Search results for ""liverpool university press""

This book tells the story of how Flaubert's admiration for Cervantes' Don Quijote unfolded, and how profoundly it shaped and influenced Flaubert's ambition and his approach to all his major works, beginning with his breakthrough novel Madame Bovary. It thus fills a major gap in the history of the novel and explores, for the first time, just what Flaubert meant when he said, while writing Bovary: "Je retrouve toutes mes origins dans le livre que je savais par coeur avant de savoir lire, Don Quichotte" (I can trace all my origins back to the book I knew by heart... ). Several cultural and personal factors converged to establish the prominent place of Don Quijote in Flaubert's imagination, and these are dealt with in depth in the book. But it is the profound parallels between the two novels that clearly illustrate how Don Quijote permeates Madame Bovary in both subject and approach. One such parallel is Alonso Quijano and Emma Bovary's desire to imitate fiction, which reflects a kind of literary madness in which the attempt to impose the narrative conventions of romances on life only leads hero and heroine, respectively, to destruction, disappointment, and ultimately death. The borrowings and the transpositions are substantial and endless; and indeed the influence did not stop at Bovary, for Flaubert's later grands romans, including the rewritten Education Sentimentale and Bouvard et Pecuchet, also display the quixotic hallmark. This study situates each author in his respective historical and aesthetic context, and provides key examples from Don Quijote and Madame Bovary, Flaubert's Correspondence, as well as his earlier novels. Flaubert's letters and novels show how the French author penetrated deeply into Cervantes' novelistic approach and how his relationship to Don Quijote directly shaped his success at the crux of his career.

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The Sami people of Northern Europe and Aboriginal Australians are literally a world apart in geographical terms, yet share a common fate as Indigenous minorities. Emerging from centuries of internal colonisation. Their ancient cultures and languages severely eroded by policies of forced assimilation, their traditional lifestyles and Economies damaged, and their political voices marginalised, recent decades have seen their struggles for collective survival rise to political prominence in national and international agendas, with the promise of Indigenous self-determination held out by national governments and the United Nations Declaration of Rights for Indigenous Peoples. Both the Sami and Indigenous Australians have won important new rights during these decades, yet the outcomes are very different. In this volume -- the only collection of essays specifically on the Indigenous peoples of Australia and Northern Europe -- the similarities and differences between the Indigenous experiences in the Nordic countries and Australia are explored by renowned experts in the field including Indigenous authors. Some of the contributions are explicitly comparative and based on research experience in both areas, and two essays on New Zealand and Canada provide external points of reference to the volume's focus on Northern Europe (Norway, Sweden, Finland, Russia) and Australia. As always in Indigenous Studies, issues of cultural identity and survival are prominent but there is a special emphasis in many of the chapters on issues of socio-economic development and political representation, and a substantial introduction by the editors sketches out a historical-theoretical framework for understanding Indigenous struggles in First World countries that is critical of some currently fashionable approaches.

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This is a groundbreaking English-language examination of the final period of Nazi rule in Germany's eastern provinces at the end of the Second World War. It outlines the wartime role of this region and assesses the impact of Nazi 'popular mobilisation' initiatives during the closing months of the conflict. Major projects such as the preparation of the Ostwall defences and the raising of the Volkssturm (Home Guard) are examined in depth. The book concludes by weighing up the importance of propaganda and coercion to the Nazi regime as it attempted to prolong its existence in the face of crushing military defeats. "The Darkest Hour" incorporates a unique synthesis of archival and printed source material from the English-speaking world, Germany, Poland and Russia. The eastern German Nazi leadership, their crimes and their corruption, are covered collectively to a greater extent in this book than in any English-language account hitherto. As the Third Reich was on the brink of defeat, its leader and lackeys wielded life or death powers and were loathed by the civilian population as much as the advancing Soviets were feared. This extensive account of this important historical period and circumstance is essential reading for all scholars and students of the Third Reich and European military history.

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The Mojahedin Khalq Organisation is an Iranian political party that helped Khomeini's religious sect in Iran bring about the Islamic revolution of 1979, after being at the forefront of opposition to the rule of the Shah. However, as the revolution got underway the Mojahedin were sidelined by the religious clerics and were expelled from the political arena. They responded by attacking the dominant polity through democratic means (such as political demonstrations), and later through armed resistance, to become the most significant opposition power base to the current regime of Iran. Since 1997 the Organisation has dissolved and depleted, and now functions at little more than a rhetoric level. This book provides a detailed history of the Organization and its members, and addresses its complex relationship with western and international powers, most specifically the United States, in their endeavours to harness agreement to topple the Islamic Republic of Iran.

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Offers an original and fertile way to integrate spiritual and scientific views of human evolution. It offers a new and refreshing alternative to the way we think about our origins: random mutation (mechanistic neo-Darwinism), Genesis (God did it all personally), and Intelligent Design (God personally does what we can't otherwise account for). The result is an invigorating perspective on how our best qualities -- our capacity for love, our appreciation of beauty, our altruistic capability, our creativity and intelligence -- have come into being and evolved. How we think about our origin matters: if we think we are machines living among other machines, we will act accordingly. By showing evolution as a creative and intelligent process with its own inherent logic, THE ORIGIN OF HUMAN NATURE resolves the dilemma of how to have, at the same time, both truth and ethics. Instead of starting in an imagined remote and 'uncertain past' and moving to the present, this book starts at the certain and 'immediate present' and works back. That consciousness, creativity, and intelligence exist is certain. The question is: how can these have evolved? Dr Albert Low has made a study of human nature throughout his life. To write this book he draws on his prolonged meditations on creativity and the human condition, his years of providing psychological and spiritual counseling, and a wide-ranging knowledge of Western psychology, philosophy, and science.

