to a wide range of important missing data problems.Statistical Analysis with Missing Data, Third Edition starts by introducing readers to the subject and approaches toward solving it. It looks at the patterns and mechanisms that create the missing data, as well as a taxonomy of missing data. It then goes on to examine missing data in experiments, before discussing complete-case and available-case analysis, including weighting methods. The new edition expands its coverage to include recent work on topics such as nonresponse in sample surveys, causal inference, diagnostic methods, and sensitivity analysis, among a host of other topics. An updated “classic” written by renowned authorities on the subject Features over 150 exercises (including many new ones) Covers recent work on important methods like multiple imputation, robust alternatives to weighting, and Bayesian methods Revises previous topics based on past student feedback and class experience Contains an updated and expanded bibliography The authors were awarded The Karl Pearson Prize in 2017 by the International Statistical Institute, for a research contribution that has had profound influence on statistical theory, methodology or applications. Their work "has been no less than defining and transforming." (ISI)Statistical Analysis with Missing Data, Third Edition is an ideal textbook for upper undergraduate and/or beginning graduate level students of the subject. It is also an excellent source of information for applied statisticians and practitioners in government and industry.

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A killer is sending a message. But who is it for?DI Annie Delamere and her colleague DS Zoe Everett are off duty and enjoying a walk on the Peak District’s vast moorlands when they stumble across a mutilated corpse. The victim is unclothed and his tattoos indicate an affinity with the occult.While Annie is put in charge of the case her long-term partner, MP Sheena Pearson, is confronted by a group of far right extremists. Rather than back down Sheena chooses to stand her ground – and almost pays for it with her life.As more bodies are found, Annie is under pressure to prove her worth. But with one eye on her personal affairs can she catch a murderer and still keep her loved ones safe? And are the killings the work of a deranged mind – or a cover for something even more chilling?Don’t miss this first novel in a compelling new detective series that fans of Stephen Booth and Ann Cleeves will love. Praise for Small Mercies ‘Accomplished storytelling and perfectly meshed plot strands combine in this intriguing new series from Alex Walters’ Margaret Kirk, author of Shadow Man‘Small Mercies gets Alex Walters’ new series off to a cracking start with a blend of police procedural and conspiracy thriller set in the atmospheric landscape of Derbyshire.’ Martin Edwards, CWA Diamond Dagger winner 2020'Evocative, well plotted, with interesting characters and three concurrent mysteries. A definite 5 star read.’ NetGalley review ⭐⭐⭐⭐⭐‘The storyline weaves all the seemingly unrelated threads together into a nail biting finale. I held my breath more than once, and couldn’t put the book down in case something terrible happened!’ NetGalley review ⭐⭐⭐⭐‘Three plots swirl around each other, intersect and dance away again until the very end of this thriller where everything moves quickly to a totally unanticipated, breath-taking conclusion. I’m looking forward to the next in the series!’ NetGalley review ⭐⭐⭐⭐⭐

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Imagine if you got to be the boss of EVERYONE—even your dad! That’s just what happens to 10-year-old Joss in this hilarious, brand-new comedy from bestselling author, comedian and presenter Danny Wallace, with illustrations throughout from Gemma Correll. Perfect for children aged 8+ and fans of David Baddiel, Stephen Mangan, David Walliams, Andy Griffiths, Jenny Pearson and Helen Rutter. Ten-year-old Joss’s greatest ambition is to be Class Monitor at school. But she’s about to go one step further. It’s Take Your Kid to Work Day, and Joss’s dad takes her to the games company he works for. When the boss calls a meeting and tells them he’s giving his job away to the person with the best idea for a company game-changer . . . Joss sticks her hand up. And the next thing she knows, Joss is the boss. Joss is thrilled. Dad is horrified: he’s going to have to be on his best behaviour all the time! As Joss whips everyone into shape, maybe they can all learn a lesson or two . . . even Joss herself. Warm-hearted and beautifully observed, with hilarious artwork from Gemma Correll, this family-centric comedy has massive wish-fulfilment appeal for kids and adults alike. From the author of highly acclaimed adult bestsellers YES MAN, JOIN ME and the eagerly anticipated SOMEBODY TOLD ME.DANNY WALLACE'S HILARIOUS NEW ADVENTURE OPERATION: EVIL GENIUS AVAILABLE FOR PRE-ORDER NOW!Other books by Danny Wallace:Operation: Evil GeniusThe Luckiest Kid in the WorldThe Day the Screens Went BlankHamish and the WorldstoppersHamish and the NeverpeopleHamish and the Gravity BurpHamish and the Baby BoomHamish and the Terrible Terrible Christmas and Other StoriesHamish and the Monster PatrolPraise for The Day the Screens Went Blank: 'So funny' Noel Fielding 'Brilliantly funny' Shappi Khorsandi 'Hilarious' Tim Minchin 'Warm and funny' Frank Cottrell-Boyce