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The Foreign Office and Foreign Policy, 1919-1926 tells of the administrative changes of the post-war period and of the senior permanent officials, their personalities and cast of mind, who advised the foreign secretary and carried out his policies. The book goes beyond existing accounts of changes taking place after the Great War, and provides examples of the FO machine in action as seen from King Charles Street, and the uneasy relationship between 10 Downing Street and the Foreign Office.

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This History presents a broad canvas of post-war Czech literary developments within the cultural and political context of the times. Information is provided about the many English-language translations from Czech literature, and the circumstances in which these translations came about. Analysis is by way of quoting from original Czech works, especially poetry, with English translation. 'Profiles of the Most Important Czech Writers since 1945' gives biographical and bibliographical details about the most important post-war Czech writers, and links to secondary literature in English. The volume also includes a bibliographical list of the most important works in English on Czech history, literary history and politics, as well as a list of anthologies of Czech post-war literature in English. Originally published in Czech, this English translation has been entirely re-worked, taking the needs of the English-speaking reader and student into consideration. 'Writers Under Siege' is intended for all readers interested in or studying the literatures and cultures of Central Europe. It is essential reading for students of Czech and Slavonic Studies.

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This book dispels two common myths about the American-Israeli patron-client relationship -- that arms transfers to Israel have been motivated by American domestic politics rather than national interests and that these arms transfers have come without any political strings attached to them. The first part of the book describes and analyses the institutionalisation of the American-Israeli arms pipeline during the Johnson administration, demonstrating conclusively in the process that arms transfers to the Jewish state were based primarily on American national interests. The second part of the book consists of four case studies that clearly reveal that American arms transfers to Israel, whether in wartime or in peacetime, have always come with a diplomatic price tag attached to them. The book is based largely on American government documents from the Foreign Relations of the United States (FRUS) series, from the Lyndon B Johnson Presidential Library, and from the United States National Archives.

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In the 1990s it was the French theorists such as Derrida, Lacan and Foucault who, with their stress on linguistic play and undecidability, took Victorian Studies by storm; now, it seems, it is the Germans who are coming. In Roger Ebbatson's new book, Marx, Simmel, Benjamin and, above all, Heidegger are unleashed on a range of Victorian texts -- some unsuspecting, some all too suspecting. The results are alarming: Ebbatson begins with Tennyson overshadowed by empire and homosocial tensions and ends with Conan Doyle writing about a bicycle belonging to a character called Heidegger. In between, he makes bone-shaking progress over a Victorian terrain marked out by Thomas Hardy, Richard Jefferies, Gerard Manley Hopkins, and Robert Louis Stevenson; along the way, Ebbatson considers shipwrecks, money, nature, the South Seas Mission, and final solutions'. Tennyson, we discover, was afraid of his own shadow, Hopkins's greatest poem was created by erratic compasses, Hardy wrote like Kafka, Stevenson was drawn to murderous missionaries, and Conan Doyle applauded the concentration camp. Ebbatson shows us that what the Germans bring to our understanding of the nineteenth century is a terrible awareness of the darkest moments of the darkest moments of the twentieth century.

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Someone called Jacques Derrida, someone called him on the phone, someone who was dead -- this was August 22nd 1979. A mystery, he thought; but it is a mystery that began more than ten years earlier, in 1968, when Derrida, a philosopher, visits Oxford and there, before the very eyes of the Philosophy Sub-Faculty, he dies, several times. Murder, he thought. And so I shall investigate, and begin with a sign that the philosopher says he left within a book from the thirteenth century, a strange fortune-telling book that he had found in the oldest part of Oxford's Bodleian Library. In the book are a host of cryptic questions, but the philosopher directs us to one in particular, a peculiar question about a boy, and the question is this: Does the boy live? The philosopher will not, though, give the answer; he requires, instead, that we go to Oxford to open the book for ourselves.

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This book reassesses the reign of Said bin Taymur, who was deposed by his son, Qabus bin Said, in a coup in July 1970. Contemporary historiography of the period of Said's rule (1932-1970) views Oman as medieval and isolationist; Qabus' later government is seen as progressive and enlightened, with his ascendancy to the throne often described as the 'rebirth of Oman' from its 'medieval slumber' into a thriving and prosperous Sultanate. This study refutes the prevailing view that Said's four-decade reign should be perceived as a place where time stood still. The author offers a critical look at the economic, political, social and cultural aspects of Oman during the reign of Said bin Taymur. The book mainly focuses on tribe-state relations, emphasizing their dynamic interaction, with particular attention paid to the relationships between the tribal groups. Uzi Rabi's book reinterprets a significant timescale in the modern history of the Arabian Peninsula and pre-oil societies, and will be essential reading for both students and scholars of Middle Eastern history, culture and society.

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This book has been written for teachers, teacher trainers and their students, and others working with children and young people. It provides a valuable resource for those engaged in religious studies and South Asian studies, comprising a rich library of data relevant to current debates in these fields. Drawing on field studies of children of South Asian and other backgrounds in Britain, Nesbitt argues the value to schools of teachers adopting an ethnographic approach in intercultural education. Examples from primary, secondary and higher education demonstrate the urgent need for teachers and others to be better informed of cultural diversity and to understand the interconnections between ethnographic studies, pastoral care, the curriculum, and international events. "Intercultural Education" examines a wide variety of issues, including spirituality, identity formation, the ways in which beliefs' and practices' are represented, stereotyping communities, being a Christian at school, and the role of caste. The book contains Practical Guidelines for teachers, as well as a Glossary, covering pastoral care, racism, liaison with parents, recognising the diversity of language, etc.

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The book examines how an organisation originating in late eighteenth-century Ireland became a significant and controversial element in Liverpool history. Using a wide range of sources including rarely accessed Orange Order records it places the Order within an early nineteenth-century Liverpool context of apocalyptic evangelical Protestantism, a labour market dominated by irregular dock work, a growing influx of immigrant Catholic Irish, marked residential segregation and sporadic civil conflict. It explores how the Order survived official disapproval, dissolution and schism to become deeply rooted within Protestant working-class communities. It analyses the attractions of lodge life, the appeal of ritual, colourful regalia and 12th July processions, the intense social bonding within lodges, the mutual support provided in adversity and measure taken to guard and transmit their world view. The intense royalism and patriotism of the Order and its troubled relationship with the Church of England are examined plus its role in sustaining the working class Tory vote which contributed to a century long Conservative hegemony in city politics. The book concludes with the cultural and socio-economic changes in British society which marginalised the core concerns of the Order, triggering decline in strength, visibility and significance in civic life.

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Ebook available to libraries exclusively as part of the JSTOR Path to Open initiative. Many people will be familiar with the term ‘alternative comedy’ and what it was or what it wasn’t. They will remember its anarchic and confrontational nature. and its rejection of the traditional comedy aesthetic. Yet, few will remember that the scene and the physical spaces, the clubs, were collectively referred to as ‘alternative cabaret’. Ray Campbell’s book represents the first cultural studies investigation of the alternative cabaret scene of the 1980s and early 1990s. Campbell unearths the events before alternative cabaret and charts its rise throughout the 1980s and eventual transformation into the stand-up comedy industry we recognize today. To do this, Campbell makes use of autoethnography, ethnography and archive study to uncover alternative cabaret’s past and interrogate its many claims. The book departs from the position of other works on the period because it firmly situates alternative cabaret within the post-punk countercultural milieu of the late 1970s and early 1980s. Campbell also discusses how political theatre groups like CAST and movements like Rock Against Racism helped to shape the aesthetic and the discourses of the movement.

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Ebook available to libraries exclusively as part of the JSTOR Path to Open initiative. Among the many communities of memory associated with the Algerian War of Independence (1954-1962), the group perhaps most evocative of the complexity of this conflict and its aftermath are the harkis: Algerian men who served as auxiliary soldiers in the French army. Demobilized following Algerian independence, many of those who succeeded in reaching France found themselves and their families housed in ‘transit’ camps for several years. Presenting readings that consider works by prominent authors as well as self-published narratives in their specific generational, gendered and (post)colonial contexts, this book argues that writing by daughters and granddaughters of harkis challenges the notion that this community is locked in a static or competitive logic of memory. Instead, second- and third-generation memory work by female descendants of harkis demands forms of imaginative projection and reconstruction which call into question often universalizing or individualist configurations of identity, trauma and testimony. Reconstructive Memory Work demonstrates how these texts probe the complexities of belonging, inheritance and reparation, allowing their authors and narrators to gain knowledge of painful pasts, while also bringing transgenerational silences and sedimented affect into the open. Focusing in particular on these works’ complex interweaving of memory and imagination, this study explores how diverse and dynamic forms of memory work test the boundaries of individual and collective experience, of past and present, and of unspeakability and the necessity of bearing witness, creating unprecedented dialogues across and between subjectivities, memories and temporalities.

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Understories: Plants and Culture in the American Tropics establishes the central importance of plants to the histories and cultures of the extended tropical region stretching from the U.S. South to Argentina. Through close examination of a number of significant plants – cacao, mate, agave, the hevea brasilensis, kudzu, the breadfruit, soy, and the ceiba pentandra, among others – this volume shows that vegetal life has played a fundamental role in shaping societies and in formulating cultural and environmental imaginaries in and beyond the region. Drawing on a wide range of cultural traditions and forms across literature, popular music, art, and film, the essays included in this volume transcend regional and linguistic boundaries to bring together multiple plant-centred histories or ‘understories’ – narratives that until now have been marginalized or gone unnoticed. Attending not only to the significant influence of humans on plants, but also of plants on humans, this book offers new understandings of how colonization, globalization, and power were, and continue to be, imbricated with nature in the American tropics.

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Educating the Romantic Poets: Life and Learning in the Anglo-Classical Academy, 1770-1850 explores how the public and endowed grammar schools and the colleges of Oxford and Cambridge trained some of the most important writers, critics, and public figures of the Romantic period. These institutions are recognized here as intentional partners and are discussed collectively as the “Anglo-classical academy”. The book shows how they not only schooled students in “classics, maths, and divinity” but also in accepted social behaviours, cultural values, political beliefs, and literary tastes. In so doing, this academy gave shape to the literature and spirit of the age. By discussing the schools and the universities together and by focusing upon pedagogies and daily life as well as the texts and topics studied, this book shows as no other has done how writers and readers of the late eighteenth and early nineteenth centuries became such fluent linguists, skilled prosodists, and perceptive critics. As each chapter explores and comments upon the relational, intellectual, and cultural aspects of the Anglo-classical educational experience, it directs readers’ attention to the ways in which this information can be used to reread texts, reassess certain Romantics’ literary careers, and launch new lines of research.