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A ROUGH TRADE, THE TIMES, CLASH BOOK OF THE YEARThe dramatic story of Solange: a musician and artist whose unconventional journey to international success was far more important than her family name. 'Why Solange Matters is a significant and sober treatise on popular music . . . This book is more than necessary.'THURSTON MOORE'The author's prose sparkles . . . This is a book about what freedom could look like for Black women.'CALEB AZUMAH NELSON, OBSERVER'Invigorating . . . much more than a dry thesis and at times something nearer to personal reverie.'IAN PENMAN, LONDON REVIEW OF BOOKS'A love letter to quirkly black creatives . . . [Phillips'] vibrant writing reminds us how Solange lit "the flame of creativity" within many Black women.' gal-demGrowing up in the shadow of her superstar sister, Beyoncé, and defying an industry that attempted to bend her to its rigid image of a Black woman, Solange Knowles has become a pivotal musician and artist in her own right.In Why Solange Matters, Stephanie Phillips chronicles the creative journey of Solange, a beloved voice of the Black Lives Matter generation. A Black feminist punk musician herself, Phillips addresses not only the unpredictable trajectory of Solange's career but also how she and other Black women see themselves through the musician's repertoire. First, she traces Solange's progress through an inflexible industry, charting the artist's development up to 2016, when the release of her third album, A Seat at the Table, redefined her career. With this record and, then, When I Get Home (2019), Phillips describes how Solange has embraced activism, anger, Black womanhood and intergenerational trauma to inform her remarkable art.Why Solange Matters not only cements the subject in the pantheon of world-changing twenty-first-century musicians, it introduces its writer as an important new voice. MUSIC MATTERS: SHORT BOOKS ABOUT THE ARTISTS WE LOVE- Why Solange Matters by Stephanie Phillips- Why Marianne Faithfull Matters by Tanya Pearson- Why Karen Carpenter Matters by Karen Tongson

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'A fantastic debut - an edge of the seat thriller that keeps you turning the pages' Patrice Lawrence, award-winning author of Eight Pieces of SilvaAn abandoned prison. A deadly game. How far would you go for a dare?Nia would do anything to win the approval of her boyfriend Scott and his friends, especially mean girl Olivia. When Olivia dares Nia to explore an abandoned prison, she sees it as the perfect opportunity to prove herself. Facing dark tunnels, distant noises and creepy mementoes left behind by incarcerated criminals will surely all be worth it.But it isn't long before Nia and her little sister, Kayla, find themselves trapped inside. And then Kayla vanishes. Suddenly, this feels like more than a game gone wrong. Someone is hellbent on making Nia and Kayla the prison's last inmates . . . An utterly compelling, terrifying thriller that will have you on the edge of your seat, from remarkable new author Tess James-Mackey.PRAISE FOR SOMEONE IS WATCHING YOU'I held my breath from the first page. Tightly plotted with a main character to root for, this is tense and immersive addition to the YA thriller genre' Cynthia Murphy, author of Last One to Die'A genuinely chilling horror and a brilliantly layered tale of toxic friendship, Someone Is Watching You is not only frightening but moving too . . .' Amy Beashel, author of We Are All Constellations'I flew through this in one sitting . . . Don't plan for a good night's sleep after this' Ravena Guron, author of This Book Kills'Tess storms on to the YA scene with a relentless thriller full of genuine jump-scares and spine-tingling chills. I couldn't put it down!' Kesia Lupo, author of We Are Blood and Thunder'I tore through this book in a state of breathless excitement. Tess James-Mackey traps you in a tense and twisty tale that won't let you go, even after the final page' Jenny Pearson, author of The Super Miraculous Journey of Freddie Yates

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Essays explore forensic science in global and historical context, opening a critical window onto contemporary debates about the universal validity of present-day genomic forensic practices.Contemporary forensic science has achieved unprecedented visibility as a compelling example of applied expertise. But the common public view—that we are living in an era of forensic deliverance, one exemplified by DNA typing—has masked the reality: that forensic science has always been unique, problematic, and contested. Global Forensic Cultures aims to rectify this problem by recognizing the universality of forensic questions and the variety of practices and institutions constructed to answer them.Groundbreaking essays written by leaders in the field address the complex and contentious histories of forensic techniques. Contributors also examine the co-evolution of these techniques with the professions creating and using them, with the systems of governance and jurisprudence in which they are used, and with the socioeconomic, political, racial, and gendered settings of that use. Exploring the profound effect of "location" (temporal and spatial) on the production and enactment of forms of forensic knowledge during the century before CSI became a household acronym, the book explores numerous related topics, including the notion of burden of proof, changing roles of experts and witnesses, the development and dissemination of forensic techniques and skills, the financial and practical constraints facing investigators, and cultures of forensics and of criminality within and against which forensic practitioners operate.Covering sites of modern and historic forensic innovation in the United States, Europe, and farther-flung imperial and global settings, these essays tell stories of blood, poison, corpses; tracking persons and attesting documents; truth-making, egregious racism, and sinister surveillance. Each chapter is a finely grained case study. Collectively, Global Forensic Cultures supplies a historical foundation for the critical appraisal of contemporary forensic institutions which has begun in the wake of DNA-based exonerations.Contributors: Bruno Bertherat, José Ramón Bertomeu Sánchez, Binyamin Blum, Ian Burney, Marcus B. Carrier, Simon A. Cole, Christopher Hamlin, Jeffrey Jentzen, Projit Bihari Mukharji, Quentin (Trais) Pearson, Mitra Sharafi, Gagan Preet Singh, Heather Wolffram