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Iphigenia in Tauris tells the story of the princess Iphigenia who was sacrificed by her father Agamemnon to expedite his campaign against Troy but was rescued by the goddess Artemis and transported to the land of the Taurians. There she herself must perform human sacrifices as a priestess of Artemis in the local cult. Troy has now been sacked, and Agamemnon murdered by his wife and avenged by his son Orestes. With his mother's blood on his hands, Orestes is guided by Apollo to seek purification through bringing the image of the Tauric Artemis to Greece, and so is reunited with his sister. The drama centers on Orestes' near-sacrifice at Iphigenia’s hands, their recognition in the nick of time, and their ingenious and thrilling escape to bring the cult of Artemis to Halae and Brauron near Athens. Martin Cropp’s first edition was originally published in 2000 and provided the first commentary on the play since those of Maurice Platnauer (Oxford, 1938) and Hans Strohm (Munich, 1949). It contributed significantly to a revival of interest in what had been a rather neglected and underrated play. This new edition incorporates substantial revisions to the introduction and commentary and some corrections to the Greek text and translation in light of reviews of the first edition and other recent work.

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Medicine and Healing Practices in Ancient Egypt provides a new perspective on healthcare and healing treatments in Egypt from the Predynastic to the Roman periods. Rather than concentrating exclusively on diseases and medical conditions as evidenced in ancient sources, it provides a ‘people-focused’ perspective, asking what it was like to be ill or disabled in this society? Who were the healers? To what extent did disease occurrence and treatment reflect individual social status? As well as geographical, environmental and dietary factors, which undoubtedly affected general health, some groups were prone to specific hazards. These are discussed in detail, including soldiers’ experience of trauma, wounds and exposure to epidemics; and conditions - blindness, sand pneumoconiosis, trauma and limb amputations – resulting from working conditions at building and other sites. Methods of diagnosis and treatment were derived from special concepts about disease and medical ethics. These are explored, as well as the individual contributions and professional interactions of various groups of healers and carers. Medical training and practice occurred in various locations, including temples and battlefields; these are described, as well as the treatments and equipment that were available. Ancient writers generally praised the Egyptian healers’ knowledge, expertise, and professional relationship with their patients. A brief comparison is drawn between this approach and those prevailing elsewhere in Mesopotamia, Greece and Rome. Finally, Egypt’s legacy, transmitted through Greek, Roman and Arabic sources, is confirmed as the source of some principles and practices still found in modern ‘Western’ medicine. Combining information from the latest studies on human remains and the authors’ biomedical research, this book brings the subject up to date, enabling a wide readership to access often scattered information in a fascinating synthesis.

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Ecology of the Zombie marks a significant intervention into the fields of world literature, film studies, ecocriticism, and Gothic Studies. Arguing that the zombie is a fundamentally ecological figure, the book offers original readings of a range of cultural texts from across the Caribbean and the U.S. In its various incarnations - from enslaved body toiling on fields, to vacant-eyed, light-skinned female imprisoned within patriarchal structures, to the cannibalistic mass zombie roaming apocalyptic scenarios - the zombie speaks powerfully to capitalism's systematic degradation of land and labour. Indeed, the figure gives expression to the metabolic rifts through which the modern world-system has unfolded. Boldly intervening in current debates around Gothic imaginaries, Ecology of the Zombie argues for the centrality of the Caribbean monstrous to understanding Gothic ecologies due to the region's pivotal role in the emergence of capitalist modernity. The book is distinguished by its striking comparative analyses, bringing the work of René Depestre, for example, into conversation with that of Ralph Ellison, reading Erna Brodber’s Myal in conjunction with George Romero’s Dawn of the Dead, and examining The Stepford Wives alongside the fiction of Pedro Cabiya. In so doing, it provides an important new interpretation of the cultural history of the zombie.

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By exploring dynamic Jewish-Muslim interactions across North Africa and France through performance culture in the 20th and 21st centuries, we offer an alternative chronology and lens to a growing trend in media and scholarship that views these interactions primarily through conflict. Our volume interrogates interaction that crosses the genres of theatre, music, film, art, and stand-up, emphasising creative influence and artistic cooperation between performers from the Maghrib, with a focus on Algeria, Tunisia, Morocco, and diaspora communities, notably in France. The plays, songs, films, images, and comedy sketches that we analyse are multilingual, mixing not only with the former colonial language French, but also the rich diversity of indigenous Amazigh and Arabic languages. The volume includes contributions by scholars working across and beyond disciplinary boundaries through anthropology, ethnomusicology, history, sociology, and literature, engaging with postcolonial studies, memory studies, cultural studies, and transnational French studies. The first section examines accents, affiliations, and exchange, with an emphasis on aesthetics, familiarity, changing social roles, and cultural entrepreneurship. The second section shifts to consider departure and lingering presence through spectres and taboos, in its exploration of absence, influence, and elision. The volume concludes with an autobiographical afterword, which reflects on memories and legacies of Jewish-Muslim interactions across the Mediterranean. Contributors: Cristina Moreno Almeida, Jamal Bahmad, Adi Saleem Bharat, Aomar Boum, Morgan Corriou, Ruth Davis, Samuel Sami Everett, Fanny Gillet, Jonathan Glasser, Miléna Kartowski-Aïach, Nadia Kiwan, Hadj Miliani, Vanessa Paloma Elbaz, Elizabeth Perego, Christopher Silver, Rebekah Vince, Valérie Zenatti