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Does your organization support creativity—or squash it?If you read nothing else on cultivating creativity at work, read these 10 articles. We've combed through hundreds of Harvard Business Review articles and selected the most important ones to help you ignite the creative spark across your organization.This book will inspire you to: Discover the elements of creativity and learn how to influence them Harness the creative potential of a diverse team Encourage curiosity and experimentation Avoid breakdowns in creative collaboration Overcome the fear that blocks your innate creativity Bring breakthrough ideas to life This collection of articles includes "Reclaim Your Creative Confidence" by Tom Kelley and David Kelley; "How to Kill Creativity" by Teresa Amabile; "How Pixar Fosters Collective Creativity" by Ed Catmull; "Putting Your Company's Whole Brain to Work" by Dorothy Leonard and Susaan Straus; "Find Innovation Where You Least Expect It" by Tony McCaffrey and Jim Pearson; "The Business Case for Curiosity" by Francesca Gino; "Bring Your Breakthrough Ideas to Life" by Cyril Bouquet, Jean-Louis Barsoux, and Michael Wade; "Collaborating with Creative Peers" by Kimberly D. Elsbach, Brooke Brown-Saracino, and Francis J. Flynn; "Creativity Under the Gun" by Teresa Amabile, Constance Noonan Hadley, and Steven J. Kramer; "Strategy Needs Creativity" by Adam Brandenburger; and "How to Build a Culture of Originality" by Adam Grant.HBR's 10 Must Reads paperback series is the definitive collection of books for new and experienced leaders alike. Leaders looking for the inspiration that big ideas provide, both to accelerate their own growth and that of their companies, should look no further. HBR's 10 Must Reads series focuses on the core topics that every ambitious manager needs to know: leadership, strategy, change, managing people, and managing yourself. Harvard Business Review has sorted through hundreds of articles and selected only the most essential reading on each topic. Each title includes timeless advice that will be relevant regardless of an ever‐changing business environment.

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‘One of the most purely enjoyable things I’ve read’ Frank Cottrell-BoyceWhat if you suddenly had everything you’d ever dreamed of? That’s exactly what happens to 10-year-old Joe Smith in this hilarious, brand-new comedy adventure from bestselling author, comedian and presenter Danny Wallace, with illustrations throughout from Gemma Correll.Perfect for children age 8+ and fans of David Baddiel, Stephen Mangan, David Walliams, Andy Griffiths, Jenny Pearson and Helen Rutter. Joe Smith is average in every way. He is average height. He lives in an average town, on an average street, in an average house, with a very average family. But when a survey identifies him as the most average kid in the country – well that makes him very special indeed. Suddenly, everyone wants Joe to test out their latest products. Overnight he is sent mountains of gifts ­– the best trainers, the coolest bike, the most exciting new tech, the latest flavours of ice cream – and so much more. He gets special cinema screenings and the entire water park all to himself. Joe now has everything he could possibly want in the world – and that’s far from average. But is going from zero to hero all it’s cracked up to be? This brilliantly warm-hearted, laugh-out-loud family adventure will leave you thinking about friendship, family and why everyone is special just the way they are. From the author of highly acclaimed adult bestsellers YES MAN, JOIN ME and the eagerly anticipated SOMEBODY TOLD ME.DANNY WALLACE'S HILARIOUS NEW ADVENTURE OPERATION: EVIL GENIUS AVAILABLE FOR PRE-ORDER NOW!Other books by Danny Wallace:Operation: Evil Genius The Boss of EveryoneThe Day the Screens Went BlankHamish and the Worldstoppers Hamish and the Neverpeople Hamish and the Gravity Burp Hamish and the Baby Boom Hamish and the Terrible Terrible Christmas and Other Stories Hamish and the Monster PatrolPraise for The Day the Screens Went Blank:'So funny' Noel Fielding'Brilliantly funny' Shappi Khorsandi'Hilarious' Tim Minchin'Warm and funny' Frank Cottrell-Boyce

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A divine exploration. A deadly secret. A desire she can't escape.'Expertly plotted, explosively adventurous, and burning with romance' STEPHANIE GARBERThe Mummy meets Death on the Nile in this lush, immersive historical fantasy set in 19th century Egypt, filled with adventure, laugh-out-loud banter, a slow-burn rivals-to-lovers romance, and a dangerous race. In the glittering society of nineteenth-century Buenos Aires, Inez Olivera has everything, except the one thing she really wants: her parents, who frequently leave her behind on their globetrotting adventures. Then she receives a terrible letter: her parents have passed away in mysterious circumstances. Determined to uncover the truth, she sets sails for their last port-of-call, Cairo, bringing only her sketch pads and an ancient ring that her father sent to her for safekeeping.But upon her arrival in Egypt, the ring flares with ancient magic, and Inez is thrust into a treacherous game that could threaten her life - and into the path of her new guardian's infuriatingly handsome assistant, who seems determined to thwart her at every turn . . .Authors LOVE for What the River Knows'Take a plucky heroine, a historically grounded Indiana Jones-esque adventure through Ancient Egypt, and add a surprising dollop of magic - it's a recipe for a delightful read' JODI PICOULT'What the River Knows has it all: page-turning mystery, adventure, intrigue and betrayal, laugh-out-loud banter, and slow-burn romance' MARY E. PEARSON'A truly enchanting work of storytelling. All the stars' HEATHER FAWCETT'Ibanez's worldbuilding is masterful, and the chemistry between her characters is swoon worthy' ELIZABETH LIM'A thrilling adventure the whole way through' RACHEL GRIFFIN'Luminous and enchanting . . . A romantic, spellbinding adventure' REBECCA ROSSReaders LOVE for What the River Knows'Absolutely charming' NetGalley - five star review'Excuse me, but archaeology? Cleopatra? Speculative touches? This book is made for me!' NetGalley - five star review'This book was everything!! Literally, everything about it was purely magical' NetGalley - five star review'THAT ENDING. I NEED ANSWERS AND I NEED THEM NOW' NetGalley - five star review

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Riverdance exploded across the stage at Dublin's Point Theatre one spring evening in 1994 during a seven-minute interval of the Eurovision Song Contest hosted by Ireland. It was a watershed moment in the cultural history of a country embracing the future, a confident leap into world music grounded in the footfall of the choreographed kick-line. It was a moment forty-five years in the making for its composer. In this tenderly unfurled memoir Bill Whelan rehearses a lifetime of unconscious preparation as step by step he revisits his past, from with his Barrington Street home in 1950s Limerick, to the forcing ground of University College Dublin and the Law Library during the 1960s, to his attic studio in Ranelagh. Along the way the reader is introduced to people and places in the immersive world of fellow musicians, artists and producers, friends and collaborators, embracing the spectrum of Irish music as it broke boundaries, entering the global slipstream of the 1980s and 1990s. As art and commerce fused, dramas and contending personalities come to view behind the arras of stage, screen and recording desk. Whelan pays tribute to a parade of those who formed his world. He describes the warmth and sustenance of his Limerick childhood, his parents and Denise Quinn, won through assiduous courtship; the McCourts and Jesuit fathers of his early days, the breakthrough with a tempestuous Richard Harris who summoned him to London; Danny Doyle, Shay Healy, Dickie Rock, Planxty, The Dubliners and Stockton's Wing, Noel Pearson, Sean O Riada; working with Jimmy Webb, Leon Uris, The Corrs, Paul McGuinness, Moya Doherty, John McColgan, Jean Butler and Michael Flatley. Written with wry, inimitable Irish humour and insight, Bill Whelan's self deprecation allows us to to see the players in all their glory, vulnerability and idiosyncracy. This fascinating work reveals the nuts, bolts, sheer effort and serendipities that formed the road to Riverdance in his reinvention of the Irish tradition for a modern age. As the show went on to perform to millions worldwide, Whelan was honoured with a 1997 Grammy Award when Riverdance was named the 'Best Musical Show Album.' Richly detailed and illustrated, The Road to Riverdance forms an enduring repository of memory for all concerned with the performing arts.

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Brand new adventures for Barry Loser in this new series of full colour graphic novels – perfect for fans of DogMan, Bunny vs Monkey and Kitty Quest ‘RIDONKULOUSLY FUNNY, EVERY KID SHOULD GET THEIR HOOTER INTO THIS TOTAL WINNER OF A GRAPHIC NOVEL’– Jenny Pearson, bestselling author of The Super Miraculous Journey of Freddie Yates Celebrating Barry Loser’s 10th birthday with a new series of graphic novel adventures! The bestselling, award-winning Barry Loser series is ten years old and Barry, Bunky, Nancy and the gang are off on a series of new adventures – in full colour graphic novel format and with ‘how to draw’ sections to help you make your own comic books! Three amazekeel stories, including one where Barry’s dad turns into a vending machine, and all Barry has to do is ‘press his buttons’ to get exactly what he wants, and another where hearing the most boring story in the world has a disastrous effect of Barry’s mind and body… Jim Smith’s books have sold 840k copies in the English language, and sold in 17 territories. He won the Roald Dahl Funny Prize, the Scholastic Lollies award, was shortlisted for the Waterstones prize, and had a World Book Day book. Have you got all of Jim Smith’s amazekeel books? Barry Loser: I am not a loser Barry Loser: I am still not a loser Barry Loser: I am so over being a loser Barry Loser: I am sort of a loser Barry Loser and the holiday of doom Barry Loser and the case of the crumpled carton Barry Loser hates half term Barry Loser and the birthday billions Barry Loser: worst school trip ever! Barry Loser is the best at football NOT Barry Loser and the trouble with pets My dad is a loser free ebook My mum is a loser free ebook Future Ratboy and the attack of the killer robot grannies Future Ratboy and the invasion of the nom-noms Future Ratboy and the quest for the missing thingy The Super Weird Mysteries Danger at Donut Diner Attack of the Haunted Lunchbox My Pencil Case is a Time Machine

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OLD books get NEW doodles – it's the classics as you've never seen them before! A hilarious new series that brings the classics to life with illustrations by Jack Noel. Perfect for fans of Tom Gates, Wimpy Kid and Dav Pilkey. And Charles Dickens. WHAT THE DICKENS? Ten-year-old Pip gets the fright of his life when he meets an escaped convict in a spooky graveyard. And that's just the beginning of an adventure that will lead him to a house full of secrets, a strange old lady and a journey to the big city to seek his fortune. But Pip is in for a BIG surprise … Join Pip in a rip-roaring story of family secrets, scary grannies and a REALLY annoying big sister in COMIC CLASSICS: GREAT EXPECTATIONS by Charles Dickens and Jack Noel. Look out for more COMIC CLASSICS: TREASURE ISLAND will have you HOOKED!Climb aboard with Jim Hawkins, a chatty parrot and a bunch of crazy pirates for a hilarious adventure across the seven seas. Get on the trail of THE HOUND OF THE BASKERVILLESSolve the case with Holmes and Watson in a thrilling tale of mystery, murder and things that go woof in the night. Praise for GREAT EXPECTATIONS:A funny, thought-provoking treat, it’s the ideal way into [Dickens] (Imogen Russell Williams Guardian) Buy a copy of Jack Noel’s retelling of Great Expectations before I set the dogs on you. Now, begone! (Philip Ardagh, Roald Dahl Funny Prize-winning author) It is BRILLIANT! (Jenny Pearson, author of The Super Miraculous Journey of Freddie Yates) Jack Noel’s brilliantly witty art perfectly complements Dickens’ Great Expectations, making this a fab KS2 text to sit alongside the classic. Brilliant for dyslexic kids who may struggle with Dickens' prose … this book could bring a generation of kids to the classics (Abi Elphinstone, author of Rumblestar, Sky Song and the Dreamsnatcher trilogy) Jack Noel is a Jack of three trades: author, illustrator, designer, who works mainly on children's books and is a co-host on the Down the Rabbit Hole children's books podcast. Once upon a time Jack sent this tweet, and rest is history (history with doodles): https://twitter.com/jackdraws/status/965492074157166592