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This collection of essays on Trans-Mediterranean Francospheres offers an original examination of cultural production and the flows between urban capitals and “capital” in and of a selection of Mediterranean cities and sites. In three parts, the book covers both familiar and overlooked terrain, in chapters which examine writing the city, the transit between different poles, film and EU designated cultural capitals. The collection therefore brings together texts and their critical readings in new comparative ways. Following Jacques Derrida’s peregrinations in L’Autre Cap (1991), the volume interrogates the what of Europe; the when or where of Paris; the who of the Mediterranean. Or might the Mediterranean fall under the rubric of paleonomy, that is, as Michael Naas recalls Derrida’s words in Positions: “the ‘strategic’ necessity that requires the occasional maintenance of an old name in order to launch a new concept.”Taking this forward, we understand the Mediterranean as an old name to launch a new concept and the essays in the book each reflect on this in different ways. Issues concerning identity are challenged, since a Metropolitan, European, Arab or African identity may be preferred over a Mediterranean one. As borders become reinforced in the region, trans-Mediterranean bridging narratives may be thwarted, especially by those who write across Europe, Africa and the Middle East, in the face of the contemporary refugee crisis. Finally, chapters explore what it means to define a Mediterranean city—such as Marseille as European Capital of Culture—and interrogate how this feeds into the cultural production of a city whose multi-ethnic identities are as outward-looking towards North Africa as they are inward towards the French capital.Contributors: Silvia Baage, Marzia Caporale, Angela Giovanangeli, Mark Ingram, Christa Jones, Gemma King, Claire Launchbury, Megan C. MacDonald, Agnès Peysson-Zeiss, Ipek Çelik Rappas, Alison Rice, Rania Said

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The slogan that launched the tourist industry in the 1960s, Spain is different, has come to haunt historians. Much effort and energy have been expended ever since in endeavouring to show that Spain has not been different, but normal. Still, many of the defining features of the country's past -- the civil wars, the weak liberalism, the Franco dictatorship -- are taken as evidence of its distinctiveness. A related problem is that few historians have actually placed Spain's trajectory over the last two centuries within a truly comparative context. This book does so by tackling a number of key themes in modern Spanish history: liberalism, nationalism, anticlericalism, the Second Republic, the Franco dictatorship and the transition to democracy. Is Spain Different? thereby offers a fresh and stimulating perspective on Spain's recent past that is not only of interest to students of Spanish and European history alike, but also sheds new light on the current political debates regarding Spain's place in the world. Contributors to this volume include: José Álvarez Junco (Universidad Complutense, Madrid); María Cruz Romeo (University of Valencia); Edward Malefakis (Columbia University, New York); and Pamela Radcliff (University of California, San Diego).

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As a former British colony (1842–1997) and then a Special Administrative Region, Hong Kong has witnessed at all times how relations are formed, dissolved and refashioned amidst changing powers, identities and narratives, given the many names it possessed over the course of history, from ‘Barren Rock’, ‘Fragrant Harbour’, ‘Port of Incense’, ‘Pearl of the Orient’, ‘Asia’s World City’, ‘Vertical City’, ‘Floating City’ to ‘City at the End of Time’ among others. In the post-handover, post-hangover years, the circulation, reverberation and reception of cultural symbols, old and new, such as the King of Kowloon, Song Emperor’s Terrace, and Lion Rock have revealed the multifaceted appearances and connotations of Hong Kong’s ‘local’. At the intersections between real-life events, cultural production and consumption and multiple voices, the book extracts and examines the local relations between the inhabitants of the territory and the human and nonhuman agencies that stand or that have once stood for Hong Kong across time and through space. Via the lens of places, things and cultural icons, the book offers lessons to learn from Hong Kong by opening up manifold postcolonial, translocal and planetary perspectives to confront and interrogate the volatile experiences in the new millennia—unprecedented since the Cold War period of the twentieth century—shared by Hong Kong and other regions. After all, what does it mean, or take, to live in the contemporary world when the local, global and national are constantly given new meanings?

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The seventh-century BCE Greek poet Mimnermus of Smyrna, whom C. M. Bowra called “the most accomplished and the most musical” of the early elegists, has not been as lucky as other poets of his era. Not updated by any recent papyrological discoveries (unlike e.g. Simonides, Archilochus or Sappho), his corpus remains slim, while the last full-scale commentary on his poems is now thirty years old. Hence the aim of this book is straightforward: to bring this unjustly understudied poet back to the forefront of research, and to advocate that, however exciting a papyrological discovery may be, one does not need new fragments to rediscover a classical author, insofar as “every rereading of a classic is as much a voyage of discovery as the first reading” (I. Calvino). This edition introduces a new Mimnermus, whose melancholy, it is argued against the common assumption, is only a generic pretext; behind that elegiac facade lurks a very playful poet, not just verbally and metrically spirited, but also ironical and risqué on occasions. The Introduction and Commentary analyze figurative language, alternative meanings, authorial markers, implied audience, performative clues, program of composition, narrative structure, intertextuality, and reception.