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Brand new adventures for Barry Loser in this new series of full colour graphic novels – perfect for fans of DogMan, Bunny vs Monkey and Kitty Quest ‘RIDONKULOUSLY FUNNY, EVERY KID SHOULD GET THEIR HOOTER INTO THIS TOTAL WINNER OF A GRAPHIC NOVEL’– Jenny Pearson, bestselling author of The Super Miraculous Journey of Freddie Yates Celebrating Barry Loser’s 10th birthday with a new series of graphic novel adventures! The bestselling, award-winning Barry Loser series is ten years old and Barry, Bunky, Nancy and the gang are off on a series of new adventures – in full colour graphic novel format and with ‘how to draw’ sections to help you make your own comic books! Three amazekeel stories, including one where Barry’s dad turns into a vending machine, and all Barry has to do is ‘press his buttons’ to get exactly what he wants, and another where hearing the most boring story in the world has a disastrous effect of Barry’s mind and body… Jim Smith’s books have sold 840k copies in the English language, and sold in 17 territories. He won the Roald Dahl Funny Prize, the Scholastic Lollies award, was shortlisted for the Waterstones prize, and had a World Book Day book. Have you got all of Jim Smith’s amazekeel books? Barry Loser: I am not a loser Barry Loser: I am still not a loser Barry Loser: I am so over being a loser Barry Loser: I am sort of a loser Barry Loser and the holiday of doom Barry Loser and the case of the crumpled carton Barry Loser hates half term Barry Loser and the birthday billions Barry Loser: worst school trip ever! Barry Loser is the best at football NOT Barry Loser and the trouble with pets My dad is a loser free ebook My mum is a loser free ebook Future Ratboy and the attack of the killer robot grannies Future Ratboy and the invasion of the nom-noms Future Ratboy and the quest for the missing thingy The Super Weird Mysteries Danger at Donut Diner Attack of the Haunted Lunchbox My Pencil Case is a Time Machine

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A divine exploration. A deadly secret. A desire she can't escape.'Expertly plotted, explosively adventurous, and burning with romance' STEPHANIE GARBERThe Mummy meets Death on the Nile in this lush, immersive historical fantasy set in 19th century Egypt, filled with adventure, laugh-out-loud banter, a slow-burn rivals-to-lovers romance, and a dangerous race. In the glittering society of nineteenth-century Buenos Aires, Inez Olivera has everything, except the one thing she really wants: her parents, who frequently leave her behind on their globetrotting adventures. Then she receives a terrible letter: her parents have passed away in mysterious circumstances. Determined to uncover the truth, she sets sails for their last port-of-call, Cairo, bringing only her sketch pads and an ancient ring that her father sent to her for safekeeping.But upon her arrival in Egypt, the ring flares with ancient magic, and Inez is thrust into a treacherous game that could threaten her life - and into the path of her new guardian's infuriatingly handsome assistant, who seems determined to thwart her at every turn . . .Authors LOVE for What the River Knows'Take a plucky heroine, a historically grounded Indiana Jones-esque adventure through Ancient Egypt, and add a surprising dollop of magic - it's a recipe for a delightful read' JODI PICOULT'What the River Knows has it all: page-turning mystery, adventure, intrigue and betrayal, laugh-out-loud banter, and slow-burn romance' MARY E. PEARSON'A truly enchanting work of storytelling. All the stars' HEATHER FAWCETT'Ibanez's worldbuilding is masterful, and the chemistry between her characters is swoon worthy' ELIZABETH LIM'A thrilling adventure the whole way through' RACHEL GRIFFIN'Luminous and enchanting . . . A romantic, spellbinding adventure' REBECCA ROSSReaders LOVE for What the River Knows'Absolutely charming' NetGalley - five star review'Excuse me, but archaeology? Cleopatra? Speculative touches? This book is made for me!' NetGalley - five star review'This book was everything!! Literally, everything about it was purely magical' NetGalley - five star review'THAT ENDING. I NEED ANSWERS AND I NEED THEM NOW' NetGalley - five star review