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Something crucial and quite unprecedented happened to kabbalah in the sixteenth and seventeenth centuries. Though it had previously been considered a highly secretive and esoteric tradition, its practitioners began to spread its doctrines throughout the Jewish world with missionary zeal. Their goal was ambitious: no less than the remodelling of the religious and ethical attitudes of the entire Jewish population, a reformation of Judaism. Few aspects of Jewish life and religious practice were not changed as a result of the spread of kabbalah. These innovations originated mainly in the city of Safed in Galilee. They were introduced by kabbalistic adepts, but would not have gained broad acceptance if they had not made sense to people in terms of their everyday lives. The kabbalistic corpus that emerged should thus be interpreted not just as the elaboration of a secretive literary tradition, but as a response to the needs of Jewish society in its manifest historical context. In addition, Roni Weinstein argues, these kabbalistic innovations were partly a response to changes in the Catholic world-view, revealing an intimate link with Counter-Reformation Catholicism that is explored here for the first time. The religious and political changes taking place in contemporary Ottoman settings also contributed to these changes. The effect of these developments on Jewish culture was nothing short of revolutionary, deeply affecting people’s lives at the time and also laying the foundations for change in future generations. Yet they were not presented as revolutionary: the early modern kabbalists understood that they would only succeed in spreading their message if they presented their doctrines as the natural continuation of what went before. Weinstein’s sociological reading of mystical texts encompasses a number of methodological innovations, including the need to consider the impact of the non-Jewish environment in the fashioning of Jewish texts. He sees the emergence of ‘Jewish modernity’ as the result of developments that were intrinsically Jewish rather than as a response to outside influences during the Enlightenment; controversially, he therefore places its origins in the Mediterranean world of the late sixteenth century rather than in eighteenth-century Berlin. His argument is based on a wide range of Jewish sources—including theological tracts, kabbalistic and ethical literature, hagiographies, mystical diaries, halakhic rulings and responsa, and community and confraternal regulations—as well as the testimonies non-Jewish travellers, and Catholic religious literature. This stimulating new reading of the development of kabbalistic texts and practices opens a new chapter in the understanding of Jewish modernity. The Hebrew edition of this book was awarded the Goren-Gottstein Prize for the Best Book in Jewish Thought 2010–2012.

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In the eighteenth century, as the forms, practices and spaces of urban sociability emerged and took shape (such as salons, clubs, theatres, public places and promenades), police forces and policing practices were undergoing far-reaching changes.

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Ebook available to libraries exclusively as part of the JSTOR Path to Open initiative. Addressing the history, impacts, and legacies of the Indian Residential School system, the Canadian Truth and Reconciliation Commission is one of the few commissions to have been established in a long-standing Western liberal-democratic reality such as Canada's. It thus becomes paramount to examine the extent to which the TRC's core principles of truth-telling, restorative justice, and reconciliation engage in productive dialogue with the settler-colonialcontext of Canada and, particularly, with Indigenous philosophies and epistemologies. Good Medicine Stories does exactly that through the lens of fiction. Interweaving Indigenous,settler-colonial, trauma, and gender studies on the one hand and intersecting literary, political, historical, and cultural approaches on the other, Good Medicine Stories explores the capacities of Indigenous fiction for challenging and amplifying the work carried out by

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"It’s probably his age that makes the worrying worse. But he can’t help picking up on every detail that ruins his day, stoking his unease and filling him with fear and shame. After dinner he gathers up the empty wine bottles, shoves them in rubbish bags and drives two kilometres to dump them in a bin. He’s worried about being denounced by that red-haired guy who monitors the parking in his street, the one who’s let his beard grow and calls the girls at the private school bitches and whores. “We should marry them off whether they like it or not, right professor?” Amine does not reply. Amine says nothing." Leïla Slimani This collection brings together three short volumes of work by Goncourt-winning author Leïla Slimani. The stories and essays in The Devil is in the Detail approach questions close to Slimani’s heart: Islam and fundamentalism, the importance of literature, and Paris as a symbol of freedom and tolerance. On Writing is an illuminating dialogue in which Slimani discusses her writing approach and techniques, and My Heroine: Simone Veil is a homage to Veil, a feminist pioneer who fought tirelessly for women’s rights. From everyday restrictions to national tragedies, Slimani grapples with important and eternal issues, and is unafraid to face them head on.

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How did merchants deal with crises? From warfare to financial upheaval, from political machinations to the abolition of the slave trade, merchants and their networks in the eighteenth century faced a range of challenges. But they also demonstrated remarkable resilience. Providing new levels of detail on Britain’s sugar trade, this authoritative account explores how Bristol’s sugar merchants embodied cogs in the plantation machine, using their position of influence in Britain to maintain the production of sugar and violent systems of enslavement. It demonstrates how, as shipowners, these merchants protected their shipping, led the organisation of convoys, and took advantage of cheapening insurance. It reveals the inner workings of the sugar market and the strategies merchants used to remain profitable, showing how merchants navigated the transitions between peace and war. Finally, it uncovers their methods for managing credit and safeguarding their investments. Throughout, the nature of commerce in the eighteenth century is analysed in detail, from business networks to bills of exchange. Demonstrating meticulous, interdisciplinary research and thorough analysis of merchant business records, this book speaks broadly to the nature and experience of crisis in the eighteenth century and what this meant for the burgeoning systems of capitalism.

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In the Footsteps of Flora Tristan is the first ever study devoted to Jules Puech (1879–1957), and is a double biography that examines his life’s work on Flora Tristan (1803–1844), feminist and socialist. It begins by examining newly found press reports of Flora Tristan during her lifetime and subsequently, then positions Puech’s discovery of her, as a postgraduate student in Paris in the 1900s. It continues with an account of how he embarked on the first in-depth biography published in 1925. Puech was unmatched in his expertise as a writer on Flora Tristan having discovered her papers through his numerous political connections and having become a historian of Proudhon’s legacy on the international aspirations of the labour movement. Together with his wife Marie-Louise Puech, née Milhau (1876-1966), suffragist feminist, he was a militant in the early twentieth-century pacifist movement that advocated international arbitration. His research on Flora Tristan was enriched by his other projects but was thwarted by the wars of 1914–1918 and 1940–1945. The circumstances of the long gestation of Puech's biography are drawn from his letters and papers, hitherto unseen. The correspondence curated brings a new understanding to the multi-faceted nature of Puech’s activism and rate of progress in the publication of his findings on his subject, Flora Tristan.

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I had a dream that women, all women, will hold their heads high, that women will work, that in their eyes we will no longer see fear or defeat or humiliation.

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The recently-discovered letters of the wealthy counter-revolutionary aristocrat, Innocente-Catherine de Rougé, dowager duchess d’Elbeuf (1707-94), offer a vivid and exciting new eye-witness perspective on the French Revolution and the Terror. Hostile witness to everything about the Revolution, from the noble revolt, the storming of the Bastille and the peasant revolution in 1788-91, through to the outbreak of war, the overthrow and trial of Louis XVI and the Terror in 1791-4, the duchess’s letters to an unknown friend offer an unparalleled real-time narrative by an aristocratic woman struggling to understand radical change. Though tempted by emigration to the Low Countries, the duchess was unusual among her contemporary fellow-aristocrats in remaining in France down to her death in 1794, based in her two homes in Picardy and at the heart of Paris. As well as providing a detailed account of all she saw and read, the correspondence also portrays the anguished mental and spiritual odyssey of a highly devout octogenarian woman, who persisted inplangently declaring her outspokenly counter-revolutionary views even as she approached her own death in conditions of great personal danger. The letters constitute a remarkable example of female life-writing at the heart of the Age of Revolutions from a unique perspective.

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Unlike books familiar to us from print culture, every medieval book is unique, the product of individual circumstances of planning, execution, and history. This is a fundamental difficulty for study, particularly for those beginning the investigation of texts in manuscript. There are two conventional ways of approaching this difficulty: explaining the series of processes by which a manuscript book is constructed and explaining how to construct a professional description of a manuscript book. Neither addresses a problem fundamental for beginners: what happens when a librarian presents you with a manuscript? How should you proceed? Fundamentally, this is a problem of visual examination, and taking its procedure from the grand M. R. James and M. B. Parkes, this book attempts to stimulate the visual and experiential. It attempts, in a heavily exemplified account, to explain what might be there in a manuscript to perceive and what it might mean. The argument follows a process of examination that begins with the physical bulk of what's in front of you (and its cover, or binding) and ends with traces of the book's history.

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A unique intersection between periodical and literary scholarship, and class and gender history, this book showcases a brand-new approach to surveying a popular domestic magazine. Reading Woman’s Weekly alongside titles including Good Housekeeping, My Weekly, Peg’s Paper and Woman’s Own, and works by authors including Dot Allan, E.M. Delafield, George Orwell and J.B. Priestley, it positions the publication within both the contemporary magazine market and the field of literature more broadly, redrawing the parameters of that field as it approaches the domestic magazine as a literary genre in its own right. Between 1918 and 1958, Woman’s Weekly targeted a lower middle-class readership: broadly, housewives and unmarried clerical workers on low incomes, who viewed or aspired to view themselves as middle-class. Examining the magazine’s distinctively lower middle-class treatment of issues including the First World War’s impact on gender, the status of housewives and working women, women’s contribution to the Second World War effort, and Britain’s post-war economic and social recovery, this book supplies fresh and challenging insights into lower middle-class culture, during a period in which Britain’s lower middle classes were gaining prominence, and middle-class lifestyles were undergoing rapid and radical change.

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Being an Irish man was a consistent, contentious issue in the Canadas. The aim of this book is to provide the first gendered examination of male Irish migration to Upper and Lower Canada within the broader contexts of negative stereotypes about Irish violence and Irishmen’s questionable loyalty to the British Empire. Through examinations of key violent episodes and (in)famous individuals, Violent Loyalties argues that being an Irishman in the Canadas meant daily negotiations with discrimination, ethnic rivalries, the pressure to become more ‘British’, and having to base one’s sense of manliness on being the most visible ‘other’ in the colonies. Irish Catholics faced the burden of being dual minorities – the ‘other’ religion within the Anglophone world and English-speaking in the Catholic sphere already established by French-Canadians. Irish Protestants also had difficulties adapting to their new communities, as the problematic association with violent Orangeism and rivalries with Scottish and English immigrants, many of whom were United Empire Loyalists, created obstacles in the quest for upward social mobility. Both Canadian and Irish historiographies are sorely lacking in examinations of masculinity compared with those investigating American, French, Australian, or British manliness. This gap in the literature becomes even more apparent outside of a twentieth-century focus. Violent Loyalties aims to fill these lacunae in the histories of colonial Canada and the Irish diaspora.