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Leading composers, producers and writers consider the role of the composer in the community in Britain today and over the last fifty years. With his Aspen award lecture (1964), Benjamin Britten expressed a unique commitment to community and place. This book revisits this seminal lecture, but then uses it as a starting point of reflection, inviting leading composers, producers and writers to consider the role of the composer in the community in Britain in the last fifty years. Colin Matthews, Jonathan Reekie and John Barber reflect on Britten's aspirations as a composer and the impact of his legacy, and Gillian Moore surveys the ideals of composers since the 1960s. Eugene Skeef and Tommy Pearson discuss the influence of the London Sinfonietta, while Katie Tearle reviews the tradition of community opera at Glyndebourne. Nigel Osborne and Judith Webster explore the role of music as therapy, and James Redwood, Amoret Abis, Sean Gregory and Douglas Mitchell look at music in the classroom and creative workshops. John Sloboda, Detta Danford and Natasha Zielazinski discuss collaboration in music-making and ways of facilitating exchanges between the composer and the audience, while Christopher Fox and Howard Skempton examine the role of modernism and the use of 'other', radical techniques to stimulate new dialogues between composer and community. Peter Wiegold and Amoret Abis interview Sir Harrison Birtwistle, John Woolrich and Phillip Cashian, and Wiegold discusses his formative experiences in encountering music-making in other cultures. All of these approaches to the role and identity of the composer throw a different light on how we address 'the composer and the community': the varied, sometimes contradictory, motivations of composers; the role of music in 'enhancing lives'; the concept of 'outreach' and the different ways this is pursued; and, finally, the meaning of 'community'. Underpinning each are genuine questions about the relationship of arts to society. This book will appeal not only to composers, performers and practitioners of contemporary music but to anyone interested in the changes in twentieth-century music practice, music in education, and the role of music and the arts in the wider community and society.

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Located on the shore of Lake Superior near the Iron Range of Minnesota and, for much of its history, the site of vast steel, lumber, and shipping industries, Duluth has been home to people who worked tirelessly in the rail yards, grain elevators, and harbor. Here, for the first time, By the Ore Docks presents a compelling, full-length history of the people who built this port city and struggled for both the growth of the city and the rights of their fellow workers. In By the Ore Docks, Richard Hudelson and Carl Ross trace seventy years in the lives of Duluth’s multi-ethnic working class—Scandinavians, Finns, Italians, Poles, Irish, Jews, and African Americans—and chronicle, along with the events of the times, the city’s vibrant neighborhoods, religious traditions, and communities. But they also tell the dramatic story of how a populist worker’s coalition challenged the “legitimate American” business interests of the city, including the major corporation U.S. Steel. From the Knights of Labor in the 1880s to the Industrial Workers of the World, the AFL and CIO, and the Democratic Farmer-Labor party, radical organizations and their immigrant visionaries put Duluth on the national map as a center in the fight for worker’s rights—a struggle inflamed by major strikes in the copper and iron mines. By the Ore Docks is at once an important history of Duluth and a story of its working people, common laborers as well as union activists like Ernie Pearson, journalist Irene Paull, and Communist party gubernatorial candidate Sam Davis. Hudelson and Ross reveal tension between Duluth’s ethnic groups, while also highlighting the ability of the people to overcome those differences and shape the legacy of the city’s unsettled and remarkable past. Richard Hudelson is professor of philosophy at the University of Wisconsin, Superior. He is the author of, among other works, Marxism and Philosophy in the Twentieth Century and The Rise and Fall of Communism. Carl Ross (1913–2004) was a labor activist and the author of The Finn Factor in American Labor, Culture, and Society. He was director of the Twentieth-Century Radicalism in Minnesota Project of the Minnesota Historical Society.