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The Codex epistolaris Carolinus preserves ninety-nine letters, dated between 739 and 791 and sent by the popes to the Frankish king Charlemagne and his predecessors. The compilation was commissioned by Charlemagne in 791, but the sole surviving medieval manuscript of the letters was made at Cologne in the later ninth century and is now in Vienna (Österreichische Nationalbibliothek Cod. 449). The headings or lemmata provided for each letter by the Frankish compilers in 791 and faithfully preserved in the codex, add a distinctive Frankish commentary on events in Rome and Italy in the second half of the eighth century. This book not only provides the first full English translation of the letters and lemmata in the Codex epistolaris Carolinus but also re-creates the original Carolingian order of presentation of the letters according to the manuscript. A substantial introduction discusses the historical significance of the collection, the compilation and contexts of the Vienna manuscript, especially the significance of the lemmata, the peculiarities of the Latin of the papal letters and the biblical citations, and the historical context of the letters themselves. The lemmata and letter translations are augmented with introductions to each letter and a comprehensive historical commentary and glossary.

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This is the second volume of a collection which includes all the significant remains of tragedies produced by the contemporaries and successors of the three classic Greek tragedians (Aeschylus, Sophocles and Euripides). Greek texts and sources are accompanied by English translations, related historical information, detailed explanatory notes and bibliographies. Volume Two includes more than a dozen poets of the fourth and early third centuries (Astydamas, Carcinus, Chaeremon, Theodectas, Moschion and others), the Alexandrian Pleiad, Ezechiel’s Exagôgê (a tragedy based on the biblical Exodus), and some anonymous material derived from ancient sources or rediscovered papyrus texts. Remnants of the satyr-plays of this period are included in a separate Aris & Phillips Classical Texts volume, Euripides Cyclops and Major Fragments of Greek Satyric Drama, edited by Patrick O’Sullivan and Christopher Collard (2013).

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Of Gothic descent, Jordanes wrote a unique set of histories. The Getica narrates the history of the Goths from their earliest origins until the middle of the sixth century. Building on the lost history of Cassiodorus, it is the earliest example of a history told from the perspective of one of the barbarian peoples establishing kingdoms in the fifth and sixth centuries. It had great influence on later medieval historians, on national histories of the nineteenth century and on modern accounts of Gothic history. The Romana is a survey of world and Roman history. Whilst largely dependent on traditional Roman histories and chronicles for events up to the fourth century, it contains much unique information for the last two centuries it narrates. This book offers the first translation into English of the Getica for a century and the first modern translation of the Romana. The introduction locates the Getica and the Romana in the context of ancient historiography, building a new picture of Jordanes as a historian and of the two works themselves. It also offers a detailed discussion of the sources used by Jordanes, suggesting possible ways to identify his debt to Cassiodorus. Extensive notes guide the reader through these fascinating but often complex texts.

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Published here for the first time, Maura Laverty’s plays Liffey Lane, Tolka Row and A Tree in the Crescent are rooted in 1950s Dublin, its territories and enclaves. Teeming with the lives of the poor, the ambitious, the trapped and the struggling, the plays are moving, funny and vividly alive. They capture the capital in a state of transformation – reaching for modernisation while still enmired in stagnant class divisions, poor housing and narrow social values. Key to all three plays are questions of home, the lives of women and girls, and the impact of conservative government policies and church attitudes. Already a public figure in Irish life, and an influencer before her time through her fiction, cookery books and broadcasting, Laverty’s plays met with huge success when staged in 1951 and 1952 by Hilton Edwards of the Gate Theatre Company at Dublin’s Gaiety and Gate Theatres and on tour. Laverty’s trilogy is a significant and long-awaited part of the twentieth-century Irish theatrical canon. This volume presents the Trilogy, including a preface by Christopher Fitz-Simon, who knew and worked with Laverty. The editors’ introduction contextualises Laverty’s work and considers the theatrical values of the plays.

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Eating Disorders in Contemporary French Women’s Writing examines the most common types of Eating Disorders (EDs) - anorexia nervosa, bulimia nervosa/bulimarexia, and binge eating disorder - as represented in contemporary French women’s literature. The primary corpus comprises 40 autobiographical (and very occasionally autofictional) texts complemented by ample reference, and sometimes challenge, to clinical, medically-researched based, or theoretical publications on EDs.

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The LAMALIF anthology presents a wide variety of articles from LAMALIF, Morocco’s longest-serving Francophone journal. Active between 1966 and 1988, LAMALIF covered the most critical periods of Moroccan history and engaged in crucial debates about democratization, feminism, culture, education, Third World relations, and decolonization. However, LAMALIF was not just a journal; it was a real school, where Morocco’s, North Africa’s, and the developing world’s emerging and established writers, artists, and thinkers found a space to disseminate their ideas and address readerships across different cultures and geographical areas in French. This anthology is the first comprehensive translation into English of a wide selection of LAMALIF’s articles covering literary and art criticism as well as critical theory, feminism, Islam, and emigration. In addition to making available to Anglophone readerships articles about transnational solidarities and connections between North Africa and the rest of the world, LAMALIF anthology historicizes this sociocultural and political project within the painful period of authoritarianism in Morocco and reveals how culture worked as a trenchant weapon in the struggle against repression and silence.

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