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Discover a world of magical storytelling from a twice Costa-shortlisted author“One of our finest children’s writers.” Phil Earle“A master storyteller.” Aisling Fowler“Another absolute triumph from one of my favourite children’s authors.” Catherine DoyleThe greatest magic is hidden in plain sight...Evie is used to not being noticed. But when she meets the mysterious Wainwright, she discovers that going unnoticed might just be what makes her unique. Recruited into a secret magical organization, Evie finds herself at the heart of an ancient and magical battle. Evil is returning to the land, and Evie is the only person who can stop it. But how can she defeat the most dangerous magician in the world, when she doesn’t even know her own powers? Don't miss Ross's other fantasy novels for young readers: The Midnight GuardiansThe Chime SeekersPRAISE FOR SPELLSTONE"Vividly atmospheric with delightful characters... [A] spellbinding story.” Daily Mail “The very definition of a page-turner: riveting, punchy, with surprises around every bend. Ross is a flawless storyteller.” Carlie Sorosiak“Another absolute triumph from one of my favourite children’s authors. Spellstone is both heartfelt and humorous, while fizzing with magic and fun.” Catherine Doyle“A cinematic roller-coaster ride of a book, magical through to its shining core.” Katharine Orton“Infused with magic, adventure and imagination. This is Ross Montgomery on top form, and the result is spectacular.” Katya Balen“A magical book that is both clever and gripping. A joy!” Lisa Thompson“Montgomery's playful imagination floods every page, creating a magical adventure full of high stakes, charming characters and unexpected twists.” Joseph Elliott“A spellbinding adventure, brimming with original magic and the most charming cast of characters.”Jenny Pearson “Sparkling with magic, danger and that wonderful Montgomery wit, Spellstone is one to jump into, full throttle. A fabulous, crackling adventure.” Amy Wilson“Ross Montgomery just gets better and better! Crackling with magic and swirling with mystery, Spellstone had me enchanted from the first page.” Jennifer Bell“Magical storytelling – bold and brilliant.” Sophie Anderson“A brilliantly inventive tale of good versus evil that weaves magic and mystery with a cast of loveable characters. I loved every page of it.” Struan Murray"From the extraordinarily vivid opening scene to the heart-stopping climax, every page proves you're in the hands of a master storyteller. I couldn't put it down!" Aisling Fowler“Ross is one of our finest children’s writers, and this is a magnificent piece of fantasy storytelling. Gripping, quirky and with characters you won’t forget.” Phil EarlePRAISE FOR THE CHIME SEEKERS“Cracking adventure from the wildly imaginative Montgomery.” Daily Mail"Funny, terrifying, full of folkloric strangeness hiding in everyday corner, this sparkling homage to David Bowie's Labyrinth is just as satisfying as last year's The Midnight Guardians." Guardian"[A] whirlwind adventure." Daily Telegraph"Richly imaginative." The Week Junior“A quest like no other: Ross Montgomery is on spectacular form in this brilliant, edge-of-your seat story.” Emma Carroll"Fast-paced and hilarious." Ross Welford"Deliciously creepy, wonderfully imaginative." Sophie Anderson“Very page-turny, with enough funny bits to stop it being too scary.” Philip Reeve“All the hallmarks of an instant classic.” Carlie Sorosiak“A fantastic adventure with shades of Jan Mark, Susanna Clarke and Neil Gaiman ... A brilliant example of the best children's fiction.” Christopher Edge"Ross Montgomery is a true master of storytelling." Jenny Pearson“FLAWLESS. Witty, emotional, beautifully written, pacey, punchy, and a story that just keeps delivering.” Nicola Skinner"A modern classic." Phil Earle“Rich in detail, humour and feeling. Ross Montgomery is a singular talent in writing brave and magical adventures." Katya Balen“Fantastic! A brilliant cast of characters ... a whirlwind adventure and a fae world brimming with darkness, wonder and faerie tricks.” Aisling Fowler“[An] enchanting masterpiece ... Charming, hilarious and brimming with magic." Catherine Doyle“A tricksy, whirlwind of an adventure from start to finish with twists and turns I didn’t expect!” Aisha BusbyPRAISE FOR THE MIDNIGHT GUARDIANSShortlisted for the 2021 Costa Children's Book AwardWaterstones Children's Book of the Month for Christmas 2020Hive Children's Book of the Month for November 2020A Toppsta Children's Book of the Month for November 2020"An enthralling, Narnia-flavoured novel with the folkloric feels of a Christmas classic." Children's Books of the Year, Guardian"Beautifully drawn fantasy characters ... a story of hope and love underpinned by witty humour.” Daily Mail"A magical slice of historical fantasy fiction.” i Newspaper"This lovely adventure story has the feel of a classic children's book." Book of the Week, The Week Junior“Beautiful writing and epic storytelling.” WRD Magazine"A real triumph of the imagination." Editor's Choice, The Bookseller

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Stefan's Zweig's posthumously-published Journey into the Past (Widerstand der Wirklichkeit) is a beautiful meditation on the effect of time on passion-one of the most intense and compelling works from a master of the novella form. Published by Pushkin Press with a cover designed by David Pearson and Clare Skeats as part of a new range of Stefan Zweig paperbacks. Kept away for nine years by the First World War Ludwig has finally returned home, reunited at last with the woman he had so passionately loved, and who had promised to wait for him. Previously divided by wealth and class, both are now married and much changed by their experiences. Confronted with an uncertain future, and still haunted by the past, they discover whether their love has survived hardships, betrayals, and the lapse of time. Zweig's long-lost final novella- recently discovered in manuscript form-is a poignant examination of the angst of nostalgia and the fragility of love.. 'Journey into the Past is vintage Stefan Zweig lucid, tender, powerful and compelling.' — Chris Schuler, Independent 'Zweig belongs with three very different masters who each perfected the challenging art of the short story and the novella: Maupassant, Turgenev and Chekhov.' — Paul Bailey Translated from the German by Anthea Bell, Stefan Zweig's Journey into the Past is published by Pushkin Press. Stefan Zweig (1881-1942) was born in Vienna, into a wealthy Austrian-Jewish family. He studied in Berlin and Vienna and was first known as a poet and translator, then as a biographer. Zweig travelled widely, living in Salzburg between the wars, and was an international bestseller with a string of hugely popular novellas including Letter from an Unknown Woman, Amok and Fear. In 1934, with the rise of Nazism, he moved to London, where he wrote his only novel Beware of Pity. He later moved on to Bath, taking British citizenship after the outbreak of the Second World War. With the fall of France in 1940 Zweig left Britain for New York, before settling in Brazil, where in 1942 he and his wife were found dead in an apparent double suicide. Much of his work is available from Pushkin Press.

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Many female journalists came to the fore during the first and second world wars, and their perspective was very different to that of their male peers, who were reporting from the field. Specifically, they often wrote about war from the perspective of those left at home, struggling to keep the household afloat. And with 'How it feels to be forcibly fed' (1914) by Djuna Barnes, one of the world's very first experiential, or 'gonzo' journalists, came a new age of reporting.Since then, women have continued to break new ground in newspapers and magazines, redefining the world as we see it. Many of the pieces here feel almost unsettlingly relevant today -- the conclusions Emma 'Red' Goldman drew in her 1916 'The social aspects of birth control', Maddy Vegtel's 1930s article about becoming pregnant at 40, Eleanor Roosevelt's call for greater tolerance after America's race riots in 1943. Many have pushed other limits: Naomi Wolf's Beauty Myth brought feminism to a new generation; Helen Fielding's Bridget Jones caused a media revolution; Ruth Picardie's unflinchingly honest column about living with cancer in 1997 brought a wave of British candour and a host of imitators; and when two iconic women come face to face, we have at one end Dorothy Parker on Isadora Duncan (1928) and at the other Julie Burchill on Margaret Thatcher (2004). This collection of superlative writing, selected by the Sunday Times's most senior female editor, brings together the most influential, incisive, controversial, affecting and entertaining pieces of journalism by the best women in the business. Covering: War; Crime; Politics & Society; Sex & Romance; Body Image & Health; Family, Friendship & Birth; Emancipation & Having it All; Hearth & Home; Icons & Interviews. Including: Lynn Barber, Djuna Barnes, Julie Burchill, Angela Carter, Marie Colvin, Jilly Cooper, Joan Didion, Margaret Drabble, Helen Fielding, Zelda Fitzgerald, Kathryn Flett, Martha Gellhorn, Nicci Gerrard, Emma Goldman, Germaine Greer, Nicola Horlick, Erica Jong, Jamaica Kincaid, India Knight, Christina Lamb, Daphne du Maurier, Nancy Mitford, Suzanne Moore, Camille Paglia, Sylvia Pankhurst, Dorothy Parker, Allison Pearson, Ruth Picardie, Erin Pizzey, Eleanor Roosevelt, Zadie Smith, Susan Sontag, Gloria Steinem, Martha Stewart, Mary Stott, Jill Tweedie, Rebecca West, Zoe Williams, Jeanette Winterson, Naomi Wolf.

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Riverdance exploded across the stage at Dublin’s Point Theatre one spring evening in 1994 during a seven-minute interval of the Eurovision Song Contest hosted by Ireland. It was a watershed moment in the cultural history of a country embracing the future, a confident leap into world music grounded in the footfall of the choreographed kick-line. It was a moment forty-five years in the making for its composer. In this tenderly unfurled memoir Bill Whelan rehearses a lifetime of unconscious preparation as step by step he revisits his past, from with his Barrington Street home in 1950s Limerick, to the forcing ground of University College Dublin and the Law Library during the 1960s, to his attic studio in Ranelagh. Along the way the reader is introduced to people and places in the immersive world of fellow musicians, artists and producers, friends and collaborators, embracing the spectrum of Irish music as it broke boundaries, entering the global slipstream of the 1980s and 1990s. As art and commerce fused, dramas and contending personalities come to view behind the arras of stage, screen and recording desk. Whelan pays tribute to a parade of those who formed his world. He describes the warmth and sustenance of his Limerick childhood, his parents and Denise Quinn, won through assiduous courtship; the McCourts and Jesuit fathers of his early days, the breakthrough with a tempestuous Richard Harris who summoned him to London; Danny Doyle, Shay Healy, Dickie Rock, Planxty, The Dubliners and Stockton’s Wing, Noel Pearson, Seán Ó Riada; working with Jimmy Webb, Leon Uris, The Corrs, Paul McGuinness, Moya Doherty, John McColgan, Jean Butler and Michael Flatley. Written with wry, inimitable Irish humour and insight, Bill Whelan’s self deprecation allows us to to see the players in all their glory, vulnerability and idiosyncracy. This fascinating work reveals the nuts, bolts, sheer effort and serendipities that formed the road to Riverdance in his reinvention of the Irish tradition for a modern age. As the show went on to perform to millions worldwide, Whelan was honoured with a 1997 Grammy Award when Riverdance was named the ‘Best Musical Show Album.’ Richly detailed and illustrated, The Road to Riverdance forms an enduring repository of memory for all concerned with the performing arts.

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‘Lisa Timoney's debut has all the elements of a fabulous family drama…it kept me turning the pages from beginning to end’ – Kerry Fisher the bestselling author of The Silent Wife ‘I devoured this’ NetGalley review⭐⭐⭐⭐⭐ Will her daughter’s secret tear her family apart? When troubled teenager Immy disappears, she leaves her widowed mother Bea completely devastated. Bea pours her love into her six-year-old niece Phoebe, even taking her in when her single father Ewan takes a job abroad. Then Immy returns, in desperate need of her mother’s help and love. But Ewan is clear: he will never let Bea see Phoebe again if she welcomes her daughter back. As Bea grapples with this impossible choice between two girls who sorely need her, a long-buried secret comes out that changes everything – and Bea must fight harder for her family than she ever thought she could. A gripping, heart-wrenching novel about family secrets and the price of love, perfect for fans of S.D. Robertson, Ali Mercer and Kerry Fisher. Readers love Her Daughter’s Secret: ‘Heartbreaking and life affirming…it had me turning the pages late into the night… A fantastic read!’ – Emma Robinson the bestselling author of My Husband’s Daughter ‘Fast paced with plenty of secrets and some real human moments’ NetGalley review⭐⭐⭐⭐⭐ 'A warm-hearted, page-turning read about a family shattered by a disastrous past event.' – Ali Mercer author of His Secret Family ‘It was heartbreaking and emotive, full of secrets, lies and family drama’ NetGalley review⭐⭐⭐⭐ 'A thoughtful family drama, with well-rounded characters and a tangle of past secrets.' – USA Today and Amazon bestseller Jill Childs ‘Perfectly paced and hard to put down’ NetGalley review⭐⭐⭐⭐ ‘An assured debut about family, loyalty and secrets…I loved it.’ – Laura Pearson ‘A novel of mystery and intrigue written by a talented’ NetGalley review⭐⭐⭐⭐ ‘A gripping story of family secrets, love and past tragedy. It kept me hooked from beginning to end. A seriously impressive debut.’ – Annie Lyons

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